On Unbearable Reality and Beautiful Appearances
Ferdinand Hodler’s painting ‘Die Wahrheit’ features a naked woman dispelling six cloaked male figures as if they were dark thoughts. She finds herself standing on an isle of grass while the men – lies? – turn from her and look for shelter in barren lands. In Jean-Léon Gérôme’s depiction of the truth, titled ‘The Truth Coming from the Well with Her Whip to Chastise Mankind’, one sees exactly what the title promises. At least, presuming the beholder knows that truth always comes as a naked, angry woman ready to hysterically chase you down. I would hardly be surprised if the painter kept the words “How could you!” in mind, or, more accurately, “Comment peux-tu!”, when drawing the contours of her screaming mouth. Perhaps he even pictured the face of his wife at the moment he told her the truth about his many models and the adulterous state of affairs.
In other paintings, by Merson, for example, or Lefebvre or Baudry, lady truth brandishes a mirror instead of a whip. In the version of Édouard Debat-Ponsan, two men, one of whom is blindfolded, try to restrain her and her charged mirror, to no avail. Her clothes tear from the male grip while her flaming red hair blows bravely and unhinderedly, her gaze aimed at some point outside the frame: her holy mission? Ultimate victory in the Age of Reason?
Venus, Eve, Leda, the Sirens, Diana, Phryne, nymphs: figurative painting has always gratefully seized upon the offer to depict naked women. Nonetheless, it is not self-evident that Hodler’s ‘The Truth’ belongs to this list of subjects. Why is truth female? Why can she only show herself unveiled? Why is she angry? Why is she victorious? Why is she armed? Why is she white? And why does she have no pubic hair?
At least some of these questions spurred Blumenberg’s collection of small excerpts exploring the metaphor of ‘the naked truth’ in Western thought, now published from his archives as Die Nackte Wahrheit by Rüdiger Zill. This book makes quite clear that the depiction of truth as naked is more than a mere representation. There is a longstanding tradition in which truth is deeply intertwined with a pure female nature understood as clarity, innocence, attraction and unapproachability. Such equation of truth with female nudity creates a variety of unuttered associations. Truth, for example, is accessible only to few – something that will play into the democratizing project of Enlightenment. It installs a connection between eros and the pursuit of truth, a desire, a libido sciendi. Prohibition is involved and it gives rise to the problem of whether truth is still truth when she presents herself dressed up. Truth becomes contaminated by male deception. The quest for truth becomes “an expedition to some exotic place”, as Kołakowski terms it in his text on nakedness and truth (Kołakowski 2004, 235). Truth becomes a capture, an ambiguous purpose of curiosity, an ideal of knowledge which is godlike, forever beyond reach yet nonetheless worth chasing, “a passion deserving of death” as Blumenberg calls it (NW 105). Just like in the story of Artemis and Actaeon (NW 104-6), the male gaze automatically becomes indiscrete and inappropriate, and curiosity becomes a kind of unacceptable voyeurism. Just like Actaeon, anyone who looks at the divine must die, an implication of a lethal danger of pursuing truth. It is worth considering that such a passion is rewritten in the expression “vedi Napoli e poi muori”, especially when bearing in mind how often a beautiful city – the word city, like truth, has a female genus in most European languages – is considered in similar female terms: the Jewel of Europe, La sposa del mare, the Pearl of the Orient, la Superba or Elbflorenz. In the case of Paris, it is expressed in terms of this other metaphor for truth: la ville lumière.
That in the European languages “truth appears on the stage as a female act”, Blumenberg writes, gives “truth an erotic-aesthetic trait […] which is not taken for granted by the misogynist” (NW 126). Whether this implies that skeptics must also be misogynists remains unclear. And whether this applies to the skeptic Blumenberg himself is a question that perhaps only a modern Diogenes might dare to ask Blumenberg’s daughter, Bettina.
Be that as it may, in view of the topic it is rather striking that this book devotes only a single page to a female writer, Madame du Châtelet. This one page, however, does not discuss her writing or thought; instead, it addresses an anecdote that tells how Mme du Châtelet shamelessly undressed in front of her servant Longchamp. Blumenberg links this behavior to the project of Enlightenment itself, in which “truth shows herself unembarrassedly in front of those who ought to serve her” (NW 103). In short, rather than her writings and ideas, it is only Madame du Châtelet’s indifference to her own nakedness that becomes a significant expression of the “new methodological ideal of objectivity” (NW 103).
Although Blumenberg does not render it explicitly, the short chapter on Actaeon following this page suggests that the divine nakedness of truth becomes human in the nakedness of Émilie du Châtelet. The hunter Actaeon, servant of the goddess Artemis, watches his mistress undress and consequently he must be punished for seeing her in her nudity. Someone who looks at Medusa, however, instantly dies. In other words, Acteon already signals an alteration in the mythic gaze upon a deity, which in Artemis’ bathing scene changes from tremendum into fascinosum. He doesn’t die immediately, he is punished for his violation. In the anecdote of Madame du Châtelet, then, a succeeding shift occurs. In contrast to Actaeon, the servant Longchamp is not punished, he is not even noticed. Longchamp becomes a subject “of conscious exposure” and is regarded as not being there: “in the witness of nudity an awareness is raised […] of remaining unnoticed in his presence” (NW 103).
This reversal in the relation of nakedness, fascinosum, between mistress and servant, punisher and the one punished, is still far from Nietzsche’s later take, “to think of the naked truth as a frightening and unbearable dimension” (NW 126). Whether a comparison of Nietzsche’s views on the ugly truth and his lashing attitude towards women – note the double inversion of Gérôme’s depiction concerning the appearance of lady truth and the one who is cracking the whip – could add something to the debate about his possible misogyny is merely a suggestion discerned between the lines.
Like this example, and completely in line with his longstanding interest in the non-conceptual (Unbegrifflichkeit), i.e. metaphoric, narrative, anecdotal and mythic substratum of conceptual thought, Blumenberg delves into the layers of implicit imagery and associations so as to note significant changes in meaning over time. Moreover, he lays bare – an expression which is itself already part of the semantics of the naked truth – inconsistencies in the rational discourse that is built on this metaphoric level and shows how it can be deconstructed and eventually turned against itself. He does so by discussing writers and philosophers such as Adorno, Kafka, Pascal, Fontenelle, Rousseau, Vesalius, Fontane, Schopenhauer, Kant, Kierkegaard and Lichtenberg. The seemingly incoherent order of these names mirrors both Blumenberg’s own avoidance of chronology and his preference of association. Although he refuses an all too systematic approach of the issue, the intrinsic connection of the different chapters is always clear: “How does the metaphor portray the position of the thinker, in which he maneuvered himself because of more or less compelling reasons and under more or less unavoidable conditions” (NW 127)?
