There is more than one way to conceptualize the development of North American phenomenology. An image of “transplantation” would take the classical phenomenological tradition extending from Brentano to Husserl to be essentially the product of a European cultural sphere exported to the New World. In this view, Husserl’s thought is a seed planted in foreign soil and cultivated by his students. An image of “absorption” would portray North American philosophy as an autonomous enterprise enriched in stages by the themes and problems of classical phenomenology. On this conception, its origin in the European university is a contingent historical fact about phenomenology rather than a feature of its essential nature.
The choice between these images has consequences for how one reads the archive of phenomenological texts produced in North America. For example, in the course of a series of letters in 1940 discussing William James’ psychology, Aron Gurwitsch remarks to Alfred Schutz that they share the “goal of using James to present motives leading to phenomenology to a public which is unfamiliar with phenomenology.” Though Gurwitsch takes James never to have escaped completely the atomistic and sensualistic understanding of consciousness he criticized, he insists that James’ thought leads to and motivates the phenomenological project. American philosophy may therefore be translated into the language of phenomenology and “both parties gain infinitely with this translation.”[i] While the transplantation image implies that the gain is the ability of the phenomenologist to communicate to an American audience, the absorption image suggests that there are indigenous forces in American philosophy that could add to the phenomenologist’s project of fundamentally clarifying the structures of intentionality.
I approached Michela Beatrice Ferri’s new volume, The Reception of Husserlian Phenomenology in North America, with the hope of gaining tools for understanding this transition of a set of philosophical problems and methods from one surrounding world to another. Indeed, in his elegant if somewhat enigmatic Preface, Robert Sokolowski claims that the book is an “exercise in hermeneutics” concerning the displacement of phenomenology from one cultural-historical setting to another (vii). Continuing this theme, Ferri’s Introduction portrays this displacement as a “transplanting of Husserl’s thought” occasioned by the rise of Nazism (xvii) and as an “endeavor to graft phenomenology into American intellectual culture” (xxiv). Ferri suggests that by examining the reception of Husserl’s phenomenology in the United States and Canada (for reasons that are unclear to me, Mexico is excluded), the book will contribute to an understanding of “the division of philosophical discourse in North American [sic] that has been called the ‘Analytic-Continental Divide’” (xviii). The book proposes, then, to cut to the root of the divergence between the “analytic” and “continental” traditions in North American philosophy.
Unfortunately, the book is organized and edited in a way that does not contribute to a unified description of American phenomenology. Even worse, most of the discussions of the reception of Husserl’s philosophy remain on the level of merely factual history, without providing phenomenological analyses of particular receptive acts. Since I cannot discuss every one of the book’s twenty-six chapters here, this review will focus on those parts most salient to gaining an understanding of phenomenology in North America.
Jonathan Strassfeld’s meticulously researched opening chapter shows how the professionalization of philosophy at Harvard beginning in the 1890s required that the department offer a diverse curriculum rather than establish a single school. Indicative of this diversity effort, seven of the ten North American students who studied with Husserl before 1925 were associated with Harvard (7). Among them, the Canadian-born Winthrop Pickard Bell went to work under Husserl in Germany in 1911. With the internment of foreign nationals at the outbreak of the first World War, in 1914 “Bell became the first Anglo-American to receive a doctorate from Husserl; but only after defending his thesis inside a detention facility” (12). The chapter continues by offering a chronology of how other early notables – Marvin Farber, Dorion Cairns, Charles Hartshorne, and V. J. McGill – studied with Husserl during the interwar period. Drawing on Farber’s 1925 dissertation, Strassfeld argues persuasively that Husserl’s foundational program was not understood as part of a separate, “continental” tradition until at least the 1930s, when the work of Russell, Moore, and Wittgenstein began to hold sway at Harvard (16-20).
Jason Bell’s chapter proposes the project of examining Winthrop Bell’s 1927 Harvard course, “Husserl and the Phenomenological Movement,” the first class on phenomenology offered in North America. Perhaps the most interesting question raised in this chapter is whether logic is “purely a priori” or “dependent on induction,” a discussion of which would allow for a comparison of the phenomenological and pragmatistic theories of truth and evidence (33). But the chapter neither offers a phenomenological analysis, nor makes of any use of primary texts by Husserl, Peirce, Royce, or James. Consequently, this question is never addressed. Moreover, although the chapter is clearly written, it really examines only the first week of the course, and thus fails to give a comprehensive view of the earliest phenomenological curriculum in North America.
After discussing the seeding of phenomenology at Harvard, the book turns to the growing of phenomenology at the New School for Social Research. Judith Friedlander’s chapter offers a careful institutional history of the philosophy department at the New School. Lester Embree and Michael Barber’s chapter on the “Golden Age” of phenomenology at the New School is more anecdotal, but likewise contains interesting information on the role of three major figures associated with the school – Schutz, Gurwitsch, and Cairns. But although these chapters offer insight into the history of the New School, they are not recognizably concerned with Husserl’s thought – hardly any mention is made of his specific works, much less how his ideas were received or modified by North American philosophers.
The chronological orientation of these early chapters is not incidental to the structure of the book. Ostensibly, the chapters are organized into seven sections, beginning with the introduction of phenomenology at Harvard, and its establishment at the New School, and then proceeding to discussions of individual figures, centers and societies, phenomenological journals, regional schools, and finally to a comparison of the phenomenological and analytic traditions. Inexplicably, however, treatments of individual figures spill over into the first section (a chapter on Gurwitsch), and into the penultimate section (a chapter on Dallas Willard). Moreover, it is difficult to characterize what is going on in many chapters of the book that focus on phenomenological publications, societies, and centers. For example, Nenon and Ferri’s chapter on “Important Twentieth Century American Husserl Scholars” (145-149) is a mere list of “leading researchers” working in North American universities. A chapter by McKenna and Hopkins on the journals Husserl Studies and The New Yearbook for Phenomenology and Phenomenological Philosophy (337-341) provides only very brief editorial histories of these journals, quoting extensively from the publishers’ websites.
What do these chapters contribute – if anything – to an understanding of the reception of Husserl’s phenomenology? They certainly do not employ a phenomenological method. But nor do they draw on themes that have been investigated by well-known phenomenologists.
Even a clearly written and informative chapter, such as Jeffrey McCurry and Chelsea R. Binnie’s history of The Simon Silverman Phenomenology Center at Duquesne University seems out of place in series of “contributions to phenomenology.” In this chapter one learns, for example, how Erwin Straus’ office furniture was saved due to an encounter in 1938 with an SS Officer who had been his patient. Out of gratitude, the officer made special arrangements to ship the physician-phenomenologist’s possessions to the United States, which after Straus’ death in 1975 were donated to the Silverman Center (300-301). But what was the significance of the furniture within the face-to-face encounter between a Jewish physician and a Nazi Officer? How does the intact collection today allow one to reenter the embodied space of a working phenomenologist? What is the meaning of removing a culturally meaningful object – Straus’ Victorian music stand, for example – from one surrounding cultural world to another? This story could provide the starting point for a phenomenological investigation that would be appropriate to Straus as an emigre and as a theorist of embodied thinking. But the discussion remains merely factual, without exploring the meaning of the preservation of the furniture that constituted Straus’ workspace.
