Lois Oppenheim


, 1994, Michel Butor's L'"embarquement de la reine de Saba": An allegorical undoing of aesthetic experience, in A. Tymieniecka & M. Kronegger (eds.), Allegory old and new, Dordrecht, Springer, pp. 131-139.

, 1992, "No matter how no matter where": The unlit in Samuel Beckett's Not I and stirrings still, in A. Tymieniecka (ed.), The elemental dialectic of light and darkness, Dordrecht, Kluwer, pp. 43-53.

, 1990, Milan Kundera's polyphonic compositions, in A. Tymieniecka (ed.), The elemental passions of the soul poetics of the elements in the human condition III, Dordrecht, Kluwer, pp. 595-604.

, 1989, Fritz Kaufmann's Literary Aesthetics as Defined by His Study of Thomas Mann, in E. F. Kaelin & C. Schrag (Hrsg.), American phenomenology, Dordrecht, Kluwer, pp. 31-42.

, 1988a, "Le ciel est mort": Mallarmé and a metaphysics of (im)possibility, in A. Tymieniecka (ed.), Poetics of the elements in the human condition II, Dordrecht, Kluwer, pp. 177-188.

, 1988b, The ontology of language in a post-structuralist feminist perspective: Explosive discourse in Monique Wittig, in A. Tymieniecka (ed.), Poetics of the elements in the human condition II, Dordrecht, Kluwer, pp. 393-405.

, 1985, The oneiric valorization of the sea: Instances of poetic sensibility and the "non-savoir", in A. Tymieniecka (ed.), Poetics of the elements in the human condition: the sea, Dordrecht, Reidel, pp. 213-226.

, 1984a, The field of poetic constitution, in A. Tymieniecka (ed.), The existential coordinates of the human condition, Dordrecht, Springer, pp. 47-59.