Applied to truth, this question brings him to many considerations about the implications of viewing truth as naked: “If truth only is right when naked, then every cover is a disguise and eo ipso wrong” (NW 71). However, when we embrace the conviction that truth is true only when it is naked, we can never undo the threat that “even its nakedness is still costume” (NW 92). Nakedness then turns into “the illusion […] which is created by the gesture of tearing down dresses”, which in turn evokes “the scheme of the onion skin” (NW 97). “When once opened, nothing ever is something final” (NW 102). And at the same time, there is the thought that “truth might be as unbearable to humans as nakedness” (Blumenberg 1960, 51). In this case, “the cover of truth seems to grant us our ability to live”, a thought which appears in “Rousseau’s pragmatic exploitation of the metaphor of truth in the water well […]: leave her there. The depth of the well protects us from the problem of its nakedness” (Blumenberg 1960, 57).
In this regard, it is remarkable how rarely Blumenberg refers to the Christian tradition. In “The Epistemology of Striptease”, Leszek Kołakowski, for example, traces “the entire foundations of the theory of nakedness which has been so important in our culture” back to the Judaeo-Christian tradition (Kołakowski 2004, 225). The Book of Genesis indeed tells of an intrinsic connection between the fruit of the tree of knowledge and the shame which immediately manifested itself when the fruit was eaten. A shame “not of their crime, but of their nakedness” (Ibid., 223). Thus, “a double relation has been established: between truth and nakedness on the one hand, and between truth and shame on the other” (Ibid., 225).
Another absence which resounds throughout the book is that of the name Heidegger, which appears not even once. Nonetheless, Die Nackte Wahrheit can be read as an implicit yet fundamental critique of Heidegger’s conception of truth as alètheia. By dissecting the metaphor of truth, Blumenberg’s text offers a perspective which shows that Heidegger still fits perfectly within the dominant Western tradition, a tradition Heidegger himself sought to destruct by thinking beyond the ontological difference and the forgetting of being. Blumenberg, however, implicitly shows that Heidegger and his conception of truth as disclosure or ‘unconcealedness’, still wades through the Western waters that Heidegger himself thought he had traced to their source.
Despite this absence of Christianity and Heidegger, Blumenberg convincingly illustrates how metaphor functions “as a more or less easily fixable crack in the consistency of thought, a stimulant, and as such it refreshes reason; it also is, however, a sedative in other cases, where it covers up the failure of the concept or remedies its lack by a merely different procedure” (NW 127).
At this point, Die Nackte Wahrheit surpasses being just a study of the naked truth and begins to concern the project of metaphorology itself. As Rüdiger Zill notes, “already since the late 1960s, Blumenberg had been thinking about a detailed revision of his metaphorology” (NW 186). Concerning his distanced relation to his initial approach, Blumenberg wrote to his English translator: “The text is not only outdated – after a quarter of a century! – it is also poor” (NW 189).
In Blumenberg’s project of ‘metaphorology’, metaphor is always more than a disguise of truth or a thought expressed in non-conceptual language. “It is essentially aesthetic”, which means “that it is not something like the mere cover of the naked thought, of which one had to constantly think as the true purpose of its interpretation and unlocking that has to be reached in the end. Who constantly thinks beyond its limits, loses what he has without receiving what he cannot possess” (NW 176). In other words, there is no naked truth to be found beyond the metaphor. And more specifically, the power of metaphor is precisely this lack of precision sought by advocates of a clear and distinct conceptual language. Thus, Blumenberg argues, in contrast to the views of many thinkers he discusses, that “history” is not the “course of the self-exposure of the concept” (NW 155). Blumenberg’s associative selection of authors and topics stresses that metaphor, with its ambiguity and openness to many interpretations, is always “far more intelligent than its composer” (NW 176).
The first fifty pages of Die Nackte Wahrheit concern Nietzsche and Freud. The only other pieces that come close to even ten pages are those on Pascal, Kant and the Enlightenment. Thus, of all the names figuring in Blumenberg’s posthumous book, Nietzsche and Freud can be called his main interlocutors.
Nietzsche immediately shows a fundamental reversal of truth as a beautiful naked creature. When he writes that “Truth is ugly. We have art so that we are not ruined by truth” (NW, 14), it is clear that something in the metaphor of truth changes. We are no longer in pursuit of the naked truth – she lies within reach in her unbearable ugliness – and so our interest shifts to the beautiful veils that are produced to conceal her.
“There would be no science, if science would only care about this one naked goddess and about nothing else” (NW, 20). With this thought, both Freud’s concept of sublimation and Blumenberg’s apotropaic function of myth are prefigured: art and culture function as a “human safety device” (NW 15), a protective shield which safeguards us from something insufferable. Or as Nietzsche formulates it: “Every type of culture starts with an amount of things that are veiled” (NW 15).
Blumenberg’s text from 1971 on the relevance of rhetoric and anthropology directly evidences the strong influence of this Nietzschean thought: “Ah, it is impossible to have an effect with the language of truth: rhetoric is required” (NW 31). Nietzsche defends rhetoric as a right to deceive vis-à-vis an unbearable truth. For the sceptic Blumenberg, however, truth cannot be unbearable, because the very possibility of truth itself is bracketed and remains an open question. In his writing on Hannah Arendt and Freud it is “the absolutism of truth” which becomes unbearable, this intimate European conviction “that the truth will triumph” (Blumenberg 2018, 57). Yet, as Blumenberg proclaims, “[n]othing is less certain than that the truth wishes to be loved, can be loved, should be loved” (Blumenberg 2018, 3).
This critique of Freud, already present in Rigorism of Truth, is continued in Die Nackte Wahrheit. The notion that psychoanalysis lives from the metaphor of revealing and concealing and connects the intellectual with the sexual can only barely be called a renewing insight. Blumenberg, however, uses this as a step to a subtler point. He reproves Freud’s rigorism because his therapy prioritizes the affirmation of his theory rather than the well-being of his patients. In other words, via Freud, Blumenberg criticizes the longstanding tradition “in which truth is justified at every cost” (NW 38), the same rigorous conviction that resonates in Thoreau’s famous phrase that “Rather than love, than money, than fame, give me truth.”
Read from within the metaphor of ‘the naked truth’, Freud’s quest for truth – a quest strongly intertwined with the centrality of sexuality and the prudery of the society in which he lived – shows that it is not at all clear when something is yet more ‘resistance’, a symptom, a still-clothed kind of nudity, and when exactly someone has encountered the bare piece of the reality they are searching for. “The general premise for resistance as a criterion might be (this): what people gladly accept cannot be the truth” (Blumenberg 2018, 59). In discussing this central concept of resistance as an element of Freud’s “para-theory” (loc. cit.) he comes rather close to Popper’s rejection of Freud’s methodology. In his archive there are two manuscripts with the respective abbreviation TRD and TRD II, in which Blumenberg shows how ‘resistance’ is a kind of parachute that recuperates elements falling from or even objecting to Freud’s main theory (Zill 2014, 141-43). This way, even the critics of his theory can still be fitted within it. Blumenberg points out how Freud’s quest for countering resistance and his rigorist search for truth, his urge to reveal secrecy after secrecy, eventually lead to a “hysteria of revelation for which history has an analogy in hysteria of confession” (NW 47).
