The New Yearbook for Phenomenology and Phenomenological Philosophy, Volume 17, 2019

New Yearbook for Phenomenology and Phenomenological Philosophy, Volume 17, 2019 Book Cover New Yearbook for Phenomenology and Phenomenological Philosophy, Volume 17, 2019
New Yearbook for Phenomenology and Phenomenological Philosophy
Timothy Burns, Thomas Szanto, Alessandro Salice, Maxime Doyon, Augustin Dumont (Eds.)
Routledge
2019
Hardback £115.00
336

Reviewed by: Bence Peter Marosan (Budapest Business School, Pázmány Péter Catholic University)

The 2019 issue of The New Yearbook of Phenomenology and Phenomenological Philosophy has two main parts: the first one (consisting of eleven texts) is a Festschrift for the 65th birthday of Dermot Moran, the second one (with seven texts) contains updated version of the papers presented at a workshop held at the University of Montreal on the problem of imagination in Kant and in the phenomenological tradition, (The Imagination: Kantian and Phenomenological Models, 5-6 May, 2017). The volume ends with a “Varia” section,[1] with the study of Emiliano Trizio, (“Husserl’s Early Concept of Metaphysics As the Ultimate Science of Reality”).

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Dermot Moran is a key figure of contemporary philosophy and phenomenology. He has an immense, extensive knowledge in the field of natural sciences (having originally studied applied mathematics, physics, and chemistry), the humanities, and particularly, philosophy. He defended his PhD Thesis in Medieval Philosophy at the University of Yale University in 1986; the title of his thesis was: Nature and Mind in the Philosophy of John Scottus Eriugena: A Study in Medieval Idealism.

He counts as one of the leading researchers and experts in phenomenology, and especially in Husserl. He wrote several excellent books on Husserl and phenomenology (Introduction to Phenomenology, 2000; Edmund Husserl – Founder of Phenomenology, 2005; Husserl’s Crisis of European Sciences and Transcendental Phenomenology – An Introduction, 2012), and has a long list of articles published in a number of highly rated philosophy journals. His publications have always generated intensive scientific discussions. He was the President of the Programme Committee for the 23rd World Congress of Philosophy which took place in Athens (August 4-10 in 2013), as well as the President of the 24th World Congress of Philosophy which took place in Beijing (August 13–20 in 2018). Professor Moran is the founding editor of the International Journal of Philosophical Studies and the co-editor of the books series Contribution to Phenomenology.

One of his main goals has been to mediate in the greatest schism of our present day’s philosophy: the Analytic-Continental Division. He is urging a more intensive dialogue between the two sides. As an original philosopher, his basic philosophical stance is adopting transcendentalism, the critique of naturalism, with an openness to natural scientific research (from the transcendental point of view), and with continuous integration of the newest results of positive sciences into the considerations of transcendental philosophy. In our present days, when analytic naturalistic philosophy has a huge predominance, I think, these above-mentioned motifs are especially important.

I find myself fortunate that I was his PhD-student in 2008, so I know his personal side as well. I can say that he does not only represent the highest scientific and academic standards, and he is not just an exceptional teacher, but he is also an astonishingly kind person, very open to everybody and extremely helpful to all. This present volume pays a tribute to his outstanding career by his friends and colleagues. [2].

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  1. The Festschrift contains eleven texts, with the “Editors’ Introduction”. This part of the volume was edited and introduced by Timothy Burns, Thomas Szanto and Alessandro Salice. In their introduction, they give a detailed and also a very personal overview of Dermot Moran’s career; and they also briefly summarize the essays of the first part of the book. I think that every single essay of the Festschrift is an original contribution to it, with new insights concerning the topic they treat. The essays reflect issues or topics that were of concern to Dermot, such as: transcendentalism, embodiment, intersubjectivity.
  2. In his study “Husserl’s Account of Action: Naturalistic or Anti-Naturalistic? A Journey through the Studien zur Struktur des Bewusstseins”, Andrea Staiti touches upon two motifs which are central for Moran: his commitment to the transcendental and anti-naturalistic attitude and his openness to contemporary natural scientific research and analytic philosophy of mind. He refers to one of Moran’s more recent essays in this context: “Defending the Transcendental Attitude: Husserl’s Concept of the Person and the Challenges of Naturalism” (2014). In this essay, Staiti focuses on Husserl’s view of action, drawing on his – at the moment unpublished, but shortly forthcoming – research manuscript “Studien zur Struktur des Bewusstseins” (1900-1914[-1924]) (Ms. M III 3 I-III). He tries to show that Husserl’s account of action, his fundamentally anti-naturalistic stance, is compatible with contemporary naturalistic description of action (according to which the action is not the result of the will as a supernatural causal source).

He attempts to prove this thesis through a microanalysis of Husserl’s depiction of the structure of action, as it is elaborated in “Studien zur Struktur des Bewusstseins”. Husserl interprets the will as a peculiar sort of conscious acts, which stand under the law of motivation. In Husserl’s view, subjectivity is essentially embodied, bodily consciousness, which is part of nature, and this conscious body is the source of will (and voluntary decisions). According to Husserl, free will is just the free functioning of this lived, autonomous and conscious body. As Staiti emphasizes, Husserl creates an elegant balance between anti-naturalistic and naturalistic interpretations of the will, and this could be a fruitful approach within the contemporary debates concerning the relationship of will and action.

  1. Mette Lebech engages in reconstructive work in her paper „Essence, eidos, and dialogue in Stein’s ‘Husserl and Aquinas. A Comparison’”. She discusses the original version of Edith Stein’s Festschrift essay for Husserl’s 70th birthday essay entitled: “What Is Philosophy? A Conversation Between Edmund Husserl and Thomas Aquinas”, originally written, as the title suggests, as a dialogue. Heidegger, who edited the Festschrift, requested Edith Stein to rewrite her work in prosaic form – which she did. She gave the revised version the new title: “An Attempt to Contrast Husserl’s Phenomenology and the Philosophy of St Thomas Aquinas”. The revised version was a comparison of the thinking of the authors, which changed the original content, in so far as the dialogue form itself contributed to the content.

In the original paper a dialogue is recorded between Husserl, as founder of phenomenology, and Aquinas, committed to an ethos of rational faith. The dialogue is possible because of the willingness of the two thinkers to enter into it, and together explore the differences between their respective positions. An important motif is the discussion of the nature of philosophy as well as the idea of essence: together the two thinkers try to attain rational insights concerning basic philosophical topics. The main point of the article is that it is the idea of intelligibility present in their respective understanding of essence that allows the two interlocutors to engage in a dialogue, and that the dialogue form brings this out. According to Stein (in Lebech’s interpretation) essence is a presupposition for the intersubjective, dialogic praxis of communities.

  1. Steven Crowell’s article, “Twenty-first-Century Phenomenology? Pursuing Philosophy With and After Husserl”, partly treats Moran’s narrative in his seminal work: “Introduction to Phenomenology” (2000). In this book, Moran portrays the history of phenomenology of the 20th century as a deviation from Husserl’s transcendental and idealistic formulation of phenomenology. Crowell, on the one hand, offers a critical overview of this interpretation of the phenomenological movement, and poses the question (based on the results of his essay) of what should phenomenology be in the 21st century?

According to Moran, the main authors of phenomenology – after Husserl – rejected both his transcendental attitude and his idealistic tendencies. The “inflection point” of phenomenology in this story was Heidegger’s philosophy of Being, and his vehement criticism of Husserl. Merleau-Ponty’s phenomenology, some really naturalistic features were gained, and finally in Derrida, the phenomenological method “collapsed” into deconstruction.

But in Crowell’s opinion, we could interpret the history of phenomenology in another way: phenomenologies – after Husserl – could be interpreted as transformations of transcendentalism. One could clearly identify the transcendental motif in Heidegger’s account of being-there (Dasein, the subject), as well as in (e.g.) Merleau-Ponty’s philosophy of chiasm and the phenomenology of nature.

Relying on this interpretation of phenomenological tradition, Crowell offers us a possible way of phenomenology for the 21st century, which keeps the transcendental attitude onwards in the future, but abandons classical metaphysical demands. It should be a phenomenology – as Husserl (and also Moran) claimed – of radical self-responsibility, a radical claim concerning evidence and ethical responsibility.

  1. In his essay entitled: “Merleau-Ponty and Developing and Coping Reflectively”, Timothy Mooney takes issue with Hubert Dreyfus’ interpretation of Merleau-Ponty on “skilled coping,” arguing that reflective work is to be found in many of our daily embodied experiences. He emphasises a self-differentiating and bodily field of experience from which the conscious and objectifying subject emerges and to which it makes its own contributions.

In the background of every movement, there is an anonymously functioning body, though the embodied agent is at once an encultured and thoughtful one. In this account, we do not find an indifferent animal body surmounted by human reason. Following on Joseph Berendzen’s work, Mooney stresses that Merleau-Ponty rejects a “layer-cake” model of human subjectivity (according to which there could be hermetically separated layers of body and mind). As Berendzen states: “There are certainly elements that we share with animals, […] but there is no shared layer” (76). Both body and bodily-founded consciousness are specifically human, and every so-called layer mutually determines and shapes the other.

Mooney illustrates the functioning of this embodied and culturally formed awareness in everyday life with a series of examples. The central concept in his essay is that of “little reflections”. These refer to the way in which we consciously adjust our bodily movements (and not just our speech) to changing events in the lived environment. We frequently make explicit corrections to our movements and in so doing contribute to replanning them. Without these little reflections, we would be literally unable to survive.

  1. Similarly to the previous study, Matthew Ratcliffe’s paper “Grief and Phantom Limbs: A Phenomenological Comparison”, first and foremost also relies on Merleau-Ponty. Ratcliffe emphasizes certain deep parallelism, and what is even more: identity between phantom limb experience and experience of losing a beloved person, that is to say: grief. Phantom limb experiences manifest for us the essentially embodied nature of consciousness, and that we are entangled with the world – in the same way that in the experience of grief, it became clear for us that we and the other person belong together in a much stronger than metaphoric way, in a nearly literal sense. The other (beloved) person is almost an extension of my body. The other person grants me access to the world in nearly the same way as my sensory organs and limbs do. In his essay, Ratcliffe focuses on our active, back-and-forth determinative relationship to the world, and on the manner in which our relations to other persons shape the access to our own body and to the world that surrounds us.
  2. In the center of Lilian Alweiss’s contribution (“Back to Space”) discusses the relation between place and space. It is generally agreed that Husserl’s phenomenology prioritises place over space. Lilian Alweiss questions this interpretation of Husserl by drawing on Edward Casey’s work. Casey claims for both early Kant and Husserl embodiment, the place we find ourselves in, is central to our understanding of space. Although Alweiss acknowledges that embodiment plays a central role in cognition and our relation to others, she believes that neither Kant nor Husserl ever argue that our understanding of space is a posteri or derived from our understanding of space. She thereby takes to task Casey’s anti-modern or romantic reading that tries to question our scientific conception of space.
  3. Anthony J. Steinbock’s article: „Hating as Contrary to Loving” is an essential and enlightening study concerning the phenomenology of emotions and feelings. The principal thesis of Steinbock’s essay is that hate and love are not parallel and coeval feelings, neither do they have a dialectical relationship. Love is more fundamental and original than hate, and the latter is founded on the former; so they have a foundational relation.

Steinbock makes a difference between feeling-states and feeling-acts. States are objective and static, and they could be conceived as objects. Acts are always dynamic, and could never be conceived as objects, in the way states could be. States are founded by acts. Hate is founded by love, both as act and state. It gains its entire reality and energy from love.

A key conception of Steinbock’s paper is at first a mysteriously sounding phrase: the hate hates the beloved (121). What does it mean? It means that hate is founded upon the positivity of love and beloved. It is a counter-movement, a negative striving against love and the beloved; it is a closing down with regard to the beloved (or a turning away from it), or even a destructive action against the beloved. But in its entire negativity, it is made comprehensible only through love, against which it is directed. It is the denial of the beloved.

  1. Thomas Nenon’s study “Do Arguments about Subjective Origins Diminish the Reality of the Real?” again joins a central topic of the whole volume and Moran’s basic philosophical attitude: the defence of transcendental stance. Nenon treats the criticism of two main authors of “speculative realism”, Tom Sparrow and Quentin Meillassoux against transcendental philosophy in general, and Husserl in particular. According to the criticism of speculative realists, transcendental philosophy and especially phenomenology fall prey to “correlationism”, which means “the irreducibility of subject and object, thinking and being” and „never considering either term apart from the other”. According to speculative realism, transcendentalism makes reality dependent on subjectivity. Nenon attempts to show that this criticism is false.

In Nenon’s interpretation, transcendental philosophy does not make reality dependent (objectivity) from consciousness, nor is it unable to consider and treat them apart. Transcendentalism is rather the first-person view treatment of experienced objectivity, and the ways in which objectivity appear in experience. It is Meillassoux’s realism which is somehow naïve and naturalistic, because it is simply oriented toward the worldview and achievement of modern natural sciences. Nenon says that Meillassoux’s concept of objectivity is too narrow – as opposed to phenomenology which has a much richer and sophisticated notion of objectivity, with many different regions, (the world of nature, the realm of culture, the sphere of ideal meanings etc.).

  1. Richard Kearney’s essay: “God Making: An Essay in Theopoetic Imagination” is a really beautiful writing about philosophy (phenomenology) of religion. It is a survey about the transformation of divine into human and human into divine, a mutual fusion of these two spheres of Being. A main topic of the paper is creation: how God makes the human being a partner, a playmate in the act, the process of creation; moreover: how humans become lovers of God in the act of creation. Creation is an erotic act; it is the fusion of creator and creature, divine and human, their mutual transition into each other. Creation is the manifestation of an erotic desire of God. Creation is moreover a poetic deed; the divine creation is “theopoiesis”.

An important point of Kearney’s paper is the motif of return, which he emphasizes with the Greek prefix “ana”. Kearney speaks about “anatheism” which is “returning to God after God: a critical hermeneutic retrieval of sacred things” (152). Anatheism is not just the Hegelian “Aufhebung” (uplifting); it is not simply a moving through the opposition of theism and atheism towards something higher. It is an ultimate re-opening to the radically new, it is the final union with the divine dimension.

In the final part of his study, Kearney applies and demonstrates his insights on the artwork of the contemporary artist, Sheila Gallagher.

  1. Nicolas de Warren, in his essay “Husserl’s Awakening to Speech: Phenomenology as ‘Minor Philosophy’”, highlights the peculiar philosophical importance of Husserl’s working method of thinking in writing, using his special stenography. His study is also a novel approach to Husserl’s relationship to language and his philosophy in general. Husserl’s way of meditating in writing shaped his thoughts, and his streams of thoughts also formed the way he wrote. Nicolas de Warren also wants to revise the still currently prevailing view concerning Husserl’s conception of language, according to which language was merely external to thought. De Warren tries to show that this is not the case. Language, not in a thematic way, but rather in a methodological manner, gained a central role in Husserl’s works. In Husserl’s unpublished manuscripts (in the process of writing them) phenomenology became really linguistic and phenomenological. In Husserl’s writings, phenomena really seeked expression, and all the concepts were in formation, everything was fluid and flexible. In de Warren’s interpretation: “Husserlian phenomenology is an unprecedented historical awakening of philosophy to its own speech” (164). De Warren characterizes it as a “Minor Philosophy”, as a radically new form of philosophising, which “struggles to create novel philosophical concepts within established – inherited and institutionalized – dominant languages of philosophy” (161).

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  1. The second part of the volume (“The Imagination. Kant’s Phenomenological Legacy”) consists of six studies, plus the “Editors’ introduction” by Maxime Doyon and Augustin Dumont, which offers a brief survey of the philosophical importance of the imagination.
  2. Maxime Doyon’s study (entitled “Kant and Husserl on the (Alleged) Function of Imagination in Perception”) is a systematic comparison of Kant’s and Husserl’s conception of imagination and its purported role in experience and cognition. The text begins by arguing that there are at least three ways in which the imagination could be interpreted as playing an essential role in perception in Kant’s philosophy: firstly, it is said to be necessary to account for the amodal character of perception, (“amodal” in this context refers to the holistic feature of perception; that is to say: that we see objects as wholes, even if we see directly only a few details of them); secondly, the imagination would be essential to account for the constitution of the identity of object through time; and thirdly, the imagination would help us to classify objects, that is to say, to conceive them as particular examples of certain types or classes.

Doyon then tries to show that Husserl inherited this set of problems (amodal perception, constitution of perceptual identity through time and classificatory functioning of perception), without, however, subscribing to Kant’s explanation, which grants to the imagination a transcendental role. In Husserl, there is no place for the imagination in perception, except in two (relatively) rare situations: in image consciousness (when we perceive images [photos, paintings, sculptures, etc.]) and perceptive phantasies (experiencing of works of art; such as theatrical plays, operas, etc.). Otherwise, there is – pace Kant – just no place for the imagination at all in perception.

  1. Andreea Smaranda Aldea, in her long and thorough work entitled „Imagination and Its Critical Dimension: Lived Possibilities and An Other Kind of Otherwise” offers us a detailed and critical analysis of Husserl’s conception of imagination, highlighting its merits, but sketching a basically alternative model.

In Husserl, imagination and perception belong to essentially different sorts of acts. Imagination has a special – and very important! – epistemological role, but fundamentally it is the “inversed mirror” of perception. It is everything which perception is not, (with the exception that both are intuitive acts). Imagination is not-doxic, free, neutralized and quasi-positional act. According to Aldea this account, though at certain points grasps some fundamental features of imagination, at certain points it is rather insufficient, what is even more: misleading. In Aldea’s opinion, imagination cannot be interpreted in such a negative way as Husserl has.

Aldea, in an alternative model, which – notwithstanding – relies on Husserl, describes perception and imagination, which are radically different, but at certain essential points are nevertheless intertwined and in strong cooperation with each other. “Imagining possibilization” (a key conception in Aldea’s framework) has – as opposed to Husserl’s view on imagination –a motivated and teleological structure, and is embedded into the concrete medium of the life-world of the proper subject in question. “Imagining possibilization” plays a fundamental role in the constitution of meanings, and thus in cognition and experience in general. Aldea wishes to present such a model of imagination, which is bound by contingent cultural and historical conditions on the one hand, but – on the other hand – nevertheless has a fundamental transcendental necessity too.

  1. Samantha Matherne’s central thesis, in her essay, “The Hidden Art of Understanding: Heidegger and Merleau-Ponty’s Appropriation of Kant’s Theory of Imagination”, is that there is a fundamental continuity between Kant’s theory of imagination and Heidegger’s as well as Merleau-Ponty’s philosophy (despite the no less important differences). In her study, she attempts to demonstrate some essential elements of this continuity.

In the beginning of her writing, she emphasizes that there are four basic claims in Kant’s conception of imagination: firstly, the “perceptual presence”-claim (according to which imagination plays a constitutive role in the perception of a concrete material thing); secondly, the “transcendental”-claim (which says that imagination makes experience possible in a transcendental and apriori way); thirdly, the “pre-cognitive”-claim (which states that imagination operates prior to cognition, and founds the latter), and fourthly, the “know-how”-claim (in accordance with which imagination has a deeply practical function). Matherne tries to show that all these motifs could be found in Heidegger’s and Merleau-Ponty’s notion of imagination.

The Heidegger-part of this study is also a very creative analysis: the author (Matherne) does not investigate Heidegger’s Kant-book, which would be all too trivial in this context (though she – of course – mentions that work). She focuses on Heidegger’s Being and Time (of which she offers a closer reading) in order to show that the above-mentioned four elements could be found in Heidegger’s existential analysis of the Dasein (being-there). She completed the same work in analysing Merleau-Ponty’s Phenomenology of Perception; highlighting that Merleau-Ponty embeds the fore-mentioned Kantian claims into his conception of bodily existence. Imagination, in Merleau-Ponty, is fundamentally the functioning of the embodied subjectivity – but this treatment of imagination, according to Matherne, also has its roots in Kant.

  1. Michela Summa’s essay entitled: “Are Fictional Emotion Genuine and Rational? Phenomenological Reflections on a Controversial Question”, is a very sensitive and even touching investigation concerning the problem of fictional emotions. Though her study is not restricted to that, but the article mostly treats the phenomenon of fictional emotions in the aesthetical context. The question: do we experience real and rationally motivated emotions within aesthetical circumstances (e.g. seeing a theatrical play or reading a novel)? For example: Kendall Walton says: “no”, to this question. Michela Summa, on the contrary, answers this question with a definite and emphatic “yes.”

According to her, though the characters of fictional stories aren’t real, our emotions concerning them could be. Presence and real existence of things aren’t criteria for our emotions to be real; as Summa emphasizes, (real) emotions are often intertwined with the absence of its object (as in the case of e.g. grief). The sadness, she states, we are feeling for Anna Karenina, is both real and rationally motivated; (the situation, the experience is such that it is just rational to feel this way); the tears we shed for her fate are real, though she is not. Our entire personality could live in such fictional emotions – just as in the case of real emotions.

  1. Daniele de Santis – in his study entitled: “‘Das Wunder hier ist die Rationalität’: Remarks on Husserl on Kant’s Einbildungskraft and the Idea of Transcendental Philosophy (With a Note on Kurd Laßwitz)” – offers us an exhaustive study on Husserl’s reading of Kant, at the early stage of his elaboration of transcendental phenomenology, mostly between the years 1907-1909 (manuscripts mostly published in Hua 7).[3] De Santis focuses on details of Husserl’s harsh criticism of Kant during this period; and also on the implicit ways in which Kant nevertheless influenced Husserl’s own transcendental position. Husserl criticized Kant in those, above-mentioned manuscripts, for his alleged anthropologism. That means: in Husserl’s interpretation, Kant states that a world, which is supposed to be understood by human beings, is essentially a human world, which presupposes human consciousness. Husserl, on the contrary, operates with a much broader form of rationality. The world need not be a particularly human world, in order to be understood, the rationality need not be specifically human in order to understand the world. The human being is a particular, empirical entity – but Husserl is interested in necessary and apriori structures of consciousness (and rationality) and of the world. De Santis emphasizes that we could highlight two different and fundamental forms of rationality in Husserl: a transcendental one (apriori structures of constituting consciousness) and ontology (apriori structures of constituted object); which together make up a non-anthropologic, more complete form of rationality.

An interesting and creative moment of this essay is the analysis, devoted to Husserl’s contemporary, Kurd Laußwitz, a Neo-Kantian author, who spoke about different, non-human parallel worlds, and to whom Husserl also refers in the manuscripts of the treated period.

  1. Augustin Dumont’s article entitled: “Imagination and Indeterminacy: The Problematic Object in Kant and Husserl” is a thorough, insightful, comparative analysis of Kant’s and Husserl’s account of imagination, and its role of the epistemology of these two authors; with special regard to their understanding of the “problematic object”.

Kant’s and Husserl’s conception of imagination, despite all the common points, are essentially different. Imagination, for Kant, in a certain way, serves as a condition of possible experience; while for Husserl, it is a possible (particular) form of experience. But there is also an important connection between them: the question of the “problematic object”. For Kant, the problematic object was the “object in general”, before every determination. In Husserl, the “problematic object” was the object of imagination or fantasy which – at certain points – played nevertheless an important role in Husserl’s epistemology, (e.g. in his method of “eidetic variations”).

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  1. The closing unit of this volume, Emiliano Trizio’s writing, entitled: “Husserl’s Early Concept of Metaphysics As the Ultimate Science of Reality”, is an enlightening, very profound, astonishingly in-depth survey of the formation of Husserl’s early notion of metaphysics. Trizio’s main aim in his essay is to dispel such misunderstanding, according to which Husserl’s phenomenologically was – at least – metaphysically neutral, or even anti-metaphysical. In contrast to this, Trizio attempts to show that Husserl’s chief philosophical efforts were deeply metaphysically motivated, and that his ultimate goal was to establish a phenomenologically grounded metaphysics. In this regard, what is of the utmost importance is Husserl’s considerations on the relationship between theory of knowledge and metaphysics.

Trizio follows Husserl’s intricate trains of thought concerning the relationship of these two disciplines – from 1896 (Lecture on Logic)[4] up to some of the earliest documents of his transcendental turn (Such as the Introduction to logic and the theory of knowledge. Lectures 1906/07).[5] The theory of knowledge, according to Husserl, was about the essence of justified knowledge, and the proper means to attain grounded knowledge. Metaphysics, on the other hand, was about being; in the end, for Husserl, it was the ultimate science of factual reality.

Husserl hesitated for a while on how to define the boundaries between theory of knowledge and metaphysics. His final stance on this question began to crystallize in his above-mentioned 1906/07 lectures; according to which they are distinct and separate fields. Theory of knowledge (as “first philosophy”) yields the ultimate foundation of every knowledge; metaphysics (as “second philosophy”) is the supreme form of the philosophical disclosure of reality.

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In my opinion, the 2019 volume of The New Yearbook of Phenomenology and Phenomenological Philosophy meets the highest standards. Both sections are excellent, with studies of very high standard, and the closing essay is also a very good one, treating a topic (Husserl’s early metaphysics), which deserves much more attention than it received until now. The first part is a compilation of studies of very high quality, in the honour of one of the most important contemporary philosophers; the second part is a collection of essays, which illuminate, in a very precise way, the peculiar philosophical importance of the phenomenon of imagination.


[1]  A section for papers, which do not fit into the thematic parts of the volume.

[2] This paper was supported by the János Bolyai Research Scholarship of the Hungarian Academy of Sciences, (No. BO/00421/18/2). I would like to express my gratitude to everybody, who helped with her/his comments and corrections the completion of the final version of this article – first of all, to the authors of this volume. I am also very grateful to Zsuzsanna Keglevich, for proofreading the article.

[3] Husserliana 7. Erste Philosophie (1923/4). Erster Teil: Kritische Ideengeschichte (The Hague, Netherlands: Martinus Nijhoff 1956).

[4] Husserliana Materialien 1. Logik. Vorlesung 1896 (Dordrecht, Netherlands: Kluwer Academic Publishers 2001).

[5] Husserliana 24. Einleitung in die Logik und Erkenntnistheorie. Vorlesungen 1906/07 (The Hague, Netherlands: Martinus Nijhoff 1985).

Andrew Haas: Unity and Aspect

Unity and Aspect Book Cover Unity and Aspect
Orbis Phaenomenologicus Studien, Band 46
Andrew Haas
Königshausen & Neumann
2018
Hardback 68,00 €
384

Reviewed by: Mark Tanzer (University of Colorado at Denver)

Unity and Aspect has been short-listed as a finalist for the 2019 Prix Mercier.

Andrew Haas’ Unity and Aspect is a work in an area philosophy that is rarely addressed any longer; in Haas’ words, “something that might have previously been named first philosophy or metaphysics, or at least just philosophy, if there is such a thing” (16).  With this characterization, which concludes the initial paragraph of the book, Haas sets the tone for his own foray into metaphysics.

To begin to get a foothold in Haas’ thinking, we note that he conceives of metaphysics as “the study of implications” (18), but not just any implications.  The specific relations of implication on which Haas focuses are those between being, unity, time, and aspect.  Haas sees the consideration of these relations as essential to metaphysics insofar as the traditional prioritization of being qua being compels the metaphysician to take up the problem of unity, since “being and unity imply one another” (16).  First philosophy as ontology, then, is more properly “onto-henology” (16).  Furthermore, being and unity imply time, which itself implies aspect; and so metaphysics, ultimately, is “onto-heno-chrono-phenomenology, or just metaphysics for short” (17).  Haas’ metaphysics, then, is anchored in these four notions; Unity and Aspect traces the ways in which their relations of mutual implication play out.

