Steven DeLay: Before God: Exercises in Subjectivity

Before God: Exercises in Subjectivity Book Cover Before God: Exercises in Subjectivity
Steven DeLay
Rowman & Littlefield International
2019
Hardback $120.00
200

Reviewed by: Walter D Hopp (Boston University)

“It is,” writes Steven DeLay, “a serious responsibility to be human” (125). Whatever else one thinks philosophy is, one of its tasks is undoubtedly to figure out what our human responsibility is. And that responsibility must be connected in intelligible ways to the reality of what we are, the nature of the world at large, and what, given our powers, we are supposed to achieve. If goods and evils do exist, and if it lies within our powers to introduce or eliminate them, philosophy should have something to say about what those goods and evils are, and how to do that. As Augustine puts it, “to obtain the supreme good and avoid the supreme evil–such has been the aim and effort of all who have professed a zeal for wisdom in this world of shadows” (Augustine 1958, XIX.1, 428).

DeLay certainly has a “zeal for wisdom,” and his book is, ultimately, about how to identify and obtain the “supreme good.” The short answer lies in the title: we should live our lives “before God.” The long answer can only be acquired by reading the book. For what DeLay offers is a series of powerfully written and insightful reflections on what a life lived before God looks like for the one who lives it. It is an “exercise in subjectivity,” not in the Cartesian sense, but in the phenomenological sense—an exercise in how human life and its responsibilities manifest themselves for one who lives in the confidence of the immense value of the human person and in God’s redemptive plan for us. It is phenomenological in a further sense, insofar as it spells out intelligible and in many cases essential connections among the beliefs, attitudes, and actions of one who lives their life before God. DeLay’s analyses draw heavily on the phenomenological and existential traditions, and his insights into some of the classics of those traditions are genuinely eye-opening. Many of DeLay’s insights are novel, especially those he applies to contemporary life. And many are knowingly part of a long spiritual and philosophical tradition, whose central point can be expressed by saying that to live before God is to repudiate the values and the invidious distinctions lying at the basis of nearly all worldly life and its political, social, and institutional expressions and manifestations. It is to take up a radically different form of life, one in which selfless love extends beyond one’s family and friends to one’s neighbors and even one’s enemies. At the same time, it is to look to God, and not to power, pleasure, prestige, or group membership for redemption. It is to “grow in doing good,” which is “to want what is good for others” (62), even those who do us wrong. It is to regard God as “the living One to whom we owe all” (3).

At the heart of DeLay’s exercises lies a contrast that hearkens back to Kierkegaard’s contrast between being a self and being part of a crowd, Augustine’s contrast between the City of God and the City of Man, and, of course, Paul’s contrast between a life of the spirit and a life of the flesh. “We are most defined,” DeLay writes, “by our capacity to decide whether we will an existence of being-in-the-world, or one instead of being-before-God” (124). The choice of being-in-the-world has a familiar outline, and DeLay allows the existentialists to describe much of it. It is, as Heidegger says, in large measure the customary, conformist, inauthentic way of doing what “one” does, thinking what “one” thinks, and feeling what “one” feels. On this point Kierkegaard agrees. This world is, moreover, widely agreed to be a place of immense pain and disappointment and despair, most of it caused by humans themselves. Here too Kierkegaard agrees.

But against Kierkegaard, and DeLay, the atheist existentialists more or less agree that the natural and human world is all there is and, most critically, that whatever redemption we can fashion must come from willing or resolving upon a certain order of values for and by ourselves. Our lives are essentially bound up with those of others and their self-centered projects, and our relations with them are for the most part instrumental or adversarial. From the point of view of being-before-God, others are made in God’s image, and we are required to treat them as such (see 76). From the point of view of being-in-the-world, as Sartre famously characterizes the matter, other people are hell with the magical power of defining, in their total freedom, who and what we are, and the best we can hope for is to stop serving them and to fashion and define ourselves. The task for the atheist existentialists remains what it was for Kierkegaard: to become a self rather than a crowd. But whereas Kierkegaard says in a thousand different ways that one can only be a self in relation to God, the atheist existentialists hand what they can of God’s powers over to us. At its height (or depth, as the case may be) this involves becoming creators of value or, perhaps even more absurdly, of our own essence or nature. Failing that, it is to at least live “authentically.” In any event, there is little recognition that anything we have, including life itself but also our powers of mind and body, is a gift, or any acknowledgment that these gifts are to be received in gratitude, held with humility, and employed in a life of service and love.

Does this mode of thinking and living exemplify a “zeal for wisdom”? If DeLay is right, it is the opposite, a view that “leads whomever follows it badly astray” (6). All of its proponents declare God to be dead far too hastily and, in many cases, too eagerly. For Heidegger, with whom DeLay engages most closely on this point, the reason is putatively methodological: the philosopher must practice “methodological atheism.” DeLay has a great deal to say about the questionableness of that methodological choice. But, more importantly, as DeLay notes, it is obviously quite more than a methodological choice. Heidegger’s analysis of Dasein as being-in-the-world is not supposed to be an account of what we would be if there were no God, but what we are. As DeLay puts it, Heidegger’s decision to characterize Dasein as “anxious fundamentally” is “not at all to bracket the question of God, but to reject directly the idea that we are made in the image of God” (6).

For DeLay, this is both catastrophic and philosophically irresponsible. Indeed, in the very first page DeLay rejects the traditional distinction between philosophy and theology. “Are philosophy and theology really so distinct” (1)? To affirm that they are, for DeLay, is to carve up disciplinary boundaries that do not correspond with the things themselves or the structure of our concern about them. “If it is impossible for any individual life to evade the question of God entirely forever …, how could a philosophy that aims to understand human existence do so itself” (3)? Well, quite simply, it can’t. One must, in one fashion or another, come to terms with the question of God. If philosophy is to speak to our condition, to aid us in identifying and seeking the highest good, it cannot simply bracket God as beyond or beneath its concern.

That philosophy cannot responsibly evade the question of God through mere methodological means seems rather clear. So what are the alternatives? DeLay writes: “where Heidegger recommended methodological atheism as philosophically crucial to transcendental phenomenology, why cannot we claim the opposite and insist on a methodological theism” (27)? Well, I think there may be an answer to that, and one that rules out both methodological atheism and theism. In transcendental phenomenology, we are concerned with essential relations among acts, their objects, and their contents. “To elucidate [the] connections between veritable being and knowing and so in general to investigate the correlations between act, meaning, object is the task of transcendental phenomenology” (Husserl 2008, 434). We bracket the factual existence of the world, for instance, not in order to doubt it, but just to prevent irrelevant premises from being imported into an eidetic investigation. It’s really no different from bracketing propositions about empirically real shapes when doing geometry, a procedure compatible with the absolute certainty that such shapes exist. Comparing the two disciplines, Husserl writes: “Geometry and phenomenology as sciences of pure essence make note of no determinations about real existence” (Husserl 2014, 147).

Now it would be objectionable to bracket God if that meant that in phenomenology we can say nothing about God or the consciousness of God. If phenomenology deals with what we are conscious of and the nature of our consciousness of it, then “by what authority can God’s phenomenality be discarded as illegitimate, as unimportant to phenomenological philosophy’s concern” (27)? That’s a great question, whose answer is, I think, just what DeLay thinks it is: by no authority whatsoever. This does not, however, amount to methodological theism. Nor is it methodological agnosticism. It is, well, bracketing—simply not considering the matter within the context of phenomenology, in the same way that a geometer brackets the color of shapes without thereby confirming, denying, or even remaining neutral on the question of whether shapes have colors. Bracketing the existence of God is compatible with phenomenological inquiries into the nature of the consciousness of God and the form of a life lived before God. We can talk about God and a conscious life lived before God all we want in phenomenology, as DeLay insists. And—here I think I may disagree with him—we can do so without violating any of Husserl’s strictures regarding the phenomenological method. The reason is that provided there is a consciousness of something, the nature of that consciousness is fair game for phenomenology. And you cannot discuss the nature of the consciousness of something without saying quite a bit about the nature of that very something: “the description of the essence of consciousness leads back to what, in consciousness, one is conscious of” (Husserl 2014, 254). (And I hasten to add that “what … one is conscious of” when one is conscious of God is God, and not, say, a God-noema.) Since people, including methodological atheists, are obviously conscious of God, that consciousness is a suitable topic for phenomenology, in all of its various forms of love, hate, and indifference. In the same way, phenomenology can talk about the nature of perceiving a physical thing, even without positing the actual existence of a single physical thing. The reason to bracket God—or trees, tables, or anything else—isn’t because their existence is dubitable. It’s because phenomenology is an eidetic discipline that posits the existence of no actualities at all.

From the beginning, as at all later stages, its scientific statements involve not the slightest reference to real existence: no metaphysical, scientific, and, above all, no psychological assertions can therefore occur among its premises (Husserl 1970, 265).

This—and the whole process of bracketing—has exactly nothing to do with epistemic caution. It has to do with the fact that phenomenology does not posit the existence of a single real thing. Indeed, among the things we don’t posit in phenomenology are individual acts of consciousness themselves (see Husserl 2014, 102). This partly explains why believers and unbelievers alike can learn a great deal from works like DeLay’s. Even without positing God, one can grasp, in some fashion, the nature of a subjective life lived in the consciousness of being before God.

Clearly, however, DeLay is right that philosophy as a whole cannot simply proceed on the assumption that God does not exist, or go on bracketing God’s existence indefinitely. Not, at least, if its task is to provide a metaphysics, an ethics, a proper ontology of the human person, and, finally, a path toward a good life. Now I don’t think this quite means that philosophy and theology are not distinct or even that they overlap—though, of course, they might. But in any case, I think this division is not what’s really at stake in DeLay’s view. For there are reasons to think that, at least on one conception of what those disciplines are about and what they require in terms of our wills, and despite the fact that both disciplines must address the question of God and the nature of a life lived before God, they cannot lead us all the way to God anyway. The reason is that knowing God is not principally a matter of how smart one is. As Delay puts it, “if God will be known, he must be loved” (18). Since a love of God is necessary for a knowledge of God, but is not necessary for doing philosophy or even theology, doing philosophy and theology cannot be sufficient for knowing God.

Before moving on, I should point out at once that DeLay addresses the worry that this is circular. His response is that the kind of knowledge at stake is knowledge by acquaintance rather than a deductive proof (18-19). A life lived before God is not the same thing as a life lived with a convincing argument for God. I think the point could be summed up by saying that surely one must have some conception of God in order to love and desire to encounter God, but that this conception and love does not presuppose the knowledge of God that it itself makes possible. Simply put, we all have some conception of God as an all-powerful and morally perfect spiritual being, one who meets human wrongdoing with mercy. Some of us love and desire to know God, and hope that this world could somehow be redeemed by him. Some of us, by contrast, would be quite relieved if God did not exist, since his ways and our ways do not agree. In fact DeLay very artfully turns the tables on those who charge the believer with “wish-fulfillment.” As he puts it, “the denial of God’s existence might equivalently be interpreted as someone’s not wanting to love what is there” (19). The prelude to acquaintance is loving, or at least not resenting and hating, the object of this conception. The principal problem for the atheist, on DeLay’s view, is that “he persists looking in a way that guarantees he will come up empty-handed inevitably, so long as he wants to” (19).

But why should a love of God be required to know God? Might we at least secure an argument for his existence if an encounter is out of the question? Part of DeLay’s answer seems to be that this is just a special case of a more general principle. It is, as DeLay points out, a familiar fact that while ordinary physical objects show up to anyone with properly functioning senses, many things do not. A hardened heart will not detect kindness or love when others exhibit them, or the beauty that lies in a piece of art or music (17). Nor is our will inoperative when we grasp arguments outside the “terrain of certainty” (19). “Knowing is entwined with what we want to know, or want to be. In a very subtle yet relevant way, just affirming an argument’s conclusion takes an exercise of love” (19).

I am not confident that this last claim is quite right. Many scientific theories, for instance, are uncertain, but we affirm them without any detectable exercises of love. But even if it is right, there may be a different reason why God, in particular, will only show up for those willing to encounter him. It is that God “does not impose an encounter with himself, because to do so would be incompatible with the love defining him” (18). And here, I think, DeLay’s work can be profitably supplemented with insights from, among others, Max Scheler and Paul Moser. God is a person, and as Scheler points out, persons, and only persons, can be silent (Scheler 1960, 335). Now Scheler is quick to add that it would be incompatible with the goodness of God to remain silent for all people and forever. But he may well decide to be silent for some people some of the time. And as Moser points out, his reasons for doing so would be motivated by and intelligible in the light of his perfect moral goodness. As he puts it, “God typically would hide God’s existence from people ill disposed toward it, in order not to antagonize these people in a way that diminishes their ultimate receptivity toward God’s character and purposes” (Moser 2013, 200). That is, the issue isn’t that certain spectacles will only appear to those favorably inclined. Rather, it is that God isn’t available via “spectator evidence” at all. Because he is a person, and a person primarily concerned with our moral characters rather than our beliefs, “God would not use spectator evidence for self-authentication” (Moser 2013, 105).

All of that seems perfectly in line with DeLay’s own claims about the conditions for encountering God. Like appreciating a work of art or recognizing nobility and excellence in another, it requires a certain loving attitude on our part. But unlike those cases, it also requires that God voluntarily reveal himself in ways suitable for our moral development. If we persist in the “wisdom” that characterizes being-in-the-world, we can expect God, out of love for us, to remain out of reach, just as DeLay says (19). But it does put pressure on DeLay’s framing of the relation of philosophy to theology. Much of the content of those disciplines is available to “spectator evidence.” They call upon powers primarily of intellect rather than of character. But the encounter with God does not. He will hide from the wise and manifest himself to children (Matthew 11:25). And given God’s personal prerogative to remain silent, and his reasons, grounded in love, for doing so, establishing the reality of God is quite possibly where both philosophy and theology stop short. I think that almost certainly follows from Moser’s position, and I suspect that it follows from DeLay’s as well. The alternative is that philosophy and theology do require a love of God to be done properly—a position that, I think, DeLay might endorse when he favorably characterizes the “ancient schools” of philosophical thinking for regarding philosophy as a partially “therapeutic” activity designed to “elevate[] those who pursued it above the quotidian life,” and which “requires more than conceptual clarity” (33). In either case, the important point of DeLay’s work stands: not just anybody is going to encounter God, and there are powerful reasons lying in both the subject and the object why that is so.

Whether that is so, a further and related point is amply substantiated by DeLay’s book, and that is that philosophy conducted “before God” can arrive at insights that would escape a philosophy of being-in-the-world. Or, more precisely, actions and attitudes that might look absurd from the perspective of being-in-the-world take on a whole new character of obviousness when viewed from the perspective of being before God. “A faithful life, led by its distinctive form of evidence, involves a comprehensively new way of seeing things in their totality, one with wide-reaching implications for how we grasp everything…” (28). So, for instance, Nietzsche accuses Christians of denying life, and bills his own philosophy of will to power as an affirmation of life. But what is being affirmed here is not life per se, nor a good life on any defensible understanding of it, but being-in-the-world with all of its brutality, arrogance, egoism, exploitation, and needless suffering. From the perspective of being-before-God, hatred of “the world,” so construed, is the very opposite of a hatred of life. “To the contrary, hatred of the world affirms life” (159). DeLay’s book is full of such insights.

Here is another example that, I think, goes straight to the heart of contemporary life. Being-in-the-world is marked by conflict at every level of human interaction, from the personal on up. That conflict often erupts into violence. And it always involves an enemy. One’s attitude toward an enemy might involve “rancor, resentment, hatred or even wrath” (103). But that, typically, is not how enemies are made. Enmity is normally, rather, the “bad fruit of egoism” (103). My enemy is my enemy because, originally, “he simply stood in the way of my desires” (103). Once this opposition is established, the “bad fruit” of enmity begins to grow. Far too often, the result is violence, followed by more violence, in a brutal cycle of retaliation and revenge. Hence the religious prohibitions on lust (103), which, judging by the widespread efforts to provoke it, much of the contemporary world seems to find arbitrary. Political solutions to these problems often simply substitute personal violence with institutional violence which, again, is typically born of people trying to get what they want, and coming to hate and oppress those who stand in their way. “Violence, when it concerns the lack of peace with others, originates in the strife produced by the desire to get what we want, sometimes at any cost, even should the cost mean the horrific suffering of others” (109). Following Dostoevski, DeLay insists that political solutions to violence do not get to the root of the problem: “true change would require everyone first beginning by revolutionizing themselves” (112).

For DeLay, this personal revolution means living before God. When I regard others as made in God’s image, I will never consent to harm someone for the gratification of my desires, or especially for vengeance. And, given the normal way in which enmity arises, this means that I simply won’t have enemies. As DeLay puts it, “There can be no peace until we learn to live without enemies” (110). Now of course DeLay knows and insists that enmity is not always reciprocal (102). We cannot control whether others regard us as their enemies. And, of course, we might all have unwilled enemies, otherwise the commandment to love one’s enemies would make no sense. But we can control whether we regard others as enemies, whether we are the ones who will the harm or destruction of another. When we love others, we would never want that. Alice von Hildebrand writes:

A fundamental characteristic of love is that all the good qualities of the beloved are considered to be a valid expression of his true self; whereas his faults are interpreted as an unfaithfulness towards his true self (Hildebrand 1965, 57).

And that is exactly the vision that DeLay shares. From the point of view of living before God, not only will we not regard others as enemies, but it will be obvious that we cannot so regard them. Defense of self and others might be called for in certain dire circumstances. But mowing down others or destroying what in their lives is precious in the pursuit of pleasure, power, or revenge for past harms would be out of the question. What is natural and obvious from the point of view of being-in-the-world, namely the genesis of violence in uncontrolled desire and its perpetuation through hatred and retaliation, is nearly unimaginable from the point of view of being before God.

It is in this light, I suggest, that we read one of the more puzzling features of DeLay’s view. In his discussion of lying, DeLay claims that there is no explanation for why people lie (129). And that is because, like Kierkegaard and Henry, DeLay thinks that this is true of all sin and evil (129). Now I admit that lying often involves a kind of bad faith, that “To lie is to trust that I, and not it, am in control. But I am not, and so to breathe it into being is to make myself its dupe” (131). But it is rather implausible, for instance, that there is no explanation for why a criminal on the stand would lie. He doesn’t want to suffer. Lying to avoid great suffering or death is about as intelligible as things come in the sphere of human motivations. Maybe such a liar wrongly thinks that he is in control of the consequences of his lie. But more likely, the explanation is more mundane: telling the truth means certain suffering, and lying means, well, maybe not.

More worrying, though, is that the claim that sin and evil are without explanation entails that the repeated and depressingly similar patterns of wrongdoing that we find in the world have no explanation, that it is a gigantically improbable and horrendous miracle. But DeLay’s own book succeeds in showing, again and again, that being-in-the-world has an inner logic of its own that makes wrongdoing almost inescapable. Equip some very finite but rather clever beings with pride and lust and the will to power, give them contingently limited physical resources and essentially limited funds of prestige and social status, and one might hazard a guess at how things will unfold. And so they do unfold, much as DeLay describes and explains in each chapter of his book, and as other insightful people (Plato, Paul, Hobbes, Nietzsche, Veblen, Murdoch, to name just a few) have described in theirs.

How are we to reconcile DeLay’s position that evil does not make sense with the fact that it does make sense, and that he himself makes sense of it? The answer, I think, refers us again to the contrast between being-in-the-world and being before God. Evil might make sense from the perspective of abandonment, despair, and self-sufficiency that characterizes being-in-the-world. In fact, it makes enough sense that with minimal premises we could deduce it a priori. But from DeLay’s own perspective, that of being before God, doing the right thing is not only possible, but natural and obvious—so much so that evil must, from this outlook, genuinely be unintelligible.

But DeLay makes, and repeatedly illustrates, a further point about evil. Not only is it profoundly irrational from the point of view of living before God, but is so even from the perspective of being-in-the-world. The reason lies in its typically self-undermining character. To return to the lie, the lie has, as part of its own nature, something paradoxical about it. “A lie,” DeLay writes, “is something one assumes will not be identified for what it is … yet what makes it what it is (a lie!) is precisely that it deceives, first and above all else, the one that it has assured it cannot (or probably will not) be discovered” (130). This is the “existential” paradox characteristic of the act of lying. A lie has logical and practical consequences that exceed our intentions, our grasp, and our control. To utter one is to lose control in an attempt to exercise control.

We find the same internal tension in other cases too. Evil, as DeLay points out, is often silent, both in point of fact and more broadly by way of a life shrouded in “a fog of evasions and obscurities” (118). The absentee father, to give one of examples, becomes increasingly silent in this way as his failure at parenting becomes increasingly conspicuous. “Phone calls are left unmade, birthday cards unsent” (118). But the silence intended to cover over this failure makes it all the more evident. “As with the adulterer, the conman, or the spy, the silence required to conceal the double life eventually becomes bizarre; in turn, it only arouses the suspicion of guile it was meant to dispel” (119). Or again: “Undermining itself, the silence not only has failed to hide what it hoped it would. It has disclosed that it has something to hide” (121).

Another, but by no means the final, example is violence itself. Its goal, ultimately, is to put an end to conflict. But it almost never manages to do this. Not only does retaliation typically provoke further acts of retaliation, but the act of violence nearly always leaves the perpetrator of it damaged—especially, we might add, when retaliation amounts to annihilation. Even in those cases which seem most obviously justifiable—the United States’ role in World War II, for example—violence harms everyone, including the victors. This isn’t just because, say, it led to the horrors of Nagasaki or Dresden, in which “to do violence to others is also to have done harm to ourselves” (104). It’s also because the many consequences, both seen and unforeseen, of that conflict. Now DeLay does say that “A purely philosophical justification for unconditional pacificism is admittedly elusive” (106). At the same time, his chapter on “Making Peace” reminds us of the horrific consequences of violence, quite contrary to whatever legitimacy might appear to characterize violence in the first place. Furthermore, according to DeLay, violence is exacerbated by the very worldly attitude of regarding the individual as unimportant and viewing political entities as the really important agents of power and change in the world. This perspective is itself self-undermining because “It worsens the violence it hopes to ameliorate by ignoring the depths of the problem’s source” (109). It is a recurring feature of DeLay’s book how often self-defeating the world’s solutions to its own problems are.