Die nackte Wahrheit is certainly not Blumenberg’s first engagement with either Nietzsche or Freud. He had already dealt with both authors extensively and quite similarly in his earlier writings: reading them through the lens of their own imagery in order to criticize them from within the logic of these images and metaphors. In Arbeit am Mythos, for instance, both authors receive ample treatment on several occasions and are the focus of important passages. Freud and Thomas Mann, for example, are bound together in a trenchant and meaningful anecdote: Mann reading his lecture on Freud to Freud himself during his visit to Freud’s villa in Grinzing on Sunday, May 14, 1936. Blumenberg calls this a “great scene of the spirit of the age, which hardly had another scene comparable to it”, and notes that one of the “preconditions” of this “incomparable event” precisely “is the relationship to Nietzsche that both partners shared” (Blumenberg 1985, 516).
Other important passages include Blumenberg’s extensive discussion of Nietzsche’s approach of Prometheus against the light of his aesthetic conception of reality and of Nietzsche’s famous proclamation of the death of God. In the last section, ‘The Titan in His Century’, Blumenberg’s analysis of Freud’s use of Prometheus follows his assessment of Nietzsche’s use of Prometheus, such that Freud and Nietzsche, joined by Kafka, share the final page of Work on Myth. In Die nackte Wahrheit Kafka likewise follows upon Nietzsche and Freud, although it would surely be mere speculation to look for further significance here. Nonetheless, despite his longstanding and rather critical occupation with Nietzsche and Freud, Blumenberg clearly incorporated and continued many aspects of their thought.
Blumenberg’s aesthetic conception of reality, his attention for rhetoric, myth and metaphor and his truth-sceptic attitude can all be directly linked to Nietzsche. Just as rhetoric gains importance when the conviction of “the one clear and whole truth” (Blumenberg 2001b, 350) is given up, so too does myth return to view when this ideal of truth is abandoned. And here Blumenberg, already in his earlier work, shows himself to be an heir of Nietzsche. As Blumenberg writes in his first text on myth, “Nietzsche’s affinity to myth begins with the rule of truth becoming problematic to him. The poets lie – this saying comes back into favor” (Blumenberg 2001b, 352). Blumenberg’s name can be perfectly interchanged with Nietzsche’s here. The shift towards the aesthetic, and the revaluation of the ancient Platonic reproach of the poets implied in this reference, is a central concern underlying all of Blumenberg’s aesthetic texts from the 1960s, as assembled by Anselm Haverkamp in his Ästhetische und metaphorologische Schriften. Moreover, Blumenberg‘s two important texts on rhetoric and myth from 1971 both start from the truth-sceptic premise he shares with Nietzsche and which spans his work from the very beginning to this posthumous publication of Die Nackte Wahrheit. And this last publication is probably inconceivable without Nietzsche’s “On Truth and Lies in a Nonmoral Sense”. Indeed, Blumenberg’s general endeavor is essentially summed up in one of Nietzsche’s most famous sentences: “Truths are illusions which we have forgotten are illusions — they are metaphors that have become worn out and have been drained of sensuous force, coins which have lost their embossing and are now considered as metal and no longer as coins”.
Blumenberg’s approach of die vakante Stelle and his descriptions of Umbesetzung, elaborated in his Die Legitimität der Neuzeit, can be read as a direct translation of Nietzsche’s worn-out coins and his dictum of the “Death of God”. Herewith, Blumenberg translates Nietzsche’s nihilism into a general philosophical endeavor of Entselbstverständlichung, a process marking “the great epochal revolutions of historical life” (Blumenberg 2017, 54). This endeavor, according to Blumenberg, eventually is “the basic process of philosophical thinking: for how could the inherent task of philosophical work be characterized more fittingly than as the persistent opposition of matter-of-factness with which our daily life and thought is interspersed, yes, substantiated into their very cores – much more than we could ever suspect?” (Blumenberg 2017, 54).
Furthermore, Blumenberg’s later, more literary and anecdotal style evokes Nietzsche’s claim that it is possible to present the image of a person with only three anecdotes, just as it should be possible to reduce philosophical systems to three anecdotes. When, for example, it comes to Blumenberg’s highly ironical and critical pieces on Heidegger in Die Verführbarkeit des Philosophen, he not only takes up Nietzsche’s challenge but even seems to have added something to it: the challenge becomes not only to render an image of the person and a summary of his philosophical thought, but also to get even with him in the same move.
Rüdiger Zill has wittily but quite perceptively characterized the sort of relation Blumenberg has with Freud: “Just like family members you sometimes hate and sometimes love, who from time to time grate on your nerves but who also occasionally inspire, yet always, however, still belong in the family, authors as well can be ranked among the intellectual family formation” (Zill 2014, 148). Zill’s assessment on this matter is clear: Freud undoubtedly belongs to Blumenberg’s intellectual family. However, the more he reads Freud, the more critical Blumenberg becomes, without Freud ever losing his force of fascination (Zill 2014, 128). Ironically, when Blumenberg received the Sigmund Freud Prize for Academic Prose in 1980, he did not refer to Freud in his acceptance speech. He mentioned Socrates, Diogenes, Kierkegaard and Nietzsche as exemplar thinkers who should be admired because they did not allow their thinking to be hindered by any safeguarding method.
There is, however, quite some common ground between Freud and Blumenberg which might be easily overwritten by Blumenberg’s recent critical works on Freud from the archives. When Blumenberg ascribes rationality to aspects of thought, such as metaphor and rhetoric, that have been banished to irrationality by the tradition of philosophy there is a general similarity to Freud’s Traumdeutung and his overall endeavor of psychoanalysis. Indeed, there are at least two specific and critically important points of contact between them: Freud’s idea of sublimation and detours.
In his text on rhetoric, Blumenberg refers to Freud’s analysis of the funeral repast: “Freud saw in the commemorative funeral feast the sons’ agreement to put an end to the killing of the tribal father” (Blumenberg 1987a, 440). It is the Freudian principle of sublimation that is evoked here and Blumenberg is explicit about the importance of this matter: “If history teaches anything at all, it is this, that without this capacity to use substitutes for actions not much would be left of mankind” (loc. cit.). Herewith an important crux of Blumenberg’s thought is laid bare: “The human relation to reality is indirect, circumstantial, delayed, selective, and above all ‘metaphorical’” (Ibid., 439). This means that metaphor is not a deficit of rational thought, as it has been understood by Descartes or British empiricism (NW 110-1); nor is it even an aid of theory or merely a way of thinking in its own right; rather, it is a way of coping with reality. This “metaphoric detour by which we look away from the object in question, at another one” (Blumenberg 1987a, 439) immediately ties to the second important overlap between Freud’s and Blumenberg’s work: if Blumenberg acknowledges sublimation as the human capacity to have culture, and if sublimation – the possibility of taking a metaphoric detour – lies at the heart of this capacity, then Blumenberg’s concept of culture should be one of detours.
