Frederick C. Beiser: Weltschmerz: Pessimism in German Philosophy, 1860-1900

Weltschmerz: Pessimism in German Philosophy, 1860-1900 Book Cover Weltschmerz: Pessimism in German Philosophy, 1860-1900
Frederick C. Beiser
Oxford University Press
2016
Hardback £40.00
320

Reviewed by: Sergio Valverde (Social Sciences, Metropolitan State University, Saint Paul, Minnesota)

A curious intellectual phenomenon occurred in Germany after 1850. Suddenly, the mood was doom and gloom with no obvious or single explanation. The global market was booming. Germany was a capitalist power rivaling England. French imperialists were defeated. But German intellectuals were stuck in a funk.

The word is Weltschmerz – ‘world pain’. Instead of Hegel’s more optimistic Weltlauf – ‘the march of the world’ towards freedom – Weltschmerz implies “weariness about life arising from the acute awareness of evil and suffering” (1). German pessimism involved “a rediscovery [and reformulation] of the [ancient] problem of evil” (5). In short, German intellectuals secularized the concept of evil and attempted to comprehend the meaningfulness of life in the face of the radical ontological evil envisioned by Kant.

For Beiser, the origins of Weltschmerz are a mystery. The great capitalist depression from 1870 to 1900 that came after only helps to explain the spread of Weltschmerz, not its cause. If pessimism were all the rage among the genteel, one would expect them to be cynics to the suffering of others. Yet Weltschmerzers and their challengers had differing positions, not only on metaphysics, but over the “social question” of capitalist modernization and the exploitation of the worker. Many optimists, convinced that social progress (when left alone) is certain and sufficient, opposed welfare reforms. Pessimists wanted state intervention and technical progress to alleviate suffering even if, as a matter of principle, they believed ours was a world racing to the bottom. If pessimism did not have an identifiable social cause, Beiser locates the sullen Zeitgeist in the history of ideas and, specifically, in the work of Arthur Schopenhauer.

Schopenhauer came from a wealthy family. He is famous in the annals of philosophy for coming up with the most offensive philosopher-on-philosopher insults. For years, Schopenhauer languished in obscurity, berating the German professoriat that was represented by Hegel and taking breaks to look for his soon-to-be disciple, Julius Fraunstaedt, his brightest follower and most fervent critic. Living off his father’s rents in Frankfurt, Schopenhauer spent his days musing on nothingness and absurdity in the comfort of his “Grand Hotel Abyss”. When the dust settled and the “dragon seed of Hegelianism” was finally eradicated by the good Christian king (with no small help from Schelling), Schopenhauer had his chance.

At that time, there were two branches of German philosophy. On the one hand, Neo-Kantians offered “transcendental grounds” for science, thereby attempting to justify philosophy in the face of great scientific advances. These were not the advances of Galileo, Copernicus, and Newton, but the electromagnetism of Michael Faraday, Leon Foucault and the rotation of Earth and, of course, the equations of James Maxwell. On the other hand, positivists saw their craft as a sui generis science of facts. The problem was that both schools forgot the world of emotions, the problem of freedom and the the sense of evil. That is, the very bread and butter of the philosophia perennis. Furthermore, philosophers lacked an audience. Nobody was buying.

With the publication of Parerga and Parapolimena, a collection of witty essays about existence and the meaning of life, in 1851, Schopenhauer became the celebrity philosopher of the second half of the long nineteenth century. As Beiser tells us, his “influence lies more on his age than on individual thinkers.” Schopenhauer successfully set Germany’s philosophical agenda for the rest of the century. What was that agenda?

Schopenhauer devised an anti-theodicy, according to which non-existence is better than existence because existence implies that, even in the very best of lives, a minimum of suffering that is absent in not existing. The position is both perfectionist and realist. First, Schopenhauer argued like an upturned Leibniz: the worst of all worlds has a maximum of evil compatible with existence because if we add one gram more of that poison, the world ceases to be. Second, Schopenhauer endorsed Epicurus and some of the ancient utilitarians. Pain always outweighs pleasure and, if we were rational, we would choose nothingness over being. Yet we exist, so what to do in such a pickle?

Schopenhauer returned to the questions of classical philosophy: life, pain, death and meaning. According to Schopenhauer, evil and suffering belong to the very make-up of our world. However, it is not Kant’s concept of evil, which is a matter of just intelligence, of freely and rationally choosing the opposite of the Categorical Imperative. Radical evil for Kant allows us to disrespect other people’s dignity, violate their autonomy and walk all over their humanity in a purely disinterested and universal way. For Schopenhauer, however, evil is not only a “noumenal” idea that guides our actions. Evil is noumenal in a more radical way; it is part of the very nature of existence. The will only cares about itself. As Beiser puts it, “life is suffering because it is the product of an insatiable and incessant cosmic will” (37).

Schopenhauer’s assertions on cosmic wills were, in a sense, more radical than those of Kant. The latter told the world that it is impossible to know things as they really are. He critiqued a type of reason that thinks it speaks for things in themselves, or worse, for non-things like God and the soul. Kant built a wall between representation and whatever was behind or beyond it. He argued, instead, that we can only know our own mental representation of things. But Kant was not an atheist. He reserved the capacity to think beyond appearances for morality. Only as a commandment of the will can the idea of God or the soul be of any use. Such entities cannot be proven by science but ethical beings need them to make free-will feasible. Freedom is not proven but demanded. As Fichte claimed, freedom is “posited” by an infinite will.

Schopenhauer, however, was a Kantian. He was aware of the faux pas against established orthodoxy and he “solved” the ontological question by inlaying a new dimension to the already radical duality between things-in-themselves and representations. Schopenhauer agreed, following orthodoxy, that the faculty of understanding produces representations. But he reserved the will for the noumenal realm – the old country of metaphysics. Beneath all representations of things, there is this inexhaustible, irrepressible and unending will of which everyone is only a fleeting quote.

Yet, for Schopenhauer, a return to metaphysics had only practical significance. It is not Scholasticism 2.0. Schopenhauer addressed “the puzzle of existence” in practical terms. This simple and apparently antiquated, yet profound, change in tactics made him different and popular among readers of the time. So, what were the ethical implications of his new metaphysics?

Beiser thinks that Schopenhauer produced a sort of Protestant atheism, or “Protestantism without theism”. It is not enough that we suffer. We deserve to suffer. In their obstinate attachment and reiteration of original sins as excuses for our suffering, Schopenhauer joined other great modern reactionaries like Joseph DeMaistre and Juan Donoso Cortés. Furthermore, Schopenhauer’s negative anthropology was useful in drawing the necessary weapons against starry-eyed Enlightenments. Because man is evil, a strong hand is needed. Because man is evil, only grace can save us. However, due to the impenetrability of God’s designs, such voluntarism is usually resolved in a monastery and in the blind acceptance of rules. But Schopenhauer was not a man of mystery. His catholic rationalism and cosmological voluntarism is a fascinating mix. Schopenhauer did believe that natural law can be known. The problem is that his notion of natural law is not the happy and elated one of Aquinas. The selfish will is the only natural necessity. Yet, unlike Spinoza, Schopenhauer thought that we can separate ourselves from an absolute will (“lift the veil of Maya”) by using our understanding and denying the will. It is the aesthetic quietism well known to Schopenhauer readers. Yet, how does one reconcile Schopenhauer’s determinism of the will with intellectual autonomy? Beiser offers an explanation of this contradiction. However, his is not a decent solution. Ultimately, it is a problem that manifests when philosophy starts with absolute definitions and proceeds through dichotomies until the end. Antinomies always remain antinomies because of a static universe despite Schopenhauer’s hyperactive will.

Historians have long ignored the tradition Schopenhauer started. However, Beiser shows that, from 1860 to 1900, Schopenhauer towered above all others in Germany. Schopenhauer’s followers like Eduard von Hartmann or critics like Karl Eugen Duhring (sadly remembered today for being the punching bag of Engels and for his late anti-Semitism) were stars in the intellectual sky of the Second Reich. Hartmann’s “flat, dry, and boring” Philosophy of the Unconscious went through eight editions. Duhring’s Natural Dialectic went through no less than ten revisions and an equal number of editions. Beiser reminds us of the contemporary importance of these neglected thinkers and, moreover, places Nietzsche within his proper context. Many of Nietzsche’s ideas were borrowed from the “pessimist controversy” that defined German thinking, that is, between Schopenhauerian curmudgeons and the positivist and neo-Kantian Panglossians.

There were many voices involved in the Weltschmerz controversy: Agnes Taubert, Olga Plümacher. Büchner, Duboc, Windelband, Paulsen, Meyer, Vaihinger, Fischer, Rickert, Cohen, Riehl. Beiser, however, explores the philosophies of five of Schopenhauer’s disciples and critics, who responded by recalibrating or re-mixing in different ratios the pessimist and optimist elements in a sort of moral chemistry.

First, there is Julius Frauenstaedt, Schopenhauer’s first apostle and critic. Frauenstaedt was the only Schopenhauerian who came from the fading Hegelian tradition. All others were neo-Kantians or positivists. Frauenstaedt abandoned Hegelianism because the monism of Hegel’s dialectics was not enough to account for the identity of faith and reason. Where does human freedom stand if in the last instance reason is both divine and human? This “divine reason” or “speculative Good Friday” of Hegel cannot be resolved in theism or pantheism because both are “illegitimate metaphysics”. Frauenstaedt finds in Schopenhauer a more feasible solution to this problem. There is, in Schopenhauer’s body of work, both a system of transcendental idealism, according to which the thing-in-itself is separate from appearances and a system of transcendental realism whereby appearances are objectifications of this transcendent will. Thus, it is the will that unites reason and faith. However, Frauenstaedt finds a new dualism in Schopenhauer – the separation of will and understanding. The will needs to represent the object of its striving; it needs to have an idea of what it wants. On the other hand, why does the cosmic will that is all-powerful and self-sufficient divide itself into two – itself and non-will? Other dualist problems in Schopenhauer concern the distinction between philosophy and natural science and the Schopenhauerian contempt for history in favor of metaphysics. All these problems that originate from Schopenhauer’s radical dualism were signs for Frauenstaedt that Schopenhauer remained trapped in “the cage of idealism.” In the end, Beiser thinks Frauenstaedt could not abandon the basic Hegelian conviction that things always work out for the better even if they do so through the worst.

Karl Eugen Duhring was Schopenhauer’s fiercest detractor. He opposed Schopenhauer with an optimism based on natural science and socialism. Duhring’s positivism precluded any metaphysics of cosmic wills and known unknowns. Immanence is absolute. We determine the  value of life, our own small measure of peace. However, according to Beiser, Duhring contradicts himself. We can grasp nature and reality through intellect and correctly conclude that there is no world beyond. Yet, for Duhring, the intellect cannot make a final determination on the worth of existence. That determination is ineffable. On the topic of death, Duhring joined the gang of pessimists repeating Epicurus and Marcus Aurelius; we shall not fear death since we cannot experience it.

Duhring was one of only a couple of Weltschmerzers that harbored leftist sympathies in the “pessimist controversy.” Most were well into the political right. However, unlike Mainlander, Duhring thought that we can make life happier for the greatest number through science and redistribution. For Mainlander, even socialism does not solve suffering.

The most influential theorist of pessimism was Eduard von Hartmann. Philosophy of the Unconscious was the “eye of the storm” in the 1870 pessimist controversy. Hartmann tried to reconcile Schopenhauer’s pessimistic voluntarism and Hegel’s optimistic rationalism in a systematic way through a) pantheistic monism, b) transcendental realism, c)an eudemonic pessimism and d) evolutionary optimism. Hartmann saw that spiritual monism solves the problems of theism and materialism altogether. It avoids the traps of theism in that ethics is autonomous in a pantheist system because moral law comes from the dictates of a cosmic self, while theistic ethics is heteronomous; one should obey an alien God. Spiritual monism also avoids the traps of materialism. This cosmic self has a purposeful nature in the sense that it is not a machine without track. Secondly, against Kant, Hartmann followed Schopenhauer in taking a transcendental-realist position; appearances can give us some information on the things-in-themselves. Consequently, Hartmann thought that the best position is the ancient ideal of eudaimonia because it has an idea of how the universe really works. The world is pain and suffering but life is worth living if one follows the ancient utilitarian principle of avoiding both. However, Hartmann shared with the positivists and Hegelians a belief in progress and claimed that, culturally or as species, mankind heads for the better. This evolutionary optimism allowed Hartmann some measure of social Darwinism in that pain, suffering, war and colonialism are tools for progress unbeknownst to us in another iteration of the Hegelian List der Vernunft.

Beiser devotes a later chapter on Hartmann in relation to the pessimist controversy between 1870 and 1900. It describes the main points of the polemic between Hartmann and his two “female allies”, Olga Plumacher and Agnes Taubert, against Lutheran priests and neo-Kantians (a more intellectual kind of Lutheran) on whether life is worth living on the basis of love, pain, and pleasure. It is worth mentioning that one of the debates is about the question on whether the hedonic calculus should be considered quantitatively or qualitatively. By that time, economic thought was undergoing a profound change on this question. Marginalism – to which this problem was central – caused a major revolution that transformed economics into the science that it is today.

Phillip Mainlaender (née Phillip Batz) was the most utopian politically and the most coherent. He followed his master’s proclivities for dark and gore with even more gusto. He signed off his only book and immediately hung himself. Mainlander’s philosophy is a gospel of suicide. The only way out of suffering is death. His view of life is not that of Stoic tranquility but of the Christian mystic. Life is suffering and death redeems us all. Yet, Mainlaender was a materialist and did not believe that there is life after death, not even the promise to enjoin the one true cosmic will of Schopenhauer. For him, such ideas are abstractions. Mainlander was a nominalist. For him, there is only the individual will. He was also profoundly democratic and nationalist. For all his ethical pessimism, what matters in social life is sympathy and pity for the suffering of others, not the misanthropy and scorn proper to reactionaries like Schopenhauer.

Finally, there was Julius Bahnsen. His philosophy further problematized Schopenhauer’s metaphysics along familiar scholastic lines of whether the will is universal (Schopenhauer), multiple (Bahnsen) or individual (Mainlander). Bahnsen’s ideas were powerful and original, yet those traits came from a profoundly mentally ill man. His marriage was a disaster. His career as a professor failed. Some of his anxieties betrayed his petty-bourgeois conditions. Much of Bahnsen’s views were rooted in that social resentment that comes, like Schopenhauer, from not being of the establishment. For Bahnsen, pessimism sprang from failed dreams, not from the primacy of suffering in life. If suffering were the criterion, “even animals would be pessimists”.

In the face of dissatisfaction, Bahnsen revised some key aspects of his master’s doctrine. Firstly, there is individual responsibility in life’s actions and projects. Accordingly, the cosmic will is useless. Will is just a property or potential but the actual outcome is the sole province of each. Secondly, since responsibility presupposes autonomy (Kant), then the will must be redefined as plural and individual – a monadology so to speak of individual substances in the noumenal realm. Thirdly, even with disinterested activities such as aesthetics, there is also will – a “higher interest” of “self-promotion, self-affirmation, and self-satisfaction” (again, Bahnsen’s job anxieties come to the fore.) That the will is resilient in all fields of activity questions the stark division between will and representation. On the one hand, to experience art without interest or intellectual curiosity is boring “even if it were forms of Plato”. On the other hand, Schopenhauer’s notion of aesthetic detachment is refuted by the real fact that “we are touched and moved by aesthetic objects.”

Beiser’s book is delightful, clear and thorough. It is written in the best style of historians of philosophy. My only issue as a reader who prefers social histories of thought is that his approach is too internalist and textualist. For Beiser, “there seems to be no straightforward social or historical case for [German Weltschmerz]” because the period studied seems like “a happy age” for Germany. However, I take issue with this hypothesis and subsequent dismissal of social explanations. Furthermore, I think Beiser mirrors sociological reductionism in reverse. For mechanical theories of material-cum-intellectual conditions, then, if social conditions are happy, intellectual traditions have an optimistic outlook. Indeed, if conditions are dire, then pessimism is the intellectual order of the day. Beiser’s argument is similar: since social conditions were good in Germany, then the only reason for intellectual pessimism is the ideas of an individual (Schopenhauer) who caused the entire ruckus. However, to accept this theory would reduce German pessimism to a dull workout of the disgruntled class of intellectuals. In my opinion, things are always socially conditioned despite the apparent contradiction, or precisely because of real contradictions, between thought and (social) being. It is more interesting to speculate on why capitalist expansion produces periodically the kind of languor we see today and of which German Weltschmerz were the outcome and not the cause.  I recall Walter Benjamin’s studies on Baudelaire. Why is it that Baudelaire produced dark and gloomy poetry in Paris, “the capital of the 19th century”? Why did Baudelaire use another genre of allegories to express a problematic that was not visible in economic indicators? Though speculative, Benjamin offers a more satisfying social theory to Weltschmerz. It is precisely in times of commodity abundance and high consumer satisfaction offered by a buoyant capitalism that the meaninglessness of material life expresses itself as boredom and hopelessness. Even Benjamin’s explanation would make sense along Schopenhauer’s lines: since desire is endless and instant satisfaction guarantees boredom, why do we need more?

 

Françoise Dastur: Questions of Phenomenology: Language, Alterity, Temporality, Finitude

Questions of Phenomenology: Language, Alterity, Temporality, Finitude Book Cover Questions of Phenomenology: Language, Alterity, Temporality, Finitude
Perspectives in Continental Philosophy
Françoise Dastur. Translated by Robert Vallier
Fordham University Press
2017
Paperback $32.00
264

Reviewed by:  Rhonda Siu (University of New South Wales)

Françoise Dastur’s aim in her most recent monograph, Questions of Phenomenology, is to examine how various phenomenologists have responded to the essential questions of philosophy, especially those which challenge the phenomenological approach (Dastur 2017, xiii-xiv).  The background to Dastur’s project is the transformation of the meaning of “phenomenology” in the early twentieth century from a specific philosophical discipline to a new understanding of philosophy itself (ibid., xiii).  This new understanding is based on the view adopted by Husserl from the ancient philosophers that philosophy is a collective enterprise that brings different thinkers together (ibid.).  Dastur thus emphasises not individual theorists but rather the interconnections between them that revolve around their shared concerns (ibid.).  A broad range of concerns underlie the fourfold structure of Dastur’s monograph: (1) language and logic, (2) the self and the other, (3) temporality and history, and (4) finitude and mortality.

There are several particularly meritorious aspects of the monograph.  Despite the considerable ground she traverses, Dastur’s discussions are highly integrated; she moves fluidly from one to another by drawing connections between the themes that emerge throughout the work.  For example, Dastur notes that the difference between Husserl and Heidegger’s emphases on the immortality of the “transcendental ego” and finitude, respectively, also results in different perspectives of history, and of the threat that technology poses to human existence (in Patočka’s thought).  Equally as fluidly, Dastur weaves phenomenologists’ views into an intricate tapestry of different but interconnected perspectives.  Rather than seeking to eliminate the conflicts between viewpoints, Dastur acknowledges the existence of “irreconcilable positions” (ibid.) and immerses herself into the complex relationships between them.

This fluidity is also embodied in Dastur’s own approach to phenomenology, which allows for a nuanced and sustained analysis of the central themes.  Two main influences underlie her approach.  Following Husserl and Heidegger, Dastur also believes that phenomenologists share “the practice of a method” rather than a particular “doctrine” or “school” (ibid.).  Following Merleau-Ponty, she conceives of phenomenology as a constantly evolving “movement” rather than a finished or fixed structure (ibid.).  Consequently, rather than pitting different phenomenologists against each other, Dastur establishes a conversation between them by examining how each has participated in, and thereby contributed to, this movement by developing, critiquing and even diverging from the ideas of his predecessor/s.  To her credit, Dastur explores not only the movement between different philosophers’ views, but also within each philosopher’s views as they evolve.  While Dastur’s analysis centres on the complex relationship between Husserl and Heidegger’s phenomenologies, she also explores the notable contributions of Maurice Merleau-Ponty, Paul Ricoeur, Hans-Georg Gadamer, Eugen Fink, Jan Patočka and Emmanuel Lévinas.  Whereas she recruits the first five philosophers as mediating figures between Husserl and Heidegger, she enlists Lévinas as her main interlocutor in her unifying endeavour.  Given her focus on phenomenology as a movement, Dastur does not argue that Husserl’s views are superior to Heidegger’s, or vice versa.  Rather, she acknowledges that Heidegger is indebted to Husserl for providing the groundwork for his own phenomenological views and for prompting him to “designate his own mode of thinking as ‘phenomenology’ until the end of his career” (ibid., 46).

Commentators such as Burt Hopkins note that such unbiased approaches are “conspicuously lacking” in the analyses of the Husserl-Heidegger relationship in the existing scholarship (Hopkins 1993, 4, emphasis in original).  Instead, Hopkins claims:

The literature treating the relationship between the phenomenologies of Husserl and Heidegger has not been kind to Husserl.  Heidegger’s “devastating” phenomenologically ontological critique of traditional epistemology and ontology, advanced under the rubric of “fundamental ontology” in Being and Time, has almost been universally received, despite the paucity of its references to Husserl, as sounding the death knell for Husserl’s original formulation of phenomenology.  (ibid., 1)

In part one, Dastur begins by examining Husserl’s views of language, logic and knowledge before turning to the transition of Husserl’s approach to phenomenology to Heidegger’s through the inclusion of the hermeneutical dimension.  In chapter one, Dastur investigates Husserl’s early theory of knowledge, focussing on how his epistemological views in Logical Investigations were influenced by the German philosopher, Rudolph Hermann Lotze’s theory of “validity”.  Lotze’s work, Dastur claims, was a key contributing factor in Husserl’s transition from the “psychologism” he adopted from Franz Brentano to “logicism” and its attendant Platonic underpinnings (Dastur 2017, 5).  What Husserl takes from Plato (and Lotze) is the notion that the validity of a proposition (when understood as “universality”) is based on its being a “truth in itself” (ibid., 14).  Dastur claims that it is this idea of “truth in itself” and the wider “logicism” wherein it is embedded that Husserl will later abandon following his “idealist ‘turn’” in 1905-07 (ibid.).

Continuing her investigation of Husserl’s epistemology in chapter three, Dastur provides a reading of Husserl’s more mature text, Experience and Judgment which focusses on the “genealogy of logic” (ibid., 29).  She distinguishes between Husserl and Heidegger’s notions of “originary experience” (ibid., 35).  Whereas Husserl associates this experience with the “individual”, she argues that Heidegger associates it with Dasein’s “originary openness to a world”, which also includes its relations with others (ibid., 35 and 40).  Also in this chapter, Dastur expands on the reasons behind Husserl’s departure from Brentano’s psychologism.  She claims that psychology, for Husserl, approaches its limits when it attempts to go back to “originary experience”; it can only reach an experience that has already been informed by “idealizations” originating in the “modern natural sciences” (ibid., 29).  In departing from this psychological perspective, Husserl, Dastur argues, does not dismiss science but rather seeks to attain a more comprehensive understanding of it by revealing the implicit assumptions behind its idealizations (ibid.).

In chapter two, Dastur examines Husserl’s enterprise of developing a “pure logical grammar”, focussing on the fourth Logical Investigation (ibid., 15).  Departing from the modern linguists of his time who relied heavily on empirical methodology, Dastur claims that Husserl seeks to revitalise the former notion of “‘universal’” and “‘a priori grammar’” through revealing the “conditions of possibility for all language and all meaning” (ibid., 15-16 and 19, emphases in original).  Dastur also astutely challenges Husserl’s privileging of the “category of the substantive” in this enterprise due to his (questionable) assumption that it underlies the grammatical forms of all languages (ibid., 25-26).  She employs Johannes Lohmann’s observation that while “Indo-European languages” may have the “predicative structure of the proposition” as their basis, this does not apply to other languages like Chinese (ibid., 26-27).

In chapter four, Dastur details Heidegger’s combination of phenomenology with hermeneutics to form the notion of “hermeneutic phenomenology” (ibid., 52).  This, she claims, partakes in Heidegger’s endeavour to show more emphatically than Husserl how phenomenology, rather than being a new direction in philosophy, is actually an extension of Plato and Aristotle’s “philosophical project” (ibid.). As commentators like Günter Figal (2012, 525) observe, “the hermeneutical dimension of phenomenology remains at the margins” of Husserl’s philosophy.  Although acknowledging that hints of this dimension can be found in the first Logical Investigation and the fifth Cartesian Meditation, Figal maintains that “Husserl never discussed the hermeneutical aspects of his conception of phenomenology; he never clarified what precisely he meant by ‘explication’, and how it should be practiced” (ibid., 525-526).

Dastur claims that a key difference between Husserl and Heidegger’s philosophies lies in their views of how the subject initially experiences the world.  In what she refers to as Husserl’s “philosophy of the pure gaze”, the world first appears to the subject as impenetrable and perplexing; the meaning-giving act of the “constituting consciousness” is required to render it intelligible (Dastur 2017, 51).  By contrast, Dastur suggests that in Heidegger’s “hermeneutic phenomenology”, the subject is from the very beginning already embedded in, and engages with, the world and thus finds it comprehensible upon first contact (ibid., 51-52).  Aligning himself with the Greek philosophers Plato and Aristotle, Heidegger believes that the world cannot be reduced to a “pure sensuous given” inasmuch as perception is already a reaction to, and the initiation of a conversation with, the world (ibid., 43-44).