This brings me to an important point about DeLay’s method of philosophizing. In the examples above, DeLay provides empirical evidence for his assertions. But he does not characterize his claims to be empirical only. Regarding the consequences of war, for example, he writes that “empirical reality concerning historic facts confirms the original claim of phenomenological essence” (106). And so it is with each of his analyses. I can imagine some readers being suspicious of these claims of “phenomenological essence.” DeLay does not employ the familiar strategy in philosophy of wandering to the remotest of all allegedly “possible worlds” to see if his claims don’t hold up in some of them. Might there not be some possible world where violence succeeds in putting everything right, where the proud and the self-centered never become enemies, where the power of the State puts an end to all conflict while leaving our inner lives untouched, and where the lie and its offspring have all been tamed by the liar? Well, maybe such worlds are “conceivable,” at least in some empty or inauthentic way. So construed, maybe these aren’t claims of “essence.” But between what is true in every far-fetched possible (or, more often, inauthentically conceivable) world and mere contingency there is intelligibility. The connections among evil and its consequences, and between living before God and its consequences, are not brutely empirical. They make sense, including phenomenological, motivational sense. And DeLay’s method is to make sense of them, within the constraints that reasonable people will probably recognize as framing human life. I imagine that some readers will find this realism to be a refreshing aspect of DeLay’s work. I know I did.

This leads to one final point, however, one where my own doubts run deepest. A strong interpretation of DeLay’s position is that living a life before God is both sufficient and necessary for genuine moral goodness, the kind of robust moral goodness needed to transform human life in the ways so desperately needed. I will leave to the side the question of whether it is sufficient, in part because I think DeLay makes a very strong case that it is—though, and as I suspect DeLay would agree, learning to live before God might be a long road that cannot be travelled by a mere change in belief. But is it necessary? There are, after all, more sober conceptions of a godless and finite life than the being-in-the-world of the existentialists, and it would have been helpful to see DeLay exercise his considerable philosophical skills against some more credible opponents. Iris Murdoch’s philosophy, for example, presents a diagnosis of human wrongdoing very much in line with that of the Christian tradition, and recommends a partially similar and non-legalistic cure of selfless love, “attention” to the real, and humility (see Murdoch 1970). And even when the similarities don’t run as deep, there is a considerable overlap between many secular and religious conceptions of the good person and right action. Seeing the other as treasured by God, for instance, is certainly helpful to seeing the other as a bearer of dignity and rights. But it does not seem to be essential to doing so. Furthermore, as flawed as we and our world may be, normal human life contains goodness too. Love, care, mercy, honesty, courage, self-sacrifice, and mutual respect are familiar aspects of human life which, again, might be strengthened by faith in God, but do not seem to require it. Is there an alternative, then, on which people could be genuinely and profoundly good without faith in God?

DeLay addresses this issue directly, but rather briefly:

…if living a maximally upright life without faith is possible, if caring for the well-being of others is one’s real priority, and if one hates suffering and evil, how does one exist in a world so broken and not die of grief? If anyone can live a comfortable life, relatively apathetic in the face of the supposed knowledge that this is the only world there will be, that there will be no judgment in which good is rewarded and evil punished: can we take this attitude’s declarations of sensitivity and clean-heartedness seriously (144)?

Well, maybe we couldn’t take such claims seriously from the comfortable and the apathetic. But between them and those who die of grief, there remains room for those who do hurt, who do care, but who find that there’s enough goodness in the world—including the intrinsic goodness of doing good—to get by. Perhaps such people would not allow themselves to die of grief, because that would constitute an additional triumph of evil. They might, additionally, recognize in humility that their own powers of healing the world are profoundly restricted, and that they are—like, I suspect, all of us—simply psychologically limited in how widely they can distribute their heartfelt care. I just don’t think anyone has the psychological or spiritual resources to shed a tear for every act of injustice on their block, let alone in the world, no matter how much each one of them warrants it. Extending effective love and care to our “neighbor”—who may also be our enemy—is as much as we can normally do, whether or not we have faith. In any case, I not only think that deeply moral agnostics or atheists are possible, but I am rather confident (one can never know for sure) that I know such people. Many of them are sincere, and their unbelief is founded in genuine difficulties, especially the problem of evil. I don’t pretend to know what resources they draw upon to sustain themselves—perhaps it is God and they don’t even know it—but virtue and unbelief do not seem incompatible. As Dallas Willard puts it, God’s kingdom is wherever his will is done, “the domain where what he prefers is actually what happens” (Willard 1998, 259). And I am confident that there are many more participants in this kingdom than the faithful alone.

That being said, I do think that DeLay’s account of a life lived before God succeeds in its task of shedding light on the world from the perspective of faith. This is in part because while the existence of God might not be a matter to be settled by description or argument, DeLay does provide a rich phenomenological characterization of what living with a secure faith and trust in God involves. It is a work of immense wisdom, compelling arguments, and rich phenomenological descriptions. It is, finally, a refreshing reminder of what draws most of us to philosophy in the first place: to grapple with ultimate questions of human existence, with clarity of thought and expression, and without methodological evasions.

Works Cited

Augustine. 1958. City of God. Translated by Gerald G. Walsh, Demetrius B. Zema, Grace Monahan, and Daniel J. Honan. New York: Image Books.

DeLay, Steven. 2020. Before God: Exercises in Subjectivity. New York: Rowman & Littlefield International.

Hildebrand, Alice. 2017. “Hope.” In Dietrich von Hildebrand with Alice von Hildebrand. The Art of Living, 61-77. Steubenville, OH: Hildebrand Press.

Husserl, Edmund. 1970. Logical Investigations. Two volumes. Translated by J.N. Findlay. London: Routledge & Kegan Paul.

Husserl, Edmund. 2008. Introduction to Logic and Theory of Knowledge: Lectures 1906/07. Translated by Claire Ortiz Hill. Dordrecht: Springer.

Husserl, Edmund. 2014. Ideas I: Ideas for a Pure Phenomenology and Phenomenological Philosophy. Translated by Daniel O. Dahlstrom. Indianapolis: Hackett.

Moser, Paul K. 2013. The Severity of God: Religion and Philosophy Reconceived. Cambridge: Cambridge University Press.

Murdoch, Iris. 2001. The Sovereignty of Good. New York: Routledge.

Scheler, Max. 1960. On the Eternal in Man. Translated by Bernard Noble. London: SCM Press Ltd.

Willard, Dallas. 1998. The Divine Conspiracy: Rediscovering our Hidden Life in God. San Francisco: Harper San Francisco.

Judith Wambacq: Thinking between Deleuze and Merleau-Ponty

Thinking between Deleuze and Merleau-Ponty Book Cover Thinking between Deleuze and Merleau-Ponty
Series in Continental Thought, № 51
Judith Wambacq
Ohio University Press · Swallow Press
2018
Hardback $95.00
296

Reviewed by: Alex de Campos Moura (University of São Paulo)

The Transcendental Project in Merleau-Ponty and Deleuze

I. Introduction: The Question

Judith Wamback’s book, Thinking between Deleuze and Merleau-Ponty, proposes a highly original reading of two central authors from the 20th century, one that sheds new light on their most important insights.

According to the Wamback herself, she is reacting to a consensus that has been established about the relation between the two thinkers, a consensus that sees their respective works as being either alien or in opposition to each other. This reading of their relationship was championed not only by Foucault but also by Deleuze himself, in his few and mostly negative comments on Merleau-Ponty. As Wamback shows, Deleuze does not seem to recognize either in phenomenology in general or in Merleau-Ponty’s work in particular the main sources of his thought.

Against this interpretation, Wamback explicitly proposes to find a philosophical argument that legitimates bringing them into proximity. She is not, therefore, interested in reconstructing the common history of their reception or perhaps in uncovering a heretofore ignored biographical connection; on the contrary, what she seeks is to make explicit a conceptual connection between two thinkers that critics—including Deleuze himself—have become used to seeing as radically alien. This is the central motivation of this book, one that is also central in evaluating the relevance of its implications.

In order to bring this project to fruition, Wamback proposes a precise framework, which she herself describes as “metaphysically” bent, and which takes up a classical philosophical question, namely the question of the relation between being and thought. She investigates the way both thinkers understand this question, thus providing the ground for her attempted rapprochement.

Indeed, as the book progresses, this question becomes increasingly more precise, and the way Wamback frames and focuses her discussion, notable for its clarity, is one of the main strengths of the book. The debate about the status of thought is revealed as a discussion about the transcendental project behind each thinker’s work, highlighting the intrinsic relation between this project and what Wamback describes as a “philosophy of immanence.” This philosophy of immanence is, according to her, a central dimension of both philosophers’ thoughts, one that brings to the forefront the necessity of understanding the articulation between the transcendental and the immanence.

Wamback, therefore, centers her comparison on the idea that Deleuze and Merleau-Ponty both recognized an immanence between the condition and the conditioned, one that finds its privileged “place” in the notions of expression and simultaneity. This is the central thesis defended by this book, an original and unusual contribution when considered against the backdrop of most studies dedicated to this topic. Let us then examine the way Wamback organizes her book.

II. The Path

In order to accomplish her proposal, Wamback delineates five main steps, thus establishing a work method that is followed throughout the book and that structures the overall path of the investigation. First, a description of the highlighted concept as it is formulated by each of the authors. Second, a discussion about the relationship between the two topics or concepts. Third, a description of the way this articulation sheds light on each of them and, based on this, on the respective reflections in which they find themselves. Fourth, an attempt at finding an “equilibrium” or “balance” between the singularity of each work and its possible openness by way of this articulation. Fifth, the configuration of a new image of the history of philosophy to which these philosophies belong.

In fact, the fifth item is the broader horizon that frames Wamback’s discussion (5). She is not interested in creating a common narrative thread that would encompass both philosophers’ work—indeed, such a common thread may not even exist. Rather, by doing justice to the way each author relates to other thinkers, she intends to “anchor” the “resonances in their work to the history of philosophy”, thereby formulating an “alternative image of the philosophical alliances in French academia over the last two centuries” (5). Here the most ambitious facet of the project is revealed, namely to go beyond a book directed to a specialist audience by retracing kindred context or horizons, thus making explicit the way philosophy is built as a series of answers to the great questions posed by other philosophers (5). This implies the recognition of a historical dimension that is not exclusively factual—if it were possible to think of it in this way—, intrinsic to a specific philosophical debate, perhaps (in a first moment) even in a latent way, but which would even so still be affirmed in each of them. As Merleau-Ponty wrote in the fifties, this would be a kind of subterranean or indirect history, a history that is expressed in the facts without being reducible to them and without detaching itself from them.

In this sense, according to Wamback, the question about thought and being, which is as ancient as our most ancient sources on Western thought, is revealed as a privileged problematization axis, allowing her to trace out the way Merleau-Ponty and Deleuze pursue this classic problem in their respective philosophical reflections on the basis of their network of references and their theoretical frameworks. She is, therefore, able to uncover deeper and broader debates than those one would glean from a first reading, or even a reading that pays more attention to the schools and neglects the “secret” historicity that animates them. This is undoubtedly one of the most interesting aspects of Wamback’s work.

The book is organized around five main cores. I will first describe those cores in a general way, and then I will offer a more detailed analysis of each of them, following the way Wamback builds her argument.

The text is divided into seven chapters, each of which is further divided into topics. These chapters all follow a general methodology: first Wamback presents the position of one of the philosophers being analyzed, then the position of the other, and finally compares them. This methodological option greatly contributes to the clarity of the text and to the strength of her argumentation.

The first and the second chapters focus, according to Wamback herself, in a more direct discussion between the two authors. The idea is not to pit one against the other but to discuss the way each of them approaches similar questions in a kind of textual confrontation, one that is more intimately connected to the analysis of specific works and texts.

The first chapter is dedicated to the topic of thought, focusing on what Wamback describes as “original thought”, seeking to formulate what are, for each author, its nature and conditions. The main axis of the chapter is the argument that both authors think this notion as a way of distancing themselves from the representation model and its implications. This move demands an analysis of the objective and subjective dimensions that constitute this “original thought”, which leads us to the problem of the ontology therein implicit. This question is pursued in the second chapter, which seeks to understand in what sense the way both authors formulate the question about the status of thought—and its distance from the representation model—is grounded in an understanding of being. In particular, Wamback shows how this ontology recognizes being as unitary, even if it admits—indeed, demands—difference and indetermination.

The third chapter focuses on what Wamback considers a kind of epistemological or ontological “project” or even “decision” present in Merleau-Ponty and Deleuze’s philosophies, discussing the extent to which their paths (delineated by the first two chapters) are connected to an understanding of the sense of philosophical work, especially in the framing of its own field of investigation—which is connected to what Wamback describes as the “empirical”. She will here follow the way Merleau-Ponty and Deleuze absorb the much-debated “transcendental empiricism”, tracing out their divergences from Husserl and Kant. This absorption is, to Wamback, one of the main points of proximity between the two, a point to which I will return below.

This investigation is carried a step further by its incursion into the relationship between the condition and the conditioned, an examination that will be carried out in the fourth chapter, with its reference to Bergson. As is well known, the relation between Deleuze and Bergson is much more explicit than the relation between Merleau-Ponty and Bergson. However, more and more recent scholars have highlighted this last relation, and Wamback’s work is part of this recent trend in the scholarship, which presents a broad yet still unexplored horizon. In particular, Wamback’s reference to Bergson appears as a central element—both for Merleau-Ponty and Deleuze—in the understanding of the relation between the condition and the conditioned, especially in connection to the notion of “simultaneity”.

Chapters five and six focus then on this relation, particularly in its connection to the question of “expression”, a question central to both Merleau-Ponty and Deleuze and which is organized precisely around the articulation between the “ground” and the grounded. To understand this question, the fifth chapter is dedicated to the description of its connection to literary experience—examining the reference to Proust, which is common to both and which is of undeniable relevance—, and the sixth chapter is dedicated to its connection to visual dimension—examining the also common and very important reference to Cézanne.

The seventh chapter also has recourse to a common denominator but now approaching the discussion from a different angle. According to Wamback, the previous chapters had as their goal to show, in different ways, the proximity between the two philosophers, by exploring how their common horizon is structured by the assertion of a unity between the condition and the conditioned, an inseparability of the ground and the grounded—a logic that is particularly notable in the notion of expression. The last chapter then attempts to shed new light on this logic, highlighting the way in which a differential dynamic operates inside this logic. The common denominator mentioned above is Saussure.

Wamback uses this reference to Saussure to explain how a “solid immanence requires a differential theory of how the condition generates the conditioned (which nevertheless determines it)” (7). She shows how this differential dynamic is to be found in both authors, especially in the way each of them appropriates Saussure’s thought, and how its constituting logic is marked by a tension between the condition and the conditioned.

Finally, the conclusion seeks to discuss the resonances and the divergences between the two philosophers, taking a stand on whether it is possible to establish a common horizon to them, or whether their distance from each other is so great that there would be no effective dialogue or convergence.

This finishes the general presentation of the book. Before continuing, it is still worth noting an important methodological option defended by Wamback, one responsible for the tight circumscription of her project. It is the option of not analyzing the relation between the two authors in terms of the notion of perception. According to her, the way each philosopher situates this notion is extremely different. In the case of Merleau-Ponty, the description of perception is carried out in an ontological or “epistemological” horizon, whereas Deleuze would think it as connected to an ethical discussion, conceived according to relations of force intensity. Such an observation is also helpful in understanding Wamback’s second methodological choice, which is connected to her first: the works on which she focuses. In Merleau-Ponty’s case, Wamback focuses primarily on The Visible and the Invisible, since—according to a widespread reading—his ontology would be the most developed at that point in his career. This would justify relegating The Phenomenology of Perception to the sidelines, since this work is considered by this line of interpretation to be “propaedeutic” to the ontology of his last work.

With this counterpoint as the horizon, it is possible to highlight the relevance and the originality of Wamback’s proposed framing, especially her option of discussing both authors from the point of view of their understanding of the status of thought. This point of view is the starting point of her proposed approximation and of her discussions, presenting an unusual take when considered against the backdrop of the most common studies about this relationship. Moreover, as I will discuss in the next section, this point of view culminates in a discussion about the sense that the “transcendental project” assumes in each philosopher. Wamback rests her argument especially in the recognition of “immanence” as an irresistible dimension, turning the articulation between the condition and the conditioned, between the ground and the grounded, into a central element in each author’s formulations. Let us, therefore, see in more detail how she builds her analysis.

III. The Book

Wamback bases her reading on the idea that there is, from the beginning, something in common to Deleuze and Merleau-Ponty: not only the fact that both reflected on the topic of thought but also the fact that they distinguished two types of thought. On the one hand, a properly original thought, and, on the other hand, a thought without any originality or expressiveness. The second type of thought is merely an application of given concepts, whereas the first type—which is the type that really intrigues the two philosophers—is a kind of “creative” dynamic. Recalling the distinction made by Merleau-Ponty between “speaking speech” and “spoken speech”, as well as the distinction between “thought” and “knowledge” as described by Deleuze, Wamback proposes a peculiar framework, extremely revealing of her reading: the distinction between a “thinking thought” and an expressive thought. “Thinking thought” is the type of thought which is central to both authors and which is the starting point of Wamback’s investigation, demanding an understanding of the way each author conceives of it. The first piece of evidence highlighted by Wamback is the way this notion figures in both as a refusal of the modern conception of “representation”.

Starting with Merleau-Ponty’s reflection, Wamback appeals to some of the central notions of the Phenomenology of Perception to circumscribe his notion of thought. She then briefly examines the way Merleau-Ponty understands the sense of perception, with special emphasis on his criticism of the intellectualist and empiricist theories and on his notion of “field”, showing how the perceptual dynamic is grounded on the “original intertwinement of body and world” (18). From this point on, the question becomes whether his notion of thought is grounded in the same articulation, being always in relation to something. To pursue this question, Wamback examines the notions of the cogito—especially its negative dimension—, of geometrical thought, and of linguistic expression.

At this point in her analysis, Wamback introduces the notion of Fundierung, proposed in the Phenomenology of Perception as a “two-way relation”, an alternative to the classical understanding of the ground and the grounded as sundered elements, since they are now defined as relational dimensions in reciprocal determination. While this is a central notion in Merleau-Ponty’s work, Wamback uses it here only to think the relation between “thought” and “language”. She defends that, in spite of all its implications, there is still in this notion an asymmetry: the expressed still has “ontological priority” (35), preserving a difference between the terms. On her reading, this asymmetry would only be dissolved later, with Merleau-Ponty’s introduction of the notion of “institution”. Nevertheless, Wamback highlights that the Fundierung relation already contained a central idea, namely “excess” as an indication of the “immanence of the ground that transcends itself in the expression” (26). Her conclusion is that, for Merleau-Ponty, thought is not a “mediating activity”, but is, rather, “familiar with the world”, “it has direct contact” with it and is “in a certain sense shaped by it” (30).

Wamback shows that something similar takes place in Deleuze’s thought. From the beginning, Deleuze proposes to understand thought by confronting the sign, refusing the idea of a natural inclination to the truth, and recognizing it as always characterized by “the singularity of the meeting”, in which signs appear as “enigmas” (31). Here, more than with Merleau-Ponty, the spotlight falls on the differential character of sign and sense. Wamback shows how these notions are thought of in order to move away from the most characteristic presuppositions of representational thought: on the one hand, the idea of identity and unity, and, on the other hand, the notions of nature and of affinity with the truth. Deleuze recognizes, under the eight postulates of representational thought, a “confusion of empirical and transcendental features” (47) that obscures the proper sense of thought.

Wamback proposes that, in this perspective, Merleau-Ponty and Deleuze are extremely close, meeting in this movement that she describes as a “transcendental examination of thought”(49), a discussion about its conditions and about the human capacity to think. One consequence of this proximity is that both authors recognize that the object of thought is characterized by a “certain exteriority” (50). This means that both authors recognize—and hold it in high esteem—the “grounded” dimension of thought, focusing on the description of the relation between the ground and the grounded as intrinsic or immanent (51). It is precisely this intrinsic or immanent relation that guarantees its creative genesis: “In sum, for both authors, the creative nature of thought is due to the necessary role of thought in the grounding relation”  (51).

After examining these conditions for the investigation of thought in each author—and the presence of a certain undeniable immanence—, Wamback focuses on describing their respective ontologies. As mentioned above, she holds that the way they understand thought, particularly their conception of thought as sustained by this intertwinement of immanence and transcendence, demands a description of the ontological ground therein implicit.

In Merleau-Ponty’s case, as described in the Introduction, Wamback focuses on the ontology of his last texts, notably The Visible and the Invisible. She emphasizes there the differential character that is central in his formulation, particularly through his notion of flesh—described by him in its originally dissonant and, simultaneously, unitary character (58), from which Wamback detaches the notion of “style” or “typicality” (59). She insists that it is not a matter of identity, but of a differential unity, which is connected to the notions of openness and constitution.

In Deleuze’s case, on the other hand, Wamback defends that the same dimensions present in Merleau-Ponty’s proposition can be found in the former’s ontology. The two authors supplant the distinction between the abstract and the concrete by reporting being to another level, which, in the case of Deleuze, is thought of as the virtual: like Merleau-Ponty’s flesh, the virtual is characterized by a nonidentical unity that cannot be divided into an inside and an outside; also like the flesh, the virtual is characterized by a fundamental openness, being also the condition of concrete things (65).

On the other hand, concerning the differences between them, Wamback holds that Deleuze devoted more time to the task of showing that unity and difference are not in opposition, that indetermination does not imply undifferentiation and that the constitutive nature of the virtual does not detach it from the things and concepts that are conditioned by it (65). In spite of this difference, she concludes that, for both, the object of thought—the flesh and the virtual—is not an identity: “The flesh and the virtual are disguised (VI, 150; DR, 133), displaced with respect to themselves” (79). The two notions combine unity and difference, acting as the condition of concepts and things, be they living or non-living (80). These dimensions are responsible for the individuation and crystallization processes, situated in the articulation between, on the one hand, the visible and the actual, and, on the other hand, the virtual and the invisible flesh, acting in the region between conservation and creation.

Supported by this discussion about the two philosophers’ ontologies—in their closeness and in their distance—, Wamback proceeds to study that which she describes as their “transcendental project”, seeking to situate their proposed investigation about the nature of thought in a broader framework:

“What is at stake, philosophically, when they refuse a representational account of thought, and prefer instead to situate the origin of thinking not in the thinking subject, but in the encounter with an exterior sign (Deleuze), or in the participation in a wild being (Merleau-Ponty)? Why do they both attack the representational account of thought?” (85).

She defends that they are brought close together by their affirmation of the non-exteriority between subject and object, between the one who thinks and what is thought—an affirmation that, according to her, is at the basis of what the two of them recognize as philosophically being “immanence” (85). Wamback defends that immanence is articulated with the idea of “difference”, even with all the distance that separates their respective ontologies.

Deleuze’s transcendental project is carefully presented by a confrontation with the Kantian project and by a discussion of a series of thinkers that heavily influenced him, especially Spinoza, Maimon, Leibniz, and Husserl. Merleau-Ponty’s project, in its turn, is presented through its confrontation with Husserl and, more generally speaking, with phenomenology, a relation characterized simultaneously by connection and distance. Wamback highlights that, beyond their idiosyncrasies, they have a common inspiration in their criticism of Husserl and his proposal of a return “to the things themselves”:

“A transcendental philosophy should look not for the conditions of possibility of experience but for its conditions of reality. For Merleau-Ponty as much as for Deleuze, this implies that the transcendental ground is to be situated in the empirical. The ground must be immanent to the grounded and thus possess a certain historicity that cannot be reconciled with the invariability of transcendent essences. Philosophy’s task, then, is defined as the explanation of how the empirical, the grounded, can be produced immanently. For both thinkers, philosophy is to be a philosophy of genesis.” (121)

There is also a resonance in what they reject from Husserl, especially his notion of a transcendental subject (122). According to Wamback, they both see in this notion an obstacle to a consistent transcendental project, since it prevents it from “becoming an immanent ontology” (123) and weakens its differential dimension.