Haas’ project is further complicated, when he notes that implication itself requires examination.  For the notion of the implicated that he adopts is not simply the traditional negative counter-concept to the explicit, the precise, the clear and distinct.  Instead of conceiving of the implicated as that which, in fact, has not been brought to its possible explication, Haas sees it as a type of implication that can never, even in principle, be made explicit, a type of being-implied that “repeatedly problematizes our desire to make what we mean explicit” (36).  Herein lies the fundamental challenge of Haas’ book: to articulate a metaphysics of implication, despite its intrinsic resistance to explication.  Thus, Haas avers that “we probably should not be surprised to find it difficult to give an account of our work” (76).  For as he notes when he takes up the theme of explication, it is “the language of the explicit that serves as the norm” (307) in traditional Western thought.  That is, our thinking has been, and continues to be, grounded in “a language that presupposes the possibility or necessity of presence” (308), i.e., in an ontology for which to be is to be present or at least presentifiable.  This traditional ontology limits thought since it cannot accommodate a lack of presence that is not equivalent to mere absence, to mere non-being, and so “would seem unable to unfold that which is merely implied” (309), unable to give an account of that which lies outside the scope of presence and absence.

In view of the intrinsic difficulty of articulating a metaphysics of implication, Haas invokes several examples of familiar phenomena whose analyses at least facilitate an understanding of implication, as these phenomena exhibit structural similarities with that which is implied.  For instance, Haas compares implications with memories, noting that just as an implication is neither present nor not present, so a memory is “neither the thing itself…nor is it simply not the thing at all” (67).  Neither a purely positive phenomenon, nor the simple negation thereof, a memory, like an implication, is some kind of “third thing” (67).  Haas draws similar comparisons between implications and apparitions (67), hints (122), marks (139), light (168), visual objects (198), and other phenomena.  The upshot of these comparisons is that implications, being neither present nor absent, indicate a position outside of presence and absence, or “the suspension of both” (142) presence and absence.  And Haas maintains that it is its suspension of this traditional opposition that renders implication characteristically “problematic” (75), characteristically inexplicable.  A metaphysics of implication, then, articulates that which can only be addressed in suspension, that which is intrinsically a problem.

From this outline of the basic framework of Unity and Aspect, the influence of Heidegger is patent, particularly with regard to the clear kinship between Haas’ rejection of a metaphysics of presence and Heidegger’s critique of the ontology of the present-at-hand.  Haas hints at this connection, when he holds that “[t]he problem of Being and Time is the problem of the problem” (359).  For this can also be said of Unity and Aspect.  A metaphysics of implication, addressing that which is intrinsically problematic, that which continually frustrates our need for resolution, for relief from suspension, is a metaphysics of what it is to be problematic, a metaphysics of the problem as such.  In this sense, Haas’ endeavor bears a clear similarity with Being and Time’s project of articulating a conception of being that resists traditional philosophy’s attempts to render being explicit, to bring it to presence.  Thus, Heideggerian being can only be thought as a problem, or more precisely, as what it is to be a problem, what it is to preclude a final resolution: in Haas’ formulation, “the problem of the problem.”

Although Unity and Aspect is too rich and wide-ranging to be read solely through a narrow Heideggerian lens, this seems to be a valuable way to approach the book, as a first reading.  (Even the title suggests this approach, as unity and aspect are the most direct implications of being and time, respectively, which can be taken as implying that Unity and Aspect is the implication of Being and Time.  For Haas, I suspect, what exactly that means depends on what is meant by implication, and so requires a metaphysics of implication.)  Through this approach, we gain a point of orientation in the complex and difficult course of argumentation that constitutes Haas’ work. And though a good deal of late 20th Century and early 21st Century philosophy can be seen as developments of Heideggerian thought, Haas’ book is unique.  To see the originality of Unity and Aspect, we first note the writing style that Haas adopts.

In consonance with its subject-matter, Haas’ writing reflects the enigmatic, indeterminable character of implication itself.  Rather than asserting determinate claims, he makes suggestions, saying that something “might be” the case, that something else “would perhaps” follow, or “would probably” obtain.  Haas sustains this suggestive, elusive mode of discourse throughout the entirety of Unity and Aspect, never making any fully definitive assertions, nor allowing any train of exposition to arrive at a determinate, unequivocal conclusion.  This unyielding open-endedness may frustrate our need for resolution, our need to relieve the disquiet of suspense and arrive at a moment of presence.  But, as we have seen, this resistance to presence lies at the very heart of a metaphysics of implication.  The suspense is further maintained by Haas’ manner of articulating the pivotal terms discussed in the book.  He gives detailed accounts of what being, unity, time, and aspect, along with other key terms, are not, contrasting them with traditional conceptions thereof.  Being, for example, is introduced as not “a thing, nor just a universal, analogous, or paronymous…nor does it seem that it could be merely a word, one among many, nor just a thought, nor simply the position or existence or presence of a thing, nor a relation of things to themselves, like self-presence or self-identity” (17).  Here, however, Haas is not merely practicing a negative ontology, as being is also not “their opposites, like non-self-presence, absence, withdrawal…” (17).  In this way, traditional conceptions of being, like those of the book’s other key terms, are exposed as variations on the purported need to choose between presence and non-presence, a choice that overlooks implication and its suspension of both terms.  The way that Haas carries out the exposition of his analyses also exhibits the indeterminacy of implication. Although it is not presented in the form of a linear, logical argument, the book follows a logic of its own, continually circling back to previous discussions, thereby relentlessly re-assessing, and further problematizing the metaphysical notions addressed in those discussions.  By writing in a manner that does not merely proclaim, but exhibits, the indeterminacy of its subject-matter, Haas’ work is distinctive.  It is an original metaphysics written in a way that is designed to afford a unique angle on the problems of metaphysics, specifically in their ineluctably problematic character.  And Haas shows that such work is a valuable way of developing some of the fundamental insights of Heideggerian thought, of explicating the inexplicable withdrawal of being, and its implications.

Haas concludes Unity and Aspect by suggesting that a metaphysics of implication could be seen as engaging in a kind of waiting, that “waiting might also suggest how to consider something like suspension” (325).  For the suspension intrinsic to implication leaves metaphysics unfulfilled, always on the way to an impossible presence that the metaphysician of implication recognizes as such.  The ultimate insights that traditional metaphysics expects will eventually come to presence are now recognized as unpresentifiable, and thus as essentially “delayed,” “deferred,” “deterred” (325), as that which can only be encountered as still to come, as waited for.  The danger of this characterization is that waiting can easily be conceived as waiting for a possible presence, rather than waiting for a suspension that is neither present nor absent—a waiting for rather than a waiting toward.  To succumb to this danger would constitute a regression into the metaphysics of presence.  Here, we can see why a metaphysics of implication must remain problematic, unresolved.  Since its operations lies beyond the scope of that which our thinking can articulate, its expositions will always be no more than hints or suggestions.  Conceiving of metaphysics as waiting, then, is no more than a hint.  But it also no less than a hint.  It may give a distorted view of the objects of a metaphysics of implication, but a distorted view is nevertheless a view.  And waiting might be a particularly felicitous distortion.  In Haas’ words, “waiting might far more be, possibly or necessarily, our normal way of being one with things, temporally and aspectually” (325).  Although that, like all claims made in the context of a metaphysics of implication, remains to be seen.

Giuliano Bacigalupo, Hélène Leblanc (Eds.): Anton Marty and Contemporary Philosophy

Anton Marty and Contemporary Philosophy Book Cover Anton Marty and Contemporary Philosophy
History of Analytic Philosophy
Giuliano Bacigalupo, Hélène Leblanc (Eds.)
Palgrave Macmillan
2019
Hardback $99.99
XVII, 237

Reviewed by: R.A. Goodrich (ARC Centre for History of Emotions – University of Melbourne & ADI Philosophy & History of Ideas – Deakin University)

This nine-chapter anthology edited and introduced by Giuliano Bacigalupo and Hélène Leblanc is one of the recent volumes within the History of Analytic Philosophy series. The series aims not only to open debate and research into its nominated field of philosophy, but also to engage those thinkers nowadays regarded as “founders” of the analytic movement. These include Gottlob Frege, Bertrand Russell and Ludwig Wittgenstein—as well as those influencing and succeeding them—who shaped contemporary concerns as much rooted, for example, in the logico-linguistic as in the psycho-phenomenological terrain. To that extent, the three main parts of Anton Marty and Contemporary Philosophy respectively step readers into language broadly and narrowly conceived; competing conceptions of space and time; and theoretical approaches to existence and philosophy. Whilst so doing, contributors (re)position Marty against both his contemporaries such as Franz Brentano and Edmund Husserl as well as current philosophers such as Graham Nerlich and Alberto Voltolini (who contributes the penultimate chapter of the anthology).

Readers will therefore find that this volume is not merely an exegesis of one of the less familiar figures associated with Brentano’s intellectual circles, it is also an act of retrieval in an historical or diachronic sense. It consequently shares a duality of aims traceable in recent anthologies centred upon Marty, including, for instance, those edited since the ’nineties by Kevin Mulligan, Robin Rollinger, Laurent Cesalli with Hamid Taieb, and Guillaume Fréchette also with Hamid Taieb. Therefore, this review essay faces two tasks. Firstly, it will critically probe the actual way in which Marty is presented in light of contemporary debates with particular reference to the logico-linguistic realm which at least half the chapters engage. Secondly, it will examine more closely how this philosophical anthology more generally operates historically despite the editors’ overt declaration that “this volume is not a reconstruction of Marty’s theories for historical purposes” as distinct from an effort to resurrect his thinking “via the lenses of a contemporary perspective” (3).

I

Because Marty has tended to be recruited as a precursor of Paul Grice by Frank Liedtke (1990), Laurent Cesalli (2013) and Guy Longworth (2017) amongst others, let us begin by concentrating upon two opening chapters. In Chapter Two, François Recanati counters this tendency by proposing a marked contrast in their respective conceptions of communicative acts. Grice (1957: 213-223; cf. 1980: 290-297) claims that two distinctive kinds of meaning operate within our acts of communication. For example, if Laura says, “Those dark clouds mean that it will rain,” then the meaning of “dark clouds” functions as a “natural” sign of an impending change of weather. In other words, in cases like “dark clouds” where “rain” can be inferred or predicted from the fact that they are present, Laura is giving expression to “natural” meaning. By contrast, if her older sibling Lucantonio keeps pointing to the wispy grey sky overhead, repeatedly exclaiming “You’ll see, it will rain,” his pointing can be taken to mean “it will rain.” However, it does not as a matter of fact actually follow that it will rain since Lucantonio may well, for example, be teasing or mocking others accompanying him. Here, the meaning communicated is not “natural”: it is not a case of what follows from what. Rather, what Lucantonio means by pointing and playfully declaring “it will rain” reveals a communicative intention of leading his listeners to recognize his intention of teasing or mocking them. Meaning here, now tied to the speaker’s intention of inducing a particular psychological effect amongst his listeners by their recognition of his intention, is regarded by Grice as “non-natural” meaning.

Recanati reminds readers that Grice (1969: 93ff.), even when subsequently elaborating his analysis of a speaker’s intention and a listener’s response, did not waver from upholding “non-natural” meaning as independent of “natural” meaning nor did he explicitly resort to rationalising the difference purely in terms of, say, conventions or rules governing acts of spoken communication. Instead, to cite Recanati, “Communicative intentions have a nested structure and […] potentially involve an infinite sequence of sub-intentions pertaining to the recognition by the hearer of a previous sub-intention” (14).  So, for Recanati, “to make the speaker’s communicative intention fully ‘overt’,” Grice needs to allow the communicative intention to be “reflexive” (14). This perhaps explains why Grice concedes that the listener’s recognition is grounded “at least partly on the basis of” the speaker’s utterance (1969: 94, 96).

Turning to Marty (1908: 283ff.), there appears to be no evidence for treating “natural” and “non-natural” meaning in strictly binary terms. Recanati contends that Marty construes the two kinds of meaning as “continuous” (15).  Indeed, he continues, human behaviour itself can be “a natural sign of ‘internal psychological processes’” (15 (citing Marty)), especially in instances such as involuntary tears of sorrow, grief or anguish and screams of pain, horror or fear. Yet, if Laura’s tears merely expressed her sorrow, that alone is insufficient a criterion for being a communicative act. From Marty’s perspective, for Laura to engage an act of communication, her principal intention should be directed at her listeners, inducing in them “a matching attitude towards the object of the expressed thought” (15) where expressing her own psychological response is but a means to that end. That said, when Laura’s tears on the death of her beloved nonna enable her listeners to align themselves with her anguish, grief, or sorrow, then for Marty unlike Grice an instance of “natural” meaning need not exclude an instance of “non-natural” meaning.

Pursuing the difference between Marty and Grice further, Recanati finds the former assigns “only one semiotic relation” which characterises “natural” meaning whereas “non-natural” meaning comprises “three distinct semiotic relations at work” (17). The three relationships are said to be the expressive meaning of the utterance; the wider or communicative meaning of the utterance; and the narrower or denotational meaning of the utterance. Collectively, as some readers might surmise, Marty’s threefold depiction seems to form an antecedent of that of Karl Bühler (1918: 1; cf. 12-13) initially in his review of theories of sentences and subsequently in his seminal Sprachtheorie (1934: 34ff.) on three basic semantic functions of language. For Recanati, the threefold relational features underpin how Marty “views linguistic communication as continuous with natural meaning” without incorporating the “nested/reflexive structure” Grice assigns to communicative intentions (19 & 18). The line of demarcation between Marty and Grice is that the latter ultimately adheres to the view that “a natural sign ceases to be a natural sign as soon as the hearer recognizes that it is produced deliberately” (20).  Recanati re-enforces what is at stake by briefly alluding to the highly frequent use we make of experientially- or situationally-bound utterances when interacting with others, best known as the deictic field or indexical dimension of language. Consider, for example, when Laura and Lucantonio are momentarily separated in a crowd and lose sight of each other. Lucantonio shouts, “I am here” to the relief of Laura (whether or not she deictically replies, “Now I see you”). Here, as Bühler (1934: 93ff.) in Part Two of Sprachtheorie also maintains, both “natural” and “non-natural” meaning are at play within the deictic field. Lucantonio’s communicative intention to advise or re-assure Laura that he is in her vicinity exemplifies the “non-natural” and, for Laura, his very act of shouting embodies a “natural” sign indicating his location to her.

In Chapter Three, Mark Textor continues investigating Marty and Grice on communicative intentionality and meaning, but adds the contrasting position of Marty’s teacher Brentano. According to Textor, what Brentano, unlike Marty and Grice, brings to the debate over the nature of meaning is that it primarily centres upon the speaker’s utterance “independently of whether utterances are made in order to influence the thought [or response] of others” (35).  This, we are told, can be best demonstrated by counter-examples of “non-natural” meaning without communicative intentions found in assertoric judgements. Let us revisit the situation where Lucantonio, when first looking at the cirrostratus clouds overhead, states “I claim that it is going to rain.” If Laura afterwards reports, “He claimed that it was going to rain,” all she has conveyed is what was communicated by his initially uttered claim, not any effect it had upon her. Again, if Lucantonio afterwards conceded that, despite his subsequent teasing and mocking manner, the very presence of cirrostratus clouds first became associated with the assertion “It is going to rain,” then this can be done without implying his utterance was necessarily true. Nor was the assertion self-referential in the way that Marty (1908: 495) and Grice (1969: 112-113) exemplify, including addressing one’s imagined future self or pretending to address someone else.

By Textor’s account, in so far as statements of claims or contentions instantiate judgements and evaluations more broadly, they reveal the speaker’s attitudes. Such attitudes contain the speaker’s (rational) commitment that his or her assertions or assumptions are correct. That is to say, the “non-natural” communicative meaning of utterances here is definable without reference to any listeners. Textor formulates his point as follows: “If I assume that p, I am committed to the correctness of my assuming and the state of affairs that p is worthy of this attitude” (54). Textor’s solution, for some readers, might still leave gaps in their understanding of Marty’s more controversial commitments “about how things are” (42). What are the consequences of Marty’s somewhat paradoxical handling of claims or judgements about entities or events that do not exist? Perhaps, it is here that they should consider the interpretive strategies of other contributors. For example, Ingvar Johansson in Chapter Five argues that the later Marty does not identify “non-real” with “non-existing” or “subsisting” with another mode of existing unlike “real” ordinary objects (100). Furthermore, Alberto Voltolini in Chapter Eight takes Marty to be analysing the “non-real” as “grounded” upon the “real” (184).

If nothing else, the respective attempts by Recanati and Textor to draw Marty into latter-day arguments surrounding Grice warn readers against searching for simple one-to-one correlations between an intellectual precursor and his putative successor. That each often appears to express comparable solutions is not tantamount to concluding that each is responding to an identical set of problems.

II

The second section of this review essay will focus upon Kevin Mulligan’s lengthy Chapter Nine in Anton Marty and Contemporary Philosophy. By so doing, it will give us the opportunity to examine, albeit briefly, how Marty (when leaving aside his approach to communicative acts discussed above) construes language as threatening to undermine philosophical enquiry. At the same time, Mulligan himself traces the way in which Marty’s strategies when dealing with modality, logic, and intentionality anticipate those influentially deployed by Wittgenstein.

Modality pervades much of our attitude towards and thinking about our actions, ideas and world, ranging from certainties, doubts and necessities to obligations, possibilities, and willingness. Marty (1908: 354) seizes upon the erroneous way we construe not some, but “all possibilities” which “are, of course, merely something non-real,” something “treated as things, which have effects and are effected.” How does it come about that we treat possibilities, and for that matter impossibilities, as if they were “real” in the sense of being “causally efficacious” as Mulligan succinctly notes (199 (cf. e.g., Johansson 100; Mac Cumhaill 123, 129; Sattig 170, n. 6; and Voltolini 183-184))? Marty’s reply unequivocally identifies the problem in largely linguistic terms:

All our names have as their inner linguistic form either the presentation of a substance or of an accident, thus of something real. But we always designate the non-real, too, indeed even what is completely fictitious, with the help of a substantive (such as […] possibility, impossibility, etc.) […] or with the help of an adjective which is attributed to a real or apparent subject as a predicate or attribute… (1908: 354-355)

We are, in brief, misled by our use of nouns and adjectives into thinking of possibilities either as substances or as if they were properties inhering in substances. Because “language uses expressions for what is real also for what is non-real,” we face “more disastrous” epistemological consequences such as when “a physicist takes for the truth what is, in his [or her] field, merely a picture and an attempted illustration” (1908: 356). Whilst we find many analogous examples in Wittgenstein (1945) of how possibilities become conflated with actual states of affairs when our “forms of expression […] send us in pursuit of chimeras” (§94; cf. §194), Marty appeals to “inner linguistic forms” which Mulligan immediately understands to be “a conceptual presentation which has a certain function, that of directing an interlocutor’s attention to what the speaker has in mind” (199).

What has been ignored at this juncture in Chapter Nine, especially from a more linguistic point of view, is how and why Marty should have appealed to the contestable notion of “inner linguistic form”; a notion explicated through debates against which Marty reacted by Werner Leopold (1929) & (1951) and through earlier iterations of Noam Chomsky’s transformational generative theory of language as first broached by Sige-Yuki Kuroda (1972: 8ff.). On the information given, it is not entirely obvious how such inner forms, which Marty finds in metaphors particularly and language development generally, can be connected with linguistic signs of, say, the “non-real” and the “fictitious” yet have no role in their meaning.

Next, Mulligan deftly portrays the manner in which the kinds of difficulties besetting modality in effect ricochet throughout the way consciousness is all too often erroneously depicted irrespective of whether emphasis is laid upon cognitive, conative, or emotional factors. We need only witness here how Marty summarises his analysis of earlier thinkers from Aristoteles onwards:

One wanted to get to the bottom of the secret of consciousness and in so doing took more or less seriously a linguistic picture used in the description of the peculiar process. The more abstract locution […] of what is thought in the thinker (and likewise what is felt in one who feels) […] is, in my opinion, only justified as a fiction of pictorial, inner, linguistic form, […] but leads to a falsification as soon as it is taken more seriously. (1908: 397)

Similarly, Wittgenstein (1945), when considering how easily one enters “that dead end in philosophizing where one believes that the difficulty of the problem consists in our having to describe phenomena that evade our grasp” (§436), continues:

expectation is unsatisfied, because it is an expectation of something; a belief, an opinion, is unsatisfied, because it is an opinion that something is the case, something real, something outside the process of believing. (§438)

In what sense can one call wishes, expectations, beliefs, etc. “unsatisfied”? What is our prototype of non-satisfaction? Is it a hollow space? And would one call that “unsatisfied”? Wouldn’t this be a metaphor too? (§439)

Mulligan then turns to how Marty and Wittgenstein oppose the view of logic as a framework or scaffold and its implications for how propositions are construed. Marty, citing Husserl in passing, questions “the picture” of an “ideal framework which every language fills up and clothes differently” (1908: 59). Instead, he suggests, “The tissue of the elementary meaning-categories” of propositional forms within logic “stands to real language and their makers more like a pattern which they try to trace” and “not as a frame which would stand before the consciousness of all in the same way and which they would merely fill out in different ways” (1908: 59). Wittgenstein examines “the question of the essence of language, of propositions, of thought” and finds that his attempts to comprehend the nature of language, especially “its function, its structure” that “already lies open to view, that becomes surveyable through a process of ordering,” is not the target of such a question (1945: §92). Instead, he remarks:

 

The essence is hidden from us’: this is the form our problem now assumes. We ask: “What is language?”, “What is a proposition?” And the answer to these questions is to be given once for all, and independently of any future experience. (1945: §92)

Such a misunderstanding immediately leads to “the sublimation of our whole account of logic” with the “tendency to assume a pure intermediary between the propositional sign and the facts. Or even to purify, to sublimate the sign itself” (1945: §94). Logic, the “essence” of thinking, “presents an order: the a priori order of the world; that is, the order of possibilities, which the world and thinking must have in common,” the quest for which is aligned with a superordinate “order existing between the concepts of proposition, word, inference, truth, experience, and so forth” (1945: §97).

As Mulligan realises, the rejection by Marty and Wittgenstein of logic as a framework or scaffold applies to “conceptions of propositions as ideal entities, as intermediaries […] as immanent or private objects” (208). Equally, propositions do not “represent states of affairs or the world in a sui generis and irreducible way” by virtue of a “special sort of unity” (208). He does acknowledge that Marty only implicitly construed natural language to be pervaded by a “family of structures more or less akin to one another,” with terms forming “a complicated network of similarities, overlapping and criss-crossing” popularly characterised nowadays as “family resemblances” (Wittgenstein 1945: §108, §66 & §67). However, Mulligan believes Marty’s theory of language was more explicitly developed by Karl Bühler (1934: 247ff.) especially when Bühler analysed the processes of merging or fusion where “partial, overlapping similarities hold” within the symbolic field of language under the concept of the “synchytic” (210).

For Mulligan, the above-mentioned distortions afflicting philosophical enquiry lead both Marty and Wittgenstein to make “the critique of language necessary” (212). Marty overtly identifies the habitual role language can and does play:

the presentation of thing and property always and everywhere forces itself on us, if not as a consequence of an innate necessity, then thanks to the power of a strong and general linguistic habit. (1908: 355)

Wittgenstein, too, is convinced that linguistic habits are deeply engrained when commenting how “problems arising through a misinterpretation of our forms of language […] are as deeply rooted in us as the forms of our language” (1945: §111). In addition, Mulligan draws our attention to the “affective and conative” dimension of misleading images and metaphors in philosophy (214). Marty, for instance, writes of the potency of urges:

An instinctive urge leads us, at first, to take whatever appears in a sensory fashion to be real, i.e. to ascribe “external” reality to it; to the colours, sounds, places and changes of place which are present for us in sensation or hallucination

to the point where

We therefore transfer what in them is intuitive and forces itself upon us as real, in an instinctive belief, into the mind. (1908: 396)

Wittgenstein, too, is mindful of how wrestling with “the workings of our language” occurs “despite an urge to misunderstand them” (1945: §109).

Both thinkers noticeably vacillate over what precisely they define as misleading within language per se (its symbols or similes? its analogies or metaphors?). However, what is not in doubt, as Mulligan observes, is that both agree that philosophy’s “first task is to identify the misleading pictures” which impair if not corrupt philosophical enquiries which take their “first orientation from them” (217). Hence, it is hardly surprisingly when, in the course of asking how philosophical problems about mental processes and states arise, Wittgenstein (1945: §308) should insist that the “first step is the one that altogether escapes notice.”

III

Having pinpointed crucial views given significant weighting within Anton Marty and Contemporary Philosophy to Marty’s approach to communication and language, in the limited space remaining let us briefly question how, in practice, this anthology construes its task of illuminating the history of analytic philosophy.

First of all, when is analytic philosophy clearly identifiable? Indeed, are we safe in saying that its origins can be unequivocally traced to a set of Anglo-Germanic thinkers? Jan Claes and Benjamin Schneider in their logico-linguistic analysis (59ff.) have little hesitation drawing upon the multi-volume 1837 Wissenschaftslehre by Bernard Bolzano whereas Voltolini when delving into kinds of being and first- and second-order properties of existence (175ff.) alludes to the 1884 monograph Die Grundlagen der Arithmetik by Gottlob Frege. Again, Johansson, when tracing the antecedents of Marty’s conception of space as a container (99ff.) contrasts the superficially similar metaphors of spatiality in Immanuel Kant as well as Isaac Newton without specifying their respective texts. If nothing else, such examples suggest the shifting, albeit implicit, commencement dates and associated canonical texts in what have been and can continue to be taken as analytic antecedents.

Secondly, was analytic philosophy ever a unified, self-aware intellectual movement? After all, the first attested use of the attributions “logico-analytic philosopher” and “analytic philosopher” was first coined a century later by John Wisdom (1931) when exploring Jeremy Bentham’s posthumously published Notes on Logic (circa 1831) and its technique of paraphrasis and analysis of propositional meaning. Even a cursory glance at Clare Mac Cumhaill (121ff.) or Thomas Sattig (153ff.), both juxtaposing Marty and contemporary debates in the field of spatio-temporal apprehension, reveals the tendency to refer to clusters of modern thinkers and their arguments considered relevant to the contentions being raised rather than owing to their analytic credentials.

Thirdly, are we, in view of the foregoing, witnessing convergences upon a specific problem rather than a convergence of specific problems in the unfolding of analytic philosophical debates? Does this, on the one hand, suggest that philosophical movements are open-ended by nature to the point where critical exchanges amongst self-nominated “schools” or “movements,” such as the analytic, the phenomenological, and the pragmatic, gradually became commonplace? On the other hand, need being open-ended preclude the occurrence of distinctive phases (as distinct from problems) of the kind the Bacigalupo and Leblanc volume seems to make manifest when threading logico-linguistic discussions through so many of its chapters?

To that extent, have the detailed explorations here of Anton Marty’s assumptions about language helped to demonstrate two crucial features? The first, more specifically, in many of the debates and problems engaging Marty in the decade preceding the twentieth-century’s first world war the anthology has, perhaps unwittingly, exposed the centrality of the confrontation between “ideal” formal language associated with logic and “ordinary” natural language associated with everyday discourse as what marks analytic philosophy of the period. To return to Werner Leopold, he intuitively senses the foregoing tension between theories of “ideal” and “ordinary” language—a topic most recently addressed by Hans-Johann Glock (2017: 214-220; cf. 2008: 39ff., 52ff., 115-116 & 153ff.), Kelly Jolley (2017: 229-238), and Scott Soames (2017: 34-40)—when he finds Marty’s “theoretical mind” employing “an a-priori approach going from meaning to form” whilst admonishing “philosophers’ overemphasis on logic” (1951: 368). In fact, Leopold proclaims to his audience of linguists: “Marty is a philosopher who does not use language for the purposes of philosophy, but applies philosophical thinking in the service of linguistics” (1951: 370).