Part two of Dastur’s monograph is multifaceted, comprising analyses of: (1) Husserl’s “transcendental reduction”, (2) the self-other/patient-therapist relationship in the medical domain from a Heideggerian perspective, and (3) the crucial question of intersubjectivity in Husserl and Heidegger’s phenomenologies by way of Levinas’ distinctions between the same and the other, and between ethics and ontology.  In chapter five, Dastur outlines the ways that Husserl distinguishes his method of “phenomenological reduction” from that employed by the positive sciences (ibid., 57-58). Positive science assumes a pre-existing object that will be subjected for analysis, but Husserl’s “reductive method” does not (ibid., 57).  Dastur also analyses how Husserl departs from Descartes’ “representational” view of knowledge when he develops the notion of the “constituting consciousness” that marks the “transcendental turn” in his philosophy (ibid., 62-63).  Whereas the object and consciousness are completely distinct in Descartes’ epistemology, they are interrelated in Husserl’s philosophy (ibid.).  Dastur argues that, for Husserl, this does not entail that the constituting consciousness is responsible for founding the object; rather, the object initially becomes meaningful to us through the interpretative activity of consciousness (ibid., 63).  She also argues that what eventually motivated Husserl to distance himself even further from Descartes was his perception of Descartes’ inability to adequately address the issue of intersubjectivity, which Husserl regarded as essential to grasping the meaning of subjectivity (ibid., 65).

In chapter seven, a highly distinctive and interesting section of the monograph, Dastur examines how Heideggerian phenomenology can be applied to the medical domain, especially the possibility of deriving from it a “‘doctrine of human illness’” or a “therapy and preventative medicine” (ibid., 84).  Her analysis concentrates on two Swiss psychiatrists, Medard Boss and Ludwig Binswanger, who applied Heidegger’s ideas to their psychiatric practice in different ways.  Heidegger, Dastur claims, approved of Boss’ method of Daseinsanalyse because it forged a potential bridge between the ontological and ontic domains (ibid., 83).  By contrast, Heidegger claimed that Binswanger’s “psychiatric analysis of Dasein” constituted a “complete misunderstanding” of his thought as it did not progress beyond “an ontic and existentiell interpretation of factual Dasein” (ibid., 83-84).  A Heideggerian therapy that avoids the shortcomings of Binswanger’s approach, Dastur suggests, would necessitate a deeper engagement on the doctor’s part than the simple application of the ontological to the ontic by requiring the doctor to actually “experience himself as Da-sein” and perceive “all human reality” through this lens (ibid., 84).

In chapters six and eight, Dastur takes up the crucial “question of the other” in phenomenology by examining the relationship between Husserl and Heidegger’s views of intersubjectivity.  In both chapters, Lévinas serves as Dastur’s main interlocutor as she critiques his strict distinction between Being and ontology, on the one hand, and Ethics and the Other/alterity on the other.  In chapter six, she argues against Lévinas’ contention that the “question of the other” is adequately accounted for in Husserl’s philosophy but not in Heidegger’s, claiming instead that this question should be further examined in both their philosophies in an unprejudicial way (ibid., 69-70).  Temporality is central to Dastur’s investigation of intersubjectivity here insofar as she bases her analysis on what she perceives as Lévinas’ worthwhile contention that the “alterity of the other” is entwined with the “alterity of time itself” (ibid., 70).  She claims that Husserl’s notion of “self-constitution” relies on the alterity of time because the ego is necessarily constituted at a moment other than the present, meaning that the “constituting” and “constituted” cannot coincide (ibid., 71).  Dastur suggests that for Husserl this also applies to the self-other relationship.  Just as the ego cannot have immediate or direct access to its “past ego” (i.e. it can only recollect its past experiences later through reflection), in Husserl’s notion of “empathy”, the self only has indirect access to the other through “appresentation” (ibid., 74).  Moreover, just as the self’s recollection of its “past-ego” assumes that it shares a “community of consciousness” with the latter, so too does the “appresentation” of the other to oneself presuppose an “originary co-presence of the other” within the flux of time (ibid.).

In Heidegger’s philosophy, Dastur suggests that we find an even more intimate relationship between the self and time because the self is not simply subject to, and in, time, Dasein is time (ibid., 76).  As Heidegger’s well-known analysis of “being-toward-death” illustrates, Dasein’s finite nature means that time is essential to how it understands and interprets its own Being.  Dastur emphasises that, for Heidegger, the term, “being-with”, does not simply entail the fact that other people exist (ibid., 76-77) but is rather implicated and presupposed in how the self understands, and engages with, its finite existence.  Refuting Lévinas and those who accuse Heidegger of “solipsism”, she argues that “[i]t is therefore not at all a paradox to claim that in Being and Time, the question of the other is posed everywhere.” (ibid., 77-78, emphasis in original)

In chapter eight, Dastur recruits ideas from Ricoeur’s Oneself as Another to present a mediating position that adheres neither to Heidegger’s “thought of being” nor to Lévinas’ notion of “otherwise than being”, but rather contains and contests elements of both (ibid., 93 and 101-102).  She challenges Lévinas’ distinction between ontology and ethics by using Heidegger’s Letter on Humanism as an example (ibid., 92).  There, Heidegger combines these two notions by reanimating an ancient notion of ethics, namely, “ethos” (or “place of habitation”), which he conceptualises as the study of the “truth of Being” (Dastur 2017, 92 and Heidegger 1977, 234-235).  Positioning herself against Lévinas, Dastur claims that ontology, for Heidegger, is already “practical”, “engaged” and “ethical”, qualities which help to explain why he did not explicitly produce an ethics (Dastur 2017, 93).

In part three, Dastur establishes a dialogue between Husserl and Heidegger’s phenomenological accounts of time by way of Merleau-Ponty’s views of temporality and the notion of the “event”.  Ricoeur and Gadamer’s views of the entwinement of hermeneutics and narrativity in history are also examined.  In chapter nine, Dastur designates Merleau-Ponty as the “figure of the phenomenological movement situated ‘between’ Heidegger and Husserl” by tracing the “movement” of the section on “Temporality” in Phenomenology of Perception (ibid., 112).  There, Merleau-Ponty refutes both the realist and idealist responses to the problem of time.  On the one hand, Dastur claims that the realist view, for Merleau-Ponty, posits that the “subject is in time”, whereby time regarded as an object (ibid., 107, emphasis in original).  In Phenomenology of Perception, Merleau-Ponty (2002, 481) suggests that this conventional notion of “objective time” is unviable because it would simply consist in a “series of instances of ‘now’, which are presented to nobody, since nobody is involved in them”.  Rather than being supposedly applicable to everyone, objective time would in fact be inapplicable to anyone.  On the other hand, Dastur claims that the idealist view, for Merleau-Ponty, posits that the subject is “outside” of time and thus supposedly liberated from its confines (Dastur 2017, 107-108, emphasis in original).  For Merleau-Ponty, Dastur argues, this so-called “freedom” is misleading because the subject can only conceive of time’s “passage” or flow by inhabiting time rather than remaining completely detached from it (ibid., 108-109).  Merleau-Ponty’s alternative phenomenological response to the problem of time is that the “subject is time” (ibid., 107, emphasis in original).  By this, he means that an account of time must take the lived experience of the particular subject as its starting point.  It is the subject that either connects, or distinguishes between, the events of his/her past, thereby organising them into an integrated and meaningful narrative.

Dastur suggests that Merleau-Ponty formulates his phenomenological account of time by taking up an unconventional mediating position between Husserl and Heidegger’s views of temporality (ibid., 110 and 112).  Whereas Merleau-Ponty, she claims, follows Heidegger in interpreting Husserl’s notion of “intentionality” as “transcendence”, he follows Husserl in interpreting “ek-stasis” as pertaining to the subject rather than to existence (ibid., 110-111).  Moreover, she continues, by emphasising the subject’s “ek-static rather than synthetic character”, Merleau-Ponty reinforces Husserl’s notion of the “‘living’” or “‘enlarged’” present which, unlike the conventional notion of the present, comprises both the “retentional and protentional horizons” of the past and future (ibid., 113 and 115).  Dastur deems this marriage of Husserl and Heidegger as “the proper singularity of Merleau-Ponty’s work, which manages to give an eminent sense to the unity of what we have rightly called not the ‘school’ but the ‘movement’ of phenomenology” (ibid., 115).

In chapter ten, Dastur tackles the challenging question of how phenomenology can conceive of the “event”.  Specifically, Dastur claims that “the question is to show how a phenomenology of the event (if it is possible) constitutes the most proper completion of the phenomenological project rather than an announcement of its destitution or impossibility, as thinkers of absolute exteriority and alterity (such as Levinas and Derrida) sometimes suggest” (ibid., 120).  In her view, the event poses a challenge to philosophy (including phenomenology) because it exemplifies the “contingency” of time (ibid., 116).  The event, she argues, is brought about through an unexpected rupture between the past and future, which, in turn, is crucial to human experience because it allows for its transformation (ibid., 120).  Dastur investigates the significance of the “event” by examining the “phenomenology of expectation and surprise” that she finds in both Husserl and Heidegger’s philosophies (ibid., 121).  Influenced by Heidegger’s characterisation of death as “possibility” (or an “impossible” paradoxically made “possible”), Dastur links the “phenomenology of eventuality” with the “phenomenology of mortality” (ibid., 121).  Husserl’s philosophy intersects with Heidegger’s in Dastur’s analysis through her claim that Heidegger’s delineation of the possible as “a structure of existence” is grounded in Husserl’s “intentional analyses”, with the notion of “excess” being common to both (ibid., 122).  Just as the “possible” exceeds the “real” in Heidegger’s existential analysis, the “intentional aim” exceeds the “intentional object” in Husserl’s intentional analysis (ibid., 121-122).

Dastur perceptively raises a potential objection to developing a “phenomenology of the event”, namely, the possibility of confronting events of such magnitude (e.g. the death of a lover and “religious conversion”) that they provoke not only a “reconfiguration of possibles” within human experience but the total annihilation of them (ibid., 123).  In such circumstances, Dastur suggests, our ability to even confront the event becomes doubtful insofar as what “we experience in moments of crisis is our incapacity to experience the traumatizing event in the present” (ibid., emphasis in original).  Dastur’s counterargument is that the fact that we attempt to attribute meaning to the event in the first place presupposes that we are already in the process of engaging with it (rather than simply being at its mercy) (ibid., 124).  She argues that, “[w]e must therefore not oppose phenomenology to the thought of the event, but rather conjoin them, so that the opening to the phenomenon can be merged with the opening to the unforeseeable.” (ibid., 124-125).

In chapter eleven, Dastur turns her attention to the issue of “historicity”.  Her analysis centres on the “philosophies of historicity” that arose as a reaction against the undesirable relativism that followed the demise of Hegelianism (ibid., 128).  She claims that these philosophies presented a new way of conceiving the link between “truth and history”, which had previously been overlooked by relativistic approaches (ibid.).  The beginnings of this new conception, Dastur suggests, can be found in Husserl’s phenomenology and, to a certain extent, in the “life-philosophy” of theorists such as Wilhelm Dilthey and Yorck von Wartenburg (ibid.).  However, she also argues that a common weakness amongst these “philosophies of historicity”, including in Husserl’s thought, is their inability to situate history fundamentally in the concepts of “death and finitude” (ibid., 129).  For example, Dastur suggests that Husserl is ultimately unable to grasp the “absolute historicity of consciousness” because he maintains that the transcendental ego is immortal (ibid., 130-131).  By contrast, Dastur believes that “only in Heidegger are finitude and historicity thought as essentially linked to one another, with mortality constituting the hidden ground of the historicity of existence” (ibid., 131).  Dastur stresses here (and in other chapters) that Heidegger’s view of history is not solipsistic because the finite subject is embedded in a community of other finite subjects with whom it remains in conversation (ibid., 132-133).  Aligning herself with Heidegger, Dastur concludes that mortality is the basis of truth and history, and that the acknowledgement of the interconnectedness of “human finitude” and the wider “finiteness of being” signals the opportunity for developing a “new alliance of truth and history” (ibid., 137).

In chapter twelve, Dastur begins by discussing David Carr’s interpretation of Ricoeur’s views on the philosophy of history, concentrating on the relationship between the “ontological” and “epistemological” aspects of narrative (ibid., 138).  Dastur sets out Ricoeur’s view that epistemology and ontology are entwined in narrative in such a way that epistemology transforms into ontology, in turn effecting the “opening of the hermeneutic dimension itself” (ibid., 139-140).  This uncovering of the hermeneutic dimension is possible in Ricoeur’s philosophy, Carr claims, because he departs from the traditional “representational” view of historical knowledge whereby the latter is said to mirror the “real past” (ibid., 139).  By contrast, Carr stresses that historical knowledge for Ricoeur is transformative, maintaining a “‘re-creative’ or reconfigurative” relationship with the past with which it actively engages (ibid.).  As Dastur explains, for Ricoeur it is through the act of interpretation that a profound relationship is established between the historian/interpreter and the past (ibid., 140).  This relationship permeates his/her “fundamental mode of being”, encompassing his/her connection with the texts s/he interprets, other people and to himself/herself (ibid.).

To advance her analysis of history and hermeneutics, Dastur turns to Gadamer’s philosophy, believing that he “most forcefully expressed the linkage of epistemology and ontology in the intermediary dimension of hermeneutics” (ibid.).  She argues that, for Gadamer, the historian’s relationship with the past is not one of domination, but is instead “dialogical” in that the past “speaks” to the historian who simultaneously interprets it (ibid., 140-142).  Dastur claims that, due to the time lapse between the moments of composition and interpretation, the meaning of a text for Gadamer is neither completely foreign nor completely understandable, but is rather situated between “strangeness and familiarity” (ibid., 140 and 142).  Gadamer (2002, 330-331) himself views this “temporal distance” not as an obstacle to be eliminated, but rather as “a positive and productive condition enabling understanding”.  Dastur concludes by concurring with Carr’s contention that “hermeneutics and narrativity” are implicated in each other, such that one can no longer “‘clearly separate life and the activity of recounting this life’” (Dastur 2017, 146).

In the final part of the monograph, Dastur explores the interrelated themes of finitude, worldliness and the divine through Patočka and Fink’s interpretations of Heidegger’s thought.  In chapter thirteen, Dastur further investigates the linkages between Husserl and Heidegger, this time recruiting Jan Patočka as a mediating figure.  While recognising both philosophers as important figures in the phenomenological movement, Dastur claims that Patočka highlights “the unifying elements subtending their opposition…by adopting a critical attitude with respect to both doctrines, to make the profound meaning of phenomenology appear as a ‘reflection on the crisis of thinking,’ which is also a crisis of humanity” (ibid., 151, emphasis in original).

In chapter fourteen, Dastur analyses three of Patočka’s texts that focus on Heidegger’s philosophy.  In the first text, The Crisis of Meaning, Patočka explores the similarities between Heidegger’s work and that of Thomas Masaryk, a Czech politician and philosopher (ibid., 157).  Patočka, Dastur claims, perceives in both Heidegger’s “eminently practical philosophy” and Masaryk’s act of establishing the state, prime examples of “‘engaged thought’” based on Heidegger’s notion of “resoluteness” (ibid., 158-159).  The second text, “Martin Heidegger, Thinker of Humanity”, is the “immediate posthumous elegy” that Patočka wrote for Heidegger (ibid., 160).  There, Dastur claims, Patočka portrays Heidegger as a “thinker of humanity” instead of a “thinker of being”, which is aligned with Heidegger’s own views in Letter on Humanism (ibid.).  Finally, Dastur examines a text that Patočka wrote following his “Varna lecture from September 1973” (ibid., 163).  According to Dastur, Patočka claims that Heidegger’s philosophy constitutes the “‘first truly radical attempts to situate philosophy in finitude’”, with the latter constituting the primary theme in both his early and more mature writings (ibid.).  Based on this assessment, Patočka distances himself from Husserl’s version of phenomenology, with its insistence on the immortality of the transcendental ego, and draws closer to Heidegger’s version.  In Dastur’s reading of Patočka, Heidegger’s emphasis on mortality also means that he perceives technology as a more ominous threat to humanity than Husserl (ibid., 164).  Technology contributes to the illusion of our domination over nature, which is perceived simply as a measurable resource for indiscriminate exploitation (ibid.).  According to Dastur, Patočka’s Heideggerian viewpoint is that technology obscures how “sacrifice” brings the “human nonmastery over beings” to light, thereby tempering the illusory “unconditional mastery” over beings that technology seeks to promote (ibid., 164-165).

In chapter fifteen, Dastur focusses on Eugen Fink’s course, “World and Finitude”, which is based on ideas from Heidegger’s course, Fundamental Concepts of Metaphysics: World, Finitude, Solitude (ibid., 167).  Fink explores in it the interconnections between the themes of finitude and “worldliness”, that is, our relationship with “nonhuman” entities in the world (ibid., 168).  Whereas Heidegger characterises this issue as “ontological difference”, Fink characterises it as “cosmological difference” (ibid., 167).  Fink, Dastur claims, avoids formulating his notion of “cosmological difference” based on Heidegger’s notion of “ontological difference” because he regards cosmology as more fundamental than ontology whereas Heidegger argues for the reverse (ibid., 169).  When investigating cosmological thought, Fink posits the notion of the “‘double experience’ of death” as a counterpart to Heidegger’s notion of death as the “condemnation to extreme individuation” (ibid., 173).  When confronted with death, Fink believes that we experience both “solitude” and “love”, where love is a means of liberating ourselves from solitude (ibid.).  In Dastur’s view, Fink conceives of “love” as an intersubjective experience that emphasises the regeneration of life, that is, the experience of merging with the “‘original and unformed ground of all life and being’”, such as is featured in Nietzsche’s “philosophy of life” (ibid., 173-174).  Dastur argues that, “[i]n opposition to the unilaterality of the Heideggerian interpretation that […] gives primacy to death, Fink wants to give value to the double aspect, individual and social, of death and to conjoin the perspective of the dying with the perspective of the survivor.” (ibid., 176)

In the final chapter, Dastur explores the role of the divine in the phenomenological movement.  Dastur claims that Husserl, like Kant, abandons the traditional philosophical notion of “a metaphysical God” who acts as a “supreme ontological guarantor” (ibid., 180).  Rather, Husserl conceives of God as subject to the “laws of intentionality” in the same way as humans (ibid., 178).  However, Dastur suggests that this conception of God proved problematic for Husserl when he attempted to subject it to the transcendental reduction, because it did not fit neatly into his categories of “immanence” and “transcendence” (ibid., 179-180).  Husserl ultimately arrived at a conception of God as “a perfect and totally rational humanity” constituting the “absolute logos” towards which humans are heading (ibid., 181).  However, Dastur emphasises that this development does not signal “a ‘religious’ turn for phenomenology” in the context of his philosophy (ibid.).

Turning then to Heidegger, Dastur claims that he formulates his own notion of the “last God” based on the experience of the “death of God” in Nietzsche, and the “flight of the Gods” in Hölderlin’s poetry (ibid., 183). Dastur identifies several aspects of this “last God” that Heidegger believes would allow us to develop a more profound grasp of the divine than past conceptions of God (ibid., 184).  First, unlike the “God of revelation”, the “last God” “passes” into time, meaning that it only interacts with us as it retreats (ibid.).  Second, being subject to the flux of time, the “last God” reveals to us “‘the most intimate finitude of being’” rather than the “divine infinitude” of the Christian God (ibid.).  Lastly, unlike the “moral God”, the “last God” does not decree anything (ibid.).

As stated at the beginning of this review, Dastur’s exploration of key phenomenological questions is fluid, nuanced and engages with, rather than avoids, the complexities that emerge from such an investigation.  There are a few more evaluating remarks I want to make to conclude this review.  First, this monograph would be most useful to those seeking an analysis of diverse issues in the phenomenological movement from various perspectives rather than a detailed analysis of a particular issue.  Second, although Dastur raises some astute criticisms of the theorists she examines (e.g. her critique of Husserl’s privileging of the substantive in chapter two), besides Lévinas, I felt that a few more figures who clearly distinguish between Husserl and Heidegger could have been included to render the analysis more balanced.  Lastly, although there are clear lines of argument within the individual chapters that render them cohesive, the reader may sometimes feel frustrated at the lack of an overall topic that unites all parts of the work.  This, however, is probably a result of the approach that Dastur has chosen to adopt, and, moreover, part of the point she wants to make.  As she continually emphasises, phenomenology should be viewed as an evolving movement that encompasses diverse perspectives rather than a doctrine whose followers are assumed to share a common subject-matter or common principles.  The notably diverse nature of phenomenological contributions has been noted by commentators like Dan Zahavi (2012, 1), who observed that sometimes, despite Husserl’s crucial status as the forefather of phenomenology, “virtually all post-Husserlian phenomenologists ended up distancing themselves from most aspects of Husserl’s original program” (ibid.).  He even goes so far as to ask whether “there really [is] something like a phenomenological tradition, let alone a phenomenological method” (ibid.).  From this perspective, then, Dastur’s approach is not flawed but rather an attempt to contribute to the phenomenological movement by tackling a key challenge to it.

References

Dastur, Françoise. 2017. Questions of Phenomenology: Language, Alterity, Temporality, Finitude. Translated by Robert Vallier. New York: Fordham University Press.

Figal, Gü 2012. “Hermeneutical Phenomenology”. In The Oxford Handbook of Contemporary Phenomenology, edited by Dan Zahavi, 525-542. Oxford: Oxford University Press.

Gadamer, Hans-Georg. 2002. “Elements of a Theory of Hermeneutic Experience” from Truth and Method. In The Phenomenology Reader, edited by Dermot Moran and Timothy Mooney, 314-338. London and New York: Routledge.

Heidegger, Martin. 1977. Letter on Humanism. In Basic Writings, edited by David Farrell Krell, 189-242. New York: Harper and Row.

Hopkins, Burt C. 1993. Intentionality in Husserl and Heidegger: The Problem of the Original Method and Phenomenon of Phenomenology. Dordrecht: Kluwer Academic Publishers.

Merleau-Ponty, Maurice. 2002. Phenomenology of Perception. Translated by Colin Smith. London: Routledge Classics.

Zahavi, Dan. 2012. “Introduction” to The Oxford Handbook of Contemporary Phenomenology, edited by Dan Zahavi, 1-4. Oxford: Oxford University Press.

Eric S. Nelson: Chinese and Buddhist Philosophy in Early Twentieth-Century German Thought

Chinese and Buddhist Philosophy in Early Twentieth-Century German Thought Book Cover Chinese and Buddhist Philosophy in Early Twentieth-Century German Thought
Eric S. Nelson
Bloomsbury Academic
2017
Hardback £76.50
288

Reviewed by: Erik Hoogcarspel (Independent Scholar)

For those who are interested in the exchange between early phenomenology and China a new interesting study has appeared. The book is divided into nine chapters, some of which are based on articles that have been published before, most of them in the Journal of Chinese Philosophy. The first chapter describes the reception of Confucianism in Germany. It relates how different writers, such as Martin Buber, Georg Misch, Helmuth Plessner, and Karl Jaspers debated the merits of Confucianism.

The second chapter deals with different views on the meaning of life in China and Europe, as expressed in the exchange between the Chinese writer Zhang Junmai and the German vitalists Rudolf Eucken and Hans Driesch. In China, Zhang’s defence of German idealism strongly influenced Chinese philosophy in the 20th century. The third chapter is a comparison of Confucian ethics with the philosophies of Nietzsche and Max Scheler. It focuses on the concept of resentment, in the Western view often considered as caused by a lack of equality, but in Confucianism seen as a flaw in the inner cultivation of harmony.

Next follow three chapters that investigate the different aspects of Euro-centrism in the phenomenology of Husserl and Heidegger. One of those aspects is the naturalistic influence of Taoist thought on the critical attitude towards technology of both Buber and Heidegger. Another aspect is the question of whether philosophy is a single historical event or a general human activity which unfolds itself in different situations and from different causes. Finally, before a concluding chapter investigates the possibilities of an intercultural philosophy, two penultimate chapters explore a confrontation of Martin Heidegger with Zen Buddhism and the relation between emptiness and language. The book is well written and further study is facilitated by many footnotes and an extensive bibliography. There is a general index for quick reference that includes subjects as well as names of Chinese and European writers.

The chapters consist of a series of philosophically-orientated historical case studies, focusing on the confrontation between Chinese and German philosophy. Against the often-quoted opinion of Husserl and Heidegger that philosophy can only be European, the author proposes a more universal concept of philosophy, assuming that philosophy is a universally human potency. The rejection of non-Western philosophy is therefore associated with the denial of humanity to non-Western cultures. For Nelson the intercultural approach also implies a rejection of essentialism, which leads to the conclusion that a multicultural or comparative approach is out of the question. There are no essences or identities of philosophy that can be compared, no inherent differences that can be listed and opposed to each other. The key word Nelson uses is ‘inter-textualism’, the dynamic exchange between texts through the ages by which they cooperate and refer to each other.

Arguably classical Greek and Roman philosophy, in which philosophy is an enquiry about the good life, is closer to non-Western philosophical discussion than our modern Western conception. Nelson complains: “Modern Western philosophy—which is simultaneously universal in its pretensions about its scope and provincial in its actual practises—has been largely indifferent, when not allergically antagonistic, to non-Western forms of thinking” (13).

The first chapter concerns the bad press of Confucianism. This prejudice is, according to Nelson, a heritage of colonial thinking. The prejudices towards Confucianism and the term itself initiated from the reports of Jesuit missionaries who stayed for some time at the court of the Chinese Emperor during the late Ming and early Ching dynasties (roughly the seventeenth century). Since then Confucianism has met with little appreciation in the West, but according to its admirers it can offer interesting ethical political insights that can be useful in Western political philosophy. Nelson mentions some philosophers who were more sympathetic. Pierre Bayle and Nicolas Malebranche identified Confucianism with the pantheism of Spinoza. Christian Wolff even had to leave the University of Jena in 1726 because of the protests of Christian theologians after he equated Jesus and Confucius in his lecture on the practical philosophy of the Chinese.

