Ricoeur Between Moral and Anthropology
For researchers and readers accustomed to Ricœur’s thought, the book of Dierckxsens is full of remarkable surprises. Both for those who are habituated to the philosopher of the “word” and of the “poetry”, concerned with reflections about narrative and its multiple dimensions, and for those who are involved with his discussions about hermeneutic, historically and genetically conducted. In this sense, the investigations brought by the author reveal a new and largely unexplored field of Ricoeur’s philosophy.
The book by Geoffrey Dierckxsens, Paul Ricoeur’s moral anthropology: singularity, responsability and justice, undoubtedly brings a considerable contribution to studies in the area. Choosing Ricoeur’s reflection about what is here called his “moral anthropology” as the main theme of his investigation, Dierckxsens’ text is articulated around three main axes, that could be gathered, under the risk of a little extrapolation, as an “ethical” discussion, taken in its largest sense: the concepts of moral, anthropology and hermeneutic.
These three axes, as we will see, offer the author an original perspective to consider the philosopher’s thought, and, at the same time, allow him to propose an extension in the way we understand the recent conflicts faced by current moral discussions, in which they reveal their limits and their contradictions. This possibility is strongly affirmed by Dierckxsens, seeking to establish a cohesive triad where these three elements become inseparable. The core of his thesis is the defense of this articulation, simultaneously complex and full of deep implications.
Through this preliminary delimitation, beginning with his first descriptions, Dieckxsens sets the context from which he builds his investigation. And here is the first remark to be made to his work: the clarity of the text, a characteristic that immediately appears to the reader. The author, in a careful and accurate construction, structures his text not only with extreme acuity, but also communicating this “architecture” to his readers, outlining its stages and its internal logic. The text systematically presents clear parts and objectives, progressing safely step by step in its main strategies. That accurate construction reveals the author’s full mastery over the direction of his investigation.
This is what can be noticed if we accompany the main center of his work, concentrating on the three main axes mentioned above. The first important observation to comprehend is exactly the idea of a “moral anthropology” itself. About this, we would like to highlight two points.
The first, and most evident, is the choice of the philosopher who guides the discussion. This issue will be worked in the second part of this review, but it’s important to correctly introduce the theme to enhance some aspects of this option and the peculiar appropriation that it implies. In a perspective that is now gaining strength, but which is still with a wide horizon remaining to be explored, the Ricoeur we see here is quite different from the one we are most accustomed with, especially considering his inescapable phenomenological accent. It is not that this “tradition” is absent from Dierckxsens’ debate, but his proposal seems to accomplish a certain dislocation, moving Ricoeur’s major themes – like narrative, singularity and alterity – to a new scenery, not one opposite to, but without a doubt different from the traditional comprehension of phenomenological and hermeneutical perspectives.
But where could we situate this new “place” where the philosopher can now be found? The Ricoeur presented by Dierckxsens study is, in many aspects, very close to the analytical philosophy. Yet this “proximity” involves a large spectrum of dimensions. It concerns not only the themes or the general issues here considered, but much more significantly, it refers to a kind of structural affinity that the book intends to reveal. It doesn’t mean, and this is an important strategy implicitly assumed by the author, to seek direct relations of affiliation or influence, but rather to develop a kind of confluence or an intersection zone in which Ricoeur’s thought and the main themes of analytical analysis would find their community.
The proposal is captivating, bringing new horizons to research and debate around Ricoeur’s philosophy. His approach to this strand of thought, despite an increasingly growing number of studies, remains a new zone of investigation, yet to be consolidated. Thus, two important points seem to guide the ongoing research, indeed offering significant prisms under which the philosopher is read in Dierckxsens’ text. On the one hand, we have Ricoeur as proponent of a “moral anthropology”, which, as we shall see, brings a new dimension not only to the notions of singularity, justice, and responsibility, but through them also retraces the understanding of the human condition and its limits of action. On the other hand, exactly because of this reconfiguration, the philosopher appears as someone capable of shedding new light on the current debates of analytical thinking, especially those related to morality and the implications of human performance. In other words, from the recognition of the proximity between Ricoeur and analytical thought, Dierckxsens defends the possibility of a reciprocal re-interpretation.
On the one hand, proximity, and on the other, reciprocal reading, the two prisms which in our view support the perspective assumed by Dierckxsens. Let us address each of them, always remembering the complexity of such a proposal that in principle requires strong mediations and a very careful construction, recognizing the impossibility of reconstructing them entirely here, given the limited space of a review.
An Anthropological Morality
As mentioned above, Dierckxsens clarifies, in an accurate and consistent way, the perspective under which he will develop his reading of Ricoeur. The main proposal is the description and the comprehension of the idea of “moral anthropology.” The subject — and the reunion of these two terms into “one-word”, into one unique concept — is, by itself, neither immediate nor free of difficulties. This observation seems to be shared by the author, as he is, from the start, concerned in carefully delimiting the sense in which this concept is to be understood. This circumscription is necessary since the articulation between morality and anthropology, as well as the possibilities of its effective achievement, remain the subject of intense debate, not only for analytical thought, but, in a larger sense, for contemporary reflection in general.
Full of implications by itself, this proposal gets even more complex, since another step is taken by the author and another term introduced to this “pair”. To the idea of an anthropological morality is added an element that is also intrinsic to Ricoeur’s thought, and also not peacefully comprehended by his researchers: the hermeneutic. According to Dierckxsens’ thesis, the moral anthropology proposed by Ricoeur only achieves its valid meaning when comprehended by a hermeneutical perspective. The question then gains in density and sophistication.
Let the author, then, speak in his own words: “By moral anthropology I understand the philosophical and hermeneutical approach to the ontological conditions of the moral existence of human beings” (VII). And, in the sequence, he complements: “By hermeneutics I mean the theory of the interpretation of concrete lived existence in relation to narratives.” (VII)
Once these axes are set, Dierckxsens is able to place his proposal and its originality in relation to other studies about Ricoeur that could be considered closer to his perspective. Following his delimitation, it’s possible to recognize two main lines of reading, in relation to which his work might be approached, even though without strictly converging with any of them. On the one hand, there is a tradition of studies on the philosopher — notably the most recent ones — that recognize and discuss the centrality of anthropology in his thought[i], dealing mainly with the problem of action and its implications. On the other hand, there is a number of researchers that work with the moral aspects of his philosophy and, simultaneously, propose a comparison between them and the current developments in morality studies, particularly those related to the ethics of care and to feminist theories.[ii]
There would be, therefore, a line of research specially occupied with the anthropology dimension of his reflections and, another, focused particularly on his arguments about morality. In fact, the articulation between these two aspects of his thought is not feasible without solid mediations. This is where an original mark of Dierckxsens’ work is inserted: the meeting of these two elements, not only recognizing them as closely related, but actually treating them as a single concept, in which the sense of morality is established by an anthropological view.