The second feature, more generally, was initially voiced by Moritz Schlick, founder of what became the Wiener Kreis:

Every philosophical movement is defined by the principles that it regards as fundamental and to which it constantly recurs in its arguments. But in the course of historical development, the principles are apt not to remain unaltered, whether it be that they acquire new formulations, or come to be extended or restricted, or that even their meaning gradually undergoes noticeable modifications. (1932: 259)

If “some terminological dispute of the old from the new” occurs amongst “the various adherents of a ‘movement’” and results “in hopeless misunderstandings and obscurities,” then these only dissipate, Schlick (1932: 259) claims, when “the various principles” at “cross-purposes” are “separated from each other and tested individually for meaning and truth on their own account […].” Not unlike Bacigalupo and Leblanc rejecting the task of reconstructing Marty’s theories “for historical purposes” (3), Schlick believes “cross-purposes” are “best” handled by disregarding “entirely the contexts in which [disputed principles] have historically arisen” (1932: 259). Or, for those of us who prefer to talk in terms of analytic philosophy as a “tradition,” perhaps we ought to heed the widely disseminated view of Alasdair MacIntyre that any tradition, presumably including intellectual traditions, can be characterised as an

argument extended through time in which certain fundamental agreements are defined and redefined in terms of two kinds of conflict: those with critics and enemies external to the tradition […] and those internal, interpretive debates through which the meaning and rationale of the fundamental agreements come to be expressed and by whose progress a tradition is constituted. (1988: 12; cf. 354ff.)

Furthermore, as Glock (2008; 212ff.) elaborates, the tradition ascribed to analytic philosophy is one “held together both by ties of mutual influence and by family resemblances.” Clearly, Anton Marty and Contemporary Philosophy ultimately sides with “internal, interpretive debates.”

References

Bühler, K.L. 1918. “Kritische Musterung der neuen Theorien des Satzes.” Indogermanisches Jahrbuch 6: 1-20.

Bühler, K.L. 1934. Theory of Language: The Representational Function of Language. Edited by Achim Eschbach; translated by D.F. Goodwin. Amsterdam: John Benjamins Publishing Co., 1990 [abbreviated as Sprachtheorie in the review essay above].

Cesalli, Laurent. 2013. “Anton Marty’s Intentionalist Theory of Meaning.” In Themes from Brentano. Edited by Denis Fisette & Guillaume Fréchette, 139-164. Amsterdam: Editions Rodopi.

Glock, H.-J. 2008. What is Analytic Philosophy? Cambridge: Cambridge University Press.

Glock, H.-J. 2017. “P.F. Strawson: Ordinary Language Philosophy and Descriptive Metaphysics.” In Analytic Philosophy: An Interpretive History. Edited by Aaron Preston, 214-228. New York: Routledge.

Grice, H.P. 1957. “Meaning.” In Studies in the Way of Words, 213-223. Cambridge MA: Harvard University Press, 1989.

Grice, H.P. 1969. “Utterer’s Meaning and Intentions.” In Studies in the Way of Words, 88-116. Cambridge MA: Harvard University Press, 1989.

Grice, H.P. 1980. “Meaning Revisited.” In Studies in the Way of Words, 283-303. Cambridge MA: Harvard University Press, 1989.

Jolley, K.D. 2017. “Austin Athwart the Tradition.” In Analytic Philosophy: An Interpretive History. Edited by Aaron Preston, 229-238. New York: Routledge.

Kuroda, S.-Y. 1972. “Anton Marty and the Transformational Theory of Grammar.” Foundations of Language 9 (1): 1-37.

Liedtke, Frank. 1990. “Meaning and Expression: Marty and Grice on Intentional Semantics.” In Mind, Meaning and Metaphysics: The Philosophy and Theory of Language of Anton Marty. Edited by Kevin Mulligan, 29-49. Dordrecht: Kluwer Academic Publishers.

Leopold, W.F. 1929. “Inner Form.” Language 5 (4): 254-260.

Leopold, W.F. 1951. “Reviews.” Language 27 (3): 367-370.

Longworth, Guy. 2017. “Grice and Marty on Expression.” In Mind and Language – On the Philosophy of Anton Marty. Edited by Guillaume Fréchette & Hamid Taieb, 263-284. Berlin: Walter de Gruyter.

MacIntyre, A.C. 1988. Whose Justice? Which Rationality? London: Gerald Duckworth & Co.

Marty, Anton. 1908. Untersuchungen zur Grundlegung der allgemeinen Grammatik und Sprachphilosophie. Erster Band. Halle an der Saale: Verlag von Max Niemeyer [accessible at: https://archive.org/details/untersuchungenzu01martuoft/page/n4 ; translations adapted from the anthology under review].

Schlick, Moritz. 1932. “Positivism and Realism.” In Philosophical Papers: Volume II (1925-1936). Edited by H.L. Mulder & B.F.B. van de Velde-Schlick; translated by P.L. Heath, 259-284. Dordrecht: D. Reidel Publishing Co., 1979.

Soames, Scott. 2017. “The Changing Role of Language in Analytic Philosophy.” In Analytic Philosophy: An Interpretive History. Edited by Aaron Preston, 34-51. New York: Routledge.

Wisdom, John. 1931. Interpretation and Analysis in Relation to Bentham’s Theory of Definition. London: Kegan Paul, Trench, Trübner & Co.

Wittgenstein, Ludwig. 1945. Philosophical Investigations, 4th rev. edn. Edited by P.M.S. Hacker & Joachim Schulte; translated by G.E.M. Anscombe, P.M.S. Hacker & Joachim Schulte. Chichester: Wiley-Blackwell, 2009.

Hermann Schmitz: Wie der Mensch zur Welt kommt. Beiträge zur Geschichte der Selbstwerdung

Wie der Mensch zur Welt kommt Book Cover Wie der Mensch zur Welt kommt
Hermann Schmitz
Verlag Karl Alber
2019
Paperback 24,00 €
120

Reviewed by: Jonas Puchta (University of Rostock)

Nach sechzigjähriger Schaffenszeit widmet sich Hermann Schmitz, der Begründer der Neuen Phänomenologie, in seinem 56. Buch der Individuation der Person als „Geschichte der Selbstwerdung“. Dabei entfaltet er sein Denken nicht grundsätzlich neu, sondern reformuliert Grundthemen der Neuen Phänomenologie wie das „affektive Betroffensein“, den „Leib“ oder die „Zeit“, die in zehn Kapiteln den „Zugang zur Welt“ der Person ersichtlich werden lassen. Zwar sind die Kapitel auch unabhängig voneinander lesbar, jedoch so konzipiert, dass sich bei sukzessiver Lektüre die „Selbstwerdung“ des Menschen nachvollziehbar entfalten soll.

Der Weg zur Selbstwerdung setzt ein mit dem „affektiven Betroffensein“, das stattfindet, wenn jemanden etwas spürbar so nahegeht, dass er auf sich selbst aufmerksam wird. (13) Dafür ist kein bestimmtes Denk- oder Reflexionsvermögen von Nöten, sodass auch schon Tiere oder Säuglinge affektiv betroffen sind. (Ebd.) Die Tatsachen des affektiven Betroffenseins sind für Schmitz subjektive Tatsachen, die er von den objektiven unterscheidet. Während subjektive Tatsachen ausschließlich die Person aussagen kann, die auch tatsächlich spürbar betroffen ist, können objektive Tatsachen von jedem ausgesagt werden, der ausreichend Informationen über den Sachverhalt besitzt (13, 15f.). Objektive Tatsachen umfassen beispielsweise den Blick eines distanziert protokollierenden Beobachters, während die subjektiven Tatsachen den unmittelbar Getroffenen nahegehen. (16, 19f.) Die Missachtung der Subjektivität in der Philosophiegeschichte führte, so Schmitz, zu einer Spaltung des „wirklichen Subjekts“ in ein erscheinendes empirisches und ein metaphysisches transzendentales Subjekt, das von der Lebenswelt des Menschen gänzlich unabhängig ist, und wird somit zur Grundlage „aller möglichen idealistischen Erkenntnistheorien“. (20f.) Das affektive Betroffensein soll dabei zugunsten von Konzepten der Seele oder des Bewusstseins übersehen worden sein, die Schmitz anhand seiner Analysen der Leiblichkeit und der Gefühle überflüssig machen will. (23f.)

Dazu beleuchtet er zunächst im zweiten Kapitel die Atmosphären des Gefühls als eine Quelle des affektiven Betroffenseins. Dabei will Schmitz über die philosophische Tradition hinausgehen, wobei er Kants Position kritisiert, Gefühle als bloße Lust oder Unlust aufzufassen und Brentano und Scheler vorwirft, diese auf intentionale Akte zu reduzieren. (37) Dafür sei es erforderlich, sich in „phänomenologisch haltbarer Weise“ zu vergewissern, wie Gefühle dem Menschen begegnen. (Ebd.) Atmosphären wie Zorn, Freude oder Schuld ergreifen den Leib spürbar so, dass die Person immer erst nachträglich zum Gefühl Stellung beziehen kann. (26, 28) Die „Macht“ der Atmosphären besteht im Moment der Ergriffenheit, wenn dem zunächst passiv Betroffenen bestimmte „Bewegungssuggestionen“ eingegeben werden und dieser so dem Gefühl anfänglich unterworfen ist. (47) Diese spürbaren Bewegungen oder Richtungen geben dem Ergriffen zum Beispiel gewisse Haltungen oder Impulse ein, wie es am gesenkten Kopf eines Trauernden zu beobachten ist. (Ebd.) Die „Gesinnung“ als aktives Empfangen des Gefühls, welches auch schon bei Tieren vorhanden ist, stellt sich als bestimmte präpersonale Art des Sich-Einlassens auf das Gefühl heraus (27f.), wenn sich zum Beispiel auf die Trauer weinerlich oder standhaft eingelassen wird. Erst in der darauffolgenden aktiven personellen Stellungnahme im „Dialog“ mit dem Gefühl ist es aber möglich, einen „personalen Stil des Fühlens“ als Teil der personellen „Fassung“ zu entwickeln, die zwischen „personaler Regression“ und „personaler Emanzipation“ vermittelt. (27, 38, 107) Die Stellungnahme variiert dabei zwischen einer Preisgabe an das Gefühl, wenn sich der Betroffene von diesem mitreißen lässt oder im Widerstand, bei dem sich der Macht der Ergriffenheit entzogen wird. (27f.) Die „Kunst der Bewältigung“ des Gefühls besteht für Schmitz darin, die Zeit zwischen Ergriffenheit und Stellungnahme kurz zu halten (48), also frühzeitig die Möglichkeit der Auseinandersetzung mit der Gefühlsmacht wahrzunehmen, wobei eine konkrete Beschreibung dieses Umgangs ausbleibt.

Wie Schmitz im dritten Kapitel verdeutlicht, ist das affektive Betroffensein nicht nur für die Wirklichkeitsgewissheit, sondern auch für die Lebensführung von Bedeutung. (52) Die „Autorität der Gefühle“ wie auch die „Evidenz von Tatsachen“ sind Möglichkeiten, die Verbindlichkeit von Normen geltend zu machen. Gefühle haben im Moment der Ergriffenheit eine Verbindlichkeit von Normen mit der „Autorität unbedingten Ernstes“, welche die Person vor eine große Verantwortung im Handeln stellt. (53) Auf dem „höchsten Niveau personaler Emanzipation“, das Schmitz auch mit der „Vernunft“ gleichsetzt, gilt es zu überprüfen, ob sich der Evidenz oder der Autorität zu entziehen oder zu unterwerfen ist, ohne dabei von einer ethischen Handlungsmaxime auszugehen, die auf jede Situation gleichermaßen anzuwenden ist. (54, 60) In dieser Hinsicht wird der „Vernunft“ wie auch dem Rationalismus ihr Recht eingestanden, wenn es „angemessener Informationen“ oder der sinnvollen Einschätzung über eine Sachlage bedarf. (55) So muss beispielsweise der Wissenschaftler, der bei seiner Arbeit von Zorn oder Eifer ergriffen ist, sich zugunsten seiner Erkenntnisse von diesen Gefühlen freimachen. (Ebd.) Daran anschließend geht Schmitz beiläufig im vierten Kapitel der Bedeutung der „Autorität der Gefühle“ im Christentum nach, das er von der Metaphysik losgelöst sehen will. (57, 62) Religion wird verstanden als „Verhalten aus Betroffensein von Göttlichem“ (57) und ist damit ursprünglich immer mit einer spürbaren Erfahrung verbunden und nicht auf bloße Lektüre oder Rezeption heiliger Schriften zu reduzieren. Göttliche Gefühle entfalten ihre Kraft aus der ihnen eigentümlichen Autorität unbedingten Ernstes (59), sind aber auch eingebunden in unübersichtliche Situationen. In diesen werden die Gefühle oftmals als „Plakatierungen“ – der Begriff ist hier frei von negativen Konnotationen zu verstehen – anschaulich „zusammengefasst“, worunter Schmitz vor allem Feste, Symbole, Personen, aber auch die Götter selbst versteht. (60f.) Ohne sich als Christ oder zur Religiosität zu bekennen, hält er dem Christentum zugute, die Autorität eines Gefühls mit unbedingtem Ernst, wie der Liebe, dem gegenwärtigen „ironistischen Zeitalter“ entgegen zu halten, das sich in einer haltlosen Beliebigkeit des „Anything goes“ oder der „Coolness“ verrennen soll. (62f.)

Alles affektive Betroffensein ist leiblich spürbar vermittelt, weshalb der Leib als wesentlicher Ausgangspunkt der menschlichen Lebenserfahrung vom äußeren sicht- und tastbaren Körper, der zum Beispiel Gegenstand der Naturwissenschaft ist, unterschieden wird. (65f.) Während der Körper in einem flächenhaltigen messbaren Raum zu verorten ist, sind der Leib wie auch die Atmosphären flächenlos (40, 66f.), woraus aber kein an die Philosophietradition anknüpfender Dualismus zwischen Leib und Körper abzuleiten ist. (67) Der Leib wird vielmehr durch „Einleibung“ mit dem Körper dynamisch zusammengeschlossen, was zum Beispiel dann ersichtlich wird, wenn „Bewegungssuggestionen“ der Musik den Leib ergreifen und sich auf die körperlichen Glieder beim Tanzen „übertragen“. (68) Schmitz gesteht ein, dass der Körper für die Funktionen des Leibes von Bedeutung ist, verweist aber mittels Phantomglieder oder Berichten von Nahtoderfahrungen auf die Möglichkeit, eines nicht notwendigen oder dauerhaften Zusammenhanges, (70) wobei er darüber hinaus keine „gültige Bestätigung“ bzw. eindeutig nachweisbare Kausalität vorliegen sieht, dass der Leib aufgrund körperliche Prozesse entsteht oder auf diese zu reduzieren ist. (69) Zur Beschreibung der menschlichen Lebenserfahrung ist für Schmitz einzig der Leib von Bedeutung, wobei der Körper vielmehr einen „sperrigen Block“ im „In-der-Welt-sein“ des Menschen darstellt. (70) Diese Einschätzung durchzieht Schmitz´ gesamtes Werk, in dem er bewusst auf die Einbeziehung von biologischen oder physikalischen Erkenntnissen der Naturwissenschaft verzichtet. Dagegen könnte der Vorwurf laut werden, dass der Leib zu autonom von körperlichen Prozessen verstanden wird. Wenn dieser Einwand auch nicht unbegründet ist, kann Schmitz´ Bestreben aber gerade auch als Widerstand gegen das reduktionistische und mittlerweile alltägliche Selbstverständnis des Menschen gelesen werden, welches die Lebenserfahrung auf Hormonausschüttungen oder neuronale Prozesse reduziert und damit das eigentliche Erleben auszuschalten droht.

In den Kapiteln sechs bis neun beleuchtet Schmitz die Zeit, die stets an das präpersonale wie auch personale Leben geknüpft ist. Die „primitive Gegenwart“ als „plötzlicher Einbruch des Neuen“, der zum Beispiel spürbar als engender Schreck leiblich erfahrbar wird, stiftet die „absolute Identität“ und legt damit den Grundstein zur „Selbstheit“. (74f.) Die vorhergehende selbstlose Weite, wie sie zum Beispiel am Kontinuum oder im Dösen nachzuvollziehen ist, wird durch die „primitive Gegenwart“ zerrissen in die Dauer als „Urprozess“ einer Bewegung zum untergehenden „Vorbeisein“ und einer Bewegung des „Fortwährens“ zum Neuen (83) und legt damit den Ursprung der Zeit. Schmitz richtet sich gegen die alltägliche Vorstellung, dass die Zeit eine alle Prozesse umfassende Bewegung sei und bezeichnet dessen vermeintlich gleichmäßiges Voranschreiten – wie es die Bewegung einer Uhr suggeriert – als bloßes Kunstprodukt. (Ebd.) Vielmehr soll die Zeitlichkeit an die Leiblichkeit der Person geknüpft und essentieller Bestandteil der Selbstfindung des Menschen sein. Die Dynamik des Leibes, so Schmitz, ahmt demnach die Strukturen der Zeit nach, wenn die gespürte „Enge“ die Richtung zum Vergehen und die „Weite“ das Fortschreiten in die Zukunft vermitteln soll. (Ebd.) Mit dem Eintritt der „absoluten Identität“ gliedert sich die „Weite“ in Situationen (75), die auch einen wesentlichen Anteil der Zeiteinheiten ausmachen sollen. (86) Die Verteilung der Dauer orientiert sich zum Beispiel an „zuständlichen“ oder „aktuellen“ Situationen. (84f., 91f.) Der Mensch ist durch die Sprache zur „Explikation“ oder „Vereinzelung“ fähig, um so aus den Situationen einzelne Bedeutungen zu individuieren und eine konkrete Einteilung der Zeit als „modale Lagezeit“ vorzunehmen, die aus der „Modalzeit“ einerseits und der „Lagezeit“ andererseits besteht. Die ursprünglichere „Modalzeit“ spaltet sich mit dem „Einbruch des Neuen“ in die Vergangenheit, als das, was nicht mehr ist, in die Zukunft, als das, was noch nicht ist und in die Gegenwart. (89, 93) Die „Lagezeit“ ist dagegen zu verstehen als Anordnung gleichzeitiger einzelner Ereignisse oder Daten in einer linearen Folge des Früheren zum Späteren. (Ebd.) Die Verbindung von „Lage“- und „Modalzeit“ zur „modalen Lagezeit“ macht sich der Mensch zunutze, indem er wie beim Gebrauch von Uhren die Dauer in Zeitstrecken mit jeweils einzelnen messbaren Zeitpunkten einteilt (79 ff.), was für die Orientierung des Menschen unerlässlich ist. Der „gewöhnliche Rhythmus des Lebens“ geschieht aber abschließend nicht in einem allumfassenden zeitlichen Rahmen oder einer Abfolge regelmäßig aufeinanderfolgender Zeitpunkte, sondern besteht in den immer wiederkehrenden „Einbrüchen des Neuen“, welche die fortwährende ruhende Dauer „zerreißen“ und durch welche sich der Mensch auf diese Weise immer wieder selbst finden soll. (91)

Diese zeitlichen Prozesse sind auch für das Personsein des Menschen von erheblicher Bedeutung. Im letzten Kapitel fasst Schmitz seine Erkenntnisse zum Prozess der Individuation des Menschen zusammen, die er aber nicht als Geburt in eine bereits vorhandene Welt begreift. (97) Auf der ersten Stufe der bloßen Selbstlosigkeit in der Weite des Kontinuums wird mit dem „Einbruch des Neuen“ wie beim affektiven Betroffensein durch den Schreck die absolute Identität gestiftet und gleichzeitig der Ursprung der Zeit gelegt. (97ff.) Aus der „primitiven Gegenwart“ resultiert die „leibliche Dynamik“ und die „leibliche Kommunikation“, mit der auch die Bildung von bedeutsamen Situationen einhergeht. (99f.) Die „leibliche Dynamik“ differenziert Schmitz nach ihrer Bindungsform zwischen gespürter Enge und Weite, die charakteristisch für die „leibliche Disposition“ der Person wird. Aus diesen Dispositionen werden Charaktertypen abgeleitet, die sich hinsichtlich der Offenheit oder Empfänglichkeit im Umgang mit Gefühlen oder Personen unterscheiden. (33ff.) Erst der Mensch, der über das Säuglingsalter hinausgegangen ist, kann dann auf einer nächsten Stufe mittels Sprache einzelne Bedeutungen aus der Situation explizieren und sich so auf andere Weise in seiner Umgebung zurechtfinden. (101 f.) Erst auf diesem Niveau ist es möglich, von einer Person zu sprechen, die in der Lage ist, sich in einem „Netz von Gattungen“ als Etwas zu verstehen und sich zum Beispiel anhand von bestimmten Rollen zu verorten oder selbst zu bestimmen. (104) Das „Sammelbecken“ als Ort der explizierten vereinzelten Bedeutungen und Gattungen bildet daran anschließend auf einer vierten Stufe die „Welt“, die nicht statisch vorhanden ist, sondern erst mit dem fragenden Explizieren der Person entsteht. (104f., 110) Die labile Person steht in diesem Zusammenhang vor der Aufgabe, sich zwischen „personaler Regression“ wie im „affektiven Betroffensein“ und „personaler Emanzipation“ in kritischer Distanz zur Betroffenheit zurechtzufinden. (106ff.) Damit einher geht auch die immer fortwährende Bildung der „persönlichen Eigenwelt“, die sich aus den Bedeutungen ergibt, welche für die Person durch die unmittelbare Betroffenheit subjektiv sind, während die „persönliche Fremdwelt“ alle Bedeutungen umfasst, die durch Abstandnahme in der personalen Emanzipation objektiviert sind. (Ebd.)

Schmitz greift bei der Darstellung seiner Thesen auf sein umfassendes Werk zurück, um in aller Kürze und mit teilweise auffälligen Wiederholungen – bedingt durch seine Erblindung (10) – im Stil eines Vortragenden der Thematik der Selbstwerdung gerecht zu werden. Zwar wirken seine Formulierungen an einigen Stellen gedrängt und verlangen nach mehr Ausführlichkeit, jedoch sind seine Überlegungen bereits detaillierter in seinem opus magnum, dem „System der Philosophie“, angelegt und in zahlreichen Büchern weiterentwickelt. Schmitz spürt dem, was andere Philosophen wie selbstverständlich voraussetzen – dass sich der Mensch „immer schon“ in einer Welt vorfindet – akribisch nach, indem er auch den Zugang zur Welt auf der Basis strenger, phänomenologischer Begriffe beleuchtet.

Dabei scheinen seine Überlegungen in die Nähe eines Idealismus zu rücken, wenn er die Zeit stets an die Leiblichkeit knüpft und auch die Entstehung der Welt an eine explizierende Person gebunden ist. Betroffenheit wie auch die Explikation der Person sind fundamentale Bestandteile der Weltentstehung im obigen Sinne, weshalb „Selbstwerdung“ auch immer Weltwerdung mit meint. Es wäre jedoch voreilig, Schmitz´ Weltbegriff als eine Form des traditionellen Idealismus zu deuten, von dem er sich nämlich explizit abgrenzen möchte. Den „naiven Idealismus“, der den Geist des Menschen in der Rolle des „Weltbaumeisters“ übertrieben haben soll, will Schmitz mit seiner Konzeption gerade überwinden. (108) Schmitz schreibt dem Menschen keine Schöpferqualitäten zu,[1] gesteht aber ein, dass die Person durch „eigene Zusätze“ wie im bereits erwähnten Uhrengebrauch die Welt „vervollständigen“ oder zu ergänzen versucht. (108) Daneben muss auch klar sein, dass bei der Explikation der Person keine Welt aus dem Nichts konstruiert wird, denn die explizierte Bedeutsamkeit ist immer primär[2] und liegt bereits „chaotisch mannigfaltig“ vor, ist aber ohne die Leistung der Person noch nicht vereinzelt, weshalb sich Schmitz´ Konzeption auch gegen ein konstruktivistisches Weltverständnis richtet. Dass etwas existiert, ist damit nicht vollständig an die Explikationsleistung der Person gebunden.

Dass die Person aus der Weltwerdung nicht wegzudenken ist, kann sich auch auf das Philosophieverständnis des Autors zurückführen lassen. Philosophie definiert dieser von Beginn seines Schaffens an als „Sichbesinnen des Menschen auf sein Sichfinden in seiner Umgebung“.[3] Einen objektiven oder distanzierten „Blick von Nirgendwo“, wie Schmitz mit Rückgriff auf Thomas Nagel formuliert (20f.), der gänzlich unabhängig von einer Person besteht, sucht man bei diesem „Sichfinden“ des Menschen vergeblich, denn affektives Betroffenensein des Leibes oder fragendes Explizieren in einer bestimmten Situation sind unhintergehbare Bestandteile des menschlichen Lebens. Schmitz fundamentaler phänomenologischer Anspruch, diese Facetten der Lebenserfahrung herauszustellen, spiegeln sich gerade in seinem Weltverständnis wider, dass sich auch deshalb unvereinbar mit dem Naturalismus von diesem unterscheidt.

Seine Konzeption ist aber auch kaum mit dem Weltverständnis des „Neuen Realismus“ vereinbar wie ihn Markus Gabriel prominent zu begründen versucht und der sich damit ebenfalls gegen die Vorherrschaft des Naturalismus behaupten will.[4] Schmitz´ Buch „Gibt es die Welt?“[5] kann zumindest dem Titel nach als unausgesprochene Antwort auf Gabriels zuvor erschienenes Werk „Warum es die Welt nicht gibt“ gelten, aber auch anderweitig stellte er immer wieder Bezüge her. (51f.)[6] Gabriel richtet sich gegen die These, dass es eine Welt als absolute Totalität geben könnte, weil man stets unfähig ist, diese vollständig zu beschreiben.[7] Stattdessen will er im Rahmen seiner „Sinnfeldontologie“ zeigen, dass Gegenstände in unzähligen „Sinnfeldern“ vorkommen und das die Rede von Existenz bedeutet, dass etwas in einem solchen „Sinnfeld“ „erscheint“.[8] Im Vergleich zu diesem Ansatz bekämpft auch Schmitz einen Weltbegriff, der traditionell als einheitliche und absolute Totalität postuliert wird, verwendet dabei aber grundsätzlich andere Mittel. Dass es primär Gegenstände sein sollen, welche ein Sinnfeld ausfüllen, muss für Schmitz aufgrund seines phänomenologischen Anspruchs befremdlich wirken. Denn er will primär gerade nicht von bloßen Gegenständen ausgehen, sondern von ganzheitlichen Situationen, aus denen erst sekundär einzelne Bedeutsamkeit und nicht vordergründig Gegenstände individuiert werden. Daher müsste für ihn auch anstatt vom „Erscheinen“ von der „Explikation“ die Rede sein, die eng an die Leistung der Person und der Selbstwerdung gebunden ist, aber in Gabriels Überlegungen kaum eine Rolle spielen. Während dieser in seiner Ontologie den Weltbegriff verabschieden will und deshalb auch das „Zur-Welt-Kommen“ des Menschen nicht im Blick hat, versucht Schmitz´ das traditionelle Weltverständnis durch ein neues zu ersetzen. Bei allen Unterschieden zwischen den Autoren verfolgen aber beide immerhin eine gemeinsame Absicht: Denn neben der Kritik am Naturalismus richtet sich Gabriels philosophisches Vorhaben auch gegen einen radikalen Konstruktivismus[9], weshalb eine Verständigung zwischen den Autoren nicht von vorneherein auszuschließen, sondern vielmehr ertragreich sein kann.