Though as mere catalogues of facts, these central chapters fail to elucidate how Husserl’s thought made inroads in North America, the chapters focusing on phenomenological figures have a more recognizably philosophical content. I shall focus on these chapters in the remainder of the review.
Daniel Marcelle’s chapter argues that Aron Gurwitsch’s “field theory” of attention advances the project of Husserlian phenomenology by breaking with Husserl’s own “searchlight” theory of attention. On Marcelle’s reading, Husserl focused on the noetic or “act” aspect of attending, which he described metaphorically as a “ray of regard” directed towards the object of thought (65-66). This spatial metaphor led Husserl to assume that noematic parts of the object remain constant as the consciousness undergoes attentional modifications, for example, that individual notes remain the same, whether they are heard separately or as part of a melody (67). By focusing instead on the noematic or “object” aspect of attention, Gurwitsch offers a richer descriptive theory that dispenses with this presupposition. Gurwitsch distinguishes among theme, the focal point of consciousness, thematic field, the content of which is not thematic but is contextually relevant to the theme, and margin, the content of which is not relevant to the theme but which is nevertheless featured in the stream of consciousness (50). This theory rejects the constancy implicitly assumed by Husserl, while offering richer resources for the description of attentional change (68). Marcelle’s reconstruction of these positions, as well as his characterization of Gurwitsch as promoting the project of phenomenology even while criticizing some of Husserl’s views, is on the mark. Phenomenology as both philosophers conceived it was not a static set of doctrines but a research program intended to uncover the fundamental structures of consciousness. My only objection concerns the chapter’s use of the “Freiburg Encounter” between Husserl and Gurwitsch to frame the discussion. Surely it was his decades of work at the intersection of classical phenomenology and gestalt psychology, rather than his brief 1927 encounter with the person of Husserl, that provides the proper context for understanding Gurwitsch’s field theory of attention.
Eric Chelstrom’s chapter examines Marvin Farber’s “idiosyncratic” understanding of Husserl. On the one hand, Farber wrote a dissertation on Husserl, advanced Husserl’s work for an English-speaking audience, and edited Philosophy and Phenomenological Research, a journal that, in its early period, was dominated by research conducted in a Husserlian phenomenological vein. On the other hand, Farber disagreed fundamentally with Husserl’s idealism, going so far as to separate the “logical” works as the only acceptable texts in Husserl’s corpus (109). Chelstrom makes a convincing case that Farber harbored doubts about Husserl’s methodology from early in his career, though they later emerged as more definite criticisms of Husserl’s idealism. According to Chelstrom, Farber saw the epoché as a valuable method of logical criticism, but argued that the turn to idealism smuggled in metaphysical assumptions that revealed Husserl’s “absolutist and eternalist” political views (112-113). Chelstrom holds that although Farber understood his own materialist and pluralist commitments to be opposed to pure phenomenology, the separation of Husserl’s logical and metaphysical doctrines was arbitrary. I am not so convinced. Doesn’t Husserl’s conception of a transcendental ego speak against the primacy of the empirical self? Likewise, Farber’s pluralism requires that he accept more than one method in philosophy, not that he accepts Husserl’s method. Though Chelstrom’s chapter raises important questions about a difficult figure, it does not explain how Farber used phenomenology within his own naturalistic and pluralistic project.
Though it offers a nice overview of Dorion Cairns’ career, Richard Zaner’s chapter also seems philosophically thin. Its central conceit is that Cairns introduced a novel and helpful principle into phenomenological philosophy, according to which “no belief is philosophically acceptable unless it is established on the basis of adequate evidence. This is a condition of the legitimacy of any epistemic claim” (139). But who would disagree with that? The principle is so general that, on its own, it adds nothing interesting to epistemology. The real question is: what counts as adequate evidence for a belief? In order to answer that question, one would need a more substantive phenomenological analysis of evidence and its adequacy than is available here.
Carlo Ierna’s chapter on Herbert Spiegelberg takes a biographical approach, outlining the phenomenologist’s education, studies, emigration to the United States, and finally his polemical exchange with Farber in the wake of the publication of Spiegelberg’s The Phenomenological Movement (Farber complained that phenomenology did not have the internal consistency to count as a “movement” but would be better described as a “tendency.” Spiegelberg disagreed.) (163-164). The most interesting part of the chapter concerns Spiegelberg’s phenomenological “workshops,” in which participants would attempt to enter sympathetically into one another’s perspectives. This is an alternative model to the current lecture- and text-based practices of most American phenomenologists. Indeed, it would have been interesting to read more about the methodology and content of these workshops.
Gabriel R. Ricci’s chapter focuses on Jitendra Nath Mohanty’s decades-long project of comparing Indian philosophy to Husserlian phenomenology. For example, whereas in the Vedantic tradition consciousness plays the logical role of mobilizing sources of knowledge but not of judging, in Husserl’s transcendental phenomenology consciousness is taken to have “judicative authority” (176). However, without a strong background in the various traditions of Indian philosophy, it is difficult to understand what is at stake in such a comparison. Moreover, since it neither quotes not cites any primary text of Indian philosophy, nor includes a bibliography, this chapter serves more as an encomium of Mohanty than as a critical engagement with his work.
The chapter on Robert Sokolowski by Molly Brigid McGrath presents similar problems. To be sure, McGrath makes an excellent case for Sokolowski’s anti-solipsistic interpretation of Husserl’s transcendental phenomenology, according to which the epoché exposes “not a solitary ego” but an intersubjective intentionality (197). But in attempting to summarize nearly a half-century of philosophical scholarship, it is not clear how this essay contributes to the volume’s stated purpose. As attractive as Sokolowski’s interpretation may be, what is the broader lesson concerning the reception of phenomenology? Would this understanding of the epoché have been acceptable to Husserl himself? What does it add to the phenomenological project that is not already available in Husserl’s philosophical writings?
Daniela Verducci’s chapter, which purports to show how Anna-Teresa Tymieniecka wove together pragmatic and phenomenological traditions, likewise strays from the topic of Husserl reception. An extended section on Scheler’s critique of pragmatism (210-214) is illustrative of this lack of focus. Indeed, the main point Verducci attributes to Scheler, that “the basic error of pragmatism” is “identifying knowledge exclusively as the knowledge of control” (212) rests on a misunderstanding of pragmatism. More importantly, it is unclear what this has to do with Tymieniecka’s reception of Husserl. The last section argues that the synthesis of phenomenology and pragmatism requires, in Tymieniecka’s words, that “not constitutive intentionality, but only the constructive march of life that supports it can reveal to us the beginning of all things” (215). But Husserl’s use of epoché, insofar as it reduces the field of phenomenological inquiry to the constitution of meanings, should block any claims about the beginnings of things. It is hard to read Tymieniecka’s statement as respecting this “immanent” orientation of phenomenological inquiry. However, given Verducci’s references to a plethora of philosophical figures, free use of Greek, Latin, and German technical terminology and neologisms, and large number of creative capitalizations and typographical errors, it seems that the issue is less philosophical than editorial. The editors should have worked more on the chapter before it went to print, which might have led to a more lucid treatment of an interesting topic.
