“Who am I, Jacques Derrida?” In the attempt to address this apparently naïve question in the collection of essays entitled The Animal That Therefore I Am, Derrida sketches a suggestive “intellectual autobiography” (144). He tells us that he invented a series of figures―mark, grammē, trace, and différance―that allow for a differential account of all living beings, of all sorts of relationships between the living and the dead. It is to this story, Derrida goes on, that one should retrace his early project of grammatology―the project of replacing the notions of word (parole), sign, and signifier, with the aforementioned figures (see Of Grammatology, 1967). Since then, he had re-elaborated the oppositional account of life, based on the humanist conception of language, into the differential account made possible by the analogical code of grammē. For Derrida, the humanist and oppositional account of life hinges on an axiomatic demarcation. On the one hand, we have animal autorelation (the animal ability to move, feel and affect itself with traces of itself, which is traditionally opposed to inorganic inertia); on the other hand, we have human self-reference or autodeicticity (one’s power to refer to oneself in a deictic way, that is, by saying “this is me,” 131-2). The logical matrix of Derrida’s argument for a critical re-elaboration of the humanist account of life consists in calling into question this axiomatic demarcation of animal autoaffection and human self-reference. Building on his early work (above all, Voice and Phenomenon, 1967), Derrida rethinks autorelation as the minimal condition of life, including human life, and thus self-reference as an effect of autorelation, with all that this implies―to begin with, the departure from phenomenology as a thinking of the self-referent living present.
By subscribing to this autobiographical sketch, we welcome the publication of Derrida’s 1975-76 seminar La vie la mort (Life-death) as it unfolds another stage in Derrida’s development of his grammatological and differential account of life and adds another figure in the series, that of life-death. This seminar engages in a re-elaboration of the problematics of biologism, the biographical, and the relation between philosophy and the life sciences, by taking as its guiding thread Nietzsche’s thought of life-death. In their introductory note, the editors recall that Derrida taught this seminar at the École Normale Supérieure, between fall 1975 and spring 1976, as a preparation to the exams of agrégation, whose programme was “La vie et la mort.” As the editors remark, in §1 Derrida offers a long explanation of the modification that he made on the institutional title of the seminar (without the conjunction “et”). Furthermore, the editors point out that some parts of the seminars were revised later to be presented in conferences and/or published in books (§2, §§8 and part of 9 and §§11-14; 13-14). Strikingly, Derrida neither presented nor published the part of the seminar dedicated to the biology of his time, namely, genetics (§1 and §§4-6). On my reading, this circumstance remains unexplained and cannot be justified by the hypothesis that, in the seminar, Derrida subscribes to an untimely or anachronistic scientific position―whether compromised by genetics or prefiguring its epigenetic overcoming. Indeed, as I will suggest, he offers an informed account of contemporary biological debates. In §7, Derrida provides us with two indexes concerning how this seminar may be read. The first index is the theoretical presupposition of a historical unity from which he selected the texts examined in the seminar. Derrida identifies this unity as the field that extends from Nietzsche’s and Freud’s discourses to the biology of his time. Besides the scientific achievements that, since Nietzsche, have transformed the knowledge of life profoundly, Derrida argues, this field is informed by the account of life as a semiotic remark (183). The second index gives a clearer and more reassuring picture of the way the seminar develops from session to session. Derrida explains that it unfolds as a three-stage movement. Each stage describes a ring which would consist of a point of departure (and articulation, in the case of rings 2 and 3), corresponding to Nietzsche’s life-death, and a topic (modern biology, Heidegger’s Nietzsche, and Freud’s Beyond the Pleasure Principle). In what follows, I put these instructions to the test through a selective reading of the analyses that Derrida develops in each session.
§1 plays an introductory and parergonal role with respect to the aforementioned three-ring movement. It justifies Derrida’s intervention on the title of the programme of agrégation (la vie et la mort) and discusses the concept of programme. Derrida begins by explaining that he substitutes the hyphen (or spacing) for the original conjunction in order to call into question the logic according to which the relationship between life and death had been thought. He traces this logic back to Hegelian dialectics, which he proposes reading as a powerful thinking of life and death. The conjunction between these two terms presupposes the concepts of position, double position and opposition, which constitute the motor schemes of Hegelian dialectics. To test his hypothesis, Derrida refers his students to the syllogism of life from the last section of The Science of Logic that he summarizes as the movement in which life reappropriates itself as the life of spirit through natural death. In his subsequent remarks, Derrida makes it explicit that, by intervening on the institutional title, he does not aim to counter the logic of position undergirding the conjunction of life and death with another logic, but he points to another “topics” in which the concepts of position and presence would be an “effect of life-death” (24-25). In his lexicon (see the elaboration of presence as an effect of différance in the essay “Differance,” 1968), here Derrida suggests rethinking what had been thought as life and death from within the system of life-death that he develops in the seminar. Ultimately, Derrida recalls that his discrete and yet violent intervention on the title of the programme of agrégation consists in a political gesture, that of rewriting an inherited programme. It is motivated by his uneasiness in following the programme and by the strategical decision of countering the institution of agrégation from within. Finally, through this rewriting, he reverts the subject of the programme into the object of his deconstructive re-elaboration.
From this point on, §1 engages in an exploration of the value of programme by analyzing how it is constructed by Nobel Prize molecular biologist Francois Jacob in his masterwork The Logic of Life (La logique du vivant, 1971). The session thus anticipates the topic of ring 1. Derrida points out that, in the introduction to the aforementioned book (entitled “The Programme”), Jacob describes biological heredity by means of a metaphorical code (information, message, and programme)―a “semiotic” and “grammatical” code (30)―which is shared by cultural and educational discourses and whose unity is secured by the concept of reproduction as a life condition for both living beings and institutions. In the subsequent analyses, Derrida demonstrates that Jacob fails to account for this code and metaphoricity, which he designates as more “fundamental” (30), and relapses into a concept of code and metaphoricity that is marked by a philosophy of life. In particular, Derrida draws attention to Jacob’s analogical account of the two turning points of evolution―the beginning of life and that of language―as the emergence of two mechanisms of memory, biological and cerebral memory. Jacob offers two different versions of this analogical account. In the first version, he distinguishes the two memories according to their degree of rigidity/plasticity, which explains the ability of cerebral memory to transmit acquired characteristics. In relation to this version, Derrida observes that this analogical account is made possible by the fact that, according to the biological discourse of his day, genetic memory operates like a language. In other words, the code of Jacob’s description of genetic programme is the same as the code employed by modern discourses (informed by psychoanalysis, linguistics and Marxism) to describe institutional and educational programmes. According to this metaphorical code, subjects are “effects” and not authors of programmes, which ultimately hinge on the relations among forces aiming to make their reproduction prevail (37). Derrida refers to Jacob’s description of reproduction not as a copy but as a variation within a strictly normed code, in order to highlight the metaphorical code of modern biological and cultural discourses. Finally, according to Derrida, the implications of this analogy are that: (a) Jacob describes the difference between the two memories as a quantitative difference rather than an opposition; (b) the removal of the biological/cultural (and thus animal/human) divide grounded on humanist ideologies liberates an analogical and differential account of life. In the second version of his history of evolution, Jacob distinguishes the two memories in the light of their relationship to the environment. According to Jacob, the genetic programme only admits contingent, that is, non-deliberate (or non-conscious, as Derrida puts it) changes. In this case, the opposition between genetic and cerebral-cultural programmes rests on the opposition between contingent and deliberate changes. However, by building on modern discourses once again, Derrida remarks that the causality of change in cerebral and institutional programmes has the same style as the one that Jacob wishes to restrict to genetic programmes. Derrida thus subscribes to the achievements of the structural sciences of his time (see, for instance, Jean Piaget’s Biology and Knowledge, 1967), which provide an analogical account of biological and cultural programmes as non-deliberate processes of general restructuration before a violent intrusion. Finally, Jacob’s conception of deliberate change in cultural programmes hinges on an ideological and metaphysical opposition grounded on the presuppositions of consciousness, freedom and meaning. For this reason, Derrida argues that Jacob neutralizes the stakes implicit in the grammatical code of modern biological discourse by drawing on a still humanist and logocentric conception of that code (“a philosophy of life,” 41).