Blumenberg, in his 1971 text on myth, refers to Freud’s notion of Umwege. In his “Jenseits des Lustprinzips”, Freud classed the drives of self-preservation under the general concept of “detours to death”. As Freud states, “If we can accept it as an experience without exception, that all the living dies because of internal reasons, that it returns to the inorganic, then we can only say: the purpose of all life is death” (Freud 1940, 44). Everything working against this destruction and everything delaying “the achievement of the purpose of death” (Ibid., 45) becomes a “detour to death”. In this Freudian scheme, life itself is “a still more difficult and risky detour” (Blumenberg 1985, 90) and Blumenberg recognizes in these “detours to death”, this “final return home to the original state” (Ibid., 91), the same mythic circle underlying the Oedipus myth, the Odyssey and even Nietzsche’s thought of “the eternal return of the same” (loc. cit.). On the one hand, Blumenberg critically reveals the total myth (Totalmythos) of the circle underlying Freud’s thought; on the other hand, Blumenberg incorporates this notion of detour in his work as a life-spending mechanism opposing omnipotence. As he writes, for example, in his 1971 text on myth, “Essentially, omnipotence refuses somebody to tell a story about its bearer. Topographically represented, stories are always detours” (Blumenberg 2001b, 372).
Die Sorge geht über den Fluss, published in 1987, includes a short chapter titled Umwege, in which Blumenberg again stresses the importance of the possibility of taking detours: “It is only if we are able to take detours that we are able to exist. […I]t is the many detours that give culture its function of humanizing life. [… The] shortest route is barbarism” (Blumenberg 1987b, 137-8). In these descriptions of culture as Umwege, some of its psychoanalytical origin still sounds through: it is by means of culture, by the possibility of taking detours, that we can avoid our own self-destruction. As Blumenberg puts it, “Not to choose the shortest path is already the basic pattern of sublimation” (Blumenberg 1985, 93). Or as Freud states in the penultimate sentence of his letter to Einstein: “whatever makes for cultural development is working also against war” (Freud 1950, 27).
This is the very basis of Blumenberg’s thought. Whether it is his approach to rhetoric and its power of delay, whether it is the apotropaic function of myth and the dynamic of storytelling vis-à-vis the absolutism of reality – man’s metaphoric way of dealing with the world – whether it is Blumenberg’s own elaborate and meandering writing style or his anecdotal and narrative philosophy as an effort to ironically undermine the authority of certain thinkers, whether it is the construction of his archive and the delayed publication of his own works or this metaphoric study of the naked truth aimed against the “Absolutism of Truth” (Blumenberg 2001b, 350), all of it falls under this “basic pattern of sublimation”, this decision “not to choose the shortest path”. In this specific sense and despite his highly critical piece on Freud in Die nackte Wahrheit, Blumenberg’s thinking remains Freudian at its very core.
As Blumenberg had noted in his Paradigmen zu einer Metaphorologie, “The metaphor of ‘the naked truth’ belongs to the pride of enlightened reason and its claim to power” (Blumenberg 1960, 54). Hence, it is clear that Die Nackte Wahrheit should be understood as a critique of this enlightened self-consciousness. And yet Blumenberg did not abandon the project of rationality entirely, despite paying profound attention to non-standard philosophical topics such as metaphor and myth. “Myth itself is a piece of high-carat ‘work of logos’”, he points out in Work on Myth (Blumenberg 1985, 12) and Blumenberg himself employs this power of reason to trace the metaphor of the naked truth in thinkers such as Kant, Rousseau and Fontenelle. Herewith, a last characteristic of Blumenberg returns in Die Nackte Wahrheit: the correspondence of form and content. In Work on Myth, for example, Blumenberg offers a theory of how myth is a process of variation and, as he develops the theory, he himself engages in the same process of selection and rewriting. In his fragmentary book Die Verführbarkeit des Philosophen, in which Blumenberg exposes thinkers such as Heidegger, Freud and Wittgenstein and shows how they seduce their audience with rhetorical tools and attractive imagery; he himself tries to persuade his readers by rhetorically and wittingly affirming his own superiority of thought. The same applies for Die Nackte Wahrheit, where Blumenberg discusses the traces, consequences and changes of the metaphor of the naked truth, as he himself undresses other thinkers. As he emphasizes, the use of metaphor often indicates the “embarrassment of its theoretical situation” (NW 127). In other words, he seeks for the weak spots of thinkers such as Freud and Pascal in order to unmask them. If metaphor is indeed at work in the “front court of concept formation” (Blumenberg, 2001a), then Blumenberg clearly seeks to expose his interlocutors in their changing rooms. At the same time, he precisely questions these implications of thinking about truth in such terms of covering and uncovering. Certainly, Blumenberg does not claim that his disclosures touch upon “the naked truth” or a final word about these writers, yet nonetheless he somehow contributes to this enlightened topos of “tearing down the mask” (NW 134). He still partakes in what Kołakowski calls this “sadistic game” of “intellectual curiosity”, even as he precisely lays bare its rules and tools and does away with the purpose the game has pursued for ages. However, one asks after reading Blumenberg’s book, what use does this vocabulary preserve when the “reality” revealed under this mask is yet another mask, no more or no less reality than the one just dispelled. To make a final appeal to Kołakowski: Blumenberg involves us in a philosophical striptease, in which he exposes, “from a superior (clothed) position”, “another’s shame (nakedness)” (Kołakowski 2004, 235). Only it has become uncertain what happens with a philosophic tradition of revealing when the possibility of truth disappears, nakedness itself becomes yet more costume and the feeling of shame is revaluated. No purpose, no revelations, only detours and descriptions (Umschreibungen). Nonetheless, Blumenberg certainly exemplifies like no other that whenever philosophy thinks there will be a moment that Lady Truth will rise from her well and create clarity, philosophy, just like science, is once more deceived “by a pipe dream […] which its scholars pursue without ever achieving it” (NW 77).
Hans Blumenberg, Die Nackte Wahrheit, Hrsg. von Rüdiger Zill (Berlin: Suhrkamp Verlag, 2019).
–, Rigorism of Truth. “Moses the Egyptian” and Other Writings on Freud and Arendt, ed. by Ahlrich Meyer and transl. by Joe Paul Kroll (New York: Cornell University Press, 2018).
–, Schriften zur Literatur: 1945-1958, Hrsg. von Alexander Schmitz und Bernd Stiegler (Berlin: Suhrkamp Verlag, 2017).
–, “Licht als Metapher der Wahrheit. Im Vorfeld der philosophischen Begriffsbildung” in Ästhetische und metaphorologische Schriften, Hrsg. von Anselm Haverkamp (Frankfurt am Main: Suhrkamp Verlag, 2001a), 139–171.
–, “Wirklichkeitsbegriff und Wirkungspotential des Mythos“ in Ästhetische und metaphorologische Schriften, Hrsg. von Anselm Haverkamp (Frankfurt am Main: Suhrkamp Verlag, 2001b), 327–405.
–, “An Anthropological Approach on the Contemporary Significance of Rhetoric”, in After Philosophy: End or Transformation?, ed. by Kenneth Baynes, James Bohman and Thomas McCarthy (Cambridge: MIT Press, 1987a), 429–458.