California Phenomenology, a chapter co-written by Jeffrey Yoshimi, Clinton Tolley, and David Woodruff Smith, offers an historical outline of the development of Husserlian phenomenology on the west coast beginning in the 1960s. Interestingly, the founding figure of this movement was not a Californian but the Norwegian-born, Harvard-educated philosopher Dagfinn Føllesdal, who trained a generation of phenomenologists at Harvard and Stanford. Among those who attended early meetings in the Bay Area, most of whom were once Føllesdal’s students, were Hubert Dreyfus, David Woodruff Smith, Ronald McIntyre, and Robert Tragesser; they were later joined by such notables as Izchak Miller, John Haugeland, and Richard Tieszen. The authors note that the California school of Husserl interpretation is marked by an emphasis on exploring the relationship between analytic philosophy and phenomenology, and a “reading of Husserl as developing a semantic theory that can be viewed as a generalization of Fregean semantics, from language to consciousness” (372). As opposed to the “orthodox Gurwitschian” understanding of the noema as the object of thought, this “Fregean semantic” interpretation takes the Husserlian noema to be an abstract object mediating between the act and object of reference (372-373). For the California phenomenologists, your act of thinking of a tabby cat is able to pick out the furry thing on your doormat in virtue of its instantiating a noema or “sense” in you that puts your thinking of the cat into potential inferential relations with the other noemata you constitute. The fact that the noema can be pre-predicative makes it more general than Frege’s notion of Sinn: a noema enters into any description of thinking, regardless of whether that thinking is propositional. Unfortunately, the authors do not develop the consequences of this view but continue the memoir, which relies heavily on direct quotations of emails from various members of the group. However, this memoir is somewhat marred by the fact although the reader can usually tell who is writing, it is unclear which author was the recipient of the email. Another idiosyncracy is that although the chapter is dedicated to Richard Tieszen, precious little discussion of his work is included in the piece.
Micah D. Tillman’s chapter stands out as one of the strongest in the collection, managing to introduce Dallas Willard’s work, while offering fruitful suggestions for attaining a unitarian reading of Husserl’s corpus. On Tillman’s reconstruction, Willard pursued a realist interpretation according to which Husserl’s fundamental aims are at once to provide an ontology of objects, and to account for the possibility of objective knowledge. This attempt to account for objective knowledge is faced with two fundamental paradoxes. The first is that although knowledge must be objective, it is only realized in a subject’s mental acts. The second is that while any such realization must be immediate (in Tillman’s terms, “intuitive”), most of our scientific knowledge is not immediate but is grasped through symbols (393). On Willard’s reconstruction, Husserl resolves the first paradox by developing an account of universals as modes of intentionality that can be fulfilled. Thus, Willard maintains that universal meanings have objective validity but in their fulfillment are apprehended by a subject. The second paradox is also resolved via the notion of fulfillment, which ensures the validity of mechanical or symbolic reasoning not through direct inspection, but through the possibility that any symbolic mathematical proof could be “reactivated” or intuitively “fulfilled” (396). Even for those who, like this reader, are not versed in Willard’s thought, Tillman’s presentation is lucid and philosophically compelling. Though the rest of Tillman’s paper is too rich to be summarized here, one can only hope that Tillman continues this line of inquiry, perhaps by exploring the theological consequences of Willard’s view that are merely signaled at the beginning of the essay (390).
Several chapters are less relevant to the reception of classical phenomenology. Ihde’s chapter is a reprint of a somewhat polemical article on the analytic-continental divide from the 1980s, which now seems dated. Rescher’s chapter on Pittsburgh philosophy has little to do with phenomenology. Calcagno’s chapter on Edith Stein is interesting, but has no direct bearing on Husserl reception in North America.
The final essay in the collection, by Paul M. Livingston, argues that there is a fundamental methodological difference between Husserlian phenomenology and analytic philosophy, in virtue of which the two cannot be directly reconciled (435). According to Livingston, analytic philosophy since Frege has looked to linguistic patterns of public usage to understand the structure of thought (442). Exploiting the work of several figures central to this tradition, Livingston argues that a “characteristic methodological and ontological” assumption of analytic philosophy is that “the objective explanation of mental phenomena requires locating them in an intersubjectively and publicly available network of causally related phenomena” (453-454). Though there is much to be said for Livingston’s use of this literature, it seems to me that the entire weight of this latter claim rests on how one construes the word “objective.” If “objective” here means “true,” then all first-personal statements must indeed be excluded as subjective and false. This leaves no place for Husserl but amounts to the extravagant claim that in order to do philosophy at all, one must forfeit one’s first-personal grasp of the world. In distinction, if “objective” here means “empirical,” it is hard to imagine that Husserl or anyone else would object: surely the mark of an empirical explanation is its causal relation of a phenomenon to other publicly observable phenomena. Of course, there is a residual question of whether there are non-empirical explanations, that is, whether priori knowledge is possible. And some philosophers have answered this question negatively. But this denial could never be a general methodological commitment of analytic philosophers, some of whom have made non-empirical claims, including claims about logic.
I have suggested that in privileging facts over analyses of the reception of Husserl’s thought in North America, the volume includes too much information. But one may also remark on what it excludes. The lack of a chapter relating Husserl to James is strange, especially given Geniusas’ work in the same book series exploring the connection between James’ “fringes” and Husserl’s “horizon.”[ii] There is very little discussion of the work of Alfred Schutz, despite the fact that his work in phenomenology exerted tremendous influence in the social sciences, particularly through The Social Construction of Reality, the bestselling sociology text by Luckmann and Berger, who studied under him at the New School.[iii] Likewise, though his furniture is described in some detail, a chapter dedicated to Straus’s work would have been a welcome addition, and might have provided an opportunity to examine the theme of embodiment that haunts the history of phenomenology and is a concern of current work in philosophy. Another figure who is ignored is Hermann Weyl, who drew from Husserl and had an influential career at Princeton. Finally, it is surprising that there is no chapter on Kurt Gödel, who both attended meetings of the Vienna Circle and, while in the United States, dedicated himself to the study of Husserl. An examination of his views on phenomenology could be used stage an encounter between the mid-century analytic philosophy that stemmed from logical positivism and the continental tradition, which is one of the acknowledged aims of the volume.
This theme of the relationship between, and potential rapprochement of phenomenology and analytic philosophy is an important one, and merits further discussion. Analytic philosophy began as an approach that, like phenomenology, aimed to provide an ultimate clarification of the problems of philosophy. But traditional analytical topics like the problem of mental causation, the justified true belief theory of knowledge, or the metaphysical “debate” between three- and four-dimensionalists today look like artefacts of a stagnant and outmoded philosophical methodology. One’s sense of disappointment is not alleviated by observing the plethora of new philosophical research programs – formal philosophy, experimental philosophy, and critical theories of race and gender – that ape the methods of mathematics, experimental psychology, and sociology. The shattered hegemony of linguistic analysis leaves American philosophers in need of new, distinctively philosophical methods. While the wholesale revival of classical phenomenology might be a tall order, the critical and judicious use of first-personal description and a commitment to elucidating the meanings of lived experience may have much to offer practicing philosophers today.