Following the author himself, however, the originality of his perspective only appears completely with the inclusion of the third axis mentioned above, the hermeneutic. According to him, “[…] few works so far examined the significance of Ricoeur’s hermeneutical approach to anthropology in light of contemporary moral theories in analytical philosophy” (VII). In other words, the originality of his proposal would be related to an effort to comprehend how a certain conception of contemporary morality could illuminate the way in which Ricoeur understands the approximation between hermeneutic and anthropology. It allows him to reveal a kind of “organic connection” — to use a term typical from another philosopher, to which Ricoeur also owes a large influence, Merleau-Ponty —, between these two axes, marking not only the originality of the philosopher’s reflection, but also of Dierckxsens’ own investigation. The discussion, then, gets even more focused: the project is to understand how an analytical moral view can shed new light on the philosopher’s thinking.
This makes more explicit the movement we are trying to highlight, accentuating the originality of his investigation. The point, defended by his thesis, is that it is not any moral that can fulfill this function. It is not any general discussion about the strong themes of the political and philosophy that is able to establish such connection to the philosopher’s reflections. The philosophical current most able to serve as a “clarifying” instrument of Ricoeur’s thought, especially in the way it’s presented here, is the analytical one. According to this, understanding the moral anthropology constructed by him demands this passage to a field nowadays mostly occupied by analytical studies.
But then a caveat is required. There would be a kind of one-side view if the author’s analysis were to dwell only on this perspective. There is a counterpart, and that brings some of the most interesting elements to the discussion. On the one hand, the analytical proposal about morality is able to illuminate the philosopher’s reflection, on the other hand, his reflection is capable of shedding new light and new horizons on this analytical thinking itself. In this sense, the importance of Ricoeur, rather than being re-read by this school of thought, is allowed a new understanding of the issues with which it operates, giving it the means to extend its spectrum. In the words of the author:
“This orientation toward reduction in moral invites to reflect on Ricoeur’s moral anthropology, which aims for a more cohesive, metaphysical-ontological account of human actions and responsibility. Whereas theories in analytical philosophy tend to naturalize our understanding of morals, Ricoeur, on the contrary, defends a hermeneutical approach to understanding what it means to be human and to be capable of responsibility and justice by living a concrete existence.” (VIII)
Against a reductionist appeal to the “data” and against a biological or neuro-scientific tendency that has crossed the current discussions on the moral, the philosopher’s thought brings a hermeneutical approach, in charge of understanding what is human and what is its capacity of responsibility and judgment, considering them in a concrete existence. Just as a parenthetical note, we can not fail to mention a similarity of this project assumed by Ricoeur, to a certain direction of contemporaneous thinking, expounded, among others, by Hannah Arendt. Even though in a completely different context, once she deals with a strong conception of politics and does not operate with this articulation between moral and anthropology, here enhanced by Dierckxsens, the problem concerning the human condition, its capacities and its ways to act and judge, is an extremely important issue for her. In fact, we believe the possible convergences between the two authors offer a subject to be thought trough and to be worked on.
Back to our main subject, one of the axes that is widely worked in the book — and that we, also, would like to emphasize as one of its most important contributions — is this idea that Ricoeur’s thought can bring an expansion to the conception of morality, in particular to that developed by analytical thinking, currently the subject of intense debates. The proposal brings these two main movements together, not independent but correlated. On the one hand, to argue that certain conceptions and perspectives present in analytical philosophy can contribute to thinking about the way Ricoeur approaches anthropology and hermeneutics, re-reading his reflection on moral action. And, on the other hand, to understand how Ricoeur allows the amplification of the current debates on morality, bringing new layers to the understanding of human existence. It is to satisfy the “gap” of this perspective in studies about the philosopher — that, even in their closer versions to the Dierckxsens’, oscillate between an approach from analytical theories or from morality, incapable to internally articulate them — that his work presents itself, emphasizing Ricoeur’s moral anthropology as a central and original contribution to the current discussions.
Notably, this becomes clear when we consider the debates in analytical philosophy about moral responsibility and justice. Faced with a kind of reductive tendency present in the most recent discussions, polarized between anthropology and psychology — taken in their more conventional sense —, moral anthropology emerges as an appeal to a more cohesive and inclusive view, inaugurating a new comprehension about justice and responsibility. It is as a refusal of the current “naturalism” that this moral perspective gains greater weight. Instead of explaining morality in terms of mechanical processes or through natural conceptions, the philosopher calls for a unified understanding of human capacities that constitute the ethical and moral life, remembering us that they must be comprehended, first of all, by a hermeneutical interpretation of the narratives and the concrete existence in which human lives take place. In other words, in contrast to mechanistic and naturalistic perspectives, Ricoeur appeals for a hermeneutical approach.
The Structure of the Text
In this movement, in this project of a hermeneutical “re-reading” of moral and anthropology, one notion will be especially mobilized by Dierckxsens to guide his analysis, the idea of singularity. It is based on this concept that he structures the book in three parts. Singularity, he argues, is one of the most adequate concepts to recognize the originality of the philosopher’s thought and its capacity to bring new elements to current moral discussions. The problematization of this notion is the way Dierckxsens finds to achieve a new understanding of the questions concerning responsibility and justice, establishing the three main topics on which the book is organized. Working on these ideas — singularity, justice and responsibility —, the text proposes increasingly closer links between the philosopher and analytical thinking. The internal connection between these elements is, in his view, almost organic:
“The case I will aim to make in the following pages is that the concept of singularity, which lies at the heart of Ricoeur’s moral anthropology, highlights the importance of hermeneutical phenomenology for understanding responsibility and justice in light of analytical moral theories. Singularity is without doubt an important concept in contemporary European philosophy in general, and in Ricoeur’s hermeneutics in particular.” (IX)
According to this perspective, the structure of the book, organized in three parts — ipseity, alterity and “evil and narrative” — establishes a way of discussing the notion of singularity, exploring in each part one of its different meanings. Dierckxsens argues that each step is an explanation of the “place” taken by this concept in Ricoeur’s moral anthropology. At the same time, through this path, it becomes possible for him to describe the meaning of hermeneutics for the notions of responsibility and justice, reconfiguring the general constellation in which they are inserted. This discussion allows the internal articulations between anthropology and the moral to become more evident, supporting his main thesis. Once again, it is important to emphasize the remarkable clarity and the careful organization in which all this argumentation is constructed. The reader can follow, step by step, the progress of the investigation, in an accurate and logical system that leaves little spaces for doubt. Ricoeur’s thought appears, progressively, each time closer to an analytical field.
But it is worth remembering yet another aspect of this proposal, that was mentioned before and that can now be adequately explained: the recognition that it is not only in its objectives that this intersection appears in the text, but, much more organically, in the very way Ricoeur is here read and presented. Unlike several other studies about the philosopher, here he appears as if he were, almost, an analytical thinker, or, if this affirmation sounds too strong, as if his thought could be structured on an analytical basis. The idea the author suggests is that they are not just close, but in some way and more importantly, that they are communing the same main lines, especially the ones here enhanced. Curiously, it seems to us that it is this element that provides more solidity to Dierckxsens’ thesis. The reader has no problem following his path because it seems, throughout all his exposure, that Ricoeur’s approach to this school of thought was drawn from the beginning, somehow inscribed in the philosopher’s writings and works. It is almost as if the philosopher were a precursor of the style of thought with which he would after be confronted.