Ring 1 begins with §2, which is devoted to life-death as it undergirds Nietzsche’s new treatment of signature. Derrida points out that, today―within the historical field under scrutiny―the problematics of the biographical have undergone a re-evaluation. Both immanent and empirico-genetic readings of philosophical discourse fail to account for the biographical as the dynamic border between work and life, system and subject. Take the extreme case of the living subject of bio-logical discourse, which is evidently engaged in its field, and thus of the ensemble of ideological, philosophical and political forces that are at stake in the signature of this subject and constitute “the inscription of the biographical in the biological” (50). According to Derrida, Nietzsche discloses this new historical field by treating philosophy and life, the life sciences and philosophy of life, with/in its name―that is, by putting his signature into play, or making his work into “an immense bio-graphical paraph” (50). Derrida thus proposes a reading of Nietzsche that does not fall back into an abstraction of the biographical. To this end, he turns to the self-presentation that Nietzsche performs in the preface to Ecce Homo. In particular, Derrida focuses on two statements from this preface: (a) I live on the credit that I give myself; (b) the fact that I live is perhaps a prejudgment. I shall try to summarize Derrida’s elaboration. The premise of (a) is life-death: the living name-bearer is dead as it signs (as it says “I live” or “this is me”). Therefore, what returns―the name, and not the living name-bearer―is always the name of the other. It follows that I sign (I say “I live”) under this contract that I engage with “myself,” which is made possible by the return of the name. Finally, (b) holds as this contract can be honored only because the living name-bearer is dead, and thus by living name-bearers to come. On my reading, here Derrida develops the kind of nonhumanist conception of self-reference evoked at the beginning of my review. He thinks self-reference as an effect of the minimal condition of life, namely, autoaffection (or autoregulation―as he seems to suggest in §1). Overall, Derrida argues that one can read the biographical inscription only from the contract mentioned by Nietzsche and thus only as “allo- or thanato-biographical” (61). At this point, Derrida puts his new reading protocol to the test by examining Nietzsche’s youthful work On the Future of Our Educational Institutions. He focuses on Nietzsche’s call in this text for a guide (Führer) that would rescue German spirit from its enemies. Derrida distances himself from naïve conclusions (“Nietzsche was Nazi” versus “Nietzsche did not mean that”) and, in a radical fashion, asks how Nietzsche’s message or programme could give place to the Nazi institution. Building on his new protocol of the biographical, he argues that a perverting simplification such as the Nazi reproduction of Nietzsche’s programme constitutes a possibility implicit in the structure of Nietzsche’s text, which keeps returning and offering itself to new readings and reproductions. Derrida thus demonstrates that readings―to begin with, his ongoing reproduction of the programme of agrégation―are never merely hermeneutical (as they grasp the meaning of a text): they are a “political intervention in the political rewriting of a text” (72).
In §3, Derrida makes a new transition to modern biological discourse. He takes as his point of departure the problematics of the cut/sharing (coupure/partage) between metaphor and concept. After developing a few remarks on Nietzsche, Derrida returns to Georges Canguilhem’s 1966 article “The Concept and Life,” which he had already mentioned in §1 as the example of a discourse unable to account for the analogical and semiotic code of modern biology. Derrida engages in a close reading of the theory of metaphor underpinning Canguilhem’s analyses of biologist Claude Bernard. In particular, he focuses on the dance figures that these analyses describe in the attempt to develop a relationship between the metaphor and the concept that would hold together teleological continuity and epistemological cut. Derrida ends his session by calling for a general re-interpretation of that relation. This re-interpretation would start by replacing the idea of a metaphor that anticipates a concept without anticipating it with that of an active interpretation at stake between different metaphorico-conceptual systems. In §4, Derrida reverts his focus on the text of modern biology, of which Jacob’s Logic of Life would be the representative or spokesman (111). Prior to starting another close reading of Jacob’s text, Derrida draws attention to the most evident trait of the modern biological text, the textualization of the biological referent. Modern biology writes a text on an object that has itself the structure of a text. For example, Jacob explains that the essential structure of life, reproduction, works as a text (the molecule of nucleic acid, or DNA, which he identifies as the latest great discovery in the history of the life sciences). Derrida identifies this mutation in the field of biology as the emergence of scientific modernity. The consequences of this mutation, discussed further in §6, would not be naïve as we do not speak about a science that relies on documents and archives (such as philosophy and so forth), but about the life sciences, whose object (namely, life) is presupposed by all the other sciences. Among these consequences, Derrida focuses on the fact that the model one is supposed to take from culture is already a product of life and thus that: (a) the text is the minimal structure of the living (as the object of biology) as well as of biology (as a product of life); (b) the sciences and logic of the living are no longer a regional discourse in the field of knowledge. These propositions seem to sketch a new conception of biologism that resonates with the nonhumanist and grammatological account of life evoked above. At this point, Derrida announces the task of revealing the machine that governs Jacob’s text secretly. He aims to draw out the implications of modern biology that a certain philosophy of life neutralizes. He thus traces two conceptual threads across Jacob’s text: the thread of reproduction (to which he dedicates the remaining part of §4 and §5) and that of the model (§6). Derrida begins by remarking that, starting from the title of his work (logic of the living and not of life), Jacob wants to distance himself from life as a metaphysical essence hidden behind biological phenomena and thus from vitalism. However, Derrida points out, Jacob keeps referring to the essence of the living, which he determines as the living’s capacity of self-reproduction (in line with the most metaphysical―that is, Hegelian―determination of the essence of life). Furthermore, Jacob identifies the accomplishment of this capacity as the project (the end or sense, as Derrida puts it) of genetic programme, thus subscribing to a perhaps nonhumanist and yet still teleological conception of the living.
In the remaining pages of §4 and in §5, Derrida analyses the logic of the supplement that intervenes in Jacob’s account of sexuality and death in relation to reproduction. Derrida sheds light on the law that regulates Jacob’s model of living self-reproduction, a law that the biologist does not take into consideration and yet that calls for a review of Jacob’s model. In §4, Derrida discusses the role that Jacob allows to sexuality in his model of bacterial self-reproduction. For Jacob, the sexualization of living reproduction consists in the recombination of different genetic programmes or materials. Therefore, bacterial reproduction is said to be asexual since it unfolds as the bacterium’s division into two. However, Jacob acknowledges that this process admits mutations―errors in the translation or transcription of programmes―as well as transfers of a supplement of genetic materials from the environment (for example, by means of a virus). Thus, Derrida wonders if one cannot interpret these possibilities of recombination as terms analogous to what Jacob designates as sexuality and, consequently, if the opposition between sexual and a-sexual reproduction undergirding Jacob’s model of bacterial reproduction is not called into question. Finally, Derrida demonstrates that, whereas Jacob conceives of sexuality as a supplement to the history of genetic programmes and thus to his essential determination of life as self-reproduction, the possibility of sexuality is inscribed in that history and determination. He thus argues for, at least, another model of living reproduction. In §5, Derrida reveals the logic of the supplement at work in Jacob’s treatment of death. He explains that, for Jacob, within the limits of asexual reproduction, bacteria do not die. They experience a contingent death insofar as they dissolve by dividing into two or by extinguishing their reproductive capacity. In this case, Jacob argues that their contingent death depends on the milieu, in which the bacteria would live eternally if it were possible to renew it regularly. Like sexuality, therefore, death plays as a supplement in the chain of asexual reproduction: it comes from outside, by accident, to inscribe itself as an internal law of living reproduction; it is an internal supplement. Through this logic, Derrida shows that the oppositions undergirding Jacob’s text (inside/outside, organism/milieu, life/death, and so forth) fail to account for reproduction as they give place to contradictory statements that make them tremble. Jacob’s philosophical effort to protect a purified model of reproduction as merely asexual self-reproduction (or “self-reproductive self-affection,” 129) is problematic. Therefore, Derrida concludes that, if there is a certain quantity of bacteria that reproduce themselves asexually, there are also mutations due to the milieu, as well as recombination of genetic materials, which intervene in reproduction and call for another model and another logic of life.