After this more general perspective, it is now possible to return to what Wamback calls the dimension of “immanence”, present in the two authors’ respective transcendental project. To analyze this notion, it is worthwhile to focus especially on its differential dynamic—something that Wamback has worked on from the beginning by way of the relation between the ground and the grounded, the main axis that articulates her analyses.

Here one should mention a central element both for the two philosophers and for Wamback’s argument, namely the notion of expression, precisely as a way of understanding this articulation between the condition and the conditioned. The following chapters focus, each in their own way, on this notion, circumscribing it through diverse and correlate points of view: through its relation to the notion of simultaneity, through its connection to literary expression, and, finally, by discussing its visual dimension. In a word: by their relations to Bergson, Proust, and Cézanne.

The first step is their common reference to Bergson, which is circumscribed by Wamback through the notion of simultaneity. She seeks to understand how the appeal to Bergson helps Merleau-Ponty and Deleuze to build, each in their own way, a transcendental project that attempts to situate the transcendental in the empirical, the basis for what she considers the “philosophy of immanence” that is characteristic of both (125).

Wamback argues that Merleau-Ponty’s initial reading of Bergson, particularly in the Phenomenology of Perception, is “essentially unfair” (132), since he accuses Bergson of “not considering other kinds of spatiality in order to think time” (ibid). This diagnosis would be partially revised in The Visible and the Invisible, especially through the notion of “partial coincidence” and through his discussion of depth—both topics that are also to be found in Deleuze’s reading. Here the two meet each other again, since the two of them recognize depth not as a spatial but as a temporal dimension, connected to the idea of simultaneity—explicitly as a refusal of a notion of succession, recognizing the present as a “contraction of the past” (142). This formulation would lead them to similar consequences, especially the affirmation of an impossibility of directly accessing the past.

“These ressonances between Merleau-Ponty’s and Deleuze’s references to Bergson also reveals resonances at the most general level of their conception of the relation between the ground and the grounded. Both appeal to Bergson’s idea that the passing of time must be explained through the simultaneity of future, present, and past, because that offers a possible solution if your goal is to avoid referring, in the explanation, to an exterior or transcendent element. In other words, Bergson’s notion of simultaneity is a very good illustration of how one can keep the relation between the ground and the grounded immanent.” (143)

Wamback emphasizes the notion of simultaneity as a central element in their philosophies, a kind of “field” that articulates transcendence and immanence. The study about expression—about the way this relationship is realized and is inscribed in their respective transcendental projects—continues through an analysis of Proust and Cézanne.

The careful chapter devoted to Proust shows, on the one hand, that both Merleau-Ponty and Deleuze find in the writer inspiration to understand an achronological, original time, composed of dimensions and not divided into successive moments, configured around a “centre of envelopment” (163). On the other hand, Wamback sustains that their respective readings diverge to the extent that, beyond this direct reference to time, Proust also contributed to Merleau-Ponty’s reflections on the body, something that did not occur with Deleuze.

The following chapter continues the discussion about the notion of expression, focusing now on its visual dimension and finding support in Cézanne’s presence, also common to the two philosophers. Wamback shows how both Merleau-Ponty and Deleuze insist on the nonrepresentational character of art, which leads them both in the direction of a “nonimitative resemblance” (170). The guiding thread is the understanding—that brings them very close to each other—of the painting process and its nature (178).

Finally, the seventh chapter is devoted to a description of how Saussure figures in each author’s work. In the previous chapters, recall, Wamback strove to make explicit the way they tried to “ensure the immanence of their transcendental projects by characterizing the relationship between the ground and the grounded as one of simultaneity (chapter 4) and expression (chapters 5 and 6)” (189). Now, in the last chapter, she explores another central element of these transcendental projects, namely the idea of difference. Wamback argues that, in spite of some differences, both Merleau-Ponty and Deleuze are interested in the same ideas from Saussure, especially “his discovery of the genetic power of difference” (211).

After briefly retracing Wamback’s path, it is now possible to summarize, in a few lines, her main proposal. It seems to me that the central—and strongest—of her claims is her proposal of a convergence between the transcendental projects of Merleau-Ponty and Deleuze, especially due to the intrinsic relation between such projects and the field of immanence. According to Wamback, this immanence is an original articulation between the condition and the conditioned, formulated by the two authors through the notions of simultaneity and expression. Such a “philosophy of immanence” is on the horizon thanks to which a new sense of the transcendental could appear, bring the philosophers close together.

Such a similarity, however, does not erase their differences. Indeed, it illuminates these differences from a new perspective. This is what allows Wamback to finally conclude, without losing sight of their respective singularities, that there is still a “unity” among them, as a new horizon that does not reject dissonance, putting it into a new context and proposing it a new meaning. As she had proposed in the beginning, one of the main goals of her project was to retrace philosophical relations, to rethink more subterranean contexts, to reconfigure lines of influence and of exchange in a more general sense.

It is, therefore, a highly original proposal, resulting in an uncommon work among the current scholarship, one that is pursued with admirable care, clarity, and cohesion.

Corijn van Mazijk: Perception and Reality in Kant, Husserl, and McDowell

Perception and Reality in Kant, Husserl, and McDowell Book Cover Perception and Reality in Kant, Husserl, and McDowell
Routledge Studies in Contemporary Philosophy
Corijn van Mazijk
Routledge
2020
174

Reviewed by:  Daniel Guilhermino (PhD Student, Department of Philosophy, University of São Paulo, Brazil)

The decisive influence of McDowell in shaping the contemporary debate over non-conceptual content is well known. After the release of Mind and World (1994), almost any attempt to assign non-conceptuality to the contents of perception had to engage with McDowell’s conceptualist model of experience. The rich discussions inspired by conceptualism in the current literature on non-conceptual content, however, often ignore the original philosophical motivation behind McDowell’s thesis, or so goes the premise of Van Mazijk’s new book Perception and Reality in Kant, Husserl, and McDowell (2020). This motivation comes from the tradition initiated by Kant in the 18th century, and followed by Husserl in the late 19th, known as transcendental philosophy, whose main idea is to put into question that which is the fundamental presupposition of the sciences, namely the availability of reality to us. The central aim of Van Mazijk’s book is to recover this original transcendental concern of McDowell’s thought by inserting his conceptualism within this broader tradition mainly represented by Kant and Husserl. As a result, it ends up by exploring how Kantian and Husserlian approaches of transcendental problems avoid certain inconsistencies in McDowell’s conceptualism, thus providing better alternatives for understanding the relation between mind and world.

The book is structured in three parts, each containing two chapters dealing with those thinkers’ theories of perception, since perception represents the most basic way through which the world is made available to us. Given the author’s overall aim to offer a new critique of McDowell’s thought, both Kantian and Husserlian theories of perception are analyzed through the lens of the conceptualism debate. This is made possible with the help of the distinction between weak conceptualism and strong conceptualism, which represents the key distinction of the entire book. Weak conceptualism is defined as “the view that all intuition and perception is, for us at least, open to conceptual exercise” (4), and strong conceptualism as the view that “concepts structure sense experience, and this is in fact what first makes reality perceptually available” (4). All the discussions that follow are carried out in view of this important hermeneutical tool.

The book follows historical sequence, thus beginning with Kant and ending with McDowell. The author himself, however, suggests that the chapters could be read independently of one another, and that any reader specifically interested in McDowell and in contemporary philosophy of perception could begin with the two last chapters on McDowell. I would rather suggest that readers not familiar with the contemporary discussion of conceptualism in philosophy of perception do that. This way they will better understand what is mainly at stake in the discussions with Kant and Husserl in the remaining chapters.

The first part focuses on how Kant’s transcendental philosophy provides us the tools to have an immediate access to reality, and not, e.g., an inferential one. The overall purpose is to advocate a weak conceptualist reading of Kant’s theory of perception, in opposition to, for instance, McDowell’s strong conceptualist reading of it. After introducing the basics of Kant’s theory of knowledge in the first chapter, Van Mazijk proceeds, in the second chapter, to the transcendental deduction. An adequate reading of the deduction is essential to a conceptualist interpretation of Kant’s theory. For instance, according to Van Mazijk, McDowell’s reading of the deduction is at the basis of his strong conceptualist interpretation of Kant. The author reads McDowell as stating that Kant places the dependence of sensible intuition on the categories at the same level as the dependence of it on space and time (41). This is a mistake, Van Mazijk’s points out, as the necessity of a transcendental deduction is justified precisely due to the fact that the “pure concepts, in Kant’s view, stand at a certain distance from the world; they are not sine qua non conditions for sensible intuitions in the way space and time are” (40).

Van Mazijk’s analyses of the A and B-Version of the deduction yield basically the same conclusion, namely that Kant is mainly concerned with weak conceptualism, as long as he insists that appearances have to be relatable to a unitary consciousness (which does not compel them to be always necessarily related to a self-consciousness or standing I). Apperception, so goes Van Mazijk in a close reading of Kant, is defined in terms of potentiality: “Apperception, then, need not be understood as a permanent, onlooking I; it is rather itself the potential for the I to be awakened; a transcendental potential for becoming actively aware of what is intuited” (45).

Besides that, however, strong conceptualism seems to also play a role in the deduction, especially in the A-Version. This is due to the synthesis of imagination and its specific role in the openness of intuitions to conceptualization. The main idea seems to be the following: The adequacy of intuitions to pure concepts – what Kant calls their affinity (46) – is the product of the synthesis of imagination. This affinity is already to be found previously in the sensibility itself as an “aptitude” of intuitions to be associable with pure concepts. This means that the contents of sensibility must already have an affinity with the understanding. Now, the synthesis of the imagination, Kant states, is grounded in the categories (46). Therefore, the categories are constitutive of intuitions, which is exactly the strong conceptualist thesis. That is, intuition is open to conceptualization (weak conceptualism) precisely because it is conceptually structured (strong conceptualism). Van Mazijk concludes from this that “pure concepts might after all play an important role in intuition, insofar as they would supply the imagination with the forms of synthesis required to make intuitions open to conceptualization” (47). In the end, however, the greater prominence seems to be given to weak conceptualism: “It can be concluded that, in both versions of the deduction, Kant’s principal aim is to show that pure concepts apply unconditionally to any intuition” (49). With regard to strong conceptualism, Van Mazijk only states that we have “some textual support” (49) for it.

The second part deals with Husserl’s theory of perception and knowledge. The third chapter begins by introducing the basic elements of Husserl’s early theory of intentionality that comes from the Logical Investigations. They are the quality (the way of intending something), the object-reference and the matter (the Fregean sense) of the act (63). Another important element within the intentional structure of consciousness is the sensation content, which Van Mazijk interprets not as unstructured data, but as having some kind of non-intentional and non-conceptual structure (66). Despite being non-conceptual, sensations are not regarded as merely natural facts, and are not, therefore, excluded from the concern of philosophy as a matter of, e.g., physiology, as in Kant’s account.

Nevertheless, sensations do not play any role in Husserl’s account of knowledge as synthesis of fulfillment, as long as they do not have an articulable structure, that is, a propositional structure which can be also instantiated in beliefs. Van Mazijk begins his explanation of Husserl’s theory of fulfillment by stressing that “it is crucial to observe first that, in Husserl’s view, signitive acts alone can be defined as meaning acts” (68). Knowledge is then explained as a coincidence that happens between this empty act of meaning and an appropriate fulfilling act. When I merely entertain the thought of a blackbird in the garden, for instance, I have an empty signitive act of meaning. When I look and see the blackbird, this act of intuition comes into a coincidence with my former signitive act and gives rise to a synthesis of fulfillment (69). Van Mazijk goes on to explore that not only sensible perception can provide fulfillment, but also memory, categorial intuition of ideal states-of-affairs and universal intuition. (69-70). Importantly, the fulfillment does not rely on all the aspects of the act, but only on the intentional ones: “all and only intentional contents come up for fulfillment and allow of propositional articulation” (71). From this, the author concludes that Husserl “clearly defends a version of weak conceptualism” (71). The reason why this conceptualism is weak is because “the articulable content of the fulfilling act (say, a perceptual content) can play its fulfilling part only by virtue of the fact that it is not just a conceptual content” (79). That is, the fulfillment can provide warrant for empty beliefs due to the fact that it makes an extra-conceptual contribution to it.

The clarity with which the theory is presented hides, however, the greatest difficulties of Husserl’s text. There are, for example, some problematic passages in the Logical Investigations where Husserl states that “the very thing that we marked off as the ‘matter’ of meaning, reappeared once more in the corresponding intuition” (Husserl, 2001, 241). This kind of statement seems to challenge the author’s affirmation that “signitive acts alone can be defined as meaning acts” (68), since the “matter” – understood as the Fregean sense and hence as conceptual content – would make both signitive and intuitive acts as carriers of meaning. Another problem not faced by the author is one concerned with the concept of fullness. It is only stated, at the end of the section dealing with fulfillment, that it is the “peculiar character of fullness” that “distinguishes perception (as an intuitive act) from thinking (as an empty act) – instead of, say, a real causal relation to an object” (72). Nothing, however, is said about this peculiarity itself, and the difficulties that are implied by this statement are not deemed important by the author. I find this to be a mistake, since the exact way in which the fullness gives fulfillment is one of the most important and controversial aspects of Husserl’s theory, and its clarification seems to me to be necessary to make understandable the “extra-conceptual contribution intuition makes relative to our empty beliefs” (72) mentioned above. The apparent inconsistencies in Husserl’s description of fulfillment was, by the way, one of the initial motives for the dispute over conceptualism with regard to his theory of perception.

The second half of the third chapter deals with Husserl’s transcendental turn and offers an interesting and original reading of the phenomenological reduction. The reduction should show us that all the sorts of nature-reason divide that somehow sets consciousness apart from the world are in the wrong path. Rather, reason and nature form a whole that could be investigated from the perspective of consciousness (as manifestations in my streaming conscious life) and from the perspective of nature (as real facts in the world). This results in a view the author calls “the double aspect theory” (80), which allows both natural science and philosophy to study the relation between mind and world: the former studies it as a natural fact under a natural attitude, forming a space of nature; the latter as a relation in the streaming of conscious life under a phenomenological attitude, forming a space of consciousness (81).

I find this way of presenting the phenomenological reduction to be one of Van Mazijk’s most interesting contributions that should be explored in the approximations between Husserlian phenomenology and conceptualism. Particularly important is that it understands the space of consciousness as wider than the space of concepts, thus making room for non-conceptual and non-intentional sensations in the philosophical approach of consciousness. For instance, the naturalistic psychology of Husserl’s time tended to see everything that does not have a relation to an apperception as a natural fact. By the same token, McDowell tends to see everything that falls outside the conceptual space of reasons as a natural fact. From Husserl’s perspective, in Van Mazijk’s view, this results from a failure to see that the world is not divided into two separated regions, mind and world, but is rather “one totality of being (mind and world), which can be viewed either under the aspect of nature or that of consciousness” (87). Absolutely everything is encompassed by the space of consciousness, only that under its specific attitude, which is not the same of the natural sciences. There is no reason, therefore, to exclude the non-conceptual and the non-intentional from it.

The fourth chapter turns to Husserl’s later genetic investigations in order to demonstrate how phenomenology can accommodate all accomplishments of consciousness. Van Mazijk proceeds here to the concrete analyses of non-conceptual levels of perception, showing that they are not restricted to empirical investigations, as in Kantian and McDowellian pictures. The chapter exhibits the powerful scope of phenomenology, which ranges from the most basic level of mere sensation to conceptual thought. This is considered by the author “Husserl’s master thought”, namely that “the space of consciousness can be analyzed as a unitary whole” (117), and not only as empty a priori forms of knowledge (Kant) or as conceptual capacities in the space of reasons (McDowell).

The genetic investigations present our openness to the world in a stratified manner. Three levels of perceptual accomplishments as well as three levels of conceptual ones are distinguished by the author. The analysis of these accomplishments provides an occasion for an interesting discussion with McDowell. Husserl is said to obey a strict divide between perceptual and conceptual content (105). Thus, to perceive something as being thus and so and to judge something as being thus and so are two different things, one involving a perceptual content, the other involving a conceptual content. But how do we get from perception to judgment? This is, of course, one of the most important problems of McDowell’s Mind and World, and it is there solved by appealing to strong conceptualism: the conceptual contents determine the perceptual experience. Husserl, in turn, has another story to tell. It is possible to perceive something as being thus and so without forming a judgment about that, that is, it is possible to “perceptually explicate relations between things perceived, yet lacking the ability to attain the propositionally articulated content” (104). Therefore, it is not the judgment that determines perception, but the other way around: it is because we can intentionally (albeit non-conceptually) be related to things in perception, that we can form judgments about them, and not the other way around. In order to make a judgment, “the ego must repeat the passive process, but this time in a changed, active attitude” (105). By doing this, the ego “extracts” the contents of perception and informs them with propositional articulation in judgment.

This narrative is a bit obscured, however, as Husserl speaks of the propositionally structured object being “pre-figured” in perception (105). This paradoxical statement serves to complicate the matters in the attempt to fit Husserl in the conceptualist or non-conceptualist parties. Van Mazijk does not overlook this challenging problem and engages with it in the second half of the chapter by exploring Husserl’s notions of horizonal awareness, motivation and bodily action – which form a “kinesthetic system” (107-110) –, and also his concept of habit (acquired skill) (111-117). Generally speaking, the idea is that perception considered as a simple intentional relation to an object is, on Husserl’s account, an abstraction. It is not a starting point (as it is in almost any theory of perception), but a resulting process. The original genetic analyses provided in this section show that “for us, then, perception is saddled with concepts after all” (118). This, however, in the author’s view, is not enough to assign Husserl a strong conceptualist theory of perception, since “intellectual acts are not a condition of possibility for a rich perceptual intentionality”, and  “the fact that (some) perceptual contents are fit to figure in judgments does not derive from a capacity to judge; it is due to perception itself” (p118). Husserl remains, thus, in the end, a weak conceptualist.

The last part of the book focuses on the theory that orients all the discussions of the previous chapters, namely McDowell’s conceptualism. The fifth chapter introduces the central conceptualist claim that the contents of experience are all conceptual and explains how it arises as the only way out of the epistemological dilemma between the myth of the given and coherentism. As is well known, McDowell’s solution is to expand the conceptual domain beyond the mental sphere and to place it in the world, admitting experience to have conceptual content.

Having stated the conceptualist thesis, Van Mazijk goes on to ask some important questions that challenge its overall consistency. The author lists and analyzes 14 fragments from McDowell’s writings in order to find out what exactly does it mean to say that the contents of experience are conceptual. A close and detailed reading of these fragments reveal that McDowell oscillates between a weak and strong conceptualism, but in the long run favours the strong version. Strong conceptualism, in turn, raises the most important issues with respect to the consistency of McDowell’s idea. Particularly, it does not explain which concepts specifically are necessary to inform perceptual experience and leaves unanswered the question of how perception in non-rational animals is possible (since they do not possess concepts) (124-132).

After exploring these inherent difficulties in McDowell’s conceptualism thesis, Van Mazijk goes on to discuss how Kant and Husserl could offer better answers to them. The main purpose is to show that a weak conceptualism “should suffice to establish intuition’s inclusion in the McDowellian space of reasons” (133). That is, since weak conceptualism, either in its Kantian or Husserlian forms, avoids the issues raised above against McDowell’s strong conceptualism, then the former is preferable to the latter. With respect to Kant, the author states that it is at least conceivable that an imagination functioning differently from ours synthesizes intuitional contents in a non-conceptual manner (134). Therefore, it is at least thinkable, in the Kantian framework, to have a non-conceptual relation to the world. As to Husserl, it is said that both the early theory of fulfillment and the genetic investigations of later phenomenology offer good reasons not to account for the contents of perception under the unique category of the conceptual. Both Kantian and Husserlian more detailed distinctions in the realm of perceptual content should then make room for some kinds of nonconceptuality in the contents of perception that do not fall prey to the myth of the given, thus avoiding the necessity of strong conceptualism.

The sixth and final chapter criticizes the most important assumption of McDowell’s conceptualism, namely his division of spaces. In short, this division amounts to two ways of dealing with things: as natural lawful phenomena (the space of nature) or as rationally relevant exercises (the space of reasons). Van Mazijk proceeds to analyse how McDowell, in order to avoid any threat of non-naturalism, allows everything else but conceptual contents to be placed within the space of nature. This generates several problems. Among them, it makes it impossible for McDowell to give a satisfactory account of the genesis of reason (Bildung), thus making rationality a kind of miracle (150-153). A more adequate picture of perception, which does not preclude the possibility of offering a genesis of reason, is offered by Husserl, as the author showed in the fourth chapter. Another problem concerns the transcendental significance of McDowell’s enterprise. Conceptualism, in McDowell’s view, is said to refer to “prior conditions of being directed at reality” (156). This way, any claim concerning the space of nature (actually, any claim at all) must be made through the space of reasons. But this clearly contradicts McDowell’s affirmations that “thinking and knowledge can after all be conceived of as natural phenomena” (156). In Van Mazijk’s view, there is no way to conceive the space of reasons as being both condition of and conditioned by the space of nature (156). Both Kant and Husserl show that this is a “transcendental absurdity”, since it “conflates distinct levels of explanations” (161).

On the way towards a conclusion, Van Mazijk points out that it is precisely this division of spaces which makes conceptualism attractive after all. That is, only if one accepts that the space of reasons consists exclusively of concepts, one will tend to ascribe conceptuality to perception (in order to make it rationally intelligible). But, as all the analyses of both Husserlian and Kantian framework have shown, there are good reasons not to consider concepts to be the exclusive accomplishment of rationality and therefore not to accept this division of spaces. The rest of the chapter is then dedicated to reinforcing the main conclusion of the book, namely the idea that the Kantian and (specially) Husserlian accounts of perception and reality avoid the inconsistencies generated by McDowellian conceptualism and offer, therefore, better alternatives to it. The final preference is given to the Husserlian framework, as it “provide[s] the most interesting and viable alternative when it comes to determining reference for concepts of the mental, as well as for specifying the contents of various types of sensible operations” (157).