Schmitz versucht in seinen Beiträgen zur „Geschichte der Selbstwerdung“ und der damit einhergehenden Weltentstehung, sowohl den Realismus als auch den Idealismus hinter sich zu lassen. Weder die Person noch die Welt sind einfach statisch vorhanden, wenn die erstere immer wieder durch spürbare Erfahrungen auf sich aufmerksam wird, um letztere erst durch Sprache für sich und andere ersichtlich zu machen. Unter Berücksichtigung der Lebenserfahrung vermag Schmitz es so, stufenartig die Geschichte der Selbstwerdung und damit auch die Grundlagen der Person aufzuzeigen.


[1] Hermann Schmitz, Wozu philosophieren? (Freiburg/München: Karl Alber, 2018), 94.

[2] Hermann Schmitz, Adolf Hitler in der Geschichte (Bonn: Bouvier, 1999), 27.

[3] Hermann Schmitz, System der Philosophie Bd. 1: Die Gegenwart (Bonn: Bouvier 2005 [1964]), 14.

[4] Vgl. Markus Gabriel, Sinn und Existenz (Berlin: Suhrkamp 2016), 89-94.

[5] Für den Bezug zu Gabriel vgl. Hermann Schmitz, Gibt es die Welt? (Freiburg/ München: Karl Alber 2014), 21, 26.

[6] Vgl. zum Beispiel Hermann Schmitz, Ausgrabungen zum wirklichen Leben (Freiburg/München: Karl Alber 2016), 245.

[7] Eine Möglichkeit, dies zu beweisen, entwickelt Gabriel mit dem „Listenargument“. Vgl. Gabriel, Sinn und Existenz, 45ff.

[8] Vgl. z.B. Gabriel, Sinn und Existenz, 163f., 173f., 183f.,191f., 193f.

[9] Vgl. Gabriel, Sinn und Existenz, S. 34f., 174f.

Phenomenology in France: A Reply to Claudio Tarditi

Phenomenology in France: A Philosophical and Theological Introduction Book Cover Phenomenology in France: A Philosophical and Theological Introduction
Steven DeLay
Routledge
2019
Paperback £19.99
254

Author: Steven DeLay (Old Member, Christ Church, University of Oxford)

I have no real objections to Claudio Tarditi’s very thorough and judicious review of Phenomenology in France: A Philosophical and Theological Introduction (hereafter “PF”). I offer the ensuing remarks I do, then, in the same sympathetic spirit in which he has offered his, not so much with the intention to initiate a debate, but instead simply to reflect upon and thereby explore some of what his review gives to think. Rather than pursuing minutia over which we might disagree, the goal, thus, as I see it, is to try to break some new ground by thinking together. I hope that in aiming to adopt this approach, he and other readers will find the following reply constructive rather than tedious.

At the beginning of his review, Tarditi explains that PF “scrutinizes the relation between phenomenology and theology in a series of important French phenomenologists,” a task, he notes, which in directing its attention to the set of texts and figures it does will for Anglophone readers conjure the terminology of a “theological turn”; that phrase, as Tarditi reminds us, has become a catch-all description for what with Dominique Janicaud in the 1990s originated as a pejorative label to “denounce an improper use of the phenomenological method” in thinkers as Emmanuel Levinas, Jean-Luc Marion, Michel Henry, Paul Ricœur, and Jean-Louis Chrétien. As Tarditi says, when the work is placed in that familiar hermeneutic perspective, PF can thus be seen as contributing to that ongoing debate, “[aiming] at providing new arguments in favor of a serious confrontation between phenomenology and theology as a strictly philosophical issue.” Without doubt this is true. One of the text’s main goals in introducing these French thinkers to an audience for whom they may still be unknown is to underscore the important role that the question concerning the relationship between philosophy and theology occupies in their thought. After all, each of the main thinkers addressed (Claude Romano excepted) sees the relationship between philosophy and theology as a matter of basic concern. There are two important observations worth emphasizing, however.

First, it would be an oversimplification to reduce these figures and their texts to an exclusively theological frame of reference. For, as Tarditi himself notes correctly, the exegetical work in PF is “an effort to do justice to the high complexity of a theoretical movement that we are used to calling ‘French phenomenology’ although it includes a number of different approaches to phenomenology, often in open opposition to Husserl’s one.” It is misguided, then, to see French phenomenology as just an apologetics. That impression, however prevalent it may be, is nevertheless ungrounded, and the sooner we leave it behind the better. At the same time, that is not to deny these texts open a philosophical terrain that can be used as a basecamp for apologetical aims—they certainly do, which in my view is something to be counted to their credit. In any case, as Tarditi says, the French texts at issue form a very complex and rich tapestry, meaning it would be a mistake to think they can be understood fully on theological terms alone. To see that complexity means abandoning the myth that the so-called nouvelle phénoménologie can be understood through a strictly theological lens.

This first point leads to a second, itself an observation of caution. It is worth underscoring that the very term “French” can potentially be a misleading adjective here. While the tradition in question is French insofar as it comprises thinkers living and working in France, its problems are not peculiar only to that context. As Tarditi notes at the outset of his essay insightfully, phenomenology was incorporated into a French philosophical scene that in the early twentieth-century was already infused with many varying and rich philosophical currents—following Husserl’s 1929 Paris lectures, “Husserl’s philosophy is reinterpreted in the light of (or in line with) other traditions and perspectives already existing in France, such as spiritualism, cartesianism, the Hegel-renaissance, etc.” As for today, it continues to take up matters inherited from Husserl and Heidegger in Germany, and, before that, other philosophical movements including German Idealism, Neo-Kantianism, and hermeneutics. Hence, the work of these French figures lies squarely within the philosophical mainstream. There is nothing provincial about it.

This is further evident should one consider its standing with regard to analytic philosophy. Here, too, the work being done in France offers much from which those in the philosophy of mind, philosophy of language, philosophy of art, ethics, and metaphysics may learn. To cite just one example of obvious but unexpected overlap, take Kit Fine’s and Timothy Williamson’s work in modal logic and metaphysics. Fine and Williamson are known for articulating a very robust role for philosophical inquiry. Against the linguistic turn and other deflationary currents in philosophy, they contend there are truths that are not only a matter of language or empirical science. Therefore, philosophy in some sense investigates things, not words; it investigates how things are, not just how we speak about them, and, in conducting its investigations, it accordingly does what other inquiries do not. As for the present French phenomenological context, someone as Claude Romano’s own criticism of linguistic idealism springs immediately to mind as saying essentially the same. And it’s not at all surprising that Romano has developed insights regarding the relationship among mind, language, and world that are beginning to circulate in the analytic tradition. Romano’s own view has a venerable history behind it in phenomenology, since phenomenology is a tradition that has since its beginning occupied itself with ideality, objectivity, logic, semantics, and truth as such. As is well known, Husserl himself was a mathematician who knew Frege and Cantor. Thus, in a way, the issues Romano is exploring (and others as Jean-Yves Lacoste in Thèses sur le vrai) on language, perception, and ideality trace to matters that had united Husserl himself with early analytic philosophers as Bertrand Russell. To expand on the point some, one might further characterize phenomenology’s meta-philosophical innovation by highlighting how, in questioning deflationary visions of philosophy’s role, it extends the domain of necessity and truth beyond the formal, conceptual, or linguistic and into the experiential—the synthetic a priori is more robust than we had thought, it says. All this is philosophical material with which those working in the analytic tradition can immediately recognize, and something many of them may even find congenial. And even more still, in the case of the French figures who have said the most about theological matters (Marion, Henry, Chrétien, Lacoste, and Falque), they too have contributed extensively to similar fundamental matters of philosophical import: art, language, embodiment, perception, intersubjectivity included. In fact, the work in French phenomenology is not only addressing matters that are now associated with twentieth-century analytic philosophy, it is conscientious of the entire history of philosophy, as evidenced in its sophisticated and creative readings of Plato, Aristotle, Aquinas, Descartes, Kant, Kierkegaard, Nietzsche, Freud, and others.

Contemporary French phenomenology, hence, is of general philosophical interest. It is so, however, not due just to its dealing with mainstream problems, as well as philosophy’s canonical texts and major traditions. It is philosophical precisely to the extent that it takes up the problem of reason—or so at least I shall suggest. In what follows, I should like to locate the philosophical dimension of this work being done in light of the problem of reason. Doing so, we might begin with a question hanging over the Husserl and Heidegger feud. What is phenomenology to be? Why has there always been disagreement over what phenomenology is? Now part of that dispute, it seems to me, turns on one over the status of reason. What are reason’s authority and limits? What may we hope from it? What is it able to achieve? What is its role in human life? Some, as Husserl, took a very exalted view of it, holding that individual consciousness (and humanity) is teleologically oriented to transhistorical truth; others have taken a more postmodern approach, viewing this sort of robust rationalism as itself cause for incredulity. If one of philosophy’s aims is to make rational sense of the human condition, then after the World Wars many in Europe were convinced that life is absurd. Why then, so some thought, bother with philosophy which is running a fool’s errand, looking for sense where no sense is to be made? It is within this bleak context—immediately before the Second War—that one finds Husserl in the Crisis struggling to convey his vision of a philosophy capable of responding to what he himself characterizes as a crisis of reason, or meaning. Heidegger later does something similar when criticizing the pernicious aspects of modern technology’s Gestell. And Michel Henry (as Tarditi observes later in his review) follows suit when his “phenomenology of life” objects to what Henry terms the nihilism of contemporary mass society. It is from within this shared phenomenological perspective that even the theological concerns of some of those working in today’s French context make eminent philosophical sense. Such work is the continuation of the earliest of phenomenological attempts by Husserl and Heidegger to address perennial questions of concern: Who am I? Is humanity rational? What is the meaning of life? Does history have a purpose?

It should be noted that, by trying to answer questions as these, the question of God inevitably arises. Thus, when I ask rhetorically in PF whether future work in phenomenology can hope to shed light on the questions of meaning and reason by proceeding independently from faith, the question was deliberately provocative, but not without its reasons. In broaching the question of meaning in response to postmodernity’s crisis of reason, we are led to consider the matter of faith: in what may we have faith, in what may we hope and trust? To the extent that the question of phenomenology’s method and matter is entwined with the role of reason, it cannot escape the question of faith. The problem of reason is entwined with meaning, which itself is entwined with basic questions as man’s ultimate destiny and his relation (or not) to God. Consequently, while it is understandable that many have seen the dispute between Janicaud and his French colleagues as primarily revolving around the methodological issue of phenomenology vis-à-vis theology, that is not the entire story. A closer look suggests perhaps another aspect to the familiar dispute, one centering on the horizons of intentionality and thus in turn the very possibility of meaning (Sinn) and the scope and nature of reason.

It is this focus on intentionality that seems to me to also guide Tarditi’s review, as he situates his discussion of each thinker in terms of their own respective relation to the problem. I think that is a productive and promising unifying approach to take. The debate over the “theological turn,” in fact, one might observe, is itself an exemplary case of this more general debate concerning the origins and conditions of meaning—what makes intentionality possible, and what, if anything, can be given beyond what intentionality itself gives?

To provide a bit of historical context to the current French debate, it is worth noting that there is, for example, an intriguing way of interpreting Husserl and the early Heidegger as both being engaged in a quasi-Kantian project of what one might call a transcendental critique of meaning. On this way of viewing the matter, Husserl and Heidegger are wary of traditional metaphysical attempts to totalize reality into some system—think of Leibniz’s monadology, for instance—because the sorts of philosophical claims that such metaphysical systems make must be assessed in terms of first-person evidence, but their claims are not amendable to intuitive evidence. This emphasis on first-person justification is recognizably cartesian—things must be given clearly and distinctly, or else they lack any legitimate basis to be treated as claims to philosophical truth. But there is a kind of radical empiricist strand to this phenomenology, since this cartesian proviso for evidence is interpreted in terms of a confirmation that is to be intuitive, not merely speculative or formal. Turning to the French context, we may observe that, for his own part, Janicaud took things even a step further, settling on a view that seems to contend for what is in some ways a deeply positivistic view of phenomenological method; for him, a phenomenological statement has genuine sense only to the extent that its conditions of verification can be given in what he takes to be intuitive insight. Thus, for him, the domain best exhibiting the kind of phenomenological essence he prizes is restricted to sensory perception and categorial intuition. Janicaud sees the visible, and he is dubious of anything else.

Tarditi brings this out excellently when analyzing the controversy surrounding Levinas’s response to Husserl and Heidegger. As he notes, a rejection of the invisible is why Janicaud is so critical of Levinas. The phenomenon of the invisible can be juxtaposed with intentionality. In Totality and Infinity, Levinas argues that the bounds of meaning—what can be experienced both first-personally and intelligibly—are not determined by the horizons of intentionality as understood by Husserl. Perhaps the key takeaway about “the face” is that it institutes a “counter-intentionality.” Levinas in effect argues that what makes a meaningful encounter with entities as entities possible is not due to the capacities of the subject qua transcendental ego; rather, it is the I that finds itself constituted in the encounter with the other. Levinas has reversed things, locating the origin of meaning as lying outside the subject, and thus beyond the horizons of intentionality. For Janicaud, however, the very notion of a “counter-intentionality” is tantamount to a nonsense. In reputing to discover a domain of meaning lying beyond what is intentionally constituted, Levinas has signaled a nonsense, says Janicaud, for, in violating what is said to lie within the limits of intentionality and the norm of intuitive evidence, the face thereby violates the very terms of what makes sense meaningful. Intentionality for Janicaud is the bedrock explaining how we experience entities, and it cannot be violated without whatever is said to be given deteriorating into speculative (and hence unconfirmable) nonsense. His is thus a very Kantian position, one that insists on the claim that certain conditions determine what can be encountered. Anything said to violate such conditions will not appear.

It is this Kantian commitment to intentionality that Marion challenges by widening the scope of Levinas’s original contention about the face. According to Marion, transcendental phenomenology only is able to reveal a partial area of the phenomenal field. What it identifies as the field of meaningful entities opened in the horizons of intentionality does not delimit the borders of what can be given. Rather, it only accentuates one specific domain of the given—what Marion in Reduction and Givenness calls the object (l’objet) or the entity (l’étant). As for the phenomena that do appear despite having violated the conditions of ordinary intentionality, Marion terms them “saturated phenomena”: the event, the icon, the idol, and the flesh. His phenomenological texts as Reduction and Givenness and Being Given are thus to be understood within the philosophical context of the question of appearing—they are attempts at explicating the limits of intentionality, and what appears beyond them. As Tarditi rightly emphasizes, Marion aims to show how the given exceeds what can be constituted by a transcendental ego (Husserl) or disclosed by Dasein (Heidegger). Accordingly, Tarditi again rightly stresses how, in reply to Janicaud, Marion would contend that Janicaud has not defended the philosophical integrity of phenomenology by confining phenomenality to the limits of meaning coextensive with intentionality; rather, such an approach neglects phenomena that are so meaningful they remain unaccounted for from within a transcendental framework that arbitrarily limits everything to the intentional object. Here, it is worth adding a related comment on how Michel Henry’s so-called “inversion of phenomenology” reworks the traditional Husserlian problem of intentionality. As it happens, Henry maybe is the one most directly at odds with Janicaud. For Henry, there are two modes of phenomenality, what he calls the “truth of the world”—exteriority, transcendence, visibility, and intentionality. This is the way entities are manifest—at a distance as objects of intentional consciousness. What, though, are we to say about this consciousness itself of such entities? How does it appear? Henry’s innovation is to show that such self-consciousness exhibits an entirely different kind of phenomenality. Consciousness—Henry calls it “life”— manifests itself differently than that which is given to intentionality. Life, as he says, is a primal auto-affection, a transcendental pathos: “The affect is, first of all, not a specific affect; instead, it is life itself in its phenomenological substance, which is irreducible to the world. It is the auto-affection, the self-impression, the primordial suffering of life driven back to itself, crushed up against itself, and overwhelmed by its own weight. Life does not affect itself in the way that the world affects it. It is not an affection at a distance, isolated, and separate, something one can escape, for example, by moving away or by turning the regard away. The affect is life affecting itself by this endogenous, internal, and constant affection, which one cannot escape in any way.”[1] It is this mode of immanence that Marion for his own part will identify, following Henry, as the flesh. And according to Henry, the closest that the phenomenological tradition came to uncovering the true form of self-manifestation—the flesh—was in Husserl’s analyses of inner-time consciousness. But even here, Henry claims in works such as Incarnation or Material Phenomenology that the manifestation in question was characterized in terms of intentional transcendence. Hence, Husserl’s account of retention and protention fails to account for how the “living present” is even conscious in the first place. As Henry says, “The givenness of the impression, whose essence is the pure fact of being impressed as such, is stripped of its role in givenness in favor of an originary consciousness of the now. That is to say, in favor of what gives the now itself, which is perception in the Husserlian sense of what is given in its own being and ‘in flesh and bone.’ Thereafter, the essence of the impression is cast outside of being and into an irreality in which what gives it reality and an ontological weight has faded.”[2]

How to summarize? The debate over the horizons of intentionality overlaps with the debate over phenomenology’s handling of the relationship between theology and philosophy. From a Levinasian perspective, Janicaud’s view of intuitive givenness presupposes a commitment to intentionality failing to accommodate that which appears in a “counter-intentionality.” Tarditi summarizes the Levinasian position as so: “Rather than being merely based on intentionality, human subjectivity is constituted by the invisible appeal of the other that, appearing from beyond consciousness, commands us ‘thou shall not commit murder.’” “It is,” as he continues, “precisely for this reason that Levinas refuses both Husserl’s and Heidegger’s account of phenomenology: what is really at stake for phenomenology is not intentionality or Being, but our ethical responsibility to others.” According to Marion, who in this respect radicalizes Levinas, Janicaud thereby fails to free the phenomena so that everything that appears is taken as it appears—what cannot appear within the horizons of intentionality is prematurely discarded as inapparent. Thus, as Tarditi highlights, for Marion the task is to come to see that “objects do not complete the whole horizon of givenness, rather, they represent a little part of all the phenomena one may experience.” There is, says Tarditi, “a wide range of phenomena whose main trait is to manifest themselves as totally unpredictable events.” Artificially confining all appearing to what Marion terms “common” or “poor” phenomena, Janicaud’s positivism therefore neglects the phenomenality of the saturated phenomena. Thus, although Levinas’s face, Marion’s saturated phenomenon, and Henry’s life all have theological implications, they arise in the first place as philosophical responses to the longstanding phenomenological problem of intentionality.

It is important to appreciate how the problem of intentionality provides the backdrop against which the dispute over the theological turn unfolds. For it leads to a reassessment of the original dispute between Husserl and Heidegger. Henceforth, we can see that dichotomy in a new light precisely insofar as we now see that it amounts to a false dichotomy. As Tarditi notes early on in his review, trying to make sense of the debate between Husserl and Heidegger means that “a dilemma seems to arise regarding the very nature of phenomenology: is it about a description of intentional acts of a transcendental subject, or an ontological interpretation of Dasein in view of an interpretation of Being huberhaupt?” However, by taking stock of Levinas, Henry, and Marion, it is possible to see the dispute between Husserl and Heidegger as one wholly internal to transcendental phenomenology—the disagreement between the two takes place within a shared commitment that sees intentionality as the ultimate horizon for meaning. Thus, I would suggest that approaches to phenomenology highlighting only Husserl and Heidegger have a tendency to be misleading simply to the extent that they omit the important contributions of Levinas, Marion, Henry, and others, who have already gone on to question transcendental phenomenology’s restriction of meaning to what lies within the horizons of intentionality. The story of Husserl to Heidegger, while important and interesting, is incomplete.

However, this is not to say that none of the developments after classical phenomenology are above criticism. While Janicaud may have been wrong to criticize Levinas on the specific grounds that he did (“counter-intentionality” is not the oxymoron Janicaud thought it was), there remains something to the idea that Levinas’s position is somehow unstable. I would not be the first to observe that there is an ambiguity—or maybe even ambivalence—in Levinas’s thought regarding the theological. Merold Westphal and Jeffrey Bloechl, among others, have noted so too. Once again, it seems to me that the phenomenon of intentionality provides the lens through which we can see the problem clearly. How is the face to be understood? Sometimes Levinas will speak of it as though it is an actual empirical face—a concrete other present experientially before us in the flesh. At other times, however, he will say otherwise, emphasizing instead that it is more akin to a transcendental enabling condition not at all to be confused with an empirical other. I would note that, however one chooses to negotiate this tension, there can be no mistaking that he saw his work as a radicalization, but not for that a total disavowal, of Husserl’s and Heidegger’s thought. Here again, the issue seems to return to intentionality and the status of meaning. Levinas can be seen as continuing a line of thought he inherits from them—how is experience of entities as entities possible? At the same time, he broaches that question while challenging the idea that meaning originates in intentionality. For Levinas, it is a “counter-intentionality” ultimately responsible for making meaning possible. It is only insofar as I have experienced myself as addressed in the second-person, as a “you” for the other, that the transition from an environment (Umwelt) to a world (Welt) occurs. Thus, “ethics is first philosophy” because ethics so understood—as an experience of oneself as addressee in the second-person mode of encounter with the other—determines the context in which an intentional relation with entities becomes possible. What Levinas is attempting to describe, in short, is what explains the difference between the experience of a small child, the mentally-handicapped, or the senile, all on the one hand, and a competent rational human being suitably attuned to his surroundings as a normatively-governed space of meaning and reasons. This is one way of interpreting the “face of the other” as continuous with Husserl’s and Heidegger’s own interest in meaning.

What, however, about the “trace of God”? It will be noted that many have claimed Levinas himself was an atheist. As to the question of theology’s role in his thought and that thought’s theological implications, there can be no doubting that very likely his use of theologically-laden terminology is only a heuristic. Or better, he sometimes uses such terminology in a way that evacuates it of its ordinary content in the hopes of explicating what he takes to be some more fundamental structure of experience. This is a strategy that Heidegger also frequently deploys throughout the 1920s when appropriating notions such as finitude, fallenness, death, guilt, conscience, and authenticity for the existential analytic. For Levinas (unlike someone like Kierkegaard), God in no way appears in or through the human other. The face is not a theophany. Nor for that matter does Levinas see a need to “triangulate” human intersubjectivity: whereas for Kierkegaard one’s relation to the other must always be seen as mediated by one’s relation to God, for Levinas our being-with-others is humanistic. Thus, when I state at the end of the Levinas chapter that in the face of the other the eyes of faith see the face of Christ, I don’t mean to be taken as attributing such a view to Levinas himself. That is not what he believed! But Levinas could be wrong, and to note that he could be wrong is simply to observe that, having taken his analysis of intersubjectivity to the extremes he did, it makes sense that someone like Marion would come along later and see an opportunity to take that account of the face in a direction Levinas himself never took it.

This discussion of Levinas returns us to Janicaud’s original objection: is not to broach the phenomenon of God to transgress the bounds of acceptable phenomenological method? We may now say far from it! We have seen that this objection appeared plausible only to the extent one adopts the perspective of transcendental phenomenology. However, there is reason to question that framework insofar as it reduces appearing to the conditions determined by ordinary intentionality. Hence, in identifying the limits to the horizon of intentionality, we surpass the transcendental approach, undercutting in turn its presupposition that phenomenological method blocks God’s entering into the phenomenal field. There is justification for a rejection of the transcendental approach in the phenomena as we encounter them. I think, for instance, there is something very perceptive in Marion’s response to Jocelyn Benoist regarding the issue of givenness. Marion in effect notes that while one’s saying that one has seen is not sufficient to prove one has seen, neither is one’s saying not to see sufficient proof that there is nothing given to be seen.

Here, of course, one of the most pressing questions of givenness regards the potential givenness of God. That Benoist’s atheism is in many contexts taken as the norm has much to do with the fact that many working today take it for granted that methodological atheism has already prevailed a long time ago—due mainly to arguments we owe to Sartre or Heidegger. Those arguments, however, it seems to me fail. I mention just two for now, both of which are thought to originate in Husserl actually. Take the first argument one might try extracting from Husserl’s early period, the locus classicus of which is probably §58 of Ideas I. Admittedly, Husserl says there that the transcendence of God should be bracketed. What does the term transcendence mean here, though? It is premature to assume that by saying so he is endorsing a methodological atheism, as if the epoché and reduction mean transcendental phenomenology henceforth must have nothing to do with God. When his work is appreciated as a whole, we know as a matter of fact that this could not be what he meant: in his manuscripts he develops a very sophisticated and extensive account of the relation of God to transcendental phenomenology. Nevertheless, one might try reformulating the original argument. Can the contention that Ideas I endorses a methodological atheism perhaps be rehabilitated by invoking the text’s distinction between the natural and phenomenological attitudes? Whereas in the natural attitude one posits a thing’s existence, in the phenomenological attitude one brackets any such commitment to existence—hence, so the argument concludes, the existence of God must be neutralized along with other entities.

The distinction between the natural and phenomenological attitudes is not as fixed as Husserl himself makes it out to be. And for two reasons. On the one hand, some things in quotidian experience show up in a way that involves no commitment to their existence—even while still in the natural attitude, well before the epoché or reduction, the thing’s existence is irrelevant to the experience. As an example, consider certain kinds of aesthetic experience. The painting or the symphony are the examples Lacoste analyzes in The Appearing of God. When listening to Bach, as he notes, I am not concerned with the fact that I am listening to Bach, but simply with what I hear. Listening to Bach in ordinary experience seems, then, to be more akin to what Husserl would classify as the phenomenological attitude than the natural one—I am entirely immersed in the essence of what appears, and not the fact of its appearing, much less that it exists. In short, in such cases an incipient reduction is already at work in everyday perceiving. On the other hand, it also is not so obvious that everything without exception can be bracketed without thereby distorting its appearance. The other person comes to mind, says Lacoste: if I suspend the natural commitment to the other’s very existence and try to describe his mode of appearing, have I not distorted precisely what I am trying to describe? Reducing the phenomenon destroys it. And, second, one might observe the same of God: bracketing God’s existence while trying to describe whatever remains after such a reduction does not give access to what appears (or its mode of phenomenality), but obscures it. Accordingly, there are what Lacoste calls “irreducible phenomena.” An appreciation of them provides another reason for concluding that separating the natural and phenomenological attitudes is not so easy—as he says, such a distinction probably is untenable. Hence, what is needed is a “demythologization of the reduction,” a phenomenology that no longer sees (as Eugene Fink) a radical rupture between the everyday and phenomenological attitudes. If so, then there’s no solid Husserlian basis for bracketing God.