§6 is devoted to the problem of the relation between the text and the model. In the first part of this session, Derrida builds on two propositions from Jacob’s book, which he proposes to read together, to elaborate his conception of general textuality. The two propositions in question are: (a) “the genetic message can be translated only from the products of its own proper translation”; (b) “since Gödel, we know that a logical system is not sufficient for its own description” (155). Derrida suggests that these propositions share a paradoxical necessity, which, as I will show, consists in the structural law of a general semiotic system or code: a system that describes itself―that is described by one of its elements―can neither comprehend itself nor be comprehended. To develop his suggestion, Derrida engages in a vertiginous analysis of Francis Ponge’s line: Par le mot par commence donc ce texte. He explains that this text accounts for what can always happen when the first event―the event that is described, translated, or reproduced―is a text. Therefore, the two propositions describe the structure or syntax of a general semiotic system or code, which is governed by structural or syntactical articulations that do not aim at a referent external to the system but at elements of the system itself. For Derrida, here one understands why the concept of the text has imposed itself in the life sciences: as it accounts for the general or self-referential code described above. Ultimately, notions such as information, communication and message should be thought as intratextual to the extent that they work like a text: a message only generates a message. However, Derrida goes on, this generality or self-referentiality is, by definition, neither autistic nor tautological. If a text can be translated only by the product of its translation, it is general precisely as it cannot close upon itself (as “alterity is irreducible” 159). At this point, Derrida wonders if the situation described here is not also that of the text of modern biology (“bio-genetics,” 159), which writes on a text, the living, of which it is the product. Thus, in proposition (a), Jacob also writes about his own text, as he is one of the translators of the genetic message as well as a product of the message’s translation. Finally, the activity of the life sciences consists in the textual product of the text that it translates. Derrida observes that here one can find the very condition of scientificity: scientific understanding and deciphering are intratextual; they are inscribed within the aforementioned self-referential and general text. It follows that the text can no longer be considered a model to the extent that textuality is coextensive to the living. Rather, the recourse to the notion of text testifies to an underpinning transformation in the statute of knowledge: knowledge has become a text on a text, as its object is a text and no longer the “meta-textual real” (161). In the remaining part of §6, Derrida draws attention to the problem of the circulation of the model that takes place in Jacob’s text as he resorts to the intratextual notion of information as a model. He shows that the value of the informational or cybernetic model is called into question when each of the regions considered (organism, society and machine) plays in turn as the model of the others and thus as model of the model. Apropos of the cybernetic model, Derrida also highlights the surreptitious reduction that is at work in Jacob’s elaboration of this model. Jacob wishes to abstract the exchange of information from the exchange of matter/energy that is attached to it―which is called entropy and involves an activity of selection and a play of forces―and thus to dissociate the semiotic element from the energetic and agonistic element. Like at the end of §1, here Derrida argues for an energetic and agonistic conception of cybernetic and semiotic code. This conception provides a protocol for the critique of mechanicism that Derrida had developed throughout his work. See, for example, his early reading of Freud’s agonistic rewriting of the naturalist explanation of memory in Project for a Scientific Psychology (“Freud and the Scene of Writing,” 1966) and his late proposal of a cybernetic and semiotic re-elaboration of the Cartesian mechanicism that undergirds humanist narratives of life (The Animal That Therefore I Am).
§7 functions as the point of articulation between ring 1 and ring 2. Derrida suggests that the implications of ring 1 lead us back to Nietzsche’s life-death. For example, the statement that the values of truth, knowledge and objectivity are effects of life-death should be read as a Nietzschean-type statement. Derrida thus engages in the reading of Nietzsche’s treatment of the relationship between truth and life in his Philosophenbuch. This reading provides the point of departure for the subsequent analysis of Heidegger’s interpretation of Nietzsche’s supposed biologism (ring 2). The analysis begins in §8 with the exploration of Heidegger’s treatment of Nietzsche’s signature and biography, which, on Derrida’s hypothesis, undergirds Heidegger’s interpretation of the problematics of biologism. Derrida starts by wondering to what extent a certain decision made on the subject of Nietzsche’s signature and biography undergirds Heidegger’s reading of the unity and unicity of Nietzsche’s thought and, more generally, of metaphysics, at whose limits Heidegger places that thought. Derrida summarizes Heidegger’s argument as follows: Nietzsche’s thought is one and unique, and this neither hinges on Nietzsche’s proper name nor on his life but on the unity and unicity of metaphysics that finds there its limits. In the remainder of §8, this argument is put to the test through a selective reading of texts from Heidegger’s Nietzsche devoted to the problematic of the biographical. First, Derrida focuses on the opening line of Heidegger’s 1961 preface to his Nietzsche, which reads: “‘Nietzsche’ – der Name des Denkers steht als Titel für die Sache seines Denkens” (206). Also in the light of what follows in Heidegger’s preface, Derrida suggests that Heidegger unfolds a conventional conception of the philosopher’s proper name and biography by suggesting that the name put between quotation marks―the signature (the inscription of the biographical)―must be read from the thought and thus becomes inessential. Here Derrida sees the turning point between two diverging paths: the first path, which is explored in §2, would unfold a certain re-evaluation of the biographical; the second path, undertaken by Heidegger, would consist in the classical and metaphysical gesture of determining the essentiality of the name from thought. Derrida explores the effects of Heidegger’s decision on the biographical by taking into consideration the chapters “The Book, The Will to Power” (1.1) and “Nietzsche as the Thinker of the Consummation of Metaphysics” (3.1; hereafter I refer to David Farrell Krell’s English edition of Nietzsche). Through the examination of these chapters, Derrida highlights, on the one hand, the relevance of the fact that Heidegger questions himself concerning “Who is Nietzsche?” But, on the other hand, Derrida shows Heidegger’s ambivalent elaboration of this question. Heidegger would dissociate in a conventional way Nietzsche’s thought from a conventional conception of biography and, more specifically, from the psycho-biographism of his day (culminating in the edition in progress of Nietzsche’s complete works), with a view to securing the unity and unicity of this thought in relation to metaphysics. In the subsequent sessions, Derrida addresses Heidegger’s treatment of biologism.
In §9, Derrida focuses on the moment where Heidegger’s interpretation of the thought of the eternal return intersects with the problematics of life and biologism. He draws attention to chapters 2.11 and 2.12 in Heidegger’s Nietzsche (entitled “The Four Notes Dated August 1881” and “Summary Presentation of the Thought: Being as a Whole as Life and Force; the World as Chaos”). In 2.11, Heidegger examines Nietzsche’s 1881 notes on the doctrine of the eternal return. Derrida lingers on Heidegger’s remarks on Nietzsche’s first project in order to highlight the kind of suspension that would regulate Heidegger’s interpretative machine―a suspension between some statements that acknowledge the singularity of Nietzsche’s thought and others that interpret the latter as a metaphysical position with regards to being as a whole. In 2.12, Heidegger develops his synoptic reading of the eternal return into ten points. Prior to commenting on these points, Derrida focuses on the moment where Heidegger raises a question concerning Nietzsche’s recourse to scientific discourses. May this recourse serve as a standard of measure for interpreting “the thought of thoughts” (240) in Nietzsche’s philosophy, Heidegger wonders. Here Derrida finds the index that Heidegger’s subsequent interpretation hinges on his own interpretation of the relationship between science and philosophy. In the remainder of §9, Derrida paraphrases Heidegger’s synoptic examination up to points 8 and 9, devoted to Nietzsche’s remarks on time and chaos, where, he suggests, Heidegger’s interpretation becomes more active. Derrida’s close reading aims to highlight Heidegger’s operations that would fail to account for the force of Nietzsche’s text.