Corroborate to this, as Dierckxsens reminds us, the philosopher’s own references to this school, variously recalled throughout the book. Yet, though frequent, they do not seem to us the central axis on which this approach can be sustained, nor its most solid point. The reference or the interest — and sometimes even the admiration — of a thinker by an author or by a current of thought, is not in itself capable of sustaining an affiliation or even an approximation in more strict terms. Moreover, such relations are being largely debated nowadays, and the approaches and distances among them are neither wholly clear nor entirely peaceful.
In our view, the strength of Dierckxsens’ work comes precisely from the way Ricoeur is, from the beginning and throughout all the argumentation, presented in terms of analytical thinking. We know that this interpretation is by no means consensual — and we know, at the same time, how this word loses force in philosophy, meditation and endless dialogue born from dissent and exchange. What seems more relevant to us is the recognition, implicit in Dierckxsens’ proposal, of the greatness of Ricoeur’s thought, capable of opening horizons such as the one defended here. As Merleau-Ponty argues in a commentary dedicated to Husserl, in his text The philosopher and his shadow, the greatness of a philosophy lies precisely in the Tradition he is capable of founding. Dierckxsens’ reading testifies, without any doubt, to this power of Ricoeur’s thought. Philosopher’s appropriation by the analytical thought, rather than instituting a divergence of interpretations, should be read as the establishment of one of the multiple dimensions his thought is capable of illuminating and, at the same time, under which it can be illuminated.
Following the author in his central proposal, the philosopher’s reflection allows us to bring new light to current ethical discussions, opening unsuspected horizons to analytical thinking, strained between explanations that place all its bets on the causes, or place them in cognitive processes, leaving aside the dimensions of “affection”, “empathy” and, in more general terms, all the knowledge and all the relations that involve the “other”. Ricoeur, on the contrary, would have been able to construct an ethic of responsibility structured precisely on notions such as affectivity, care, and solitude: “According to Ricoeur, ethical and moral interactions with others are motivated by affection for others: compassion, conscience, neighbor love, or love for humanity and respect for other persons”.(167)
As we know, these sort of questions, concerning relational fields, alterity and affectivity, have always been essential to Ricoeur. These concepts — and this shouldn’t be forgotten — necessarily brings a phenomenological and existential support to the discussion. And that’s why we mentioned before that the work of Dierckxsens doesn’t properly present an “other” philosopher, but, more specifically, a “different” perspective of him, “dislocated” from his habitual context. Enhancing his greatness, a “unique” Ricoeur is able to bring together different directions of thought, different layers of understanding.
That’s why notions like singularity — without doubt, related to a phenomenological approach — can be here appropriated in moral debates without conflicts or contradictions. If the author operates a peculiar shift toward analytical thinking, inviting us to extend our ethical conception, an idea of singularity that does not exclude otherness will be particularly important for him. If the current discussions of analytical thinking seem to entrench ethic in the regime of a solipsism difficult to escape, Ricoeur’s thought appears as a crevice from which the relation — and all the dimensions brought by it, like affection, care and solitude — are able to figure, allowing us to rethink its limits and its deepest sense.
This is one of the main stakes of this book. And it is here that we rediscover the philosopher whose phenomenological and hermeneutic accents are clearly present, in charge of a reflection on responsibility articulated to the issues of care and relational affectivity inscribed in an existential field. That’s how, beyond approximations, Ricoeur is constructed, simultaneously, as a kind of precursor of analytical thought, and, curiously, as its antithesis or, even deeper, as its antidote, re-discussing and re-opening its frontiers. In this way, the question established by Dierckxsens is more complex than it may appear at first. Is it possible to think of the philosopher in these terms? The book, we saw, defends an affirmative answer, not only supporting the approach itself, but making it internal and organic.
However, sagaciously, at no time does the author refuse any of the other possible currents, or defend one against the others; there is no suggestion of a direct confrontation, which strengthens, once again, his description. That is one of the reasons that makes his work a significant contribution in a debate that concerns not only Ricoeur’s thought, but also his dialogues, exchanges and affiliations. As he implicitly assumes, there isn’t a unique answer to this problem; on the contrary, like we argued above, the strongest point of his work would be precisely the testimony of the openness and the inexhaustibility of Ricoeur’s thought. As the philosopher himself has taught us, the space to comprehend this kind of question should be searched for in some place that does not build walls or divided elements, instituting conflicts and separations, but, on the contrary, one that recognizes a more plastic, open and dialogical field, made of transitions and reversibilities, capable of sustaining the difference, without transforming it into conflict or separation. What is clear, in Dierckxsens’ work, is this recognition of Ricoeur’s strength and appeal towards a stronger, larger and more inclusive ethic[iii]; one solid enough to face the problems brought by contemporary issues. This extended ethical sense is, undoubtedly, one of the greatest teachings of Ricoeur’s philosophy.
[i] Dierckxsens himself enhances some examples: Richard Kearney (Ed.), Paul Ricoeur: The Hermeneutics of Action (London, SAGE, 1996); Jonathan Michel, Paul Ricoeur: une philosophie de l’agir humain (Paris: Cerf, 2006); Todd S. Mei and David Lewin (Eds.), From Ricoeur to Action. The Socio-Political significance of Ricoeur’s Thinking (London and New York: Bloomsburry, 2012).
[ii] The author enhances, particularly, two works: Nathalie Mailard, La vulnérabilité. Une nouvelle catégorie morale ? (Genève: Labor et Fides, 2011); Cyndie Sautereau, “Répondre à la vulnérabilité. Paul Ricoeur et les éthiques du care en dialogue”. Journal for French and Francophone Philosophie/Revue de la philosophie française et de la langue française, 23, n. 1, 2015, 1-20.
[iii] “In that respect, the task of hermeneutics is not so much to search for one universal objective truth about morality, like a blueprint of our ethico-moral constitution, but rather to understand what humans have in common along their differences, through dialogue and interpretation and across their singular lived experiences, in order to understand what motivates their ethical and moral actions.” (73)
Augustine’s Confessions is not a book. It has no title in the titular or thematic sense. It is simply what it is: confessions. What more could it be? A collection of thirteen small books? An evangelical memoir? A developmental prayer diary? A pre-modern work of speculative non-fiction? These are tedious questions. No one cares whether the Confessions is a book or not. Augustine does not seem to care. This reveals that, as with most things taken for granted, we do not know what books are when we address or review them as books. So what is the intellectual genre of Augustine’s Confessions? Jean-Luc Marion has remarked that the Patristic period of theological thought would have understood itself as philosophy, not theology, and thus scholastic theology begins after the end of theology.[i]
It is helpful to keep these opening remarks in mind if one seeks an encounter with John Panteleimon Manoussakis in The Ethics of Time. It is a book that cannot be read, even if one tries to read like a cow through rumination, as Nietzsche demands in his preface to Genealogy of Morals.[ii] The Ethics of Time must be encountered. Reading is certainly an encounter of a certain kind, but the kind of encounter this book demands goes much further than any other recent philosophical book I have read. This may be because our present mode of reading is detached from the type of reading we find in Ezekiel, where the prophet is fed a holy scroll, and I suspect that my suggested encounter beyond reading is in many respects nothing but a truer form of reading. Nonetheless, there is a distinction to be drawn between a literary encounter and the phenomenological encounter that Manoussakis’ book investigates (through desire) and demands (through ethics). (This distinction is carefully attended to by Manoussakis in the theological realities of the beginning, logos, and flesh throughout the book, but especially in chapter 7, “The Time of the Body.”)