In sum, Van Mazijk’s rich book does an excellent job of showing how the three authors work towards the same epistemological problems and have shared ambitions. To all of them, the Cartesian approach on subjectivity is misguided; and to all of them, it is precisely this approach that is at the basis of the epistemological problems concerning the gulf between mind and world. As to the overcoming of the Cartesian picture, they all want to reject transcendental realism, that is, the idea that reality is radically independent of our knowledge. This way, Kant, Husserl and McDowell intend to show that the world is a priori a world of rational experience. The conflict emerges when McDowell achieves that by appealing to the exclusively conceptual configuration of the world, which is denied by both Kant and Husserl. In this way, the book successfully accomplishes one of its purposes announced in the preface of “connecting [McDowell’s work] to key figures of the German transcendental tradition”, and so of “uncovering a continuing tradition hidden underneath today’s more specialized and fragmented philosophical landscape” (7). Therefore, it should appeal to anyone interested in a historical study of Kant, Husserl and McDowell. As to its more original purpose, “to develop new critical reflections on core tenets of McDowell’s philosophy” (7), that is principally achieved by the author’s recourse to Husserl in order to advocate weak conceptualism. I am not convinced, however, that the Husserlian perspective as offered here by the author is free of difficulties. At most, it seems to me to be as problematic as McDowell’s views. The early theory of fulfillment, as I have said, has many problems concerning the concepts of matter and fullness. As to the genetic analyses, the author himself recognizes that Husserl’s work on habit poses serious difficulties to the overall interpretation of his theory as conceptualist (weak or strong) or non-conceptualist. It seems that these problems should be faced more at length if Husserl is to be seriously considered as an alternative to conceptualism.

Acknowledgments:

This research was supported by Grant #2019/01444-6, São Paulo Research Foundation (FAPESP).

References:

Van Mazijk, C. 2020. Perception and Reality in Kant, Husserl and McDowell. New York: Routledge.

Husserl, E. 2001. Logical Investigations, Volume II. J. N. Findlay, trans. London and New York: Routledge.

Edward Baring: Converts to the Real: Catholicism and the Making of Continental Philosophy

Converts to the Real: Catholicism and the Making of Continental Philosophy Book Cover Converts to the Real: Catholicism and the Making of Continental Philosophy
Edward Baring
Harvard University Press
2019
Hardback $49.95
504

Reviewed by: Elad Lapidot (University of Bern)

Is Catholicism a Religion?

Over the last decades, scholars have increasingly called into question the universal validity of the category “religion” as referring to a supposed ahistorical constant domain of all human mind and civilization, the domain of faith. The claim has characteristically been that, even though nowadays we often speak and think of religion this way, both in everyday life and in scholarship, in fact our notion of religion is a historical construct. This conceptual construct, so the claim, is fashioned after a specific cultural tradition, the Christian West, which, as part of obtaining or preserving its global epistemic hegemony, has asserted its own culture – Christianity – as a universal and superior feature of human nature as such: religion. Consequently, all cultures would have their religions: the Jewish, the Greek, the Chinese, the Indian, the Aztec, which could therefore be compared and evaluated in view of the underlying paradigm – and ultimate paragon – of religion, Christianity.

This sort of critique of religion is commonly deployed in postcolonial-like discourses, which confront the Christian West with its non-Christian others. Could the same critique apply within Christianity itself (West vs. East) or even within the Western? Wouldn’t the construct “religion” arise not only from a geo-political bias, i.e. the West, but also from a chrono-political bias, i.e. Modernity? And if so, wouldn’t it give effect and perpetuate a bias within the Christian West, namely in favor of modern Christianity, marked by Protestantism and Secularism, so as to undermine premodern, Catholic forms of Christian civilization? Is Catholicism a religion?

There is much in Baring’s intriguing new book to suggest that Catholicism is in fact not primarily a religion, but a philosophy, or even – philosophy. The main theme of the book is continental philosophy, whose center according to Baring is phenomenology. Its explicit concern is intellectual and institutional genealogy, “the Making of Continental Philosophy”, namely how a specific direction in 20th century philosophy, phenomenology, has been able to transform “from a provincial philosophy in southwest Germany into a movement that spanned Europe” (2), and so to become “continental”. Here and elsewhere in the book, Baring highlights the political significance of epistemic constellations, underlying the transnational, pan-European character of phenomenology as “continental” philosophy. His own historiography performatively turns away from national narratives (phenomenology in France, Husserl in Spain, Heidegger in Italy etc.) in search of a more transnational, universal ground. The movement that spread Husserl’s word among the nations (“the single most important explanation for the international success of phenomenology in the twentieth century”, 5), Baring suggests, is the one that goes under the name of the universal itself, the catholicos, Catholicism. Catholicism is the principal agent in this continental, transnational, catholic historiography of philosophy.

It is somewhat paradoxical that Baring’s professed transnational perspective nonetheless preliminary features phenomenology as belonging to “southwest Germany”, namely as originally particular, which accordingly begs the question of its continental success. According to this logic, this transnational success can only be accounted for by something beyond phenomenology itself, something more European, more universal, which would be Catholicism. However, in what sense would phenomenological philosophy itself not be sufficiently universal to account for its own universal spread? In what sense is Catholicism more obviously universal, and what explains its own international success, beyond the province of Rome?

Be that as it may, the notion of success, namely the ability of philosophy or thought, the ability of ideas, to obtain and expand their hold on the world, on reality, is central to Baring’s project. The primary transnational feature of Catholicism that the book foregrounds is its global institutional presence. Next to the transnational and universal, “catholic” historiographic perspective, Baring’s study accommodates Catholicism also in focusing on the worldly reality of the Church. The Catholicism that, as the book suggests, carried phenomenology across the continent is first and foremost a “network of philosophers and theologians that stretched across Europe” (7); “we can speak of ‘continental philosophy’ because phenomenology could tap into the networks of a Church that already operated on a continental scale” (11).

The story of “making” continental philosophy, as told in the book, is indeed concerned less with conceptual genealogy of ideas and more with how they spread. It’s a story of thought as an inter-personal, inter-institutional happening, where events of thinking take place between works, between thinkers. The great individual names of phenomenology – Husserl, Heidegger, Scheler, the “phenomenological trinity” Baring calls them (6) – are there, but they function as basic coordinates for describing the real plot, which is scholarship. Primary and secondary literatures switch here places. The main protagonists of this book are neither the great names nor the great book, but their less known scholarly recipients, the clerics, who read, translate, introduce, interpret, discuss and institutionalize ideas, convene conferences and found archives, journals and schools. Most importantly, and this is one of the great achievements of this book, the history of thought is told through formative debates, such that polemics – and with it politics – is posited at the heart of epistemology, a real at the heart of the ideal. Could polemics too – next to transnationalism and institutionalism – count as Catholic heritage?

At any event, Baring tells continental philosophy’s church history, and according to him the early church of phenomenology was Catholic. To quote some impressive facts:

“self-professed Catholic philosophers produced more than 40 percent of all books and articles on Husserl, Heidegger, and Scheler written in French, Italian, Spanish, Portuguese and Dutch in the period before World War II, making Catholic phenomenology by far the largest constituent part of the early European reception” (8-9);

“Within Europe, phenomenology has been most successful in Catholic countries, while tending to skip, at least at first, the Protestant strongholds of Scandinavia and the United Kingdom. Across the Atlantic, it has flourished in Latin America and at Catholic universities in the United States, such as Notre Dame, Boston College, DePaul, and Duquesne. The geography of phenomenology is best described, not by the contours of mainland Europe, but by the reach of the ‘universal Church’.” (11).

What is certain, in Baring’s account Catholicism does not just function as a contingent carrier of phenomenological philosophy, a vessel which would remain external to the content that it spreads. The Church is not simply a vehicle for Husserl’s word. The network of catholic intellectuals and institutions does not feature in this book as a mere logistical structure, but as the institutional embodiment of its intellectual content, of thought. Is Catholicism a religion? In this book, the Catholic emerges primarily as a philosophy. Insofar as Catholicism accounts for making phenomenology the philosophy of the European continent, Baring argues, it is because “before existentialism and before phenomenology, the first continental philosophy of the twentieth century was Catholic.” (19)

What is Catholic philosophy? This question is not really developed in the book, which has a very clear answer: medieval scholastic philosophy as it has been oriented by the works of Thomas Aquinas, namely Thomism. In the relevant period for the book, the first decades of the 20th century, Catholic philosophy consisted in the attempt to renew Thomism, namely in neo-Thomism or neo-scholasticism, which according to Baring was in these decades “the largest and most influential philosophical movement in the world” (8). Neo-Thomism was global philosophy, which makes one wonder about the reason it was only able to turn phenomenology “continental”, but no more than that. Neo-Thomism, as Baring portrays it, had set to itself a daring task. It translated medieval philosophy into modern terms not in order to modernize this philosophy, but, on the contrary, in order to effect “a philosophical conversion of modernity, a movement from modern to medieval metaphysics” (14). Neo-Thomism was the Catholic mission to the Moderns, aiming to reconvert modernity “back to Catholicism” (ibid.).

“Conversion” is a key word in Baring’s book. It is the basic description of the intellectual event that it portrays, and the plot is articulated by the personal conversions – official or not – of the protagonists. What was the nature of the conversion “back to Catholicism”, which neo-Thomists were trying to generate? The answer to this question lies at the heart of Baring’s historiographic thesis: it designates the ultimate purpose of Catholic, neo-Thomist philosophy, explains why phenomenology was deemed useful for Catholic intellectuals to pursue this purpose and so would account for why Catholicism helped phenomenology to its continental and international success.

Were neo-Thomists interested in converting modernity, modern thought and philosophy, from secularism or atheism back to religion? Obviously, as already indicated, neo-scholasticism was not looking to promote “religion” in its modern, paradigmatically Protestant or secular sense. But furthermore, Baring most often does not describe Catholic thought in terms of religion or what is commonly – in modern discourse – associated with religion as a special domain, of faith, transcendent God, holiness, spirituality etc., in short, as a different domain than secular, atheological or even atheistic philosophy.

On the contrary: neo-Thomism was looking to renew Thomism, for which, as described by Baring, theology implied worldly thought. Catholic thinkers “were convinced that the world incarnated a divine order, and that the institution of the Catholic Church was the worldly locus of redemption” (14); God is present in “His effects in the world” (30), such that faith is deemed “the perfection of natural knowledge” (29). The goal of Neo-Thomists was accordingly, among others, to connect Catholicism to science, natural science: by going back to Aquinas they were trying to reconnect with Aristotle. In other words, whether or not Catholicism was interested, in the first decades of the 20th century, in renewing something like religion, in Baring’s book Catholic philosophy emerges as a powerful agent for the renewal of Aristotelian philosophy, which historically speaking is perhaps nothing but Western philosophy, or philosophy tout court. Just as philosophy’s first and ultimate concern is with Being, Baring’s Catholicism is concerned with “the Real”.

“The Real” is the central concept of Baring’s narrative, which thus connects the contemporary discourse on philosophy and religion with the contemporary philosophical conversation on realism. Explicating this connection may have been a useful way for Baring to provide a more precise explanation of what he understands by “the Real”. Considering the pivotal centrality of this concept for the book’s argument, it remains rather vague and sometimes ambivalent. In fact, its basic significance in this book seems to be above all polemic, in that it designates what neo-scholasticism, seeking to renew medieval, premodern philosophy, was asserting against modern thought. Indeed, throughout the book, Catholic positions are characterized in various ways as opposing the negation of realism by modern philosophy, namely as opposition to the idealism, relativism and subjectivism that would characterize modern thought.

That non-realism (a negation of or distance from the Real) is constitutive to modern philosophy, is a decisive presupposition of Baring’s project. The exact significance of this presupposed non-realism or idealism remains as much an open question as the exact meaning of “the Real”. If the supposed non-realism of modern philosophy means detachment from the worldly and natural order, in favor of some dimension of transcendence, of some supernatural or transcendental subjectivity, will or spirit, this would mean that modern thought, far from being secular and “worldly”, has rather become closer to religion, as a relation to the unworldly. This kind of analysis no doubt sits well with accounts of modernity, such as Hans Jonas’, as arising from man’s liberation from and subsequent domination of nature (NB: not against but precisely through modern, technological science), which would resemble or even be the avatar of ancient Gnosticism, religion of the Alien God. Neo-Thomism, working to effect on modernity a – as the title of Baring’s book reads – “Conversion to the Real”, which is actually a re-conversion, a movement back to the world, would accordingly be the modern permutation of the same anti-heresiological movement that for someone like Hans Blumenberg, for instance, accounted for the emergence of Christian doctrine. This movement may be described less as a conversion from philosophy to religion than as a conversion from religion back to philosophy, from faith back to reason.

Converting modern philosophy to the Real was in any case, so Baring, the missionary goal of neo-scholasticism in the first decades of the 20th century. It is for this mission that Catholic networks identified phenomenology as suitable and for this purpose they “made” it continental. The reason that phenomenology was found by neo-Thomist to be such a suitable discourse for deploying the conversion of non-realist modern philosophy to realism, Baring argues, is that phenomenological thought, to begin with Husserl’s notion of intentionality (consciousness is always of an object), was identified as an anti-idealist movement back to the Real within modern philosophy itself, so to speak a spontaneous movement of self-conversion: “phenomenological intentionality seemed to bypass the distortions of idealism and provide access to the mind-independent real. For neo-scholastics, phenomenology could help secular thinkers recognize God’s order in the world.” (14) How exactly neo-scholastic thinkers and institutions tried to achieve this goal, their more or less successful negotiations – and debates – among themselves, with phenomenology, as well as vis-à-vis other Catholic, Protestant and non-religious intellectual currents, and how all this contributed to the making of continental philosophy – this is the story told by Baring’s rich book.

One basic and far-reaching insight of Baring concerns the ambivalent nature of conversion: the shift from one conception to another at the same time connects both conceptions and thus opens the way to a counter-conversion, from the second conception to the first. Conversions work “in both directions” (16). This insight may be deemed as a structural principle that regulates – and complicates – basic dynamics in the history of thought, something like the Third Law of Intellectual Motion. It seems to be particularly significant in conversions that are not just spontaneous, but induced, namely in conversion projects, in missionary movements.With respect to the neo-Thomist mission to convert modern philosophy “back to Catholicism”, in order to do so it established “the Real” as a connection between modern phenomenology and medieval scholasticism, which would serve as a passage from the former to the latter. As Baring shows, however, this passage also facilitated the inverse movement, to the effect that the bridge built between Thomism and phenomenology also served Catholic thinkers to cross to the other side and to “break with Roman Catholicism” (15). The paradigmatic example discussed by Baring is Heidegger.

What is however the meaning of this counter-conversion, away from Catholicism, which according to Baring has become so prevalent in post-WWII phenomenology so as to completely obliterate its early Catholic years? Would it be that phenomenology, and continental philosophy, was moving away from religion, towards secular and atheistic thought? Is Catholicism religion? The question of religion, as already noted, interestingly does not explicitly frame the narrative of the book, which foregrounds instead the debate of realism vs. idealism. Catholicism is realism, but is it therefore more or less a religion?

It is only in the Epilog that Baring directly addresses the question of religion. “Continental philosophy today is haunted by religion” (343): the famous return to religion, a contemporary conversion – or perhaps even a contemporary mission? By whom – to whom? Is Baring’s book a part of this project, namely facilitating the passage from contemporary continental philosophy to religion by recalling how it was Catholicism that originally “made” phenomenology into continental philosophy? The “religious specters” that “haunt” continental philosophy today, Baring argues, indeed arise from its “family history”, namely phenomenology’s transmission to the world as it was “passed down through Catholic scholars” (344), so to speak phenomenology’s Catholic womb. The current return to religion in continental philosophy is connected to its Catholic heritage.

However, according to Baring’s further insight into the Third Law of Intellectual Movement, just as conversion is not only unidirectional, inheritance too is not simply linear. He points out that intellectual inheritance may pass on not just positive, affirmative doctrines, but also negative positions, what he terms “negative inheritance” (347). According to Baring’s analysis, it is by way of “negative inheritance” that phenomenology’s Catholic past, namely neo-Thomism, continues to operate within continental philosophy’s return to religion. In other words, Catholicism, as portrayed in Baring’s book, is present in this contemporary return to religion not as the positive agent, not as the agent of religion, but on the contrary in the negative, anti-religious positions – more specifically in their realism.

He brings the example of Quentin Meillassoux, who “presents himself as a rationalist ally to the natural sciences, seeking to reinvigorate realism after a period of idealist hegemony. Meillassoux is aware of his proximity to Thomism, which he defines as ‘the progressive rationalization of Judeo-Christianity under the influence of Greek philosophy’”. (348) Baring’s conclusion: “The atheist scourge of much contemporary continental philosophy appears as the inverted image of those Catholic thinkers who helped make philosophy continental in the first place.” (ibid.)  It is not in the return to religion but rather in the resistance to this return that current continental philosophy would be inspired by Catholicism, which consequently operates, at least in this context, not as a religion, but as anti-religion.

***

Synopsis of the Book:

Baring’s story is told in three chronological parts, which concern three different periods in the early history of phenomenology in its reception by Catholic scholars: 1900-1930, 1930-1940 and 1940-1950. The narrative is organized by another triad, three main figures of early German phenomenology, the “phenomenological trinity”: Husserl, Heidegger and Scheler, and the debates around them.

Part I, “Neo-Scholastic Conversion. 1900-1930” deals with the immediate Catholic reception of German phenomenology. Baring traces back the initial reception to a specific current within neo-Thomism, “progressive Thomism”, promoted by the Louvain School of Léon Noël, head of the Institut supérieur de Philosophie. Progressive Thomism was oriented by the work of Cardinal Désiré Mercier (Critériologie), who translated Thomist realism into the discourse of epistemology. This anti-Kantian epistemology was the site of early Catholic reception of Husserl, as told in Chapters 1 and 2. The first reception referred to The Logical Investigations of 1900-1901 and was enthusiastic, as Husserl’s anti-psychological notions, such as intentionality (which goes back through Brentano to scholasticism) and categorical intuition, appeared to secure epistemic access to “the objective order of the world” (40). “For Catholics around Europe, reading Husserl’s Logical Investigations was a revelation”, Baring writes (48). Modern philosophy’s “conversion to the Real” was celebrated by scholars such as Jospeh Geyser, Erich Przywara and the Milan School’s Agostino Gemelli, and even existentially performed through a personal conversion, such as by Edith Stein, to whom phenomenology has showen “the way into ‘the majestic temple of scholastic thought’” (75). All the more disappointing was Husserl’s return to the transcendental consciousness in his Ideen of 1913. The second reception identified in Husserl a second, reversed conversion, from realism back to idealism, which “was experienced by neo-scholastics as a betrayal— both of Husserl’s earlier work and, by implication, of their own project” (61).

Chapter 3 follows the intellectual development of early Heidegger, a phenomenological convert away from Catholicism. Influenced by Joseph Geyser, young Heidegger, “a progressive scholastic” (88), in his 1913 dissertation embraced Husserl’s anti-Psychologism, and in his 1916 Habilitaiton on Dun Scotus, the “pinnacle of Heidegger’s neo-scholastic period” (97), formulated a meaning-based realism. The disengagement is signaled in 1917, as Heidegger stated that Catholicism “forgot religion for theology and dogma” and looked for religious experience in Christian mysticism, Augustine and Protestants from Luther, Otto, Overbeck, Kierkegaard, Dilthey and Schleiermacher. Being and Time of 1927, so Baring’s perceptive analysis, features a curious atheism based on “two confessional strands” (113): Catholic ontology, but no longer perennis, and Protestant Dasein-analysis, but indifferent to faith.

Chapter 4 traces a similar dynamic with respect to Max Scheler, extending the plot from theory to ethics and politics. Scheler’s 1913 Formalism in Ethics provided a phenomenological access (Wert-nehmen, axiological intuition) to an “objective order of value” (140) and his personalism, the notion of Gesamtperson, gave this ethics a socio-political embodiment. Both combined offered practical philosophy to Catholic social revival and anti-liberal, anti-bourgeois, anti-capitalist corporatism. Carl Muth’s influential Catholic magazine Hochland celebrated Scheler as “Black Nietzsche” (124) and intellectuals followed him in his early WWI patriotism, growing distance from nationalism and anti-republicanism in Weimar, such as Paul-Ludwig Landsberg’s “conservative revolution” (137). Disenchantment manifested itself, on the Catholic side, in doubts raised by neo-scholastics, such as Przywara, as to Scheler’s too heavy reliance on human intuition and emotional intentionality, and on Scheler’s side, in the pantheistic turn of his late work (1928, The Human Place in the Cosmos).

Part II, “Existential Journeys 1930-1940”, describes how, beyond its initial reception by neo-scholasticism, phenomenology “became a privileged battlefield in intra-Christian debates” (152). The central intra-Christian tension in Baring’s narrative is between neo-scholastics and existentialists. Chapter 5 tells about the rise of “Christian Existentialism across Europe” by portraying the tension between two converts to Catholicism, Gabriel Marcel and Jacques Maritain. Marcel (Metaphysical Journal, 1927; Being and Having, 1935), influence and mentor to existentialists such as Nicolai Berdyaev, René Le Senne, Jean Wahl as well as Simone de Beauvoir, Emmanuel Levinas, Maurice Merleau-Ponty, Paul Ricoeur and Jean-Paul Sartre, criticized neo-Thomist intellectualism as “hubris”, and insisted on the “unintelligibility of existence”, its embodiment and “mystery”. Maritain claimed “existential philosophy” describes rather Thomism itself, which deals with esse and acknowledges its mystery, deems it nevertheless “open to intellectual understanding” (163).

Chapter 6 goes back to the Catholic reception of Husserl and how during the 1930s it was shaped by a division within neo-scholasticism, between progressive and strict Thomists. Baring portrays this division through the “Critical Realism Debate”, concerning the attempt of the Louvain School’s progressives, such as Léon Noël and René Kremer, to base realism on epistemology, namely on critique of subjective knowledge (leading to post-WII “transcendental Thomism”). “Strict” Thomists such as Étienne Gilson and Jacques Maritain rejected the notion of “critical” – Cartesian or Kantian – realism as self-contradictory, insisting on the primacy of metaphysics over epistemology. Baring shows how this debate pressed progressive intellectuals, such as Kremer, Kurt Reinhart and Sofia Vanni Rovighi, who initially embraced Husserl’s phenomenology, to reject and rectify his perceived idealistic tendencies, especially as manifested in the Cartesian Meditations of 1931.

Chapter 7 presents the 1930s’ reception of Heidegger as the battleground for the inter-confessional debate between neo-Scholastics (such as Przywara, Alfred Delp and Hans Urs von Balthasar) and Protestants, in particular Karl Barth’s Kierkegaard-inspired Dialectical Theology. Baring describes this debate as arising from “two diametrically opposed, if symmetrical, accounts of Heidegger’s atheism: Thomists explained it by the restrictions placed upon Heidegger’s ontology by his (Protestant) prioritization of human subjectivity; Protestant theologians understood it through his attempt to ground the analysis of human finitude in an ontology, which arose from an excessive and Catholic faith in our rational capacities.” (213) In other words, both (dialectical theology’s) emphasis on the unintelligible and (neo-Thomist) emphasis on intelligibility could be construed, from the opposite  perspective, as subjectivist and so proto-atheistic. This leads Baring to the brilliant observation whereby “religious notes” of atheistic conceptions (he speaks of existentialism) may arise not from “uncomplicated inheritance of a believing antecedent, but rather as the reflection of a more distant voice, directed toward and bouncing of a common religious foe” (240), i.e. “negative inheritance”.