In §10, Derrida draws on Heidegger’s chapters dedicated to the thought of the will to power, in order to discuss the latter’s interpretation of this thought and of the accusation of biologism addressed to Nietzsche. Derrida begins by recalling that Heidegger introduces the thought of the will to power as Nietzsche’s only and unique thought (which includes the thought of the eternal return) and that, for Heidegger, only by referring to this thought one can develop an authentic interrogation of Nietzsche. The subsequent analyses aim to uncover the interpretative scheme that undergirds Heidegger’s criticism of Nietzsche’s supposed biologism. Derrida finds Heidegger’s first stage of this critique in Nietzsche 3.3 (“The Will to Power as a Principle of New Evaluation”). He summarizes Heidegger’s argument as follows. Nietzsche does not think of life (and being as a whole) through the discourses prevailing in the life sciences of his time (vitalism and Darwinism), but from the very condition of life, namely, the value, which allows for life-enhancement. It remains to explore what makes possible the essence of life as life-enhancement, its principle or ground. This principle is, for Heidegger, will to power: thus, for Heidegger, Nietzsche determines (the essence of) life as will to power. Through this determination, he name “Nietzsche” is detached from the living being and comes to name the fatality of Western metaphysics (of its consummation). As Derrida rephrases Heidegger’s thought, “thinking this pseudonymy is the only condition to hear [entrendre] Nietzsche’s proper name” (254). At this point, Derrida engages in an active interpretation of Nietzsche 3.5 and 3.6. (“The Essence of Truth (Correctness) as ‘Estimation of Value’” and “Nietzsche’s Alleged Biologism”), in order to catch the moment and place of Heidegger’s interpretative decision and the schema underpinning this decision. First, by drawing on 3.5, he emphasizes that, for Heidegger, Nietzsche’s reversal of truth consists in a secondary modification within a traditional, metaphysical determination of truth (as adequation), which Nietzsche does not interrogate. At the same time, Derrida expresses his perplexity before the rhetoric through which Heidegger wishes to draw together singularity and tradition in Nietzsche’s thought and thus to place it in relation to metaphysics (see the passage where Heidegger explains that Nietzsche is in harmony with tradition and only for this reason can he distinguish himself; 262). Secondly, Derrida traces in 3.6 Heidegger’s elaboration of the scheme underpinning his rebuttal of Nietzsche’s biologism. Prior to commenting on Heidegger’s text, Derrida offers a long formalization of this scheme, which he identifies as the metaphysical scheme par excellence, the presupposition of the regionality of sciences and thus of the fact that the essentiality of the determined types of being that sciences are dealing with is neither established nor grounded by them. Derrida explains that, according to this scheme, sciences, which are regional and thus apply to a determined region of being or object, do not have access to the meaning or essence of this region, or, in other words, they do not think of it. They presuppose that philosophy thinks of that meaning and essence (for example, the essence of life) and thus distributes and assigns them to regional sciences. Therefore, a scientist can interrogate the meaning of her specialized field only as a philosopher. Derrida counters this scheme as applicable to the reading of Nietzsche. On my view, this counterargument undergirds Derrida’s thought of life-death and, more precisely, his interpretation of “Nietzsche” as the name of a new historical determination of biologism and the biographical. Derrida argues that, when Nietzsche says that being is an effect of life and thus no longer being as a whole, nor the general form circulating through its multiple regions by distributing tasks and unifying knowledge, he calls into question that very scheme of the regionality of sciences and develops the thought of life-death and of life as a semiotic remark. Thus, interpreting what Nietzsche says either as biologism (thinking the whole being from a regional instance) or as a metaphysical determination of the essence of life (what Heidegger does in order to save Nietzsche from his supposed biologism) would mean in both cases subscribing to a deconstructed scheme. Within this framework, Derrida also remarks that the paradox and interest of Heidegger’s operation is that he deconstructs the metaphysics supporting the scheme of regionality at the same time as he submits Nietzsche to this scheme (for whose deconstruction he should be credited instead). In other words, Heidegger would save Nietzsche from biologism by bringing Nietzsche and himself back into the scheme that underpins the conception of that biologism. To test his hypothesis, Derrida recalls the paragraph from 3.6 ending as follows: “he grounds this apparently merely biological worldview metaphysically” (269). Heidegger would protest, Derrida observes, against a reading that interprets his text as affirming the regulation of the frontiers of sciences under the external jurisdiction of philosophy. And yet, Derrida goes on, the scheme at work in Heidegger’s interpretation of biologism is typically involved in the justification of the most violent hierarchies.
The last four sessions describe ring 3, devoted to the reading of Freud’s Beyond. As we know from §7, Derrida identifies Freud as one of the two representatives of the modern determination of biologism in which we find ourselves. On my reading, the interplay between this ring and the general framework of the seminar―Derrida’s project of life-death―is less explicit. Therefore, I suggest reading Derrida’s later development of these sessions into “Speculating – On ‘Freud’” (published in The Postcard, 1981) as a further elaboration of his interpretation of Freud’s Beyond. Derrida places the Nietzschean point of articulation between ring 3 and ring 2 in the reference to Nietzsche that Freud makes in Ma vie et la psychanalyse. There Freud explains that he had avoided Nietzsche as the latter’s insights surprisingly coincide with the outcomes that psychoanalysis had achieved so painfully. In the opening pages of §11, Derrida identifies the task of this ring as that of bringing to light the relation between the nonpositional structure of Freud’s text (its inability to arrest on a position or thesis) and the logic of life-death. In the subsequent close examination of Freud’s Beyond, Derrida focuses on a set of issues that are relevant to the thought of life-death. In §11, in which he comments on Beyond chapter 1, he highlights the differential and nonpositional logic at work in the relation between pleasure and reality principles. In §12, he lingers on the account of the child’s play that Freud offers in chapter 2. Here, Derrida elaborates a conception of the autobiographical for which, while describing the child’s play, Freud describes the very movement of writing his Beyond. In §§13-14, which explore the remaining chapters of Freud’s Beyond, Derrida sketches his interpretation of the Freudian lexicon of binden and of the drive to power.
Within the limits of this review, I have aimed to offer an overview of Derrida’s La vie la mort, which this edition has finally made accessible to everyone. I built on the structural and theoretical framework proposed by Derrida to develop my analysis of the readings offered in the seminar. I believe that this operation would help do some justice to these readings by tracing them back to the overall project of life-death as a modern interpretation of the biological and the biographical. To conclude, I would like to recall another place in Derrida’s work that would display a latest formulation of this project. We are in a critical moment of Derrida’s conversation with Elisabeth Roudinesco, published as For What Tomorrow… A Dialogue (2001) and devoted to the great questions that mark our age. Roudinesco invites Derrida to address the question of contemporary scientism, which she describes as “the ideology originating in scientific discourse, and linked to the real progress of the sciences, that attempts to reduce human behaviour to experimentally verifiable physiological processes” (47). Finally, she wonders if, “in order to combat the growing influence of this point of view,” one should not “restore the ideal of an almost Sartrean conception of freedom” (47). In his response, Derrida engages in a critical re-elaboration of scientism that resonates with his reading of the problematics of Nietzsche’s supposed biologism. He does not propose to counter scientism by resorting to the humanist and metaphysical conception of freedom, and thus, more generally, to oppositional accounts of life (nature/culture, animal-machine/man, and so forth), which would hinge on the same code that makes the determination of scientism possible. Rather, he unfolds an alternative, neither scientist nor humanist conception of the life sciences, which would account for the semiotic, namely, grammatological, element at work in the living and thus would liberate a differential and nonoppositional history of life.
Derrida, Jacques. 2008. The Animal That Therefore I Am (Follow). Translated by David Wills. Fordham University Press.
Derrida, Jacques, and Elisabeth Roudinesco. 2004. For What Tomorrow . . . A Dialogue. Translated by Jeff Fort. Stanford University Press.
Heidegger, Martin. 1979. Nietzsche: Volume I and II (The Will to Power as Art; The Eternal Recurrence of the Same). Edited by David Farrell Krell. San Francisco: Harper and Row.
Heidegger, Martin. 1987. Nietzsche: Volume III and IV (The Will to Power as Knowledge and as Metaphysics; Nihilism). Edited by David Farrell Krell. San Francisco: Harper and Row.
Brill’s Companion to German Platonism explores how Plato was interpreted and appropriated by some of the leading thinkers of the history of German philosophy, from Nicholas of Cusa to Hans Georg Gadamer. The book includes fifteen chapters, each of them devoted to one author or school, written by outstanding scholars. While most of the contributions deal with the reception of Plato’s epistemology and ontology, some others also—or only—address the long-disputed issue of how to interpret Plato’s philosophy. Since it is not possible to discuss all the topics in this almost four-hundred page volume, the review is limited to discussing how Plato’s most famous and controversial doctrine, the so-called theory of forms, was interpreted by German philosophers. More specifically, I will pay special attention to what we might call—to use the terminology suggested by the editor—the ‘transcendental interpretation’ of Plato’s theory of ideas. In the following lines, I focus on how this reading emerged and was developed by German philosophers in their various ways of endorsing, modifying, or rejecting Plato’s thought.