Phenomenology, I have suggested, concerns itself with meaning and with reason. To do so, it responds to the problem of intentionality. We have seen that by radicalizing the problem of intentionality to incorporate “counter-intentionality” (Levinas), “saturated intentionality” (Marion), or even “non-intentionality” (Henry), phenomenology subverts facile divisions between theology and philosophy. But it does more than that. Such an approach broadens the given, draws attention to phenomena we would have either overlooked or distorted, and, in doing so, sheds light on aspects of the historical postmodern moment of crisis that would otherwise have remained undetected. It is with aims as these in mind that Henry develops his phenomenology of life, which always stressed that the nihilism of our present age is to be explained by the negation of subjectivity. In short, classical or transcendental phenomenology’s preoccupation with intentionality is itself the manifestation of an underlying malaise in thought—and in turn life. Summarizing Henry’s position, Tarditi says, “Without the pathos of life revealing itself in the flesh, nothing can be seen. It is precisely throughout this priority of pathos of life over intentionality that Henry undoubtedly develops his account of the interaction between phenomenology and theology.” Any philosophy (or culture) that forgets the fact that life gives everything will end in death, in a felt lack of meaning. Hence, says Tarditi, “the motives of [our culture’s] malaise are to be found in the historical process—from the birth of modern science—when the description of subjectivity has been gradually reduced into a description of a world made of objects.” I should like to note that while Tarditi is correct that this is Henry’s own position, one might question Henry himself. Is it really so that the negation of subjectivity Henry identifies is to be taken as a historical process? Did it originate with the emergence of the modern natural sciences as represented by Galileo? To the contrary, one might think that modern Technopoly’s scientism has certainly exacerbated or accelerated the negation of life, but it seems more plausible that this is an ontological slippage, something occurring at all times and places, simply insofar as it is a potentiality rooted in individuals strictly in virtue of their being alive. In other words, it could be argued that Henry’s metanarrative of a crisis of meaning (which in many ways follows Husserl’s own Crisis) gets in the way of the experiential facts themselves. There are places in Henry’s own work, such as Barbarism, where he seems to recognize it, noting as he does that the choice to flee life into an illusion is itself an impulse within life itself. This isn’t the place to attempt to reconcile this apparent tension in Henry’s thought; we merely note it. Or more exactly, the relevant point is to note, as Tarditi himself does, that what Henry does for phenomenology is related directly to what Levinas and Marion did too: “In line with both Levinas’ description of the ‘face’ and Henry’s meditation on life, Marion’s phenomenology of givenness accomplishes that inversion of phenomenology so wished by Henry.”

The reader will have noticed that we have said only a very little of Lacoste, and nothing yet of either Emmanuel Falque or Chrétien. That is partly because it is more difficult to locate their contributions to phenomenology in terms of the problem of intentionality. To be sure, Chrétien’s thought, which dwells on the relation between the call and response, ultimately prioritizes the excess of things, a fact which places his position in proximity to Marion’s notion of the saturated phenomenon. But unlike Marion who tries to reach whatever theological territory he does by painstakingly thinking through the nature of intentionality, Chrétien’s works often begin without any such methodological fastidiousness. If, as Tarditi says, the goal for Chrétien is to provide “An original description of the relation between man and God,” Chrétien never sees it necessary to work through the extensive methodological warm-ups Marion does. It could be simply because Chrétien sees the human condition as always already exposed to the claim of God, whether it be through the beauty of creation that points to God as Creator or to the beauty and power of speech (parole) which itself points to its origin in the Word. Following Fénelon, Chrétien in The Ark of Speech says characteristically, “It is only because God has encountered us, has come to meet us, that we can turn away from him, or try to turn away from him, and forget him.”[3] God has always already spoken. Here, it would be a mistake to underestimate the economy of desire. For Chrétien, desire is infinite in that it desires to desire, which is to say, it desires God. God, who is love, has made us so that we desire him. Our passage through time is an odyssey, an attempt to find a future in eternity that will satisfy the very immemorial desire responsible for having launched it. And as Tarditi says, it is something like this immemorial, inexhaustible desire that also guides the thinking of Lacoste. Lacoste’s image of kenotic existence—of “liturgical man”—is an account that places the desire for God at the center of things. Here again, the experience of desire and time are unthinkable apart from God and eternity. “It is precisely in this desire for something beyond the limits of time, and thus of death,” says Tarditi, “that man experiences the presence of God […] Accordingly, entering such a space, we discover ourselves as pilgrims directed to an eschaton beyond the time of the world.” If Chrétien and Lacoste aim to account for our experience of being-in-the-world insofar as it propelled on by the desire for God, it is impossible to avoid the language of a transformation or change in the fundamental tenor of that experience. That brings us to Falque, who probably more than anyone has attempted to account for that metamorphosis. How does the experience of finitude—suffering, anxiety, and death—change through the event of Jesus Christ? How does it transform time, transfigure our suffering, assuage our anxiety, and allow us to see the time of the world as no longer blocked by death absolutely? These are Falque’s questions. Attempting to answer them is to grapple with la question du sujet (in Ricœur’s sense). As such, it demands in turn a thinking that is at once theological and philosophical.

As Tarditi highlights, Falque’s phenomenology emphasizes how Christian existence can be joyful despite its sorrow; confident despite its confusion; hopeful despite its afflictions. Death is unavoidable, but it is not absolute—only the love of God is. In a way reminiscent of Kierkegaard’s knight of faith who takes on existence lightly but earnestly, Falque has in view what he calls a mode of being of childhood. At the end of The Guide to Gethsemane, he with approval quotes Hans Urs von Balthasar who himself quotes the words of Novalis: “‘To be childlike: That is the best of all. Nothing is more difficult than bearing one’s own weakness. God helps with everything.”[4] What does this transformation—or rebirth—of our being-in-the-world mean for thinking? For philosophy? For theology? It means thinking beyond such divisions or thresholds and thus concerning itself with going wherever thinking is taken by what calls it. Truly liberating phenomenology for what calls for thinking, in short, means thinking what needs to be thought without feeling the least bit constrained by any artificial methodological provisos. Phenomenological method must be an anti-method, because only an anti-method ensures the last word is given to what itself appears, not the limits we would impose on that appearing. What matters is getting things right, by finding the words for what has encountered us. Its, then, is an aspiration born of the inherently philosophical impulse to understand. A desire, that is to say, to be true to reason, to experience the power of intelligibility, even if that means allowing reason to take us beyond what we had formerly thought to be its limits, to experience what, as Romano has called it, a “big-hearted reason.” As Tarditi himself notes, such an approach centers on the phenomenality of the event. “According to Romano,” he says, “in order to grasp the phenomenological uniqueness of the event, one has to deal with a new paradigm of rationality based upon a non-objective experience in which we could be flooded by the event of an absolute manifestation (something recalling the Pauline figure of the parousia). As a consequence, the advenant, namely [he] who receives the event, is confronted with a non-objective experience, approachable only through interpretation.” Even, then, if things are always a matter of interpretation because we must decide what we take to have encountered us, what better test of ourselves and of what is in our heart? This disclosure of the heart is the event of meaning, whose trial determines what things will mean, given what sort of individual we are and aspire to be. By being encountered by something, we ourselves are revealed through what we take to have encountered us. Hence, in coming to terms with both what it is to exist and what it takes to subject that existence to rational reflection successfully, philosophy comes into its own. Does such an approach recommend ignoring the invisible or bracketing faith? Nothing could be any less obvious. By appropriating the problem of meaning in the individual life of the one who faces it, existence itself takes on the meaning it will come to have: either one of despair or hope, unbelief or faith.

When a life ends, not only will it have been completed in the time that leads to death, it is now assessible—it has entered the ideal, eternal realm of the judgeable. Whether he likes it or not, each of us presses onward towards that judgment. This lends existence its weight and urgency. Were it not so, it would not matter to us as it does that existence leaves room for choosing between thinking and living, and how we should think and live. We feel that we must navigate between their two competing claims, so as to bring them into some kind of harmony. And so, when we spend the time we do thinking phenomenologically, with a freedom whose rigor accomplishes itself in the form of an anti-method, this thinking freely means finally coming into one’s own. An individual before God, one experiences the splendor of all that is around us.[5]

References:

Chrétien, Jean-Louis. The Ark of Speech. Translated by Andrew Brown. London and New York: Routledge, 2004.

Falque, Emmanuel. The Guide to Gethsemane: Anxiety, Suffering, Death. Translated by George Hughes. New York: Fordham University Press, 2018.

Henry, Michel. Material Phenomenology. Translated by Scott Davidson. New York: Fordham University Press, 2008.


[1] Michel Henry, Material Phenomenology, trans. Scott Davidson (New York: Fordham University Press, 2008), 130.

[2] Michel Henry, Material Phenomenology, 25.

[3] Jean-Louis Chrétien, The Ark of Speech, trans. Andrew Brown (London and New York: Routledge, 2004), 55.

[4] Emmanuel Falque, The Guide to Gethsemane: Anxiety, Suffering, Death, trans. George Hughes (New York: Fordham University Press, 2018), 106.

[5] Elements of this reply appeared in an online interview in 3:16: Richard Marshall’s Philosophy Interviews after 3:AM. Richard Marshall, “Is Phenomenology in France Theology of Philosophy?”.

Adam Knowles: Heidegger’s Fascist Affinities: A Politics of Silence

Heidegger's Fascist Affinities: A Politics of Silence Book Cover Heidegger's Fascist Affinities: A Politics of Silence
Adam Knowles:
Stanford University Press
2019
Paperback $28.00
256

Reviewed by: Gabriel Popa (Independent Scholar)

One may approach Heidegger’s affinities with the National Socialism movement starting from the most evident/overtly expressions as in his rectoral address Self assertion of the German university and other so called political writings or discourses from 1933-1934, continuing with the now available Black Notebooks which offer some of Heidegger’s private insight regarding the intellectual foundation of his “spiritualized” Nazism (including the anti-Semitic dimension), and then start a thorough examination of Heidegger’s GA in order to find the proper philosophical justification for such abhorring political views. All of that has been done and will probably occupy or contaminate any future research even if it not conducted with a sole view on these specific topics. There are efforts trying to identify and to reconcile Heidegger’s more arid topics of being and historicity with his political views[i], while, on some part, Heidegger invites us to do so, by allowing and even imposing his ontology upon such things as the German state, soil, blood, Volk and its Führer.

The fact is that Heidegger tries not only to justify, but to ground National Socialism as the political-spiritual expression of his perpetual quest for authenticity, historicity, origin and other recurrent themes, within a world that blinds itself, forgetful of being. It is not clear what type of reflection would be able to clarify if Heidegger was a Nazi avant la lettre, or if he sought to take advantage of a position like the rector of Freiburg University in order to impose some of his views and try to reverse the German and the worldly spiritual decline. When he tries such a thing, he does it by an appeal which is always to be found within Heidegger’s seminars, namely an appeal to the root or the origin of Western thought, the Greek philosophy and its seminal connection with the German language and spirit.

What Adam Knowles does in his book, is to propose us a reflection about this rootedness of Heidegger’s affiliation with Nazi movement, which is to be found within the German-Greek exploitation of a phenomenon which does not allow a frontal confrontation if only because the object of research lies beneath and hides under any attempt at overtly expressing it, being it in writing, speaking, or artistic configurations.

The main constellations of terms and expressions configuring most themes within Heidegger’s Fascist Affinities are related to language (discourse or speech), rootedness and their counterparts, silence and uprootedness. There is a double play here between speech and silence exposed through the intervention of sigetics – a peculiar form of privation stemming from Aristotle and used here to suggest the absence of speech or the presence of absence of speech. When turning to Greek meaning of legein, Heidegger often relies on one of its originar meanings as gathering, while Knowles emphasizes this throughout his book in order to suggest that, progressively, Heidegger’s own use of language related expression come to determine more of an ontic placing of one’s attunement to being while, in opposition, the uprotedness brought by modern Machenshaft and Gestell (127) or even by the infamous “world Jewry” (7), is nothing but an attempt of a worldwide desewering making the ones caught in this turmoil a-topoi and a-logoi (147).

Against this background of an accelerated deterioration of an already fallen possibility of average language to express being, which is nonetheless a lack of a proper audience for him, Heidegger will employ a strategy of a disclosure which conceals what is most essential in order to preserve a space of authenticity which is not to be betrayed by complete silence (25). An entire “hermeneutics of reticence” (26) is thus deployed, underlying both public appearances and periods of complete silence, which is but “the core of Heidegger’s life, teaching, politics, and thinking” (26).

Arguably as it may seem, the above sentence turns the reader towards the ontic background and implication of Heidegger’s entire life’s interrogation addressing being and its various determinations, while it is mainly the politic dimension which may help us best understand this ontic exposure of both being and the one which is to be its keeper as Da-sein. As a politics of silence, which serves as a subtitle of this Knowles book, Heidegger seemed to see is as the possibility of a European spiritual renaissance appraised in terms of German-Greek congeniality, thus preserving a space of clearing for the historical disclosure of being, while we may count it as one of the most influential encounters, in terms of its impact and consequences for both parties, between philosophy and political regimes, wherefrom we may “draw larger conclusions about the response of the humanities to totalitarian regimes, and in particular about philosophy’s historical contribution to ethno-nationalist authoritarian regimes” (8).

Emphasizing sigetics in Heidegger’s work and speeches has no other ground than the fact that, in Knowles’ terms, it is “one of the branches of his philosophy most deeply saturated with anti-Semitic and völkisch affinities” (56). The latter are best depicted when reading Heidegger against a background of deeply anti-Semitic and nationalistic writings of some of Heidegger’s contemporaries, which, even if not so philosophically convincing, are more closely connected in both spirit and language, to a general trend in Weimar Germany.

Various instances of silence are also analyzed in terms of instituting a red wire connecting Greek Dasein and the Nordic-Germanic soul, while both are seen in their average comportment and even physiognomic features as being profoundly attuned to a space of silence and reticence. These are set against an enemy depicted as the rootles foreigner, being it the capitalist, the city dweller or even the world Jewry (40). The affinities between Heidegger and his more völkish contemporaries are found both their proximity of language visiting current themes and in Heidegger openly anti-Semitic and anti-modern passages of his writings, correspondence and speeches, of which the most notorious is his first speech as Rector of Freiburg University in 1933.

But sometimes Knowles falls prey to his own attempt of impregnating every instance of Heidegger’s silence with traces of National Socialism and anti-Semitism as when emphasizing one of the passages of SuZ within the existential analysis of Dasein as instantiating the above opposition between silence, reticence and rootless verbiage. In short, Knowles assimilates Heidegger’s famous discussion of one’s world’s intelligibility where the initial guidance is prompted by concern and circumspection and there is no need for sentential legein as things are firstly seen in their ready-to-hand dimension, with the peasantry understanding of handiwork which goes by without unnecessary verbiage such as to be found in one of Heidegger’s contemporaries (48). There is also no need for words between coworkers, in Heidegger’s passage, since they share the same understanding of their tools and of the work to be done (as being-in-the world and being-toward). But what Heidegger does within the lines emphasized by Knowles is to point out explicitation as a relative way of understanding and interpretation, while the latter usually go by in circumspective concern, that is without need of  explicit wording, and the former lays out the explicit features of a thing making it suitable for logical assertion. It would require a biased hermeneutical travail to find in Heidegger’s own “without wasting words” which are to be found in SuZ 157, some political commitment being it National Socialism or some other.

Third and fourth chapters are the most philosophically intriguing and original ones, dealing with the transition Heidegger makes between a preliminary idea of silence tied to the existential dimension of discourse (rede) as seen in SuZ, and, through the intervention of nothing and notness in his What is Metaphysics?, a more thorough analysis of silence in connection to his interpretation of Aristotle from 1931. The hermeneutical effort of Knowles is here as its best, searching for clues to support his main thesis, for which these two chapters offer the red wire connecting Heidegger’s phenomenology with his political views, while setting the ontological on the way to its ontical promiscuity by means of a silence which will find its way to both world and word.

Mainly based on an original reading of chapter 34 of SuZ, the reader will find the third chapter to develop some of Heidegger’s less explicit intention, while his own reticence in finding an expression for the unspeakable will be translated by Knowles as a struggle “to develop a language adequate to the task of bringing silence to language as silence” (75). Heidegger’s analysis in chapter 34 of SuZ employs discourse as another existentiale of Dasein, alongside understanding and attunement, while language is the mean that discourse finds for its expression within the world. As vocalization of discourse (60), language will be then its worldly being or dimension, thus both the possibility and the completion of expression (as utterance and statement) rendering discourse to public disclosure within the averageness of the “they”, in the proximity of chatting and idle talk.

 The nothing which silence brings through the call of conscience into the very meaning of discourse (73, 74) leaves the interrogation open since Heidegger does not yet render this nothingness to its ontological dimension (which will eventually happen in What is metaphysics?). SuZ works its way through the already established conceptual architecture of the Dasein‘s existential constitution as fully immersed in the everyday averageness, while Heidegger is not yet eager to employ the full scale ontological apparatus needed in order for Dasein to find its way back from the scattered world of das Man. Appraised in SuZ as a possibility belonging to discourse and rendered merely to an ontic opposition to fallen and scattered language, while reticence could only bring forth for Dasein the possibility of its withdrawal from the public sphere of chatting and idle talk (74), silence will finally insinuate within the existenzial-existenziell hiatus between discourse and language, merging them and contributing to the collapse of this difference.

As a clarification for the reader, the issue at stake here is to find a way to deliver the more authentic – existential dimension of discoursing to a language which is already fallen, but not only as silence and listening as these are the only possibilities belonging to “discoursing speech” (a transitional expression itself) listed in the 34th chapter of SuZ, but as and within a meaningful speech. “That is to say”, in Knowles’ words, “Heidegger cannot capture the possibility of speaking through silence until language becomes folded into silence to such a degree that it even requires silence.” (73) This would only happen few years later, when the analysis of silence will get a decisive clue from Aristotle’s idea of withdrawal within his opposition between dynamis and energeia.

The idea is to capture silence through and within legein, that is through a kind of “discoursive speech” which is no longer opposed to vocalization as a form of corrupted speech, but it makes way for steresis, understood as a type of privation that withdraws/robs (robbing) what essentially belongs to something or someone, as sickness is a privation of health or blindness is a privation of seeing. In the same vein, while in the SuZ the absence of overt utterance does not necessarily mean that interpretation or discourse are absent, here we may find that even in the presence of speaking there may be a form of silencing still active which does not mean the absence of words. The idea of steresis clears the path for the introduction of silence into the handicraft of writing (81), by means of altering, if not totally collapsing, the distinction between discourse and language. As a form of poiesis, it will guide one through the manifoldness of logos, according to a guiding meaning (96), working its way by means of separation and elimination of wrong paths, same way as the “sculptor hews away the marble to bring out a form” (99).

In his interpretations to Aristotle’s Metaphysics Θ2, Heidegger takes model and form to be confronted with material as to bound what is initially unbounded, and this is the meaning of the opposition enacted by what the Greeks understood by enantia and enantiotes: “a lying opposites each other and confronting each other face to face (GA33, 119)[ii]. Within production, such a confrontation is always guided by the model, eidos, which is foreseen or re-presented, and will act like a catalyzing force within the producer’s soul, “by bringing into bounds of what belongs to a model” and it does it by means of ” a selective gathering of what belongs together” (GA33, 121). The assimilation of model with logos is now two-folded, once through the meaning of logos as gathering and again through the its more current meaning as discourse and language, when what is to be produces is addressed during its production as what is to be present later. When visiting these themes, alongside some of Heidegger’s public speeches and notes within his Black Notebooks, Knowles will emphasize the selective nature of logos (99, 100), since it works by means of progressive exclusions as during the production guided by eidos, the initial unbounded material will finally give way to what is to be produced. Selection and exclusion are re-instantiated through recalling various statements of Heidegger during the same period when he lectures about Aristotle’s Metaphysics, thus connecting them to some popular thesis among völkish movement and even, questionably indeed, with the Nazi language of eugenics (100).

With some help from Heidegger’s Black Notebooks starting from the early 1930s, what Knowles wants the reader to acknowledge is another dimension of Heidegger’s famous Kehre, in terms of an in-famous turn towards a more political history of being which will become more and more appraisable in terms of a destinal community between the Greek people and German Völk. While this transition usually revolves around stressing the inception of new understanding of the place of being as Ereignis (event), in order to emphasize Heidegger’s immersion in the proxy facticity of a Nazi Germany, Knowles focuses on the “steretic” dimension of Heidegger activity during those times, bringing together his public appearances, writings, public notes and letters.

There are two chapters (5 and 6) dealing with different instances of exclusion which may be found in Greek philosophy and literature, supposedly revived by Heidegger through his fascination with the Greek rooted inception of the long standing quest for being and manifold possibility of expressing it more or less adequate. As we expect, Greek philosophy, literature and politics have a lot to offer in terms of exclusion grounded on various traits starting from human physiognomy, gender, citizenship and social status. Focusing on the possibility of acquiring the proper measure for speaking, Knowles analysis starts by tracing the crudest, earliest forms of exclusion, the Pythagorean physiognomic human traits and gestures rendering one as (im)proper for philosophical training, in order to complete the first chapter with an interpretation of Aristotle’s Nicomachean Ethics, “especially in Aristotle’s concern with the proper amount of precision applicable to the analysis of the matter at hand”(104).

Regarding Aristotle, the whole of ethical inquiry involves the least of precision in terms of its status as a science, since it involves the least amount of generality, addressing one’s proper comportment within a particular situation. Aristotle’s analysis is carried on searching for proper means of acting within different situations, while the impossibility of an all encompassing cartography of the latter involves the impossibility of acquiring a standard set of resolutions which may grant us knowledge similar to that of logic, mathematics or physics. The one endowed with phronesis[iii], is said to be able to skillfully deliberate regarding the means for attaining the proper measure when facing a states of matter which could be ethically appraised. This time, having already in mind what is to be said about connecting Heidegger through his sigetics to Aristotle’s ethical inquiry, Knowles shortcuts a text which usually poses difficult problems for Aristotle’s scholars, in order to find that, since prudence is only acquirable through a certain length of time, it may also be a matter of disposition, making thereafter a peculiar transition to “one’s potential fitness or unfitness for philosophy” being “nonetheless a matter of one’s disposition, as indicated by the careful delineation of different types of character in the Nichomachean Ethics” (118, 119).

Not being in the position to deliver a lengthy discussion of Aristotle’s text, we must nevertheless remind the reader that the main question which drives Aristotle’s investigations in his Nicomachean Ethics is directed towards the chief good which may be obtained as a result of our actions, the own most possibility of the human being, his most desirable state or condition. Now, phronesis is that faculty of the soul through which it attains the truth in regard to things whose principles could be otherwise, namely the action which is ethically appraisable in terms of virtues and vices. Objects of prudence are matters of actions, therefore both universals and particulars, but mainly the latter (1141b 20). There is a difference between the acquiring of knowledge in mathematics or geometry and prudence, which reside in the fact that the former do not suppose an experience to be accumulated over the years (objects and principles come from abstraction in case of mathematics, 1142a 15), while these later fields are concerned with things like individuals or principles which mostly come from experience. Prudence is then a peculiar kind of a natural disposition of the soul, not of a kind to be born with, but a disposition which is acquired through experience, and which is said to be the prerequisite of skilful deliberation according to correct reasoning about issues the moral virtues are concerned with.

Wherefrom the moral virtues are usually attainable through experience and habit, and not through inner disposition, there is no philosophical formation required for Aristotle concerning the attaining of moral virtues, while it is sophia, the fifth and the highest capacity of the soul which will turn out to be the one that is best suited in terms of human happiness, being mostly connected to a such a intellectual formation. The reader may find Heidegger’s own interpretation of Aristotle’s phronesis in his Natorp Report[iv] and Sophist, in order to find out that his own emphasis of Aristotle’s term is more connected to Heidegger’s early analysis concerning the hermeneutics of facticity and temporality. Nevertheless, Knowles is perhaps too eager to provide us with his hermeneutical commitments when stating that “Heidegger’s lecture courses on Greek philosophy [thus] must be read as deeply political pedagogical acts intended to teach hearers how to better dwell within the proper place” (124). Place, which is a late theme in Heidegger’s thinking, is easier to connect with contemporary völkish themes and figures, following an already settled way of argumentation in Knowles which translates silence into sigetics and the latter into different form of exclusions, race or gender based.

Besides Aristotle’s general statement about the scientific deficit which essentially impacts the ethical inquiry, Knowles also emphasizes some of Aristotle’s worries about that type of discourse regarded by Heidegger in SuZ as chatter and idle talk, which may impeach virtuous reasoning and acting. An act of reticence and even silence is needed when feeling the danger of placing ourselves in situations that may be considered unworthy of a free man. We must remind the reader that what Aristotle does during his inquiry is to search for that middle ground between lack and excess and for the means of attaining it, while speaking and listening are actions both ethically appraisable in their selves but also deeds which may impact the means to achieve an ethical comportment. Instead, Knowles’ analysis revolves around the groundedness and groundlessness of legein which, stemming from its meaning as gathering, may facilitate the encounter and understanding of concerned matters, when properly used, or, contrary, it may sever the speaker from the things spoken about. This may be the case and there is here an undisputedly common ground between Aristotle and Heidegger, but the connection between prudence, silence, sigetics and what follows, namely the transition to Heidegger’s völkish themes fall short of being convincing.

What gathering means in terms of language is said to be a motif of Heidegger’s attunement to such gatherings as inward gathering and völkish gathering which may even be attained through serving in labor camps, militias and other para-military organizations (123, 124). Surely, Heidegger’s own scattered but nevertheless anti-modern and anti-Semitic nuances within his Black Notebooks during the 30s, invites us to such an interpretation, as Knowles remarks (124). If Heidegger seized the National Socialist revolution as a way to give political reality to his ideas[v], even if he later refutes the possibility of philosophy offering guidance for actual living[vi], the invitation to read Heidegger’s analysis of language in these terms would be similar to what Knowles has warned us against, namely to read Heidegger backwards.

Nevertheless, analyzing steresis in terms of different gestures of exclusion does right to Heidegger when inscribing him within a long standing philosophical tradition, while the privilege Heidegger contents to Greek philosophy maintains all of the latter’s forms of exclusion. The Black Notebooks translates these into various explicit ontic instances of denying access to authenticity, the history, event or the topology of being, as we traverse the development of Heidegger’s philosophy (125). As Jeff Malpas states when Assesing the significance of Heidegger’s Black Notebooks in 2016, those subsequent gestures of exclusion would culminate in Heidegger remaining the only one being able to grasp the call of being.

Knowles interprets Heidegger’s later assumptions regarding a possible topology of being, namely the emergence of an explicit concern with place which will also translate in Machenshaft giving way to Gestell, as an adaptation of Greek make self-mastery stemming from one’s habituation within a polis (126). The latter determines the being-there (das Da) of the historical being in terms of both temporality and place, thus allowing a fully fledged coming into being of its gods, temples, priests and all other essential figures which populates the various Greek expressions of being (147). Being a-polis or a-topos, out of place, does not mean here an exclusion in terms of physical interdiction, but it characterizes a complex and seemingly paradoxical situation, of being at the same time within and without polis, which is best illustrated by the “measureless measure” of the feminine figure in Greek lyrical and philosophical compositions. The duplicitous figure of woman is said to be a-topos by mean of her being a-logos, thus not being granted with free speech while, at the same time, her silence being treated as essentially deceptive. In Knowles’ words, “Women possess logos in a manner of not-having that is not a full privation, for their very having is a not-having—a relationship best described as steretic” (147). This type of steresis is more of a dramatization of Aristotle’s concept, thus describing a kind of a structural privation, which is not yet full, but nevertheless essential.

When used in depicting Heidegger’s own use and analysis of instances of silences, steresis suggests a more voluntary use of silence and reticence in order to be able to come to terms with a more proper use of language or to conceal what one would consider that it would not be yet suitable to openly express due to historical and/or average means of understanding.