In the sayings of Confucius, the Analects (Lunyu ), he often appeals to the will of tian 天 (mostly translated as ‘heaven’; sometimes as ‘God’). Because of this translation many philosophers interpreted Confucianism as a kind of Deist or atheist ethics, and inadequate to the rational individualism of the West. Nelson argues that the critics overlooked the openness of Confucianism to critical reflection and reformation of practises and institutions along with the acceptance of the authority of the existing ethical order. Hegel was the most outspoken critic, because he thought Oriental peoples were not capable of understanding the concept of true freedom. Weber admitted that the Chinese and Islamic culture used to be more advanced than the Western, but found them incomplete, because they both lacked transcendence and final redemption. Moreover, Chinese philosophy failed in the complete rationalisation of the life-world and never rid itself of traces of magical thought. Nietzsche associated Confucian and Buddhist ethics with an altruistic ethics similar to Christendom, which he rejected. On the other hand, others were enchanted by the Chinese pure aesthetics that was supposed to be in harmony with nature. Confucius was sometimes compared to Socrates, for instance by Karl Jaspers, but Schelling makes him an anti-Socrates. In the intercultural hermeneutics of Georg Misch (in his book The Dawn of Philosophy), however, Nelson finds some well-founded argumentation for a positive reception of Confucius and of non-Western philosophy in general. Martin Buber and Helmuth Plessner elevated Confucianism beyond the scope of philosophy, because they found it too subtle and noble.

The second chapter describes the work of Zhang Junmai (1886-1969), who introduced the principle of self-reflection of life (shengming 生命) into modern Confucian philosophy. His early work reflects the crisis of meaning that befell the Chinese during the late 19th and early 20th century when several political changes and revolutions took place and the Chinese army appeared to be no match for the Western forces. After a first attempt to assimilate the philosophy of the Western invaders, Zhang looked for concepts similar to Western ideas in the Confucian tradition. If necessary, Confucian ideas could be reformulated or adapted to match the demands of the new era. This was a hazardous strategy, because it could be seen as giving in to the foreign domination and cutting ties with the very Chinese tradition that was to be saved. Zhang wrote a book together with Rudolf Eucken, called The Problem of Life in China and Europe (Das Lebensproblem in China und Europa, 1922), which consists of an abridged history of Western philosophy, an overview of the history of Chinese ethics and a diagnostic reflection on the contemporary ethical situation in China and Europe. Nelson praises it as a nice example of a cross-cultural dialogue, in which Eucken was convinced of the need of a renewal of spiritual life in the West as an answer to the crisis of modernity that had unleashed so much cruelty in the first World War. What is at stake is reason, its nature, its relation to life, and the question of whether it is universal or restricted to the mainstream of Western philosophy.

Nelson relates how Zhang thinks that Western philosophy, with exception of German idealism and the philosophy of Eucken, has failed to integrate life and reason. Eucken maintains that life has originated from metaphysical sources. In this aspect his philosophy contains a spiritual ontology. According to Nelson, Zhang wants to counterbalance the Western will to power by the Chinese emphasis on personal ethical development. In China this message resonated with the classical philosophies of Mengzi (372-289 BCE) and Wang Yangming (1472-1529), but it did not quite fit in with the discourse in China at the time. Zhang was very much opposed to racist and nationalist ideologies, and he rejected the theory that the Han people were a group of one blood and identity. Hans Driesch, who stayed with Zhang in China for nine months, also rejected any difference of essence, nature, or substance between Eastern and Western people, or between Germans and Jews for that matter. In those days the fear of the ‘yellow peril’ (sinophobia) spread around, amongst others propagated by Kaiser Wilhelm, who had a nightmare in 1895 in which the Buddha riding a dragon was conquering Europe. In 1950 this idea was even endorsed by the French philosopher Emmanuel Levinas. Zhang was later forced to go in exile to the U.S.A., and his successor Mou Zongsan became one of the most important philosophers in China. On both sides of the globe, Nelson writes, xenophobia had permeated the pores of academics as well as politicians. Nevertheless, there was an opposite current of fascination with the East, both in art and philosophy. However, in the eyes of many this current became affiliated with the romantic and magical thought of theosophy and the New Age. In the meantime China had adopted Marx and Western capitalism.

The third chapter deals with the view on China of Max Scheler and Friedrich Nietzsche, who claimed that China suffered from a culture of ressentiment. According to Nelson, Scheler maintained contra Nietzsche that ressentiment (resentment being a feeling of unhappiness due to exposure to unfairness and ressentiment a complex attitude of hating life because of spite towards successful people, blaming them for one’s own misfortune) is not linked to Christendom, but to its negation and that of religion in general. It defies the basic moral character of humanity, which can be found in many places in human history, like the teachings of the Stoics and Epicureans as well as those of Taoism and Buddhism. For Nietzsche, however, ressentiment is the very source of all moralities, especially the Christian one, because they all hold that the strong are repressed for the benefit of the week. The opposite of ressentiment is self-affirmation. In Nietzsche’s book Twilight of Idols, Confucius is a preacher of ressentiment, just like Jesus and Plato, in comparison to Nero and Napoleon (84). Nietzsche claims that China is a warning, because there ressentiment merely seems to have been overcome, whereas in fact it still silently rules the hearts of the people. In Nietzsche’s view, the altruism preached by the Buddha and Confucius made the Chinese passive and fearful. This had to be avoided in Europe in order to liberate the strong and noble persons from the domination by the weak masses. Nelson does not share Nietzsche’s verdict; he is convinced that in the Analects many examples are to be found where a selfish attitude is cut short by the cultivation of sincere benevolence and altruism. In his view, earlier Confucian ethics integrates a realistic moral psychology of negative emotions such as resentment with a model of self-cultivation that is aiming at an attitude of benevolence towards others. Early Confucian ethics in general minimizes the expectation of others and maximizes the need for self-discipline, obviously because one is powerless over the other’s expectations and high expectations could lead to resentment. Moreover, the noble person earns respect by helping others. According to Nelson, this is not a matter of self-sacrifice as Scheler and Nietzsche would have it, but a matter of self-cultivation.

Nelson remarks in the fourth chapter that the reception of Chinese philosophy is flawed by inadequate translations, prejudice, and lack of familiarity with the cultural context and differences in circumstances. Intercultural philosophy is captured in a dilemma between rigorous and narrow expertise, and free, creative reading between the lines. Romantic writers contrasted Taoist spontaneity and naturalness with the alienation of the technological modernity. The image of mystic love of nature was combined with wild Orientalistic imagination. Nelson finds in Schelling the first to write an intelligent commentary on the Daodejing. Schelling describes the dao as pure potency, the link between finite and actual being. Knowledge of the dao requires practical wisdom. A milestone in the understanding of Taoism in Germany was Martin Buber’s German translation of the Zhuangzi from the English translations of James Legge and Herbert Allen Giles, which appeared in 1910. Heidegger reportedly read it several times (121). Buber’s preference for this book is quite understandable in light of his most famous book I and Thou that appeared in 1923. Zhuangzi looks in Buber’s eyes a lot like the hasidim of the Jewish tradition, of which he knew the stories all too well. Moreover, the Zhuangzi teaches through humour, contrary to the Daodejing. Ten years later, however, Buber preferred the Daodejing because of its political dimension.

Buber has, according to Nelson, a positive view on Taoism, in which to be one with the dao is to be one with the creativity of life, through non-doing (wu wei). Buber finds a drive towards the actualization of the divine in ordinary life by sensitive persons in both Taoism and Hasidic Judaism. Nelson speculates that Buber’s language of surrender, letting go and inaction anticipated and perhaps influenced Heidegger. Buber once even uses the word Gelassenheit (‘releasement’), which is quite similar to the Chinese concept of non-action (wu wei), but Heidegger claims to have found it in the work of Meister Eckhart. Interestingly enough, however, Buber expressed his concern about the threat of modern science and technology before Heidegger did, emphasizing the need for a European alternative for Taoism. He calls the Taoist writings a source of inspiration (anticipating Peter Sloterdijk’s book Eurotaoism). So in this way Buber thinks an encounter between Chinese wisdom and European rationality to be possible and even necessary. Confucianism is in Buber’s opinion too demanding for the egoist Westerners and tied up with traditional Chinese values, while Taoism looks more promising. Although there is nothing of the Zhuangzi in his writings, Heidegger seems to have taken a great interest in the book. He was inspired by it for his conception of being-with (Mitsein), natural artistry without relying on a technique, and finally the necessity of the unnecessary or the use of the useless. At the end of the second World War the Chinese scholar Paul Shih-yi Hsiao engaged with Heidegger in conversations concerning the Daodejing and they translated sections of the text together into German. Heidegger interpreted the text rather idiosyncratically; understanding other cultures was not his forte. He mentions in the collection On the Way to Language the Chinese word for way, dào, and equals it to the Greek word logos. He calls it “the secret of all secrets of thoughtful saying.” As for Buber, it serves Heidegger as a counterbalance to the threat of technology that is hanging over Western philosophy. Technology causes humans to treat each other as objects, putting all personal relations into oblivion. So for both Heidegger and Buber, Zhuangzi provided a model for non-religious aesthetic freedom. Asian philosophy does not play any part in Heidegger’s history of being; the latter is increasingly assimilated in the West through the planetary advance of the technological world-image and its destructive reduction of beings to instrumental calculation, which originates in the Greek experience of nature as physis. So what makes Asian philosophy relevant to Heidegger? According to Nelson, Heidegger tries to dismantle the history of being and reveal the origins of philosophy in order to reawaken the freshness of its origin. Heidegger insists, however, that this new beginning must come from Greek philosophy. Heidegger is explicitly opposed to the possibility of non-Western philosophy, despite his plagiarism of Taoist texts. Nelson mentions the most famous quote in that regard, which comes from a talk Heidegger gave for the Bayerischen Rundfunk (German radio) in 1952 called What is Called Thinking? (Was heisst Denken?) Asian people are not without thought, but they cannot think, because they do not understand the logos. Nelson thinks Heidegger’s decision to part with Taoist texts must have been taken in 1934, when his sympathies for Hitler increased, such that Heidegger seems never to have reconsidered this decision. Even in 1960 he called the Asian culture ‘dark’ and the ancient Greek one ‘light’. In the interview in Der Spiegel of 1966 he warns against the barbarian influence of Zen Buddhism. He is not alone in this. Even deconstructive philosophers as Derrida and Rorty stated that a non-Western philosophy is not possible. Heidegger rejected Dilthey’s thesis of the multiple origins of philosophy in his Introduction into Philosophy. His argument is that philosophy must be a unity, because there is only one real question, the question of being. This leaves very little room for discussion since Heidegger himself is the only one in the history of philosophy who has asked this question. Nelson does not agree, of course. He thinks that the point of departure for reflection necessarily is the hermeneutical situation of life itself. Whereas the ontological prejudice inhibits every possibility for a dialogue.

Nelson explains that for Misch, as well as for Dilthey, every interpretation oscillates between the alien and the familiar, so in that case no radical difference exists between the hermeneutics of texts from one’s own culture and texts from other cultures. Philosophy does not begin at a certain place at a certain time; it happens every time a human being is confronted with the abyss of meaninglessness. It is an internal break with immediacy and an occasion for self-reflection. Nelson notes that Misch points to several stories in the Zhuangzi that serve as examples. The Analects of Confucius show in Misch’s view that not all philosophy started with the question of being. In China it started with the question of ethics. This fact suffices in Misch’s eyes to falsify Heidegger’s thesis (later he also mentions an Indian origin of philosophy). Moreover, Misch contends that the beginning of philosophy in Greece was not the question of being but the concrete self-reflexive moment of life concerning itself.

Nelson notices that Taoism takes special place in the philosophy of Misch. All philosophies are expressions of the self-reflection of life, but Zhuangzi has the final hermeneutical word. Misch thinks Zhuangzi provocatively challenges, expands and reverses life’s perspectives and horizons. His stories and paradoxes liberate one from dogmatic inhibitions and put situations into perspective through articulating life from within life itself. In the oracle book the Yijing Misch finds a logic that is different from that of Western philosophy. The book consists of comments on ideograms. The comments are generated by a detached observation of worldly situations, combined with self-reflection. It has a holistic structure, the parts are reflected in the whole, and vice versa. Each input ideogram or symbol describes a situation together with preferred strategies. Nelson, in dialogue with Heidegger, thinks this is another beginning of philosophy, one which is even more in tune with the concrete human being that lives his life, seeks to adapt to circumstances, and make sense of his existence. To make a long story short, Nelson praises Heidegger for taking an interest in Chinese philosophy, but blames him for not having understood one shred. Heidegger’s monologue about being is totally unsuitable for any kind of cross-cultural philosophy.

Classical phenomenology can be helpful for understanding Asian philosophy, Nelson admits. Returning to the things themselves opens a cross-cultural perspective, because those things are not restricted to just one culture. This has often been overlooked. Merleau-Ponty, however, remarked that: “[philosophy’s] centre is everywhere, its circumference nowhere” (164). Both Husserl and Heidegger made clear they were opposed to the idea of a non-Western philosophy, but in a few short texts Husserl wrote very positively about Buddhism (167). The first is called “Socrates – Buddha.” Here he comes to the conclusion that Indian philosophy does not go beyond the practical and ethical level; it never reaches an epistemological bracketing of the whole world as Descartes has achieved. Husserl argues that the Buddhist path pursues knowledge for the sake of emancipation, but the Socratic path leads to knowledge for its own sake. So it is only through the eyes of the Western philosopher, who is seeking knowledge as such, that Indian philosophy becomes real philosophy. According to Husserl Buddhist philosophy never transcends the natural attitude of daily life, because it is not capable of a complete reduction. Even Buddhist meditation does not transform the natural attitude.

The other short text is a review of a translation of the Majjhima Nikaya, the collection of middle-length discourses of the Buddha. Here the Buddhist teachings are said to be parallel to the highest achievements of Western civilization. Western philosophy can come to a breakthrough of its own predicament of degeneration by the confrontation with the Buddhist teachings. The adoption of Buddhist philosophy by the West or a possible fusion of Western and non-Western philosophy is still out of the question. So here too Husserl sticks to his paradigm of the historical uniqueness of Western philosophy. He justifies his position by pointing to the unique development of science in the West, which he sees as a result of a unique theoretical attitude. Husserl also published three articles in the Japanese journal Kaizō (167). In these he articulates a sense of an intellectual and spiritual crisis; he calls for a renewal by returning to the origins of philosophy. The Japanese are invited to join in, because Japan is becoming a new branch of European culture.

Nelson describes how other phenomenologists even went a step further (172). Stanislaw Schayer published a comparison between the phenomenological method of reduction and Buddhist meditation. He found the Buddhist method of reduction even more radical than the one Husserl practised. Dorion Cairns, who worked closely together with Husserl and his assistant Eugen Fink, also claims that the various phases of Buddhist self-discipline were essentially phases of phenomenological reduction; both consist of an analysis of the structure of subjective consciousness. In both cases the interdependence of consciousness and world is revealed. So while the phenomenological method appears to have strong affinities with Buddhist meditation, their framework and goals are radically divergent. Husserl aims at a fundamental philosophy that has to become a new foundation for science, which he sees as a logical result of a development that started with the ancient natural philosophers. Within this framework he could not recognize genuine philosophy in the Indian and Chinese cultures.

Nelson accepts that cultures have each their own histories, but he thinks that the encounter between different cultures can create new individualities, that histories may intertwine. The problem he finds with Husserl is the priority of a life-world which is not phenomenologically neutral, but tainted by historical and ideological bias. In Heidegger’s mature thinking technology and globalization are pathologies of the culmination of the history of Western metaphysics. The only solution is a new beginning, which means a return to the Greek origins of philosophy, because the West is appointed by history to be in the lead.

Nelson mentions an essay by Heidegger about the differences between French and German philosophy, called “Ways of Speaking.” Here Heidegger mentions the confrontation with the other that articulates by mutual understanding the differences and the identity of each participant. He called it a strife for the sake of understanding. An example of this would be the dialogue with Count Kuki about the translatability of the Japanese word ‘iki’ entitled “A Dialogue on Language: Between a Japanese and an Inquirer” (‘Aus einem Gespräch von der Sprache‘, in the collection ‘Unterwegs zur Sprache‘). Nelson makes clear that Heidegger is not very interested in the understanding being mutual. The latter maintains that ‘iki’ is untranslatable and reproaches Kuki for not being true to his own culture. In other words, Kuki doesn’t play the part Heidegger had mind for him. Japanese are (according to Heidegger) unfit to understand the concept of aesthetics because the Japanese language is incommensurable with the German one. (Quite a risky claim for someone who does not speak any Japanese, I would say!) So the reason for the dialogue seems to be rather enigmatic. Heidegger maintains that a genuine dialogue is anticipated, but obviously impossible as well. Heidegger opens a dialogue, but only to prove the impossibility of any mutual understanding!

Nelson describes very well how attempts of Martin Buber to interpret Eastern texts are a gust of fresh air into the heavy atmosphere of East-West dialogue. Buber was attracted by the laid-back attitude in these texts and he thought they could teach Westerners to go easy on consumerism. Heidegger knew Zen-Buddhism from the introductory works of Suzuki and other anthologies. According to Nelson, Buber moved away from the Eastern philosophies later in his life because he shifted from mysticism to ethics. In Buber’s work on Hasidism Nelson finds, however, many comments on Zen. He notes that Buber rejects full transcendence, because it is selfish to merge into a mystic state and leave your neighbours behind. Nevertheless Buber writes about the Buddha with sympathy, but he does not want to follow him all the way. According to Buber, the Jewish experience is fundamentally different, because it celebrates the divine while being exiled in the world. He remains, however, true to his principles and keeps the dialogue with other philosophies open, stressing their validity and good intentions.

Nelson also relates the criticism of Keiji Nishitani, member of the Japanese Kyōto school, a philosophical movement famous everywhere but in Japan itself. Nishitani wrote an essay called “the I-thou relation in Buddhism,” in which he describes the profoundly dialogical character of the Zen kōan. Nishitani criticises Buber for keeping the interpersonal dialogue on the level of just words and not touching the level where the communication between Zen master and pupil really takes place. He claims that Buddhism developed an ethics that transcends the self; Zen ethics is therefore an ethics of encounter where the care of the other is paramount. What Western commentators on Zen didn’t realise according to Nishitani, was that the irrational and seemingly unethical utterances of Zen masters were meant to break through the cultivation of personal idols, they are not academic philosophical statements.

Before he reaches the concluding chapter, Nelson presents a comparative analysis of emptiness. According to Nelson both Zen and Heidegger came close to primordial experience through a dismantling of conceptual thinking (228). In Heidegger’s work the deconstruction discloses an original experience of being; in Zen there is the disclosure of original mind and self-nature. Nelson thinks that there still remains a trace of reification in Heidegger’s concept of nothingness. Since Parmenides, he claims, nothing comes from nothing, so we need God or being in order for something to exist. Western philosophers understood Buddhist emptiness either as a self-contradictory concept or a nihilistic void. Heidegger is said to question these suppositions. He returns to Leibniz’s question “Why is there something rather than nothing?” The answer in the Western tradition, where nothingness is conceived as the absence of being, seems to need a third term, God, who transcends both and is the ground. Heidegger speaks of an uncanniness at the moment when existence is experienced as slipping away. Like death, it is an abyss that cannot be anticipated. According to Nelson, Heidegger is looking for a new language that is not re-presentational, but he tries to do this by asking questions about metaphysics. Zen practises a way of speaking without speaking, which is not referential but performative. Emptiness is not a thing, because it is empty of itself. Nelson sees an affinity with Heidegger’s groundlessness of the ground. In Zen language is self-deconstructing, it is performative, it indirectly enacts a reorientation of human dwelling through various strategies by the anecdotal and the shocking. Zen’s emptiness and Heidegger’s nothingness approach each other, according to Nelson, in emphasizing the original groundlessness and temporal impermanence of human existence.

One of the pitfalls of an intercultural hermeneutics is that no philosopher can cover all points of view exhaustively on their own. There is the risk of purifying the other so much that it becomes sterile. Nelson sees a beginning of cross-cultural hermeneutics in Dilthey’s philosophy of worldviews (which was criticised by Heidegger in his article the era of world views, “The Age of the World-View” (Die Zeit des Weldbildes, in the collection Holzwege)) and the comparative work of Georg Misch. Nelson hopes for an intercultural hermeneutics that keeps apart from nationalistic bias, gives ample room for the opponent to expose his or her points of view, is sensitive to complexity, and critically reflexive.

Nelson’s book is quite informative and covers most of the interchange that took place between Zen and Germany in the beginning of last century. Many more Buddhist schools existed in Japan and China of course, but those did not take much part in the exchange. Nelson does not mention what happened in this area in France or Great Britain, so the picture he offers is not quite complete. It is also not as neutral as he likes it to be. Confucianism has become the official philosophy of the ancient and new empire, but this was and is mainly for political reasons, not because it is philosophically more interesting than its competitors. It is diverse, its history is rich with reorientations and discussions, as is the history of Chinese Buddhism. The recent upsurge in praises of Confucianism might have a nationalistic bias, therefore Confucianism is often erroneously presented with an unequivocal message.

On a few occasions Nelson makes disputable claims. Confucius did not advocate equality, but a natural hierarchy.  This was one of the main topics of the so-called mo-ru discussions between his followers and those of Mozi. To call Li (禮) “appropriate practices, socially oriented individual self-cultivation, and learning and self-reflection” (17), seems a modernistic rationalisation, as it usually means ‘rites’. Mozi called it a waste of time and money, because it required the payment of lots of musicians and people walking around with funny hats. Another example is the obligation of a three-year mourning period following the death of a parent: this could mean ‘bankruptcy’. In Chinese texts many things are not as they appear to be and philological research remains very important. The Confucian texts are not the sayings of a single historical wise man; most of them are from different sources and from a later date. And the history of Zen is not quite like the monks themselves think it is. Nelson leaves these problems out of the discussion, but they are part of the exchange between East and West. The discussion between Zen and Heidegger is incomplete, because the latter wrote like he did not have a body, whereas Zen monks are sitting motionless for hours at a stretch, training their body and mind to be one. It is also a pity that Nelson did not follow up on his own suggestions and pay more attention to the carefully executed Husserlian reductions and genetic phenomenology. This could have been more fertile than a discussion about nothingness.

Nevertheless, this book offers lots of valuable information and entries for further research. It is well-written and has all the tools for easy reference and an impressive bibliography.

Andrew J. Mitchell, Peter Trawny (Eds.): Heidegger’s Black Notebooks: Responses to Anti-Semitism

Heidegger's Black Notebooks: Responses to Anti-Semitism Book Cover Heidegger's Black Notebooks: Responses to Anti-Semitism
Andrew J. Mitchell, Peter Trawny (Eds.)
Columbia University Press
2017
Paperback $30.00 / £24.95
280

Reviewed by: Joeri Schrijvers (Independent Scholar)

Heidegger’s Black Notebooks. Responses to Anti-Semitism is a collection of essays in which an impressive gathering of scholars interprets Heidegger’s statements in the now notorious Black Notebooks. The book contains the conference proceedings of a symposium at Emory University. The essays vary in length and most of them respond to Peter Trawny’s interpretation of Heidegger’s antisemitism in his Freedom to Fail. Heidegger’s Anarchy and Heidegger and the Myth of a Jewish World Conspiracy.

There is little doubt that the Notebooks show Heidegger at his worst. Most of the commentaries agree on the rather poor intellectual quality of the notebooks, packed with repetitive arguments and personal lamentations as they are. In this volume, complaints are made against the “philosophical kitsch” (40), against the “sour mood” (76) of the “man with a worldview” (92) and so on. What matters most, however, are those “unfortunately unforgettable” (134) passages in which Heidegger inserts Judaism into the grand scheme of the ‘history of being’. The ‘Responses to Anti-Semitism’ in this book vary from pointing to the extreme stereotyping with which Heidegger proceeds to trying to understand Heidegger’s argumentation and detecting their value, if any. Several of the contributors, Sander Gilman and Robert Bernasconi especially, emphasize that Heidegger was part of the long-standing tradition of antisemitism in European culture—and students of philosophy, today, should not forget that in Heidegger’s time, in Germany, it was harder not to be a Nazi than to actually be one as the majority of Germans followed Hitler and his regime.

As for antisemitism in German philosophy, one can find in the volume rather embarrassing statements of Kant, Hegel and Fichte. Philosophers, though, are seldom saints. In this regard, it is good to recall that Derrida has famously pointed to similar occurrences of denigrating Eurocentrism not only in Fichte’s work but also in Husserl’s: responding to Heidegger’s antisemitism, we will have to ponder what exactly the difference is between Husserl’s exclusion of “Eskimos, Indians, travelling zoos or gypsies” from ‘spiritual Europe’ and Heidegger’s awkward remarks about “semitic nomads” in the seminar Nature, History, State or the exclusion of the “Negros” from time and history proper in Logic as the Question Concerning the Essence of Language speaks.[i]

I will not do Heidegger the honor of repeating the passages of these Notebooks in full. Peter Gordon argues that “much of the antisemitic material found in the Schwarze Hefte”, are not “terribly surprising, since [they] largely confir[m], though [they] gave a certain added philosophical depth to, the evidence that was already available in disparate sources” (136). This philosophical depth, in a way, is what Peter Trawny calls ‘being-historical anti-Semitism’. Heidegger’s error, however, is not the insertion of a petite philosophical concept in the grander system of his history of being. Rather, it is that much of the language the Schwarze Hefte uses to describes Judaism can lend itself to the must vulgar of racisms. The Jews are said to be without world, without time, without history—everything, in short, that would make for a ‘proper’ human being. Judaism has contributed, Heidegger says, and perhaps even caused the ‘forgetting of being’ because they supposedly do nothing else than calculate and swindle. And so on. It is good to be clear, too, about how shocking Heidegger’s ontic comportment towards his fellow Jews was. These facts are known: his rectorship, addressing his audience under the aegis of the swastika, his involvement in the Gleichschaltung or nazification of Freiburg University… All these things should never stop shocking us, readers of Heidegger.