To encounter something implies many things. The adversarial sense of an encounter is perhaps the most obvious. Manoussakis seems to suggest these terms of encounter in the book’s epigraph that quotes from Aeschylus’s Agamemnon: “It is a violent grace that gods set forth.”[iii] After all, to “encounter” is to be en contra. This may begin to explain why wresting and sex are hard to distinguish from each other en vivo. No one can deny that the one I lay with until the break of dawn is one I have encountered. When Jacob wrestles the angel of God in Genesis, it is not so different an erotic description from the one we read in the Song of Songs. This means that the encounter is not adversarial so much as it is erotic. Manoussakis seems to endorse this erotic notion of encounter in his analysis of the emptiness of the pouring jug, broken jar, and eucharistic chalice. He writes, “the body’s corporeality does not lie at all in the material of which it consists (the body as object), but in the void that holds (the body as flesh).”[iv] This account of incarnate emptiness, among many other passages, eventually repeats itself enough to demand an erotic encounter with Manoussakis. An encounter, as we will see, that ends in kenosis.
One might object that presenting ideas in a book is not the same thing as demanding them as the terms for a specific kind of encounter, but this takes us back to the reason why I insist that this book must be encountered as opposed to being read, however unsatisfying that opposition may be for philosophical logic-chopping (to use the Jamesian expression). More important for my purposes here, if I take the erotic terms for this encounter seriously, then this review must struggle and fail to break free from Manoussakis in the course of re-viewing his book. Perhaps he will break my hip as I beg him for a blessing. We will have to see, again and again. That is what it means to re-view something.
One might consider The Ethics of Time to be an eclectic book in light of its variety of sources. This would be a mistake. It is true that Manoussakis works from Ancient Greece and the Early Church to contemporary phenomenology and cinema. However, this seems to be more of a personal reflection of Manoussakis—more reasons for my insistence on an erotic encounter—than evidence of technical or systematic pyrotechnics. It may be hard to ignore the sheer volume of philological, theological, psychoanalytic, exegetical, and phenomenological resources put to use in this volume, touching equally upon ancient scriptures as recent films, but this quantified sense of eclecticism misses more than it hits. It mainly misses the book’s constant refrain: Augustine’s Confessions. Unlike Heidegger, who despite his occasional explicit turns to Augustine is in constant dialogue with him throughout the entirety of Being and Time, Manoussakis never pretends to stray from him. In other words, Manoussakis repeatedly draws upon the only other book I can think of that can to the same degree be misunderstood through its voluminous variety. Perhaps he is being vain in tempting this comparison? Or maybe he is too humble to admit it?
Beyond the constant presence of Augustine’s Confessions in the book as a musing refrain, Manoussakis just as constantly invents original interpretations of the classic text. Before I mention any of these insights, and immediately attract the philosopher’s skepticism, I would like to remark on how Manoussakis phrases his inventions. This is not a note on method in the sense of construction or composition; it is more a note on voice and style. If one would permit the expression, I would say this is a brief note on the musicality the book. For me this was the most philosophically challenging aspect of the book but also the most delightful.
“What we call life is a series of intervals from sleep to sleep.”[v] This line comes within a discussion of boredom and just before a deeper look into the radical implications of having “nothing to do.” Even without puzzling together the meaning of the line within its proper textual context, it serves as an example of the barrage of poetic impulses that assault the Academician and exhort the Artist. They often come in swift lines and fine-tuned associations. The urge to call them hasty is the desire to read, the desire to take Manoussakis at his word is the urge to encounter.
All of this is to say that there is an active wit in the book that is sharp and playful enough to verge on being unserious. But these risky moments of “Will and Grace”—anyone who misses this is too dull to understand this book—are contained with a form and structure where metaphors bear the mythopoetic weight of the book’s absent thesis. For instance, Manoussakis titles his Chapter 5, “After Evil,” hinting at the ethics of time where we move beyond evil without ventured beyond it entirely. This chapter features a stunningly clear and original rendition of Augustine’s account of the privation of evil—where evil is not simply metaphysically privitive of the good, but where sin becomes the ethical condition for the possibility of freedom—and reveals a powerful account of the book’s major preoccupations. The account does not so much make this preoccupation clear so much as it makes it serious enough, to the one willing to accept the terms of encounter, to see with eyes of faith.
For Manoussakis, the difference that lies in the interval between evil and goodness is only time. This difference is presented by Manoussakis through the two gardens of Eden and Gethsemane, which allude to his most steady companions, the Confessions and Christian scripture. These two gardens hold within them the capacity to re-present an ethics that is opposed to stasis; in other words, an ethics of time. This rendition of an ethics of time is central to the book’s unmet desire to address itself as a book titled The Ethics of Time.
A key feature of the above analysis is important to understand on its own terms, without too many distractions. Manoussakis makes this point plain, but rather than quote him directly, I would like to try and bend his words in my direction. Rather than resolve the apparent tension in sin or evil by positing a Manichean notion of the good, Manoussakis asserts the goodness of sin and evil revealed in time. This is not as radical as it may seem. I recently asked the question “What is an ethical way to teach ethics?” Socrates answers this question when Meno raises it by rejecting the assumption of the possibility of knowing what is ethical. In De Magistro, Augustine rejects the possibility of teaching entirely. Manoussakis, for his part, follows suit in a clever way. When we admit that we know not what we do, when sin admits to being sinful, when evil can encounter itself as evil, there we find the goodness and the ethics of time. The implications of this idea in moral theology and normative philosophical theories are interesting in their own right, but the phenomenological scope of this book takes us in another more scandalous direction.
The book ends with three scandals. The first two—evil and goodness—have been mentioned to some extent already. The third is grace but becomes more articulate as what Paul calls “the scandal of the cross.”[vi] Here the enigmatic and aphoristic wit of Manoussakis makes its last attempt to call the reader into encounter—the encounter of conversion. One may reject this encounter since it has now modulated from Manoussakis himself to Christ, but this raising of the pitch and register of the erotic appeal seems to be the entire point of the final scandal and, indeed, the book that exists beyond its title. In the cross we find the ultimate body, the broken body that survives the violence of resurrection. After all, Christ’s resurrected body was glorified with all five wounds sustained on the cross still intact and poor saints wear them as scandalous signs of grace. One cannot speak of open wounds as being good and no one can speak of these wounds as being evil. Within Manoussakis’ phenomenology of change presented as the ethics of time, I find a profound and moving meditation on the suffering, sacrifice, and salvation of wounds and woundedness.
