This volume continues Palgrave’s impressive Handbooks in German Idealism series, already comprising significant collections of essays on the topics of German Idealism in general, Kant, Fichte, and German Romanticism. At the time of writing, volumes on Schelling and on the relation between German Idealism and Existentialism are also on the way.
A book of this kind, collecting up-to-date critical contributions across all of the major areas addressed in Hegel’s systematic philosophy, might be thought to stand in competition with a number of similar recent volumes, perhaps most obviously Baur and Houlgate’s A Companion to Hegel (2011) from Blackwell, de Laurentiis and Edwards’ Bloomsbury Companion to Hegel (2013), and Moyar’s The Oxford Handbook of Hegel (2017). The reality of the situation, however, in the light of the richness of Hegel’s work, is that these collections complement one another. They do so by assembling investigations of Hegel’s work on phenomenology, metaphysics, epistemology, philosophy of mind, ethics, political philosophy, aesthetics, philosophy of religion, philosophy of history, and so on, that are frequently interestingly different in emphasis, evaluation, or interpretation. The essays included in such volumes can be read in isolation, so that somebody interested in, say, topics in Hegel’s philosophy of religion, would benefit from consulting the relevant essays in all four works, without having to engage with each in its entirety. At the same time, due to their scope and size, all four share the virtue of offering readers the opportunity to consider the various topics addressed within them in a systematic context (valuable in the case of Hegel).
The fact that such “competitors” exist also has consequences for how one evaluates the coverage of this volume. The Palgrave Hegel Handbook, to provide one example, has comparatively little in the way of entries which focus upon engagement with Hegel’s work in the twentieth century. Notably, it has no entries which focus upon the reception of Hegel among phenomenologists, critical theorists, or twentieth century French philosophers. This is a particular strength of the Blackwell Companion. It also has comparatively less to say about specific metaphysical topics treated in the Science of Logic; the Oxford Handbook is stronger here. To provide one more example, however, The Palgrave Hegel Handbook clearly offers more than the other collections when it comes to topics in Hegel’s epistemology and philosophy of mind. All four of the volumes that I have mentioned address all of the major aspects of Hegel’s systematic philosophy, but differences in focus such as those in the examples just provided demonstrate another way in which a reader with access to all of them will find that they complement one another. From this point on I will focus this review upon The Palgrave Hegel Handbook alone.
Before discussing the content of the volume, I will make one further remark concerning coverage. It would be unreasonable to expect such a volume to be truly exhaustive in term of the material with which it engages, and the editors make no such claim. Given, however, that the final section of the volume comprises entries on “Hegelianism and Post-Hegelian Thought”, and the editors’ commitment to assessing ‘contemporary controversies concerning his philosophy’ (l), one might think that this would be a good opportunity to include a substantive entry engaging with the already-sizeable and growing body of work concerning Hegel’s colonialism, sexism, and racism, not only in terms of the nature of the implications of his prejudices for the evaluation of his philosophical work, but also in terms of the positive uses made of the resources of Hegel’s thought over the last seventy or so years by those seeking to oppose and overcome such prejudices. Unfortunately, such topics are not treated here. In light of recent collections such as Monahan’s Creolizing Hegel (2017), some engagement with work of this kind would have made a valuable addition to the volume.
The volume opens with a helpful analytical table of contents which roughly indicates the content of each essay. Interesting material is also included in the form of appendices; I particularly enjoyed the schematic presentation of Hegel’s major works as they correspond to the various parts of his mature philosophical system. Importantly, the editors have included Hegel’s various lecture courses in Jena, Heidelberg, and Berlin in this context. Given the richness of many of the transcripts from these lectures, this amounts to a very useful pointer for further reading on the various topics covered in the volume. I was less sure of the editors’ “Agenda for Future Research”. Although the suggestions are certainly valid (and, in my opinion, interesting), and the editors note that this material is ‘suggestive, not exhaustive’ (581), there is no clear criterion according to which some possible projects have been included and others excluded. Why emphasise, for example, the possibility of distinctively Hegelian contributions to contemporary cognitive science (583), but say nothing of the possibility of introducing Hegel to contemporary metaphysical discussions of natural kinds, or of monism, as suggested by Kreines (2015), or of the possible value of Hegelian insights in considering contemporary social pathologies, as explored by Bunyard (2019)? Certainly, there is a multitude of avenues for further research available to those interested in Hegel’s philosophy, but I am not sure how valuable it is for the editors to pick just some and list them.