This book has the virtue of discussing a number of figures in phenomenology who have received less attention than they deserve. In doing so, it shows that despite a common prejudice that takes phenomenology to be primarily a Western European phenomenon, phenomenologists have also been doing interesting work on this side of the Atlantic. However, the book ignores some key figures and leaves important questions unanswered. Indeed, it never makes thematic the fundamental questions about phenomenology in North America. In being received on this continent, how have the interests and methods of phenomenology been transformed? Is this transmission better conceived as the transplantation of a European cultural product to the New World, or as the absorption of a way of theorizing by North American philosophers? What sort of enrichment of philosophy was envisaged by figures like Gurwitsch and Schutz that could justify the countless hours they spent working out the details of a phenomenological philosophy, even while their families and friends were in danger of extermination at the hands of the Nazis? In failing to address these questions, the The Reception of Husserlian Phenomenology in North America misses an opportunity to raise the radical problems that would allow one to grasp the telos of the phenomenological project.
[i] Grathoff, R. [Ed] Philosophers in Exile: The Correspondence of Alfred Schutz and Aron Gurwitsch, 1939-1959. Indiana University Press, 1989, 30-31.
[ii] Geniusas, S. The Origins of the Horizon in Husserl’s Phenomenology. Dordrecht/New York: Springer (Contributions to Phenomenology, Vol. 67), 2012.
[iii] Berger, P. L. and Luckmann, T. The Social Construction of Reality: A Treatise in the Sociology of Knowledge, Garden City, NY: Anchor Books, 1966
The 2019 issue of The New Yearbook of Phenomenology and Phenomenological Philosophy has two main parts: the first one (consisting of eleven texts) is a Festschrift for the 65th birthday of Dermot Moran, the second one (with seven texts) contains updated version of the papers presented at a workshop held at the University of Montreal on the problem of imagination in Kant and in the phenomenological tradition, (The Imagination: Kantian and Phenomenological Models, 5-6 May, 2017). The volume ends with a “Varia” section, with the study of Emiliano Trizio, (“Husserl’s Early Concept of Metaphysics As the Ultimate Science of Reality”).
Dermot Moran is a key figure of contemporary philosophy and phenomenology. He has an immense, extensive knowledge in the field of natural sciences (having originally studied applied mathematics, physics, and chemistry), the humanities, and particularly, philosophy. He defended his PhD Thesis in Medieval Philosophy at the University of Yale University in 1986; the title of his thesis was: Nature and Mind in the Philosophy of John Scottus Eriugena: A Study in Medieval Idealism.
He counts as one of the leading researchers and experts in phenomenology, and especially in Husserl. He wrote several excellent books on Husserl and phenomenology (Introduction to Phenomenology, 2000; Edmund Husserl – Founder of Phenomenology, 2005; Husserl’s Crisis of European Sciences and Transcendental Phenomenology – An Introduction, 2012), and has a long list of articles published in a number of highly rated philosophy journals. His publications have always generated intensive scientific discussions. He was the President of the Programme Committee for the 23rd World Congress of Philosophy which took place in Athens (August 4-10 in 2013), as well as the President of the 24th World Congress of Philosophy which took place in Beijing (August 13–20 in 2018). Professor Moran is the founding editor of the International Journal of Philosophical Studies and the co-editor of the books series Contribution to Phenomenology.
One of his main goals has been to mediate in the greatest schism of our present day’s philosophy: the Analytic-Continental Division. He is urging a more intensive dialogue between the two sides. As an original philosopher, his basic philosophical stance is adopting transcendentalism, the critique of naturalism, with an openness to natural scientific research (from the transcendental point of view), and with continuous integration of the newest results of positive sciences into the considerations of transcendental philosophy. In our present days, when analytic naturalistic philosophy has a huge predominance, I think, these above-mentioned motifs are especially important.
I find myself fortunate that I was his PhD-student in 2008, so I know his personal side as well. I can say that he does not only represent the highest scientific and academic standards, and he is not just an exceptional teacher, but he is also an astonishingly kind person, very open to everybody and extremely helpful to all. This present volume pays a tribute to his outstanding career by his friends and colleagues. .
- The Festschrift contains eleven texts, with the “Editors’ Introduction”. This part of the volume was edited and introduced by Timothy Burns, Thomas Szanto and Alessandro Salice. In their introduction, they give a detailed and also a very personal overview of Dermot Moran’s career; and they also briefly summarize the essays of the first part of the book. I think that every single essay of the Festschrift is an original contribution to it, with new insights concerning the topic they treat. The essays reflect issues or topics that were of concern to Dermot, such as: transcendentalism, embodiment, intersubjectivity.
- In his study “Husserl’s Account of Action: Naturalistic or Anti-Naturalistic? A Journey through the Studien zur Struktur des Bewusstseins”, Andrea Staiti touches upon two motifs which are central for Moran: his commitment to the transcendental and anti-naturalistic attitude and his openness to contemporary natural scientific research and analytic philosophy of mind. He refers to one of Moran’s more recent essays in this context: “Defending the Transcendental Attitude: Husserl’s Concept of the Person and the Challenges of Naturalism” (2014). In this essay, Staiti focuses on Husserl’s view of action, drawing on his – at the moment unpublished, but shortly forthcoming – research manuscript “Studien zur Struktur des Bewusstseins” (1900-1914[-1924]) (Ms. M III 3 I-III). He tries to show that Husserl’s account of action, his fundamentally anti-naturalistic stance, is compatible with contemporary naturalistic description of action (according to which the action is not the result of the will as a supernatural causal source).
He attempts to prove this thesis through a microanalysis of Husserl’s depiction of the structure of action, as it is elaborated in “Studien zur Struktur des Bewusstseins”. Husserl interprets the will as a peculiar sort of conscious acts, which stand under the law of motivation. In Husserl’s view, subjectivity is essentially embodied, bodily consciousness, which is part of nature, and this conscious body is the source of will (and voluntary decisions). According to Husserl, free will is just the free functioning of this lived, autonomous and conscious body. As Staiti emphasizes, Husserl creates an elegant balance between anti-naturalistic and naturalistic interpretations of the will, and this could be a fruitful approach within the contemporary debates concerning the relationship of will and action.
- Mette Lebech engages in reconstructive work in her paper „Essence, eidos, and dialogue in Stein’s ‘Husserl and Aquinas. A Comparison’”. She discusses the original version of Edith Stein’s Festschrift essay for Husserl’s 70th birthday essay entitled: “What Is Philosophy? A Conversation Between Edmund Husserl and Thomas Aquinas”, originally written, as the title suggests, as a dialogue. Heidegger, who edited the Festschrift, requested Edith Stein to rewrite her work in prosaic form – which she did. She gave the revised version the new title: “An Attempt to Contrast Husserl’s Phenomenology and the Philosophy of St Thomas Aquinas”. The revised version was a comparison of the thinking of the authors, which changed the original content, in so far as the dialogue form itself contributed to the content.