–, Die Sorge geht über den Fluss (Frankfurt am Main: Suhrkamp Verlag, 1987b).
–, Work on Myth, transl. by Robert M. Wallace (Cambridge: The MIT Press, 1985).
–, “Paradigmen zu einer Metaphorologie,” Archiv für Begriffsgeschichte 6 (1960): 7–142.
Sigmund Freud, “Warum Krieg?”, in: Sigmund Freud, Gesammelte Werke. Band XVI, Hrsg. von Anna Freud e.a. (Frankfurt am Main: S. Fischer Verlag, 1950), 11–27.
–, “Jenseits des Lustprinzips” in Gesammelte Werke. Band XIII, Hrsg. von Anna Freud e.a. (Frankfurt am Main: S. Fischer Verlag, 1940), 3–69.
Leszek Kołakowski, “The Epistemology of Striptease,” in The Two Eyes of Spinoza & Other Essays on Philosophers (South Bend: St. Augustine’s Press, 2004), 222–238.
Rüdiger Zill, “Zwischen Affinität und Kritik. Hans Blumenberg liest Sigmund Freud” in Blumenberg Beobachtet, Hrsg. von Cornelius Borck (München: Karl Alber Freiburg, 2014), 126-148.
Despite facing almost immediate criticism from Hegel, Kant’s view of normativity has greatly influenced contemporary value theory. This volume is the fruit of a 2017 conference at Vrije Universiteit Amsterdam by the same name that sought to bring the two conflicting accounts into dialogue (1). There are three general points worth making before addressing the articles themselves.
First, the articles in this volume use diverse sigla. Some articles, such as Christian Hoffman’s, refer to the Elements of the Philosophy of Right as PR and other articles, such as Jiří Chotaš’s, refer to it as RpH (9, 164). The Phenomenology of Spirit similarly receives the sigla PhG from Arthur Kok, Christian Schmidt, and Alberto L. Siani whereas Martin Bunte and Tereza Matějčková inter alia use PS (47, 147, 244, 62, 199). Similar article by article variation occurs with Kant’s Critique of Pure Reason with Martin Bunte using CPR but Paul Cobben using KdrV (66, 27). While each article is internally consistent, this and rehearsal of the same parts of Hegel make the book feels more like a collection than a whole. For consistency’s sake, I will use PR, PhG, CPR, along with EPS for Encyclopedia of the Philosophical System and Religion for Kant’s Religion within the Bounds of Reason Alone consistently in this review.
Second, different authors took different approaches to the use of German. Some authors use the German directly for the major parts of PR: Abstrakt Recht, Moralität, and Sittlichkeit; others translate them as Abstract Right, Morality, and, Ethical Life (Battistoni at 121, 124; Chotaš at 164). I will consistently use the English throughout. For terms such as Bildung where the translation choices are substantive, this is more understandable. Hoffman glosses it as “education” and then uses “education” after that (4,12). Krijnen supplies the possible translation “education of the understanding and applicable skills” but generally sticks to Bildung (115-117). Siani does the same (250). Chotaš and Zabel call it development (171, 181). These differences between articles will not impede specialists but make it challenging to read the work as a united whole.
Third, the title of the volume suggests proponents of both Kant and Hegel, but true to its origin at a conference from a network called “Hegel’s Relevance,” most authors are more sympathetic to Hegel than to Kant (1). Some contributions write as if Hegel’s critiques of Kant were definitive and Hegel’s positions decisive. Having more full-throated defenses of Kantian’s normativity and more engagement between the two as competing contemporary interpretations would have strengthened the volume. Nevertheless, the volume contributes importantly to our understanding of ethics and social philosophy in Hegel and German Idealism.
- Being at Home with Oneself in the Whole—Hegel’s Philosophy of Freedom as Actuality, Christian Hoffman
Christian Hoffman’s article provides an excellent introduction to the relation between Bildung and holism in Hegel and how this differentiates him from Kant. Hoffman traces Hegel’s attempt to accomplish monistically and holistically what Kant tried to achieve dualistically for reason and freedom. (9-10, 13). Hoffman identifies Bildung “education” in PhG, as both breaking the natural harmony and building “a new and more differentiated form of the whole” (12). Hoffman also highlights the senses in which Hegel’s unity is active rather than a static thing (14).
Turning to the system in the EPS and the PR, Hoffman first emphasizes how this holistic process is not just knowing but self-knowing (14-17). Hoffman joins to this sense in which Hegel’s holistic account refers to a common realm of shared freedom (19-22). Finally, Hoffman notes the relation between the Hegelian holism and its Aristotelian ancestry (inter alia 22-23). Hoffman addresses Kant’s idea of normativity as a dualistic account Hegel incorporates insights from but then supersedes.
- Hegel’s Radicalization of Kant’s Copernican Turn: the Internal Unity of the Natural and the Moral Law, Paul Cobben
Paul Cobben’s article progresses from problematic Humean impressions to dualistic Kantian intuitions to Hegel’s monistic resolution. First, Cobben develops how Kant’s intuitions solve the Humean predicament where impressions are both external and mind. Kant solves this problem in his apparatus of manifolds, imagination, and categories, which makes impressions mental and things-in-themselves external (27). Through this, Kant equates propositional and material truth when material truth is mediated by the Kantian apparatus (27-31). Cobben, following Gadamer, reads PhG’s first chapter as tracing out the Kantian account but rejecting its account of material truth (31-33). Cobben remarks that Hegel has demonstrated “The apperception of the Perception cannot justify how the manifold of intuitions can be connected into an objective material truth” (34). Unfortunately, the arguments substantiating this claim and the claims about Hegel’s “first truth of the understanding” and “second truth of the understanding” were truncated and hard to follow (34-35).
Cobben believes that understanding requires attending to the subject as conscious (36). Cobben sees PhG’s account of desire’s inability to achieve unity with its object, because it continues to want precisely what it is not as culminating in the realization that the perceived world that individual consciousness finds itself in is not merely its own but rather a shared world (38-39). Cobben joins to this an interpretation of the lord/bondsman dialectic which understands it as involving the death of individual consciousness and its sublimation into institutional consciousness (40-42). Cobben’s final claim is that Kant’s solution fails and that Hegel develops an account that culminates in the resolution of the lord/bondsman dialectic (43). Most of the second half seemed like it would benefit from more engagement with contemporary defenses of understanding along Kantian lines and other interpretations of the lord/bondsman dialectics.
- The Religion of the God-Man: Hegel’s Account of Revealed Religion in the Phenomenology of Spirit, Arthur Kok
Arthur Kok’s article is a welcome addition to the discussion of Hegel’s concept of God and its relation to Kant’s religion. Kok’s article also looks at Kant’s dualism and Hegel’s attempt to overcome it in PhG, insofar as Kant’s moral philosophy required a religion with a God as the projected lawgiver of reason to realize the good (46-47). Kok identifies this argument in PhG both specifically and within Spirit’s dialectical search for an adequate relation between freedom and moral duty (47-48). This activity culminates in the realization that the source of moral value in religion is Spirit moving in the community (49). Here, more interaction with Kant’s Religion could have explained why Kok believes Kant’s account of the rational community as the arbiter of moral value is inadequate.