Whatever ethics may be, I am fairly certain that it cannot afford to be entirely blind to the moral significance of things, especially the things that go beyond the recognizable the boundaries of moral significance. As we have seen, this would include a genuine ability to understand, as Augustine did and as Manoussakis clearly does, the evil of goodness and the goodness of evil within the interval of time.
Judging something to be morally important is not the same as seeing it as it is. There is a moral field of vision that goes well beyond judgement’s moral capacities. In at least this sense, phenomenology is fundamentally ethical. But this is not always true in practice. Phenomenology as well water is little more than a series of constructive historical notes and debates, on the one hand, and methodological squabbles, on the other. Phenomenology as living water is always opposed to every “ology” and “ism”—including phenomenology and constant opposition. In other words, as its rich history and methods suggest, phenomenology is fundamentally philosophical and this philosophical conception applies equally to phenomenology after the so-called “theological turn.” This turn would be a poor way to try and capture Manoussakis’ project, unless it is to show that every real turn is in some sense a theological one, preceded and anticipated in the Hellenistic tradition. The beginning chapters of The Ethics of Time bear this out in a series of preliminary meditations on movement but they only arrive at their fundamental insight as one allows time—not only the time of duration but above all the time of the interval, the sliding, wailing, and fretless interval—to work across the pages of the book to transform the reading into a dynamic encounter of time in the place of das Ding.
[i] In his Berkeley Center Lecture, “What Are the Roots of the Distinction Between Philosophy and Theology?”, delivered at Georgetown University on April 7, 2011.
[ii] Friedrich Nietzsche, On the Genealogy of Morailty, trans. Maudemarie Clark and Alan J. Swenson, (Indiannapolis, IN: Hackett Publishing, 1998), 7.
[iii] John Panteleimon Manoussakis, The Ethics of Time, (London and New York: 2017), front matter.
[iv] Ibid., 156.
[v] Ibid., 21.
[vi] Ibid., 161.
Elena Paola Carola Alessiato
It is well know that Friedrich Nietzsche was decided not to have heirs or disciples. Ironically, he was one of the most influential thinkers in history. The history of philosophical thought is actually made up by legacies – sometimes also by kinship. This was the idea underlying the title of the intellectual historian Richard Wolin’s book “Heidegger’s Children”. The book, published in 2001 and reissued in 2015, meant this kinship provocatively and of course not in a biological sense. Following this provocation, a conference on the topic “Cassirer’s Children” has been organized in Turin on February 8 and 9, 2018 by Sebastian Luft, Professor of Philosophy at the Marquette University (Milwaukee), and Massimo Ferrari, Professor of the History of Philosophy in Turin University. The conference, financially supported by the Humboldt Foundation in the frame of its Alumni Program and organized in collaboration with the Philosophy Department of the University of Turin, offered Cassirer’s scholars from Germany, France, Italy, Spain, USA and Canada the opportunity to gather in Turin.
The speakers took seriously the provocation about the kinship. Many of them confronted the question about the different possibilities of describing the relationships of intellectuals and thinkers from the 20th Century with Ernst Cassirer: rebellious or “turbulent” children? Legitimate or not? Outspoken or “hidden” heirs? At the end a variegated portrait emerged, focusing on an important segment of 20th century philosophy not only from Germany but also from the USA, Italy and Japan.
As the title suggested, the conference aimed at reconstructing the influence exerted by Cassirer directly or indirectly. At the same time, the assumed personality-based criterion allows building a discipline-based map of the philosophical science in the 20th Century, in which Cassirer’s trails are detected. So, for instance, Rudolf Makkreel and Muriel Van Vliet explored the implications of Cassirer’s thought for aesthetics. More precisely, the first one investigated the meaning and function of arts, particularly of music, and their connection with myth and symbols, according the interpretation of Susanne Langer, an American philosopher 21 years younger than Cassirer, but strongly influenced – clearly acknowledged by her – by his Philosophy of Symbolic Forms. The name of Langer appears also in the second paper, devoted to the “turbulent child” of art history, i.e. Edgar Wind, whose intuitions regarding the cognitive status of art and art history and the possible contamination between mathematics and art are sketched. Van Vliet’s conclusion is fruitful: «Who is the master, who is the pupil? Who is the son, who is the father? Cassirer, Panofsky and Warburg find with Wind a son who inspires them as much as he was inspired by them. Wind presented himself at the same time as a classic, as wise child and as an innovator, a turbulent child».
Following the discipline-based criterion it is possible to remark that anthropology attracted the attention of two other speakers. The anthropology of the American scholar and University Professor Clifford Geertz, who was influenced by Susanne Langer and Talcott Parsons, is in the center of Sebastian Luft’s talk. The paper was organized in a symmetrical way: if the first part elucidates Geertz’ understanding of anthropology in its proximity to philosophy, the second part, devoted to Cassirer’s position on anthropology, describes in detail the relationship between culture and nature but also the dangers and limits regarding the connection between experience and thought, culture and philosophy of culture. The conclusion at which the paper arrives is that the link between Cassirer’s philosophy and anthropology is to be depicted in the terms of a sibling relationship. A critical assessment about the philosophical anthropology of Hans Blumenberg in his “Auseinandersetzung” with Cassirer is delivered by Andrea Staiti. If, on the one hand, Enno Rudolph practices the reconstruction of intellectual relationships to Cassirer as an opportunity to provide an ambitious outline of the 20. Century philosophy – his reference names in his frame are Nelson Goodman, Pierre Bourdieu and Jürgen Habermas –, then Massimo Ferrari, on the other hand, detected the traces of Cassirer within the history of science and the development of scientific thought. On the basis of Cassirer’s monumental work on the Problem of Knowledge in modern science and philosophy and of Individuum and Kosmos in der Philosophie der Renaissance, the contributes and remarks of Émile Meyerson, Léon Brunschvicg, Edwin Arthur Burtt, Alexander Koyré, Raymond Klibansky and Paul Oskar Kristeller are taken into consideration and critically connected with each other. The history of science is at the core of two other papers as well, although they focus on the philosophy of one single thinker, Arthur Pap. David Stump identifies the “Neo-Kantian elements in Pap’s Philosophy”, while Thomas Mormann puts in connection Pap’ necessity and his functional A Priori with Cassirer’s critical determinism. In his view the intellectual link between Pap and Cassirer, both German and both emigrated to the USA, allows one to contrast the pessimistic assessment affirming that the clash between “the analytic” and “the continental tradition” has become irreconcilable.