In the original paper a dialogue is recorded between Husserl, as founder of phenomenology, and Aquinas, committed to an ethos of rational faith. The dialogue is possible because of the willingness of the two thinkers to enter into it, and together explore the differences between their respective positions. An important motif is the discussion of the nature of philosophy as well as the idea of essence: together the two thinkers try to attain rational insights concerning basic philosophical topics. The main point of the article is that it is the idea of intelligibility present in their respective understanding of essence that allows the two interlocutors to engage in a dialogue, and that the dialogue form brings this out. According to Stein (in Lebech’s interpretation) essence is a presupposition for the intersubjective, dialogic praxis of communities.
- Steven Crowell’s article, “Twenty-first-Century Phenomenology? Pursuing Philosophy With and After Husserl”, partly treats Moran’s narrative in his seminal work: “Introduction to Phenomenology” (2000). In this book, Moran portrays the history of phenomenology of the 20th century as a deviation from Husserl’s transcendental and idealistic formulation of phenomenology. Crowell, on the one hand, offers a critical overview of this interpretation of the phenomenological movement, and poses the question (based on the results of his essay) of what should phenomenology be in the 21st century?
According to Moran, the main authors of phenomenology – after Husserl – rejected both his transcendental attitude and his idealistic tendencies. The “inflection point” of phenomenology in this story was Heidegger’s philosophy of Being, and his vehement criticism of Husserl. Merleau-Ponty’s phenomenology, some really naturalistic features were gained, and finally in Derrida, the phenomenological method “collapsed” into deconstruction.
But in Crowell’s opinion, we could interpret the history of phenomenology in another way: phenomenologies – after Husserl – could be interpreted as transformations of transcendentalism. One could clearly identify the transcendental motif in Heidegger’s account of being-there (Dasein, the subject), as well as in (e.g.) Merleau-Ponty’s philosophy of chiasm and the phenomenology of nature.
Relying on this interpretation of phenomenological tradition, Crowell offers us a possible way of phenomenology for the 21st century, which keeps the transcendental attitude onwards in the future, but abandons classical metaphysical demands. It should be a phenomenology – as Husserl (and also Moran) claimed – of radical self-responsibility, a radical claim concerning evidence and ethical responsibility.
- In his essay entitled: “Merleau-Ponty and Developing and Coping Reflectively”, Timothy Mooney takes issue with Hubert Dreyfus’ interpretation of Merleau-Ponty on “skilled coping,” arguing that reflective work is to be found in many of our daily embodied experiences. He emphasises a self-differentiating and bodily field of experience from which the conscious and objectifying subject emerges and to which it makes its own contributions.
In the background of every movement, there is an anonymously functioning body, though the embodied agent is at once an encultured and thoughtful one. In this account, we do not find an indifferent animal body surmounted by human reason. Following on Joseph Berendzen’s work, Mooney stresses that Merleau-Ponty rejects a “layer-cake” model of human subjectivity (according to which there could be hermetically separated layers of body and mind). As Berendzen states: “There are certainly elements that we share with animals, […] but there is no shared layer” (76). Both body and bodily-founded consciousness are specifically human, and every so-called layer mutually determines and shapes the other.
Mooney illustrates the functioning of this embodied and culturally formed awareness in everyday life with a series of examples. The central concept in his essay is that of “little reflections”. These refer to the way in which we consciously adjust our bodily movements (and not just our speech) to changing events in the lived environment. We frequently make explicit corrections to our movements and in so doing contribute to replanning them. Without these little reflections, we would be literally unable to survive.
- Similarly to the previous study, Matthew Ratcliffe’s paper “Grief and Phantom Limbs: A Phenomenological Comparison”, first and foremost also relies on Merleau-Ponty. Ratcliffe emphasizes certain deep parallelism, and what is even more: identity between phantom limb experience and experience of losing a beloved person, that is to say: grief. Phantom limb experiences manifest for us the essentially embodied nature of consciousness, and that we are entangled with the world – in the same way that in the experience of grief, it became clear for us that we and the other person belong together in a much stronger than metaphoric way, in a nearly literal sense. The other (beloved) person is almost an extension of my body. The other person grants me access to the world in nearly the same way as my sensory organs and limbs do. In his essay, Ratcliffe focuses on our active, back-and-forth determinative relationship to the world, and on the manner in which our relations to other persons shape the access to our own body and to the world that surrounds us.
- In the center of Lilian Alweiss’s contribution (“Back to Space”) discusses the relation between place and space. It is generally agreed that Husserl’s phenomenology prioritises place over space. Lilian Alweiss questions this interpretation of Husserl by drawing on Edward Casey’s work. Casey claims for both early Kant and Husserl embodiment, the place we find ourselves in, is central to our understanding of space. Although Alweiss acknowledges that embodiment plays a central role in cognition and our relation to others, she believes that neither Kant nor Husserl ever argue that our understanding of space is a posteri or derived from our understanding of space. She thereby takes to task Casey’s anti-modern or romantic reading that tries to question our scientific conception of space.
- Anthony J. Steinbock’s article: „Hating as Contrary to Loving” is an essential and enlightening study concerning the phenomenology of emotions and feelings. The principal thesis of Steinbock’s essay is that hate and love are not parallel and coeval feelings, neither do they have a dialectical relationship. Love is more fundamental and original than hate, and the latter is founded on the former; so they have a foundational relation.
Steinbock makes a difference between feeling-states and feeling-acts. States are objective and static, and they could be conceived as objects. Acts are always dynamic, and could never be conceived as objects, in the way states could be. States are founded by acts. Hate is founded by love, both as act and state. It gains its entire reality and energy from love.
A key conception of Steinbock’s paper is at first a mysteriously sounding phrase: the hate hates the beloved (121). What does it mean? It means that hate is founded upon the positivity of love and beloved. It is a counter-movement, a negative striving against love and the beloved; it is a closing down with regard to the beloved (or a turning away from it), or even a destructive action against the beloved. But in its entire negativity, it is made comprehensible only through love, against which it is directed. It is the denial of the beloved.
- Thomas Nenon’s study “Do Arguments about Subjective Origins Diminish the Reality of the Real?” again joins a central topic of the whole volume and Moran’s basic philosophical attitude: the defence of transcendental stance. Nenon treats the criticism of two main authors of “speculative realism”, Tom Sparrow and Quentin Meillassoux against transcendental philosophy in general, and Husserl in particular. According to the criticism of speculative realists, transcendental philosophy and especially phenomenology fall prey to “correlationism”, which means “the irreducibility of subject and object, thinking and being” and „never considering either term apart from the other”. According to speculative realism, transcendentalism makes reality dependent on subjectivity. Nenon attempts to show that this criticism is false.
In Nenon’s interpretation, transcendental philosophy does not make reality dependent (objectivity) from consciousness, nor is it unable to consider and treat them apart. Transcendentalism is rather the first-person view treatment of experienced objectivity, and the ways in which objectivity appear in experience. It is Meillassoux’s realism which is somehow naïve and naturalistic, because it is simply oriented toward the worldview and achievement of modern natural sciences. Nenon says that Meillassoux’s concept of objectivity is too narrow – as opposed to phenomenology which has a much richer and sophisticated notion of objectivity, with many different regions, (the world of nature, the realm of culture, the sphere of ideal meanings etc.).