Before one starts dwelling into the multifaceted meaning and relevance of such an encounter, between the most preeminent/notable figure of the XXth Century philosophy and a criminal organization such as the NSDAP political party, one has to inquiry its own motivation for approaching and assessing that fact. The fact, in Thomas Sheehan’s words, may be simply stated as there is no compromise in saying that Heidegger was a “blatant anti-Semite” and a supporter of the Nazi movement. As member of the NSDAP party and rector of the University of Freiburg, he delivers speeches which, beside his perpetual verbose about the history and destiny of being, may be easily counted as political guidelines for Nazi members, supporters or even for the yet unconvinced. As to his anti-Semite worldview, it is supported by explicit evidence in his infamous marginalia known as the Black Notebooks.

The author of Heidegger’s Fascist Affinities writes after the initial shockwave of Heidegger’s now explicit mentioning of anti-Semitism has passed, and when we may be able to take stock of what has been achieved through consulting his most intimate notes, as to the relevance they may bring for phenomenological inquiry and for Heidegger’s scholars. Even if they are usually disregarded as to their philosophical insights, there are some private mentions made by Heidegger which may prove useful in philosophical key, especially regarding Heidegger’s turning points of the transition from one dimension of being, temporality, to others like event, logos or place. Another key aspect of the publication of the Notebooks, targeting a larger audience, is the possibility of providing some insights of a never-ending story concerning the possibility of assessing one’s opera per se, regardless or even in spite of his or her personal life-options.

Turning towards Heidegger’s Fascist Affinities, we may say that this is one of the most philosophically engaging works related to Heidegger’s political views, which unrolls/unravels as a meta-investigation of the polivocality of logos and legein, while the main interrogation addresses Heidegger’s ontological motivation for keeping his most striking worldly notes private. We call it a meta-investigation since it appears to be an investigation of Heidegger’s own inquiry about the possibility of keeping silent pertaining to and within language itself.

As to the place of the Black Notebooks within Heidegger’s work, it must be said that firstly they offer Heidegger a place where he may come back every time he considers that overtly discoursing is in danger to lose its rootedness and grounding, in other words, a place which may be seen as a reservoir of authenticity, where he may somehow overtly speak through silence without any compromise that may be needed in order to get published and/or promoted or even for the care of average comprehensibility. This is the ontological meaning of placing the Black Notebooks, but here is its ontical counterpart: placing authenticity and sigetics in their rooted, inherited tradition and land, that is placing them within the völkish, rural dimension of German landscape, and this means away from the corruption of urban areas infected with modern technology and idle talk, which aggressively disrupt and aggravate/hasten the fallenness of a language already fallen. Away from fallenness, this happens by a double folded gesture of exclusion mirroring the ontological-ontical dimension of placing the Black Notebooks. Namely, there will be an ontological exclusion of anything that may accelerate the oblivion of being which already characterizes western civilization, but also the ontic exclusion of anything and anyone who may threaten even more the proper housing of being within language. While in SuZ the average dimension of discourse which is language is looked upon especially as a proper technique for the existential analysis of being-in-the-world, starting with the 1930s, and especially in the Black Notebooks, Heidegger builds its own sigetic way of interrogation for delivering, as much as possible, the proper tools for speaking through silence.

How and where do we place Heidegger? But, maybe more important, where do we place ourselves as readers of the history of western civilization and philosophy? Are we situated as objective, neutral observers of some historical facts and figures of which we may dispose, with the means offered by the possibility of an objective confrontation? Thrashing Heidegger out of the history of philosophy or absolving him of any philosophical commitment to national socialism would have us granted with the above high seat of objectivity and connoisseurs of “what would have been, if”. Presumably, we are not granted such a thing. As Rorty, Gadamer and even Heidegger, especially during his hermeneutical period, often observe, historical observation is never free of prejudices and biases, as long as the very interpretation is historically situated and conditioned.

Thus, as Adam Knowles warns us, we have to resist the temptation of reading Heidegger’s involvement with the National Socialism backwards, namely as being already in the position to confront the totality of Nazi regime, meaning its policy of political, ethical and racial annihilation of anything and anyone not willing or not being able to conform to its world-view. This implies, in Knowles’ view, that any consideration of Heidegger’s political involvement which may be tempted to diminish the relevance of Heidegger’s public or private defense of such a regime when measured against the large scale murder machinery of the same regime, should inquire into the motivation of an already tenured philosophy professor, nonetheless a notable international figure, willing to offer his support to an already dictatorial and authoritarian political movement. The gaze should be turned upon Heidegger’s fully appropriation/embrace of Nazi themes during his rectorate but also after this period, through a throughout investigation of his work, since this encounter wasn’t born out of nothing or by a misfortune.

On the other part, our abhorrence when reading some passages of the Black Notebooks, Heidegger’s discourse a rector at Freiburg, other related political discourses or writings, but also his scare phrases connecting him to the ”inner greatness” of the Nazi movement, is fully comprehensible since we see them against the background of the totality of its atrocities. Arguably, we will never be in the position of absolving him as naive and apolitical, since, as Besancon observes in his Century of Horrors, the fully fledged extermination policy of National Socialism strikes us as something extra-ordinay, beyond human comprehension, thus benefiting of a long lasting placing within our memory, especially when compared to its more easily forgettable dizygotic twin, communism.


[i] See the controversy between Thomas Sheehan and Emmanuel Faye.

[ii] Pagination indicates the samen English translation Knowles uses.

[iii] The English version Knowles uses translates it as “prudence”.

[iv] “Phenomenological Interpretations in Connection with Aristotle: An Indication of the Hermeneutical Situation”

[v] According to Jeff Malpas “assessment of Heidegger’s Black Notebooks“.

[vi] Heidegger’s interview in Der Spiegel. 

Solomon Maimon: The Autobiography of Solomon Maimon: The Complete Translation

The Autobiography of Solomon Maimon Book Cover The Autobiography of Solomon Maimon
Solomon Maimon. Edited by Yitzhak Y. Melamed & Abraham Socher. Translated by Paul Reitter. With an afterword by Gideon Freudenthal
Princeton University Press
2019
Hardback $35.00
336

Reviewed by: Thomas Nemeth (USA)

Salomon Maimon hardly needs an introduction today. However, there was a time, not too long ago, when a relatively popular image of German Idealism within Anglophone philosophy had it consisting of just four figures, viz., Kant, Fichte, Schelling, and Hegel, with the last three uniformly denounced and thereby simply dismissed. Bertrand Russell, for one, as late as 1945, saw Fichte’s subjectivism as involving almost a form of insanity. Even today, it may be all-too-easy to see Maimon as a curiously odd and eccentric figure sandwiched between Kant, who was fundamentally mistaken but could, they thought, be understood, and Fichte, whose prose was manifestly unintelligible and so could not possibly be understood. Of course, Maimon’s numerous philosophical writings, most of which are quite unfamiliar to even the most informed student of intellectual history, represent much more than a transition or stepping stone on the path to Hegel’s Absolute Spirit. Thankfully owing to the efforts of a number of recent assiduous scholars, this picture has considerably changed, although Maimon is still largely seen as an astute and penetrating critic of Kant’s epistemology rather than a precursor or even initiator of a strand of neo-Kantianism. Still, the appearance of outstanding studies of, in particular, Fichte and Hegel has forced increasing attention be paid to the conceptual understanding of the development of their respective philosophies and thus to Maimon. What is truly remarkable is that he alone penned a detailed autobiography—and an often amusing and informative one at that—whatever the motivation for writing it might have been.

We can briefly summarize Maimon’s account of his life. The bulk of the recollections in this volume admittedly have little to do with what gained him renown. Had he not written a single line of philosophy, his autobiography would be of interest only to cultural historians for what it tells us of the environment in which Maimon grew to young manhood and of the way of life within several dispersed Jewish communities of the time. But Maimon did write philosophical tracts of a rather high, perhaps, some might argue, even of the highest order and many will turn to this autobiography in hope of understanding his philosophical, rather than cultural, development. Admittedly, they may initially come away somewhat disappointed, but the information is there in plain sight.

Born Shlomo ben Yehoshua in 1753 in what was then Polish Lithuania (now Belarus), Solomon Maimon, as he recast himself in homage to the medieval Jewish philosopher Maimonides, spent a significant portion of his adult life travelling in search of an education. In this pursuit, he left behind a family from an arranged marriage. Much could be said of the sheer intellectual poverty of his environment during his early years. He tells us that he was raised in the “blackest darkness,” that he tried to free himself “from superstition and ignorance” (215), that he read at a young age a Hebrew-language book on astronomy found in his father’s library, but, he laments in retrospect, it was already over 150 years old. The point we might notice today is not that the book was antiquated, as Maimon wants us to think, but that his father had a library! As a youth, Maimon was already recognized for his intellectual gifts in his community and was raised to follow his father’s footsteps as a rabbi. He writes that when he was about nine years of age he could “already grasp both the Talmud and the commentaries, I also enjoyed engaging in disputations about them” (31). In fact, Maimon recounts that in one of his travels in Germany he met a leading rabbinic opponent of the Jewish enlightenment, Raphael Kohen, who described Maimon’s father as a “famous rabbi” (219). Was Maimon’s environment, then, as impoverished as he wants us to believe. Did he not hone his intellectual gifts through an immersion in Jewish texts? And were the respective backgrounds of Kant and Fichte more “enlightened” than his? Kant’s family was hardly intellectual; his father was a harness maker. Fichte came from a family of poor ribbon weavers. What sort of “libraries” were those families likely to have? Certainly, one may respond that they had a greater opportunity for career advancement than Maimon did, but that is not the issue. The issue is Maimon’s portrayal of his background as intellectually impoverished.

Quite dissatisfied with his life and wishing to learn, Maimon set out westward in hopes of reaching Berlin ostensibly to study medicine. Eventually while on the road, he came upon a Jewish beggar, with whom Maimon wandered for a number of months and who taught him the art involved in his acquaintance’s “profession.” They came to Posen in Poland, and there Maimon decided to stay for a time owing to the generosity he encountered from within the Jewish community. After a while, realizing what he took to be the general superstitious nature of many of the locals, Maimon set out again for Berlin. Unlike his first attempt to enter the Prussian capital, he was able to enter without incident, since he traveled by coach, whereas previously he arrived by foot – and was turned away. Now in Berlin he encountered Moses Mendelssohn, for whom he expresses high praise indeed. Despite the privations he experienced during his meandering travels and his obvious mental gifts, Maimon not for a moment seriously considered adopting a trade that could improve his material well-being and yet yield sufficient free time to pursue his interest in philosophy. Mendelssohn was but one who admonished him to pursue a settled direction and cease his “dissolute” way of life – precisely what this was Maimon fails to elaborate. In any case, he had no intention of heeding this well-meant advice, telling Mendelssohn, as he told others, that he was “uninterested in practical undertakings,” that his upbringing had made him “prefer the quiet, contemplative life” (208). If this was the case, why did he frequent and spend what little financial resources he had at taverns and, quite likely, other establishments of ill-repute?  He records that he spent three years in an apprenticeship at a pharmacy, even earning a certificate to document his knowledge, but confesses that he never had any intention of actually working as a pharmacist.

Deciding to leave Berlin without offering much thanks to those who befriended him, he eventually made it to The Hague in Holland, where again he was welcomed and stayed for some nine months, “leading a life of complete independence but also extreme reclusion” (211). In short, he again gives every indication of being in debt to the generosity of others, not giving so much as a hint once of seeking meaningful employment. In the end, despairing of the Dutch Jews, whose only interest in his eyes was to make money, he decides to travel yet again, this time back to Berlin. Throughout his travels, Maimon often laments his inability to speak the language of those whom he encounters wherever he went. Judging from the numerous conversations he relates, though, one finds it hard not to ask how was he was able to communicate with so many. This remains somewhat of a mystery unless we take his linguistic handicap to be somewhat exaggerated. Were those with whom he had extended conversations able to understand his tongue, or did he acquire theirs in a remarkably short time?

Although we may find Maimon’s itinerant life-style curious, perhaps even amusing, what surely interests us here is his encounter with Kant’s philosophy, which he came upon sometime in the mid- to late-1780s. Writing down his observations and commentary on the first Critique, these became his best-known treatise, the Essay on Transcendental Philosophy, published in 1790 in Berlin. The story behind this work—or, rather, immediately after its composition—has been related numerous times. Maimon showed his manuscript to Marcus Herz, who suggested Maimon send it to Kant himself accompanied with a letter of introduction that Herz offered to write.[1] Kant, receiving the package and claiming he had little time to read carefully such a ponderous work, nevertheless, glanced at it. He quickly realized its worth, and remarked that Maimon had understood him better than any of his other critics. Maimon, of course, took this to be an affirmation of his own perspicacity into Kant’s thought particularly in contrast to Karl L. Reinhold’s, Kant’s first popularizer. What Maimon does not dwell upon in his Autobiography is Kant’s extended (for a letter) reply in his letter to Herz dated 26 May 1789 concerning the central issues raised in the Transcendental Philosophy. Kant recognized Maimon’s “many acute observations” (Ak 11: 54) but also that although Maimon’s central question “quid juris?” could be answered along the lines of Leibnizian-Wolffian principles, such an answer would require sensibility to be understood as not fundamentally different from the understanding. In short, Maimon’s “way of representing is Spinozism” (Ak 11: 50). As Kant understood the Transcendental Philosophy, human understanding is not just a faculty of thinking but also a faculty of intuition, whereby thinking brings the intuitive manifold into clear consciousness. In his reply to Herz, Kant wrote that regardless of the quality of Maimon’s manuscript, he could hardly explicitly endorse its publication, since it was in effect an extended criticism of his own views. As we know, it did get published and went on to receive high praise from Fichte for one.

Maimon’s autobiography was published in two volumes, the first in 1792 and the second in 1793. Naturally, then, he was able to recount the events of his life and publications only up to that time which includes several essays written and published soon after the Transcendental Philosophy. He sent copies of at least two of these essays to Kant, asking for the latter’s opinion. Kant did not answer. We cannot even be certain that he read them. Nevertheless, that he had at least looked at them would account for a sharp change of attitude toward Maimon conveyed in his letter to Reinhold from 28 March 1794 in which Kant wrote that he “never really understood what he [Maimon] is after” (Ak 11: 495). Reinhold may have seen Maimon as a competitor in the public arena. As mentioned, Maimon appears to have thought in such terms. Kant may have simply realized that Reinhold could be a much more effective propagandizer for his own transcendental idealism than the disheveled Maimon and accordingly sought to bolster Reinhold’s self-assurance.

It certainly is a great pity that Maimon died in 1800 in poverty. It is also quite sad that given the date of his autobiographical reflections only one chapter—and a short one at that—concerns his dealings with Kant and Kantian philosophy. Maimon would go on in the few years before his death to write a number of other works that have received little recognition in the meager scholarship devoted to his philosophical thought. It is fortunate, though, that the existing English-language scholarship is of a high order, the studies accompanying this translation being examples.

A translation of Maimon’s autobiography by J. Clark Murray appeared in 1888. It was republished by the University of Illinois Press in 2001 with a quite valuable introductory essay by Michael Shapiro. Despite that early translation’s imperfections, it is still useful for anyone wishing to become acquainted with Maimon and his environment. Shapiro’s introduction provides much useful background information for those unfamiliar with the subject matter. The language used in Murray’s translation may appear quaint to us today, but it is perfectly intelligible to anyone familiar with English literature of the period. For those who prefer contemporary idiom, the translation under review will be welcomed. This new translation is often more literal, arguably on a rare occasion to its disadvantage. For example, in one place Maimon recounts a well-meaning friend telling him “die Philosophie gelte nichts mehr,” which Reitter translates as “Philosophy has lost its value,” whereas Murray, more figuratively, but perhaps more accurately conveying its intent, translates it as “philosophy was no longer a marketable commodity.”

More significantly, of course, as the editors and translator note in their own introductory essay entitled “Maimon’s Autobiography: A Guide for the Perplexed,” Murray’s translation omitted ten chapters on Maimonides and a preface with which Maimon had begun his second volume. The Murray translation, in fact, did not acknowledge within the text itself a break between the first and second volumes, but he did confess in his “Translator’s Preface” to having omitted the material mentioned. Those who wish completeness either for its own sake or out of interest in what Maimon had to say about his hero Maimonides will welcome the inclusion of that material here in this new translation. On the other hand, the exclusion of it in the 2001 reprinting of the Murray edition will allow it to be read as a more natural autobiography, the chapters on Maimonides appearing as a distraction. The present translation also includes, in the editors’ words, a “comical, puzzling allegory with which Maimon concluded the second, final part of his autobiography” (xvi). Again, Murray may have felt this opaque text to be irrelevant for the purposes at hand. The editors of the present translation provide helpful information to its understanding, but the tale is unfortunately brief and sheds no substantial light on Maimon’s philosophy. It does allow us, though, to conclude, as mentioned, that he viewed Reinhold as his competitor.

Arguably more serious were Murray’s omissions in the chapter mentioning his philosophical writings circa 1790. Although Murray admitted that he had “condensed” those pages since the information there seemed to him to be “no longer of any special interest.” The problem is that many, if not most, readers of Maimon’s autobiography come to it with an interest in post-Kantian philosophy, not ethnic studies. Murray entirely omitted Maimon’s, brief though they may be, description of his 1789 article “Über Wahrheit,” some clarifications of another piece “Was sind Tropen?” from the same year as well as his short discussions of two other essays from 1790. All of these can be found in this splendid new translation. Of special interest in this regard for the student of philosophy is Murray’s failure to include Maimon’s criticism of Wolff’s definition of truth.

Whereas such are the omissions of the Murray translation, this beautifully produced 2018 translation omits—understandably, of course—Murray’s own “Concluding Chapter” in which he dutifully observes that despite the prejudices that Maimon as a Jew would have encountered there was no overarching reason why he had to live and die in poverty. As we know, one of his early heroes, Spinoza, did not find it beneath himself to earn a living working with his hands.

Melamed and Socher, the editors of the new Reitter translation, have added copious and helpful notes to the text throughout. They point out that many of the tales, incidents, figures, and quotations seem so incredible that a reader may conclude they are either fictitious or at least exaggerations. Yet, in every instance that could be verified Maimon’s accounts check out (xvi). They correctly point out that they documented this corroboration in their notes, thereby making this translation additionally valuable.

A significant addition to this translation is, of course, the editors’ essay, as mentioned, but also yet another essay, an “Afterword” entitled “Maimon’s Philosophical Itinerary” by Gideon Freudenthal, himself the editor of a collection of essays on Maimon’s thought.

The translation is accompanied by a thorough index and a nice bibliography for those who wish to learn more about both Maimon as an individual and as a thinker.

In conclusion, whereas the much earlier Murray translation particularly in its 2001 incarnation can still prove useful particularly to the initiate, the Reitter translation, given its completeness, accompanying materials, that it hews more closely to the text, will be preferable to those looking for those qualities.


[1] This, at least, is Maimon’s account. In his letter of 7 April 1789 to Kant, Herz writes that Maimon asked him to write such a letter (Ak 11: 14).

Alan Kim (Ed.): Brill’s Companion to German Platonism

Brill's Companion to German Platonism Book Cover Brill's Companion to German Platonism
Brill's Companions to Philosophy: Ancient Philosophy, Volume: 3
Alan Kim (Ed.)
Brill
2019
Hardback € 180.00, $ 232.00
xii, 388

Reviewed by: Miquel Solans (Universitat Internacional de Catalunya)

Brill’s Companion to German Platonism explores how Plato was interpreted and appropriated by some of the leading thinkers of the history of German philosophy, from Nicholas of Cusa to Hans Georg Gadamer. The book includes fifteen chapters, each of them devoted to one author or school, written by outstanding scholars. While most of the contributions deal with the reception of Plato’s epistemology and ontology, some others also—or only—address the long-disputed issue of how to interpret Plato’s philosophy. Since it is not possible to discuss all the topics in this almost four-hundred page volume, the review is limited to discussing how Plato’s most famous and controversial doctrine, the so-called theory of forms, was interpreted by German philosophers. More specifically, I will pay special attention to what we might call—to use the terminology suggested by the editor—the ‘transcendental interpretation’ of Plato’s theory of ideas. In the following lines, I focus on how this reading emerged and was developed by German philosophers in their various ways of endorsing, modifying, or rejecting Plato’s thought.

Alan Kim’s Introduction (chapter 1) provides an overview of the topics discussed by each of the contributors and identifies the two conflicting interpretative models already mentioned: the ‘transcendental’ or ‘functional’ reading of the ideas, on the one hand, and the ‘transcendent’ or ‘substantial’, on the other (2). According to the latter, which is the most common interpretation of Plato, ideas are separated substances that exist in a transcendent sphere of reality. Under this view, the forms are conceived as the true objects of knowledge and the soul is said to gain access to them through intellectual intuition. On the other hand, the former reading does not understand the forms as objects, but rather as ‘transcendental conditions of possible experience’ (3). The transcendental reading thus rejects the realism and dualism associated with the transcendent one and does not consider ideas as objects of intuition, but rather as functions of understanding. Among the figures examined in this volume that ascribe to Plato the substantialist view are Kant, Schleiermacher, Schopenhauer, Nietzsche, and Heidegger. On the other side, the functional interpretation was anticipated to some degree by Nicholas of Cusa, Leibniz, Mendelssohn and Hegel, and explicitly supported and developed by Cohen, Natorp and Husserl.

In the first chapter after the introduction (2), Claudia D’Amico presents a detailed study of the manifold connections between Nicholas of Cusa and Platonism. She also provides a valuable survey of German authors that in one way or another were influenced by Cusanus’ thought. As for the understanding of Platonic forms, Nicholas of Cusa criticizes Plato for conceiving ideas as separated forms, suggesting instead that while forms are real, they do not exist separated from things. Cusanus thinks that real forms are inaccessible to human reason, only capable of forming conjectures.

In chapter 3, Jack Davidson examines how Leibniz incorporates Plato and Platonism into his own philosophical system. Among the most remarkable points of agreement between both philosophers, Davidson points out Leibniz’s rejection of materialism and his conviction that reality ultimately consists of immaterial, intelligible substances, of which sensible things are appearances (53). After indicating other points in which both philosophers converge, the author devotes epigraph 5 to show how Leibniz’s epistemology reshapes some Platonic themes. More precisely, this section focuses on the agreements and disagreements regarding the role and nature of innate ideas. As it is well-known, Leibniz holds that some of the most fundamental concepts are known innately. At the same time, however, he rejects two positions he ascribes to Plato: the pre-existence of the soul and the presupposition that every truth one knows has been explicitly known by the soul before (63). Despite the emphasis that Leibniz puts on his differences with Plato at this point, both philosophers agree on a fundamental level, as Davidson suggests, that sensible experience does not suffice to account for our knowledge of necessary truths. Thus, the human soul must be equipped with a special potential to know them (ibidem).

The next chapter, written by Bruce Rosenstock, studies Moses Mendelssohn’s appropriation and reworking of Plato’s Phaedo within the framework of his ‘Leibnizian Platonism’ (79) in his own Phädon. Rosenstock focuses on the ‘infinitesimal calculus of the soul’ as Mendelssohn applies it in his own version of the dialogue. The application of Leibniz’s infinitesimal calculus leads Mendelssohn to endorse a functionalist view, since he believes that the soul’s process of knowledge works—like that type of calculus—by progressively ‘integrating’ the initially indistinct mass of representations’ (83). Thus, following Leibniz, Mendelssohn understands the soul as an active Platonic idea that brings unity into multiplicity (84). However, as Rosenstock indicates, this is only one side of the story. Under Mendelssohn’s view, the Platonic ideas do not only account for the integrative nature of human knowledge; they are not merely abstract objects of understanding, but also and at the same time ‘the object[s] of the soul’s authentic (philosophic) desire for happiness’ (92). In this sense, the soul’s capacity to unify the multiplicity of appearances through conceptual unities is the ‘expression’ of the soul’s desire for happiness (93). Hence, according to Mendelssohn, the search for knowledge is necessarily entangled with the quest for the good (92).

In chapter 5, Manfred Baum examines Kant’s appropriation of the theory of ideas in both the pre-Critical and the Critical period. It is worth noting, first, that Kant never attributes the two-world doctrine to Plato, even though his primary source, Brucker, does it. The Kantian pre-critical reading of the Platonic idea assimilates it with a ‘common standard of perfection’ for measuring all other less perfect realities (115). In the critical period, Kant’s well-known differentiation between understanding and reason leads him to reshape his reading. Under this new light, Plato’s ideas are interpreted as anticipating to some extent Kant’s concepts of reason, the regulative ideas, in contrast with the concepts of understanding, the categories (123-124). According to Baum, both Kant and Plato agree that ideas do not originate in the senses and that their object is not found in the empirical world (ibidem). However, Kant rejects the alleged hypostatized nature of Platonic forms, that he presumably takes from Bruker’s Neo-Platonic interpretation of Plato (126-127). The result of Kant’s appropriation of Plato’s theory of ideas, then, is twofold (as Kim also puts it in the introduction [5]): Kant attributes to Plato a substantial or transcendent view of ideas, while at the same time he sees Platonic ideas as the first attempt towards a transcendental consideration of human knowledge.

Hegel’s reading of Plato can be seen, as Jere Surber persuasively presents it in chapter 6, as the first modern philosophical interpretation of the Platonic corpus (133). The most distinctive features of the Hegelian approach to Plato are, first, Hegel’s direct and detailed engagement with the dialogues and, second, his distinctive appropriation of the Platonic ideas. According to Hegel, Plato’s ideas anticipate in a still unsystematic way his own systematic account of genuine Begriffe (concepts) as “concrete universals” (141). Relying on his interpretation of Parmenides, Timaeus, and Republic, Hegel rejects the dualistic, transcendent interpretations of the forms. He suggests instead that the Platonic idea should be understood as an ‘identity-in-difference’, and therefore as a genuine concept in Hegelian terms, that is, one that unifies in itself the formal and material aspect of reality (136). On the other hand, Hegel also dismisses the psychological transcendentalism according to which the ideas are mere constructs (or mere concepts, as opposed to genuine concepts) of the human mind since this view fails to account for the essential connection between the ideas and the sensible things (p.136). Therefore, as Surber points out, Hegel thought of his own philosophy as the articulation of Plato’s ‘in a modern systematic form’ (142).

The following two chapters (7 and 8) are devoted to Schleiermacher’s influential approach both to Plato’s philosophy and its interpretation. In chapter 7, André Laks provides an insightful discussion of Schleiermacher’s both philological and philosophical reading of the Platonic dialogues. Regarding the interpretation of Plato’s ideas, Schleiermacher rejects Aristotle’s criticisms and defends that the forms are real concepts that actually possess causal force and can directly affect both the physical and the moral world, given that they derive from God’s power (155). Chapter 8 is at odds with the rest of the contributions since it does not offer a reconstruction of Schleiermacher’s reading of Plato, but rather presents the author’s (Thomas Szlezák) main reasons for disagreeing with it. While the philological arguments provided by Szlezák are highly illuminating, and many of his objections to Schleiermacher are indeed very persuasive—see, for instance, his detailed analysis of Plato’s critique of writing in the Phaedrus (172-179)—, one cannot but wonder why Schleiermacher’s interpretation is the only one subject to such critical scrutiny. Besides, the main objections of the Tübingen School–to which Szlezák belongs– to Schleiermacher are again developed and argued for in chapter 14 by Vittorio Hösle. In his contribution, Hösle also provides a valuable survey of some of the most representative advocates of the abovementioned school and provides a summary of the main points of Krämer’s pioneering dissertation Arete bei Platon und Aristoteles, still only available in German (337-339).