Prior to the Schwarze Hefte, it was all too common to separate the man from the thinker and his philosophy: the man Heidegger certainly has its flaws, it was said, but his philosophy by no means had a predilection toward Nazism. The reasoning was anything but flawless and the Schwarze Hefte make clear just how well Heidegger’s views of ‘world Jewry’ fit into his narrative of the history of being. Such a ‘being-historical anti-Semitism’ means that Judaism actively has contributed to the ‘forgetting of being’: its scheming supposedly makes for the fact that all we do now is reckon with beings; its conspiracy such that it is Jews only who benefit from this ‘destruction’ of the earth, the Verwüstung der Erde of which the later Heidegger speaks. Just as Christian antisemitism will blame the Jews for their Gottesverlassenheit, so Heidegger use the Jews as a scapegoat for our Seinsverlassenheit. This antisemitism would have offended almost no one in the 1920s and 1930s. What is noteworthy in Heidegger’s history of being, is that no one, apart from the Greeks and of course the Germans, could any longer ‘hear’ the ‘voice of being’ and that the Jews were forever excluded from this possibility to hear the signals, the Winke, ‘beyng’ was supposedly sending. The antisemitism lies in the fact that the ‘ontological make-up’ of the Jews is such that they are unable to come up with an ontology. For Heidegger, this was the worst indictment possible. It would mean that Jews were condemned to inauthenticity and that no voice of conscience would extricate them, even if only instantaneously, from the field of the ‘anyone’. Just as they would remain deaf to being, the ‘being-historical’ antisemitism denotes that being will remain forever deaf to them.

Trawny’s essay speaks in this regard of an “apocalyptic reduction” (5).[ii] This ‘apocalyptic reduction’ is a sort of superstructure to the ontic and ontological realm of which Being and Time spoke, although both realms are now assigned certain histories: certain ontic ‘people’ are attuned to ontology and to being more specifically. On the one hand, there’s the great Greeks who had an experience of being, phusis, that soon came to be forgotten and now, urgently, lest the earth be destructed, needs to be ‘repeated’. This repetition falls to the Germans: only the Germans can lead the other people into the sending and the spreading of being. Apart from these two people, no one and no other culture has anything proper to contribute to the question of being: not the Romans who degraded the experience of the Greeks, not the Christians who imitated and so weakened the experience of ‘Rome’, not the ontotheologically sedated Christians of the Middle Ages, not the narcissistic consciousness of the moderns, and certainly not the Americans, the English or the Russian who only contribute to the spreading (Austrag) of a very limited experience of being, namely the experience of Machenschaft and Gestell, one that can only reckon with beings and knows no longer of being.

Heidegger did sense that something was ending. Several papers in this volume seem to agree that this narrative, the narrative of a first beginning in Greece and a second, other beginning in Germany, now has to be abandoned. This, however, need not mean that Heidegger overstated the ‘end’ of metaphysics. What is needed, Peter Gordon argues, is a “critical appropriation” (149) of Heidegger’s insights concerning the “dismantling” of metaphysics (147) and the concomitant effort of “working out the ‘unthought’ in the thought of the canonical texts” (150). Bernasconi, likewise, states that the forms of oppression that slipped into the canon of philosophy should be addressed and that the impetus for this comes from Heidegger (184). Heidegger’s thought perhaps comes with its own “unthought”, or, as Michael Marder signals, with “the thoughtless […] in the midst of rigorous thought” (101).

We should be aware, as Peter Gordon argues, that “Heidegger himself chose to yoke together his complaints about the metaphysical tradition with crude and counterfactual generalizations about the Jews” (147). Just as we cannot separate the man from the thinker, so too Heidegger has ‘yoked together’ the ontic and the ontological. It is this that we must ponder (and I think this is one of the lessons of the Notebooks). We must be careful about this mix between the ontic and the ontological, for it easily leads to errors. Even if one wants to distance oneself from Heidegger or leave, like Levinas, the ‘climate of this philosophy’, this needs some “intellectual effort”.[iii] For instance, Eduardo Mendieta reads Heidegger’s antisemitic remarks about the supposed ‘worldlessness’ of the Jews into the ‘worldlessness’ of which Die Grundbegriffe der Metaphysik speaks (51). Yet what Heidegger denies to Judaism is not the same as what he denies to animals, for it would not be possible to attribute calculation and number to animals. There is no easy, immediate link between the antisemitic outbursts of the Notebooks and the other works. Bettina Bergo similarly seems to imply, in her suggestive but somewhat obscure essay, that Heidegger’s difference between ontological ‘dying’ and ontic ‘perishing’ might also be valid for those that came to ‘perish’ in the camps (73).

Yet we should not minimize Heidegger’s ontic failures. One must philosophize with care here, though, for the following line needs quite some elaboration: “To overcome this anti-Semitism, then, will require to overcome metaphysics” (xxv). The sentence rings well in a conference brochure, but, in print, needs some extra argument. One of the things to keep in mind, as the introduction also states, when it comes to Heidegger’s antisemitism is that we should not minimize these antisemitic passages as if these were mere ‘ontic’ slips. Even though there is but ten sentences or so amidst 1800 pages of Notebooks that are clearly antisemitic, one must state just as well that one cannot be a Nazi just a little bit. Others have argued that, even though the man Heidegger clearly had his flaws, his thinking in no way whatsoever has anything to do with Nazism (xx-xxi)—these responses maximize Heidegger’s ‘ontology’ as it were, which supposedly is devoid of anything ontic. I think the Notebooks clearly contradict the latter claim and agree with the claim that Heidegger went astray somewhere at the end of Being and Time when he started to speak of the ‘destiny’ of a people. There is in effect a bit of an army in Being and Time; Levinas was not wrong when he sensed that community in Heidegger isn’t more than marching together.[iv] If one should not exclusively focus on these ontic missteps nor, for that matter, on the ontological being-historical antisemitism, where to go then?

Trawny’s earlier book helps here: “what happens to philosophy when we attempt to exclude it in advance from the danger of anti-Semitism? […] Overcoming anti-Semitism can only succeed by drawing near to it […] The opinion that it is always others who are anti-Semites is a cop-out. It is ‘I’ who am the anti-Semite”.[v] What both of the above strategies share is in effect a sort of immunization: the ‘ontic’ approach states that these passages are so minimal that one can still read Heidegger as if nothing has happened; the other ‘ontological’ approach will state that this antisemitism was there from the start and is, in effect, everywhere, so that one does not have to read Heidegger (pretty much what they had ‘in advance’ decided). The first response to antisemitism, or to racism more generally, would therefore be not to exclude ourselves from these traditions and, second, to acknowledge that the lowest of vulgarities can mix with the highest of philosophy. This first point is present in some contributions in this volume. Bernasconi’s essay is clear that Heidegger’s “accusers feed their sense of self-righteousness” (169). There is a real (and thoroughly unphilosophical) danger of selective indignation here: why are we appalled by Heidegger’s endeavors, but not so much by Husserl’s? Why can we still read Kant even when his anti-Judaism is as offending as Heidegger’s?

Bernasconi admonishes that the ‘intellectual effort’ needed to understand Heidegger’s failings now includes “racism, sexism, and Islamophobia” so that “scrutinizing Heidegger is […] the start of a larger inquiry or whether it is being conducted merely to make us feel morally superior” (185). Richard Polt warns that the Notebooks should make us think about “Heidegger’s limitations and our own” (97). Instead of rejecting Heidegger, instead of an unjustified reverence for the grand thinker of being, I think the more sober response would be to state that no one is immune for the projection of prejudices of all kinds into one’s thinking.

The supposed history of being might have led Heidegger to tell a totalitarian tale himself. The ‘apocalyptic reduction’ was such that he felt surrounded by beings and abandoned by beyng. Polt elucidates the steps of this reduction: first, there is the description of the “catastrophe” happening to culture through forgetting being and the rule of beings, then the stress on the rescue through those few who are capable of addressing the voice of being, and finally the complete disillusionment when this narrative doesn’t sit well with what was really happening.       Though the first stage might be harmless (although one must be wary of ‘apocalyptical tones’), it is in the second stage of this reduction that Heidegger went astray, even ontically: for a while there he must have believed in Hitlerism and the ‘inner truth’ of this movement to lead European culture back onto the right track (whatever that might be). Jaspers once wrote that Heidegger wanted to ‘educate’ the Führer and there is in effect a long section in Nature, History, State on who would be capable to attend to the Führer intellectually.[vi] Martin Gessmann’s essay points out that Heidegger wanted to execute the politics of Being and Time and lead an entire people, as it were, into authenticity (123). It seems the case that Heidegger himself quickly became disillusioned with National Socialism and by 1935-36 the critique of the movement grows. As Polt writes: “Heidegger loses […] faith that the […] inception can be provoked by a nationalist revolution; it becomes [an] elusive possibility to be explored by poets and thinkers” (80).

Not everyone is authentic, and certainly not the ‘anyone’ (das Man) of which Being and Time speaks: it takes a certain resoluteness and courage to take up this authenticity—even though, this ‘authentic stance’ is never permanent and, most often, bound to fail.[vii] It becomes more problematic when authenticity is reserved for this people rather than the other and certain ethnos is excluded from finding ‘its’ destiny and Heidegger forgets his admonishments in Being and Time with regard to such authenticity: ‘Germany’ now can take up, without failing, and without limit (at least thousand years!) its destiny.

Politics did make its way into his writings during his—brief but real—Nazi period. In his commentary on Nature, History, State, Bernasconi shows that “the project [known as] ‘the overcoming of metaphysics’ was initially developed in [the] context of a questioning of the Volk” because, soon after Being and Time’s Destruktion of the metaphysical tradition, this thematic will be replaced by an Überwindung of metaphysics.[viii] Heidegger entertained briefly the very ontic belief that national socialism would liberate us once and for all from metaphysics and its forgetting of being. The essence of this movement is to attune us once again to being. Whereas the Destruktion of 1927 means that one needs to work through and with the tradition in order to move forward and press into the future, the Überwindung of 1933 means that the time is ripe to overturn this tradition, to violently struggle against it, and leave it behind entirely—like many other Nazis, Heidegger became increasingly hostile to Christianity. The theme of ‘overcoming metaphysics’ stuck with Heidegger precisely because of this ontic belief in its overcoming, and the ontic role Hitler’s Nazism and Heidegger himself could play in its overturning. This has the consequence that, soon after his disillusionment with National Socialism, the movement in a sense is ‘in’ and ‘out’ of metaphysics at the same time: during his Nazi period, Heidegger believed that the ‘moment’ had come to liberate ourselves (or Germany at least) from metaphysics and that Nazism would do just this. Only a few months later, Heidegger noticed that National Socialism had, frankly, no interest in the philosophical ‘upliftment’ of humanity whatsoever, and could not but conclude that the movement itself was part and parcel of the metaphysical tradition the thinker then sought to ‘overcome’. After the ontic belief in the supposed ‘saving power’ of Nazism, Heidegger believed that metaphysics persisted.

It is, however, still Heidegger who is deciding who is in and who is out. In Of Spirit, Derrida mentions the presence of two “vibrations at the same time”[ix] in Heidegger, namely one that believed that this movement could embody the ‘spirit’ needed to tune in to being and another, more vague and more truthful use of spirit, stating that the ‘spirit’ of being remains ungraspable and absent. But this is not yet what is going on in Heidegger’s thinking here. Heidegger, when criticizing the movement, did perhaps no longer believe that this totalitarian rule awoke us to being, but he was very clear in naming instances that certainly could not incarnate the ‘spirit’ of being. This act of ‘naming’ who is in and who is out, itself, might be the mistake that led Heidegger to the gravest of opinions ontically: it is in any case ‘the cop-out’ that Trawny mentions.

Such ontic belief that philosophy could act upon the events of world history should concern us. Many of the contributors here agree that this mix between ontic beliefs and ontological viewpoints led Heidegger into error. We should ponder how such a link is to be conceived. Even in 1927 Heidegger acknowledged the ‘ontic ideal’ underlying his ontology, even when insisting on separating ontology from all things ontic. One might conceive a phenomenology that disturbs Heidegger’s neat distinction between ‘ontic’ fear and ontological anxiety for death, by thinking of ontic figures that incarnate this anxiety concretely: a terminal sickness has both ontic and ontological aspects—my death can announce itself quite concretely by this or that cancer, this or that hospital room, etc.

Yet when Heidegger links his ontology to ontic politics something goes wrong and Heidegger himself forgets that he is not immune to the things that he was warning against, namely metaphysics and instrumental rationality. Just as the ontic figures of National Socialism crept into Heidegger’s story of new beginnings, just so these figures had to take the blame for the absence of the need for another beginning. Marder argues that here “‘world Jewry’ is metaphysically deployed and loaded with the dirty work of world destruction” (99) and an utter absence of questioning becomes clear. Gessmann gestures similarly: it simply “gets scary once […] the history of Being is transformed into a ‘world-event [Weltereignis]’” (122). Yet when nothing happens, Gessmann argues, Heidegger turns to Nietzsche: a militaristic metaphysics of the will sets in around 1932. This disillusion is what we need to understand, for this history of being is such that, in becoming totalitarian, it becomes utterly detached from the actual events around Heidegger. Jean-Luc Nancy senses this when saying that all this talk about the ‘Es gibt’ of being ends up by caring very little about what is actually being given and happening.[x] Nothing that is happening will ever be able to falsify Heidegger’s history of being: it becomes totalitarian in the very precise sense that everything will fit into its grander narrative—if anything happens, say the heeding of the call of being in Germany, it will find its place in this history; likewise, if the feeling even the affliction of the Seinsverlassenheit is absent, it will similarly fit into the grander narrative of being. Heidegger always wins, but at the expense of an indifference and alienation that still needs to be understood.

For such an apocalyptic reduction puts the philosopher in the position of overseeing the world and its state of the affairs and he or she becomes the cosmotheoros. The problem with such an overseeing of world is not the least that the philosopher thinks himself able to pinpoint solution to the world’s problems. Bernasconi notes this tendency toward total understanding: “[distinctive is] the totalizing way in which his thought comes to operate. For Heidegger, almost everything belonging to Western metaphysics amounts to the same” (181). Heidegger obviously is not the first philosopher who claimed to comprehend ‘being and beings in their entirety’: it is this claim that he first condemned as ontotheology and to which he too succumbs in the 1930s. To explain this, one might consult the awkward passage (GA 94: 523)—mentioned here by Hans Gumbrecht—where Heidegger enlists the decisive moments in the “abyssal” history of Germany starting from ‘1806’ when Hölderlin went mad […] right up to “(9/26/1889)”—Heidegger’s birthday no less.

Here we once again have the (ontotheological) phantasm that one being (from within) would be able to grasp the entirety of beings (from without). We agree with Jeff Malpas’ recent reading of the Notebooks, when writing that, when disillusioned with politics, “Heidegger turns […] to the absolute primacy of the philosophical, withdrawing into a form of philosophical […] isolation […] even of philosophical alienation (a standing apart from the superficial and the mundane), in which the concern with being is given priority over everything else, including the political”.[xi]

This totalitarian way of thinking also shows itself in what Žižek calls “the obscenely pseudo-Hegelian way” (189) of Heidegger’s thought and which Polt elucidates as Heidegger’s “trope of finding sameness in oppositions” (86). The ‘intellectual effort’ required from us will be to discern when such ‘sameness’ actually was found and when it was not. This means that we need to take our distances from Heidegger’s dialectic and admit, for instance, that his wordplay is not always and everywhere convincing and that the attempt to write a ‘grand narrative’ of being perhaps is not the best his philosophy has to offer.

Several contributors point to such obscenities in the Notebooks. Žižek (on page 189) mentions Heidegger’s awkward thoughts on the “self-annihilation” (GA 97: 19) of the Jews, which in the history of being supposedly function as “a principle of destruction” (GA 97: 20). Heidegger seems to be dead serious in his victim blaming: the ones who have destroyed being will be destroyed themselves. Such ontic metaphors incite Krell to speak of an “unforgiving” tragic collapse and a “failure of thinking” in Heidegger, who often repeated that if being had abandoned us, this oblivion lay on the side of being and all beings would equally share in this abandonment.[xii] In a way, this act of name-dropping thus collapses the ontological difference between being and beings. Whether it concerns naming the ones able to attune us to being or naming those that are to blame for its forgetting, the mode of procedure remains identical. For Žižek, the ontological difference is understood as a “materialis[m] without regressing to an ontic view”, a difference between ‘good’ and ‘bad’ beings (200). It is to acknowledge that “reality is partial, incomplete […] and the Supreme being is the illusion imagined in order to fill in (obfuscate) this lack” (194). It is to forget that there is no final overlap between the signifier and the signified. Yet this lack is obfuscated when one turns to the divine as the ultimate signifier as well as when stating that certain people embody the call of being uniquely. The difference, one might say, is then inhabited (by a certain name) but no longer ausgehalten (in the nothing as Heidegger would say).

This ‘naming’ shows itself precisely when Heidegger ‘finds sameness in oppositions’. Marder speaks of a “complexio oppositorum” (110) that refuses to do its dialectical work. Then “international Jewry” in Heidegger becomes a ‘name’, a rigid designator that contains what cannot be contained: Judaism is worldless nomadism and yet they are cosmopolites, both pacifists that won’t fight for their country yet use a “imperialistic-warlike way of thinking” (GA 96:133) conquering the world—not unlike contemporary racism where certain people are depicted simultaneously as ‘poor’ and as ‘stealing our jobs’.

Polt mentions another example of Heidegger’s dialectic, for in these years Heidegger sees no difference between Nazi eugenics and Jewish attention to who counts as part of the chosen people. Both “reflect a calculative management of genetic resources” (86). Still later, Heidegger infamously sees no difference between gas chambers and industrial production.

I have no quibble admitting that these thoughts can be totalitarian. This does not mean, however, that this thinking cannot make us think and does in effect sometimes find sameness in opposition where one would not expect this. I similarly have no need of separating the man from the thinker and agree with Tom Rockmore’s statement that one needs to “surpass” (158) this distinction, for this philosophy is as affected by totalitarian antisemitism as the man himself was. Yet Rockmore’s argument is hardly convincing: it is not because the man and the thinker are related that this man cannot have thought great thoughts (even though, admittedly, not all these thoughts were great). Rockmore’s examples (which surfaced already in this review) to prove that Heidegger’s “being-historical anti-Semitism belongs less to the narrative about the history of being than to what one can call familiar German philosophical anti-Semitism” (163) prove exactly that—but also just that: that Heidegger was a child of his time, that he entertained a philosophical nationalism and that he too was prejudiced (as much as the next guy, I’d add). It seems Rockmore himself operates in quite the totalitarian manner: “once one admits that [anti-Semitism] is present anywhere in Heidegger’s theories, it almost immediately becomes visible […] everywhere or almost everywhere” (154). Here too some differences, between philosophy and opinion for instance, eclipse.

Heidegger’s thoughts on the enemy, which fascinates Trawny (12-13), are not particularly striking: I know of no nationalism that does not need one or the other enemy: the craving for identity of one people is always at the expense of the identity of the other. What needs to be thought is that Heidegger’s identity-politics from the mid-thirties onward also turns against National Socialism and why this critique remains unconvincing. Certainly, from the beginning of Heidegger’s relations to Nazism, people were, as Bernasconi notes, attacking him for “not being sufficiently Nazi” (177). Polt makes a strong case for Heidegger’s critique of Nazism (also in these Notebooks): Heidegger never entertains either their sheer biological racism or endorse their anti-intellectualism, their hostility to their enemies and their violent brutality (88).

Even then, Heidegger’s one and only question remains who is in and who is out when it comes to the ‘being-historical’ event of the end of metaphysics. National Socialism is now ranked alongside Christian scholasticism, Americanism and so on: stages on the way to the West’s end. Žižek states: “Heidegger’s critique of Nazism is […] a critique of the actually existing Nazism on behalf of its […] metaphysical ‘inner greatness’” (188). The mode of procedure has not changed: whereas first Nazism was deemed worthy of entertaining the question of being, now they are relegated to the many ‘still thinking metaphysically’ and cause the forgetting of being to spread. Nothing has changed: there is but one more instance that is named as part of metaphysics. For the possibility to think non-metaphysically only one being remains…

It didn’t occur to Heidegger, at this stage, that the other of metaphysics is not a property of this or that being, nor of a Volk. To turn to Derrida: if it was certain being was accessed only through language, then in the 1930s it was never questioned that this access had to happen through the German language. It is this ‘non-questioning’ that upsets Derrida, for it reveals something of an “unthought” in Heidegger: the priority of the question was never questioned itself and so misses that ‘there is language’ before one is able to question (being) at all, that language in this sense is a given. Language thus encloses being. This makes it rather uncertain why only German would pose this question. Marder relates this openness to language, this receiving of its gift, to a Levinasian form of hospitality (99). However, in Totality and Infinity this Other that we cannot ask any questions is called a Master—one is returned quicker to some kind of anti-democratic hierarchy than one expects.

What Derrida (and Heidegger, when he’s at his best) imagines is a granting and an allowance that comes with being, and which comes to us, beings, through language: “the question itself answers […] to this pledge”[xiii] and so responds to this granting. For Derrida, this concerns a “responsibility” that “is not chosen”[xiv] nor can it be answered by one people rather than another. For Derrida, it is spectral, spiritual and has a certain je ne sais quoi about it. Heidegger’s mistake was to think to be able to name this ‘I know not what’ and name it once and for all.

Such philosophical naming led to the gravest of things ontically, for Heidegger knew all too well that no one was really granted to lift the veil of this riddle of being, just as no one definitively awakens from his slumber through (ontological) anxiety and we all equally share in a certain ‘benumbedness’ by our world. In the Notebooks, he sometimes reached this conclusion: would it in effect not be the philosopher’s responsibility to “chase man through the otherness and strangeness of the essence of being” (GA 94:43)? It is too much to say that Heidegger wants us all to become ‘strangers on the earth’ but it is possible that the goal of this chase was not to rid us of all strangeness and otherness.

Only clumsy readers of Heidegger would heap together these forms of worldlessness: the worldlessness of technology is not the worldlessness of a stone. Technology is a rationality that conquers the world, but is still for Heidegger poor in world. Animals have an ‘Umwelt’ and are open to world, but are not world-forming as humans are. Benevolent readers of Heidegger will note that in Sein und Zeit (GA 2: 344), Heidegger speaks of a Benommenheit that is proper to Dasein—‘most often’ we are ‘absorbed’ by the world (first benumbedness) only to be stupefied and benumbed just as well by experiencing anxiety—whereas this Benommenheit is used only to speak of the animals’ world poverty in Die Grundbegriffe der Metaphysik. Can we conclude from this that Dasein is, a bit like an animal, ‘benumbed’ as well? No, perhaps. Can we conclude that these lines that Heidegger drew between the ontic and the ontological are not always as rigid as Heidegger himself wanted? Can we conclude that us mortals, in a sense, ‘have’ and ‘do not have’ world and that we are all rather bad at world-forming? I think so.

Krell explores what this ‘benumbedness’ exactly is and how it operates: it is an openness to world but not a total one. Heidegger describes it once as “essentially exposed to Other” which “introduces an essential shattering into the essence of the animal” (GA 29/30: 396). In order to survive, the animal depends on otherness, it can be by no means self-sustaining. If it ever would be able to have something like a ‘self’, it would be able do so only by virtue of such otherness. Heidegger says too little of this shattering in being, of such being exposed to otherness.[xv]

An ontic observation might add a little: at one point Gumbrecht wonders from whence the “conspicuous difference in quality between the […] Notebooks and other texts […] by Heidegger around 1930” (135), noting that the lectures were always nicely prepared and focused. Remark that Heidegger has written only one book, his other tomes are mostly seminars, speeches and notes taken for lectures. One can infer from this that the journal-like style of the Notebooks was not Heidegger’s preferred style and that for Heidegger to be at his best he needed an audience and thus others and otherness.