Chapter 8 returns to the reception of Scheler, “The Black Nietzsche”, in Catholic political thought. Baring shows how the Schelerian notion of social corpora as embodying spiritual order of values could support to conflicting conceptions of Catholic anti-liberal politics. Luigi Stefanini drew on Scheler to affirm a “hierarchical order of values” enacted by an authoritarian and totalitarian state, which led him to collaborate with the Fascist regime and even acknowledge “racial defense” as “an act of the sovereignty and transcendence of the spirit” (259). In contrast, for Paul-Louis Landsberg, as Paul Ludwig Landsberg was known in his French exile and anti-Fascist resistance, “the divine order is always to come and can never be fully worked out. For that reason, authoritarianism runs the risk of shutting down the process by which the true order is revealed” (263), which led him to reject Nazism and Communism. Baring exemplifies the same ambivalence in Scheler in the development of Emmanuel Mounier’s Catholic-Nietzschean magazine Esprit, from support of Vichy to Resistance and post-WII negotiations of Thomism and Marxism.

Part III, “Catholic Legacies 1940-1950”, discusses how after “the Catholics who had helped promote phenomenological ideas around Europe withdrew from the stage”, “[t[he script that they had written […] persisted, to be picked up and adapted by new actors.” (276) Chapter 9 is dedicated to the story of the Husserl Archives, famously smuggled from Germany to Belgium by the young Franciscan Herman Leo Van Breda, to be institutionalized within Louvain’s Institut Supérieur de Philosophie. According to Baring, after WWII Van Breda, who was looking for means to secure the archives’ further existence (which he obtained at last from UNESCO), realized that “the archives would flourish only if they became independent of the Church” (297). Catholicism, which made phenomenology continental, was now required, in order to prefect its own making, to retreat. Like the truth of Heidegger’s Beyng, the appearance of neo-Thomism in phenomenology was completed by the concealment of neo-Thomism in phenomenology’s Veröffentlichung. It is thus that the first volume of the Husserliana was dedicated to the Cartesian Meditations, “the text where Husserl distinguished his work most clearly from scholasticism” (300).

Chapter 10, the last one, indicates traces of neo-scholasticism in “Postwar Phenomenology”, once again through an intellectual tension, this time between the secular Merleau-Ponty and the Protestant Paul Ricoeur. Both of “Marcelian bent”, affirming embodiment and existence versus idealism, their diverging interpretations of Marcel reproduced the debate between Thomism and Existentialism, inasmuch as Merleau-Ponty emphasized the intentional order of perception and Ricoeur the mystery and the “fault”. The disagreement on Marcel was intertwined with a disagreement on Husserl, which reproduced the debate between progressive and strict Thomism: whereas Merleau-Ponty, like the Louvain School, strove to protect Husserl’s realism from his transcendentalism, Ricoeur, like Maritain, read Husserl as an idealist. Commenting on the Protestant philosopher’s surprising affinity to strict Thomism, Baring provides a precious polemic triangulation, which is perhaps the real glory of scholastic sophistication: “Against the Thomists, Ricoeur denied that Christians could use philosophy to defend religious dogmas. Against the Barthians, Ricoeur did think philosophy retained an important role. It could challenge the pretension of science to have provided ‘a final solution.’ Christian philosophy would thus be a ‘science of limits, an essentially Socratic, ironic position [. . .] forbidding all thought to be totalitarian’.” (327)

***

Three Concluding Reflections:

  1. The key concept of the book’s argument is “the Real”. Catholicism promoted phenomenology for the sake of converting modern philosophy to the Real. As noted above, however, realism signifies in this book primarily polemically, in contrast to the alleged idealism of modern thought. However, as Baring insightfully shows with respect to “atheism”, polemic meanings are unstable and easily turned around. Just like criticism of “atheism” can be found in any religious position against any other religious position, isn’t criticism of “idealism” as detached from the real, i.e. as false, inherent to the disagreement of any philosophical position against all the others? Wasn’t metaphysical dogmatism for Kant too disconnected from reality, as the Ptolemaic system for Copernicus? For Hegel, an arche-idealist, the real was the reasonable. Baring shows how neo-Thomism too deemed the real intelligible, whereas existentialism and dialectical theology experienced reality in unintelligibility.
  2. It seems that ultimately “the Real” for Baring signifies the limit of human autonomy and power, where reason means intelligibility of – and subjection to – the given, eternal, cosmic order (Thomism), in contrast to modern “self-affirmation of reason” (Blumenberg). Conversion to the Real means something like undoing modern hubris, disempowering the human. Baring portrays at least two divergent ways of doing so in Catholic thought, rationalism and existentialism, both inspired by Husserl’s phenomenology. One may wonder, however, whether both modes of “the Real” are equally defining for continental philosophy. The very term “continental” philosophy, determines reason by existence, i.e. actual geography, politics, history, which arguably condition more continental than analytic thought. It is rather Anglo-American philosophy that may be said to represent anti-idealist, positive rationalism, where reason is limited qua “analytic”. Wouldn’t this modern philosophy – which is closer to natural sciences, and arises from phenomenology only within its alliance with logical positivism against psychologism – be a more suitable ally for neo-scholasticism?
  3. There seems to be a third way of limiting or determining reason, which is very present in Baring’s study, albeit unthematized as such. Next to rationalism (reason determined by given logical order) and existentialism (reason determined by given non-logical being), his narrative centrally features also the determination of reason through the inter-personal plurality of thought: thought as a school, the institution that gave scholasticism its name. As such, scholasticism determines reason neither by the given intelligible, nor by the unintelligible, but by the overintelligible, namely by the open excess of thought as polemics. By choosing the debate as a primary figure of thought, Baring’s book manifests perhaps scholarship itself, next to analytic and continental philosophies, as a third post-modern manifestation of scholastic realism, and perhaps of philosophy überhaupt.

Jorge Montesó Ventura: Interés, atención, verdad. Una aproximación fenomenológica a la atención

Interés, atención, verdad. Una aproximación fenomenológica a la atención Book Cover Interés, atención, verdad. Una aproximación fenomenológica a la atención
Pensamiento
Jorge Montesó Ventura
Thémata
2019
Paperback 18,00 €
240

Reviewed by: Diego D'Angelo (Universität Würzburg)

Jorge Montesó Ventura delivers with his book Interest, Attention, Truth. A Phenomenological Approach to Attention (all translations in the following are mine) a valuable contribution to ongoing debates on the phenomenology of a particular phenomenon, that is, of attention. In general, phenomenological authors (e.g., Husserl, Merleau-Ponty, Waldenfels, Depraz, Blumenberg, and many others) understand attention as a phenomenon that occurs mostly at the level of perception. Montesó’s book is no exception to this approach, although with some necessary distinctions, since for Montesó attention is also related to truth and to anthropological questions. In what follows, I will try to make this clear by pointing out the main ideas of the book, which could be of interest also for scholars who do not read Spanish.

From the start of the book it emerges clearly that Montesó adopts a perspective on attention which is clearly cognitive: on the very first page of the book it is expressively stated that attention occurs when we “want to know” something (2). This cognitive approach is also clearly visible in the title of the book, which gives attention the central role between interest and truth.

These three concepts (attention, interest, and truth) are also the main concepts of the three parts into which the book is divided, although the first (and longest) part of it deals with attention, which therefore emerges as the leitmotif keeping interest and truth connected together. That this is possible is due precisely to the fact that the author understands attention in a cognitive fashion. Attention is powered by our interest to know truth.

But the stress I lay on the author’s cognitive approach should not be taken as the claim that the author’s view is blurred by a lens that allows him to see only the cognitive aspects of the phenomenon he wants to analyze. Quite the contrary: the cognitive dimension is the starting-point for an analysis that is focused throughout on the human being as such. The enquiry is therefore at once existential, anthropological, and cultural. The book ends with a call for the development, out of a phenomenology of attention, of a philosophy of culture as such.

A word should be said about the meaning of “phenomenology” in this book. The author has already published a monograph dedicated to José Ortega y Gassett, surely the most prominent phenomenological and existential philosopher to write in Spanish (La atención en el piensamento de Ortega y Gassett, Centre D’Estudis Antropològics ACAF, Castellò 2016). And Ortega y Gassett remains the point of reference for the way in which phenomenology must be understood in this newer book as well. This means that we are dealing not so much with a phenomenology in the sense of Husserl, with all the different technical means he developed for the analysis of a pure experience, but with an existential phenomenology mediated by Scheler and by Heidegger. An approach of this kind to the phenomenology of attention is quite unusual and therefore deserves careful engagement.

In the first part of the Book Montesó delivers a balanced reconstruction of some of the most important points in the history of the concept of attention and of its philosophical, but also psychological, analysis. Wherever possible, Montesó complements philosophical insights with the results of empirical research in neurosciences and psychology, although he never precisely discusses the methodological problems related to this way of proceeding. This omission is somewhat problematic. Obviously, the aim of the book is not to provide a general methodological framework, but if the reference to empirical literature is to be more than the simple attempt so “spice up” the philosophical soup, then one should make clear when the recourse to empirical sciences makes sense and when not, at least in a very preliminary and superficial way.

Nevertheless, the attempt to merge phenomenology and empirical sciences is obviously laudable and profitable in many respects. This first part of the book is cleverly designed as the piece-by-piece assembly of the definition of attention; the full definition is delivered after the single parts have been introduced and discussed at length.

“[…] Attention presents itself to us as a singularity of intentionality in its cognitive or understanding capacity, as the token or expression of the tendencies of the subject in its possibilities to apprehend something cognitively. For this, it works like a lighthouse which, requested or solicited, emerges to reality (be it sensible or imaginary) through a systemic mobilization of the body, selecting (voluntarily or automatically) the things on which the light falls, the things it discovers” (104).

As we can see from this definition, attention is conceived in a fairly straightforward way, since – as Merleau-Ponty already pointed out in the Phenomenology of Perception – the use of a spotlight metaphor when discussing attention was already common in the 1940s. If we add the idea that this light not only makes things stand out more clearly from the background but selects those things, we add to the classical metaphor of attention as a spotlight the equally classical view of attention as a selection mechanism, a metaphor that goes back (as Montesó briefly but exhaustively reconstructs) to the work of Broadbent in the 1950s. This selection mechanism can be voluntary or automatic – that is, in the parlance of current research, top-down or bottom-up. Moreover, attention is an entirely cognitive capability and does not create anything but only illuminates things (cf. 70).

However, building on the basis of this classical understanding, the phenomenological and existential approach of Montesó adds that attention is a bodily gesture that expresses and betokens the tendencies of the subject. In this aspect of attention, which Montesó rightly stresses more than many other researchers on this phenomenon, we have two moments, on the one hand the necessary relation of attention to interest, and on the other the necessary relation of attention to corporeality.

Indeed, this point of novelty is also the point that allows Montesó to construct his own narrative about attention. Precisely by diving into the phenomenon of interest, in the second part of the book he is able to stress the fact that attention is always already shaped by the culture in which the active subject is embedded, because culture is one of the most important builders of interests, if not indeed the single most important. Indeed, the world in which we live is shaped, according to Montesó (and to Ortega y Gassett), first of all by the way in which the culture we live in interprets the surrounding things and phenomena. And in this collective act of interpretation, interests play a crucial role and are the real “motivators” of attention: the phenomenon of interest “plays the same role as the fuel that gives energy to the attentional gesture, it is the impetus that moves attention from one part of reality to another” (129). The idea is basically that interest is the “hand that moves the attentional lamp” (41). Attention rises, in the eyes of the author, always on the basis of some previous interest. Against some of the most classical ideas, according to which only the material features of the object attract our attention, Montesó stresses the meaningfulness for our lives that is the basis for interests to be built and therefore for attention to rise and, as the Author says, “come to reality”: “The life-project of the subject activates and deactivates in each case the functioning of attention, thereby creating her own landscape, her own truth” (101).

Through the interest, attention raises and allows the subject to select her own perspective on realty, within which each subject then selects her own “truth”: “the couple interest-attention is responsible for our particular view of the universe” (181). The notion of truth, which is clearly derived from Heidegger’s understanding of truth as Unverborgenheit (cf. 229), remains fairly open and unclear. Montesó seems to understand truth in the sense of discovery. Attention and interest allow the subject to discover the surrounding world in her peculiar way. This way is certainly subject-centered and peculiar, but not therefore already completely relativistic (in the negative sense of the term), since an intersubjectively shared culture functions as the motor of interests and, therefore, of discovery of the surrounding world: “every culture represents a specific regime of attention within which every individual acts as a unique organ of perception” (119). Attention and interest gives rise to the particular Weltanschauung of a particular people in a particular time (cf. 246).

In the end, one could argue that the concept of attention for Montesó is excessively vague and that it encompasses many different phenomena, from the perceptual, to cultural forms of attention, all to way to love (some nice analyses are developed on falling in love and neurasthenia – cf. 218 ff. – following Ortega y Gassett) and so on. But precisely this is one of the most important achievements of this book: keeping together many different ways (many different “cognitive phenomena”, 20; cf. also 41) in which we speak about attention in a view that defines accurately the phenomenon itself, but which also keeps this phenomenon in the broader context of other phenomena without which attention would be incomprehensible, such as interest and the anthropological striving for truth and knowledge. Furthermore, the author seems to explicitly go in that direction and to recognize the (necessary) vagueness of the concept of attention when he states that “everything is attention” (254). And this way of understanding attention as a “constant and unavoidable gesture” (16) reflects the main intuition of Ortega y Gassett on attention: “tell me what you attend to and I’ll tell you who you are” (Ortega y Gassett, quoted on 117).

Rudolf Carnap: The Collected Works of Rudolf Carnap, Volume 1, Early Writings

The Collected Works of Rudolf Carnap, Volume 1, Early Writings Book Cover The Collected Works of Rudolf Carnap, Volume 1, Early Writings
Rudolf Carnap. Edited by A.W. Carus, Michael Friedman, Wolfgang Kienzler, Alan Richardson, and Sven Schlotter
Oxford University Press
2019
Hardback £70.00
528

Reviewed by: Flavio Baracco (Institut Wiener Kreis)

After the complete collection of the published works of Rudolf Carnap (1891-1970) was accepted to be published by Oxford University Press in 2016, the long-awaited first volume of the 14-volume edition of the Collected Writings of Rudolf Carnap has been finally published. This volume represents the first ever English translation of Carnap’s early writings published from 1918 through 1926, before Carnap moved to Vienna becoming one of the leading figures of the Vienna Circle. Carnap is rightly considered one of the most influential philosophers of the twentieth century. He made contributions in many areas, from the philosophy of science to the philosophy of logic, always stressing the need for a critical assessment of the role logic, mathematics and philosophy should play in scientific knowledge. His works played a key role in the development of Logical Empiricism; one of the main sources of what would become analytic philosophy. Although in the present day a fruitful dialogue between analytic philosophy and other philosophical traditions is not always easily achievable, at that time rather different philosophical perspectives were coexisting. The perspectives shared a common cultural framework and, most importantly, they were used to profitably interact with each other in a way that has since become increasingly difficult and Carnap’s early writings are a perfect example of this. Carnap was an eclectic intellectual whose interests embraced different philosophical ways of thinking to such an extent that his multifaceted interests appeared to some as objectionable or even inconsistent, as he recalls in his autobiography. However, he was proud to claim that he acquired valuable insights from philosophers and scientists of ‘a great variety of philosophical creeds’. Carnap’s early writings indeed shows a clear influence of the main philosophers usually regarded as belonging to the analytic tradition, such as Frege and Russell, but Husserl’s phenomenology and many neo-Kantian thinkers such as Natorp and Cassirer play an important role as well. These essays  represent a fundamental resource for both Carnap scholars and historians of analytic philosophy. Firstly, these writings make possible a better understanding of Carnap’s thought and its development since the early years and, secondly, they shed some light on the origins of analytic philosophy and the multi-faceted nature of the cultural framework around  that time.

I wish now to make a few general considerations on the editorial work. First of all, let’s say the present volume represents an outstanding work in Carnap scholarship both for its great attention to detail and for its richness in several in-depth analyses that furnish all the historical and mathematical background needed to understand Carnap’s writings. The volume is the final outcome of the work of many people and the editors present an  overall picture of all those who have  contributed to the  project. The volume begins  with a brief chronology of Carnap’s life followed by an Introduction edited by Carus and Friedman which presents  an exhaustive overview of the essays that  follow. The editors show the original German alongside the English translation and at the end of volume they accurately report any minimal changes they have made with respect to the original text. Each essay is followed by a section giving further information that carefully helps the reader to contextualize and understand the text, and in places,  the editorial notes are impressively accurate. The editors indeed make  extensive use of Carnap’s Nachlass to furnish us with a clear representation of Carnap’s view. Although, reference to an English translation of much of the literature quoted in the final bibliography would have been useful to the reader. The editors accurately report the corrected bibliographic information for all items cited in Carnap’s texts, but they do not indicate whether  an English translation of each item is available . As  the present volume is mainly addressed to an English audience, this would have been useful even though  it would have resulted in a longer bibliographical list. Finally, I would report a misprint at page 189: towards the end of the page the editors refers to note mm (twice), but it should be note ll. In the following I will briefly show the content of the different essays and give a few remarks on the editorial work on these texts whenever appropriate.

The first essay is entitled Völkerbund – Staatenbund and depicts a young Carnap in his twenties engaged in the social-political life of his country towards the end of World War I. At that time Carnap was actively engaged with the German Youth Movement, particularly the parts of the movement politically engaged against the war, and this text represents his contribution to the first issue of the left-wing political newsletter Politische Rundbriefe, published by Karl Bittel in October 1918. This brief text should have been followed by another text where a few critical considerations on the German’s defeat in the war were addressed; however, this second text was never published. However, in the  Introduction the editors sketch the content of both texts and we can then see how they present  an overview of Carnap’s political world view at that time. According to Carnap, politics is not to be understood in a narrow sense, rather  it refers to everything that has ‘some connection with the public social life of people’. As the editors suggest, this view of politics underlies Carnap’s philosophical work for most of his life, especially with respect to the role that reason, and more specifically ‘scientific’ reasoning should play in a society or a community where all the activities should be regulated and so removed ‘from the realm of chaotic whim’ and subordinated ‘to goal-oriented reason’. On the contrary, an excessive contemplative, quietist, or even mystical approach of mental life, not properly balanced by a politically active life is instead suggested to be one of the main reasons for Germany’s guilt for causing the war. This text represents an important resource in order to understand the interconnection between the political and philosophical reflections that were co-existing in Carnap’s philosophy and more generally, in the ambitious and multi-faced cultural phenomenon represented by the Vienna Circle.

In Wer erzwingt die Geltung des Naturgesetzes? Carnap reviews Hugo Dingler’s Physik und Hypothese where the author defends a conventionalist account of the primary laws of nature. Carnap acknowledges Dingler’s philosophical view as one of the most important influences on his own  thought. In 1920 Carnap even considered writing a doctoral dissertation under Dingler’s direction at the physics department in Munich, and a joint publication was also planned till September 1921. Despite several disagreements, Dingler remained an important influence Carnap’s writings in the early 1920s. At the very beginning Carnap asked himself a question: what if someone comes along and claims that laws of nature are matter of free decision? That’s exactly the kind of question  that Dingler’s book seeks to address. Dingler holds that nature can neither impose a particular choice, nor ever contradict our stipulations, but we are free to choose the primary laws of nature; the spatial and causal laws. Carnap admits that a view of this sort appears  odd, and he is reluctant to  agree with Dingler, (especially with respect to Dingler’s rejection of Einstein’s general theory of relativity), but he proudly claims that this book ‘clears the ground on which an examination of the foundations of physics, and in particular the theory of relativity, could rest’. The present essay is an important resource in order to better understand the genesis of  very distinctive Carnapian notion, i.e. Carnap’s conventionalism. This notion is clearly influenced by Dingler’s view on the conventional nature of the laws of nature that Carnap identifies as critical conventionalism, thereby distinguishing it from Poincaré’s notion of conventionalism. According to Carnap, Poincaré’s conventionalism relies on a free choice that is completely arbitrary, whereas Dingler’s view holds that our choices can be uniquely determined by a certain principle of maximal simplicity. Carnap favours Dingler’s conventionalism over Poincaré’s account and  will reformulate Dingler’s criteria of simplicity in later years. Carnap’s early conventionalism then seems to find its roots in a critical reformulation of Dingler’s conventionalism. Moreover, this essay shows us the  extent to which Carnap’s philosophical considerations rely on an in-depth knowledge of physics and scientific practice. This is  evident from his remarks on stipulations that rely on a critical analysis of physical knowledge, conceived not simply as a study of empirical data, but as a stratified and articulated measurement practice of empirical phenomena.

Der Raum is definitely a fundamental text for Carnap scholars. It is a lengthy and substantial book, it was largely written in late 1920, then submitted in 1921 to the philosophy department as a doctoral dissertation, and eventually published in Kant-Studien in 1922. The book aims to make things clear on the  debate taking place at the time regarding  the source of our knowledge of space and, especially, to what extent an objective knowledge of space could depend on experience. Carnap argues that the many different perspectives advocated by philosophers, mathematicians and physicists are contradictory as their differences rely on confusion over the different meanings of space. Der Raum then aims to show that a proper conceptual clarification of the different meanings of space and their interconnections can shed light on this debate and finally dissolve the controversy.