I also think that the short editors’ introduction to the volume is perhaps not as helpful as it could have been. It aims to provide a sketch of contents and significant goals of the various parts of Hegel’s system, but while this breadth of scope is appropriate here, the brevity of the introduction means that the key claims being singled out are often not explained in sufficient detail. Instead, one gets the impression that the introduction is rather hurriedly emphasizing those elements of Hegel’s philosophy which the editors, perhaps especially Westphal, take to be most significant for contemporary thought (the majority of the references to chapters in the volume are to those by Westphal). I was left feeling that it would have been better simply to indicate the themes of the chapters and let the reader get on with reading them, since there these technical claims receive more adequate and clearer treatment. One valuable addition, however, is a brief run-down of various senses in which Hegel deploys the term “dialectic”. It would have been even better if this account could have been extended with references to analyses of Hegel’s various dialectical arguments, conceptual explications, and the like, as they occur among some of the chapters in the book.
There are twenty-eight essays in this volume. It is impossible within the confines of even a reasonably long review to adequately address even the majority of them. I shall endeavour to say something about seven chapters, composing two of the volume’s eight parts. I will focus my attention on the material concerning Hegel’s engagement with his immediate forbears, his epistemology, and his Science of Logic. This emphasis reflects the interests and expertise of the reviewer and I acknowledge that a case could be made for arguing that some of the most noteworthy essays in the volume are not those which fall into these categories. I will briefly draw attention to what I considered to be some of the most worthwhile essays addressing other topics in the volume at the end of the review.
Part I considers Hegel’s intellectual background and the nature of his philosophical project. There is a short sketch of Hegel’s intellectual life by Bykova which covers more or less what one would expect it to. Particularly good is Bykova’s treatment of the evolution of Hegel’s philosophical aspirations, from an early enthusiasm for popular philosophy and the moral education of the people to his later, considered belief that the practical benefits of philosophy would be better accomplished on the back of a more thorough-going revision of its more abstract, theoretical underpinnings.
Also featured here is an essay by Baur which carries out the task, crucial in a volume which treats the key themes of Hegel’s epistemology and metaphysics, of reconstructing the major philosophical developments which took place in Germany between the publication of Kant’s first Critique and Hegel’s Phenomenology. This is important because many of the major disputes in the interpretation of Hegel’s work (especially his metaphysics) since at least as far back as the 1970s have turned on how to understand his relation to his forbears, especially Kant. This is a lot to address in one essay and there are elements of the account that could have been made clearer: Baur spends some time, quite properly, explaining Kant’s rejection of the possibility of intellectual intuition for human cognition, but then does not explicitly mention intellectual intuition in his treatment of Fichte or Schelling, despite its crucial importance for their projects. More problematically, he suggests that Schelling and Hegel’s idealisms move away from the more subjective idealisms of Kant and Fichte because the former two come endorse the Spinozistic claim that ‘mind and world are fully co-extensive’ (37), but provides no clear argument as to why they might have been justified in endorsing such a claim. This risks giving the impression that Schelling’s and Hegel’s projects amount to a reversion to pre-critical dogmatism, despite the fact that Baur wants to claim that they do not (23). Still, it is necessary to paint with broad brushstrokes in an essay of this kind, and I think that Baur largely succeeds in characterising the idea of Hegel’s project in the Phenomenology as a series of determinate negations intended to persuade his opponents of the validity of metaphysics which can ‘combine the pre-Kantian thought of Spinoza with the post-Kantian thought of Fichte’ (23).