All this might be farfetched, but we need to admit that a thinking also exceeds the thinker and that he or she has no ownership, in a way, over the consequences of a thought. In his Freedom to Fail, Trawny claims that Heidegger speaks of a place of “originary errancy”[xvi], a non-moral space from which the thinker speaks freely of the freedom of being. This site of freedom is an-archic, as the event of being itself: it surges forward and arises out of nothing and for nothing, without a particular ‘whence or whither’. Though this is true of certain of Heidegger’s writings (e.g. Was heiβt Denken?) it is not without problems. Gregory Fried, for example, asks some poignant questions about Trawny’s approach: though it is the case that if we no longer question, we submit to authority and so end thinking. And though it is the case that we are today asking questions that were not allowed to be posed say fifty years ago—Fried mentions transgenders—and though this questioning itself seems to have “some sense of justice as their polestar”, these questions seem to presuppose some limits themselves (it is, for instance, not self-evident that someone would defend an authoritarian worldview on the basis of this free thinking). This is, for Fried, what Trawny overlooks when stating that posing limits on thinking would therefore only “play into a normative morality”. Fried argues that Trawny gives too much credit to ‘anarchic freedom’, leaving little space to criticize Heidegger’s antisemitism. Fried has an intriguing proposal:

“If thinking is errant, why can it not be a road trip that goes out [and] returns home […] to replenish what Trawny [calls] ‘the [t]enacious fabric of the everyday’? [We] must have a faith that in confronting the norms by which we have lived hitherto, we will do those norms […] justice by thoughtfully reconstructing and transforming them in the face of our lived situation […] and by leaving ourselves ever open to the question of when those norms need to be refurbished, or even discarded”.[xvii]

To conjoin free thinking and morality, we need what Being and Time calls a ‘destruction’ of tradition and not its overturning: one would be free to pose questions, question certain practices against the background of the prevailing norms and not, like in an overturning, reject them entirely. There would be some reverence for the tradition as well as the acknowledgement that the truth of these traditions might lie outside of these traditions. Not an ‘errant thinking’ that boldly goes where no one has gone before, but a thinking that seeks what is possible from within the coordinates of the tradition in which the ‘event of being’ transpires. Heidegger’s dismantling of metaphysics is less a “repeating of the past” as Rockmore argues (166)— in his thinking Heidegger was no mere conservative—but rather a “reappropriation” of this tradition that does not imply an “unblinking acceptance”, as Gordon rightly states. Needed for this is obviously a familiarity with the metaphysical tradition, lest philosophy dissolves in opinion.

Having come to this book as one who knows little of these Notebooks, but having read a fair amount of Heidegger, I’d conclude that by no means these Notebooks justify rejecting Heidegger’s philosophy entirely nor are they the first thing one should read of him—as the publishing craze around these Notebooks today seems to imply. It would be bad philosophy not to read Heidegger: this would forget the sheer force of this thinking and the way, too, it can enforce itself on its readers. It is the latter especially that one needs to think through if one wants to understand why a good philosopher can be a good Nazi.

These Notebooks could be read, not as a confession—Heidegger was not one to confess—but as a concession. One must ponder, as Žižek says, their “frank openness” (187). They are a concession, first, in the sense that he ‘lost it for a while’ in the thirties and succumbed to an ontic and ontotheological belief that, through him, the history of being became transparent. They are a concession, too, in that there was no immediate link between philosophy and politics and that any attempt to intervene in politics as for philosophy’s sake is destined to fail. They concede, not in the least, the fact that he too had submitted to this reprehensible regime’s stereotyping of racial issues and antidemocratic standards. And if it is true, as Trawny argues, that it is we who are the antisemites then the thoughts we need to take home from these concessions, knowing fully well that it was not all that easy to resist this regime and that back then it was easier to be a Nazi than not to be one, might be: would we have resisted the regime or submitted to its principle? After all: can one be a Nazi a little bit?


[i] For Derrida, see On Spirit. Heidegger and the Question (Chicago: Chicago UP, 1989), p. 120n.1. For Heidegger, respectively Nature, History, State 1933-1934 (London: Bloomsbury, 2015) and Logic as the Question Concerning the Essence of Language (Albany, NY: SUNY Press, 2009), p. 71ff. Reference to the book under review are in the text between parentheses, to Heidegger’s Gesamtausgabe in the texts as well as GA.

[ii] Trawny’s essay echoes his Heidegger and the Myth of a Jewish World Conspiracy (Chicago: Chicago UP, 2016), p. 71. Trawny’s book is criticized quite heavily by Taylor Carman: “Trawny […]avoids direct assertion […] by falling back on locutions that merely suggest, hint, indicate a particular passage ‘does not preclude’ this (33), ‘we cannot rule out’ that (34), and so on”, see http://ndpr.nd.edu/news/heidegger-and-the-myth-of-a-jewish-world-conspiracy.

[iii] Reference is, first, to his Existence and Existents (Duquesne: Duquesne UP, 1978) p. 4 and then to “As if Consenting to Horror”, Critical Inquiry 15 (1989) 485-488, as mentioned by Bernasconi on 168 of the book under review.

[iv] Levinas, Time and the Other (Duquesne: Duquesne University Press, 2006), pp. 99-100.

[v] Trawny, Freedom to Fail (Cambridge: Polity, 2015), p. 16.

[vi] Heidegger, Nature, History, State, p. 45.

[vii] See my Between Faith and Belief. Toward A Contemporary Phenomenology of Religious Life (Albany: SUNY Press, 2016), p. 25ff.

[viii] See his “Who belongs? Heidegger’s Philosophy of the Volk,” in Nature, History, State, pp. 109-125, p. 118-119.

[ix] Derrida, Of Spirit, p. 68.

[x] Jean-Luc Nancy, Banalité de Heidegger (Paris: Galilée, 2015), p. 51.

[xi] Jeff Malpas, “Assessing the Significance of Heidegger’s Black Notebooks,” to appear in Geographica Helvetica (2018), forthcoming.

[xii] David F. Krell, Ecstasy, Catastrophe. Heidegger from Being and Time to the Black Notebooks (Albany, NY: SUNY Press, 2015), p. 170.

[xiii] Derrida, Of Spirit, p. 130n.5.

[xiv] Ibid., p. 130n.5.

[xv] For this, see David F. Krell, Derrida and Our Animal Others (Albany, NY: SUNY Press, 2013), pp. 114-116.

[xvi] Trawny, Freedom to Fail, p. 41.

[xvii] See for this Gregory Fried at http://ndpr.nd.edu/news/freedom-to-fail-heideggers-anarchy/.

Luca Vanzago: The Voice of No One: Merleau-Ponty on Nature and Time

The Voice of No One: Merleau-Ponty on Nature and Time Book Cover The Voice of No One: Merleau-Ponty on Nature and Time
Luca Vanzago
Mimesis International
2017
Paperback $ 20.00 / £ 15.00 / € 18,00
252

Reviewed by: Bryan Bannon (Merrimack College)

Luca Vanzago’s The Voice of No One is a thought provoking study in a newer line of Merleau-Ponty studies that seeks to build connections between the phenomenological tradition and process philosophy. Although the connections have not gone completely unobserved (cf. Hamrick 1974, 1999, and 2004), the majority of commentaries on Merleau-Ponty’s thought have completely ignored the importance of Whitehead’s philosophy to it. This situation is unfortunate for any number of reasons, but perhaps mostly due to how such a lacuna forecloses more radical understandings of the phenomenological project in general. By attempting to reinterpret the major concepts of Merleau-Ponty’s philosophy in terms of the commitments of process metaphysics, Vanzago’s book moves in the direction of closing that gap and offering a different approach within the world of Merleau-Ponty scholarship that emphasizes the importance of Merleau-Ponty’s philosophy of nature.

With that said, Vanzago takes a traditional approach to what would be a rather dramatic re-thinking of Merleau-Ponty’s work. After a helpful introduction announcing the book’s main project of drawing the phenomenological and process views closer together by focusing upon the nature of relations, the book begins with several chapters discussing methodological questions regarding the phenomenological reduction (primarily in comparison to Husserl’s method), the nature and possibility of dialectic (with reference to Hegel and Lyotard), reconsidering how relations work (the first major appearance of Whitehead in the book), and how the problem of intersubjectivity plays out in a relational context. These chapters are undertaken utilizing the classic dialogical methodology of European philosophy, and Vanzago offers exemplary studies of the philosophers with whom he engages. In these chapters, he is laying the foundations for the conceptual reconsiderations he introduces in the next several chapters before concluding the book with what this reader took to be the text’s most important contributions, namely those to the ontology of nature. This organizational strategy makes sense, but I found myself wanting the narrative to progress more rapidly toward the book’s announced themes of nature and time, which appear most substantially toward the end of the manuscript. Although Vanzago provides helpful introductory sections to each chapter describing its goals, the aforementioned studies are constructed in a rather self-contained manner. At times, their hermetic quality made it challenging to keep track of how, say, the chapter on passivity (Chapter VI), which contains Vanzago’s close reading of Merleau-Ponty’s reading of Freud’s and Husserl’s views on the passivity of consciousness, contributes to a process view of nature in which consciousness emerges from a previous intersubjective unity.

For that is the main project of the book, arguing that understanding the practice of phenomenology in terms of process metaphysics transforms the problem of intersubjectivity. The persistent criticism of phenomenology, essentially since its inception, has been that even the insistence on the “consciousness is consciousness of …” structure of intentionality and the coexistence of noesis and noema within the intentional act is insufficient to have phenomenology escape one variety of subjectivism or another. For Vanzago, this situation is an opportunity to rethink the nature of phenomenology starting from its foundations, beginning not from the perspective of consciousness, but rather from the perspective of relations. Largely this shift entails an inversion of the usual problem: “when exceeding the limits of egology, phenomenology must become able to bring into its realm that which escapes it, what Merleau-Ponty calls, with an expression coming from Schelling, the ‘barbaric principle,’ the ‘shadow’ of philosophy. In other words, phenomenology must reinvent itself in order to overcome the traditional limits of rationality” (33). A break with the traditional limits of rationality is necessary because the phenomenological thinker must look to what conditions give rise to the possibility of consciousness—the pre-objective, pre-subjective condition out of which consciousness arises—rather than remain ensconced within how phenomena appear to a conscious perceiver. The phenomenologist achieves this break dialectically, proceeding through a number of negations immanent to relational, bodily being, spontaneously creating sedimented “institutions” through which the body habitually relates to the world (44). Chapter III: Chiasms, which offers an understanding of the chiasm through concepts found in Whitehead’s thought, was a true highlight of the book. Here, Vanzago imports a “coherent relationist approach” (48) in the service of making sense of Merleau-Ponty’s attempt to construct a metaphysics that does not rely upon the philosophical tradition’s usual substance-property ontology. Here is where the heart of the process ontology is developed, in the parallelism between Merleau-Ponty’s descriptions of a “logos of the aesthetic world” in which bodily perceptual relations are primary (54) and Whitehead’s claim that every relation is an act of experience (62). Since phenomenology seeks to return to the things themselves through a return to experience, one can substitute the relational theory of experience for the more traditional phenomenological account based in the idea of intentional consciousness.

From there, Vanzago uses the idea of chiasmic relations to reinterpret Merleau-Ponty’s own ideas of bodily intentionality in two interesting and innovative ways. The first is to utilize the process view of time as a way of accounting for the emergence of particular objects from within undifferentiated Being or Nature, which seem to be roughly synonymous for Vanzago (e.g., 195). Being is understood as “the texture that is woven between in the concrete existence of men [sic] and beings” (107), the relational stuff, so to speak, out of which specific beings emerge in their particularity. These chapters, V-VIII, roughly argue that Being, when taken as a process, can account for all of the traditional features usually attributed to mind or spirit in a dualistic, substance-based metaphysics—time, “negativity,” intentionality—without resorting to the materialist “realism” that is still so philosophically popular in Anglo-American metaphysics and is currently experiencing a resurgence in so-called “new materialisms” and “object-oriented” ontologies. Doing so, however, calls for the second project: to utilize Merleau-Ponty’s key commitments to reconstruct a conception of nature that does not define humanity and nature in an oppositional or dualistic manner. Appealing to concepts such as flesh, expression, Whiteheadean events, and metaphor, Vanzago reconstructs a conception of nature that in many ways goes beyond the one Merleau-Ponty develops explicitly in his incomplete later works. Chapter IX: Processes and Events is a highlight in this regard and serves as a complement to the aforementioned Chiasms chapter for those interested in an in-depth analysis of Merleau-Ponty’s relationship to Whitehead.

This latter goal, of course, has been the goal of any number of environmental and philosophies in the critical tradition for decades, a fact Vanzago acknowledges (187). Unfortunately, there is no attempt to engage with those thinkers or traditions and a major shortcoming of Vanzago’s book is the nearly complete absence of consideration of either philosophers outside the canon of major 20th Century (male) European thinkers or the wide array of commentaries that already address these concerns. On the first point, particularly noteworthy is the omission of the work of Val Plumwood, whose Feminism and the Mastery of Nature (1993) argued for a non-dualistic conception of nature in a way that accounts for both continuity between humanity and the rest of nature and the distinctiveness of the various forms of life and inanimate beings that comprise nature. Even within the canon of 20th century European thought, however, there are omissions. It is difficult to see how one could write a book on this specific subject without at least acknowledging Luce Irigaray’s (1993) criticism of Merleau-Ponty on precisely the point on which Vanzago focuses: the notion that Being is unitary and difference is something that needs to be accounted for rather than being a foundational element of being. Although getting bogged down in the literature can have a stultifying effect when one is attempting to articulate a new theoretical perspective, it is also true that entering into dialogue with those who are working with similar if not identical questions might help to refine one’s own work. English language scholars have been discussing these issues for some time, with commentaries such as Aarø (2010), Bannon (2011; 2014), Hamrick and Van Der Veken (2011), and Toadvine (2009)—just to name a selection from within the last decade—arguing for similar perspective to Vanzago’s. Rather than, in some cases, treading on familiar ground, I would have like Vanzago to further develop his innovative thesis further with reference to extant interpretations.

In some ways, this book is torn between two audiences. On the one hand there is the world of Merleau-Ponty scholarship where the organization and methodological choices make the most sense, but there is also very little in the way of engagement with other scholars in that field. On the other hand there is the broader world of philosophy, for whom there is much of interest in the book. Here, the ideas would be better presented by organizing around specific questions or problems rather than concepts. Doing so might appeal to the broader audiences alluded to in the book itself: ecological thinkers, philosophers of science and scholars within science studies interested in the ontology of scientific practice, phenomenologists who work on figures other than Merleau-Ponty, etc.

Despite these reservations, however, The Voice of No One is a substantial addition to the literature and deserves a reading from Merleau-Ponty scholars due to its careful analysis of the texts of both Merleau-Ponty and many of his major interlocutors. The text presents a well-argued case for its central thesis and presents strong evidence that the more established interpretations of Merleau-Ponty’s philosophy, particularly the later work, are in need of revision in order to accommodate Merleau-Ponty’s engagement with process thought in general and with Whitehead in specific.

Works Cited

Aarø, Ane Faugstad. 2010. “Merleau-Ponty’s Concept of Nature and the Ontology of Flesh.” Biosemiotics 3: 331-345.

Bannon, Bryan E. 2011. “Flesh and Nature: Understanding Merleau-Ponty’s Relational Ontology.” Research in Phenomenology 41: 327-357.

–. 2014. From Mastery to Mystery: A Phenomenological Foundation for Environmental Ethics. Athens, OH: Ohio University Press.

Hamrick, William S. 1974. “Whitehead and Merleau-Ponty: Some Moral Implications.” Process Studies 4: 235-251.

–. 2004. “Whitehead and Merleau-Ponty: Healing the Bifurcation of Nature.” In Whitehead’s Philosophy: Points of Connection, edited by Janusz A. Polanowski and Donald W. Sherburne, 127-142. Albany: State University of New York Press.

–. 1999. “A Process View of the Flesh: Whitehead and Merleau-Ponty.” Process Studies 28: 117-129.

Hamrick, William S. and Jan Van Der Veken. 2012. Nature and Logos: A Whiteheadian Key to Merleau-Ponty’s Thought. Albany: State University of New York Press.

Irigaray, Luce. “The Invisible of the Flesh: A Reading of Merleau-Ponty, The Visible and the Invisible, ‘The Intertwining—The Chiasm.’” In An Ethics of Sexual Difference, 151–84. Translated by Carolyn Burke and Gillian C. Gill. Ithaca: Cornell University Press, 1993.

Plumwood, Val. 1993. Feminism and the Mastery of Nature. New York: Routledge.

Toadvine, Ted. 2009. Merleau-Ponty’s Philosophy of Nature. Evanston, Northwestern University Press.

Roger Berkowitz, Ian Storey (Eds.): Artifacts of Thinking: Reading Hannah Arendt’s Denktagebuch

Artifacts of Thinking: Reading Hannah Arendt's Denktagebuch Book Cover Artifacts of Thinking: Reading Hannah Arendt's Denktagebuch
Roger Berkowitz, Ian Storey (Eds.)
Fordham University Press
2017
Paperback $32.00
200

Reviewed by: Mary Walsh (University of Canberra, Australia)

What an honour it is to review Artifacts of Thinking: Reading Hannah Arendt’s Denktagebuch, especially as the Denktagebuch was originally published in German in 2002 (and republished in 2016), and has not been translated (as yet) into English. The editors, Roger Berkowitz and Ian Storey are respectively the Academic Director and Associate Fellow of The Hannah Arendt Center for Politics and Humanities at Bard College and Artifacts of Thinking is the result of a week-long workshop held there in the summer of 2012. They have gathered together a collection of nine stellar contributions that allow readers a glimpse into the fascinating mind of arguably the greatest political theorist of the twentieth century. The German edition of the Denktagebuch is divided into 28 books dated between June 1950-1973. 22 of these were written between 1950-1958, with books 23-28 written from 1958-1961 to 1973, with a final contribution on Kant. As the Editors make clear, it is difficult to classify the Denktagebuch as a ‘thought diary’, as “the Denktagebuch makes evident how closely Arendt read the work of her interlocutors, records previously hidden sources, and displays the dynamic, evolving nature of Arendt’s thinking” (Storey, 1).

In the first chapter ‘Reconciling Oneself to the Impossibility of Reconciliation: Judgment and Worldliness in Hannah Arendt’s Politics’, Berkowitz notes Arendt’s Denktagebuch “begins and ends with reflections on reconciliation” (10). Berkowitz argues that reconciliation is a key and guiding idea that enriches understanding Arendt’s conception of politics, plurality and judgment. He seeks to demonstrate that the judgment to reconcile with the world comes from Arendt’s engagement with Heidegger on thinking, forgiveness, and reconciliation which are part of a complex interplay with Arendt’s personal and intellectual reconciliation with Heidegger (11). Berkowitz presents nine theses around the theme of reconciliation that he discerns from his reading of her Denktagebuch (12-33). The first four theses distinguish reconciliation from forgiveness, guilt, and revenge. Reconciliation is understood “as a political act of judgment, one that affirms solidarity in response to the potentially disintegrating experience of evil” (11). Theses 5 locate her discussion in her engagements with Hegel and Marx. Thesis 6 examines the key role of reconciliation in Arendt’s book Between Past and Future arguing that the “gap between past and future” is the location of Arendt’s “metaphorical space for a politics of reconciliation understood as a practice of thinking and judging without bannisters, as she put t, in a world without political truths” (12). Theses 7-8 focus upon Arendt’s engagement with Heidegger, arguing that her articulation of reconciliation within an evil world is a direct response to Heidegger’s erroneous worldless thinking. The last theses examines Arendt’s final judgment of Adolf Eichmann, arguing that Arendt’s refusal to reconcile with Eichmann’s actions demonstrates the limits of reconciliation and that her demand for his death is a paramount example of political judgment. Berkowitz concludes that reconciliation and nonreconciliation are at the centre of Arendt’s understanding of thinking and judging in politics and that “both are judgments made on the battlegrounds of past and future and thought and action” (33).

Ursula Ludz, one of the two editors who compiled and annotated the German publication of the Denktagebuch, examines one key section in the Denktagebuch for insights it can provide on one of the most controversial periods of Arendt’s life and work: the trial of Adolf Eichmann and the fallout of her five instalments on the trial published in The New Yorker in 1963. Ludz locates the discussion in Notebook XX1V under the title ‘Wahrheit und Politik’ (Truth and Politics). The section has 43 entries and, for Ludz, two merit special attention (10 and 21) as they are directly related to Arendt’s personal case and also note 44 (Weihnachten 1964), which Ludz examines in detail (40). “Like Entry 21, Entry 44 is unique, but this time because it reveals some of Arendt’s inner life, which in principle she keeps hidden almost all through her thought diary” (43). She also notes that Arendt begins the section with two important distinctions: (1) Truth vs. lie and (2) truth vs. opinion (37). Ludz uses the three sections to provide insights into why Arendt chose to respond to her critics collectively and from a distance. Moreover, Ludz discusses what the Denktagebuch adds philosophically to the claim that Arendt apparently understood Eichmann’s banality as a simple factual truth. This is further elucidated as Ludz’s reading examines what constitutes factual truth in Arendt’s consideration of the Eichmann trial (46), a question she claims “haunted the seminar discussion and indeed many of the essays in this volume: What is “truth on a factual level”?” (39).

Wild begins his engagement with the question of whether there is a way of thinking that is not tyrannical. Like Berkowitz, he engages with the themes from the first Notebook, themes that would encapsulate Arendt’s central political concerns of the 1950s. “The question of the relationship between tyranny and thought is a political and theoretical one” (52). Wild is keen to demonstrate the way in which Arendt diagnoses an “unprecedented break in history and tradition” developing new ways of writing and expression that examine the political structure of thinking, especially its reduction to reason and logic. Wild’s reading of the Denktagebuch seeks to demonstrate the way in which Arendt sought to describe what was in front of her. “She does not refer to a pre-existing system of conception, nor does she deduce a theory to present her thoughtful observations. Her way of writing describes a process: ‘to face and to come to terms with what really happened’” (54). Wild identifies Arendt’s approach as a mode which is not chronological, intentional or causal. In the Denktagebuch she takes the word ‘band’ and uses it differently. “It is not the coercive logic of reason but rather the imagination that forms a ‘band between people’” (54). He describes Arendt’s system of writing in the Denktagebuch as creating constellations: “It is a collection and juxtaposition of notes, excerpts, reflections, fragments, quotes, poems; assemblages that establish connections and leave them open, because they are being questioned; or figurations, whose traces are reworked in Arendt’s texts, from The Origins of Totalitarianism (1951) to The Life of the Mind (1977)” (58). This key characteristic of Arendt’s modus operendi, has remained, ‘largely without response” (58).

Similarly, in ‘Thinking in Metaphors’ Cornelissen recognises that the Denktagebuch cannot be read as a book and is better to be thought of as a series of ‘thought fragments’, because there is no single theory or set of propositions (73). He constructs a dialogue between the Denktagebuch and The Human Condition, specifically the way in which the fragmentary nature of the Denktagebuch makes readers aware of the fragmentary nature of her other published work (74). The essay addresses the question of how Arendt “conceives of the activity of thinking without the model of making (Herstellen) (76). Cornelissen locates three different motifs of thinking which he identifies as “condensed meanings, as wanderings through her writings” (76). Firstly, dialectical thinking (the inner two-in-one), secondly, representative thinking as a type of thinking that attempts to ‘represent’ the plurality of perspectives in the public realm preparing the formation of opinions and judgments about past happenings and future events, and finally, ‘thinking poetically’ which refers to the recognition that thought occurs in language, and that the nature of language is metaphorical (77). In her later work, Arendt speaks of ‘meaning’ rather than ‘truth’ and according to Cornelissen, her reflections upon metaphor stay largely consistent (77). He notes that traditionally the activity of thinking is conceived on the model of cognition (seeing or beholding the truth). In contradistinction to cognition, Arendt proposes a different metaphor based upon understanding thinking as an endless activity. Arendt proposes there is a correspondence of thinking to “the sensation of being alive” as well as a cyclical motion, both metaphors she derives from Aristotle (78), yet she admits these metaphors are not entirely satisfactory. Cornelissen notes that rather than search for an alternative metaphor, Arendt shifts her attention to another question – What makes us think? He says “I have always found this a rather abrupt shift” (78). The rest of the essay outlines the correspondences between thinking and political speech (78-82) and the correspondences between thinking and poetic speech (82-85). The essay concludes where it began with the question of how Arendt conceives of the activity of thinking without contemplation (85).

Anne O’Byrne in ‘The Task of Knowledgeable Love: Arendt and Portmann in Search of Meaning’ examines the influence of Portmann, a Swiss zoologist, in terms of their parallel concern with appearance. She notes that the Denktagebuch entries on Portmann “turn out to be entrances onto the realm of life or, more to the point, onto a distinctive and dynamic thinking of life” and she asks the question of what drew Arendt to Portmann’s work and what status did Arendt give the insights he offered?(89). Portmann’s accounts of the natural world paralleled her own approach to understanding the political world. Arendt “engages his work as a fellow thinker of the human condition, a fellow member of the reading and writing public” (90). A key connection reading “through her Denktagebuch notes and The Life of the Mind to his thinking of life leads us to their meeting place in the question of meaning” (90). Arendt brings a ‘phenomenological sensibility’ in reference to Portmann’s morphology and Portmann appears in the Dengtagebuch between 1966 and 1968. O’Byrne notes that early in The Life of the Mind, Arendt’s thinking encounters Portmann’s and that what is important “is that appearances are sensed and that sensing is the province of all sentient beings” (91). O’Byrne traces the scientific tendency to understand the world via truth “but the gap between knowing and being….persists and generates the distinction between truth and meaning. Along with a desire to know, we have a need for meaning, which is pursued through the activity of thinking” (91). Arendt resists philosophy’s metaphysical tendency and regards modern science “as giving new life to this old tendency” (94). “This move beyond appearance is not our only alternative. Indeed, for Arendt, it is no alternative at all” (94).