The first three chapters deal respectively with three different meanings of space; formal, intuitive and physical space, whereas the last two chapters focus on their interconnections and how each space is related to experience. The notion of formal space (formale Raum) is defined in terms of ‘relational or structural system’, i.e. a system fully determined by a set of formal axioms whose objects and relations (holding among them) are indeterminate and not related to any specific intuitive meaning. From this formal system we can obtain the spatial system once we substitute spatial elements (point, line, …) for their indeterminate correlation. Carnap refers to this formal system also in terms of “pure theory of relations” (reine Beziehungslehre). He further claims that the construction of formal space can be undertaken in a different way, which is the only path that ‘makes the complete construction of formal space possible, comprising all the special cases’. Starting from formal logic, i.e. the general theory of classes and relations, Carnap then briefly sketches this construction. He introduces the basic notions of ‘judgment’, ‘proposition’, ‘concept’, ‘relation’, and so on, until he defines the notion of ‘(ordered) series’ (natural numbers, real numbers, etc) and finally he arrives at the most general notion of formal space, called n-dimensional topological space and designated by Rnt. By imposing specific conditions on this structure, Carnap obtains the n-dimensional projective space Rnp and the n-dimensional metrical space Rnm. Starting from these formal structures we can obtain the three different intuitive spaces (topological, projective, metrical) by substituting their indeterminate elements with spatial elements. Carnap explicitly claims that ‘a relation of substitution (Einsetzung) holds between the theory of formal and that of intuitive space’, even though the connection between formal space and intuitive space is not so straightforward since postulates and generalizations also play a role in the construction of the order-structure of intuitive space (for any dimension). However, this kind of connection resembles Husserl’s distinction between formal ontology and regional ontology and Carnap is well aware of this and he explicitly refers to it in order to clarify his perspective. Moreover, Husserl’s Wesenserschauung is mentioned to specify the kind of intuitive knowledge involved, making clear that it is not to be confused with ‘intuition (Anschauung) in the narrower sense, focused on the fact itself’ as it pertains to the essential features that can be grasped within phenomena. In agreement with Husserl’s remarks on Kant’s conception of a priori, Carnap claims that the essential features of intuitive space turn out be ‘the synthetic a priori propositions claimed by Kant’. Therefore, the principles governing the formal space are analytic a priori, whereas the ones governing the topological space are synthetic a priori. These two kinds of space, however, are not enough to give a comprehensive picture of scientific knowledge of space. We need to introduce the physical space that represents the domain of synthetic a posteriori knowledge. The knowledge of physical space, however, other than being based on the empirical results of experiments, necessarily relies on conventions that are based on the choice of metric stipulation we decide to adopt. Carnap further claims that, if we wish, we could impose a different metric geometry and still obtain a physical space that is compatible with all our everyday and scientific observations, even though the final outcome might be far from straightforward. Physical space, therefore, relies on conventions but the choice of metric stipulation should be evaluated in terms of some criteria of simplicity that consider the overall description of nature.

Carnap’s Der Raum shows an impressive richness both from a philosophical and mathematical point of view. Carnap’s appendix ‘Pointers to the Literature’ contains substantial resources to historically contextualize many of the issues raised in the book. Starting from his adherence to the logistic approach of Frege and Russell, then going through the neo-Kantian perspectives of Natorp and Cassirer, on to Husserl’s phenomenology and Dingler’s conventionalism, Carnap’s Der Raum turns out to be a very interesting re-elaboration and combination of different philosophical perspectives. Moreover, the most important mathematical and physical literature of the time is seriously taken into account and the major works of Hilbert, Poincaré, Weyl, Riemann, and many others, are discussed and their results are assimilated into Carnap’s view. Several issues in Der Raum, therefore, should be enlightened by reference to the rich cultural framework that underlies this book. For instance, further investigation into the interconnections between Der Raum and Weyl’s Raum-Zeit-Materie would prove  very interesting and fruitful. Carnap explicitly makes reference to Weyl’s writings several times, and a comparison between Carnap’s and Weyl’s studies on space – the latter being clearly influenced by Husserl’s phenomenology – might shed light on the nature of Husserl’s influence on Der Raum. Similarly, further investigation into Carnap’s re-elaboration of Russell’s and Husserl’s perspectives on logic to construct formal space could be useful in order to clarify several aspects of Carnap’s later notion of rational reconstruction. Carnap’s notion of metrical stipulation is another example. A detailed analysis of Carnap’s account on stipulations could shed light on the development of his  later conventionalism. The editorial work on Der Raum (edited by Michael Friedman) successfully achieves a great deal of this task. It is extremely accurate and several in-depth analyses furnish the historical and mathematical background that a reader needs to properly understand the many issues contained in this book. The editor further includes Carnap’s marginalia (contained in Carnap’s own copy of Der Raum) in the editorial notes at the corresponding points which gives the reader a clearer picture of Carnap’s view on this specific issue.

However, a few critical remarks can be put forward. Friedman does not seem to capture the exact nature of the Husserlian framework underlying Carnap’s view nor how it relates to the neo-Kantian framework that – as Friedman rightly suggests – underlies Der Raum. In the Introduction (edited also by Carus), for instance, the editors charge Carnap with  confusion in respect to his conception of intuitive topological space, which ‘somewhat confusingly’ shares the status of conditions for the possibility of experience with formal topological space. This remark seems to underlie a misconception of Husserl’s philosophy. The introduction of phenomenology is definitely one major difference between the previous Masters dissertation of 1920 and the published version of Der Raum. The published edition of 1922, indeed, is a revisited version of the previous Masters dissertation that Carnap had written for the philosophy department in 1920. In the revisited version Carnap substitutes his previous conception of ‘pure geometry’ with ‘intuitive space’ and this very change marks a shift from a neo-Kantian notion of ‘condition for the possibility of experience’ to a Husserlian reinterpretation thereof. I do not mean that Carnap adheres completely to Husserl’s perspective, but his major interest in phenomenology relies exactly on the Husserlian reformulation of Kant’s synthetic a priori propositions in terms of regional axioms that belong to a certain regional ontology. It is precisely this notion of regional ontology that shapes Carnap’s notion of intuitive topological space, and more generally it is precisely the Husserlian distinction between regional ontology and formal ontology that shapes the overall Carnapian distinction between intuitive and formal space. Husserl’s transcendental phenomenology is a philosophical account that – by the introduction of the notion of categorial intuition (that later develops into the notion Wesenserschauung) – enables Husserl to speak in terms of essential structures intuitively given in a phenomenal domain and playing the role of regional axioms, i.e. conditions for the possibility of experience of this very domain. These regional axioms, moreover, are connected to their correlated abstract structures – free from any intuitive elements and belonging to the domain of formal ontology – by means of relations of formalization and de-formalization (categorical intuitions come into play again). These abstract structures, moreover, share the status of experience-constituting validity since they represent the categorical form of the essential structures governing the given phenomenal domain. Carnap’s intuitive topological space – shaping Husserl’s notion of regional ontology – does not share ‘confusingly’ the status of conditions for the possibility of experience with formal topological space, rather they both have this experience-constituting validity – even though in a different way – in agreement with Husserl’s perspective. Further remarks can be found in the editorial notes that do not seem to capture adequately the nature of the Husserlian framework underlying Der Raum. The editors rightly point out that Husserl’s phenomenology is essentially a descriptive science based on essential insight (Wesenserschauung), but they do not seem to ascribe the role of essences – grasped by Wesenserschauung – directly to the axioms of intuitive space. They designate these axioms as ‘describing the Wesenserschauung’ of our perceptual experience of objects in space, or as ‘codifying certain attributes of intuition’. These remarks seem to underlie that firstly, they keep distinct essences grasped by Wesenserschauung and the axioms describing them, and secondly, they do not ascribe to the axioms any intuitiveness by essential insight. Although the relation between a phenomenological description of a given phenomenal domain and the regional ontology characterizing the domain itself is a complex, multi-faced, and problematic field of phenomenological research, Husserl clearly states that they both have to investigated by Wesenserschauung. Therefore, the axioms themselves are intuitively given and they do not ‘describe’ or ‘codify’ an intuitive knowledge but, at most, we could say that in-depth phenomenological analysis can clarify their meaning-constitution.

It seems to me that this misconception of Husserl’s philosophy undermines their evaluation of Husserl’s contribution to Der Raum in several instances. However, the editors are right not to over-estimate Husserl’s influence on Der Raum over Carnap’s adherence to Kant’s philosophy or neo-Kantian thinkers. Der Raum is arguably a personal re-elaboration of several philosophical perspectives rather than a complete adherence to one specific account. It is not clearto what extent Carnap is fully accepting Husserl’s phenomenology in Der Raum, especially, with respect to the possibility to explore exhaustively a given phenomenal domain by Wesenserschauung in all its essential and stratified connections. Instead he seems interested in Husserl’s perspective only so far as it represents a philosophical account (with a Kantian flavor) within which it is possible – starting from the domain of empirical reality – to avoid the restrictions imposed by a neo-Kantian approach. This would enable him  to freely explore the ‘characteristic structures’ belonging to this domain as without it implies a contingent knowledge and laying the foundations for a structural objective analysis of experience.

Über die Aufgabe der Physik addresses the question of what should be regarded as a criterion for maximal simplicity within a physical theory. Two different possibilities are examined with the aim of clarifying the relevant aspects that should rule the choice between them, even though no decision between these two possibilities is suggested in the paper. This text is an important resource to better understand Carnap’s view on simplicity and stipulations within a physical theory and how they both are related to Carnap’s conception of scientific rationality.

In Dreidimensionalität des Raumes und Kausalität Carnap explores how we construct reality starting from a world of sense impressions. Carnap draws an important distinction between experience that exhibits only necessary formation – or first-order experience – and experience that is processed further – or second-order experience. This distinction echoes the previous one in Der Raum between the necessary topological form and the various metrical conventions that could be imposed on it. In the paper Carnap explores this specific issue in a wider perspective where his conventional view is elaborated in the light of Vaihinger’s pragmatic view. It is no coincidence that the paper was published in Annalen der Philosophie, regarded as the house journal of Vaihinger and his followers. Vaihinger argues that we are able to access only the ‘chaos’ of our world of sense impressions whereas the reality we construct is not genuine knowledge but is rather based on useful fictions that allow us to get things done and live in the world. Carnap agrees with Vaihinger as far as it concerns the role of fictions in constructing the reality, but he argues that such a construction is not completely arbitrary. Firstly, we face a first-order experience that exhibits a basic form of ordering, and secondly, certain kinds of logical connections can be established among fictions shaping second-order experience. The paper aims to show that the fiction of three-dimensionality of space and the fiction of physical causality ‘stand in a relation of logical dependence with each other’, and the former is conditioned by the latter. This text is especially important because it helps us to shed light on the development of Aufbau. The first draft of Aufbau dates back to early 1922 and it was completed in 1925. During these years we can observe an important shift: in the early phase (1922-24) Carnap distinguishes a fixed ‘primary world’ of immediate experience – in accordance with the text we are discussing – from a ‘secondary world’ (or ‘realities’) that could be constructed by quasi-analysis on this intuitive basis. However, sometime during 1924 the distinction between primary and secondary world was dropped. Further investigation of Carnap’s intellectual encounters during these years is required , but the present text is clearly an important resource to better understand the development of his thought from Der Raum to Aufbau, especially with respect to his changing perspective on the epistemic value of intuitive knowledge.

In Über die Abhängigkeit der Eigenschaften des Raumes von denen der Zeit Carnap argues that statements about the topological structure of physical space can be reduced to statements about temporal or causal order. The paper needs a proper mathematical and physical background to be properly understood and Malament’s appendix satisfies this requirement. Malament gives a detailed reconstruction of Carnap’s account and he further discusses a number of mathematical problems suggesting how they could be fixed. This text is clearly an important resource for understanding Carnap’s efforts during these years not only in logic and philosophy of science, but also in physical and mathematical research of the time.

The last paper, entitled Physikalische Begriffsbildung, is an important paper written shortly before Carnap moved to Vienna in 1926. In the Introduction Carnap outlines what is science: an activity of collecting and organizing items of knowledge with the aim of subjecting the reality ‘to an ever higher degree of control’”. According to this pragmatic view of science, the task of physics is ‘to order perceptions systematically and to draw inferences from perceptions at hand to perceptions to be expected’. Carnap then explores thoroughly the hierarchical structure of physical concept formation, subdividing its formation into three main stages: qualitative stage, quantitative stage, and abstract stage. The present paper gives us an interesting overall picture of Carnap’s conception of rational reconstruction at the very moment when Carnap was on his way to the final version of the Aufbau. The editorial work (edited by Creath and Richardson) is again very accurate and detailed, although a few remarks on the comparison between Carnap’s Begriffsbildung and Weyl’s Begriffsbildung (as well as Weyl’s Konstitution) might have been useful, especially with respect to Carnap’s later conception of Konstitution.

But aside from these last considerations, the editors have done an excellent job firstly, in making all these texts available to English readers for the first time, and secondly, in making them more understandable thanks to their very rich in-depth analysis. This volume enhances the increasing English literature on the early young Carnap, which in turn provides a clearer picture of the development of logical empiricism and early analytic philosophy. The essays provide a fundamental resource to explore the multi-faceted cultural framework of the time where different philosophical movements were used to profitably interact with each other in a way that has become increasingly difficult in the later years. For all these reasons, the present volume is of considerable merit and should be of interest to Carnap scholars, historians of analytic philosophy and to Husserl scholars and researchers working at the intersection between the philosophy of science, logic and phenomenology.

Luís Aguiar de Sousa, Ana Falcato (Eds.): Phenomenological Approaches to Intersubjectivity and Values

Phenomenological Approaches to Intersubjectivity and Values Book Cover Phenomenological Approaches to Intersubjectivity and Values
Luís Aguiar de Sousa, Ana Falcato (Eds.)
Cambridge Scholars Publishing
2019
Hardback £64.99
330

Reviewed by: Dag August Schmedling Dramer (University of Oslo)

In the opening lines of the excellently compiled essay collection by Luís Aguiar de Sousa and Ana Falcato titled Phenomenological Approaches to Intersubjectivity and the Values (originally published August 2019), it becomes clear that the innovative aspect of this work is not the tried and true cognitive discussion of the role the complex phenomenon of intersubjectivity plays in our lives, although most of section I is dedicated to this “classical” discussion. It is rather the volume’s focus on the axiological parts of our existence that is of particular interest. In this review, I will present a short summary of the articles and essays presented in the volume, as well as offer commentary and critique of their central themes. I have selected only a few due to length constraints. I also present some further discussions in order to contextualize for the wider debates in phenomenology.

We can begin with the introduction, for there it is stated that the approach the collection intends to take, is axiological. According to the editors, it is the case that “what makes this volume special and distinct from other collective works on the phenomenology of intersubjectivity is its insistence on the axiological—that is, the ethical and existential—dimension of phenomenology’s account of intersubjectivity.” (2) However, further explication or discussion dedicated to accounting for what exactly the field of “axiology” denotes is not pursued.

“Within continental philosophy, phenomenology is more widely understood and engaged with than axiology. As such, it would have been prudent to dedicate more time to accounting for what exactly axiology is. Especially since “there has been a renewed interest in phenomenology in recent Anglo-American philosophy” (1).

This seems to imply the equal familiarity between the two on behalf of the readers though; phenomenology on the one hand, and axiology on the other, where it can be claimed that between the two, phenomenology is arguably the more known. This is not necessarily the case, however. That said, it is indeed true, as the editors also claim, that the essays in the collection quickly move from the more classical debates about how to account for the presence of the other, (the realm that is often most interested in the cognition-focused Anglo-American philosophy) and into the realm of ethics and even theology. This fact, is most welcome. This is especially the case given the explicitness with which this fact is confirmed. It is the case, for instance, that the ethical dimension of the phenomenological quest of investigating our social natures as intersubjectively constituted creatures, often looms in the background of the contemporary phenomenological writing, and this is the case for almost all the writing on intersubjectivity both classic and more recent. Yet surprisingly, this very fact does not seem to be explicitly focused on, as the ethical dimension of the phenomenological project, often approached at the end of a given text, trails off or is relegated to “another occasion”. This is where “values” comes in, and as such, this collection can be seen as a form of bridge between the two now less estranged banks of intersubjectivity and the values, crossing the river of phenomenology that gives rise to both.

The book is divided into three parts, each with their own focus. The essays in part I. are dedicated to “The Cognitive and Epistemological Dimension of the Problem of the Other” consisting of 5 essays. Although thorough, this section is perhaps the least original, as it is dedicated to the classical discussion from within the writings of some major phenomenologists, such as Merleau-Ponty and Husserl. Yet, the interesting thing is how the essays in the section, despite what can be claimed is the generally unoriginal approach of their points of departure—exegesis of the classical texts (which Zahavi, in several places, claims is the tendentious trap of much contemporary phenomenology)—all have original streaks in several of their main points. For instance, the text by Jorge Goncalves on Intersubjectivity in Psychiatry brings phenomenology to bear on some background assumptions in psychiatry concerning the status of the self. He shows how longstanding debates in phenomenology can greatly help the psychiatrist get a grip on his or her patient, and the latter’s fundamental needs. He concludes that although some of the prevailing theories in psychology concerning our access to the other’s mind, namely Theory-Theory and Simulation Theory, can provide relevant and helpful explanations for psychiatry, the fundamental problem remains the same: how to truly open oneself up to the other person, when the other person resides on the outside of “normality”. The conclusion is that phenomenology, with its traditional methodological operation manifested in the attempt to “suspend judgment and perceive things themselves as they are” (109) may prove to be more successful in this perennial and forever pertinent endeavor. Goncalves fails however, to note that a recent formulation of this “phenomenological approach” is termed “interaction theory” by Gallagher, as the latter opposes them explicitly to Theory-Theory and Simulation Theory as on equal footing.

A more classical exegetical discussion is found in another paper, the paper presented as chapter 1 by Paul F. Zipfel which is a thoroughgoing and careful analysis of Husserl’s notion of inaccessibility.

From the get-go, it becomes clear that, although well written, the essay is best read by someone already initiated into the core ideas of Husserl’s phenomenology. Introductory remarks are not made, and we jump right into the middle of the action, which is subtended by the paradoxical question of how the other appears to the subject, because of, not in spite of, his or her inaccessibility. The main thesis defended by Zipfel is that inaccessibility is a “function of the originality of the conscious act” and as such, is quite a fundamental part of our encounters with the other. A preparatory section is dedicated to the important, if somewhat exasperated discussion of direct versus indirect experience, before Zipfel moves into “the originality of experience” as he accounts for how that which is most original in the other subject’s experience, is not directly given to the experiencer of the other, but rather in the form of a “consciousness of a consciousness that is not my own.” This is quite subtle, and Zipfel presents some good examples in order to clarify this complex point. He draws on several contemporary commentators, as well as meticulous readings of Husserl’s own reflections as recounted on Cartesian Meditations and Husserliana in order to develop his discussion. The main conclusion in the essay is that the other is accessible exactly in his/her inaccessibility. The other person’s mind is in many ways directly perceived, but not fully or completely. There is always some mystery that eludes us, always something left to explore, yet this is what opens the door to ethics, and what we might call “the mystery of the other.”

The perhaps most original essay in part 1 is chapter 4, by Roberta Guccinelli, in which she discusses the notion of “the ecological self”. Interesting though it is, the author can be said to perhaps assume too much, as she jumps straight into it with the question of whether an “ecological self really exists” which is presumptuous due to its assumption that the reader has dedicated some time pondering this question, and it also perhaps assumes an already parallel standpoint taken on the very notion of the self, on the readers’ part. That said, Guccinelli’s approach to Scheler, attempting to use his phenomenology to (re)construct a self that is not just intersubjectively constituted, but ecologically constituted (what we might call “eco-subjective”) is most welcome. Although there has been literature that have drawn the background conceptual links between phenomenology and ecology out into the explicitly ethical open (like David Abram’s The Spell of the Sensuous), Guccinelli’s focus on the Self, along with Guccinelli’s usage of Scheler’s phenomenology in that regard, is highly interesting and original.

I stand by the contemporary Husserl scholar Dan Zahavi’s general comment mentioned in the bracket above, that there is a widespread tendency among current phenomenologists to dabble in egregious over-exegesis of the original source material. This is done with the best educational intentions, but it often only serves, ironically, to render it tiresome to the pragmatically oriented reader, who in many cases simply wants to see its immediate relevance to the discipline (nursing-studies, psychiatry, biology etc.) i.e. their own field. I have to present a lengthy quote which can help to moderate this view a little, which with its helpful and thorough discussion of the difference between (and similarities of) Husserl and Merleau-Ponty’s views on intersubjectivity, makes us see how the underlying and “classical” discussion is as alive and relevant as ever. Here are the concluding sentences from the final part of chapter 3, by one of the editors, de Sousa himself, as he compares Merleau-Ponty and Husserl.

Merleau-Ponty’s view has the great merit of making a very strong connection between subjectivity and intersubjectivity—of showing, in other words, that it is only possible for us to form the idea of other subjects because our self is radically different from the Cartesian self, and vice versa. As a result, Merleau-Ponty manages to turn Husserl’s account of intersubjectivity on its head, undermining the foundations of Husserlian phenomenology (even if this remains polemical from a Husserlian point of view). (79)

Now, it might be argued that there is an overabundance in the literature when it comes to the exegetical accounts of what the phenomenological forefathers actually meant to say, and that there should be a stricter separation between “scholarly work” and “contemporary application” in the literature than what is currently fashionable, but that belies the way phenomenology is actually working. The early founding phenomenologists themselves, as de Sousa more than hints at above, argued intensely amongst themselves, and any usage of phenomenology today will have to take a stand on the premises in the debate in order to present their positive views on the applicability of the discipline to other fields. Especially when phenomenology meets contemporary empirical research. And these roots go way back to Husserl’s concern with The Crises of the European Sciences. More immediately engaged was Merleau-Ponty for instance, who was very much up to date with the empirical sciences of his day. Indeed, he was informed by the empirical sciences to such a degree that the neurological and psychological case studies buttressed central aspects of his phenomenology. Those studies are indispensable to his magnum opus, Phenomenology of Perception, and the approach developed therein. When the psychologist J.J. Gibson read Merleau-Ponty, he was directly inspired by the philosopher’s concept of motor-intentionality to develop his interactionist view of perception as directly action-guiding in The Ecological Approach to Visual Perception.

Today, links are drawn between Heidegger’s Being and Time and recent developments in the cognitive sciences. These links were first drawn by Hubert Dreyfus in his (in)famous reading of Heidegger’s existential analytic and phenomenology and used as a direct attack on the program of early research into artificial intelligence in the early 70s. From the get-go, the writings of Simone de Beauvoir and Jean-Paul Sartre (as well as Gabriel Marcel, as we see below) were greatly influencing literature and literary criticism in a sensitive and highly creative time in French writing. This could not have been done without the direct and indirect influence of Husserl, and his early investigations (that Raymond Aron, Sartre and de Beauvoir were exposed to and inspired by) of intentionality. In other words, exegetical or not, phenomenological and existentialist ideas have always, in one way or another, been in mutual engagement with the broader cultural streams, and in turn been affected and changed by them. As such, it can be claimed that “the problem of exegesis” is not a problem at all, but part and parcel of what good phenomenology is all about. So much for part I. of the collection.

In part II. “The Ethical and Existential Approach to the Problem of the Other” the essays become more general, as the consequences of the phenomenological analyses discussed are pursued with a more general look at their ethical and theological import. Part II consists, then, of five essays, ranging from Scheler’s phenomenology of otherness, through discussions on Being-With and Being-Alone in the young Heidegger, Sartre and intersubjectivity, Gabriel Marcel’s thesis of availability on the importance of solicitude for our understanding of fundamental philosophical enquiry.