Kok also locates a similar dynamic in Hegel’s account of revealed religion, i.e. Christianity, situating it as the dialectical outcome of an unhappy consciousness where freedom sees the inadequacy of an external law (50-53). This leads to the incarnation as the simultaneous “activity of the Self that results in the appearance of the Self without the Self becoming something other than itself” and thus resolves this tension in religion by (1) being “both distinct and non-distinct from those who identify him as the God-man,” (2) representing “the self-realization of spirit,” and (3) establishing “the presence of the divine in this world” to overcome suffering (55). Kok then articulates this as Hegel’s answer to the problem of evil where human activity can free itself from evil (56). Joined to the resurrection (and ascension), Hegel makes community that remembers the God-man the true reconciliation of spirit in ethics (57).
- The Reality of Value as a Problem of Kantian Ethics, Martin Bunte
Martin Bunte’s article looks at Hegel’s formalism objection against Kant’s ethics from PhG 257 (A.V. Miller pagination) and the problem of testing but not giving laws (62). Bunte believes Kant’s ethics suffers from a tautology because the a priori nature of Kant’s ethics interacts with the autonomy of the will to produce moral laws that are “conceivable only under the reservation of the heteronomy of what is willed” (63). Bunte explains his version of the objection in a single sentence: “If freedom as spontaneity or autonomy is to be the essential reason for the determination of will, then it must be able to refer to rules or laws from the position of legislator” (64).
Bunte argues that a successful Kantian defense against this objection must also achieve a unity for practical reason like the one for theoretical reason (65). Since the two domains are both domains of reason, Bunte notes that they must both find their origins in the spontaneity of the will as the “unconditioned condition” (65). Bunte illustrates this with the categories of the understanding in the realm of theoretical reason (66). Bunte analogizes that Kantian practical reason must be premised on the idea that the moral self gives itself its rules (66). Bunte here distinguishes the analogical cases by arguing that reason’s theoretical use refers to the laws of nature but that its practical use must refer to laws of freedom, which means laws that it must give itself (67). While Bunte largely thinks that Hegel’s critique rings true, he believes Kant succeeds in answering one part of Hegel’s objection: the moral imperative is something the self commands to itself as a demand of reason and that he develops such an account in Religion (70).
Bunte believes both that the formalism objection applies to Kant and succeeds convinced the formalism objection succeeds. There is a large amount of literature on this that finds things murkier: there is disagreement as to both what the objection is, to whether it misses the mark, and to whether Kantians have resources to resist or overcome it (See for instance Hoy 1989, Freyenhagen 2012, and Stern 2012).
- Foundations of Normativity, Max Gottschlich
Unlike many articles in this volume, Max Gottschlich’s article focused on identifying which logic is best for normativity: “formal logic” which he identifies with pre-Kantian order of being thinking (74-75), “transcendental logic” which he identifies with Kant (75-81), or “dialectical logic” which he identifies with Hegel (81-86). Gottschlich dismisses formal logic as often used but not useful for considering normativity, because it cannot capture the paradox of determiner and determined.
Transcendental logic, in contrast, focuses on the paradox of determiner and determined and identifies the limits of what can be said and is naturally reflexive (76). In Kant, this accomplishes “self-fulfilling self-relation” (77, emphasis in original). Through this, Gottschlich states that transcendental logic identifies the role of values and norms in “settings” (77). Gottschlich mentions in passing that he thinks the formalism objection is wrong (in opposition to several articles in this volume), that Kant and Hegel agree that value must begin in reason, and that Hegel’s true objection is to the absolute form, rather than developmental growth, that births duties (80).
Gottschlich sees dialectical logic’s acceptance of contradiction as its genius (82). In a clearer formulation, the point is that “the self only maintains itself by losing itself” – in other words when it recognizes its mediation as dynamic act rather than absolute (84). Gottschlich then turns to how norms are produced in the Hegelian account (86). While Kant and Hegel both make goal-setting a sign of rationality, Gottschlich sees Hegel’s version as more advanced because it abstracts from the abstracting in the execution of a “concrete universal” (86-87). Gottschlich next looks at poiesis (production) where Kant’s form is too abstract to derive anything but an abstract universal (90). Only in Hegel, he maintains, can we find subjectivity (a subjectivity beyond the self) as the goal (91). At many points, Hegel’s critiques seemed to be accepted uncritically and would have benefited from more interaction with defenses of the Kantian approaches.
- Hegel über die logischen Grundlagen der Sittlichkeit, Klaus Vieweg
Klaus Vieweg’s article was the singular contribution in German to this volume. Vieweg highlights the important role of civil society in PR often overlooked since it is only one step before right’s ultimate form in the state. After rehearsing PR’s Morality as a critique of Kant and a demonstration of its self-inadequacy (95-96), Vieweg focuses on Ethical Life as “eines logisch fundierten Systems der allgemeinen Willensbestimmungen konzipiert, als das Objektive der Freiheit” (97). In this domain, it is not the objective that dominates like a yoke but reason as a cozier hearth that determines things based on both objective and subjective will (97-98).
Vieweg focuses on the role of civil society and how it helps us understand modern society. Viewing identifies civil society as setting living a good life as the goal in a domain where consciousness has been brought under the concept (98-99). This is true freedom insofar as thinking has itself as its end. While Vieweg notes the work of Dieter Henrich on Hegel’s Lecture on the State as Three Ends, he argues that civil society’s importance has not been sufficiently mined in PR (99). Vieweg sees reflection and necessity as the distinctive marks of civil society that separate it from the family’s role as the natural end of humanity and the state’s self-substantial unity (100). Vieweg argues that this logic occurs in triadic form throughout these three forms of Ethical Life but in different sequences (101).
For Vieweg, what unifies all of the forms Ethical Life is that they all will the concept not only subjectively but in recognition of its objectivity (103; PR §142A). In this way, they are self-developing ends. They advance over the freedom of persons in abstract right, the freedom of moral subjects in Morality, and become the freedom of ethical subjects (103). Through this, they find themselves unified in a moral community (103).
- How is Practical Philosophy Speculatively Possible?, Christian Krijnen
Christian Krijnen’s article identifies both Kant and Hegel as contributors to a complete account of normativity. Krijnen argues that post-Kantian attempts in German Idealism to better ground the unity of practical and theoretical reason all lead to the centrality of freedom and the construction of value-laden reality (106-107). Krijnen believes the Kantian approach succumbs to a formalism objection that Hegel avoids this by understanding “self-formation as self-knowledge in the fashion of a self-realization of the concept” (107). At the same time, Krijnen argues that Hegel’s solution eviscerates practical philosophy by thematizing it as the “speculative doctrine of the idea” rather than engage it practically (108). Thus, Krijnen holds that Hegel does achieve a unity in the form of free Spirit but that this unity sublates practical philosophy and demeans it as an inadequate form of knowledge (109).