From Germany to the USA – and beyond. The geographical extension of Cassirer’s influence is enriched by two other contributions. Saverio Ricci emphasized the implications of Cassirer’s understanding of culture and cultures for the Italian tradition of historiography and historical thought applied in philosophy. Reference point of his presentation is Eugenio Garin. Away from Europe, Steve Lofts presents Cassirer’s family in Japan. His detailed and well informed paper about “the influence of the Marburg’ School and Cassirer on the foundations of Japanese philosophy” gave the opportunity to make the acquaintance with a series of Japanese intellectuals and thinkers belonging to the Kyoto School and normally unknown or neglected by our West oriented studies.
In the end, the conference offered the chance to Cassirer’s scholars spread all over the world to meet each other, just at the moment when Cassirer’s philosophy and scholarship experience a rediscovery and a veritable renaissance.
Report by Elena Paola Carola Alessiato (Università degli Studi di Torino/University of Turin – Italy)
Recent years have seen several new translations of books and shorter works by Hans Blumenberg into English and French, and an English edition with Blumenberg’s most important shorter writings is forthcoming. The French translation under review here, published in 2017, is further evidence of this growing interest in Blumenberg’s work.
Blumenberg’s previously unpublished text Theorie der Unbegrifflichkeit was first edited in its German original by Anselm Haverkamp in 2007. Theorie der Unbegrifflichkeit (Theory of Nonconceptuality) borrows its title—and so does the French translation by Marc de Launay—from a 1975 summer term lecture Blumenberg gave in Münster. This short text is of particular interest, as it relates several themes within Blumenberg’s thinking in a rather condensed way.
The main text (7–108) consists in the edition of those typescripts Blumenberg based his lecture upon (see 128) and is followed by an appendix entitled “Bruchstücke des ‘Ausblicks auf eine Theorie der Unbegrifflichkeit’” (Perspective sur une théorie de l’inconceptualité; 109–125). A translation of the editor’s postface completes the volume (127–131). Théorie de l’inconceptualité most of the time does without headings or subheadings; only an excursion on ‘economy and luxury’ (19–26) and a revised passage on ‘negation’ serving as a transition (89–91) fall under headings. Instead, larger sections are simply divided by page breaks. As the editor remarks, Blumenberg presents his observations giving examples with varying levels of complexity, and often does so without guiding his listeners or readers to a conclusion (des exemples de complexions diverses—souvent sans déboucher sur une conclusion; 131). By refusing to add any new headings or divide Blumenberg’s work into sections, the editor succeeds in carefully preserving and communicating the original character of the typescript, which is between the tone of a lecture and a written text. Because all Blumenberg’s texts stylistically dense they present a challenge to the reader, and this text is no different. If one expects an easy-to-read introduction to his works, one will not find it in this booklet. Nonetheless, the themes discussed are at the heart of Blumenberg’s phenomenological project and are well worth the effort.
To begin with, it is difficult to judge what exactly the book is about. Here is my proposal: one might say that the text as a whole bundles varieties of human ways to deal with reality. More specifically, in Théorie de l’inconceptualité, Blumenberg primary focus is upon the epistemic operations humans are capable of. Specifically, he is interested in one particular way for humans to engage with reality, namely in the act of theorizing—or, to put it in phenomenological terms, the act of distancing oneself from one’s object of consideration by adopting a theoretical attitude.
Théorie de l’inconceptualité may be regarded as a text about ‘theory’ in a twofold or two-layered way. First, Blumenberg addresses various epistemic operations humans are capable of, focusing on the role of conceptual thinking (or its lack) in cognition. In his attempt to describe the structure of conceptual thinking and to ascribe to it the role it plays in cognition, Blumenberg scrutinizes the various forms the act of theorizing can take.. Secondly, Théorie de l’inconceptualité is itself a theoretical work. This does not so much amount to opposing theoretical and practical philosophy to one another, for Blumenberg himself does use practical examples (though in a broad sense) as much as he draws from epistemological observations and concepts. Rather, Blumenberg considers the ability to take on a theoretical attitude as something we do and perform; for him, it is a distinguished, an essentially human one. In short, Blumenberg addresses theory as one of the human ways to engage with reality from a precisely theoretical point of view. In other words, theory is taken both as a method and as the object in question; that is, theory itself becomes the very object of Blumenberg’s theoretical interest. In this sense, the above-mentioned two-layered approach to be found in the text emerges with Blumenberg playing on the reduplication of theory.
As a first step in this review, I want to discuss Blumenberg’s proposal for a notion of conceptual thinking. Secondly, I will link conceptual thinking to the theoretical attitude humans can assume. Then, I will turn to consider Blumenberg’s attempts to delimit conceptual thinking and nonconceptuality and his anthropological observations. By way of conclusion, I will touch upon the connection between the anthropological and the epistemological dimension found in Théorie de l’inconceptualité. It goes without saying that I cannot consider every aspect the text touches upon. Other topics within the wide range of Blumenberg’s observations such as aesthetics, the concept of the lifeworld, happiness, metaphors, the epistemic operation of negation or the anthropological function of prevention must remain largely uncommented upon here.
Contrary to what the title of the book suggests, the text does not start out by shedding light on what is to be understood by the term of ‘nonconceptuality’. Rather, Blumenberg’s text first lays its focus on conceptual thinking. However, rather than aiming at a (precise) definition of either of the two, Théorie de l’inconceptualité raises the question of how those two different ways of dealing with reality might refer to each other and, moreover, refer to theory in general. The reader expecting to be given a precise definition of at least one of the two terms will be deceived.
The fact that the text lacks a precise definition of conceptual thinking does not mean that Blumenberg does without spelling out crucial aspects he ascribes to conceptual thinking. For him, two features are to be found at the core of conceptual thinking: first, conceptual thinking has something to do with the phenomenon of absence (Le concept a un certain rapport avec l’absence de son objet; 7). For example, imagine the groceries you have run out of, which are therefore absent, and which you (mentally) represent when writing a shopping list. For Blumenberg, what one does in this case is use conceptual thinking in order to re‑present that which is not tangibly accessible (le concept seul demeure, qui, de son côté, représente toute l’échelle de ce qui est sensoriellement accessible; 7).
Blumenberg’s own example of the representation of an absent object in conceptual thinking, however, is more specific than my example of a shopping list. It consists in referring to a primal scene of anthropogenesis, namely the construction of a trap. A trap layer has to adjust his construction in shape and size to the animal he hopes to catch eventually. For example, setting a trap adequate for catching a mammoth requires nothing more than calling into presence that very mammoth which is absent the moment the trap is being set. Having a concept of a mammoth thus means to determine it as the expected prey, that is, to determine the trap in shape and size. In Blumenberg’s view, what the trap layer accomplishes is a conceptualization of an absent object. Or, to put it in phenomenological terms: laying a trap involves knowing an eidos and acting upon that knowledge. What Blumenberg’s example emphasizes, however, is that being able to use concepts is an achievement in (human) evolutionary history, implicitly assuming a historical constitution of transcendental (inter‑) subjectivity.