Alan Kim’s Introduction (chapter 1) provides an overview of the topics discussed by each of the contributors and identifies the two conflicting interpretative models already mentioned: the ‘transcendental’ or ‘functional’ reading of the ideas, on the one hand, and the ‘transcendent’ or ‘substantial’, on the other (2). According to the latter, which is the most common interpretation of Plato, ideas are separated substances that exist in a transcendent sphere of reality. Under this view, the forms are conceived as the true objects of knowledge and the soul is said to gain access to them through intellectual intuition. On the other hand, the former reading does not understand the forms as objects, but rather as ‘transcendental conditions of possible experience’ (3). The transcendental reading thus rejects the realism and dualism associated with the transcendent one and does not consider ideas as objects of intuition, but rather as functions of understanding. Among the figures examined in this volume that ascribe to Plato the substantialist view are Kant, Schleiermacher, Schopenhauer, Nietzsche, and Heidegger. On the other side, the functional interpretation was anticipated to some degree by Nicholas of Cusa, Leibniz, Mendelssohn and Hegel, and explicitly supported and developed by Cohen, Natorp and Husserl.
In the first chapter after the introduction (2), Claudia D’Amico presents a detailed study of the manifold connections between Nicholas of Cusa and Platonism. She also provides a valuable survey of German authors that in one way or another were influenced by Cusanus’ thought. As for the understanding of Platonic forms, Nicholas of Cusa criticizes Plato for conceiving ideas as separated forms, suggesting instead that while forms are real, they do not exist separated from things. Cusanus thinks that real forms are inaccessible to human reason, only capable of forming conjectures.
In chapter 3, Jack Davidson examines how Leibniz incorporates Plato and Platonism into his own philosophical system. Among the most remarkable points of agreement between both philosophers, Davidson points out Leibniz’s rejection of materialism and his conviction that reality ultimately consists of immaterial, intelligible substances, of which sensible things are appearances (53). After indicating other points in which both philosophers converge, the author devotes epigraph 5 to show how Leibniz’s epistemology reshapes some Platonic themes. More precisely, this section focuses on the agreements and disagreements regarding the role and nature of innate ideas. As it is well-known, Leibniz holds that some of the most fundamental concepts are known innately. At the same time, however, he rejects two positions he ascribes to Plato: the pre-existence of the soul and the presupposition that every truth one knows has been explicitly known by the soul before (63). Despite the emphasis that Leibniz puts on his differences with Plato at this point, both philosophers agree on a fundamental level, as Davidson suggests, that sensible experience does not suffice to account for our knowledge of necessary truths. Thus, the human soul must be equipped with a special potential to know them (ibidem).
The next chapter, written by Bruce Rosenstock, studies Moses Mendelssohn’s appropriation and reworking of Plato’s Phaedo within the framework of his ‘Leibnizian Platonism’ (79) in his own Phädon. Rosenstock focuses on the ‘infinitesimal calculus of the soul’ as Mendelssohn applies it in his own version of the dialogue. The application of Leibniz’s infinitesimal calculus leads Mendelssohn to endorse a functionalist view, since he believes that the soul’s process of knowledge works—like that type of calculus—by progressively ‘integrating’ the initially indistinct mass of representations’ (83). Thus, following Leibniz, Mendelssohn understands the soul as an active Platonic idea that brings unity into multiplicity (84). However, as Rosenstock indicates, this is only one side of the story. Under Mendelssohn’s view, the Platonic ideas do not only account for the integrative nature of human knowledge; they are not merely abstract objects of understanding, but also and at the same time ‘the object[s] of the soul’s authentic (philosophic) desire for happiness’ (92). In this sense, the soul’s capacity to unify the multiplicity of appearances through conceptual unities is the ‘expression’ of the soul’s desire for happiness (93). Hence, according to Mendelssohn, the search for knowledge is necessarily entangled with the quest for the good (92).
In chapter 5, Manfred Baum examines Kant’s appropriation of the theory of ideas in both the pre-Critical and the Critical period. It is worth noting, first, that Kant never attributes the two-world doctrine to Plato, even though his primary source, Brucker, does it. The Kantian pre-critical reading of the Platonic idea assimilates it with a ‘common standard of perfection’ for measuring all other less perfect realities (115). In the critical period, Kant’s well-known differentiation between understanding and reason leads him to reshape his reading. Under this new light, Plato’s ideas are interpreted as anticipating to some extent Kant’s concepts of reason, the regulative ideas, in contrast with the concepts of understanding, the categories (123-124). According to Baum, both Kant and Plato agree that ideas do not originate in the senses and that their object is not found in the empirical world (ibidem). However, Kant rejects the alleged hypostatized nature of Platonic forms, that he presumably takes from Bruker’s Neo-Platonic interpretation of Plato (126-127). The result of Kant’s appropriation of Plato’s theory of ideas, then, is twofold (as Kim also puts it in the introduction ): Kant attributes to Plato a substantial or transcendent view of ideas, while at the same time he sees Platonic ideas as the first attempt towards a transcendental consideration of human knowledge.
Hegel’s reading of Plato can be seen, as Jere Surber persuasively presents it in chapter 6, as the first modern philosophical interpretation of the Platonic corpus (133). The most distinctive features of the Hegelian approach to Plato are, first, Hegel’s direct and detailed engagement with the dialogues and, second, his distinctive appropriation of the Platonic ideas. According to Hegel, Plato’s ideas anticipate in a still unsystematic way his own systematic account of genuine Begriffe (concepts) as “concrete universals” (141). Relying on his interpretation of Parmenides, Timaeus, and Republic, Hegel rejects the dualistic, transcendent interpretations of the forms. He suggests instead that the Platonic idea should be understood as an ‘identity-in-difference’, and therefore as a genuine concept in Hegelian terms, that is, one that unifies in itself the formal and material aspect of reality (136). On the other hand, Hegel also dismisses the psychological transcendentalism according to which the ideas are mere constructs (or mere concepts, as opposed to genuine concepts) of the human mind since this view fails to account for the essential connection between the ideas and the sensible things (p.136). Therefore, as Surber points out, Hegel thought of his own philosophy as the articulation of Plato’s ‘in a modern systematic form’ (142).
The following two chapters (7 and 8) are devoted to Schleiermacher’s influential approach both to Plato’s philosophy and its interpretation. In chapter 7, André Laks provides an insightful discussion of Schleiermacher’s both philological and philosophical reading of the Platonic dialogues. Regarding the interpretation of Plato’s ideas, Schleiermacher rejects Aristotle’s criticisms and defends that the forms are real concepts that actually possess causal force and can directly affect both the physical and the moral world, given that they derive from God’s power (155). Chapter 8 is at odds with the rest of the contributions since it does not offer a reconstruction of Schleiermacher’s reading of Plato, but rather presents the author’s (Thomas Szlezák) main reasons for disagreeing with it. While the philological arguments provided by Szlezák are highly illuminating, and many of his objections to Schleiermacher are indeed very persuasive—see, for instance, his detailed analysis of Plato’s critique of writing in the Phaedrus (172-179)—, one cannot but wonder why Schleiermacher’s interpretation is the only one subject to such critical scrutiny. Besides, the main objections of the Tübingen School–to which Szlezák belongs– to Schleiermacher are again developed and argued for in chapter 14 by Vittorio Hösle. In his contribution, Hösle also provides a valuable survey of some of the most representative advocates of the abovementioned school and provides a summary of the main points of Krämer’s pioneering dissertation Arete bei Platon und Aristoteles, still only available in German (337-339).
Robert Wicks’ chapter on Schopenhauer (9) stresses the role of Plato’s account of time in the former’s metaphysical account of human consciousness and reality. More specifically, according to Wick, the Platonic conception of time as ‘the moving image of eternity’ in the Timaeus inspired Schopenhauer’s consideration of the spatio-temporal world as a prison of human consciousness (192 and 215). In his mature philosophy, Schopenhauer regards Plato’s ideas as essentially dependent on the Will, which constitutes the core of reality, the thing-in-itself, which lays beyond any form of representation and time (209). Under this view, ideas are said to play an intermediary role between the thing-in-itself as Will, on the one hand, and the objects of the spatio-temporal world, on the other (210). Therefore, as Wick suggests, Schopenhauer’s reading of ideas within this framework attributes them a twofold nature: as long as they are objects, they ultimately belong to the world of representation and, to this extent, they are high-ranking illusions; however, considered in their relationship to the thing-in-itself, ideas are ‘timeless acts of Will’ (213-214). In this last sense, Plato’s forms are placed behind the veil of the ordinary experience of the world, and thus they are only apprehended by a certain timeless intuition that Schopenhauer identifies with an intense awareness of the present moment (200-201). Philosophy is thus conceived as a form of asceticism whose aim is to reach such timeless, transcendent, and even mystical awareness (215). As Richard Bennett stresses at the beginning of chapter 11, Nietzsche regards this ascetic approach to reality—that he attributes to Plato—as anti-natural, coward, and decadent (249-252). In the second section of his contribution, Bennet proves that Nietzsche’s consideration of Plato goes far beyond this one-sided evaluation and is more multi-faceted and less consistent than usually acknowledged.