Returning to Kant’s architectonic, Hegel is not describing what “ought to be” in practical philosophy (110). In Kant’s picture, the free will needs to realize the rational object of its freedom, which it experiences as an ought (111). In contrast, Hegel’s Ethical Life focuses on the actuality of freedom rather than an ought: “The point for Hegel here is that we only have concrete, not mere abstract duties only in the realm of Sittlichkeit” (112).
Krijnen’s positive task is to establish a speculative practical philosophy despite Hegel’s failure to provide one (112). He begins by noting that Kant makes moral agents the originators of their actions (through the bifurcation of the world into the deterministic theoretical realm and the free practical realm), and this for Hegel is only true in the realm of subjective Spirit – not objective Spirit (112-113). Krijnen notes that abstract oughts operate as givens for Hegel and thus remain inadequate, which makes them inadequate for the living good that Hegel demands of the sphere of action (113-114).
Krijnen thinks an answer can be found in Bildung in the family and civil society (114-115). Krijnen then differentiates his view from those of Vieweg and Cobben. Krijnen thinks that Vieweg is wrong to think Hegel does not need a “canon of duties,” because Hegel does not abandon Morality’s truth but brings into Ethical Life (116). For Cobben, Krijnen notes the degree to which both treat Bildung but argues that the solutions Cobben notes are problems of integrating practical philosophy into Hegel rather than irremediable deficits in Hegel’s philosophy (117).
- The Normative Function of the Right of Objectivity in Hegel’s Theory of Imputation, Giulia Battistoni
Giulia Battistoni presents a deeply technical argument about imputation in the Morality section of PR. Battistoni first maintains that Hegel’s critique of Kant identified with PR §135 shows Kant unable to “derive particular and concrete duties from the determination of duty as formal correspondence with itself” and requires evaluating both the “consequences of actions” and “the social context” (121). While Ethical Life merges objective and subjective concerns of right, Battistoni sees Morality as the locus where imputation attributes subjective right to a moral subject (121-122). In Morality, the moral subject experiences the good as an ought, which interestingly creates the problem of making this “both the true good and a mere opinion” where actions are good if they are born of good intention (123).
To understand imputation in this context, Battistoni draws a parallel with Hegel’s two notions of nature (128). First nature is externality which can take the form of a natural world which stands in opposition to the subject as a determination separate from will (124). Second nature is the habituation and internalization of the social order of right (127). Battistoni locates the lower sense in Abstract Right and the higher sense in Morality, especially PR §119A’s claim that external deeds are categorized as we impute motives to the moral subjects involved (132).
- Freedom from Kant to Hegel, Christian Schmidt
Christian Schmidt’s article differs from many of the other critiques in defending Hegel against a contemporary critique. Schmidt tests whether Louis Althusser’s critique of German Idealism applies to Hegel and through this differentiates Kant and Hegel on freedom. Schmidt looks at why Althusser calls Hegel an empiricist by highlighting how Hegel mines the real by dividing the empirical and the essence of things to get to their essences (142). As Schmidt points out, this largely echoes Hegel’s critique of Kant where the empirical becomes merely material fodder for the categories to peel off (142). In contrast, Hegel sees understanding as a synthesis of sensuous manifold and mental activity (143). While knowing this, Althusser still things Hegel is guilty of the same bifurcation.
Schmidt spends the rest of the article looking specifically at freedom in Kant and Hegel as “a property of rational beings and moral (or political, or social) agents that is not detachable” and the critique of this analysis in Foucault and Althusser (144-145). Schmidt first explains how reason and understanding are the self-activity of subjects that separate them from animals (145). Despite the receptive components of understanding, Kant believes moral agents are free (146). Schmidt characterizes Kant’s account as “highly abstract … purified from all social and political meaning” (146). On this basis, Schmidt believes Althusser stands justified in his critique of Kant (147).
Hegel’s subject, like Kant’s, is a break in the causal chain (147-148). At the same time, Hegelian freedom is the restriction of “dull-witted emotions and raw impulses” (LPWH 103-104) that only finds itself in the state (148). In Hegel, freedom is a byproduct of people pursuing desire since this constructs and restructures the rules of society (148-149). This merges with spontaneity insofar as individuals collide with the established order (151). Thus, Hegel presents a unified idea of freedom where freedom is “the concretization of spontaneity” (152). For this reason, Schmidt rejects Althusser’s critique of Hegel.
- Justification of the State: Kant and Hegel, Jiří Chotaš
Jiří Chotaš contrasts Kant and Hegel’s justifications of the state. Chotaš reads Kant as like Hobbes building the state from a state of nature where people “are at each other’s mercy” who produce by nature a civil union with a “general united will” that expresses itself in the ruler, the judge, and most importantly the legislator which cooperate for the benefit of the citizens (158-161).
While Hegel shared Kant’s idea that “freedom creates human substance,” Hegel also examined how it was realized, Hegel believed Kant erred by basing this union on “an arbitrary will of individuals” who sought to establish it for property and contracts (164). In contrast, Hegel believed the State was the natural home of people and argued for this in PR, his “scientific proof of the concept of the state” (164).
Chotaš summarizes the stages of Ethical Life. First, Chotaš looks at family, focusing on how marriage links non-related people around love and common interest rather than as Kant supposed contract (166). Second, civil society arises through the division of labor (167). To this, Hegel joins the Polizei who secure “external order” in matters as diverse as public health and bridge-building (168). Chotaš identifies these attributes as giving civil society the status of being “‘an external state’ as well as ‘a state of necessity’ (PR §183)” (168). Here, corporations protect their members like an extended family and provide “the second ethical root of the state” (169). Third and finally, the state itself functions as the culmination of the ethical ideal actualizing itself in customs (169) and replicating the family as “a human community with its own spirit and will” but through “political virtue” rather than feeling (169-170). The state also takes on attributes of civil society, by transforming people’s ends and unifying them as a whole (170).
Chotaš then distinguishes Hegel’s state from Kant’s. He begins by noting that for Hegel, peoples and their constitutions are mirrors (171). He notes that both believe constitutional change should happen through constitutional procedures (171). He notes that Hegel also has three powers but they differ: “the legislative power, the executive power, and the princely power or monarchy” (171). For Hegel, the most important of these is the sovereign (PR §273, 279R) but remains under the constitution (171-172). Chotaš also describes the Hegelian legislature: upper house of landed gentry by birth and lower house by election (172). Chotaš’s article could have demonstrated further differences by addressing Kant’s Religion and contemporary defenses of Kant’s state.
- Hegel’s Republican Penal Philosophy: an Attempt at a Contemporary Reconstruction, Benno Zabel
Benno Zabel focuses on the republican nature of Hegel’s penal philosophy, situating it in an account of PR (182-183). Zabel identifies crime in Hegel as “(performative) self-contradiction” (184). Zabel explains using PR §95 that in crime, a criminal violates freedom (184-185). This must be met with cancellation (185). As Zabel points out, Hegel believes crime only applies to actions (185). Zabel identifies three practical functions in Hegel’s conception of punishment: “the dimension of the (formal) recognition of status, the dimension of the institutionalized procedure and the dimension of social communication” (186). Recognition of status begins with the “effective power of sanctions” (186). This also brings to the fore the standing of the victim as a member of a moral community (186). Crime, for Hegel, is resistance to “the common normative basis” and must be met so that crime does not appear as valid (187).