The perhaps most interesting and informative essay in part II is written by Elodie Malbois, and sets out to account for Gabriel Marcel’s oft neglected contribution to the phenomenological literature. Malbois’ twenty-six page essay can in many ways be described as an homage to Marcel’s thinking, as well as an analysis of his central focus on the notion of “Availability”, which he considered as not just an essential part of how we relate to others, but as an indispensable mode of authentically connecting with them. It actually turns out that for Marcel, intersubjectivity as a phenomenon can only strictly speaking be said to occur when you are available to the other person. Physical proximity, embodied encounters and basic perceptual openness to other people are perhaps necessary preconditions, yet they are hardly sufficient for genuine familiarity with the otherness of the other. The otherness of the other can only appear in the intersubjective mode once the fundamental phenomenon of availability is in play; indeed, intersubjectivity proper for Marcel is not fully understood without reference to availability. But in what, then, does availability consist?

As most phenomena that are closest to us, it is hard to describe. A central role is ascribed to attention; for the available person is according to Marcel hetero-centered, that is, focused on the other. A problem that can arise even within this positive account of the necessity of attention for understanding the phenomenon in question, is that one often runs the risk of simply paying attention to oneself through the other. Malbois uses a Marcelian example of a young man who goes to a party and finding himself quite unable to feel that the others are looking at him, judging him with their gazes. Now, the point here is that while the other man is indeed directed at the other minds, and take their otherness in many ways, seriously, this is not to get to know them better, but rather, involves a return to the self, as he only cares about their minds insofar as they care about him. He is encombré soi, “cluttered up in himself” (187). So being truly available is not just about having your mind directed at another’s mind, and the other person’s object of attention (for that object might just be you) but actively engaging in the other person’s perspective, the other person’s position. This is where Marcel, according to Malbois, allows himself concepts such as agape to slip in, while, according to the latter, arguing further about the necessity of using them (ibid.) But the important roots with Christian theology and mysticism are evident, as being concerned with the otherness of the other for his/her own sake finds its parallel in the language of the believer. Love and charity are central concepts, and they of course imply this fundamental mode of (basic) self-sacrifice through a forgetting of the self for the sake of the other. This is where the original analysis of intersubjectivity turns axiological. Other aspects endemic to classical existential and phenomenological problematics come up, such as authenticity, which for Marcel is tied to availability, a concept that itself turns increasingly complex as Malbois exposition strides forth. Malbois is throughout careful in her discussion, as she never presumes the question of exactly how best to define “availability” to be a settled one. The essay is a well written and critical homage in its entirety, and ends on the thoroughly axiological account of availability as a reciprocal act happening between minds.

The other essays in part II. share the trend of arriving at what we might call “the deeper level” of intersubjective analysis, as the thorough analysis of the phenomenon is pulled in the direction of viewing it as constitutive of our very being-in-the-world, and the fundamental and indispensable parts of this structure. Such as Scheler’s notion of love (chapter 6), which turns theological, or Heidegger’s differentiation between Being-With and Being-Alone (chapter 7) and Sartre’s ambivalent account of intersubjectivity, the chapter (chapter 8) in which André Barata brings in the outspoken atheist Sartre’s more theological reflections on Nothingness, God and, (the classical) question of what love is.

Then, finally, there is part III in which we move into the more esoteric parts of the phenomenological problematics concerning intersubjectivity. Chapter 11 is dedicated to a discussion on the development and connection between Merleau-Ponty’s thinking and Foucault’s by Gianfranco Ferraro, and in it he draws the lines towards what he dubs “a contemporary ontology of immanence” (241). The essay is a difficult read, not just due to the inherently difficult source material discussed, but also due to the lines drawn. Although the original quest set out on from part 1 of the essay, namely that of accounting for the “possible influences and relations between the two authors” and their varied import for the new ontology of the subject emerging after World War 2, I fear that too much is already at stake from the get-go, and that Ferraro fails to bring everything together in a fruitful way. There simply seems to be too many thinkers involved, as Levinas, Heidegger and then Deleuze are brought to bear on the debate. One not well versed in the continental development over the last 100-50 years will have a great difficulty following the many stranded argumentations. That said, for the initiated, the lines drawn are interesting (though at times confused) and merit further investigation.

A refreshing essay is presented by Grace Whistler, constituting chapter 13 in which she discusses the interesting links between form and content in Albert Camus’ L’Etranger. She argues that Camus indeed intended to communicate his very philosophy in the simple style of L’Etranger, which best comes out in the French wordings, which she does her best to convey in an English manner. The essay is nothing short of an analysis of what Whistler takes to be the essential relation between literary style and the content of the philosophy in question. She claims that Camus can be said to attempt a direct showing (show don’t tell) of Merseault’s world through his prose, allowing us to experience it directly as intersubjective. The essay is well written and highly original.

Chapter 14 with its essay entitled “The Poetry and the Pity” is easiest the odd one out in the collection. This is something the editors themselves note in the introduction It is a poetic post-ludium depicting the echoes of the voices crying out from our not-so-distant past; the voices of pain from World War 1. The essay highlights in an effective yet indirect way the running theme throughout the collection; namely the ethical consequences of phenomenology. It is poetically fitting that an essay that does not explicitly engage with phenomenology and intersubjectivity, all the same points us towards the redeeming powers of narrative, which we, now more than ever, are in dire need of.

David P. Nichols (Ed.): Transcendence and Film: Cinematic Encounters with the Real

Transcendence and Film: Cinematic Encounters with the Real Book Cover Transcendence and Film: Cinematic Encounters with the Real
David P. Nichols (Ed.)
Lexington Books
2019
Hardback $90.00
178

Reviewed by: Antony Fredriksson (Centre for Ethics as Study in Human Value, University of Pardubice)

One starting point for a new approach within philosophical film-studies during the past decades can be found in Stephen Mulhall’s book On Film (2002). In contrast to the traditional approach within aesthetics, Mulhall regards cinema as an art form that carries a philosophical task by itself. Films are, in this sense, not considered as examples or raw material for philosophical scrutiny, rather they are understood as works of philosophy in the medium of the moving image. The book provoked a long debate concerning this question (can films be considered as philosophy by themselves) that ran, among other forums, on the pages of the journal Film Philosophy during the year 2003.

David P. Nichols’ (ed.) anthology Transcendence and Film continues with this approach. It is a book that deals with philosophical issues through a discussion between philosophers and works within cinema. Dylan Trigg exemplifies this by describing his relation to David Lynch’s Mulholland Drive (2001): “Lynch is not a director who makes films in lieu of a philosophical voice; rather, his philosophical voice is indistinguishable from that of his films, such that the task falls to philosophers to meet Lynch on his terms rather than vice versa” (16). This approach, in which a clear hierarchy between philosophers and theorists in relation to artists and their works of art is dissolved into a reciprocal dialogue, offers a vital perspective. At its best, Transcendence and Film brings out how pressing philosophical questions concerning subjectivity, the limits of experience, and the status of representation of reality in art can be dealt with in the audio-visual language of cinema.

The ten essays by John B. Brough, Allan Casebier, Herbert Golder, David P. Nichols, K. Malcolm Richards, Frédéric Seyler, Kevin L. Stoehr, Dylan Trigg, Joseph Westfall, and Jason M. Wirth, permit the films to do the philosophical work regarding some key-questions with phenomenology and aesthetics. Some of the key theoretical underpinnings for the book come from Karl Jaspers’ phenomenology of liminal experiences and questions concerning the role of transcendence. With cinema, transcendence can refer to several different phenomena. The strict emphasis of this book lies, however, in the way the aesthetics of film can allude to the ineffable, i.e., how a certain work can open up vistas that change our ways of relating to the everyday perceptual world; how film permits us to rediscover the world of perception which we are immersed in. The phenomenological approach stands out as a strength in the theoretical literature on film, since cinema is considered, at its best, to be a reflection of the dynamics of the structures of our consciousness. Then mentioned films are not required to provide rational philosophical arguments. Instead, the emphasis is on how this language that uses the building blocks of our perceptual world can reveal some ephemeral aspects of our cognitive and affective processes.

Regarding the ethos of “film as philosophy”, Dylan Trigg’s essay The Dream of Anxiety in David Lynch’s Mulholland Drive, stands out in this collection. Trigg shows how Mulholland Drive articulates sophisticated questions concerning the ontology of self. Lynch’s film portrays a particular borderline state between dreaming, sleeping and waking. The characters Diana and Camilla experience traumatic events that infiltrate their everyday waking life, blend into it and distort it. In this sense, their subjectivity becomes apparent as singularity. It is the projections of the own self that blend into perceived reality and thus, the nightmarish and unfamiliar experiences are also necessarily a part of the self (19). Trigg shows how the horror of Lynch’s film consists of the realization within the main character that “the very concept of personhood is itself a sad illusion” (18). Lynch’s film language reflects a philosophy of the dynamics of our consciousness that also stems from his own practice of transcendental meditation. The forte of film as a medium is that it is a visual language and is thus able to portray how dreams and memories break into and influence our direct perception. Trigg shows how Lynch is a master of this kind of portrayal of the dynamics of our psychology of perception. In the context of the essay, transcendence denotes a passageway between different levels of consciousness. Lynch investigates both in his meditational practice and in his films, these limits between dreaming and waking, bringing them into sight for the viewers and helping us to observe the processes that at times can entail both anxiety and bliss.

A completely different kind of aesthetics that, however, carry similar goals of disclosing a specific liminal territory within our perception is present in the cinema of Yasujirō Ozu. In his essay, Transcendence in Phenomenology and Film: Ozu’s Still Lives, Allan Casebier, who is considered by many as a predominant scholar for introducing the tradition of phenomenology to Anglo-American philosophy of film, scrutinizes the connection between the phenomenology of Karl Jaspers and the Zen Buddhist aesthetics of film director Yasujirō Ozu. According to Casebier, the cinema of Ozu strives to disclose the ineffable. Here we are already dealing with a particular philosophical tension, since; if something is ineffable, how can it then be expressed? The aesthetics of Ozu are designed to work around this tension by using the concept of shibui. Casebier writes: “Shibui’s ever hidden aspect creates a lingering attraction for more since the object is so fashioned that it reveals only enough of itself to impel one to seek additional qualities of what has been found pleasing but which are not readily perceivable” (93). In this way, transcendence in the films of Ozu is achieved through allusion and through the dialectics of the seen and the hidden. It is up to the viewer’s imagination to initiate the movement towards the transcendental. In contrast, Ozu’s role is merely to invite this imagination through his minimal and still language of film.

Casebier relates this ineffability to Jaspers’ concept of “cypher”, something that hints at a beyond without ever disclosing it. The transcendent cannot, in this sense, become an object for our knowledge. For Jaspers, it resides at the boarders of the knowable. The ineffable has an impact on our experience, but it can never be fully delineated. In this way, transcendent films guide us to the borders of our normal, habitual perception. It alludes to a beyond that is never fully grasped. Transcendental cinema is, in Paul Shrader’s words, like a catholic mass; a ritual that prepares us for experiences that are contradictory to the conventional (93).

Although Casebier is able to point out a philosophically interesting aspect in the aesthetics of Ozu, the essay still feels like it falls short. Casebier writes in quite general terms, without referring to specific films of the director. For me, it is evident that there is a more mundane explanation for the minimalism and emptiness in Ozu’s images. The subject matter that was central to Ozu is a certain alienation. The challenging predicament of modern life, in which social relations become problematic due to the fast pace of urbanization and the breaking up of traditional social structures is often portrayed as tensions and challenging encounters between generations. The emptiness in his films is not purely aesthetic, but also descriptive of the loss of connection between generations and within family life. In this sense, the emptiness is a reflection of the loss of the social connectedness of the characters. Ozu’s minimalism caters to an existential undertone that alludes to, not only aesthetics of shibui, but furthermore to moral shortcomings and the challenges of alienation between the characters in his films. Perhaps this moral theme would have required a separate essay on the cinema of Ozu. To simply make his empty and minimal images into an aesthetical matter is somewhat a limited interpretation of these devices.

One constant shortcoming in philosophical texts on film is that philosophers tend to fail at describing storylines, narratives and the aesthetics of a specific film in a manner that helps the reader grasp the viewing experience. David P. Nichols is one exception. In his rendition of Martin Scorsese´s Silence (2016) Nichols’ beautiful portrayal is engaging and perceptive in its analysis. Nichols reads Scorsese´s aesthetics through the lens of Merleau-Ponty’s notion of the silence that enables us to grasp the flesh of the world. This is a continuation of the theme of the ineffable in the book. According to Nichols film is not a mirror that shows us how we appear to be, instead it is “like a mirror that reverses our ordinary sensibilities about who we are and what surrounds us” (134). When film succeeds in transcendence, it is able to point beyond “our ordinary linguistic abilities” (121). Like Trigg, Nichols points at the sedimentation in human perception, silence is something that is hard to grasp in linguistics, but at the same time, it is a prerequisite for language. Silence provides our language with rhythm. This is immensely important for the language of film. Through editing, sound and camera work film contains its temporality and rhythm. Through Scorsese´s mastery of pacing and rhythm, the film becomes a reality of its own that carries a certain mood (stimmung in Heideggerian terms) that alludes to monastic experience. Through rhythm, something invisible (mood, quality of experience) can be portrayed in a visual language.

Kevin L, Stoehr’s essay Ciphers of Transcendence in 2001: A Space Odyssey brings forth the question concerning post-humanism. Kubrick’s film starts with the event of the invention of primitive technology as the ape in the opening scene starts to use a bone as a tool. The quick jump to space technology and interstellar travel alludes to an immense transformation within a lifeform. The question then becomes what the next stage in this evolution might entail. Will humanity, in relation to technology, transcend some of the very fundaments of what we call being human? The aspects that we take for granted – like our corporeal embodied orientation in the world and our sense perception – will they always be essential facts of our lived life? Stoehr refers to Hubert Dreyfus’ concept of “disembodied presence” which describes a form of life spent mostly in cyber space in which the embodied sensory experience is tied to a technologically created interface, and thus the natural orientation of our body in a corporeal world is exchanged for a world of representations.

Kubrick’s film describes this kind of displacement. The main character Bowman is completely dependent on the spaceship and the computer HAL that controls Bowman’s living environment. This sense of disconnection and alienation enables the film to pose philosophical questions. The rational design of technology has transcended the belief in a universe with a natural order created by God. In addition, as human life becomes more immersed in the technological design, the coordinates given by our natural embodied lifeform possibly lose, or change, their significance. Stoehr writes: “But the director also summons us to consider the possibilities of an experience in which the natural body – as the active filter of one’s individualized experiences and as the fixed point of orientation for one’s material existence – is no longer primary. This is especially the case when our technology has increasingly gained the capacity of delivering a more indirect world, one in which our five senses play a minimized and mostly passive role” (157-158).

The reading of Kubrick’s 2001 as a meditation on transcendence in the history of the meaning of the concept of the human brings nicely together film and existential philosophy. Kubrick is portrayed as posing open-ended questions concerning the future of our lifeform. He does this by using aesthetics that deliberately dislocate the viewer’s sense of time and space. Bowman travels in our solar system but also goes beyond our understanding of space-time into other dimensions. He encounters forms of higher intelligence whose intentions are not decipherable for our understanding. Stoehr uses Jaspers’ concept of “cipher” (one of the key concepts of the whole book) that alludes to the ineffable, in order to describe Kubrick’s allegories of a future that is still indescribable.

Among the more traditional themes of film-theory represented in the book are Frédéric Seyler’s essay Pointing toward Transcendence: When Film Becomes Art and Joseph Westfalls’ ASA NISI MASA: Kierkegaardian Repetition in Fellini’s 8 ½. Both authors address what can be called the first questions of film-theory: Is film a proper art form, and does it add a unique form of expression in comparison with the other arts? That is, can cinema help us grow as subjects – do films challenge us to reflect upon our relationship with the world or are they simply objects for our consumption that caters to our escapism? Leaning on Jaspers, Bergson, and the radical phenomenology of Michel Henry, Seyler pushes the point that certain films, like, for example, Louis Malle’s  My Dinner with André (1981), can break free from the predominant mode of escapism of television and film. Film as art can help us grasp that which “escapes our ordinary attention” (83) and thus help us reach beyond our prejudices and even our desire for escapism.

Westfall drives the same point in his reading of Fellini’s 8 ½. He emphasizes the temporality that is essential for the performing arts, film, and music. The viewing experience unfolds in the present, but film also enables a play with temporalities of a future and a past. Thus, the world in film is not like the temporality of our lived life experience, as it in Cavell’s terms, uses the past recording of a scene, as material for the present viewing situation (110). This play with the building blocks of our consciousness enables the art form to tap into our perception and cognition. According to Westfall, this deliberate reorganization of temporality enables cinema to go beyond mere escapism and guide us in the processes of our consciousness.

In the essays mentioned above, there is a common thread regarding transcendence and film. By establishing, not a mirror image, but a counter-world to our common perceptual experience, cinema can help us attend to subtleties that we easily look past due to our ingrained conventions of perception. Similar claims have been made before, for example, by Malcolm Turvey in his book Doubting Vision (2008) in which he re-interprets the classical tradition of film-theory and work by Jean Epstein, Dziga Vertov, Béla Balázs and Siegfried Kracauer. All these attempts aim at liberating film-theory from the realist-idealist dialectics in order to show that film can be an art form and that it is able to refrain from falling into escapism.

Although the volume has its highlights – at their best, the essays demonstrate the transformational power that film can have on the subject – there are some shortcomings. The book reads more like a conference catalogue than a thoroughly edited anthology with an overarching aim. Even the better pieces are quite short, and as they introduce important philosophical themes, they still, in many cases, leave too much unsaid. Some of the less thorough work in the volume falls short due to extensive descriptions. K. Malcolm Richards essay on Cronenberg’s eXisntenZ (1999) poses the same kinds of questions as Stoehr’s piece on Kubrick, but the text is, to a large extent, just a rendition of the narrative in the film. The current and pressing question concerning how immersive technologies change our quality of experience deserves a more thorough and definitive treatment, and Cronenberg’s film has more to offer in this discussion than Richards’s essay can disclose. John B. Brough’s essay on Karl Theodore Dreyer’s La Passion de Jeanne d’Arc (1928) and Jason M. Wirth’s piece on Terrence Malick’s Badlands (1973) are weighed down by the same disproportion between extensive description of the film and brief analysis. Herbert Golder’s essay related to his collaborative work with Werner Herzog stands out for different reasons. It is in an anomaly in the collection since its focus is wide-ranging, stretching from classicist interpretation of Greek philosophy to biblical mythology to Karl Jaspers’ phenomenology. It is hard to find a focus in the text that would enable the reader to relate it to the general themes of the book.

These texts give further evidence to the interpretation that the book primarily is a collection of conference papers. Extensive editorial work and requirements of in-depth analysis would have made this book a more substantial companion to the discussion concerning the intrinsic philosophical qualities of cinema.

Bibliography

Mulhall, Stephen. 2002. On Film. London: Routledge.

Turvey, Malcolm. 2008. Doubting Vision – Film and the Revelationist Tradition. Oxford: Oxford University Press.

Rajiv Kaushik: Merleau-Ponty between Philosophy and Symbolism: The Matrixed Ontology

Merleau-Ponty between Philosophy and Symbolism: The Matrixed Ontology Book Cover Merleau-Ponty between Philosophy and Symbolism: The Matrixed Ontology
SUNY series in Contemporary Continental Philosophy
Rajiv Kaushik
SUNY Press
2019
Paperback $25.95
202

Reviewed by: Keith Whitmoyer (Pace University)

The wealth of literature that has emerged (and continues to emerge) on Merleau-Ponty’s thought is striking considering that the span between the publication of the author’s first work, The Structure of Behavior (1942), and his last, posthumous work, The Visible and the Invisible (1965), was only a touch more than two decades of active, “serious” academic production.[1] Reading through much of this commentary, one encounters a series of issues and motifs that seem to circulate through discussions of this philosophy: the living body, perceptual experience, motor intentionality, the flesh, the chiasm, reversibility, the place of painting and with respect to these, the author’s engagement and relationship with Husserl on matters autochthonous to phenomenology. This list, of course, goes on. As a reader of both Merleau-Ponty and literature on his thought, one wonders what, if anything, remains to be said.

Kaushik’s work, Merleau-Ponty between Philosophy and Symbolism, I think, clearly indicates that the answers to the above question—whether and what remains to be said—are yes, and much. It makes this indication, however, by rethinking what it means to read and write about the philosophy of Merleau-Ponty by showing that there is a thought and philosophy here that goes well beyond the well-trodden signs that have typically framed approaches and discussions of this author and his work. Kaushik shows us quite eloquently that readers of Merleau-Ponty’s work need no longer rehearse a series of questions that have already been well-documented (perhaps over-documented) and that there remains much to be thought and discussed. Rather than discourse about the lived body, perceptual experience, the flesh, and so forth, we are introduced to another set of signs that frame and render Merleau-Ponty’s thought and which re-constitute its legibility: the symbolic matrix, the elemental, the oneiric, and most importantly, the event.

In addition to opening the field of Merleau-Ponty studies to a series of questions and motifs that have for the most part been unconsidered, Kaushik’s book accomplishes a second task. To the extent to which Between Philosophy and Symbolism provides another set of signs for entering the domain of Merleau-Ponty’s thought, this work also repositions this thought with respect to the history of 20th Century continental philosophy. In a manner that is the analogue to way in which a set of signs gets recycled within the literature on this thinker, Merleau-Ponty is almost invariably attached to the 20th Century’s “phenomenological curve,” the upslope being the work of Husserl and his immediate constellation, the peak probably being Heidegger, the beginning of the downward slope including its rise in France and the immediate post-war period, ending, of course, with the rise of “post-phenomenology” in the figures of Foucault, Deleuze, and Derrida, who all in their own ways tried to ring its death knell. By recasting the signs by which we would enter Merleau-Ponty’s thought, Kaushik, I think, succeeds in dismantling this curve (which surely deserves no less and probably worse). Not only does Merleau-Ponty appear as belonging more to “post-phenomenology” than as a member of the movement but the very terms by which we would want to define “phenomenology” in contrast to “non-phenomenology” (including “post”-phenomenology) become (rightly) contested. By re-framing the approach to the work of Merleau-Ponty, Kaushik’s book re-frames the manner in which we can make sense of what means to belong (or not to belong) to the phenomenological movement and what “phenomenology” can signify in the first place. I want to take the opportunity to explore these transformations through a series of concepts that make up the infrastructure of Between Philosophy and Symbolism, the analysis of which will constitute this writing: the matrix, the symbolic, the element, and the event.

The subtitle of Kaushik’s book, The Matrixed Ontology, already indicates the central role that this concept will play in his reading. A matrix or “matrix event” is positioned against a theory of the transcendental field where the transcendental as such is identified with some form of ipseity: a self-identical, discrete consciousness that occupies the role of referent for the sense of a world it constitutes. Of course we find such a theory of the transcendental most clearly in Kant’s “I think that must accompany all my representations,” the transcendental unity of apperception; in Husserl through the various iterations of transcendental consciousness and egoicity; and of course in Sartre’s theory of consciousness as the active, centripetal constituting agency of the world’s meaning (“nothingness”). Merleau-Ponty’s philosophy is distinguished from these theories at the point where the transcendental field is now reconceived—not as the privilege of a constituting self—but as the interstice, fissure, or, as it were, silent lacuna, the écart (divergence) of difference within beings that allows them their phenomenality. In other words, Merleau-Ponty, on Kaushik’s reading, gives a theory of the transcendental that not only allows for but requires internal differentiation. This is a crucial claim because, as Kaushik indicates, it is this revised theory of transcendentality that immunizes Merleau-Ponty’s thought against the critique that phenomenology necessarily eliminates difference, and in so doing, occludes the possibility of thinking the event as such.