- Richard Kearney’s essay: “God Making: An Essay in Theopoetic Imagination” is a really beautiful writing about philosophy (phenomenology) of religion. It is a survey about the transformation of divine into human and human into divine, a mutual fusion of these two spheres of Being. A main topic of the paper is creation: how God makes the human being a partner, a playmate in the act, the process of creation; moreover: how humans become lovers of God in the act of creation. Creation is an erotic act; it is the fusion of creator and creature, divine and human, their mutual transition into each other. Creation is the manifestation of an erotic desire of God. Creation is moreover a poetic deed; the divine creation is “theopoiesis”.
An important point of Kearney’s paper is the motif of return, which he emphasizes with the Greek prefix “ana”. Kearney speaks about “anatheism” which is “returning to God after God: a critical hermeneutic retrieval of sacred things” (152). Anatheism is not just the Hegelian “Aufhebung” (uplifting); it is not simply a moving through the opposition of theism and atheism towards something higher. It is an ultimate re-opening to the radically new, it is the final union with the divine dimension.
In the final part of his study, Kearney applies and demonstrates his insights on the artwork of the contemporary artist, Sheila Gallagher.
- Nicolas de Warren, in his essay “Husserl’s Awakening to Speech: Phenomenology as ‘Minor Philosophy’”, highlights the peculiar philosophical importance of Husserl’s working method of thinking in writing, using his special stenography. His study is also a novel approach to Husserl’s relationship to language and his philosophy in general. Husserl’s way of meditating in writing shaped his thoughts, and his streams of thoughts also formed the way he wrote. Nicolas de Warren also wants to revise the still currently prevailing view concerning Husserl’s conception of language, according to which language was merely external to thought. De Warren tries to show that this is not the case. Language, not in a thematic way, but rather in a methodological manner, gained a central role in Husserl’s works. In Husserl’s unpublished manuscripts (in the process of writing them) phenomenology became really linguistic and phenomenological. In Husserl’s writings, phenomena really seeked expression, and all the concepts were in formation, everything was fluid and flexible. In de Warren’s interpretation: “Husserlian phenomenology is an unprecedented historical awakening of philosophy to its own speech” (164). De Warren characterizes it as a “Minor Philosophy”, as a radically new form of philosophising, which “struggles to create novel philosophical concepts within established – inherited and institutionalized – dominant languages of philosophy” (161).
- The second part of the volume (“The Imagination. Kant’s Phenomenological Legacy”) consists of six studies, plus the “Editors’ introduction” by Maxime Doyon and Augustin Dumont, which offers a brief survey of the philosophical importance of the imagination.
- Maxime Doyon’s study (entitled “Kant and Husserl on the (Alleged) Function of Imagination in Perception”) is a systematic comparison of Kant’s and Husserl’s conception of imagination and its purported role in experience and cognition. The text begins by arguing that there are at least three ways in which the imagination could be interpreted as playing an essential role in perception in Kant’s philosophy: firstly, it is said to be necessary to account for the amodal character of perception, (“amodal” in this context refers to the holistic feature of perception; that is to say: that we see objects as wholes, even if we see directly only a few details of them); secondly, the imagination would be essential to account for the constitution of the identity of object through time; and thirdly, the imagination would help us to classify objects, that is to say, to conceive them as particular examples of certain types or classes.
Doyon then tries to show that Husserl inherited this set of problems (amodal perception, constitution of perceptual identity through time and classificatory functioning of perception), without, however, subscribing to Kant’s explanation, which grants to the imagination a transcendental role. In Husserl, there is no place for the imagination in perception, except in two (relatively) rare situations: in image consciousness (when we perceive images [photos, paintings, sculptures, etc.]) and perceptive phantasies (experiencing of works of art; such as theatrical plays, operas, etc.). Otherwise, there is – pace Kant – just no place for the imagination at all in perception.
- Andreea Smaranda Aldea, in her long and thorough work entitled „Imagination and Its Critical Dimension: Lived Possibilities and An Other Kind of Otherwise” offers us a detailed and critical analysis of Husserl’s conception of imagination, highlighting its merits, but sketching a basically alternative model.
In Husserl, imagination and perception belong to essentially different sorts of acts. Imagination has a special – and very important! – epistemological role, but fundamentally it is the “inversed mirror” of perception. It is everything which perception is not, (with the exception that both are intuitive acts). Imagination is not-doxic, free, neutralized and quasi-positional act. According to Aldea this account, though at certain points grasps some fundamental features of imagination, at certain points it is rather insufficient, what is even more: misleading. In Aldea’s opinion, imagination cannot be interpreted in such a negative way as Husserl has.
Aldea, in an alternative model, which – notwithstanding – relies on Husserl, describes perception and imagination, which are radically different, but at certain essential points are nevertheless intertwined and in strong cooperation with each other. “Imagining possibilization” (a key conception in Aldea’s framework) has – as opposed to Husserl’s view on imagination –a motivated and teleological structure, and is embedded into the concrete medium of the life-world of the proper subject in question. “Imagining possibilization” plays a fundamental role in the constitution of meanings, and thus in cognition and experience in general. Aldea wishes to present such a model of imagination, which is bound by contingent cultural and historical conditions on the one hand, but – on the other hand – nevertheless has a fundamental transcendental necessity too.
- Samantha Matherne’s central thesis, in her essay, “The Hidden Art of Understanding: Heidegger and Merleau-Ponty’s Appropriation of Kant’s Theory of Imagination”, is that there is a fundamental continuity between Kant’s theory of imagination and Heidegger’s as well as Merleau-Ponty’s philosophy (despite the no less important differences). In her study, she attempts to demonstrate some essential elements of this continuity.
In the beginning of her writing, she emphasizes that there are four basic claims in Kant’s conception of imagination: firstly, the “perceptual presence”-claim (according to which imagination plays a constitutive role in the perception of a concrete material thing); secondly, the “transcendental”-claim (which says that imagination makes experience possible in a transcendental and apriori way); thirdly, the “pre-cognitive”-claim (which states that imagination operates prior to cognition, and founds the latter), and fourthly, the “know-how”-claim (in accordance with which imagination has a deeply practical function). Matherne tries to show that all these motifs could be found in Heidegger’s and Merleau-Ponty’s notion of imagination.
The Heidegger-part of this study is also a very creative analysis: the author (Matherne) does not investigate Heidegger’s Kant-book, which would be all too trivial in this context (though she – of course – mentions that work). She focuses on Heidegger’s Being and Time (of which she offers a closer reading) in order to show that the above-mentioned four elements could be found in Heidegger’s existential analysis of the Dasein (being-there). She completed the same work in analysing Merleau-Ponty’s Phenomenology of Perception; highlighting that Merleau-Ponty embeds the fore-mentioned Kantian claims into his conception of bodily existence. Imagination, in Merleau-Ponty, is fundamentally the functioning of the embodied subjectivity – but this treatment of imagination, according to Matherne, also has its roots in Kant.
- Michela Summa’s essay entitled: “Are Fictional Emotion Genuine and Rational? Phenomenological Reflections on a Controversial Question”, is a very sensitive and even touching investigation concerning the problem of fictional emotions. Though her study is not restricted to that, but the article mostly treats the phenomenon of fictional emotions in the aesthetical context. The question: do we experience real and rationally motivated emotions within aesthetical circumstances (e.g. seeing a theatrical play or reading a novel)? For example: Kendall Walton says: “no”, to this question. Michela Summa, on the contrary, answers this question with a definite and emphatic “yes.”