The second aspect Blumenberg locates within the realm of conceptual thinking is closely linked to the above-mentioned phenomenon of absence and concerns the phenomenon of distance (see 7; 10). Laying a trap directs one’s actions towards objects or events not immediately given but distanced in space and time: a mammoth shall not be caught right now and here but perhaps tomorrow and over there. In this regard, concepts are like tools humans use to act over a distance, they are the means of an actio per distans (12). For Blumenberg, the trap is the first triumph of conceptual thinking (Dans cette mesure, le piège est le premier triomphe du concept; 12).
According to Blumenberg, conceptual thinking such as the representation of a prey when setting a trap can count among reason’s products or performances (un produit de la raison; 7). As reason encompasses conceptual thinking and, therefore, also the above-mentioned actio per distans, it follows for Blumenberg that reason is the epitome of those epistemic operations that put in a performance over a distance, both spatial and temporal (On pourrait dire que la raison serait le condensé de pareilles réalisations à distance; 8). Yet the reverse, that reason only exists when something is conceptualized, does not hold (Mais cela n’autorise pas le renversement qui voudrait que la raison n’existe que lorsqu’elle parvient […] au concept; 7). Thus, it can be emphasized that, for Blumenberg, acting over a distance by means of conceptual thinking is only a first step within humans’ process of becoming a creature capable of theorizing. For what exceeds conceptual thinking insofar as it encompasses it, in Blumenberg’s view, is a theoretical attitude as such.
Blumenberg makes this idea more accessible drawing from an anthropogenic assumption: man, for Blumenberg, is the being that straightens up, transcends the short range of perception, and transgresses the horizon of its senses (L’homme, l’être qui se met debout et quitte le domaine de la proche perception, franchit l’horizon de ses sens; 8). Man raises his gaze and directs it to the horizon, that is, he is no longer only concerned with objects given to him within the realm of immediate and actual tactility, but also with potentially tangible objects (again, such as mammoths caught in a trap).
In Blumenberg’s view, this movement of transgression finds itself repeated. Man not only transgresses the horizon of his senses in order to master objects given to him in a (both temporally and spatially) mediated way. The above-mentioned anthropogenic moment lies in a two-step rotation of the head man accomplishes. First, he directs his gaze from the ground towards the horizon, which amounts to mastering mediately given objects over a certain distance. In this way, both building a trap and focusing on the horizon amount to an actio per distans. Second, man turns his head another ninety degrees to look at the sky (Ce qui veut dire que le regard n’est pas fixé sur l’horizon, spatial et temporal, pour attendre ce qui va arriver et pour agir sur ce qui surgit, mais que le regard, ayant accompli un mouvement à quatre-vingt-dix degrés pour quitter la direction du sol et parvenir à l’horizontal, va encore une fois accomplir une rotation à quatre-vingt-dix degrés et viser la voûte étoilée; 14). As laid out in The Laughter of the Thracian Woman, Blumenberg considers Thales of Miletus to be the “putative first philosopher” (see Laughter, Preface). It is exactly his gaze at the sky that turns him into the first contemplator caeli in a philosophical sense. Instead of anticipating prey and, therefore, being directed toward a potentially tangible object, the stars in the sky are perceptible and yet (at least for the run of several centuries) intangible. The skies represent that which encompasses the totality of all possible objects of perception, and thus represent the idea of totality. In this sense, the sky Thales of Miletus turns his gaze to represents the ultimate object of a theoretical attitude; this is why Thales is described as the proto-philosopher (le proto-philosophe et astronome Thalès de Milet; 16). For Blumenberg, it is a theoretical attitude that ultimately envisages the totality of the world (la théorie pure, son aspiration à la totalité du monde; 16). This is what Blumenberg must have had in mind when he suggests that reason’s intentions exceed the performances of conceptual thinking and relate to the idea of totality (Il se pourrait que la performance d’un concept soit simplement partielle par rapport aux intentions de la raison qui semble toujours avoir en quelque manière affaire à la totalité; 7).
Starting from the concepts that correspond to empirical objects, Blumenberg proceeds by broadening the scope of his scrutiny insofar as he takes into account something by which conceptual thinking in the narrower sense is exceeded. That is, the subject not only perceives singular objects entirely detached from one another and is amazed by the sky as a cosmic whole, but also takes into account the—potential—relations between objects. To put it in phenomenological terms, one could say that it is the horizontality of noemata according to which the perceiving and reflecting subject progresses in her intentional process of intuition. The less an empirical object plays a role in the act of conceptualization (or theorizing), the more intellectual performances—such as the act of idealization—gain importance in the process of thinking. The attempt to establish a meaningful relation among particular noemata leads to a reflection on the totality encompassing them—or again in phenomenological terms: to a reflection on the horizon of all horizons. That being said, it is clear that Blumenberg shares the fundamental insight with phenomenology that there is, apart from a naïve attitude, an observing, theorizing mode of consciousness.
Yet, the question as to which role is to be ascribed to nonconceptuality within the realm of theoretical performances is still unanswered. Once it has been shown that the use of concepts does not remain limited to representations of empirical objects (such as foods or a prey) but is also in some way involved in intellectual acts of greater abstraction, Blumenberg shifts the focus to the very boundary between conceptual and nonconceptual thinking, both of which for him are encompassed by a theoretical attitude. In conceiving of conceptual thinking as an epistemic operation that above all establishes a correspondence between intuition and understanding, Blumenberg clearly draws from a Kantian point of view. In that sense, it is not at all surprising that Blumenberg addresses nonconceptual thinking, too, in Kantian terms.
What Blumenberg does is to relate limit concepts (Grenzbegriffe) and ideas (see 41–42) to his conception of nonconceptuality. This refers to his conviction that the mode of conceptual concretization achieved in the representation of empirical objects is unlike the way abstract ideas are represented. Of course, this does not mean abstract ideas (such as the concept of world or the idea of freedom) cannot be addressed or dealt with by human reason at all. Instead, for Blumenberg, human reason has to approach abstract ideas in a different way, namely by drawing from nonconceptuality. As it follows for him, nonconceptuality must not be taken or undertaken as a mere auxiliary discipline to philosophy (une simple discipline auxiliaire de la philosophie; 56). Instead, it must be acknowledged that the preliminary endeavors to a notion of conceptual thinking do not achieve their aims (le travail dans le champ préalable du concept ne parvient pas à son but; 56) and that conceptual thinking is subject to the condition of—at least possibly—eventually being rendered concrete by the intuition of empirical objects. As Blumenberg sees it, nonconceptuality comes into play the very moment it turns out that this condition cannot be fulfilled, i.e. in the attempt to represent ideas. (Here, it seems to me to be helpful to quote both the German original text and its French translation. For what in German reads “im Zusammenhang mit der Angewiesenheit des Begriffs auf Anschauung und der Verfehlung dieser Bedingung bei der Idee” is rendered into French as follows: dans le contexte de l’articulation du concept sur l’intuition et […] de l’échec de cette articulation quand il s’agit de l’idee; 56). In other words, nonconceptual thought for Blumenberg is the means to operate in the concretization of abstract ideas. In my reading of Théorie de l’inconceptualité, limit concepts (Grenzbegriffe) and ideas (just as metaphors, incidentally) for Blumenberg represent the threshold of conceptual and nonconceptual thinking. The wide range of theoretical performances must exceed the purely conceptual.