In “Vita Passiva: Love in Arendt’s Denktagebuch” Tommel claims that the Denktagebuch “is certainly the richest source of her thought on love, richer even than her dissertation about the concept of love in Augustine” (106). She cites passages form the Denktagebuch from May 1955 and acknowledges that although Arendt’s main work concern the active life and the life of the mind, “she did not neglect the personal and intimate life, as it has often been suggested” and claims the Denktagebuch “makes clear that the vita passiva must be understood as an independent mode of life” (107). Tommel asks the questions: “What is love according to Arendt? What are we doing when we love? Where are we if we are neither alone with ourselves nor equally bound to all other people but entirely focussed upon one person?” (108). The chapter seeks to give an overview of Arendt’s core thoughts on these questions. She suggests that “Arendt’s ambivalent, partly paradoxical thinking about love emerges from a – never systematic – differentiation between various forms of love” (109). She identifies four different kinds of love in the Denktagebuch that intersect but cannot be subsumed into a single understanding and says Arendt’s important notion of amor mundi is beyond the scope of the chapter and cannot be understood without taking into account Arendt’s understanding of volo ut sis (118). With regards to love as passion, Tommel argues that Arendt’s separation of love and the world is not as absolute as Arendt suggested, and further, that the fourth notion of love, love as unconditional affirmation, provides further insights into the paradoxical relation between love and the world (109). In conclusion, Tommel notes that like Lessing, Arendt did not feel obliged to resolve the difficulties raised by her work (119) and does not advocate blurring the distinction Arendt made. In fact, she advocates embracing the importance of these distinctions as “it is the plurality of love that guarantees the mutual protection of the public and intimate spheres. We need them both to turn a desert into a world” (119).

Tracy Strong’s “America as Exemplar: The Denktagebuch of 1951” begins with Arendt herself, arriving in America in 1941 as both a European and a refugee. As an outsider, Arendt had been struck by the difference between European nation states and America. Having become an American citizen in 1950, Strong traces Arendt’s scholarly attention in attempting to make sense of what had happened to her, with the publication of The Origins of Totalitarianism to understanding her new environment in America. He notes that she begins a series of entries in her Denktagebuch from September 1951 referring to America as “the politically new” and these notes go on to become On Revolution (124). Strong outlines Arendt’s concern with sovereignty and what a human society would be if it were truly political (125). He notes that what is striking about Arendt’s discussion is that she approaches the question through the explicit lens of European philosophy. “Thus, she is attempting an answer to the question of ‘can we determine the particular excellence of the American polity by viewing it through the lenses of European thought?’”(125). Strong claims the thinkers Arendt invokes are important as she first mentions Marx, and then Nietzsche, whom Arendt understands as having key roles in the end of Western philosophy, as Marx inverted Hegel and Nietzsche inverts Plato (125). “The point of her analysis of Marx and Nietzsche is to assert that they released thought from its bond to the ‘Absolute’” (125). Strong goes on to investigate what the implication is of Arendt’s claim that contract (or covenant or compact) is the “highest law” and the specific excellence of America (128). His discussion engages Nietzsche, Kant, Derrida and Weber in extending understandings of promising (which is a contract) and performatives to conceptualise Revolution as, in working with Nietzsche, this is something further understood as hyper-performative (131). Strong’s reading of the earlier parts of the Denktagebuch provide us with an understanding of how important America was to Arendt as an exemplar of what the political could be (126).

Jeffrey Champlin’s “Poetry or Body Politic: Natality and the Space of Birth in Hannah Arendt’s Thought Diary” examines one of Arendt’s most central contemporary concepts, the concept of natality. As Champlin notes, the term only appears in the Denktagebuch once before it appears more centrally in The Human Condition (1958). “The puzzling, even obscure, presentation of the term in the Denktagebuch challenges interpretive protocols that depend on a linear development” (144). Champlin argues that the entry ‘deserves attention’ “because it shows Arendt transforming a political metaphysics of the body through an alternative conception of corporeality. Maintaining Rousseau’s attention to the clash of language and ontology, Arendt shows that the body bears a specifically earthly form of freedom” (144). Champlin notes that it is tempting to approach the Denktagebuch from the tradition of western philosophy but he wants to suggest that Arendt’s early entry of natality “requires a focus on its specifically literary aspects, understood as the particular ways in which she constructs it through arrangements of language” (144). Champlin argues that this entry on natality helps us comprehend the striking originality of Arendt’s understanding of politics and emphasises the way in which “a careful reading of the explicit reference to natality in the Denktagebuch and nearby references to figures of birth can help understand how Arendt uses the narrative and poetic dimensions of the idea to expand the philosophical concepts of novelty and change. Natality, as a condition in Arendt’s sense, is related to, but different than, a concept, an anchor, and an ontological principle” (145). Ultimately, “Arendt offers a poetry of the body politic” (158), and as Champlin astutely points out, Habermas’s claim “that Arendt falls back on the ‘contract theory of natural law’ rings false, though. He leaves us little else to support his accusation, and it seems to be a sort of stopgap approach to closing the important questions raised by his description of Arendt’s conception of power” (152).

The final contribution in Artifacts of Thinking is Ian Storey’s “Facing the End: The Work of Thinking in the Late Denktagebuch”. He seeks to explore the last substantive section of Arendt’s Denktagebuch the twenty-seventh notebook. Storey notes that Notebook XXVII is “preoccupied with thinking about ends, and Arendt weaves the multiple senses of the word in both English and German together into a series of mediations on the relationships between thinking, death, and purpose” (162). As Storey notes in the Introduction to the book, “It asks what can be learned by looking on the Denktagebuch as a rear-view mirror on Arendt’s thought as well” (8). For Storey, the mediations in Notebook XXVII, with the central focus upon ends, provides a way of bringing to the surface aspects of Arendt’s published work, particularly The Human Condition and the various iterations of Culture and Politics, as well as providing threads for rethinking aspects of her work across different periods. He notes that instrumentality and the orientation towards particular ends were a key concern of Arendt’s work in the 1950s and 1960s and this explains the rise in the popularity of her thought in political theory and philosophy more generally. Storey moves within the complex interplay of ‘what might have been’ and ‘what might yet be’ when he considers Notebook XXVII having been written in the shadow of the “terrible interruption” of Heinrich’s death and Arendt’s own declining years (176). He poses the question as to whether Arendt’s work on reconfiguring the place of good in the world of appearances may have led to “a new vision of political conscience” or “have become a fully-fledged ethics, in the book Judging that was never to be? Or would this line of reason simply have become mired in all the basic moral dilemmas that “aesthetic” accounts of politics have been accused of creating” (176).

I said at the beginning of this review that it is an honour to have the opportunity to review this edited collection. And it has been. Each contributor provides important insights into how the Denktagebuch illuminates Arendt’s oeuvre and stunningly original approach to thinking politically. This edited collection is especially significant given Arendt’s Denktagebuch is not available in English translation as yet. It means serious scholars of Arendt’s political theory can glimpse into the extraordinary mind of Arendt to further complement their understanding of Arendt’s key texts written in tandem during these particular historical periods. Overall, a crucial and significant contribution to the legacy of the political theorist who is Hannah Arendt.

Alfred Schutz: Life Forms and Meaning Structure

Life Forms and Meaning Structure Book Cover Life Forms and Meaning Structure
Routledge Library Editions: Phenomenology
Alfred Schutz. Translated by Helmut R. Wagner
Routledge
2014
Paperback £32.99
232

Reviewed by: Mohammad Shafiei (Shahid Beheshti University, Tehran, Iran)

“Life Forms and Meaning Structure” is the translation of “Theorie der Lebensformen” which contains Alfred Schutz’ writings from his so-called Bergson period, namely the years between 1924 to 1928. As the Editor has explained in his introduction, the manuscripts were supposed to consist of a book; a project which was abandoned in favour of another book plan which turned out to be Schutz’ master piece, namely “Der sinnhafte Aufbau der sozialen Welt” published in 1932. What happens in between is Schutz returns to Husserl and chooses again to advance his project, “to obtain a theory of founding” (17) in respect with sociology, principally within the method of phenomenology. Schutz’ masterpiece, translated into English as “The Phenomenology of the Social World” is an outstanding work and has been well-received both by sociologists and phenomenologists. However, what makes “Life Forms and Meaning Structure” of a particular interest for a phenomenologist, besides all the other points, is to see why and how Schutz displays dissatisfaction with, up to those days available, phenomenological analyses and how Schutz would progress with an alternative (but not necessarily incompatible) path. The book is the attempt by the author to offer a basis for social sciences extracting the basic ideas from within Bergson’s philosophy. Therefore, the fact that the author has temporarily discarded phenomenological framework by turning to Bergson, and that such a project finally is relinquished, may have some implications concerning the potentialities and perhaps shortcomings of phenomenology.

The book begins with the Editor’s introduction containing helpful data about the manuscripts and the process of forming the book.  It also contains a useful explanation about the structure of the work and also some issues concerning the translation.

In the author’s introduction, he declares his discontent with the Husserlian approach for it is, according to the author, mathematical in essence. This is the attitude that Schutz also attributes to Kant and neo-Kantians. Its aim, as Schutz describes it, is “to find lawful regularities in the inanimate world” (15). Therefore, Schutz considers Husserl’s method useless as far as we are dealing with the issues belonging to the realm of the social and to animate objectivities in general.  In this respect, Schutz admires Cassirer, Siemel and Bergson for their attention to life and to the significance of non-mathematical approaches.  Schutz also mentions Weber and approves of his ideas, especially for putting “understanding” in the centre of social studies. However, this is Bergson’s approach which is particularly chosen and frequently referred to throughout the investigations to come. Schutz considers Bergson’s formulation as “a first attempt for constructing ideal types of consciousness” (18). However, there are some shortcomings in Bergson’s theory and it is incomplete, which is the fact that might justify the current project of the author. According to Schutz, Bergson’s theory is incomplete due to the following factors:

  1. The historically conditioned limitations of the sciences of Bergson’s time;
  2. A taking for granted ‘the givens’ (so of the social world), the viewpoint which has been turned out more and more problematic;
  3. The overemphasizing the biological themes as a path into metaphysics;
  4. The overrating of action, is in no way justified, as constituent of (a) memory, (b) intellect, (c) the material world and thus of time and causality;
  5. The omission of drives, of values and of the Thou.

The main thesis is that “there exist, between the Kantian antithesis of sensuality and cognition or between Bergson’s duration and reason, a series of intermediate stages. Each of them is adequate to a different ‘symbol sphere’.” The relation among these symbol spheres is that of relative non-communicability. It means that “the experiences of the deeper intermediate stage, although understandable in its own characteristic symbol system, are non-transferrable into the higher sphere. “ (21) Therefore, between the pure duration and the highest conceptual consciousness there are a continuity of layers, called by Schutz, “life forms”, each of which having its own symbol system and its own manner of experiencing. “[A]ll experiences of the total I enter into every life form. It is subjected to the restriction that all experiences enter into the given life forms only as symbols.” (22) Schutz says that the number of such layers, sometimes referred to as “plans of consciousness” is not limited. Nonetheless, a definite number can be chosen in regard to the investigator’s purpose. Schutz himself has distinguished six life forms and aimed to investigate them.  These are the layers of pure duration, memory-endowed I, acting I, Thou-related I, speaking I and thinking I. However, the main body of Schutz’ work, which is included as part I in the book and it is about 90 pages in the English edition, deals mainly with the first three and remains unfinished. Three other texts which go back to the Bergson period and which are mainly concerned with  the life form of speaking I are included as part II. Part III is a text which contains only a few lines as an outline (or better combination of some outlines) for some non-accomplished project related to the current topic. Perhaps the introductory part is the richest in regard to the explanation of the thesis.

The thesis itself is very interesting and it is accompanied by some inspiring remarks. It is a pity that the project has not been completed; one would especially expect what Schutz would state about the analysis of I-You relation. In several occasions inside the text the author announces that he is going to investigate Thou experience and the like but it is never really actualized. For the most part the analyses rely on the notions of duration and memory. The discussions of the first sections of part I, in which the author intends to explicate the constitution of meaning (Sinn, and this would be better translated to” sense” if we want to attach, in some respects, the current project to the phenomenological method) on the basis of memory, are somehow repetitive and not well-structured. Of course we should notice that we have only an incomplete and unpolished draft before us. Nevertheless the sections 10 and the rest of part I offer very stimulating and original explorations of certain aspects of human life. Here the author introduces the notion of the acting-I and investigates the constitution of, among others, body, movement, space and thing.

The texts included in part III are “Meaning Structures of Language”, “Meaning Structures of Literary Art Forms” and “Meaning Structures of Drama and Opera”. These titles are chosen by the editor and the German titles for the manuscripts were, respectively, “Spracharbeit”, “Goethe: Novelle” and “Soziale Aspekte der Musik als Artform”. The first one deals with the constitution of the word and the acts of name-giving and communication. The discussion in some places turns out to be very rich and fascinating especially when the author puts forward investigations on the genesis of noun, adjective and other categories of expression on the basis of his theory of life forms. In the second chapter, the author tries to explain the characteristics of various genres of literary art on the basis of the reciprocal relation between the speaker and the listener and their different positions in each genre. Here he uses the idea of the distinction between the subjective meaning (sense) and objective one which he has introduced before. The third chapter contains a somehow specialized discussion concerning opera and drama which is interesting in its own right.

It can be said that in these texts Schutz develops various interrelated but also independently presentable ideas. The most prominent is that of life forms. The second is the importance of duration and memory. In some places Schutz states that all life forms are reducible to that of pure duration (96) as if every feature of the living ego can be derivable from duration (and memory) alone.  However, he adds the remark that the functions of life forms do not reach down to the more primitive ones (54). Whether or not this can be considered as a tension in Schutz’ position, he himself tries to render some peculiar notions to that of time passage and memory. He announces that he will do this for the thou-experience but he does not execute it, rather he says that ‘I’ recognizes thou also because it “can be compared to the memory images of my own past I” (127). Most importantly Schutz tries to explain meaning (sense) on the basis of the function of memory. This can be considered as the third idea forming the project. Others are those related to the constitution of spatial objectivities, word and linguistic categories, and literary genres. The main idea is very inspiring but the arguments concerning the second and third ones are not very convincing, at least when compared to the phenomenological analyses.

One of the reasons that Schutz left the book project unfinished and returned to phenomenology is that Husserl’s “Vorlesungen zur Phänomenologie des inneren Zeitbewusstseins” appeared at the same time. Accordingly, Schutz revises his analysis of inner duration and developed it using the themes introduced by Husserl. However, interestingly, one of the figures that Schutz brings in is “Theorie der Lebensformen” in order to illustrate his account of time passage which is quite similar to one of Husserl’s in the aforementioned book. It is a pity that the English translator omitted the figures. He gives some reasons for doing that, but in any case, an enthusiastic reader is somehow frustrated. This gives me the motivation to reproduce the most important one here (figure 3 of the German text).

This figure resembles the figure brought in (Husserl, 1991: 98), however, there are two important differences. For Schutz the vertical lines stand for memory as if in order to make the time-awareness two dimensional, we need memory. Indeed this figure is to represent the stream of consciousness of the memory-endowed I in contrast to pure duration which had been represented as a horizontal line in figures 1 and 2 of the original text. For Husserl the vertical line stands for retentional modifications, so that the whole diagram is to represent inner time awareness. The idea of retention and also that of reproduction are adopted by Schutz in his major work. The other difference is that Schutz’ diagram includes an oscillating line, between experience and memory or between perception and sense, which is to represent the status of memory-endowed I. This idea of oscillation is a very interesting one and does not appear in Husserl’s figure, though elsewhere he speaks of oscillation in consciousness, between dull and alert cogitos.

Another notable point in comparison with Husserl’s works, this time with the works which was available at the time, concerns the analysis of sense (Sinn, which is translated as meaning in this edition). This is directly related to the theory of noema. However Schutz does not recall this theory and only once he mentions the word noema and somehow equates it with his idea of objective meaning (sense). Husserl’s theory of noema does not strictly depend on memory, as Schutz’ theory of sense in this project does. Although Husserl speaks of memory when analyzing various noematic layers, and although noema or noematic sense itself has a peculiar relation to time, it itself cannot be described as memory image, which is the delineation of sense according to Schutz. Nonetheless, in his major work, Schutz frequently refers to the concept of noema. I would like to add, en passant, that it is not unproblematic to consider noema as objective sense, if we mean by objective sense the ideal meaning. This latter can be seen as tightly related to noematic nucleus but is by no means identical with the full noema itself.

Even if one finally rejects the author’s conception of time awareness and his theory of sense, there are still a lot of inspiring ideas in the book. The theory of life forms is very attractive and the analyses offered in some passages reach a high degree of originality and insightfulness. The book enjoys a fluent translation. However, I wish it had also comprised the figures and their explanations. Also one should keep in mind that “meaning” is used as a translation for Sinn, for which “sense” would be a more precise translation, while meaning should be reserved for Bedeutung. However, this is not a defect, since the book does not belong to phenomenological literature and the translation is coherent—it employs “meaning” for Sinn and “significance” for Bedeutung throughout the book.

References:

Husserl, Edmund. 1991. On the Phenomenology of the Consciousness of Internal Time, translated by John Bamett Brough. Kluwer Academic Publishers.

Ondřej Švec, Jakub Čapek (Eds.): Pragmatic Perspectives in Phenomenology

Pragmatic Perspectives in Phenomenology Book Cover Pragmatic Perspectives in Phenomenology
Routledge Research in Phenomenology
Ondřej Švec, Jakub Čapek (Eds.)
Routledge
2017
Hardback £88
264

Reviewed by: Jonathan Lewis (Dublin City University)

This volume seeks to provide a critical analysis of pragmatic themes within the phenomenological tradition. Although the volume is overwhelmingly geared towards presenting critiques of some of the most authoritative pragmatic readings of Martin Heidegger – readings by Hubert Dreyfus, John Haugeland, Mark Okrent and Richard Rorty – a handful of the fourteen chapters expand the discussion of the pragmatic dimension of the history of phenomenology by engaging with the work of Edmund Husserl, Maurice Merleau-Ponty, Max Scheler and Jan Patočka. Although the contributors do well to explain their ideas, useful appropriation of the volume will require a working knowledge of the developments in twentieth-century pragmatism and phenomenology, their basic features as philosophical enterprises and, most importantly, the central tenets of Heidegger (in particular), Merleau-Ponty and Husserl.

I will now outline what I see to be the primary claims of some of the collected papers (unfortunately, there are too many to be discussed with the level of detail required), linking those claims to the aims of the volume as a whole and providing some modest comments of my own.

For the editors, there are several characteristics of pragmatism:

  1. According to pragmatists, ‘intentionality is, in the first and fundamental sense, a practical coping with our surrounding world’;
  2. According to pragmatists, ‘language structures derive their meaning from their embeddedness in shared, practical activities’;
  3. According to pragmatists, ‘truth is to be understood in relation to social and historically contingent practices’;
  4. Pragmatism maintains ‘the primacy of practical over theoretical understanding’;
  5. Pragmatism criticises ‘the representationalist account of perception’;
  6. According to pragmatists, ‘the social dimension of human existence’ is prior to an individualised conception and manifestation of agency.

Although the editors and contributors do not explain whether these are necessary and sufficient conditions for a pragmatist reading of the phenomenological tradition (after all, the notion of necessary and sufficient conditions cannot be easily reconciled (if at all) with pragmatist and phenomenological approaches to philosophical method), whether by adhering to just one of these conditions makes one a pragmatist or whether these conditions are fundamentally interrelated, we may claim (in no particular order) that pragmatists tend to subscribe to one or more of the following (indeed, individual contributors touch upon some of these themes):

  • ‘Subject naturalism’ (whereby naturalism should be understood as ‘naturalism without representationalism’) is either prior to or a rejection of ‘object naturalism’ (Price 2013);
  • The representationalist order of explanation, which, broadly speaking, presupposes the non-deflationary structure of identification between representations and states of affairs, is a misleading explanatory model from ontological, linguistic, experiential and epistemological points of view;
  • The notion that something is ‘given’ in experience, that is, that there is something existing ‘out there’ – in reality but independent of our minds – to which our claims, beliefs, justifications, theories and meanings should correspond, is a myth;
  • Semantics does not come before pragmatics – notions such as reference and truth are not explanatorily basic and cannot account for inference;
  • Metaphysics tends to be deflationary in the sense that the contents of our concepts lay claim to how the world is;
  • In addition to the fact that the sense of a word, term, proposition, sentence, belief, fact, value or theory is how it is used in actual practices, semantic notions of truth, reference and meaning are to be understood in terms of social norms;
  • Judgments that concern normative statuses, fact-stating talk and objectivity-claims are to be understood in, and gain validity from, the realm of giving and asking for reasons.

The revival of pragmatism during the latter half of the twentieth century and a renewed focus on exploring the nature and origins of normativity in other areas of philosophy has coincided with an increasing body of literature dedicated to exploring some of these pragmatic themes in various canonical texts in the history of Western philosophy, particularly those of Kant, Hegel, Husserl, Heidegger and Merleau-Ponty. That said, the majority of today’s most prominent pragmatists draw inspiration from their immediate predecessors. In terms of Anglo-American pragmatism, for example, references are almost always made to Ludwig Wittgenstein, Wilfrid Sellars (who, in turn, engaged extensively with the work of Kant), W. V. O. Quine, Donald Davidson, Richard Rorty and Hilary Putnam. Indeed, when pragmatists engage more broadly with the history of philosophy (as is the case with Robert Brandom, for example), the focus tends to be on the work of Kant and Hegel. Consequently, in the context of twentieth-century pragmatism, Rorty and Hubert Dreyfus were peculiarities in the sense that they were two of the first self-professed pragmatists (in English-speaking academic circles) to explore the pragmatic dimension of phenomenological traditions of Western philosophy. Through their correspondence, the pragmatic interpretation of the history of phenomenology, and of Heidegger in particular, began in earnest. It is not altogether surprising, therefore, that Rorty and Dreyfus’ respective interpretations are, perhaps, the paradigmatic pragmatist readings of Heidegger and a driving force behind pragmatic appropriations of other well-known phenomenologists, specifically, Husserl and Merleau-Ponty. In terms of Heidegger exegesis, not only have they inspired equally famous readings by Haugeland and Okrent, the interpretations of Rorty and Dreyfus, as this volume testifies, continue to demand critical engagement from Heidegger scholars.

It is apt, therefore, that the book begins with an essay by Okrent – an implicit focal point for the majority of the discussions and criticisms that follow in the other chapters. Along with Okrent’s introduction to some of the most important features of a normalised pragmatic reading of Heidegger, part one of the volume is made up of chapters dedicated to elaborating the pragmatic dimension of the history of phenomenology. Part two critically engages with extant pragmatic readings of the phenomenological tradition and addresses some of the issues that emerge through pragmatic engagements with texts by non-canonical authors such as Scheler and Patočka. The final section contains four contributions that attempt to advance the debates in the history of phenomenology through new perspectives.

After the editors’ introduction, Okrent begins by outlining two features of normative pragmatism – a position he attributes to Heidegger and one that is also affirmed by certain figures in the current Anglo-American pragmatist movement, specifically, Robert Brandom. For Okrent, normative pragmatism is, firstly, committed to the idea that an object’s nonnormative, factual properties are ‘possible only if there is some respect in which it is appropriate to respond to certain situations or to certain entities in certain ways’ (p. 23). Secondly, après Wittgenstein, normative pragmatism is committed to the claim that it is correct to respond to certain situations or to certain entities in certain ways primarily due to ‘the norms implicit in behaviour rather than with following explicit rules’ (ibid.). To speak about appropriate responses to objects, whereby appropriateness is measured according to the norms of social practices, is to think of objects as tools or equipment. According to pragmatist readings of Heidegger, tools are not primarily conceived in terms of their hermetically-sealed physical make-up in space-time. Rather, tools are understood, initially, in terms of what they are used for – the practical contexts and instrumental ends that will be fulfilled through their use. Furthermore, whether tools are used ‘correctly’ comes down to whether they are appropriated according to the norms of tool-use derived from social practices. The key point is that both Okrent and Heidegger view linguistic phenomena as tools. In accordance with the two theses attributed to normative pragmatism, Okrent states that ‘to grasp an entity as merely present, then, an agent must grasp it as essentially a possible object of an assertion. But to grasp something as an object of an assertion is to use the appropriate group of assertions as they are to be used within one’s community’ (p. 26). It follows that an object’s nonnormative properties are ‘simply invisible to an agent if she can’t use assertions to make claims about that entity’ (ibid.).

Okrent’s chapter is a response to criticisms that Brandom has levelled against Dreyfus, Haugeland and Okrent and their respective interpretations of Heidegger. In laying out the central tenets of normative pragmatism, Okrent highlights the similarities between Brandom’s reading of Heidegger and his own. However, disagreements emerge over their respective conceptions of intentionality. According to Brandom, Okrent, Dreyfus and Haugeland adopt a ‘layer-cake’ model, according to which our meaningful, norm-governed, practical responses to certain objects in certain ways is, in a sense, pre-predicative and nonconceptual and, therefore, distinct from (but also the basis of) the propositional articulations we make concerning such objects and our engagements with their nonnormative properties. In other words, the view that Okrent supports, and that Brandom believes is based on a misinterpretation of Heidegger, claims that ‘there are two layers to Dasein’s intentionality, the nonlinguistic skilful coping involved in the utilisation of equipment as tools that are essential to Dasein as Dasein and the linguistic, assertoric intentionality that intends substances as substances and is not essential for Dasein as Dasein’ (p. 29). Okrent goes on to defend the layer-cake model of intentionality on the basis that, for Heidegger, not all interpretations of entities as what they are involves assertion.