Westphal also includes an article of his own here which distils some of the key points of the interpretation of Hegel’s epistemology that he has been developing for some decades, most recently and thoroughly presented in his (2018). Westphal’s impressive scholarship is on display here as he relates the project of Hegel’s Phenomenology to key philosophical developments both before and after its publication. I shall not discuss the contents of the essay here: a critical engagement with Westphal’s account of Hegel’s project demands more space than a book review of this kind can accommodate. I will say, however, that although Westphal’s writing is clear, this article is something of a whirlwind of references to various works and topics, and at times demands a not insignificant amount of relevant knowledge on behalf of the reader (although, to be fair, it also provides plenty of references for further reading). While there are articles in this volume that would be useful for students with an interest in Hegel’s work, I would not be quick to direct a student towards this one.
Somewhat oddly also placed here is a piece by Varnier on Hegel’s epistemology. The immediate value of this essay is that it encourages those looking to identify Hegel’s epistemological positions to direct their gaze beyond the 1807 Phenomenology of Spirit, and particularly towards the section of Hegel’s Logic on cognition and the material on theoretical spirit in the Philosophy of Spirit. In fact, Varnier does not go far enough concerning this crucial point; it should be remembered that the primary function of Hegel’s argument in the Phenomenology is to provide (immanent) criticism of the various positions of “natural consciousness” opposed in various ways to Hegel’s own idealist position. Identifying distinctive Hegelian epistemological positions in the arguments of the Phenomenology, therefore, is at the very least a rather murky procedure, as what is identified as an internal problem for a particular shape of consciousness in that work need not automatically imply clear positions that we can take Hegel to endorse. It seems to me that Westphal, in the previous essay in this volume, does not do enough to address concerns of this kind.
Varnier’s article concerns itself principally with two topics. Firstly, he seems to accept something like the metaphysics-first metaphilosophy attributed to Hegel in (Kreines 2015) when he suggests that relevance to epistemology of Hegel’s Logic is that it provides a ‘theory of all ontological structures of science and of common knowledge, which make knowledge possible and certain’ (67). In this context, by asking about how Hegel defends this metaphysical project itself against scepticism Varnier seems to be engaging with important questions about Hegel’s views on the epistemology of metaphysics. Secondly, Varnier also treats Hegel’s views on traditional epistemological matters such as the justification of everyday beliefs and the definition of knowledge. Regarding the first topic – the epistemology of Hegel’s metaphysics – Varnier appeals to various “introductions” Hegel provided to his systematic philosophy, the arguments of which are presumably intended to go some way towards securing the metaphysical claims made in the latter (67). This is not an unusual view, and nor is Varnier’s suggestion that the various determinate negations of natural consciousness carried out in the Phenomenology vindicate thought’s claims about the nature of objective reality (71). Given that this essay is preceded by two others which also address the introductory function of Hegel’s Phenomenology, I would suggest that less time could have been spent on this aspect of the epistemology of Hegel’s metaphysics, in favour of topics that have received less attention, perhaps concerning the matter of how to evaluate the claims to knowledge made in the context of Hegel’s Logic itself, or in his Realphilosophie, for example.
Varnier’s treatment of the second topic is briefer that his treatment of the first, which is a shame. He provides a lengthy passage on the nature of knowledge from the Philosophy of Spirit but decides not to ‘dissect’ it (74). Instead he suggests rather briefly, and in a manner that was not clear to me, that Hegel is arguing both for the strong claim that our use of concepts tracks reality in a manner constitutive of knowledge as a matter of ‘necessity’ (74), and for the ‘irreality… of any and every finite standpoint’ (76). In order for these two claims not to be in tension with one another, it seems that the knowing subject in the former case must not be any individual, finite knower, but somehow the historically developing community of interdependent, human, knowing subjects that might be labelled ‘absolute spirit’ in Hegelian language. Indeed, Varnier suggests that, for the collective subject of absolute spirit, ‘the knower and the known are fully adequate to each other’ (75). Peculiarly, however, he then goes on to suggest that absolute spirit itself is also just another finite perspective, adherence to which invites scepticism (76). It is not obvious to me how to reconcile these two claims. Varnier also suggests that the transition from “essence” to “concept” in the Logic might constitute an argument against the sceptical suggestion that our knowledge might be restricted to appearances, and therefore that we might not know how reality really is, but again he refuses to explore that argument (76). He concludes with some highly interesting remarks on the connection between knowledge and practical reason in Hegel’s work, and suggests a possible connection to be drawn with contemporary virtue epistemology (78), but these promising ideas are, frustratingly, left undeveloped here.