Robert Wicks’ chapter on Schopenhauer (9) stresses the role of Plato’s account of time in the former’s metaphysical account of human consciousness and reality. More specifically, according to Wick, the Platonic conception of time as ‘the moving image of eternity’ in the Timaeus inspired Schopenhauer’s consideration of the spatio-temporal world as a prison of human consciousness (192 and 215). In his mature philosophy, Schopenhauer regards Plato’s ideas as essentially dependent on the Will, which constitutes the core of reality, the thing-in-itself, which lays beyond any form of representation and time (209). Under this view, ideas are said to play an intermediary role between the thing-in-itself as Will, on the one hand, and the objects of the spatio-temporal world, on the other (210). Therefore, as Wick suggests, Schopenhauer’s reading of ideas within this framework attributes them a twofold nature: as long as they are objects, they ultimately belong to the world of representation and, to this extent, they are high-ranking illusions; however, considered in their relationship to the thing-in-itself, ideas are ‘timeless acts of Will’ (213-214). In this last sense, Plato’s forms are placed behind the veil of the ordinary experience of the world, and thus they are only apprehended by a certain timeless intuition that Schopenhauer identifies with an intense awareness of the present moment (200-201). Philosophy is thus conceived as a form of asceticism whose aim is to reach such timeless, transcendent, and even mystical awareness (215). As Richard Bennett stresses at the beginning of chapter 11, Nietzsche regards this ascetic approach to reality—that he attributes to Plato—as anti-natural, coward, and decadent (249-252). In the second section of his contribution, Bennet proves that Nietzsche’s consideration of Plato goes far beyond this one-sided evaluation and is more multi-faceted and less consistent than usually acknowledged.

The transcendental reading of Plato’s ideas was explicitly defended for the first time by the two leading figures of the Marburg School of Neo-Kantianism: Herman Cohen and Paul Natorp. In chapter 10, Karl-Heinz Lembeck examines both authors’ attempts to mediate between Kant and Plato in their ambitious philosophical-historical interpretations (217). Cohen’s early reading of the forms as psychological categories radically evolved in the mid-1870s into a purely logical-transcendental interpretation of them. Under this new approach, and drawing on Kant’s Critique of Judgement, ideas are now viewed as ‘regulative concepts’ guiding knowledge. Within this picture, the form of the Good is not seen as a real entity, but rather as ‘the function of a unifying synthesis of appearances’ (223-224). Cohen extracts this interpretation from Plato’s alleged identification of ideas as hypothesis, that is, as ‘pre-sub-positions’ which thinking anticipates in order to be able to apprehend reality (228). In other words, ideas are said to be a priori conditions of knowledge.

Unlike Cohen’s, Natorp’s appropriation of Plato is grounded on a deep engagement with the texts. In Platons Ideenlehre (Plato’s Theory of Ideas), Natorp develops his reading of Plato’s theory of ideas as a theory of the constitution of experience (231-232). From this standpoint, Natorp downplays the ontological significance of the ideas, stressing their epistemological relevance as ‘laws’ that govern the dynamisms of knowledge (233). In his late systematic philosophy, Natorp modifies his reading of Plato’s ideas, as he seems to come under the influence of Neo-Platonism. Now, forms are understood as categories and, as such, as secondary functions unable to grasp the ultimate level of reality. Such level corresponds to Plato’s form of Good, which is radically transcendent and, therefore, inaccessible by means of articulated knowledge (237).

In the next chapter (12), Alan Kim explores Husserl’s ‘productive appropriation of Plato into phenomenology’ (273), relying on the fact that Husserl considered himself a phenomenological Platonist. By doing this, Kim provides an original, perceptive reading of the theory of ideas from a phenomenological perspective and, at the same time, a compelling presentation of the Husserlian account of eidetic intuition. In a way akin to Cohen and Natorp, Husserl endorses a transcendental interpretation of Platonic ideas, rejecting the ‘static’ Platonism of separated substantial forms along with its subsequent metaphysical dualism and mystical intuitionism (274). According to Kim, Husserl’s ideas or eidê refer to the object of the apprehension of the what-ness of a given thing. Such eidê, however, differ from the empirical universal concepts derived by abstraction from contingent facts. Eidê also relates to facts, but not because they derive from them, but rather because they constitute the rule of any possible apprehension of them. In order to illustrate the process by means of which consciousness moves from facts to eidê, Kim draws on Plato’s Divided Line and Allegory of the Cave. The first is meant to represent the different psychic states, while the second focuses on the soul’s progression from one to another. Here, eidê are presented as logical structures or essential meanings ‘that had always been co-intended in my aesthetic grasp of the phenomenon as actual thing, but which had been, as it were, eclipsed by the glare of ‘reality’’ (278). The ascension of the soul towards the realm of ideas is thus understood as a progressive detachment and liberation from the blinding glare of sensible appearances of things, so as to be able to perceive the essential features of them. This interpretation explains both the fact that the highest form of knowledge according to Plato, namely, dialectics, is said to deal only with ideas, and also that the knowledge of ideas allows the ex-prisoner in his return to the cave to recognize images as what they really are (280). In the following pages, Kim equates both Husserl’s and Plato’s account of the vision of eidê with the ‘understanding of the F-ness of many f’s’ (281). As the author points out in a footnote, the state of consciousness in which we grasp an eidê is not adequately described as a learning process, that is, as certain acquisition of knowledge, but instead as some sort of perceiving or, even more accurately, re-cognizing (erkennen) (281, n. 70). In this sense, the phenomenological method of purifying the mind from its factual intentions and redirecting it towards the essential turns out to be very similar to Plato’s account of dialectic as a process of remembering (anamnesis) what one already knows in his or her soul (281). Within this framework, Kim forcefully argues that Husserl’s basic idea of a ‘noematic form implicitly governing the coherence of sense experience’ can be paralleled with Plato’s account of the relationship between noêsis and aisthêsis in the passage on the summoners in Republic VII, as well as with the role attributed to sensibility in the recollection argument offered in the Phaedo. Finally, the author points out that the Husserlian reading was deeply influenced by Lotze’s thesis that ideas do not possess existence (Sein), but rather validity (Geltung) (294).

The two remaining chapters are devoted to Heidegger’s confrontation with Plato (chapter 13) and Gadamer’s productive reshaping of the Heideggerian reading (chapter 15). Francisco J. Gonalez begins his chapter on Heidegger’ reading of Plato by focusing on the 1924/25 course on Plato’s Sophist. In these lectures, it becomes apparent a tension that characterizes how Heidegger will read Plato the rest of his life. On the one hand, the Heideggerian approach reveals several points where Plato’s understanding of being comes very close to Heidegger’s fundamental ontology. On the other, the German philosopher insists that Plato interpreted being as presence, that is, as the object of logos, and therefore that Plato’s philosophy is to be seen as the first of a long series of reductions of truth to correspondence (306). As Gonzalez clearly shows in his contribution, this tension will persist until the late Heidegger, although the latter approach will become the ‘official’ reading. The author suggests that one of the most remarkable exceptions to the official reading can be found in the Parmenides seminar of 1930/31. Drawing on both Heidegger’s class notes and Herbert Marcuse’s transcript of this seminar, Gonzalez clearly shows that Heidegger saw Plato’s discussion of exaiphnês (instant) in the Parmenides as a genuinely ontological comprehension of the problem of ‘being and time’ (314-315). We find a similar exception in Heidegger’s interpretation of erôs in the Phaedrus seminar of 1932 (319 ff.). Gadamer’s appropriation of Platonic philosophy, discussed by François Renaud in the final chapter (15), reacts against Heidegger’s official reading. Gadamer claims that ‘Plato is not a Platonist’ and argues that the theory of forms and the method of dialectic are meant to make explicit the conditions of Socrates’ practice of dialogue in the early dialogues (356). According to Renaud, Gadamer seems to think that the forms are objects independent from representation, though he also speaks of them as if they only were transcendental principles (374).

This volume is worth reading for both historical and philosophical reasons. Each of the fifteen chapters provides the reader with valuable insights into the history of German philosophy in line with the most updated research and effectively supports the general thesis of the book that Plato exerted a decisive influence over the most relevant German philosophers (1). On the other hand, anyone interested in the interpretation of Plato’s works will surely find this book an exciting source of inspiration. In particular, as I hope to have shown, it will prove especially helpful for those intrigued by the possibilities of a transcendental reading of Plato’s theory of ideas. Last but not least, this collective work reminds us of both the risks and benefits of a philosophical reading of Plato, that is, one that attempts to identify and rethink the core issues of Platonic philosophy anew.

     

Christophe Bident: Maurice Blanchot: A Critical Biography

Maurice Blanchot: A Critical Biography Book Cover Maurice Blanchot: A Critical Biography
Christophe Bident. Translated by John McKeane
Fordham University Press
2018
Paperback $40.00
632

Reviewed by: Tyler Correia (York University, Toronto, Canada)

A dubious undertaking would be to propose a biography of an author who attends to the demand that a text might bear witness to itself and of its own accord. This is the legacy of Maurice Blanchot, whose testimony is that of the vanishing author—a text addressed to other texts and not, perhaps, an author to their audience. This is so much so that between what is called literature and the problematic of its very possibility, a dialogue appears only by the instrument of death, under condition of its undoing. We might, then, express concern over such an undertaking were it not for Christophe Bident’s tireless sensitivity in Maurice Blanchot: A Critical Biography, translated by John McKeane from the original Maurice Blanchot: Partenaire Invisible. Reading Bident, one is almost confronted by such lucidity and knowledge—almost insofar as confrontation gives way to the uncanny feeling of mentorship. Bident’s text balances the demands of biography, which draws on official accounts and established readings. Yet, one who wishes to gain a furtive glance into the other life of Maurice Blanchot will be satisfied by how record-keeping is balanced by careful exegesis of his works.

On the other hand, those chapters that begin and end with the biographical, or the historical, seem also to give way to the implosion of what they recount—from Blanchot’s controversial engagement with right-wing journals in the 1930’s and 40’s, to his later political refusals (the “Manifesto of the 121” and his speeches of May ‘68)—often ending (albeit in a very different way) as they began: the termination of Blanchot’s political projects. This is no critique of Bident’s writing; he deals with these instances, too, with patient sensitivity. There is much to be learned, though, regarding the ever-present possibility of failure in confronting the ‘risk of public life’ Blanchot espouses.

Some housekeeping: when it appears as the title of the twenty-second chapter, and on the one-hundred-forty-fifth page, Blanchot’s emerging style of literary criticism in the name of the other—as Bident terms—may create confusion, if one has forgotten the French subtitle’s reference to an invisible partner. In fact, in this chapter, it will not yet be fully disclosed what these mysterious terms indicate—and certainly purposefully given that Blanchot would only be on the cusp of a literary project that would give flesh to them. The first glimpse of this thematic is to be found in that section which captures such a critical (re)turn in Blanchot’s work: the events at his family home in Quain in June 1944 where Blanchot is confronted with imminent execution. This reinvigorates his lasting concern with death, which will spill into his work on writing, friendship, literature, the impossible, always, as Bident argues, such that it “provides a model for inner experience, an experience lived, but lived by the invisible partner within us” (197).

Bident also weaves into the text the return of a peculiar piece of Blanchot’s writing on the primal scene: a child confronting the nothingness of being, the il y a (there is). This takes place when a child stares from the window out into the garden of their home, filling the space with impressions of play and the familiar, until the sky above opens onto absolute emptiness, and they begin to cry. This coincides with a feeling of “ravaging joy” which their parents confuse for sorrow (7). This scene runs continuously through Bident’s work. He mentions that Blanchot is not often accessible to, nor concerned for ‘childhood.’ However, between these two extended thematics—the invisible partner and the primal scene—Bident has framed much of his critical engagement with Blanchot’s most pressing concerns.

Part I (1907-1923) introduces Blanchot’s life in a way consistent with biographical stricture, from a short genealogy of his family’s lineage, to an introduction of the ‘Chateau’ in Quain referenced in The Instant of my Death. Relations are outlined and grand, controversial events are prefigured. It is in the interstices of the exigencies of biography, however, that Bident’s text almost immediately distinguishes itself. Bident’s deep involvement with Blanchot’s thought—and the singular demand not to rely on the logic of biography as a genre—appears as an appendage to each chapter in which we  are greeted by an aesthetic of storytelling, and direct engagement with pertinent writings of Blanchot’s. So we find in the opening chapter also certain phenomenal passages on his birth—2:00 a.m, September 22, 1907—in a time of exilic and (busy) night, the “other night” of writing (12), which will be the condition for much of his works to extend beyond the self of day; when Kafka pens, at the same time, five years and one day later, the entirety of The Judgment (8-9).

This is the beginning of a kind of mythology surrounding Blanchot’s search for solitude: from his home in Quain to his residence in Èze. Bident supplies a composite of motifs that will guide the work from biography into the realm of the literary in this section, in which one can imagine—veritably to fantasize—their own sleeplessness, troubled by the demand of writing; solitude, childhood, night, writing, insomnia. The theme and the mofit, in Blanchot, might be inseparable; between meaning and matter only the regulatory power of the term, ‘fiction,’ can sustain such a barrier. If one were faithful to Blanchot, the boundary would be lost; Bident, then, is faithful to Blanchot. We are not in the realm of literary ornament, but an image sharing in an equally justifiable claim to truth, and one that is shared amongst us.

The third chapter of this section provides a panoptic of Blanchot from the perspectives opened in later sections of the book: his peers in right-wing circles in the 1930s describe him as deathly; his friends admire his kindness, his soft-spokenness, and his grace; many are concerned by how ill his countenance seems and yet how he endures; Bataille pays the homage only a great friend and thinker can (16-18).

For even those somewhat familiar with Blanchot, it will be clear that the horizon of Part II (1920s-1940) suggests a gathering storm. In the first three chapters, we are introduced to Emmanuel Levinas, and the philosophical partnership shared between the two, until Levinas quickly dissolves from view. from chapters seven to fifteen, Bident presents Blanchot’s movements in right-wing circles, and among the children of Charles Maurras, including Thierry Maulnier, Paul Lévy, Jean-Pierre Maxence, Maurice Bardèche, Robert Brasillach, Jean de Fabrègues, Daniel Halévy, Georges Bernanos, Henri Massis, and Paul Bourget.  Blanchot contributes, in the 1930s and early 40s, to Action Française, Combat, L’Insurgé, La Revue Française, Réaction, La Revue du Siècle, Ordre Nouveau, Le Journal des Débats, Le Rempart, Aux Écoutes, and La Revue du Vingtième Siècle. He was clearly Germanophobic, and anti-Bolshevist, anti-democrat, a French nationalist, and willing to espouse a view of violent rebellion under the shadow of emergent monolithic powers, particularly the materialist-capitalist degradation of spirit. The circles he frequents cleave undeniably closely to the language of anti-Semitism, as does he in certain writings: the international and internationalist conspiracy, the spectre of capitalism, the foreigner and Other, behind which is the hated image of the Jew (75). Bident notes that anti-Semitism is one element within a logic of purification first articulated in Blanchot’s piece Mahatma Gandhi, but perhaps also goes too far to exculpate his subject, in saying that such anti-Semitism is a tool used for “eloquent oratory and insidious punches” (loc. cit.). None of this should obscure the public and consistent statements condemning Hitler’s anti-Semitism, which Blanchot declares to be the sour testimony of a pan-German barbarity reliant on a demagogue and the need to persecute (55-56). However, it cannot also merely be forgotten.

As such, Bident is fair to uphold the ‘role’ of the biographer, or as he says, to “follow the movements of conviction” of the Blanchot of the time (40, italics in original). This must include displacements and transformations, as well as the “real substance of intellectual experience” (loc. cit.). However, we should be critical of the subtle establishment of a boundary between the ‘fictional’ and the ‘real substance’ if one’s expectation is that we may dismiss Blanchot’s own framing of an anxious energy around anti-Semitic invectives. Frankly, he does not attempt to speak a truth separated from positioning within an increasingly extremophilic political web, and an epoch hurtling toward madness. At the moment that Bident proclaims his ‘sound judgment’ for rejecting all policies of disarmament—for on 14 October, 1933, Germany leaves the League of Nations negotiations on the matter (53)—we are likely to share in a certain discomfort. Was Blanchot exercising sound judgment? Was he exercising judgment at all? Certainly, Blanchot identifies the gathering of arms, and forging of Germany’s ‘warrior spirit,’ around an origin and destiny (56). And yet it would still seem both a betrayal of friendship with Blanchot, and a clear misstep, to proclaim his suspicions ‘confirmed’ if only in the hindsight of history. The point is not that Bident is wrong. It is rather that the matter should not be submitted to such judgments at all, giving the impression that all positions taken up by Blanchot must be found consistent and free of disdain, or that they can be disproven—both as fact and personal conviction—as the “failings of thought” of a young political pundit (90).

In parallel, Bident marks the near-unbelievable plurivocality of Blanchot at this time; between his work as a political commentator whose call for action are escalating toward ‘terrorism’ in favour of public safety, separated from to his literary criticism, while his personal experiences remain on the fringes of these overwhelming spheres, still contained within that ‘other night’ of solitary writing. There is a way that this part of Bident’s text is, like Blanchot’s life, veritably disrupted. Rather than offering a final sentence of his own on Blanchot’s controversial involvement with the French right-wing preceding the war, Bident finds another sentence already proclaimed in his récit of 1937. Between chapter 14 and the end of the section, Bident will give full focus to Blanchot’s public criticism (where notably he discussed even-handedly authors both censured and acclaimed by the French right-wing), and to his early récits: Death Sentence, and Thomas the Obscure as well as smaller pieces The Last Words, The Idyll. Bident’s exposition of Thomas the Obscure in particular reads like a lucid subject watching, horrified, the comforting borders of their life dissolve into the convulsive death-throes of body and soul.

Part III (1940-1949) opens on the cusp of Germany’s occupation of France and the establishment of the Vichy Government under Marshall Philippe Pétain, and thus the horizon of a great change in Blanchot. Bident notes that his slow political withdrawal in the late 1930’s, and increasing interest in literary rather than polemical endeavours, are exacerbated by his silence during the occupation within which another ‘death’ overcomes him; fragmenting into the need to rearrange his professional dealings, his declared convictions and his writing (124). At this time, Blanchot’s ties to the French resistance are stressed, as well as his assistance of Jewish friends—he and his sister save Paul Lévy’s life when they warn him of arrest, and he aids Emmanuel Levinas’ wife, Raissa, and their daughter in hiding (125).

Around the same time Blanchot attempts to “use Vichy against Vichy” through its funding of Jeune France—an association for the arts formally impolitical, and under such a guise, working relatively autonomously. Blanchot’s plan is unsuccessful, ultimately leading to the dissolution of Jeune France at the moment collaboration becomes overt. His disillusionment is so engrossing that Jean Paulhan’s similar strategic attempt to have Blanchot sit on the steering committee of the Nouvelle Revue Française is rejected (174). Contemporaneously, Blanchot meets Georges Bataille, with whom a personal and intimate friendship would persist, opening Blanchot to what Bident terms ‘atheological mysticism,’ to the shock of eroticism, and the philosophico-political engagement of the absence of self and book, absence of authority, and writing on friendship.

Blanchot’s shift is, from our vantage point, coming into view. Bident notes that his ‘Chronicles of Intellectual Life’ at the Journal des Débats demonstrates not yet so much a movement from left to right-wing politics (which he does mention in terms of a growing discontent with nationalism and reappraisal of communism), but a receptiveness to a wide body of literature—praise of Freud, French Surrealism, Breton, Gide comes on the heels of scorn for Pierre Drieu la Rochelle and Georges Bernanos, while still under the purview of Vichy (147). The collaborationist government positions Blanchot to be their new scribe—in Jeune France and at the Journal des Débats—and his response is to uphold, contest, and evade these responsibilities all at once (149). This response, Bident argues, is in the name of the other. It is a matter first of all of self-evacuation, and then of critique (often, following Jean Paulhan and Stéphane Mallarmé, of the edifice of literary criticism), play, chance, resistance at the level of language itself (151-57). It is also here where the invisible partner appears; as the text’s other, sometimes the ‘character,’ who carries the speech of the author only capable of speaking through them, at other times the hidden interlocutor (Levinas, Bataille, Paulhan) who may receive a deceptively beautiful dedication, or perhaps simply a ‘wink’ within the text (156; see also 171). Bident is exciting to read for his recognition that Blanchot’s (auto)biographical demands are high, but certainly not impossible; a self-reflexive problematization of the role of biography plays out in the name of the other, amongst the récits, such that it is always “disseminated, displaced, altered” (158).

There are moments here too, however, where sensitivity is overtaken by an apprentice’s defense of their mentor. Opening the chapter on Blanchot’s “Chronicles of Intellectual Life” in the Journal des Débats, he notes: “Blanchot’s elegant, arrogantly indifferent articles were printed alongside intolerable propaganda, whether in the form of articles or advertisements,” (145) which we are wont to expect from his writings in 1941-44. Bident in the same passage performs inscrutability: “This was a strange object, a conciliatory invective, which seemed to lack any feeling for history: how was this column possible?… Did he badly need to money, as he would later say to Roger Laporte? That is not entirely true: he was receiving a salary from Jeune France” (145). These questions are crucial, and their pointed honesty are compelling; they are exactly those that would be necessary for holding to account a subject embroiled in this controversy, and to exceed the bashful apologetics of an admirer. It is because of these questions that it is also unsatisfying to see Bident turn away from the possibility they open. Blanchot, throughout the text, seems to be conveniently at a distance to those repugnant organizations that cause such controversy around his legacy even today, whilst playing an equally muted, but somehow more expansive role in reputable projects (in this case, Jeune France). We should not clamour for a sacrifice, and Bident is right to direct us to a number of contestations and evasions that constitute Blanchot’s refusal wholeheartedly of Pétain and Hitler. This does not bring Blanchot out of the constellation of right-wing thought for his time, in which he will continue to pit French nationalism against German, and in such ways that—having rejected ‘blood and soil’—will continue to speak of an essentialist mythology: a France of “order and style” (121).

These concerns are a stark contrast to the récits. From Thomas the Obscure, to Aminadab, and after the war The Most High, The Madness of the Day, Death Sentence and a second edition of Thomas, the chapters dealing respectively with Blanchot’s récits provide some of the most intriguing reading. Bident is careful with his exigesis; under the heading of a critical biography, it would not be fair to expect that an author’s texts have been read, and he offers summaries of what loose plot-points a récit may offer. These are weaved deftly amongst considerations of Blanchot’s changing personal life and political convictions. Do the récits mark out singularly such shifting ground? Bident notes that “perhaps his political past was becoming something akin to a dream” (168). In any case, they do entangle with those philosophical, literary and personal concerns that will culminate in Blanchot’s near-execution around the close of the war. Famously, The Instant of my Death (published in 1994) tells of a semi-autobiographical situation in which a narrator and their family is confronted in front of their ‘Chateau’ by imminent death at the hands of a German firing squad (later revealed to be part of the Russian Vlasov Division fighting for the Nazis). He is released instead, and takes refuge in the nearby forest where he watches as his village is burned down, his own home to be saved by a peculiar sentiment of the invaders toward its “noble appearance” (183-84). This episode had a strong impact on Blanchot—as such an experience might—reinforcing his explorations of writing, literature, and death, and granting him a sort of ‘lightness.’ Blanchot becomes “a nomad moving from demourrance to demourrance” (dwelling to dwelling), following this experience (184).

The period of writing in the immediate post-war era is concomitant with Blanchot’s increasing melancholy, however, and withdrawal from French literary circles that seem keen on the ‘purification’ of their ranks (188). He writes for, and edits Bataille’s journal Actualité, as well as publishing more frequently in Maulnier’s Cahier’s de la Table Ronde, founded for those rejected by the leftist Comité National des Ecrivains. This was followed by further writing for L’Arche, Les Temps Modernes, and Critique.

Part IV (1949-1959) opens in a way characteristic of Blanchot, who initiated many rescissions in the summer of 1944, escaping to Quain around the end of the war, and to Èze starting in 1946. From 1949-57 he remains in Èze, where literature will overtake him. In this same way, Bident allows for a reversal of the structure of his biography consistent with Blanchot’s movement: his récits and critical essays, their contexts, will be placed at the forefront and all other material will be displaced. Blanchot himself is slowly fading in order to open the space of literature, where Bident’s refrain of a literature in the name of the other takes place under the condition of an ‘essential solitude.’ During this time, Blanchot publishes the récits When the Time Comes, The One Who Was Standing Apart from Me, and The Last Man, as well as, through his contributions in particular to Jean Paulhan’s resuscitated Nouvelle Nouvelle Revue Française, what would become the core of The Space of Literature and The Book to Come (as well as Friendship and The Infinite Conversation) (271-72).

Again Bident demonstrates such electrifying acuity in his discussion of Blanchot’s texts. When the Time Comes tracks Blanchot’s ‘nocturnal capacity’ to attend to even his fictional interlocutors, opening the rupturous space of a resistant partner—a character who cannot, by the ‘authority’ of the author, be ordered to relinquish their secrets (257-59). This will be expanded in The One Who Was Standing Apart from Me, where the neuter begins to take shape in a crepuscular adventure, a conversation with an unnamable interlocutor, and within a space that is both sheltered from the world and where a world of shelter can arise (263-64). The question as to how writing is possible appears alongside such a solitary wandering, to which Blanchot’s essay collections respond—which is to say, they continue to reopen these questions in multifarious ways. Selections in The Space of Literature and The Book to Come are marked out for their contributions to the neuter: as reserve and prophecy in what escapes and threatens, but also opens the space for, the work; as autobiography and the abandonment of autobiography in the authority of the author; as an interruption of thought, a cruel act of refusal of certainty (276-78, 280-82).

Alongside his literary production, this section marks three large shifts in Blanchot’s life that will prefigure his future endeavours and return to political publication. First, his mother passes away in 1957 prompting a return to Paris and proximity to emerging political events—especially the imminent presidency of Charles De Gaulle. Second, Blanchot encounters for the first time in 1958, Robert Antelme, whose work he read and appreciated, and whose friendship, Bident notes, “was already certain” (297). Third, and completing this section, Blanchot, alongside Dionys Mascolo and Antelme, initiate the 14 Juillet project. The journal, intended to respond to De Gaulle and the French post-war political landscape, was founded on a manifesto of faith to revolution, return to resistance and refusal of providential power, as well as the fear of fascism and opposition to a politic of salvation in a leader (304). Although it would publish few issues, the journal seemed to be a culmination of the change that had taken place in the last decade: Blanchot returns to the ‘risk of public life,’ forges critical bonds with Mascolo and Antelme as well as René Char, and concentrates his political project, as Bident notes, around action “in the name of the anonymous” (308). 14 Juillet would pre-figure a project of opposition to a sedimenting civic-society in favour of the self-effacement explored in the récits, and a staple of Blanchot’s literary theoretical approach.

It would be inaccurate to say that certain aspects of Blanchot’s strategy of writing is completely unrecognizeable upon his return to public life. He demonstrates a distinctive concern for the importance of writing as the act of political involvement par excellence. Part V (1960-1968) opens with an extended chapter on the “Declaration on the Right to Insubordination in the Algerian War,” penned primarily by Mascolo, Jean Schuster, and himself, under the backdrop of an ambiguous socio-political situation in which political indifference allows for the unabated use of torture, and the entwining of the political with the military (315-16). The “Manifesto of the 121,” referencing the signatories approached during the summer of 1960, was circulated on September 1, to immediate controversy. It was denounced by right-wing publications (including Thierry Maulnier in Le Figaro), submitted as evidence in the trial of Francis Jeanson for high treason (who had organized a network of militants in support of the FLN), and initiated a wave of arrests of prominent intellectuals which gave rise to protests and international outcry in defense of the signatories (321-22).