The transcendental reading of Plato’s ideas was explicitly defended for the first time by the two leading figures of the Marburg School of Neo-Kantianism: Herman Cohen and Paul Natorp. In chapter 10, Karl-Heinz Lembeck examines both authors’ attempts to mediate between Kant and Plato in their ambitious philosophical-historical interpretations (217). Cohen’s early reading of the forms as psychological categories radically evolved in the mid-1870s into a purely logical-transcendental interpretation of them. Under this new approach, and drawing on Kant’s Critique of Judgement, ideas are now viewed as ‘regulative concepts’ guiding knowledge. Within this picture, the form of the Good is not seen as a real entity, but rather as ‘the function of a unifying synthesis of appearances’ (223-224). Cohen extracts this interpretation from Plato’s alleged identification of ideas as hypothesis, that is, as ‘pre-sub-positions’ which thinking anticipates in order to be able to apprehend reality (228). In other words, ideas are said to be a priori conditions of knowledge.
Unlike Cohen’s, Natorp’s appropriation of Plato is grounded on a deep engagement with the texts. In Platons Ideenlehre (Plato’s Theory of Ideas), Natorp develops his reading of Plato’s theory of ideas as a theory of the constitution of experience (231-232). From this standpoint, Natorp downplays the ontological significance of the ideas, stressing their epistemological relevance as ‘laws’ that govern the dynamisms of knowledge (233). In his late systematic philosophy, Natorp modifies his reading of Plato’s ideas, as he seems to come under the influence of Neo-Platonism. Now, forms are understood as categories and, as such, as secondary functions unable to grasp the ultimate level of reality. Such level corresponds to Plato’s form of Good, which is radically transcendent and, therefore, inaccessible by means of articulated knowledge (237).
In the next chapter (12), Alan Kim explores Husserl’s ‘productive appropriation of Plato into phenomenology’ (273), relying on the fact that Husserl considered himself a phenomenological Platonist. By doing this, Kim provides an original, perceptive reading of the theory of ideas from a phenomenological perspective and, at the same time, a compelling presentation of the Husserlian account of eidetic intuition. In a way akin to Cohen and Natorp, Husserl endorses a transcendental interpretation of Platonic ideas, rejecting the ‘static’ Platonism of separated substantial forms along with its subsequent metaphysical dualism and mystical intuitionism (274). According to Kim, Husserl’s ideas or eidê refer to the object of the apprehension of the what-ness of a given thing. Such eidê, however, differ from the empirical universal concepts derived by abstraction from contingent facts. Eidê also relates to facts, but not because they derive from them, but rather because they constitute the rule of any possible apprehension of them. In order to illustrate the process by means of which consciousness moves from facts to eidê, Kim draws on Plato’s Divided Line and Allegory of the Cave. The first is meant to represent the different psychic states, while the second focuses on the soul’s progression from one to another. Here, eidê are presented as logical structures or essential meanings ‘that had always been co-intended in my aesthetic grasp of the phenomenon as actual thing, but which had been, as it were, eclipsed by the glare of ‘reality’’ (278). The ascension of the soul towards the realm of ideas is thus understood as a progressive detachment and liberation from the blinding glare of sensible appearances of things, so as to be able to perceive the essential features of them. This interpretation explains both the fact that the highest form of knowledge according to Plato, namely, dialectics, is said to deal only with ideas, and also that the knowledge of ideas allows the ex-prisoner in his return to the cave to recognize images as what they really are (280). In the following pages, Kim equates both Husserl’s and Plato’s account of the vision of eidê with the ‘understanding of the F-ness of many f’s’ (281). As the author points out in a footnote, the state of consciousness in which we grasp an eidê is not adequately described as a learning process, that is, as certain acquisition of knowledge, but instead as some sort of perceiving or, even more accurately, re-cognizing (erkennen) (281, n. 70). In this sense, the phenomenological method of purifying the mind from its factual intentions and redirecting it towards the essential turns out to be very similar to Plato’s account of dialectic as a process of remembering (anamnesis) what one already knows in his or her soul (281). Within this framework, Kim forcefully argues that Husserl’s basic idea of a ‘noematic form implicitly governing the coherence of sense experience’ can be paralleled with Plato’s account of the relationship between noêsis and aisthêsis in the passage on the summoners in Republic VII, as well as with the role attributed to sensibility in the recollection argument offered in the Phaedo. Finally, the author points out that the Husserlian reading was deeply influenced by Lotze’s thesis that ideas do not possess existence (Sein), but rather validity (Geltung) (294).
The two remaining chapters are devoted to Heidegger’s confrontation with Plato (chapter 13) and Gadamer’s productive reshaping of the Heideggerian reading (chapter 15). Francisco J. Gonalez begins his chapter on Heidegger’ reading of Plato by focusing on the 1924/25 course on Plato’s Sophist. In these lectures, it becomes apparent a tension that characterizes how Heidegger will read Plato the rest of his life. On the one hand, the Heideggerian approach reveals several points where Plato’s understanding of being comes very close to Heidegger’s fundamental ontology. On the other, the German philosopher insists that Plato interpreted being as presence, that is, as the object of logos, and therefore that Plato’s philosophy is to be seen as the first of a long series of reductions of truth to correspondence (306). As Gonzalez clearly shows in his contribution, this tension will persist until the late Heidegger, although the latter approach will become the ‘official’ reading. The author suggests that one of the most remarkable exceptions to the official reading can be found in the Parmenides seminar of 1930/31. Drawing on both Heidegger’s class notes and Herbert Marcuse’s transcript of this seminar, Gonzalez clearly shows that Heidegger saw Plato’s discussion of exaiphnês (instant) in the Parmenides as a genuinely ontological comprehension of the problem of ‘being and time’ (314-315). We find a similar exception in Heidegger’s interpretation of erôs in the Phaedrus seminar of 1932 (319 ff.). Gadamer’s appropriation of Platonic philosophy, discussed by François Renaud in the final chapter (15), reacts against Heidegger’s official reading. Gadamer claims that ‘Plato is not a Platonist’ and argues that the theory of forms and the method of dialectic are meant to make explicit the conditions of Socrates’ practice of dialogue in the early dialogues (356). According to Renaud, Gadamer seems to think that the forms are objects independent from representation, though he also speaks of them as if they only were transcendental principles (374).
This volume is worth reading for both historical and philosophical reasons. Each of the fifteen chapters provides the reader with valuable insights into the history of German philosophy in line with the most updated research and effectively supports the general thesis of the book that Plato exerted a decisive influence over the most relevant German philosophers (1). On the other hand, anyone interested in the interpretation of Plato’s works will surely find this book an exciting source of inspiration. In particular, as I hope to have shown, it will prove especially helpful for those intrigued by the possibilities of a transcendental reading of Plato’s theory of ideas. Last but not least, this collective work reminds us of both the risks and benefits of a philosophical reading of Plato, that is, one that attempts to identify and rethink the core issues of Platonic philosophy anew.
Felix Duque is arguably the most important living philosopher in the Spanish-speaking world. Remnants of Hegel is the first book translated into English. It is not a mere interpretation of Hegel, but rather a critical study that attempts to drive the aspects of its subject matter toward their ultimate consequences using Hegelian criteria. In other words, if Hegel’s philosophy is a critique of Kant’s critical philosophy, then Duque’s exposition is a critique of Hegelian philosophy. Furthermore, and just as Hegel develops Kantian categories in order to reveal a truth that goes beyond Kant, Duque develops Hegelian concepts in order to deduce a truth that transcends them. Indeed, Duque says that “The Hegelian system, impressive as it is, ultimately reveals itself as a miscarried attempt to reconcile nature and theory, individuality and collective praxis” (Duque, x).