According to her, though the characters of fictional stories aren’t real, our emotions concerning them could be. Presence and real existence of things aren’t criteria for our emotions to be real; as Summa emphasizes, (real) emotions are often intertwined with the absence of its object (as in the case of e.g. grief). The sadness, she states, we are feeling for Anna Karenina, is both real and rationally motivated; (the situation, the experience is such that it is just rational to feel this way); the tears we shed for her fate are real, though she is not. Our entire personality could live in such fictional emotions – just as in the case of real emotions.
- Daniele de Santis – in his study entitled: “‘Das Wunder hier ist die Rationalität’: Remarks on Husserl on Kant’s Einbildungskraft and the Idea of Transcendental Philosophy (With a Note on Kurd Laßwitz)” – offers us an exhaustive study on Husserl’s reading of Kant, at the early stage of his elaboration of transcendental phenomenology, mostly between the years 1907-1909 (manuscripts mostly published in Hua 7). De Santis focuses on details of Husserl’s harsh criticism of Kant during this period; and also on the implicit ways in which Kant nevertheless influenced Husserl’s own transcendental position. Husserl criticized Kant in those, above-mentioned manuscripts, for his alleged anthropologism. That means: in Husserl’s interpretation, Kant states that a world, which is supposed to be understood by human beings, is essentially a human world, which presupposes human consciousness. Husserl, on the contrary, operates with a much broader form of rationality. The world need not be a particularly human world, in order to be understood, the rationality need not be specifically human in order to understand the world. The human being is a particular, empirical entity – but Husserl is interested in necessary and apriori structures of consciousness (and rationality) and of the world. De Santis emphasizes that we could highlight two different and fundamental forms of rationality in Husserl: a transcendental one (apriori structures of constituting consciousness) and ontology (apriori structures of constituted object); which together make up a non-anthropologic, more complete form of rationality.
An interesting and creative moment of this essay is the analysis, devoted to Husserl’s contemporary, Kurd Laußwitz, a Neo-Kantian author, who spoke about different, non-human parallel worlds, and to whom Husserl also refers in the manuscripts of the treated period.
- Augustin Dumont’s article entitled: “Imagination and Indeterminacy: The Problematic Object in Kant and Husserl” is a thorough, insightful, comparative analysis of Kant’s and Husserl’s account of imagination, and its role of the epistemology of these two authors; with special regard to their understanding of the “problematic object”.
Kant’s and Husserl’s conception of imagination, despite all the common points, are essentially different. Imagination, for Kant, in a certain way, serves as a condition of possible experience; while for Husserl, it is a possible (particular) form of experience. But there is also an important connection between them: the question of the “problematic object”. For Kant, the problematic object was the “object in general”, before every determination. In Husserl, the “problematic object” was the object of imagination or fantasy which – at certain points – played nevertheless an important role in Husserl’s epistemology, (e.g. in his method of “eidetic variations”).
- The closing unit of this volume, Emiliano Trizio’s writing, entitled: “Husserl’s Early Concept of Metaphysics As the Ultimate Science of Reality”, is an enlightening, very profound, astonishingly in-depth survey of the formation of Husserl’s early notion of metaphysics. Trizio’s main aim in his essay is to dispel such misunderstanding, according to which Husserl’s phenomenologically was – at least – metaphysically neutral, or even anti-metaphysical. In contrast to this, Trizio attempts to show that Husserl’s chief philosophical efforts were deeply metaphysically motivated, and that his ultimate goal was to establish a phenomenologically grounded metaphysics. In this regard, what is of the utmost importance is Husserl’s considerations on the relationship between theory of knowledge and metaphysics.
Trizio follows Husserl’s intricate trains of thought concerning the relationship of these two disciplines – from 1896 (Lecture on Logic) up to some of the earliest documents of his transcendental turn (Such as the Introduction to logic and the theory of knowledge. Lectures 1906/07). The theory of knowledge, according to Husserl, was about the essence of justified knowledge, and the proper means to attain grounded knowledge. Metaphysics, on the other hand, was about being; in the end, for Husserl, it was the ultimate science of factual reality.
Husserl hesitated for a while on how to define the boundaries between theory of knowledge and metaphysics. His final stance on this question began to crystallize in his above-mentioned 1906/07 lectures; according to which they are distinct and separate fields. Theory of knowledge (as “first philosophy”) yields the ultimate foundation of every knowledge; metaphysics (as “second philosophy”) is the supreme form of the philosophical disclosure of reality.
In my opinion, the 2019 volume of The New Yearbook of Phenomenology and Phenomenological Philosophy meets the highest standards. Both sections are excellent, with studies of very high standard, and the closing essay is also a very good one, treating a topic (Husserl’s early metaphysics), which deserves much more attention than it received until now. The first part is a compilation of studies of very high quality, in the honour of one of the most important contemporary philosophers; the second part is a collection of essays, which illuminate, in a very precise way, the peculiar philosophical importance of the phenomenon of imagination.
 A section for papers, which do not fit into the thematic parts of the volume.
 This paper was supported by the János Bolyai Research Scholarship of the Hungarian Academy of Sciences, (No. BO/00421/18/2). I would like to express my gratitude to everybody, who helped with her/his comments and corrections the completion of the final version of this article – first of all, to the authors of this volume. I am also very grateful to Zsuzsanna Keglevich, for proofreading the article.
 Husserliana 7. Erste Philosophie (1923/4). Erster Teil: Kritische Ideengeschichte (The Hague, Netherlands: Martinus Nijhoff 1956).
 Husserliana Materialien 1. Logik. Vorlesung 1896 (Dordrecht, Netherlands: Kluwer Academic Publishers 2001).
 Husserliana 24. Einleitung in die Logik und Erkenntnistheorie. Vorlesungen 1906/07 (The Hague, Netherlands: Martinus Nijhoff 1985).
Andrew Haas’ Unity and Aspect is a work in an area philosophy that is rarely addressed any longer; in Haas’ words, “something that might have previously been named first philosophy or metaphysics, or at least just philosophy, if there is such a thing” (16). With this characterization, which concludes the initial paragraph of the book, Haas sets the tone for his own foray into metaphysics.
To begin to get a foothold in Haas’ thinking, we note that he conceives of metaphysics as “the study of implications” (18), but not just any implications. The specific relations of implication on which Haas focuses are those between being, unity, time, and aspect. Haas sees the consideration of these relations as essential to metaphysics insofar as the traditional prioritization of being qua being compels the metaphysician to take up the problem of unity, since “being and unity imply one another” (16). First philosophy as ontology, then, is more properly “onto-henology” (16). Furthermore, being and unity imply time, which itself implies aspect; and so metaphysics, ultimately, is “onto-heno-chrono-phenomenology, or just metaphysics for short” (17). Haas’ metaphysics, then, is anchored in these four notions; Unity and Aspect traces the ways in which their relations of mutual implication play out.