In terms of defending his interpretation of Heidegger as a layer-cake theorist in the face of Brandom’s reading, Okrent is convincing. That said, in terms of defending the layer-cake model of intentionality against Brandom’s claim that intentionality does not contain a nonconceptual component – that all experience can be understood in terms of the space of reasons – he is less successful. The other contributions in this volume do far better justice at demonstrating some of the problems with Okrent’s account than I can here. However, what I will say (paraphrasing the main issue in the Dreyfus-McDowell debates) is that although one can claim that propositions, assertions, sentences and theories are embodied, and even originate in our practical activities, that does not mean that our absorbed involvements that grasp the world as what it is are fundamentally and distinctly nonconceptual. Indeed, Brandom’s starting point is to conceive the world ‘as a collection of facts, not of things; there is nothing that exists outside of the realm of the conceptual’ (Brandom 2000: 357). On that basis, he has presented a whole system of normative pragmatics and inferential semantics to support his non-representationalist metaphysical project. Whether we agree with him or not, it follows that Brandom has the means to defend the view that even those interpretations, repairs and improvements of tools and equipment that seemingly operate outside of the bounds of general acceptability, and that Okrent takes to be nonlinguistic, are predicated upon a (at least implicitly) conceptual understanding of intentionality. In other words, our perceptions and skilful copings are permeated with the as-structure of interpretation that fundamentally understands seeing something as something in discursive terms (regardless of whether those concepts are made explicit in discursive practices).

The theme of layer-cake interpretations of both pragmatism and intentionality and the question of the dependency of skilful coping on conceptual meaning are taken up again in Carl Sachs’ contribution. The starting point for Sachs is the debate between Dreyfus and John McDowell regarding the relationship between rationality and absorbed coping and the consequences of this relationship for understanding intelligibility and intentionality. Like Brandom and McDowell, Sachs recognises the problems inherent in the layer-cake model of nonconceptual skilful coping – a distinct kind of intelligibility with its own internal logic. He also acknowledges McDowell’s claim that layer-cake pragmatists make the mistake ‘in thinking both that rationality consists of detached reflection and that rationality is the enemy of absorbed coping’ (p. 96). Unlike Dreyfus, Okrent and Haugeland, both Brandom and McDowell argue that rationality should not be construed as detached contemplation. Furthermore, intentionality is fundamentally conceptual. However, as Sachs observes, the problem with claiming that conceptuality permeates all of our skilful copings is that intentionality tends to be treated as only ‘“thinly” embodied’ (p.94). Through the work of Joseph Rouse, and by confronting the question of how absorbed, embodied coping can fit within the space of giving and asking for reasons, Sachs provides a convincing and highly innovative critique not only of layer-cake interpretations of the phenomenological tradition, but of approaches to contemporary pragmatism that do not pay sufficient phenomenological attention to the embodied dimension of intelligibility. Undermining Dreyfus’ distinction between the ‘space of reasons’ and the ‘space of motivations’, Rouse follows McDowell (and Brandom) in, firstly, rejecting the view that rationality is found in detached contemplation and, secondly, claiming that discursive practices are embodied. Where Sachs sees McDowell as paying only lip service to an embodied conception of rationality, Rouse uses developments in evolutionary theory to naturalise the space of reasons and, by implication, our norm-governed engagements with the world. Having arrived at the claim that discursive practices are conceived as ‘highly modified and specialised forms of embodied coping’ (p. 96), Sachs builds on Rouse’s account by defending a distinction between sapient intentionality and sentient intentionality in order to demonstrate that ‘McDowell is (mostly) right about sapience and that Dreyfus is (mostly) right about sentience’ (p. 88).

Whereas Okrent and Sachs’ respective contributions tackle the Dreyfusian tradition of Heidegger scholarship, Andreas Beinsteiner provides a critical assessment of Rorty’s engagement with the pragmatic dimension of Heidegger’s thought. The focus is on Rorty’s purely language-oriented interpretation of the ‘history of Being’. According to Beinsteiner, even though Rorty agrees with Heidegger’s claim that our vocabularies and practices are contingent, Rorty’s criticism of Heidegger’s ‘narrative of decline’, which is characterised by a lack of recognition regarding the contingent nature of both meaning and language, is problematic. For Beinsteiner, the issue Rorty has with the idea that contemporary Western society, when compared with previous epochs, is less able to grasp the contingency of language rests upon Rorty’s two conflicting versions of pragmatism – instrumental pragmatism and poetic pragmatism. According to Beinsteiner, when Rorty argues for social hope as opposed to decline, he has seemingly failed to acknowledge the contingency of his own language and has, as a result, fallen into the trap that instrumental and poetic pragmatism disclose in different ways. Ultimately, Rorty is trapped within his linguistic conception of intelligibility, one that, he believes his instrumental conception of language has some sovereignty over, when, in fact, according to Beinsteiner, our conception of meaningfulness not only precedes the purposes of our language, it grants Rorty’s language with the purpose of instrumentality in the first place. In the remainder of the chapter, and in the face of what he sees as Rorty’s linguistic treatment of meaningfulness, Beinsteiner offers a challenge to Rorty’s critique of the narrative of decline by demonstrating technology’s ability to guide our understanding of intelligibility.

One of the problems with Beinsteiner’s critique is that Rorty is clearly aware of the dangers of becoming trapped in non-contingent conceptions of one’s language and understanding of meaningfulness. Rorty acknowledges that we can and, indeed, must aim for as much intersubjective agreement as possible by opening ourselves up to other cultures and their associated languages. As he explains, ‘alternative cultures are not to be thought of on the model of alternative geometries’; ‘alternative geometries are irreconcilable because they have axiomatic structures, and contradictory axioms. They are designed to be irreconcilable. Cultures are not so designed, and do not have axiomatic structures’ (Rorty 1991, 30). Consequently, by engaging with different cultures, it is at least a possibility that our language and conception of intelligibility can be destabilised and transcended. However, Heidegger claims that exposure to other cultures through media technology will fail to transform our conceptions of language and meaningfulness. As is evident from Beinsteiner’s contribution, Heidegger’s claim rests upon a one-sided interpretation of technology, one that is justified by criteria located in his own ‘final vocabulary’. This raises a problem, one that is emphasised when Beinsteiner makes claims regarding the pragmatic dimension of technology that coincide with Heidegger’s narrative of decline (even though Beinsteiner states that his point ‘is not to defend a supposed Heideggerian pessimism against Rorty’s optimism’ (p. 64)). A critic would likely argue that if Beinsteiner wishes to argue for the contingency of language and meaning and, thereby, avoid falling prey to the criticisms he levels at Rorty, he needs some criteria for judging the ‘primordiality due to new media and communication technologies’ (p. 64). Indeed, in order to avoid the charge that he is trapped within Heidegger’s vocabulary, such criteria would need to come from elsewhere. Unfortunately, a comprehensive and justified account of such criteria is noticeably absent in both the work of Heidegger and Beinsteiner’s contribution.

Returning to the Dreyfusian tradition of Heidegger scholarship, Tucker McKinney’s contribution addresses a long-standing problem with layer-cake approaches to pragmatism; specifically, the issue of whether and how (what Okrent calls) ‘the nonlinguistic skilful coping involved in the utilisation of equipment as tools that are essential to Dasein as Dasein’ (p. 29) can be reconciled with self-conscious inquiry and the resulting ‘first-personal knowledge of one’s activity’ (p. 71). In the face of traditional approaches to philosophy of mind that interpret self-consciousness in terms of self-representing contemplation, which he acknowledges is a form of self-consciousness that Heidegger criticises, McKinney sees Heidegger as advancing a conception of positional self-awareness ‘as an action-guiding practical knowledge of what to do to sustain one’s being in the world, realised in our affective lives’ (ibid.). Whereas typical pragmatist readings of Heidegger claim that our nonconceptual and non-representational ability to skilfully and habitually cope with the world means that the capacity to represent (the world and our representations of the world) through concepts is both merely derivative and something we can identify or attribute to ourselves only after our unselfconscious practical activities, McKinney defends the view that, according to Heidegger, ‘our engagements with entities are permeated with a sense of our own agency, our own active and participatory engagement with objects’ (p. 78).

In the face of problematic normalised and normalising pragmatic readings of Heidegger, many will welcome McKinney’s contribution. Whether it provides ‘a new ontology of self-possessed activity’ is questionable. Indeed, the approach shares some affinities with Hegel’s account of self-consciousness, Wittgenstein’s conception of private language and (more obviously) Habermas’ work on the relationship between self-awareness, affectivity and intersubjective communicative action. The basis for divergence stems from McKinney’s focus on ‘attunement’ [Befindlichkeit], which he translates as ‘findingess’ but can also be interpreted as ‘affectivity’ (Crowell 2013) and ‘state-of-mind’ (Braver 2014), and its concrete manifestation as ‘mood’ or, more literally, ‘tuning’ [Stimmung] (such as when the sound of a musical instrument changes depending on how it is tuned).[1] At a very basic level, Heidegger describes moods as ‘fleeting experiences that “colour” one’s whole “psychical condition”’ (GA 2, p. 450). From a phenomenological point of view that McKinney adopts in his discussion of the concept of fear, moods influence how things are meaningfully encountered in the ways they are during my practical engagements. On the basis of moods, my activities express an understanding of my own agency (p. 83). Furthermore, and this is matter that McKinney does not discuss (but Heidegger does), it is an existential-ontological condition of my capacity to interpret the world that I, myself, must be affectively attuned. Without attunement, any act of skilful coping would not present itself to me as intelligible. Consequently, in terms of a phenomenological reading of the concept of mood and ontological considerations of attunement, there is, as McKinney recognises, scope to innovatively extend non-Cartesian debates regarding the nature of self-consciousness.

Turning to part two of volume, in which the contributors focus specifically on the phenomenological dimension of the work of Husserl, Heidegger, Merleau-Ponty, Scheler and Patočka, Jakub Čapek’s contribution exemplifies some of exegetical challenges that face traditional pragmatist readings of the phenomenological canon. On the basis of Merleau-Ponty’s concept of ‘perceptual faith’, which describes ‘how our involvement in the world precedes and sustains all perceptions, the true and the false’ (p. 141), Čapek argues that although Dreyfus and Charles Taylor’s pragmatic readings do not address ‘perceptual faith’ directly, their understanding of objects as mere correlates of our practical involvements, which Čapek sees as a consequence of the ‘primacy of the practical’ in pragmatism, generates a restricted interpretation of Merleau-Ponty’s account of perceptual experience. Čapek acknowledges that Merleau-Ponty does in fact claim that perception is an engaged, interested and skilful activity that allows us to cope with the world (in contrast with the interpretation of perception as an intermediary in a two-step, realist epistemological model, whereby passive receptions of something like sense data are synthesised as representations of external objects). However, that does not mean that the objects we perceive can be completely reduced to the meanings we accord them in our practical dealings. Even though Merleau-Ponty claims that our ontological commitments are embodied to the degree that an object is, as Čapek says, ‘a correlate of the body’, it is a feature of phenomenologically-oriented ontology that an object transcends ‘action-relevant predicates’ such that it is irreducible ‘to all that makes it a familiar part of our surroundings and of our activities’ (p. 152). In the sense that the ontology of things is dependent upon embodied perception to the degree that ‘in perception, we are directed to the things themselves, not through their appearances but to things themselves as they appear’ (p. 147), Čapek draws upon Merleau-Ponty’s conception of the transcendent dimension of ontology to argue that the latter’s account of ‘perceptual faith’ leaves room for an ‘interrogative, non-practical or disinterested’ dimension to perception (p. 143).

The only downsides to Čapek’s chapter are that he provides neither an in-depth account of the meaning of ‘the interrogative mode’ of perception (minimal references are made to perception as ‘transcend[ing] things’ and affirming ‘more things than are grasped in it’ (p. 154)) nor a discussion of how specifically pragmatic interpretations of the history of phenomenology could be revised in light of such a phenomenologically-oriented conception of disinterested perception. This is indicative of the limitations of the volume in general. Specifically, because the majority of the contributions employ interpretations of texts in the history of phenomenology to either elaborate upon or challenge more paradigmatic readings, there is little room for exploring the implications of such scholarship for debates at the forefront of contemporary phenomenology and pragmatism.

Bearing in mind the limitations imposed on the volume due to the purely hermeneutical approach taken by the majority of the authors, it should be said that James Mensch does offer interpretations of Aristotle, William James, Heidegger, Patočka, Husserl, Merleau-Ponty and Emmanuel Levinas in his contribution. But these readings are for illustrative purposes only, employed to elaborate upon the respective natures of pragmatic and theoretical attitudes in philosophy and their relationships to broader concepts of objective truth and freedom. For Mensch, what defines the pragmatic attitude is not only (as Čapek highlights in his contribution) the treatment of objects and their properties as mere correlates of practical involvements, but, more specifically, the reduction of an object’s essence to instrumentality – ‘its function as a means for the accomplishment of my projects’ (p. 191). The pragmatic attitude is seen as particularly problematic for the philosopher ‘who seeks simply to understand’ (p. 194) as it results in a performative contradiction. Conversely, the theoretical attitude deals with the ‘objectivity’ of phenomena ‘in terms of the evidence we have for what we believe about them’ (p. 195), evidence that can transcend our means-ends understanding of objects. Mensch goes on to explain the relationships between the respective ontological commitments that arise from the pragmatic attitude and the theoretical attitude in terms of the concept of freedom. Following Heidegger, Mensch recognises that there are many possibilities for the intelligibility of objects and their properties, and it is up to the philosopher to choose which possibility to actualise. In short, for Mensch, freedom is an ontological condition on the basis of which philosophers choose to adopt a theoretical attitude that suspends their pragmatic concerns in order to inquire into the ‘intrinsic sense’ of objects qua their objectivity. Furthermore, whereas the pragmatic attitude does not allow the object to ‘transcend the [pragmatic] conventions that govern our speaking’ (p. 199), the ‘intrinsic sense’ of an object does make room for such transcendence because (due to the fact that it is conceptually constituted and predicated upon intersubjective agreement) we can recognise the alterity of other objectivity claims that call my claims into question. Indeed, Mensch states that it is the alterity of the ‘Other’ that makes both philosophical freedom and a theoretical inquiry into the ‘intrinsic sense’ of things possible.

Critics would likely argue that Mensch’s distinction between pragmatic attitudes and theoretical attitudes is altogether too simplistic, resulting in an argument that is explanatorily weak. Indeed, due to the reification of pragmatic and theoretical attitudes, it would be difficult to abstract any genuine pragmatic (let alone broader metaphilosophical) concerns without being charged of straw-man-building. For example, contemporary Anglo-American pragmatists would challenge the claim that the pragmatic attitude purely apprehends the essence of objects in terms of its instrumentality. For example, as Beinsteiner observes earlier in the volume, Rorty advocated both instrumental and world-disclosing dimensions of pragmatism. In addition, as already mentioned, Brandom is a pragmatist, one that, simultaneously, adopts a theoretical attitude in order to inquire into Mensch’s conception of the ‘intrinsic sense’ of objects. Brandom is clear that not only do the contents of our concepts lay claim to how the world is, the meaning of our concepts is derived from the reasoning practices and inferential processes of discursive practitioners in the space of giving and asking for reasons. Furthermore, Brandom is also aware that freedom plays a pivotal role in the realm of contestable objectivity-claims. He argues that judgment, in terms of committing oneself to deploying concepts and, simultaneously, taking responsibility for the integration of the objectivity-claims and their associated conceptual contents with others that serve as reasons for or against them, is a ‘positive freedom’ (Brandom 2009, 59). I do not have the space to expand further. Suffice it to say, however, that Brandom’s inferential semantics and normative pragmatics articulates a number (if not all) of the themes that Mensch attributes to the theoretical attitude.

If Mensch’s characterisation of the pragmatic attitude is representative of a concrete approach in pragmatism, then perhaps one could claim that it only holds for layer-cake readings of Heidegger. Even then, however, the likes of Dreyfus and Okrent are careful to explain the fact that what Mensch apprehends as the theoretical attitude is dependent upon, and, ultimately, derives from, our shared, practical involvements in a world that is constituted by the activities of others, rather than something we can ‘choose’ to adopt completely outside of our practical copings and activities (a choice, based on Mensch’s account, without any causal repercussions and considerations and no rational constraint or motivation). Furthermore, whereas Mensch claims that the ontological condition of the ‘Other’ allows us to disclose a theoretical alternative to the pragmatically-apprehended world, the Dreyfusian tradition is well aware that we, as a skilful and absorbed copers, are ‘being-with’ [Mitsein], in the sense that when we encounter something as both meaningful and as what it is, it discloses to us those ‘others’ that also find the same thing meaningful in the same ways. To stress the importance of the ‘Other’ for the conditions of the theoretical attitude in particular, as Mensch does, is to severely misinterpret or (worse still) ignore the concept of the ‘Other’ in layer-cake pragmatism. This begs the question that if what Mensch defines as the pragmatic attitude does not successfully capture the complexities that surround layer-cake approaches to pragmatism, let alone contemporary pragmatism in general, then why should pragmatically-oriented philosophers take Mensch seriously? Furthermore, why should they care? Perhaps one could argue that Mensch’s chapter is a lesson in what can happen when not enough attention is paid by phenomenologists to developments in pragmatism, just as this volume as a whole discloses the problems that arise from pragmatic interpretations of the history of phenomenology.

Does the volume as a whole succeed in meeting its aims? If the aim of the volume is to offer a ‘complex analysis of the pragmatic theses that are present in the works of leading phenomenological authors’, then (despite the proclivity for Heidegger at the expense of other central figures from phenomenological tradition, including those that are still alive and still researching), I would say ‘yes’. However, as the volume is oriented towards the relationship between pragmatism and phenomenology through interpretations of canonical works in the history of Western philosophy, there is very little meaningful discussion of the theoretical implications of the dialogue for either current phenomenologically-oriented philosophical research or the pragmatic dimensions of contemporary metaphysics, philosophy of language, philosophy of science and ethics. In this sense, the title of the volume is misleading and perhaps should be taken as ‘pragmatic perspectives in the history of phenomenology’. Nevertheless, there are some excellent papers here that not only articulate the pragmatic turn in the history of phenomenology, but offer much-needed insight into the problems associated with long-standing pragmatic interpretations of the works of Heidegger, Merleau-Ponty and Husserl.

 

REFERENCES

Brandom, R. (2000) ‘Facts, Norms and Normative Facts: A Reply to Habermas’, European Journal of Philosophy 8 (3): 356-74.

Brandom, R. (2009) Reason in Philosophy: Animating Ideas, Cambridge, MA and London: The Belknap Press of Harvard University Press

Braver, L. (2014) Heidegger, Cambridge: Polity Press.

Crowell, S. (2013) Normativity and Phenomenology in Husserl and Heidegger, Cambridge: Cambridge University Press.

Heidegger, M. (1977) Gesamtausgabe, GA 2: Sein und Zeit, ed. F. von Herrmann, Frankfurt am Main: Vittorio Klostermann.

Price, H. (2013) Expressivism, Pragmatism and Representationalism, Cambridge: Cambridge University Press.

Rorty, R. (1991) Objectivity, Relativism, and Truth: Philosophical Papers, Volume 1, Cambridge: Cambridge University Press.


[1] Sachs also addresses the concept of attunement when he argues that affordances and solicitations (traditionally distinctive of embodied coping) should also be contextualised within the space of reasons.

Kevin Hart: Poetry and Revelation: For a Phenomenology of Religious Poetry

Poetry and Revelation: For a Phenomenology of Religious Poetry Book Cover Poetry and Revelation: For a Phenomenology of Religious Poetry
Kevin Hart
Bloomsbury Academic
2017
Hardback £76.50
344

Reviewed by: Jacob McGuinn (University of London)

Open thou mine eyes, that I may behold wondrous things out of thy law.

Psalm 119:18

Kevin Hart’s attention moves from what he calls his “native tongue,” (10) phenomenology, towards theology. His work is consistently concerned with attending to the theological in the phenomenological. This turning to theology has manifested through readings of modern philosophy, most particularly, and perhaps surprisingly, in reading Maurice Blanchot, whose concerns with the impossibilities of literature have lead Hart towards the parallel impossibilities of the sacred. In Poetry and Revelation, Hart resumes these themes: the religious constructions of philosophy, and poetry’s difficult role in shaping and articulating those constructions.

Poetry and Revelation is explicitly concerned with phenomenology, and with developing a phenomenology of reading poetry. Such a project is certainly aligned with contemporary trends in poetics, many of which are favourable to religious experience. Here, for Hart, the shape and structure of this phenomenology is itself afforded by the theological experience of reading. Reading is already theologically inflected, and so is any phenomenology. So while Hart is concerned with the experience of reading poetry, he is at the same time concerned with the ways such reading shapes our sense of phenomenology, and thereby with a theological inflection to phenomenology. Reading modern religious poetry – Gerard Manley Hopkins, T.S. Eliot, Geoffrey Hill, first of all, and then other Australian and European voices – means responding to the range of Christian theology which frames that poetry, and in to the ways this reading frames a version of phenomenology. If there is a religious ‘experience’ of poetry, then it is attuned to the world under the revelation of faith. This is the world experienced as ‘created’, in which that creation is given. And if there is any phenomenological bracketing of the world, it is through a capacity to register shifts in representation framed by this religious experience. The book is therefore a meshing of specifically Christian experience of modern religious poetry with the phenomenological apprehension of that experience; and the two, for Hart, are mutually inflecting. Religious revelation can be subject to phenomenology, “a ‘religious’ experience” where “the speaker has been converted to see things from a new perspective” (54). And this ‘conversion’ of revelation, for Hart, mirrors the epochē of phenomenological bracketing. But it also exceeds phenomenal appearance – and here is Hart’s problem. If there is a religious, revelatory experience, it is of something that transcends the given, because “the phenomenon of divine revelation, centered in Incarnation, saturates our intentional horizon” (59). If we are to speak of a phenomenology of revelation, then, we must do so attentive to this “saturation,” whether disabling of the resources of phenomenology or not.

Poetry can offer new resources for such a phenomenology, and this is the connection Hart is concerned with excavating. Husserl’s injunction that we return our thinking to appearance is, for Hart, “as valuable to a philosopher as to a poet: one must learn how to attend to phenomena, and not merely inherit a sense of the ‘poetic’.” (151) From Husserl, then, Hart’s modernity inherits a double demand: both to think about appearance, and to write it. This twinning shapes his book. The question of ‘phenomena’ in poetry collides with the question of the ‘phenomenological’ reading of it. Both, Hart suggests, are modes of ‘revelation’, and both are therefore channelled through religious experience and writing. Religious poetry, attentive as it is, for Hart, to phenomenal appearance as ‘revelatory’ of religious truth, can span these two poles: its concern with its own poetic ‘phenomena’ models a ‘phenomenology’ of its appearance as poetry. Poetry, in this way, cooperates with phenomenology, defined by Hart as an “attentive response to what is given” (77) – poetry is both response to the world’s phenomena and doing its own phenomenological work. Hart’s Husserlian poet is already involved in a bracketing of experience, an epochē, because a poem’s strategies of manifestation in language already include not merely the questions ‘what’ or ‘why’, but also ‘how’ something appears (156). The artist is “someone wakeful” (157). But “Art is not attention; it is a change in the quality of attention so that we can see that we have already been in contact with what we see.” (157) If the poet is phenomenologist, that phenomenology is articulated in the vocabulary of poetry, and its consequences are registered in a poem.

We are in the orbit of a poetics of phenomenology, here, with, in Part I, Eliot distinguishing between a poetry written in the language of philosophy, and a philosophy articulated through the language of poetry. We favour the latter. Hart’s Eliot is “concerned with how one thinks in verse, not how one translates philosophy into poetry,” (45) and Hart traces his question through poetic encounters, letting these reading encounters shape his articulation of phenomenology. Part I develops a close reading of religious poetry as a phenomenological theology. Hart reads Gerard Manley Hopkins and T.S. Eliot as poets of religious revelation. In Part II, this attention shifts to the limits of religious poetry, described by Geoffrey Hill, and the limits of poetic revelation, rather than of the poetry of revelation. Parts III-V then retrace these two positions – revelation and its limits – through Australian, and then French, Italian, and American, poetries. This poetic scope is matched by a philosophical scope, asking after the limits of phenomenology from Husserl to Derrida, Heidegger, Michel Henry, and Jean-Luc Marion, but also with Levinas and Blanchot, in particular. And Hart brings each of these discourses into a further conversation with Christian theology, ranging from Patristic thinking forwards.

Hart’s methodology is, to use his own metaphor, ‘triangular’ (and no doubt Trinitarian), triangulating poetry with theology and phenomenology. The work of the book is in plotting this triangulation, and this plotting is subject to its own transcendental scrutiny: what kind of experience could account for the conflation, or at least the coincidence, of these distinct modes in the act of reading? In Part I, in close reading Hopkins’s poems (themselves acts of close reading the world), this act of getting reading right is itself theological, and this seems to be Hart’s central point: exegesis can be revealed as intum legere, reading from the inside, in which interpretation is not a determination of experience but its phenomenological revelation. There is certainly a phenomenological shaping of reading experience. The more obvious reference point is Jean-Luc Marion, and his sense of the limits of intuitive experience, but Hart poses the question directly to Husserl. The epochē is resituated as a theological bracketing (22-24). But this in turn resituates theological experience, more explicitly making its transcendent claims part of an experience of immanence. Revelation is the key to this conversation. Under revelation, the phenomenological sense of the world’s unfolding takes on theological dimensions – as one mode of creation, and of faith – as much as theological experience undergoes a phenomenological reading.