Bident mentions some of the most crucial features of the document in terms both of its relation to Blanchot’s intellectual attitude, and as a politico-historical event. Of the latter, it marked (perhaps for the first time) the right—beyond duty—not to oppress. This involves an expansion of responsibility rather than its contraction consistent with the affirmation of a freedom to act inhering in the concept of ‘right,’ where previous texts concluded on the right not to suffer oppression (318). Further, it was an important instance of such a document calling for illegal action in support of deserters and insubordination. Of the former, it seems that much of the grounding of these positions flowed from ‘essential solitude,’ not merely as refusal or reclusion from the world, but the abyss from which no author may singularly emerge, no singular signature can mark ownership—from the neuter, from the there is itself (loc. cit.). The success of the “Manifesto” would lead to an attempt to extend the project of an anonymous and plurivocal space responding to the most urgent issues of the time. Named the International Review, the subsequent journal would bring together a multiplicity of voices in the shared truth of being a writer, and welcoming the speech of the Other (320).  In light of the erection of the Berlin Wall in 1961, Algerian Independence in 1962, and Georges Bataille’s death, the journal would not see a first issue, and the project was abandoned by 1963 (328-32).

This precipitates in Blanchot another change, and a consistent disillusionment with the possibility of politics that upheld even in his revived action during the May ’68 protests. In the meantime, he would devote himself to friendships, and to writing Awaiting Oblivion, as well as the pieces comprising the Entretien. The neuter emerges in many places in Bident’s text in multiple forms, but always with uncanny familiarity, in these chapters. Variously, Bident mentions that the neuter may be conceived as wandering into estrangement, the extremity of thought, self-extrication from the ‘completion of metaphysics’ as an anti-Heideggerian position, the unfinished response to the impossible, an anonymous biography of a faceless someone, the stirring of indifference, and the overtaking of ‘the book to come’ with ‘the absent book’ (351-59). The Entretien persists as one of the best exemplifications of fragmentary writing, the interruptive conversation, which, like Awaiting Oblivion, imbues speech with vitality without allowing it to manifest; a conversation that demands community.

May ’68 is preceded by the ‘Beaufret Affair.’ François Fédier, compiling a volume in honour of Beaufret entitled L’endurance de la pensée, enjoins a number of writers, including Blanchot, Char, and Derrida, to contribute. After allegations of Beaufret’s anti-Semitism emerge (likely from Roger Laporte), a number of private meetings are held in Derrida’s office at the École Normale Supérieure (371-72). Blanchot is notified of the allegations, and begins meeting with Derrida to deliberate on their course of action—which incidentally opens a dialogue that will continue after the affair—and Blanchot resolves to publish “The Fragment Word” on two conditions: that it be accompanied by a dedication to Emmanuel Levinas (who may have personally been affected by Beaufret), and that all authors are informed of what has transpired (372). He then meets, alongside Derrida, with Levinas who had not been informed, but who invites subtlety on the matter (374).

The conditions preceding, and initially surrounding May ’68, then, are piqued by Blanchot’s disillusionment and melancholy, which seems somewhat to give way to a renewed vigor; he is a consistent speaker at protests and meetings, and establishes—with Mascolo—a writer’s union intent on relinquishing authorial authority, support of the protests, and recognition of the anonymous textual production of the period not captured by ‘the book’: from banners, to graffiti, chanting, and pamphlets (379-79). The writer’s union gives rise to a bulletin, named simply Committee, which quickly succumbs—similarly to the International Review—to internal divisions stemming from international events, this time the invasion of Prague by the USSR (384-85). Blanchot leaves in agitation, and due to problems with his health.

Part VI (1969-1997) documents the latter years of Blanchot’s career—not until his death in 2003, as Bident published the original French text of the critical biography in 1998. This will include the publication of his final works, The Step Not Beyond, The Writing of the Disaster, The Unavowable Community, as well as works discussed briefly: Vicious Circles, A Voice From Elsewhere, and The Instant of my Death. In this lengthy stretch, Blanchot’s commitment to explorations of Judaism and Hasidic mysticism, his vigilance against anti-Semitism, his perseverance in friendship, and his experimentation with margins, boundaries, and the outside of thinking converge with Bident’s account of various responses to his work. Blanchot once again rescinds, this time into the suburbs of Paris with his brother René, in increasing secrecy that will give rise to one of the most dubious and enduring features of his legacy; of the responses to Blanchot, one seems to be a popular fixation on the image of the person, and violation of his solitude. This is such that a living myth emerges, and is propelled by a photo taken of him for the magazine Lire in 1985. The photo will be republished variously and frequently (423). It is also around this time that right-wing articles Blanchot wrote preceding and during the Second World War re-emerge, of which he takes full responsibility so many years later, referring to them as “detestable and inexcusable” (455).

Some truly fantastic commentary on Blanchot’s works are published by Jacques Derrida, Emmanuel Levinas, Sarah Kofman, Edmond Jabès, and others, as well. It is at times a shock, and at others a relief, to note both the rarity of commentary on his works—which today has amassed to a sizeable amount nonetheless—alongside what Maurice Nadeau underscores as the challenge of commenting on his works (417). Bident seems—and John McKeane echoes this sentiment in his afterword on Blanchot’s legacy and the evolution of studies of his works—that scholarship on Blanchot is fraught with missteps, and false confrontations.

McKeane’s translation of Bident’s critical biography is undoubtedly an important contribution to scholarship on Maurice Blanchot, provides a new opening particularly for English-speaking readers into his decidedly complex texts and their contexts. With this in mind, Blanchot’s legacy will remain an open-ended question. Bident provides particularly magnificent commentaries on Blanchot’s texts, and is deeply sensitive to his life—if admittedly one may take issue with his having done so too handily. It is in light of the more vociferous contemporary scholarship on Blanchot that the claim that one is misguided in mounting such an attack rings with a certain genuineness impossible to deny, and might be taken insofar as the re-emergence of a politic of writing seems to obscure engagement with his works. In any case, It will be a stimulating sight as Blanchot studies progress to open a space to contend with some of the most compelling and difficult concerns posed to us by existence and nothingness, the book to come and the book of absences, and the work or worklessness of community.

[1] Christophe Bident, Maurice Blanchot: A Critical Biography, trans. John McKeane (New York: Fordham University Press, 2019).

Robert C. Scharff: Heidegger Becoming Phenomenological: Interpreting Husserl Through Dilthey, 1916-1925

Heidegger Becoming Phenomenological: Interpreting Husserl through Dilthey, 1916–1925 Book Cover Heidegger Becoming Phenomenological: Interpreting Husserl through Dilthey, 1916–1925
New Heidegger Research
Robert C. Scharff
Rowman & Littlefield International
2018
Paperback $39.95
176

Reviewed by: James Cartlidge (Central European University)

The story often told about the birth of phenomenology begins with the perceived proto-phenomenological tendencies of philosophers of antiquity, before the discipline eventually found its proper explicit expression in Edmund Husserl. Following in the footsteps of Husserl comes his young student Martin Heidegger, who takes his basic insights, expands on, develops them and revises them, which eventually results in a ‘phenomenological ontology’, as opposed to Husserl’s ‘transcendental phenomenology’. Though Heidegger disagrees significantly with Husserl on some issues, when it comes to how Heidegger became the kind of philosopher he did, the debt he owes is largely to Husserl. However original Heidegger goes on to be, he is ultimately, to some extent, a Husserlian revisionist. However, as more of Heidegger’s early lecture courses have appeared, another figure’s considerable influence on the young Heidegger became increasingly difficulty to deny, at the expense of Husserl and the line of interpretive thought I just described. This figure is Wilhelm Dilthey, a German historian best known in philosophical circles for his contribution to the epistemological debate surrounding ‘understanding’ and ‘explanation’. The fact that Dilthey influenced Heidegger, and that Heidegger thought his work was especially promising, is uncontroversial: even in Being and Time he wrote that “the researches of Dilthey were, for their part, pioneering work; but today’s generation has not as yet made them its own.”[1] The extent of Dilthey’s impact on Heidegger’s philosophical formation, however, has not been adequately understood, nor its primacy over the influence of Husserl. Correcting this oversight is the central aim of Robert Scharff’s Heidegger Becoming Phenomenological. Using the wealth of evidence from Heidegger’s early lecture courses and the clearly Dilthey-influenced language and theoretical framework found in them, Scharff not only elaborately illustrates Dilthey’s impact on the formation of Heidegger’s thought, but shows how it is this impact that informs his subsequent reading of Husserl. It is only based on his prior reading of Dilthey that Heidegger ‘destructively retrieves’ Husserl. The dominant interpretive line of thought with respect to the history of phenomenology from Husserl through Heidegger is therefore mistaken, a fact that is perhaps not necessarily new to us but has never been as comprehensively expressed and well-demonstrated as Scharff does here. His text is a welcome addition to the New Heidegger Research series, with its clear writing, thorough scholarship and nobly motivated project making it of interest to anyone looking to learn about the history of phenomenology.

On the one hand, Heidegger Becoming Phenomenological is a historical, scholarly work concerned with the genesis of Heidegger’s phenomenology and the specifics of his engagements with Dilthey and Husserl. But on the other hand, it is also about what it is to philosophize at all, and what kind of philosophers we need to be, or become. Its expositions of Heidegger, Dilthey and Husserl are driven and bookmarked by an impassioned call for philosophers to question the predominantly materialist/objectivist, ‘technique-happy’, scientifically-minded condition in which much philosophy finds itself, where the “primacy of the theoretical” (158) reigns. In this climate, there is a dominant tendency to conceive of ourselves as knowing subjects, rational animals, as cognizing consciousnesses to which objects appear – at the expense of the wealth of phenomenological life-experience that this conception of ourselves ignores. The effect of this ‘loss of touch with life’ on philosophers, on Scharff’s view, is particularly damning:

their work grows to be an embarrassment, increasingly displaying a tendency to become excessively logical, formalistic, or simply clever; and this is so even if in the beginning, some insightful encounter or concern that is actually lived-through was the source of hat are now just empty exercises. (153)

It is these ‘insightful encounters or concerns’ that Scharff, through Heidegger and Dilthey, insists we must get back to. But this cannot be done as long as we are mired in the normal (read, broadly analytic, scientistic) way of doing philosophy, where philosophers ‘inquire, argue and claim’ (159), ‘take positions, promote theories and influence others’ (xii) and the worth of their viewpoints are evaluated. (xvi) Here, claims are either true or false, arguments are sound or unsound, theories are coherent or incoherent, changing your mind is inconsistent, new ways of speaking perhaps ‘incoherent’, ‘obscurantist’ or ‘unscientific’, and everything a philosopher says in their work is taken at face value. It is this superficial way of doing philosophy that we must overcome, and another strength of Scharff’s text is its emphasis on and drawing out of Heidegger’s way of overcoming it – his way of reading other philosophers in a ‘destructive retrieval’. The bulk of Scharff’s text is dedicated to explicating, in detail, how Heidegger engages in such a ‘destructive retrieval’ of Dilthey and Husserl. I will briefly summarise how the book proceeds chapter by chapter before spelling out some of its most significant points in greater detail.

Chapter 1 frames the book in terms of Heidegger’s early preoccupation with how we should philosophize, his ‘preliminary question’ of what kind of philosopher one needs to be in order to be phenomenological. For Heidegger, this will involve a destructive retrieval of both Husserl and Dilthey, with the emphasis on ‘destructive’ with Husserl and ‘retrieve’ with Dilthey. The retrieval of Dilthey is the starting point of chapter 2, which begins ‘part one’ of the text. Here, Scharff introduces Dilthey’s central ideas of ‘the standpoint of life’ and ‘understanding life in its own terms’ as they arise in the most familiar contribution Dilthey has been known to make to philosophy, which is his attempt to delineate between the natural and human sciences and provide epistemology for the latter. Out of this project arises Dilthey’s idea that the human sciences attempt to understand human history from ‘the standpoint of life’, an idea that gets ‘phenomenologically replaced’ in Husserl with the ‘transcendental consciousness’, a de-historicised, de-contextualized cognizing subjectivity to which objects appear. Heidegger sees certain ‘intuitions’ in Dilthey’s idea that promise far more philosophically (for phenomenology and ontology) than even Dilthey himself realised. Chapter 3 shows how Heidegger sought to appropriate Dilthey and carry his work far beyond the epistemology of the human sciences, which Dilthey confined himself to. Here there are interesting discussions of how Heidegger engages with other philosophers, in terms of ‘appropriation’ and the ‘formal indications’ we might find implicit in their work even if they do not realise it. ‘Formal indication’ is a notoriously difficult concept in Heidegger, one that normally gets fleshed out from its application in Being and Time and beyond, so it is interesting to see its treatment in the 1920s lecture courses. Heidegger’s appropriation of Dilthey’s ‘standpoint of life’ leads us into ‘part two’ of the text, which deals with how Heidegger’s appropriation of Dilthey informs the ‘destructive’ element of his engagement with Husserl. Dilthey helps Heidegger realise that Husserl’s phenomenology is not genuine phenomenology, but an enactment of the theoretical-scientific attitude, containing an unhelpful opposition to Dilthey’s alleged ‘historicism’, which for Husserl leads to obscurity and relativism, and does not “a proper philosophical response to the empirical facts of historical-human life.” (98) Phenomenology, on Husserl’s view, must ‘get behind’ historical life to the transcendental consciousness which experiences it. However, an immersion in the historical, as Heidegger learns from Dilthey, turns out to be a requirement for genuine phenomenology, not something to be opposed by it. Chapter 5 turns to the positive retrieval of Husserl, in which Heidegger attempts to salvage Husserl’s ‘principle of all principles’ in a way that is compatible with Dilthey’s historically-immersed ‘standpoint of life’. Heidegger’s destructive retrieval of both Dilthey and Husserl for the purpose of becoming genuinely phenomenological lead Scharff to the conclusions he draws in chapter 6, about the always-ongoing nature of phenomenology, something that necessarily ‘becomes’ without ever reaching a complete state of ‘being’. The point of phenomenology is to become attuned to our historical being, a process which is always ongoing, never finished – the point is therefore to continuously ‘become’ phenomenological, not try and ‘be’ it.

 Arguably, the most important term in Scharff’s book, both for understanding how Heidegger conducts his philosophy and for understanding the project of the book itself, is ‘destructive retrieval’. Heidegger’s notion of ‘destruction’ is long-familiar to us, especially in the form of the ‘destruction of the history of ontology’ he proposes in Being and Time. But in his earlier lecture courses, which are the sole focus of Scharff’s analysis, Heidegger speaks rather of ‘destructive retrieval’, emphasizing both the positive and negative aspects of the task he would later refer to only as ‘destruction’.

Sometimes, one encounters texts whose author seems to be “on the way” toward a topic or insight that outruns, or perhaps even casts doubt on the aptness of – what they say or even consciously intend. In such cases, it is especially desirable to try to understand the text “in its own terms” (xviii)

To destroy, or destructively retrieve, a philosopher’s work, does involve a negative dismantling of it, but always with an eye towards retrieving the positive possibilities latent within it, the tools it might (in spite of itself) afford us for moving beyond it. Rather than a strict emphasis on whether someone is right or wrong, coherent or incoherent, destructive retrieval aims at ascertaining what about their historical context might drive a philosopher to say what they say and what worth this motivation might have in the long run, even if the expression this motivation was given and the work it was put to turns out to be mistaken or inadequate. It is not just about dismantling inadequate systems of thought, but “stake out the positive possibilities of that tradition” (BT, 44) in which they are situated, ascertaining what we can learn from it about how to do philosophy as well as how not to do it.

This is precisely what Heidegger does with both Dilthey and Husserl, but it is Dilthey who Heidegger owes a greater philosophical debt to, and Dilthey who informs Heidegger’s subsequent reading of Husserl, not the other way round. Scharff’s book therefore finds a happy home alongside other texts in the New Heidegger Research series such as Thomas Sheehan’s Making Sense of Heidegger, since it also aims at overturning a long-dominant interpretive tendency in Heidegger scholarship. Scharff argues at length that the influence of Husserl on the young Heidegger has been overemphasized for far too long, with “the two main interpretive options […] [being] that he is either a revisionist Husserlian or a radically revisionist Husserlian.” (vii) Scharff’s contention, backed up by the relatively recent availability of Heidegger’s 1920s lecture courses, is that both of these alternatives are wrong, and it is in fact Dilthey who helps Heidegger take up a position on how it is that he should philosophize, a position which goes on to inform his reading of Husserl.

But this is not to say that Husserl had nothing to offer Heidegger, or that Heidegger has no issues with Dilthey – Heidegger engages in a destructive retrieval of both, though “it is more a matter of critically dismantling in the case of Husserl and more a matter of appropriation/retrieval in the case of Dilthey.” (xxii) Ultimately, Husserl saw the potential of and necessity for phenomenology but was gravely mistaken in his articulation of how it should be practised. Phenomenology, for Husserl, must rise above our “concrete circumstances […] of scientific practice […] of culture, society, history” (40) in order to be able to train itself exclusively on what appears to a ‘transcendental consciousness’. Only then will we have returned ‘to the things themselves’, as his famous slogan suggests. But as anyone familiar with the Heidegger of Being and Time will know, this ‘rising above’ is precisely a step in the wrong direction. Rather,

historical-human life […] belongs to us and is possessed by us as an endlessly rich, diverse and multiply interested environmental experience that is an already meaningful and understandable process before it gets theoretically sliced up and conceptualized. (xx)

Husserl’s basic motivation to return to the things themselves as we experience them, is a noble and necessary one. However, his idea of what this means is gravely mistaken. According to Husserl, we must strip away the trappings of historical life, culture and experience in order to experience the world ‘as it really is’, and so he remains trapped in a Cartesian-Kantian framework that amounts to an “enactment of the current (predominantly scientific and philosophically scientized) ways of conceptualizing” (xxi) life as we live it. To be phenomenologists, according to Husserl, we have to become the disinterested, objective cognizing observers that science would have us be, and record our experience this way. Heidegger’s problem with this is not just that the stripping-away Husserl proposes is impossible, but that even if it were possible, would be a far from accurate reflection of our existence and experience. We are fundamentally historical beings, and this being-historical fundamentally conditions our existence and experience of it at every step. To attempt to rise above it to describe our experience of our existence, therefore, is gravely misconceived and would miss out on a constitutive element of our existence. Rather, any phenomenology worthy of the name must involve an attempt to understand our life ‘in its own terms’, cultural-historical trappings and all. And it is this insight that Heidegger gets from reading Dilthey.

Through Dilthey, Heidegger arrives at a conception of how to do phenomenology that far surpasses Husserl’s, but this is not what Dilthey had in mind. Dilthey’s original project, as chapter 2 explains, was originally to construct an epistemology of the human sciences, such that they can be shown to be distinct rom the natural sciences and yet still be called a science. Readers unfamiliar with Dilthey’s well-known contributions to the human sciences and the ‘explanation vs. understanding’ debate will learn a lot from this chapter, which reconstructs some of the most salient points before phenomenologically recasting this territory as Heidegger does. In the course of Dilthey’s project, Heidegger detects “a [very non-traditional] philosophical concern”, namely, the concern to understand the living-through of historical existence and all of its manifestations “in their own terms.”” (xxii) According to Heidegger, waiting to be retrieved in this idea is the basic attitude one must adopt if one wishes to be a phenomenologist, something Dilthey ultimately was unable to realise because of his own historical situation, and his own self-conception as an epistemologist of the human sciences. Indeed, understanding how a thinker’s work is an expression of its own historical-cultural situation is a key element of a destructive retrieval – the point is not only to understand what a philosopher got right or wrong, but what it is about their situation that drove them to say what they said in the first place and how it ‘expresses’ their situation. Dilthey’s idea of understanding life in its own terms, and working out what this might mean for phenomenology, becomes Heidegger’s primary destructive-retrieving concern in the 1920s, up until the writing and publication of Being and Time. His response to Husserl’s conception of phenomenology may initially seem obvious, but it is not without reason that Husserl opposes Dilthey, in fact this points to a deep disagreement between philosophers of all stripes over a key issue: the nature and danger of relativism.

Husserl sees Dilthey as engaging in a kind of ‘historicism’, which brings with it the danger of relativism. If everything must be understood out of and related back to our historical life, everything is relative to whichever historical period it arises out of, none of which are ‘better’ or ‘more fundamental’ than any other. Practitioners of natural science, and anyone that adopts a ‘theoretical-scientific attitude’, would obviously want to oppose this, since the very point of science is to achieve knowledge that would be true no matter what historical period we are in. But Heidegger is not advocating for (at least this kind of) relativism, as this quote shows:

those who cry, “Relativism!” typically have things backward. It is factical life in its primordial sense that is “absolute,” and the particular expressions of practice that emerge from it are “relative” (59)

Heidegger, along with Dilthey, is keen to relate everything back to “the facts of consciousness” (60) for this is where all human practises originate and have their grounding. To say this is not to say that experiential knowledge is more fundamental than natural-scientific knowledge, or that one is ‘better’ than the other, just that they are different and one emerges out of the other, as all human practises do. A phenomenology, to be truly phenomenological, must get to grips with our historical existence as that kind of being out of which disparate human practises, indeed any human practises, arise. The point of phenomenology is not to invalidate or undermine science or the knowledge it discovers, but one of its functions is to explicate science’s origin out of human life and its being grounded therein, in the facts of historical consciousness.

But this task of phenomenology, as Scharff deals with later in the book, is always a necessarily unfinished one, something we are always on the way towards but never quite reach completely because of the ever-changing historical landscape. Phenomenology is always ongoing, always ‘responsive’ to the changes of our existence as we experience them. This is where the second sense of the book’s title comes into play – the first sense emphasizes that it is a book about how Heidegger becomes the sort of philosopher he is by 1927, and the second emphasizes the unfinished nature of phenomenology as something that is always ‘becoming’, never ‘being’ in itself, complete. This is also another reason behind Husserl’s opposition to Dilthey’s ‘historicism’ – because history is ever-developing, to remain immersed in it in the course of our philosophical investigations implies an insusceptibility to a definite method or single way of proceeding, which dooms us to remain trapped in indefiniteness and obscurity. Indeed, because of the problem of history there will have to be as many or phenomenological methods or techniques as is required by whatever new challenges to it that history throws up as it proceeds. But this is not necessarily a negative consequence, but rather testifies to phenomenology’s status as a process: “no method or training regimen can protect even a well-intentioned phenomenologist from the never-ending struggle to become phenomenological” (157). Because human existence is ever-changing, developing and dependent on the whim on history, phenomenology must be ever in the process of becoming ‘responsive’ to these changes in order to capture them adequately. Though Husserl’s basic motivation of getting back to the things themselves is noble, his enactment of it precludes the required kind of attitude to phenomenology, where Dilthey’s openness to historical being better equips us for attaining it.

These are, I would suggest, the most important and salient points Scharff makes throughout the book, but this is not to mention some other interesting issues that arise along the way. The way Scharff grapples with Heidegger’s notoriously difficult idea of ‘formal indication’, and the array of formally indicative concepts and phrases in Heidegger’s early work, is admirable. So is the inclusion of Heidegger’s much-less-discussed engagement with Paul Natorp, a prominent philosopher of the time. How Heidegger uses Natorp’s criticisms of Husserl as a springboard for making a case for “a non-theoretical “immanent illumination of life experience that remains in this experience and does not step out and turn it into objectivity” (122). This is likely not to be familiar to most readers.

Which brings me to some perhaps more negative aspects of the text, of which there admittedly are not many and do not eclipse its overall merits. The influence of Dilthey on the young Heidegger, owing largely to the relatively recent publication of the lecture courses Scharff discusses, has been evident for quite some time now. Readers that are familiar already with Dilthey and Heidegger’s early lecture courses are therefore unlikely to find much that is surprising or new here. However, I find it hard to imagine that the link between Dilthey, the early Heidegger and Husserl has been as comprehensively expressed elsewhere, which is a merit in itself. The book would therefore be especially suited to students of Heidegger looking to learn about his relationship with Dilthey. This is especially the case because a basic grasp of Heidegger (and Husserl’s) work would be beneficial to have before approaching Scharff’s text, which can be dense at times. But these are not necessarily criticisms of the text itself, which is well-researched and well-constructed, and the complicated parts about the nuanced ideas of the three philosophers involved are explained in detail and at length, ultimately leaving little room for misunderstanding.

Furthermore, because of the nature of the text, some of the most interesting issues that arise within it – about the phenomenological ‘method’ and attitude, and whether it can fully escape the trappings of theoretical attitudes – do not ultimately get much attention. Scharff admirably reconstructs this specific area of phenomenological scholarship and points towards the surrounding issues it raises, but leaves the discussion open at some interesting points. To what extent can phenomenology be rigorous if it has no single method? Can we ever really escape the ‘analytic’ way of doing philosophy, where claims are made, positions analysed, etc.? What exactly is the nature of the ‘responsive’, ‘mindful’ attitude to our historical life we must attain, and how do we attain it? These are questions that the text circles around but does not try to solve definitively. Obviously, by the time he writes Being and Time, Heidegger has some ideas about how to answer these questions, but since Scharff’s aim is to ascertain how Heidegger becomes the kind of philosopher he is by that point, he does not go into this. This is part of what makes the text a good springboard toward further research and reading for whoever engages with it, and because it points to the fact that it is in the very nature of phenomenology to be unfinished, and these supposed ‘difficulties’ or ‘deficiencies’ that actually keep it alive, and allowed to develop along with our historical being.

Anyone interested in the history of continental philosophy, the interconnection of Husserl, Heidegger and Dilthey, or the history of phenomenology in general, will find much of worth in Scharff’s text. It would be especially informative for those in the early stages in their acquaintance with these topics, but those with a familiarity will undoubtedly find something worthwhile here too, if only because of the sheer detail Scharff goes into with Heidegger’s 1920s lectures, or the discussion of Dilthey’s epistemological writings, or the specifics of Husserl’s conception of phenomenology. This also because it serves as a good indicator of several interesting areas of discussion about the possibility of a phenomenological method (or methods), the nature of phenomenology and its relation to our historical nature, and how we should do philosophy at all. In fact, it is on this point that Heidegger Becoming Phenomenological is at its most admirable, passionately defending philosophy that opposes the dominance of the scientific-attitude, which questions philosophy’s reliance on established theoretical frameworks, and refuses to rely on technique-happiness and generally-accepted ways of doing things. Surely, philosophy should be an enterprise that questions itself all the time, and questions the methods and conceptions of itself that have become dominant within it. Philosophy should always be something the resists complacency, never being completely satisfied with what it has achieved, because the questions that it deals with are eternal questions, ones that we must continuously work towards a better understanding of but always in the knowledge that a complete solution of them is impossible. This is what drives philosophy forward, or at least the most interesting and philosophical kinds of philosophy, no matter where in the world it is from. The divide between analytic and continental philosophy is beginning to become more blurred, with analytic philosophers doing metaphysics, and there is more dialogue than ever between philosophers across the divide (Heidegger and Wittgenstein being a key example), Heidegger Becoming Phenomenological is also a powerful reminder of why this is a good thing, and how much continental and analytic philosophers have to learn from each other.


[1] Martin Heidegger. 1962. Being and Time (BT). Trans. John Macquarrie and Edward Robinson, Blackwell, London, 429.