Turning to institutionalized procedure, Zabel contends that Hegel sees punishment as part and parcel of a legal procedure (187). Thus, it simultaneously refers to the separation of powers (187). In other words, the counter-coercion of punishment must occur on “a universally recognized basis” in accepted criminal law (188). As Zabel notes, for Hegel, contra Foucault, these procedures are precisely the prevention of despotism (188). Textually, Zabel supports this from the “administration of justice” (189).
Finally, Zabel points out how punishment communicates for Hegel (191). Zabel explains that “punishment can be considered only as retaliation (Wiedervergeltung), that is, as (symbolic) restoration of the order of freedom” (191). Zabel notes that Hegel is not limited to mere retribution, however, and can help in “the general prevention of crime and betterment of the individual” as punishment becomes “a visible part of society” (191). In this way, punishment communicates. Zabel disagrees with Cooper’s Abstract Right only reading (1971) and other interpretations that isolate punishment from the larger context of Hegel’s PR. Zabel thus argues for a punishment plus account of Hegel’s penal philosophy in line with Brooks (2012) and Komasinski (2018) and others.
- History as the Progress in the (Un)Consciousness of Freedom?, Tereza Matějčková
Matějčková’s article contrasts the destructive Enlightenment that felled governments and challenged religions with a Hegelian concept of freedom where freedom invigorates institutions (196-197). Kant occupies a middle where the limits of knowledge lead to “respect and toleration of others” (198). Hegel extends this by making actions reflexive and incorporating a social reality in the “I that is We and We that is I” (199 quoting PhG 110). On this reading, normativity becomes an internal feature of freedom such that Absolute Spirit’s achievement is to recognize that “that its own thinking has been conditioned by a plurality of other spirits or subjects” (200). This particular characterization of absolute Spirit could have been expanded and defended textually.
Matějčková uses PhG’s lengthy phrenology critique to highlight how this involves a re-appropriation of the physical contra dualistic approaches that deny the skull-bone any part in Spirit. For Hegel, in contrast, it is a part but just one part and highlights the Hegelian idea that the inner is the outer and the outer the inner (203-205).
For Hegel, all of the upheavals of history are part of “the progress of the consciousness of freedom” (206). In the realm of history, this amounts to a recognition that nature by itself has no history, because nature is not for itself (207). Only by the addition of human freedom and spontaneity can something new arise (207). In Hegel’s history, world-historical people function precisely by using freedom to overturn existing structure (208). In the process, they appeal to the people (209). Joined to its dynamism is the terminus of history (210). This end is one where freedom is being achieved through equal checks and balances in the institutions (210). Matějčková maintains that contra Popper, Hegel’s philosophical system develops institutions that enable people to have personal freedoms (211). This article covers a lot of ground and makes interesting arguments that would be clearer if they were set in contrast to others writing on similar topics in Hegel such as Adrian Peperzak’s Modern Freedom (2001).
- Is There Any Philosophy of History?, Jean-François Kervégan
Kervégan contrasts philosophy of history in Kant and Hegel against the backdrop of the arguments between enlightenment and anti-enlightenment thought (219-220). Kervégan first notes Voltaire’s coining of the term in 1765 and its audacity for mixing two heretofore distinct areas of knowledge as a history of human spirit (217-218).
Kervégan believes Kant lacks a proper philosophy of history, because the Kant texts generally categorized do not deal with a “system of rational knowledge via concepts” (220). Kervégan suggests that Kant’s historical works even when they present a “history of freedom” are still just histories rather than a proper philosophy of history, because philosophy proper is metaphysics in nature and freedom and “historical considerations do not belong to it” (226).
Conversely, Kervégan identifies the history of philosophy as central to Hegel’s philosophy (226). Given Hegel’s dialectical philosophy, Spirit is always working towards an adequate understanding of itself including its history (227). Philosophy thinks in the present and thinks the rational as actual and the actual as rational (228). This has the consequence of making history present to itself. In other words, the object of Hegel’s philosophy of Spirit is history, and Spirit is also the one doing the study (229).
- “Freedom in the European Sense”: Hegel on Action, Heroes, and Europe’s Philosophical Groundwork, Alberto L. Siani
Siani argues that Hegel and Europe are intertwined terms with Hegel’s insight being that institutions should mirror the freedom of people (235-236). Siani quotes Hegel’s linkage of Europe and freedom: “It is especially this subjective or moral freedom that is called freedom in the European sense” in the Morality section of the encyclopedia (EPS, §503R, 224) (236).
Siani explicates this through PR’s Morality section emphasizing Hegel’s critique which Siani articulate as follows: “morality has to state the difference between subject and object in order to affirm the freedom of the former, but if this difference is absolutized, subjective freedom can never bridge the gap to objectivity, and hence becomes utterly ineffective and empty” (241). This is, of course, overcome for Hegel in Ethical Life in which subjective freedom bridges the gap. Classically, the individual is free qua an identity rather than an abstraction (243). Modern freedom requires that tragedy intervene and make this freedom open (243). Siani then provides an extended consideration of Antigone and the role of heroes in the transformation of freedom (243-248).
As this is the third chapter in this volume to articulate a version of Hegel’s critique of Morality, it would help to understand how the different interpretations contrast with each other and differentiate themselves from common interpretations and defenses against the objection from Kantian scholars.
Brooks, Thom. 2012. “Hegel and the Unified Theory of Punishment.” In Hegel’s Philosophy of Right, edited by Thom Brooks, 103–23. Oxford: Wiley-Blackwell.
Cooper, David E. 1971. “Hegel’s Theory of Punishment.” In Hegel’s Political Philosophy: Problems and Perspectives, edited by Z.A. Pelczynski, 151–67. London: Cambridge University Press.
Freyenhagen, Fabian. 2012. “The Empty Formalism Objection Revisited: §135R and Recent Kantian Responses.” In Hegel’s Philosophy of Right, by Thom Brooks, 43–72. Oxford: Wiley-Blackwell.
Hoy, David Couzens. 1989. “Hegel’s Critique of Kantian Morality.” History of Philosophy Quarterly 6 (2): 207–32.
Komasinski, Andrew. 2018. “Hegel’s Complete Views on Crime and Punishment.” Journal of the American Philosophical Association 4 (4): 525–44. https://doi.org/10.1017/apa.2018.35.
Peperzak, Adriaan Theodoor. 2001. Modern Freedom: Hegel’s Legal, Moral, and Political Philosophy. Studies in German Idealism, v. 1. Dordrecht ; Boston: Kluwer Academic Publishers.
Stern, Robert. 2012. “On Hegel’s Critique of Kant’s Ethics: Beyond the Empty Formalism Objection.” In Hegel’s Philosophy of Right, edited by Thom Brooks, 73–99. Oxford: Wiley-Blackwell.