Moreover, I should begin my review by noting that the book is clearly written for readers who are well acquainted with Hegel’s philosophy. In this respect, my review will attempt to overcome this difficulty by limiting itself to a reading that makes it accessible to those who are not conversant with this philosophy.
The book itself contains five chapters:
Chapter I: Substrate and Subject (Hegel in the aftermath of Aristotle). This chapter is concerned with the famous expression made in the preface to the Phenomenology of Spirit: “According to my view of things, which can be justified through the exposition of the system itself, everything depends on apprehending and expressing the true not as [nicht als] substance, but just as much [eben so sehr] as subject” (Duque, 17).
Chapter II: Hegel on the Death of Christ, is a discussion that seeks to analyze the transition from nature to society, or, rather, the transition from a natural human being to a historical being, and to a being having a second nature, which is the political life of man, a transition which is made possible by the understanding of society and politics as a higher level of self-consciousness.
Chapter III: Death Is a Gulp of Water. This chapter is concerned with terror in World History. More specifically, it is a critical exposition of Hegel’s idea of revolution and terror which primarily refers to the French Revolution. The politics of terror, the chapter argues, is the necessary result of trying to implement the revolution without mediations, that is, directly and as an abstract revolution (Duque, 83). Here Duque does not limit himself to an analysis of Hegel and his time, but also deals with its historical reception by the likes of Communism and Stalinism in the twentieth century. Such an idea of terror does much to radically undervalue the value of life and also makes us remember Hanna Arendt’s Banality of Evil. Indeed, terror is, paradoxically, a result of the French Revolution in its historical imagining of Napoleon, namely, the principles of liberty, equality and fraternity as mediated by his political force appearing as the opposite of those values’ true essence.
Chapter IV: Person, Freedom, and Community is an analysis of the last chapter of Hegel’s Science of Logic which is concerned with the notion of the absolute idea. It is an essential problem to understanding the book as a whole since Hegel begins and ends the book by praising this notion rather than explaining or developing it.
Chapter V: The Errancy of Reason. This chapter summarizes the previous chapters and engages in a holistic critical analysis of the topics discussed.
I would now wish to develop some ideas on Hegel inspired by reading Duque’s work and by my own understanding of Hegel’s philosophy.
Hegel’s logic is not normative. Unlike formal logic, which determines how we should think and not how we actually think, Hegel‘s Science of Logic, proceeds in the opposite direction by studying thought as it is as well as its development from the most abstract stage (the thought of pure being without further determinations) to the most concrete, this being the absolute idea as the unit of theoretical and practical thinking. Duque’s interpretation adopts this principle, and unlike the interpretations offered by Alexandre Kojève and many others, asserts that it should be taken literally, that is, by not trying to correct the author in order to understand him! Understanding by correcting makes the original a tabula rasa since it allows the interpreter to introduce any idea as it occurs to her or him to the work in the belief that it is an interpretation, while it is actually a creation of her or his own mind.
Hegel’s Logic is a reflective study of the concept. In Duque’s words, “the entire Logic is nothing but a relentless attempt to furnish a conscious and deliberate reconstruction of fugitive and fleeting linguistic forms and determinations.” (Duque, ix). The terms in his Logic do not have the fixity that they have in formal logic (both classical and modern), but their meaning varies according to the context, and especially according to the level in which the study is developed. Hegel perceives only the term, the word, as fixed, but not the concept or content that is expressed through words.
Hegel’s logic attempts to solve the classic problem of Aristotelian logic, in which “to say what something in the last instance really is, its ultimate logos, amounts to affirming all the affections, properties, and determinations of that thing” (Duque, 4). Hegel, however, is not successful in resolving this difficulty despite believing he is.
Hegel suggests that thought and reality, as well as mind and world, are inseparable in the sense that their meaning undergoes constant change and construction with respect to the conceptual level and context in which it takes place. A concept’s level of abstraction or concreteness thus simultaneously determines the degree of reality to which it refers. Put differently, this reading suggests that the Science of Logic ultimately serves as an ontological proof which not only proves the existence of God but also the existence of every concept subjected to actual thought. In other words, if I really believe in the concept of having a hundred thalers in my pocket, and not merely imagining them, then the hundred thalers become real and become part of my patrimony. I thus either have them in my pocket or, alternately, owe them and am obliged to pay them. This is not the case with Kant, since he merely imagines them, that is to say, recognizes from the very outset that they are not real thalers. This, in turn, is the difference between abstract and concrete concepts.
The process of concretion is clearly explained in the “logic of the judgment” discussion in the third part of Science of Logic, which is nothing but logic from the perspective of the relationship between the two essential components of judgment—subject and predicate. Thus, every judgment announces that the subject is the predicate. More explicitly, the subject of the judgment is the entity whose identity is being subjected to inquiry, and the answer is offered by all the predicates that refer to that subject. Each predicate thus changes the meaning of the subject, and, in reality, amplifies its meaning. In this respect, a subject is enriched by having more predicates attributed to it – as each of the latter forms another subject with other questions. In other words, to think is – formally – to pass from the subject, which functions as what is unknown and in need of becoming known, to the predicate, which functions as what is known and therefore as what bestows knowledge and meaning on the subject. It is thus a relation between a bearer of meaning (the subject) and a meaning (the predicate).
However, this relationship occurs within the frame of another relationship that occurs in the same intentional field. It is the relation (entirely unlike that of subject and predicate) between subject and object. Despite their difference, subject-predicate and subject-object relations cannot be separated but only distinguished. In effect, when the thought passes from the subject to the predicate, it does not consider the predicate (that is to say, it does not think about grammar) but its content, that is, the object or, rather, something that acquires the status of an object. The subject thus objectifies the target of though by means of predication. In the case of philosophy, that is to say, thinking about thinking, thought passes to something else, to what is being thought about, namely the object. And what is an object if not something that stands in front of the subject as a correlative to the subject? Hegel indeed argued that the object possesses nothing more than this relational character. The object is thus what was thought about by the subject. It is the entire universe existing insofar as it is the content of thought. There is no other universe. However, it is not the thought of my individual reflection. It is ultimately a universal reflection, and Hegel goes so far as to maintain that everything is Spirit (“There is nothing at hand that is wholly alien to spirit” (Hegel, Encyclopedia § 377, note, quoted by Duque, 38).
The Spirit is the objectification of subjectivity, the whole universe as thought of, a conceptualized universe, insofar as another does not replace it. But if something else remains, it is the task of thought to appropriate it, that is, as we said, to conceptualize it and thus imbue it with reality. This, in turn, is the secret of the coincidence of logic and metaphysics.
Thus, it turns out that the object is the complete expression of the subject. A strange reflection indeed. Fully aware of being a reflection and its denial at the same time—because it always returns to thinking about the object when it is supposed to be thinking about thinking about the object.
Hegel nonetheless moves backward. He rethinks the thought, concentrating not on content but on the fact of thinking about it. Hegel and his readers believed that they were thinking about Being when they were actually thinking about Essence; they thought they were thinking about Essence, and they were actually thinking about Concept! That is to say, Hegel was not concerned with a question of being but with the concept of being. It was not a question of essence but of the concept of essence, and it was not about concept but about the concept of concept. Hegel and his readers believed that they were thinking about substance when they were actually thinking about themselves—about the subject. Duque is therefore right in saying that all this does not mean we are solely concerned with thinking about substance, but also about the subject. This is because the substance is not even the truth, although it is a reflection, but this is a reflection that lacks reflection, or that does not know that it is a reflection. In other words, we are ultimately concerned with a subject thinking about itself.
The culmination of this backwards-advancing reflection is the Absolute Idea, which also serves as the culmination of subjectivity in the Subjective Logic (the third and last part of the Science of Logic). This must not be forgotten, as must the assertion that Hegel’s thought cannot migrate to another sphere, or does not enter it because Hegel does not need it, although he promises to explain something new, viz. the content of the Absolute Idea. But it is precisely here, at the end of the Science of Logic, that Hegel begins being poetic and stops being philosophical: he offers pure promises without any fulfillment. Such is the end of the great Science of Logic despite its colossality. Duque, in turn, ascribes a great deal of importance to this abrupt end in Hegel’s Logic. When the Absolute Idea is reached, according to Duque, “Everything else [Alles Übrige] is error, obscurity, struggle, caprice, and transience [Vergänglichkeit].” (Hegel, Science of Logic, quoted by Duque, 38). Is it not the case that everything should be included in the Absolute Spirit? Is the whole path unnecessary, as is the case of the ladder for the young Wittgenstein? This would go against the spirit of Hegel’s philosophy no less than his own assertion about error, obscurity, etc.