Thinking through the configurations and operations of matrices, as well as their corresponding eventualities, occupies much of the individual analyses of the text. We nonetheless encounter some indications in the Introduction, to which I will briefly turn. Kaushik states:

Matrix events do not emphasize self-consciousness at the cost of difference. They are, in fact, called matrices because they constellate difference as difference…. A matrix event may be equated with differentiation in several ways: in addition to difference between human and animal, it can refer to the exterior and interior, public and personal, language and speech. A matrix event runs a circuit through these differences. But the loop of matrix events is never closed, and neither are the terms that they snap up into them. This is crucial, for unless Merleau-Ponty thinks that, through the event, differences are reduced to an identity, he is not guilty of the typical criticism that befalls phenomenology—that it transforms nonsense into sense and makes what is incoherent coherent.[2]

The typical criticism would be that, in its attempt to trace the lines of force that produce and shore up the everyday appearance of the world and the sense it has for us, phenomenology will discover an absolute origin that constitutes this sense. Such an origin, as the origin of all difference, would not itself be subject to difference. It would be a purely centripetal, outwardly oriented movement that thinks but is not an object thought, sees but is not seen, speaks but which cannot be heard, constitutes a time to which it would not be subjected, and constitutes a space in which it would not be found. As Kaushik indicates, such an origin could, by definition, not abide any exteriority, could have no relation to anything that would not in principle be subjected to its sense-making movement, and in this way could not stand in relation to anything radically other to it. A matrix event, by contrast, produces sense but in such a manner that it nonetheless still includes and even welcomes what is beyond its sense. Whereas the traditional, phenomenological view of the transcendental ends with a closure into sense and the elimination of non-sense, a matrix event remains constitutively open to non-sense and what is outside, and in this way is “adventurous:” the matrix event is never complete but remains on its way, unterwegs, as Heidegger might say, but “on its way” only to difference. Kaushik notes in this regard:

An event is not singular but plural. Its plurality, furthermore, prevents the event from being teleological. That there is a temporal character to the matrix event means neither that it is an origin from which other times succeed nor that it is a destination into which all times lead. The event is neither an origin nor a destination.”[3]

Matrix events are made legible over the course of the text through a second concept, the importance of which is already suggested by the title, symbolism. Kaushik, borrowing from Merleau-Ponty, will also speak of the “symbolic matrix,” and one also hears very clearly through the invocation of this concept the “symbolic form,” and both Ernst Cassirer and Erwin Panofsky are on the horizon here, filtered through Merleau-Ponty’s lectures on Institution in Personal and Public History and his last publication, “Eye and Mind.” I want to consider symbolic form and symbolic matrix under the general rubric of symbolism, which I believe should be understood verbally.

In the Institution lectures, Merleau-Ponty says:

The parallel [of painting] with philosophies is acceptable only if philosophies themselves are taken not as statements of ideas, but as inventions of symbolic forms. Shortcoming of Cassirer’s philosophy consists in thinking that criticism is the endpoint, that philosophical sense has a directing value even though this sense itself is taken up into sedimentation. Consider criticism itself as a symbolic form and not as a philosophy of symbolic forms.[4]

The idea at play here, taken up again in the essay Eye and Mind, is that, as Merleau-Ponty famously says, “every theory of painting is a metaphysics.”[5] That is to say, every theory painting—even one that attempts to ignore or deprecate it such as we find in Descartes or Kant—is a theory of expression, a theory about how the sense of what is comes into being, and every theory of expression is already metaphysics, since metaphysics has only ever been the attempt to think the becoming—the expression—of what is. The significant claim here is that we need to hear “metaphysics” not as the “statement of ideas”—metaphysics in a profound sense has nothing to do with the articulation of theses about being—but “as the invention of symbolic forms,” i.e., the invention of ways and means that allow for the expression of a certain point of view, a certain perspective, or way of seeing. Renaissance painting is of course just this: the presentation and making visible of a certain Weltanschauung, a certain frame—one might even say Ge-stell—for what it means to appear, what it means to be.

Kaushik makes the following commentary on the text from the Institution lectures:

His last sentence here, ‘consider criticism itself as a symbolic form and not a philosophy of symbolic forms,’ is sweeping and radical in its proposal to alter both the method and aim of philosophy. If philosophy criticism is itself a symbolic form, this would mean that the ground for every truth claim in fact enfolds a symbolic component. The height of philosophical criticism would then, counterintuitively, eventuate in the symbolic. If so, philosophical criticism becomes absorbed by something very much counter to its usual goals, a form only ever discovered in mutation and that is never itself.[6]

If metaphysics is the invention of symbolic forms, then the tasks for philosophy as well as its very nature are reconfigured and rethought. It means that the symbolic is no longer a regional matter for a specified branch of philosophical discourse but that the symbolic—symbolism in the verbal sense—is at the very center of philosophical discourse. This means, according to Kaushik, that philosophy cannot hope to arrive at a final diapason of self-consciousness or absolute knowledge but that it encounters at best “a form only ever discovered in mutation and that is never itself.”[7] In being oriented by and in terms of symbolic forms, philosophical inquiry is constitutively defined by a certain delay, an internal slippage as its symbols defer their sense. As a result (or even as a function) of this slippage, phenomenological method (now oriented in terms of symbolic forms) can no longer be understood as the disclosure of an absolute origin, but as indicated earlier, must be thought in terms of an ineliminable difference. Kaushik summarizes this as follows:

The symbolic does not, however, mediate or bring beings together with being but opens up and is the very difference between them. It is in other words, on an adventure and is not a destination end or even a proper origin. It takes or is always on an excursion—between consciousness and unconsciousness, body and world, oneself and another, and the things of the world—while also being no place otherwise.[8]

The adventure of sense, its radical openness, and the necessity of the event for phenomenological method are, in a way, thus premised on the symbolic. This adventurousness, however, requires another concept. If the symbolic introduces a function of slippage and differentiation within the articulation of sense, the principle of this slippage must still be clarified. Kaushik accomplishes this by invoking another term: the element, to which I will now briefly turn.

“Element,” of course, immediately recalls the oldest metaphysics of the Western tradition, the φυσιολόγοι, as Aristotle said, those who discoursed on φύσις or “nature.” We should be careful, however, not confuse the use of element at stake in Between Philosophy and Symbolism with a theory of nature, however, nor should we assume that by invoking this pre-Socratic notion that Kaushik wishes to recover or return to some absolute ὑποκείμενον beneath the phenomena that would explain or even express them. As the third term in the triad matrix-symbol-element, the elemental here designates both the plane of excess of sense and the unexpressed (and inexpressible) silence necessary and intrinsic to any event of phenomenality. In other words, the element is the invisible, the absent and by definition indeterminable interstices or lacunae within the world that allow for the visible, which would precisely be their inverse. Kaushik says:

The elements are, to my mind … by no means determinate, by no means exterior to the explicit phenomenon, and do not oppose it. They are rather within the phenomenon and even if they are not themselves phenomenal. They therefore do not introduce a new reality. The only reason they cannot be located is because they are always differentiated and have no specific locale.[9]

The element is, as it were, the unidentifiable, non-localizable and yet silent interior of things that gives but is not given, that makes possible while itself not being a possible object of identification. As such, the element provides the needed principle of slippage since it appears only in its absence, appears only as missing, known only indirectly through indication and never encountered as such. The element in this sense is elicited through analyses of Merleau-Ponty’s remarks on light in connection with Heraclitus’s use of ἁπτόμενον, “kindling.” As Kaushik says a propos of illumination in Merleau-Ponty:

In the logic of light, it is important to Merleau-Ponty that what issues illumination is also within the illuminated. This means that, for him, illumination contains no original source or point of view that can itself be illuminated. It means, in other words, that illumination is in effect also dark—that it is in fact darkness that makes illumination possible. There can therefore be no general ontology of light that does not have to do with its regional context and its inability to be seen…. [Light] penetrates everywhere, explores the phenomenal plane, and yet can never be a single source from which we know about visible things…. Rather than a source, light is an endless refraction and flash-like. This refraction never shows. Its primary character is diversion. Yet both phenomenon as well as its disclosure are because of the very texture of this always diverted light.[10]

Light or the “kindling” Heraclitus speaks of, the spark-like flash in which things appear, is elemental precisely at the point where light itself shows the phenomena but in its function as showing, itself withdraws and is not seen. I see the visible surface illuminated by the light but do not and cannot see the light itself. There is, as it were, then, a darkness, a shadow within all light that makes it possible as light, but in virtue of this darkness light itself remains elusive: vision only operates in virtue of our constitutive belatedness with respect to light—we see only after the fact, after the light itself has vanished, leaving behind only a trace in the form of the visible thing we see. Understood through light and lighting, the elemental is thus not identifiable with any kind of substrate, atom, matter, or even with a “basic ingredient.” The element, or elements, or elemental must be understood verbally: elementality is what happens, indeed, the event, when the things of the world flash up before us, where that flashing, that “deflagration” of the world’s sense comes to pass through an inverse event of recession, darkening, and shadow—a partial disintegration of the world’s sense around the edges, where sense emerges thanks to non-sense and without eliminating it. Elementality is the event of this lighting-darkening, a penumbric passage from one to the other in which the element as such is encountered only through its inverse, through what it allows and not, as it were, “in the flesh.”

The conceptual triad, matrix-symbol-element, as they function across the specific analyses of Between Philosophy and Symbolism, re-orient Merleau-Ponty’s philosophy in such a way that we could no longer say with certainty that we are still in auspices of “phenomenology,” at least given the traditional sense of this as “transcendental science.” Indeed, through the mechanism of this conceptual triad, the very sense and meaning of “transcendental” becomes contested. Rather than a transcendental philosophy in the tradition of Kant and Husserl, through Kaushik’s reading, we must now situate Merleau-Ponty’s philosophy on the side of thinkers such as Deleuze and Derrida—thinkers of difference, slippage, and the event. I want to close this consideration of Between Philosophy and Symbolism by turning to the event in more detail.

Since the publication of Badiou’s Being and Event (1988), it has become fashionable for “philosophies of the event,” including Badiou but also figures such as Meillassoux and so-called “speculative realism,” to pose what is supposed to be a fatal critique of phenomenology. The critique, as Kaushik nicely phrases it, operates like this:

The assumption is that phenomenology reorients incoherency to coherency, inconsistency to consistency, nonsense to sense, and therefore also closes itself to the truly abnormal aspect of events… a philosophy of the event does not exclude the transcendental per se…. Only when it is conceived in terms of an intention, whether subjective or bodily, does the transcendental exclude the event…. An event would break from all forms of intentionality so radically that it cannot be an origin, destination, or even a preexisting referent, and its eventfulness would instead be utterly spontaneous.[11]

The conceptual triad matrix-symbol-element undoes intentionality—it makes sense of the birth of sense without reducing this genesis to an intentional form that would erase its excess, other, and outside. In other words, what the reconfiguration of Merleau-Ponty’s thought at stake in Between Philosophy and Symbolism accomplishes is the articulation of a phenomenology that allows for incoherency, inconsistency and nonsense to dwell within the sense of the world and that the emergence of sense does not exclude these. Kaushik reiterates this in the conclusion of the text, where he says “The impossible is internal to all senses, configuring them from within. This matrix, between sense and the meaning that cannot possible make sense, implies that no sense ever exhausts its non-sense.”[12] If the impossible is internal to all senses, if sense itself requires a non-sense internal to it, then it would seem that phenomenology—at least the phenomenology of Merleau-Ponty—is already a philosophy of the event.

If Kaushik’s analyses are correct, and the close reading and analyses of the text indicate that they are, then the supposed fatal critique of phenomenology posed by philosophies of the event is not only not fatal, but premised on a misreading of phenomenology—or at least a misreading of the thought of Merleau-Ponty. Furthermore, by making Merleau-Ponty’s thought legible in terms of and through the matrix-symbolic-element, the traditional series of concepts that typically make up the currency of Merleau-Ponty studies—body, perception, flesh, etc.—are recast such that their internal relationship as well as Merelau-Ponty’s original contributions to philosophy (his engagement with Husserl, his conceptualization of phenomenology and its method, etc.) now come to fore clearly in a way hitherto undocumented. That being said, I will only add that Between Philosophy and Symbolism indicates that the more traditional interpretations of Merleau-Ponty’s thought (lived body, perception, flesh, etc.) are, in a sense, already in the past and that they most likely belong there, footnotes to a philosophy that itself continues to thrive and live. The readers of Merleau-Ponty’s work who are yet to come will leave these traditional readings there, in the past, and instead take Between Philosophy and Symbolism as their point of departure.


[1] Contrast Heidegger, who published Being and Time in 1927 and whose academic activity seems to have lasted at least until the late sixties, almost twice the output of Merleau-Ponty.

[2] Kaushik, Rajiv. Merleau-Ponty between Philosophy and Symbolism: The Matrixed Ontology. (Albany, NY: SUNY Press, 2019), xii.

[3] Ibid., xiii.

[4] Merleau-Ponty, Maurice. Institution and Passivity. Trans. Leonard Lawlor and Heath Massey. (Evanston: Northwestern University Press, 2010), 44; Kaushik, Rajiv. Merleau-Ponty between Philosophy and Symbolism, xviii.

[5] Merleau-Ponty, Maurice. “Eye and Mind,” in The Merleau-Ponty Aesthetics Reader. Ed. Galen Johnson. (Evanston: Northwestern University Press, 1993), 132.

[6] Kaushik, Between Philosophy and Symbolism, xviii-xix.

[7] Ibid., xix.

[8] Ibid., xx.

[9] Ibid., xxii.

[10] Ibid., 64-65.

[11] Ibid., xi-xii.

[12] Ibid., 128.

Graeme Nicholson: Heidegger on Truth: Its Essence and Is Fate

Heidegger on Truth: Its Essence and its Fate Book Cover Heidegger on Truth: Its Essence and its Fate
New Studies in Phenomenology and Hermeneutics
Graeme Nicholson
University of Toronto Press
2019
Cloth $45.00
200

Reviewed by: Daniel Regnier (St. Thomas More College, University of Saskatchewan)

In Heidegger on Truth Graeme Nicholson, professor emeritus at the University of Toronto, provides a close reading of the Heidegger’s works published under the title “On the Essence of Truth” (Vom Wesen der Wahrheit: WW). Heidegger delivered lectures under this title on four occasions in 1930 and the work was published in written form first in 1943 and then in a second edition in 1949 (another version dating from 1940 also exists but is virtually identical to the 1943 version, Nicholson tells us (8)). Nicholson provides a developmental account of Heidegger’s thought on truth by identifying the differences between the 1930 lecture versions of WW and the later published essays.  Accordingly, the book is divided into two major parts.

Part I of Nicholson’s book is dedicated to the 1930 lectures and provides a very good detailed analysis of some of the key innovations in Heidegger’s view of truth developed in them. Nicholson explains the fundamental phenomenological strategy that Heidegger uses to account for truth writing, “A phenomenological account will treat experiences as the wellspring of statements and by the same token the birth place of truth” (31).  In this context Nicholson explains how in accordance with notions developed in Section 33 of Being and Time (Sein und Zeit) Heidegger points to “conduct” (Verhalten) as the point at which openness to a thing occurs. Conduct has a “revelatory power,” Nicholson points out (35).  And he rightly identifies a Kantian moment in Heidegger’s claim that “the essence of truth is freedom” (indeed, Heidegger also lectured on Kant’s notion of freedom in 1930). Graeme explains, “Our conduct can only adjust itself, accommodating the standard set by the thing, if it is free or open, ready to receive orientation” (39). This amounts to “letting-be” (Seinlassen).  And it is at this juncture that Heidegger moves from a relatively ahistorical phenomenological approach to truth to an analysis conditioned by historical considerations.  Heidegger writes,

It is in the letting-be of beings as such that such a thing as a being ever becomes unconcealed, that is, de-concealed. The unconcealed was known to Western philosophy in its decisive beginning with Heraclitus as ta alêtheia (47).

Nicholson defends Heidegger’s reading of alêtheia as unconcealedness and proceeds to show how this notion accords with Heidegger’s understanding of Dasein.

Nicholson addresses the difficult problem of the relationship between truth and non-truth in Heidegger (expressed as the “Non-essence” (Unwesen) of truth, and as “error” (Irre)).  Nicholson is at his best when interpreting texts such as the following where Heidegger writes,

Then, if the essence is to realize its full scope and authority over us, would it not have to retrieve this Non-essence, i.e. untruth, and admit it explicitly into the essence of truth? Certainly! (57)

Nicholson shows how Heidegger’s way of dealing with truth is grounded in a contextualism that takes account of a totality and can be better understood when seen against the background of the treatment of attunement (Gestimmtheit) from Section 29 of Being and Time. Nicholson remarks that attunement in WW is, in contrast to the account in Being and Time, “not phenomenally evident to Da-sein” (63).  This leads to the discovery that, as Nicholson puts it, “erring and the mystery are contained within that essence [i.e. of truth]” (73). And it is philosophy that is equipped to deal with this mystery according to Heidegger in 1930.  Yet, as Nicholson points out in his conclusion to Part I of his book, “Here and elsewhere through the 1930’s Heidegger tended to speak of philosophy as a body of ontological knowledge rather than the experience of questioning or the encounter with mystery” (87). This foundationalism in understanding truth is, Nicholoson suggests, related to Heidegger’s understanding of philosophy’s leading role in relation to the other disciplines. Nicholson essentially suggests that Heidegger had not yet fully developed the implications of his own thought which consequently contains certain inconsistency.

Before proceeding to Part II, Nicholson inserts a section entitled “Intermission: Political Storms” (83-94).  It is however, much more than an intermission, because it is a key in understanding the developmental account that is at the heart of the Nicholson’s reading of Heidegger. In this section Nicholson puts Heidegger’s work on truth in the context of his Rectorship of the Freiburg University 1933-34 and his relationship with the Nazi party.  Nicholson comments on the lectures Heidegger gave during this period, on the Black Notebooks as well as other documents.  In general, we might say that without releasing Heidegger of responsibilty, Nicholson argues that Heidegger’s thought is not compromised by the “Political Storms” of the period of the rectorship.  Nicholson writes,

But the “Heidegger Case” is not one of simple opposition between pro- and anti-phenomenology, or pro- and anti-Nazism, or even pro- and anti-Heidegger. I would suggest instead that Heidegger’s life and work exhibited a cleft or bifurcation that many of this readers, especially his critics, have not noticed, have not understood, and consequently have misunderstood grievously. (93)

This position serves Nicholson as a hermeneutic principle. Accordingly, Part II of his book is entitled “Later Work: the Pathway Rectified.”

Nicholson writes “After 1930, or rather 1934, Heidegger moved to correct the overconfident doctrine of this earlier period that an a priori Seinsverstgeriod that an a prioir 4, Heidegger moved to correct the overconfident doctrine of thi searlier s, have not noticed, have not uändtnis (“understanding of being”) gave guidance to the sciences but can be traced in every human encounter with the world.”  Nicholson’s treatment of truth in the later Heidegger follows a historical structure from the Plato lectures (of 1931-32) which begin to expose Plato’s role in distorting the original Greek experience of truth (Part II, A) a section dealing with Medieval thought (Part II, B) and a section dealing with the present-age (Part II, C).

In Part II, A Nicholson shows how Heidegger understands Plato to have compromised truth as alêtheia by mixing with it the idea of truth as correctness (Richtigkeit, orthotês), a problem which subsequently became embedded in Western thought (105). Nicholson argues that Heidegger revises his understandings of freedom, unconcealedness and Dasein. Here Dasein functions differently than in Being and Time, Nicholson tells us, insofar as it the “hidden essential grounding of the human being” (129).  Heidegger writes, “In Da-sein, the essential ground, long ungrounded, on the basis of which human beings are able to ek-sist, is preserved for them” (125). The notion of the “clearing” (Lichtung) which does not appear in WW but elsewhere in later Heidegger serves for Nicholson to better understand the idea of openness expressed in the Da- of Dasein. As Nicholson puts it, “Da-sein brings us, through ek-sistence, to belong to the Da-, or the open region” (131).

In Part II, B Nicholson deals with the notion of truth as adequatio rei ad intellectum and various permutations of this formula. Nicholson says that the idea of truth as adequatio persists in Western thought even when detached from notions of creation and God. In this section Nicholson deals briefly with truth as certainty in Descartes, grounding in Leibniz and with Hegel on certainty.

Nicholson opens Part II, C with consideration of the following undated marginal note which Heidegger had written in the 1943 edition: “Between 5 and 6 the leap into the turning (Kehre) (whose essence unfolds in the event of appropriation (im Ereignis wesende)” (142). The numerals refer to chapters of Heidegger’s text. Readers familiar with Heidegger’s Contributions to Philosophy will recognize the terminology of the marginalium, and it is precisely to this work that Nicholson turns to explain the way in which Heidegger deals with truth in the context of his later thought.  Nicholson explains why Heidegger begins to spell being (Sein) with a “y” beyng (Seyn), namely “because he which to speak not of an object of thought, noumenon, but of what might prompt thought and give rise to it after the concealment of all the beings” (146). That is, being is thought as en-owning (Ereignis) (146).

Overall, Nicholson provides an insightful and very useful reading of WW. This reader found Part I of Nicholson’s book to be more successful than Part II. No doubt, this is largely a matter of the difficulty of later Heidegger. (Trying to explain WW by referring to Contributions could be considered an attempt to explain obscurum per obscurius!)  But the brevity of some explanations towards the end of Part II seem to me unjustified (for example, the one sentence paragraph labeled “On Psychology” on page 164). A remark on the book sleeve suggests that this might be a good pedagogical tool. I am not so sure about this. On the one hand, there are very lucid discussions of key notions in Heidegger. On the other hand, certain aspects of the text assume a lot on the part of readers: knowledge of the certain debates in the secondary literature and knowledge of key Heideggerian works. I do think that the work would certainly be of interest to graduate students and scholars. When the book does deal with secondary literature it tends to be recent secondary literature in English. One might have hoped for somewhat more attention to scholarship in other languages. Nicholson suggests at the beginning of the book (5) that he will apply contemporary issues and the Conclusion is entitled “Against Self-Expression.”  However, the conclusion is very brief. One gets the sense that either the author might either have simply left out reference to contemporary issues or developed this section more.  In sum, Heidegger on Truth: Its Essence and Is Fate is a very welcome addition to Heidegger studies.