A revelatory experience of the world, immanent or not, requires an epochal shift in our sense of the world. Hart is attempting to uproot the theological assumptions in such a bracketing, and to imply that the representational shift of dimensions involved in it are coincident with a ‘revelatory’ Christian tradition. The triangulation of theology and phenomenology with religious poetry is therefore an attempt to demonstrate that shift. Reading such poetry compels us to recognise the revelatory as at once a phenomenological bracketing, and an epochal shift in representation of the world. So Christianity adds to phenomenology “another protocol that does not change it but clarifies its range” (23). Faith opens experience to new intentional horizons. Religious poetry emerges from a contemplation of the world through this faithful bracketing: a sensual imagination of the world as ‘instressed’, to use a word of Hopkins, by faith. For the poem, attuned to faith, the world appears as revelatory: through a phenomenologically guided shift in representation (28-34). “There is no special revelation, only a conversion of the gaze that intensifies the meaning of general, public revelation for the poet.” (34) Hopkins is here participating in a revealed world, not revealing it. Reading a poem, then, means assuming a phenomenological position towards the text: just as the poem is already bracketed from normative experience (here Hart follows Jean-Luc Marion closely, for whom certain experiences are ‘saturated’ with intuition which exceeds any concept invoked (15)), so too a reader of a religious poem is bracketed from expected objects of experience. The poem is ‘of’ revelation to the extent that it is ‘revealed’ (and “reveiled” (10)) through being read.

The question, then, is how much, or in what way, poetic revelation coincides with or collaborates with phenomenological reading. Hart seems to shift his emphasis with each momentary reading of a poem. In Part I, with Eliot, we are explicitly concerned with philosophy articulated in the language of poetry, and not with the poetic adornment of philosophical truths. As suggested, Hart’s Eliot is “concerned with how one thinks in verse, not how one translates philosophy into poetry.” (45) But as we proceed through the book – starting in part II with Hill – religion shifts from being a phenomenological mode of poetic writing to a mode of poetic reading. Hart reads the poems through religion, in a sense suggesting that exegesis is one of the poetic modes of articulation these religious poems inhabit. We shift, then, from the poetic experience of revelation to the revelation of poetic experience. This shift is important, because it opens up one of the ambiguities of this work. To what extent is the articulation of experience something poems do, and to what extent is articulation itself something by which poems are experienced? Do we ‘experience’ revelation in a poem, do we witness, as attuned readers, the revelatory experience poems themselves articulate, or is ‘revelation’ one of the experiences readers can bring to a poem? Is this poetry as revelation, or poetry for revelation? How are these two modes aligned in reading and writing about poetry?

In Part III, describing the saturated sensuality of A.D. Hope’s poem “The Double Looking Glass”, Hart remarks that, “What we see of Susannah in the poem has not all been seen before; it was never so visible.” (138) The poem, here, is exposing the reader to an experience of saturation, and is making visible phenomena which would not otherwise be so. In the poem, “the story [of Susannah] becomes a visionary narrative, a poem in which sensuality and transcendence cooperate rather than compete” (139). In this ‘visionary’ work of making visible, the poem combines the revelations of religious transcendence with the revelations of phenomenal sensuality. The revelatory ‘vision’ of the poem is in making this combination, and cooperation, visible. In part IV, Hart turns explicitly to the idea of poetry’s experience – poetry of, or as, experience – and the congruence of such experience with religious experience. Again, Hart marks poetry as, and not about, experience; but as such, structuring or making visible certain experience. “I am not thinking poetry as Erlebnis, lived experience, but as Erfahrung.” (194) The question raised here by religious poetry is of the experience of transcendence. Such ‘experience’, however, is complicated by the way that poetry draws upon an impossibility of experience. Hart’s point of contact here is the Italian poet Eugenio Montale. There is an inconceivability to this poetry, because of the inconceivable – unthinkable – range of possibilities both inscribed and erased from the poems. Such poetic experience is therefore both ‘impossible’ experience and an experience of ‘impossibility’. Here Hart draws upon Blanchot, and thinks of the ways poetry can configure ‘impossible’ experience itself through its presentation of language: “the poem brings into meaning something that refuses to settle into a definite meaning”. (196)

The ‘impossible’ also signifies the space left for poetry after the ‘departure’ of the Gods (here Hart is after Hölderlin): after a symbolically meaningful religious experience of the world, poetry presents the impossibility of such meaning so that, in such saturation, meaning might be preserved (205-6). Hart’s question, however, is not of a post-Christian experience, but rather, “In a reality held to be finite what sense, if any, can be made of transcendence?” (206). Hart’s thinking about the poetic image in Jaccottet and about poetry’s experience in Montale thus resolves into a question about poetry’s transcendence, or not, of possible experience. The terms of a Husserlian ‘bracketing’ of experience are thereby channelled through a poetic claim that “one cannot simply suspend reference to transcendence in the case of a text, literary or not. One can at best fold that reference.” (207) The ‘transcendence’ Hart has in mind is, of course, religious, and revelatory: an experience, such as Hopkins’s, of the transcendence of the world itself, rather than of any world beyond it. This question is “skewed in advance” by an insistence that modernity is “co-ordinate with the finite” (208). In such insistence, “we distance transcendence from experience at the cost of rendering transcendence unintelligible.” (209) Hart’s task, here, is a reintegration of religious transcendence to our sense of finitude through poetry’s Erfahrung.

Section V leads us to the work, implicitly assigned to poetry throughout, of imagination: that poetry’s invocation of images does not merely ‘present’ a world, but also ‘contemplates’ it, contemplation historically indexed by Catholic devotion to Mary. The picturing of the world in contemplation, as in poetry, reveals the world as not just materially inert, but immanent with poetry’s revelation of meaning. The question of such contemplation is phenomenological: how, we ask in contemplating Mary, does the incarnation happen? How does transcendence happen? In this way, contemplation of Mary and poetry parallel a (more overtly Protestant) Hegelian ‘concretion’: “the particular ways in which the dialectic gathers all that there is and makes it into an ever more concrete reality.” (229) The poetic contemplation of Mary, asking ‘How’ Mary becomes meaningful, thereby also makes the transcendent concrete (242); and in doing so, despite its transcendent object, invokes a phenomenology. Hart’s final question, then, comes into focus here: the question of revelation is the question of ‘how’ the world becomes meaningful, and in a religious sense ‘transcendent’; and as such, the question of poetic revelation exposes us to a phenomenology of the transcendent which other versions of phenomenology might conceal. Religious poetry invokes a bracketing of experience in order to present the transcendent as the ‘impossible’ – sacred or silent, but still one intentional horizon in which the world becomes meaningful. In reading poetry this way, for Hart, we employ a phenomenology. And in this employment, phenomenology is exposed to a religious intentionality it might otherwise conceal, or have concealed. This is not just a compatibility of religious experience with phenomenology, but their coordination.

This coordination amounts to an intervention in our conception of phenomenology – the intervention of theology which, as Hart has repeatedly suggested in his career, is not in an intervention so much as an anamnetic recovery of revelation. In the final chapter, Hart attempts to describe this intervention. Without mentioning recent work on Derrida’s theology, Hart plays deconstruction against this kinds of ‘negative theology’ he has been detailing. Deconstruction takes différance to be a quasi-transcendental condition for the play of meaning between text and context, whereas in negative theology the transcendent idea of God yields multiple meanings in experience of the world. In this situation, however, the two are “back to back,” and in fact, “deconstruction can only ever be the ghost of apophatic theology precisely because it answers to a structure of transcendence and not a divine transascendence” (259). Derrida’s exemplary readings yield a silence behind their texts. Hart asks whether ‘other’ silences might be read, too, and this is where theology becomes operative. Husserl’s presupposed exclusion of the transcendence of God from phenomenology would in such a reading be exposed to a different version of appearance. “In uncovering this presupposition we may ask ourselves what happens if we do not limit our phenomenality at all, restricting it neither to objects (Husserl) nor being (Heidegger), and instead granting everything the right and the power to manifest itself in whatever way is appropriate to it.” (259) For Hart this attitude is indexed through the theological tradition of engaging with the world in its revelation, and articulated by a religious poetry concerned with what the word might reveal (or not) in the world. Undertaking the phenomenology of reading such poetry would only be to rediscover a phenomenological attitude concealed in the Husserlian bracketing of the transcendent from the transcendental. Religious revelation, as religious poetry shows us, is the manifestation of its own transcendent mode of showing, and theology is its shaping construction. After all, “Every prayer is an epochē that can make the writing of theology possible, and theology only begins when we are led back from the world we master and that tries to master us to a created world” (260). And religious poetry is attuned to such creation, the “morning knowledge” of “the way of knowing granted when things are seen as created, invisibly tied to God” (260).

Vincent Blok: Ernst Jünger’s Philosophy of Technology: Heidegger and the Poetics of the Anthropocene

Ernst Jünger’s Philosophy of Technology: Heidegger and the Poetics of the Anthropocene Book Cover Ernst Jünger’s Philosophy of Technology: Heidegger and the Poetics of the Anthropocene
Vincent Blok
Routledge
2017
Hardback £105.00
154

Reviewed by: Richard Fitch (Independent Scholar)

Ernst Jünger (1895-1998), was a problematic polymath whose life and work continue to discreetly haunt both German and European intellectual life. He was first a soldier, highly decorated and often wounded in the First World War. The Second War he spent as a staff officer occupying Paris where he mingled with the likes of Picasso. Both experiences were transmuted into literature, most famously in his 1920 memoir of the trenches, Storm of Steel, which made his literary name. He went on to excel in many literary genres, such as those of memoir, diary, novel, essay, science fiction, allegory, theoretical tract and in the forms of literary expression usually associated with the name of Friedrich Nietzsche. He stands alone, amongst German writers, with Goethe, Klopstock and Wieland in having had two editions of his collected works published in his lifetime. As if this were insufficient for a life well lived, he was also an entomologist of some distinction. So far, so wiki – he appears a figure of some note; but is he, or was he, of philosophical note?

There is a paucity of English-language secondary literature on Jünger, and little of that literature is of direct philosophical interest. Does this matter? Was Jünger more than a warrior littérateur entranced by beetles – if being philosophical would make more of that? In this book Vincent Blok sets out to provide an affirmative answer to this question. He proceeds in two keys: in that of the history of philosophy and in that of philosophical argument.

With regard to history, Blok’s strategy is to entwine Jünger with Martin Heidegger. This is no facile ‘x & y’ project. They corresponded, and Heidegger was a careful reader of Jünger, and more than a careful critic. Volume 90 of his Gesamtausgabe carries the title Zu Ernst Jünger ‘Der Arbeiter’. And in his celebrated essay collection Pathmarks the essay ‘On the Question of Being’ is a direct response to Jünger’s essay ‘Across the Line’. But even more than this Heidegger saw Jünger as the figure that stood between himself and Nietzsche. This in itself would seem to suffice to establish Jünger’s place, howsoever minor, in the history of thinking in the twentieth century. However, Blok desires even more than this. More than showing the influence of Jünger on Heidegger, and exploring Heidegger’s critical response to Jünger, Blok ventures to assert that Jünger goes beyond Heidegger. To ground this startling proposition a change of key is required, to that of philosophical argument.

With regard to philosophical argument, Blok initially uses the entwining with Heidegger to make an intervention in the philosophical questions of, not only, as the title suggests, technology, but also those of nihilism and language. And Blok entwines these questions as he entwines his leading men. And it is with regard to the question of language that Blok argues that Jünger goes beyond Heidegger.

The book consists of an argument in three interlinked movements. First, Jünger’s concept of the worker is explored as it is presented in his text with the most direct philosophical import: The Worker of 1932. Then Heidegger’s engagement with this concept takes the stage. Finally, Blok suggests how Jünger’s work might be understood to elude the critique that issues from Heidegger’s engagement, and thus be of continuing philosophical import. This book is an argument first. Readers after an introduction to Jünger’s life and work need to look elsewhere. In addition, at least a basic appreciation of the full range of Heidegger’s mature thought is probably a prerequisite for a fruitful engagement with Blok’s argument. The three movements will be tracked in turn.

Part One ‘The Age of Technicity and the Gestalt of the Worker’: The Worker: Dominion and Form, to give its full title, is a work written in the twilight of the Weimar Republic that seeks to explore how one can reorientate oneself in the wake of the shattering of the brittle maps of nineteenth century bourgeois liberalism by the brutal hammer of the First World War. Without much need for the gifts of prophecy, the implication is that the Weimar Republic sought to carry on as if nothing had happened and that is the secret of its coming disaster. Jünger with the form, or gestalt, of the worker seeks to articulate a more robust response to a world whose contours are formed by the ice and fire of technology and not by the ethereal legal fictions, then practically dispelled, of contracts and rights. Central to The Worker is a slippery conception of gestalt, and it is here that Blok’s focus falls. As Blok argues, for Jünger gestalt indicates that power that gives fundamental ontological form, and thus unity, to a particular epoch of human existence. Blok describes gestalt as “a summarising unity or measure within which the world appears as ordered.” (13) Gestalts can differ, so the world can appear as ordered in different ways. It seemed clear that the appearance of the order of the world changed in Germany, and in Europe, between the springs of 1914 and 1919. Reflecting on his experience of the trenches Jünger intuits a shift in fundamental measure from that of the Enlightenment to that of the worker. Evidence of this is that the War makes no sense in a world as ordered by the Enlightenment. It makes no sense, yet it is, thus something must have changed. But the shift is hard to discern, so for those without the eyes to see it is experienced as the nihilistic dissolution of bourgeois values and meaning-giving. It is hard to discern because, for Jünger, a gestalt cannot be perceived directly, but only through its effect on its world. The gestalt is not a product of history as even ‘the characteristic of time changes through the influence of the gestalt.’ (16). Blok argues that Jünger sees his task first to draw out the contours of the forms of life as work imposed by the new gestalt of the Worker, and then strive to find ways of being that might productively respond to this new fundamental ordering. In the gestalt of the worker, the world appears ordered as work, to the extent that even leisure is understood as a form of work. And the world is waiting for the task. Blok quotes Jünger to the effect that “The working world expects, hopes to be given meaning.” (12).

Blok understands this meaning-giving in Nietzschean terms, specifically those of the will to power as art. And before proceeding Blok offers an intermezzo on Nietzsche’s conception of nihilism. The Nietzsche presented is a Nietzsche of the will to power. While this Nietzsche is currently interpretatively unfashionable, this is the Nietzsche that Heidegger sees Jünger as embodying, so it is contextually apposite. More problematic is Blok’s rather narrow understanding of nihilism which he takes to consist in the erasure of the “Platonic horizon of the transcendental idea.” (21).

Returning to Jünger, Blok now explores how the gestalt of the worker leads to the type of the worker, where the type is the way of life that fits best with the gestalt. One is already in the gestalt of the worker so, “Our transition to the type of the worker thus consists of a becoming who you are.” (32). Blok’s reading here is informed by Jünger’s 1930 essay ‘Total Mobilisation’. Being a worker-type is not a matter of personal industriousness or wage-slavery. It is an attunement to the situation that the new gestalt of work leaves one in. “In the epoch of the worker, ‘work’ would form the metaphysical measure of the world and men, in whose light the technological world appears as technological order and man finds his destination as the type of worker.” (35). Again, it is not a matter of a traditional work-ethic, or a class based analysis calling the workers of the world to unite. It is a recognition of the metaphysical ordering that currently dominates. It is a strange metaphysics which appears necessary while it dominates, but which can dissolve, and with it its necessity, in the blink of an eye. This shift to the worker means that what appears as nihilism is not the collapse of all value, or the highest values devaluing themselves, but the misrecognition of a shift in the metaphysical order of the values that themselves give order to the appearance of our world – a shift here from Enlightenment to Work. And to consciously create oneself as a worker is to most fittingly respond to the manner in which the world appears to be ordered when it is ordered by the gestalt of the worker. The analysis of the gestalt of the worker thus does not aspire to the utopian or normatively prescriptive but tries to be realistic and phenomenological. It is a response to the world, and one’s most fitting place in it, as they appear given. The ‘heroic realist recognises himself as the type of the worker’ (36). One may not like this world of work, but it is the world that appears.

How does the worker work? This work is, somewhat surprisingly, a poetic task guided by the gestalt: “The will to power is led as though by a magnet by the gestalt, which is not and only is in the will to power as art.” (36). It is a poetic task, bringing forth a language that allows the dominion of its gestalt ‘to emerge from its anonymous character’ (35). What then is the worker to work at? “The worker’s task is to transform the work-world of total mobilisation into a world in which the gestalt guarantees a new security and order of life.” (39). The task of the worker is to be bring to light how the world appears to be ordered in the epoch of the worker, where this bringing to light is guided by the source of that ordering, and results in the practical ordering of life. There is a suspicion that here Blok’s Jünger is too close to Nietzsche, but then that is where Heidegger also finds him so he is in good company.

Part Two: Heidegger’s Reception of Jünger – Work, Gestalt and Poetry: Blok identifies Heidegger’s key problem with Jünger as his apparent claim that nihilism can be overcome. Where Jünger sees two gestalt: Enlightenment and then Work, Heidegger only sees one nihilism. The gestalt of the worker is yet another occasion of the forgetting of the question of being. Furthermore the gestalt itself is platonic, still concerned with the search for certainty and security. And from this symptom Heidegger diagnoses that Jünger remains within the orbit of Nietzsche’s metaphysics. But Jünger is not minor satellite, but ‘the only real follower of Nietzsche’ (54). As ever there is the question of the trustworthiness of Heidegger’s interpretation, whatever its stimulating novelty. Blok notes that the likes of Günter Figal and Michael Zimmermann argue that it is Jünger that first provokes Heidegger to find his own response to the question of technology and to the modern world in general. A response that would lead to Heidegger grasping for both National Socialism and then Hölderlin.

Blok begins his defence of Jünger by examining the development of Heidegger’s ontology of work in Being and Time and beyond. He argues that this development is provoked by his reception of Jünger’s work, but that, between 1930 and 1934, Heidegger was following Jünger rather than reacting against him, so that, for example, ‘following Jünger, Heidegger rejects economic conceptualizations of work and worker’ (70). For Blok it is only in 1934 that Heidegger develops his own response, and it only then that he turns his guns on Jünger. Only then does Jünger become captive to the unquestioning of Being, and becomes one who indicates but does not question. Where Blok sees Jünger as engaged in a poetic task, Heidegger sees him all ‘bound up with the will to power of representation’ (80). Jünger fails to enact the ‘new’ languaging of Being that is required. For his own part Heidegger begins to move away from the trope of work towards those of exposure and Gelassenheit. As Blok notes “According to Heidegger, our questioning is only really philosophical when this questioning recoils back from what is asked, back upon itself.” (88). One might speculate that Gelassenheit et al, the whole post-conceptual rhetorical apparatus of the mature Heidegger, with its negative and mystic overtones, be a recoiling back from not only Jünger’s world of work, but also from the world of the trenches (and perhaps even from their successors as the locus of extreme horror – the camps, though that is certainly too charitable to Heidegger) that was the midlife to the expression of this world? Blok examines Heidegger’s use of a conception of gestalt in his essay ‘The Origin of the Work of Art’ (1935-6) with an eye on Heidegger’s emerging idea of the poetic tasks of language. Blok’s response is, by now, as expected. Whatever Heidegger’s idea of the poetic task, Blok argues that Jünger is up to it. Jünger’s is not the old language of will to representation or of the bad old subject. Blok quotes Jünger “It has far more to do with a new language that is suddenly spoken and man answers, or he remains silent – and this decides his reality… The clatter of looms from Manchester, the rattle of machine guns from Langemarck – they are signs, words and sentences of a prose that wants to be interpreted and mastered by us.” (104). Whence then this new language? From Engels’ Manchester or Jünger’s trenches, or indeed from their contemporary equivalents, or from sojourns at Todtnauberg? Jünger may lack Heidegger’s philosophical sophistication but perhaps he is not without judgement here. And howsoever Blok may overstate Jünger’s case, it is perhaps, against Heidegger of all thinkers, a case worth overstating. For Heidegger, the man of the university-machine, we are exposed off the beaten tracks of the Black Forest. For Jünger, the stormtrooper insect-fancier, we are exposed on the battlefield or the factory floor (it is all too easy to think of contemporary equivalents here). Wherever they both are, Blok asserts that Jünger is “on his way to an understanding of the essence of language that is no longer metaphysical.” (106). And that, all over the place, is the philosophical goal.

Part Three: The Essence of Language and the Poetics of the Anthropocene: In this final act Blok makes a case for Jünger as a properly post-Heideggerian poetic language-worker and thus not a pre-Heideggerian epigone of Nietzsche. It is the weakest part of the book, but that might be no bad thing. Why? Because of the structure of his argument and book, Blok has to connect this act to the preceding two, in particular the first act on the worker. In order to achieve this he examines texts such as Jünger’s 1963 essay ‘Type, Name, Gestalt’ where the link, via gestalt, is obvious. However, much as Heidegger did, in his later years Jünger moved far from some of his earlier work, and especially from anything that reeked of political engagement. This retreat might be seen, in print, as early as On the Marble Cliffs (1939), a thinly but artfully veiled allegory of the Germany of the time and its horror. By 1951’s The Forest Passage, Jünger is a ‘forest fleer’ or rebel, alone in the same German forests where Heidegger sought a different sort of solace. Jünger seeks a quiet but firm freedom, not the main event. And by his 1977 allegorical novel Eumeswil, there is the figure of the Anarch, not to be mistaken for the anarchist, who survives the world dominated by work not by embracing the fate of the worker but by cultivating a resolute scepticism and a careful if still quiet freedom. “The difference is that the forest fleer has been expelled from society, while the anarch has expelled society from himself.” (Jünger 1995, 147). This seems far from the trope of work, and Blok is aware of all this, he notes that ‘the poet must stand in opposition and not engage in the workshop landscape.” (113). But he also appears constrained by the logic of the argument he has already made. But when, at the close of a chapter that touches on The Forest Passage, Blok asserts that “In general, we can conclude therefore that Jünger’s later essays are in line with his early work on the gestalt of the worker.” (116) the effect is not altogether convincing as to whether Blok himself believes his own case. That said, there is much of interest in the case that he does make. And even if he is constrained by his earlier positions, this reader senses that, ultimately, fidelity to Jünger’s text wins out, hence the weakness of his argument might not be a weakness when it comes to exposing Jünger’s work.

There is also the problem, for Blok, of trying to demonstrate how Jünger manages to squeeze past Heidegger on their tight forest path to post-metaphysical language, in only 33 pages including notes. His case simply does not have room to breathe. For example, Blok asserts that the inaccessibility of gestalt necessitates poetic naming, but does not explore how this echoes the withdrawal of Being that Heidegger associates with clearing and event. And while Blok asserts that the “Geheimnis [secret] of the gestalt makes clear that the new epoch of the worker is not a matter of observation but of poetry.” (141) it is not always clear quite how we got from work, and the trenches, to poetry. While Jünger clearly was an skilful, experimental and promiscuous stylist, the suspicion remains that this is inadequate to merit the mantle of a new post-metaphysical language fit for the time of the worker. All in all the third act reads as a draft of an argument to come, and when it comes it will be welcome.

A complicating of the actual relationship between Heidegger and Jünger would also be welcomed, as would, though it is clearly outwith the task Blok set for himself, a questioning of the relationship of each, personal and intellectual, with another German master of the dark arts, Carl Schmitt. In an interview on the occasion of his 90th birthday Jünger reflected on what he saw as Heidegger’s political stupidity: “He thought something new was coming [in 1933], but he was terribly mistaken. He did not have as clear a vision as I did.” (Hervier 55) How might Heidegger have responded? In the same interview Jünger relates one of his brother’s Heidegger anecdotes: “One day, Heidegger was stung on the back of the neck by a bee, and my brother told him that that was excellent for rheumatism. Heidegger didn’t know what to answer.” (Hervier 55). In his final letter found in the collection of their correspondence Heidegger, on the occasion of Jünger’s 80th birthday, wrote: “My particular wish for you on this day is brief: Remain with the proven, illuminating decision on your singular path of saying. That such saying is itself already an act that needs no supplement by a praxis, only few still (or yet?) understand today.” (Heidegger & Jünger 61). Blok does aid in that task of understanding.

A few scattered comments: as is not uncommonplace the index is lamentable; the book’s connection, as promised in its title, with the workplace concept of the Anthropocene is slight, gratuitous and unnecessary to the argument (138-9); the style is repetitive but repetition of one’s place in the argument can keep one on track, and it ameliorates the effect of the inevitable typos and occasional infelicities in sentence construction.

In conclusion: Blok benefits from the lack of a substantial body of existing English-language secondary literature, in that it is easier for a novel perspective to stand out when the field is not crowded. Though he might soon have company with the publication in late 2017 of an English translation of The Worker (Jünger 2017). Although details and arguments might be disputed, he clearly establishes Jünger as a significant interlocutor with Heidegger and thus as someone who cannot be philosophically ignored by readers of Heidegger. Likewise, much as Heidegger cannot be ignored by those engaged with the philosophical questions of technology, nihilism or language, neither now can Jünger. In short and to repeat: Blok succeeds in making sure that his Jünger can no longer be ignored by philosophers, especially by those who care about the same philosophical questions that propelled Martin Heidegger’s mature work.

References:
Heidegger, Martin & Jünger, Ernst. Correspondence 1949-1975, translated by Timothy Sean Quinn (London: Rowman & Littlefield, 2016).
Hervier, Julien. The Details of Time: Conversation with Jünger, translated by Joachim Neugroschel (New York: Marsilo Publishers, 1995).
Jünger, Ernst. Eumeswil, translated by Joachim Neugroschel (London: Quartet Books, 1995).
Jünger, Ernst. The Worker: Dominion and Form, translated by Bogdan Costea & Laurence Paul Hemming (Northwestern University Press, 2017).