The Absolute Idea, then, does not fulfill Hegel’s intention. The universal absolute should deduce the individual in her or his singularity from itself because the individual is absolutely relational. It is a being that includes what is not her or him in itself, as well as what is other than itself, as the determinant of what it is. In other words, it is a concrete individuality understandable in its concrete universality. This is especially apparent when we think of the individual as a social being. If we take away all of the individual’s „environment“ and context, namely, every socially shared issue and every general feature including language and clothing it will remain, contrary to what could be expected, an abstract individual: Just as when attempting to isolate the individual in order to understand it in her or his singularity, nothing remains and the very individual disappears. This, in turn, means that individuals are wholly social, that is, totally relational. This does not, however, imply that the individual is not individual, but that this is what it consists of: The more singular the individual, the more dependent she or he is on her or his network of relationships. Thus, the more relationships the individual has, the more individual she or he becomes.
When the individual denies her or his otherness, as in the case of the worker or the slave in Hegel’s Phenomenology of Spirit, she or he not only denies the other but it denies her or himself when alienating her or himself from her or his other because that other is her or his own other, not an abstract, isolated other. Thus, the more she or he is social, the more individual she or he becomes. The more she or he has relations to and dependencies on other individuals, the more she or he is a concrete singularity, a singularity determined by its relationships. This is entirely unlike the Aristotelian relations of genera and species, where the individual is obtained through isolation. The Aristotelian individual is obtained by excluding all difference. In Hegel the opposite is true: the more a thing includes the differentiated as differentiated in itself, the more individual it becomes. History is thus a process of socialization which is – in actual fact – a process of individuation. In Aristotelian logic, intension and extension are opposed: the greater the intension, the smaller the extension; the greater the definition, the smaller the subsumed individual(s). In Hegel, there is no such opposition. The individual is more social the more determined she or he is and the more she or he includes the other. Hegelian logic is not, however, intended as an alternative logic to Aristotelian logic, but rather as the self-consciousness of the Aristotelian logic as well as its inner development and evolution. Formal logic is thus a stage that the spirit must pass through in order to be finally be criticized by consciousness, as it is in the Logic of Essence, the second part of the Science of Logic, which engages in the critique of the “laws” of identity, non-contradiction, and the excluded middle.
I will now turn to the relationships between substance and subject. According to Aristotle, a substance is that which is neither said of a subject nor in a subject, namely, it is not a predicate as predicates are said about a substance (individuals, like this individual man or this statue). However, entities which say what a substance is are “secondary” substances, genera and species, that can be also subjects as well as predicates and are always general and never individual. However, saying what an individual is, has the genera and species as an answer, something that is not individual. The individual man belongs to a species, man, and an animal is a genus of that species. Thus, both man and animal are considered secondary substances. In this respect, Duque rightfully claims that the Aristotelian definition of substance as a negative definition arises from the impossibility of saying what it is without making it into something other than what it is. In other words, predicates will always betray their original intention since they cannot be individuals.
If there is something that is neither said of a subject nor exists in a subject, this is obviously because it is itself the subject, as Aristotle himself concedes: “All the other things are either said of the primary substances as subjects or in them as subjects” (Aristotle, Categories, 2a, 34–35, quoted by Duque, 6). Duque then proceeds to state:
Yet secondary substance does not exist of itself, unless it is given with primary substance. We are evidently confronted with a certain inversion here, with an irresolvable chiasmus: that which is first in the order of being is second in the order of logical discourse, and vice versa.” (Duque, 7)
The substance is for Aristotle the being of the being, and it is the fixed (permanent) side of change, something that does not change as things change. As a being of being it has a double function, meaning that it has two meanings in the sense that it is both the essence of the being and the being of the essence.
As the essence of being, the substance is the determinate being, the nature of the necessary being: the man as a two-legged animal. As the being of the essence it is the two-legged animal as this individual man.
This is a duality that Aristotle did not manage to resolve. When Aristotle says that the substance is expressed in the definition and that only the substance has a true definition, the substance is understood as the essence of the being, as that which reason can understand. But when, on the contrary, he declares that the essence is identical to determinate reality, as beauty exists only in what is beauty, Aristotle understands the substance as the being of the essence, and as a principle that offers necessary existence to the nature of a thing.
As the essence of being, the substance is the form of things and bestows unity on the elements that make up the whole where the whole is a distinct proper nature unlike its component elements. Aristotle refers to the form of material things as a species, and species is, therefore, its substance. As the being of the essence, the substance is the substrate: that about which any other thing is predicated but that cannot be a predicate of anything else. And as the substrate it is matter, a reality without any determination other than a potentiality. As the essence of being, the substance is the concept or logos that has neither generation nor corruption, that does not become but is this or that thing. As the being of essence, the substance is the composition, namely, the unity of concept (or form) with matter—the existing thing. In this sense, the substance comes to being and comes to its end.
As the essence of being, the substance is the principle of intelligibility of the being itself. In this sense, it is the stable and necessary element on which science is founded. According to Aristotle, there is no other science than that which is necessary, whereas the knowledge of what can or cannot be is rather an opinion. Substance is thus, objectively, the being of the essence and the necessary reality, and subjectively the essence of being, as necessary rationality. In short, the distinction Aristotle makes between primary substances (0ρώται οὐσίαι) and secondary substances (δεύτεραι οὐσίαι) consists of understanding the former as physical individuals and the latter as species (τά εἴδεα) and genera (τά γένη) of those individuals (Aristotle, Categories, 2a14).
In Hegel, on the other hand, the substance is the principle from which the individual is deduced. He argues for the primacy of the universal and the primacy of substance over the individual. Unlike with Aristotle, the universal is the principle of individuation, so that the individual has no meaning without the universal. This, in turn, is the basis on which his understanding of truth as substance but also as subject can be understood. Duque contends that “primary substance is entirely subsumed in secondary substance, or in universality. But this universality is indeed concrete since it bears and holds all particularity and all individuality within itself. It is concrete, but it does not yet know that it is.” (Duque, 2018, 24). Namely, it doesn’t know that it is also a subject.
The intentional character of the subject, as it is understood in self-consciousness, means the understanding of the subject as the one that externalizes itself and then internalizes what was rejected, that is, that understands that this is its way of acting. It also means that being is ultimately recognized in reflection as a first instance, that is, as thinking. Substance is itself thinking, though not recognized as such. Ultimately, therefore, subject is a synthesis of self-consciousness and objectivity.
In judgment, when the subject moves toward the predicate, when it is objectified and when, in subsequent reflection, discovers that it returns to itself (since the predicate is predicated from the subject), then the subject ends up enriched with what the predicate attributes to it.
This, in turn, allows us to understand the controversial and somehow obscure dictum in the 1806 preface to the Phenomenology of Spirit:
According to my view of things, which can be justified through the exposition of the system itself, everything depends on apprehending and expressing the true not as [nicht als] substance, but just as much [eben so sehr] as subject (quoted by Duque, 17)
Hegel therefore contends that self-consciousness is externalized and thus becomes an object. But this posited object is itself the very subject that has been placed as another, thus appearing as an opposite to itself: it knows itself knowing the other.
And this happens because that object is not, as it were, a natural object, a given, but an object created or engendered (like any object, according to Hegel) by self-consciousness. They are, then, two momenta, that of subjectivity (being-for-itself) and that of objectivity (being-in-itself). In reality, however, they are not merely two momenta, but a single reality split into two momenta that are only true in their opposition and in their unity. For subjectivity does not become true if it is not objective and true objectivity cannot be natural but only produced by human endeavor (in the broad sense of the word). This is why the fact that men, at one point in history, had subjected other men to work, to externalize themselves, to produce objects out of themselves, and thus transform a given natural environment into a human environment, is a necessary step in human development, as this is a human creation, an elevation above the natural.
A misreading, according to Duque, is to believe that the substance is not true as if the subject has nothing to do with the substance (or mutatis mutandis, a misreading that believes that freedom has nothing to do with necessity). Just as reason does not exist without understanding, subject does not exist without substance. The subject is thus the conceptual understanding of the substance and the consciousness of necessity. Put differently, it is a continuation of Spinozism taken to its logical extreme.