Haas’ project is further complicated, when he notes that implication itself requires examination. For the notion of the implicated that he adopts is not simply the traditional negative counter-concept to the explicit, the precise, the clear and distinct. Instead of conceiving of the implicated as that which, in fact, has not been brought to its possible explication, Haas sees it as a type of implication that can never, even in principle, be made explicit, a type of being-implied that “repeatedly problematizes our desire to make what we mean explicit” (36). Herein lies the fundamental challenge of Haas’ book: to articulate a metaphysics of implication, despite its intrinsic resistance to explication. Thus, Haas avers that “we probably should not be surprised to find it difficult to give an account of our work” (76). For as he notes when he takes up the theme of explication, it is “the language of the explicit that serves as the norm” (307) in traditional Western thought. That is, our thinking has been, and continues to be, grounded in “a language that presupposes the possibility or necessity of presence” (308), i.e., in an ontology for which to be is to be present or at least presentifiable. This traditional ontology limits thought since it cannot accommodate a lack of presence that is not equivalent to mere absence, to mere non-being, and so “would seem unable to unfold that which is merely implied” (309), unable to give an account of that which lies outside the scope of presence and absence.
In view of the intrinsic difficulty of articulating a metaphysics of implication, Haas invokes several examples of familiar phenomena whose analyses at least facilitate an understanding of implication, as these phenomena exhibit structural similarities with that which is implied. For instance, Haas compares implications with memories, noting that just as an implication is neither present nor not present, so a memory is “neither the thing itself…nor is it simply not the thing at all” (67). Neither a purely positive phenomenon, nor the simple negation thereof, a memory, like an implication, is some kind of “third thing” (67). Haas draws similar comparisons between implications and apparitions (67), hints (122), marks (139), light (168), visual objects (198), and other phenomena. The upshot of these comparisons is that implications, being neither present nor absent, indicate a position outside of presence and absence, or “the suspension of both” (142) presence and absence. And Haas maintains that it is its suspension of this traditional opposition that renders implication characteristically “problematic” (75), characteristically inexplicable. A metaphysics of implication, then, articulates that which can only be addressed in suspension, that which is intrinsically a problem.
From this outline of the basic framework of Unity and Aspect, the influence of Heidegger is patent, particularly with regard to the clear kinship between Haas’ rejection of a metaphysics of presence and Heidegger’s critique of the ontology of the present-at-hand. Haas hints at this connection, when he holds that “[t]he problem of Being and Time is the problem of the problem” (359). For this can also be said of Unity and Aspect. A metaphysics of implication, addressing that which is intrinsically problematic, that which continually frustrates our need for resolution, for relief from suspension, is a metaphysics of what it is to be problematic, a metaphysics of the problem as such. In this sense, Haas’ endeavor bears a clear similarity with Being and Time’s project of articulating a conception of being that resists traditional philosophy’s attempts to render being explicit, to bring it to presence. Thus, Heideggerian being can only be thought as a problem, or more precisely, as what it is to be a problem, what it is to preclude a final resolution: in Haas’ formulation, “the problem of the problem.”
Although Unity and Aspect is too rich and wide-ranging to be read solely through a narrow Heideggerian lens, this seems to be a valuable way to approach the book, as a first reading. (Even the title suggests this approach, as unity and aspect are the most direct implications of being and time, respectively, which can be taken as implying that Unity and Aspect is the implication of Being and Time. For Haas, I suspect, what exactly that means depends on what is meant by implication, and so requires a metaphysics of implication.) Through this approach, we gain a point of orientation in the complex and difficult course of argumentation that constitutes Haas’ work. And though a good deal of late 20th Century and early 21st Century philosophy can be seen as developments of Heideggerian thought, Haas’ book is unique. To see the originality of Unity and Aspect, we first note the writing style that Haas adopts.
In consonance with its subject-matter, Haas’ writing reflects the enigmatic, indeterminable character of implication itself. Rather than asserting determinate claims, he makes suggestions, saying that something “might be” the case, that something else “would perhaps” follow, or “would probably” obtain. Haas sustains this suggestive, elusive mode of discourse throughout the entirety of Unity and Aspect, never making any fully definitive assertions, nor allowing any train of exposition to arrive at a determinate, unequivocal conclusion. This unyielding open-endedness may frustrate our need for resolution, our need to relieve the disquiet of suspense and arrive at a moment of presence. But, as we have seen, this resistance to presence lies at the very heart of a metaphysics of implication. The suspense is further maintained by Haas’ manner of articulating the pivotal terms discussed in the book. He gives detailed accounts of what being, unity, time, and aspect, along with other key terms, are not, contrasting them with traditional conceptions thereof. Being, for example, is introduced as not “a thing, nor just a universal, analogous, or paronymous…nor does it seem that it could be merely a word, one among many, nor just a thought, nor simply the position or existence or presence of a thing, nor a relation of things to themselves, like self-presence or self-identity” (17). Here, however, Haas is not merely practicing a negative ontology, as being is also not “their opposites, like non-self-presence, absence, withdrawal…” (17). In this way, traditional conceptions of being, like those of the book’s other key terms, are exposed as variations on the purported need to choose between presence and non-presence, a choice that overlooks implication and its suspension of both terms. The way that Haas carries out the exposition of his analyses also exhibits the indeterminacy of implication. Although it is not presented in the form of a linear, logical argument, the book follows a logic of its own, continually circling back to previous discussions, thereby relentlessly re-assessing, and further problematizing the metaphysical notions addressed in those discussions. By writing in a manner that does not merely proclaim, but exhibits, the indeterminacy of its subject-matter, Haas’ work is distinctive. It is an original metaphysics written in a way that is designed to afford a unique angle on the problems of metaphysics, specifically in their ineluctably problematic character. And Haas shows that such work is a valuable way of developing some of the fundamental insights of Heideggerian thought, of explicating the inexplicable withdrawal of being, and its implications.
Haas concludes Unity and Aspect by suggesting that a metaphysics of implication could be seen as engaging in a kind of waiting, that “waiting might also suggest how to consider something like suspension” (325). For the suspension intrinsic to implication leaves metaphysics unfulfilled, always on the way to an impossible presence that the metaphysician of implication recognizes as such. The ultimate insights that traditional metaphysics expects will eventually come to presence are now recognized as unpresentifiable, and thus as essentially “delayed,” “deferred,” “deterred” (325), as that which can only be encountered as still to come, as waited for. The danger of this characterization is that waiting can easily be conceived as waiting for a possible presence, rather than waiting for a suspension that is neither present nor absent—a waiting for rather than a waiting toward. To succumb to this danger would constitute a regression into the metaphysics of presence. Here, we can see why a metaphysics of implication must remain problematic, unresolved. Since its operations lies beyond the scope of that which our thinking can articulate, its expositions will always be no more than hints or suggestions. Conceiving of metaphysics as waiting, then, is no more than a hint. But it also no less than a hint. It may give a distorted view of the objects of a metaphysics of implication, but a distorted view is nevertheless a view. And waiting might be a particularly felicitous distortion. In Haas’ words, “waiting might far more be, possibly or necessarily, our normal way of being one with things, temporally and aspectually” (325). Although that, like all claims made in the context of a metaphysics of implication, remains to be seen.