However, Blumenberg merely indicates what a theory of nonconceptuality would have to undertake and leaves it open to his readers (or listeners) to follow down the indicated path. According to him, a theory of nonconceptuality is about reconstructing in a broad sense those horizons from which the theoretical attitude and conceptual thinking are derived (Une théorie de l’inconceptualité aurait à reconstruire les horizons, en un sens très large, dont ont procédé la prise de position et la formation conceptuelle théoriques; 112).
It is important to bear in mind that Blumenberg does not seek a definite notion of each of the epistemic operations in question for their own sake. As the use of both conceptual and nonconceptual thinking can be counted among the whole of epistemic performances human beings are capable of, they are part of the description of essentially human traits. That is, as Blumenberg aims at locating his observations within a larger, anthropological framework.. As he says, an anthropological theory of conceptual thinking is an urgent desideratum (Une théorie anthropologique du concept est un réquisit urgent; 9).
In order to frame Blumenberg’s endeavor in Théorie de l’inconceptualité, it is helpful to come back once more to the aforementioned primal hunting scene. Blumenberg does not give a clear answer to the question of why he is using a primal scene to illustrate the performances of conceptual thinking, or to that of which epistemic status this example is supposed to hold. All he does is to underline his assumption that the image of the construction of a trap may be nothing but the best way to depict the capacities of conceptual thinking (Sans doute peut-on montrer le plus clairement ce dont un concept est capable lorsque l’on songe à la fabrication d’un piège; 8). That is, the author himself leaves it an open question as to which epistemic status must eventually be ascribed to the example he is using. However, Blumenberg makes clear that he aims to explain how the capacities of conceptual and nonconceptual thinking have become possible by taking a view that is both anthropological and genetic at the same time (J’essaie de comprendre cela du point de vue anthropologique, générique; 8). The construction of a trap may, therefore, be taken as an attempt to locate reason’s performances or capacities within an anthropological, and more specifically, within an anthropogenic framework. It is thus no coincidence that Blumenberg’s example is the laying of a trap some ten thousand years ago and not a shopping list.
What Blumenberg does is draw a line connecting the anthropogenic observations of man having straightened up and having accomplished twice a ninety-degree-rotation of the head to the transcendental question as to how theory—and with it philosophy— became possible. Théorie de l’inconceptualité offers a contribution to the discussion of the status of conceptual thinking from an epistemological point of view—and, beyond that, points to the discussion of reason’s capacities in a whole. It is thus part of transcendental philosophy since it is an approach to the conditions of the possibility of theory. Blumenberg’s view on the distinction between the empirical and the transcendental in Théorie de l’inconceptualité is quite complex: he raises a question of transcendental philosophy in aiming to lay bare the conditions of the possibility of theory; these conditions can only be explained by reference to empirical assumptions about human prehistory.
In other words, Blumenberg considers both conceptual and nonconceptual thinking to offer a crucial contribution to the project of describing man (like the title of another posthumously edited work lays out, namely Beschreibung des Menschen/Description de l’homme). As he says, one has to consider the anthropological preconditions as the source of the performances of conceptual thinking, which in turn are part of reason’s intending totality (des présupposés anthropologiques […] la source d’où procède également l’efficace du concept qui n’est, en effet, que partiellement liée à l’intention de la raison visant la totalité; 122). Pointing to the intention of describing (and, in parts, explaining) characteristic performances of reason such as conceptual and nonconceptual thinking amounts to counting Théorie de l’inconceptualité among Blumenberg’s numerous approaches to an anthropological philosophy. It is here that Blumenberg’s endeavor exceeds the demands of a phenomenological discipline as Blumenberg gives phenomenology an anthropological orientation. What he undertakes is not a phenomenology of pure consciousness but rather a phenomenologically motivated description of an anthropogenic dimension that presumably has brought about man’s ability to theorize and to philosophize at all.
Blumenberg’s text offers a complex interplay between the fields of anthropological description and of transcendental philosophy. As Blumenberg draws attention to the question of how conceptual thinking as a part of the whole of reason’s capacities might have become possible, it is especially the anthropogenic dimension that links the two. In conclusion, one could say that Théorie de l’inconceptualité can be read in a threefold way. It is, first, an anthropological text, for it focuses on performances of human reason. Since the main interest of the text lies in reasoning and in all the various forms reason may take, the text may, secondly, be regarded as pursuing a project in epistemology. What then provides a link between the anthropological and the epistemological dimensions is, thirdly, the extension of genetic phenomenology into the anthropogenic view Blumenberg puts forward.
At this point, one might return to the style in which the text is presented. Although the title may seem to promise a fully developed theory of nonconceptuality, the text itself maintains a tentative and exploratory character. The reader is offered examples and illustrations taken from diverse texts of philosophy and literature and thus is offered nothing more—and, one has to add, nothing less—than enriching descriptions of the performances of human reason. All of these descriptions are strongly influenced by the phenomenological tradition. Théorie de l’inconceptualité should be counted among Blumenberg’s attempts to contribute to a phenomenologically influenced anthropology.
Blumenberg, Hans. 2011. Description de l’homme. Translated by Denis Trierweiler. Paris: Les Éditions du Cerf.
Blumenberg, Hans. 2015. The laughter of the Thracian woman: A protohistory of theory. Translated by Steven Rendall. New York: Bloomsbury (quoted as: Laughter).
Blumenberg, Hans. 2017. Concepts en histoires. Translated by Marc de Launay. Paris: Édition de l’Éclat.
Blumenberg, Hans. 2018. Lions. Translated by Kári Driscoll. Calcutta, London, New York: Seagull Books.
Blumenberg, Hans. 2018. Rigorism of Truth: Moses the Egyptian and other Writings on Freud and Arendt. Edited by Ahlrich Meyer. Translated by Joe Paul Kroll. Ithaca, N.Y.: Cornell University Press.
Bajohr, Hannes, Fuchs, Florian, and Joe Paul Kroll (eds.). 2018 (in press). The Hans Blumenberg Reader. Ithaca, N.Y.: Cornell University Press.
 Hannes Bajohr, Florian Fuchs, and Joe Paul Kroll (eds.). 2018 (in press). The Hans Blumenberg Reader. Ithaca, N.Y.: Cornell University Press. Other recent translations of Blumenberg’s work include among others: Blumenberg, Hans. 2017. Concepts en histoires. Translated by Marc de Launay. Paris: Édition de l’Éclat; ibid. 2018. Lions. Translated by Kári Driscoll. Calcutta, London, New York: Seagull Books; ibid. 2018. Rigorism of Truth: Moses the Egyptian and other Writings on Freud and Arendt. Edited by Ahlrich Meyer. Translated by Joe Paul Kroll. Ithaca, N.Y.: Cornell University Press.
 Unless stated otherwise, all page references refer to Théorie de l’inconceptualité.
 I want to thank Tobias Keiling for numerous helpful comments.