I pass over Part II, which focuses on Hegel’s Phenomenology of Spirit, to consider Part III, which focuses mostly on Hegel’s Science of Logic. As I mentioned earlier, this volume does not include dedicated contributions on Hegel’s specific treatment of various historically significant logical or metaphysical topics. Instead this section includes helpful and interesting essays by Nuzzo and Burbidge, on the method of Hegel’s logical investigations and on his infamous use of Aufhebung, respectively, followed by a rather informal essay by Southgate which attempts to provide a big-picture overview of an account of metaphysical holism developed in the Doctrine of Essence and to connect it to Hegel’s account of freedom.
Southgate’s piece is a curious addition to this volume. Unlike the other chapters, it does not really represent an intervention either into debates in the secondary literature concerning Hegel’s position or argument on some philosophical issue, or into philosophical work on some topic along Hegelian lines. As such, although its principal topics are metaphysical holism, human freedom, and the connection between the former and the latter in Hegel’s thought, there is no real discussion of debates between those who consider Hegel to be a holist in the relevant sense and those who do not, for example. The major focus of the chapter, instead, seems to be to sketch a way in to Hegel’s thought, aimed at illustrating its importance for those uncertain as to whether or not to spend the time working their way through his famously difficult prose. As such, this chapter, more than any other in the volume, appears to be aimed at students approaching Hegel for the first time, or, possibly, academics considering how to introduce Hegel to such students.
With this goal in mind, I think that Southgate does quite a good job here, although some may find his style a little grating. There is a helpful discussion of Hegel’s account of freedom, aimed at defusing the tendency to suppose that Hegel is arguing naively that it is in fact possible to peacefully view all tragic events as merely the outcome of our own development and to assume responsibility for them (187-88). Southgate redirects the reader towards Hegel’s treatment of those relations which seem to actualise and illuminate freedom in the sense of “being with oneself in the other” and provides a helpful discussion of this vital notion (188-89). One might express the concern, however, that, in his attempt to emphasise to the reader the existential significance of Hegel’s notion of freedom, Southgate’s presentation can come across as rather too heavily focused on the individual’s own attitude towards freedom, at the cost of playing down Hegel’s emphasis on the objective social structures required for such attitudes. I should add that I think that few readers will find his attempt to reverse engineer an account of metaphysical holism from this account of freedom, or to try to provide a sense of it by appeal to the experience of running an ultramarathon to be successful (Southgate seems to think that Hegel’s position is in some important sense ineffable, but I do not know why).
Nuzzo’s chapter on the method of Hegel’s logical science is a valuable addition to this volume, drawing as it does on her sustained work on this topic over several years. Nuzzo helpfully situates the discussion of Hegel’s dialectical logic in relation to both Kant’s transcendental logic and to traditional, Aristotelian logic. Of especial value here is her account of Hegel’s critique of the formality of transcendental logic in terms of what he judges to be a ‘failed relation to the object’ (156) because of Kant’s separation of sensibility and understanding. Here Nuzzo’s account helpfully explains that Hegel is not simply ignoring or conflating Kant’s distinction between general and transcendental logic (as it might appear, at times).
Interestingly, on the basis of Hegel’s claim that Kant’s transcendental logic, dependent as it is on the input of sensibility for its objects, is unable to deliver the truth about those objects, Nuzzo moves to suggest that Hegel’s dialectical logic is in fact closer to general logic, precisely because it does not involve transcendental logic’s necessary reliance upon an object given to it from elsewhere (Incidentally, the claim Hegel’s new logical method is prompted by what he sees as the failure of Kant’s transcendental logical method does not seem to fit with Nuzzo’s stated rejection of readings of Hegel which have him construct an ‘path alternative to the generally accepted Kantian one’ (154), but I think that it is the former claim which is more important to her argument). In the case of general logic, of course, this is simply because it can be carried out completely abstractly, without reference to real objects, while Hegel sets for dialectical logic the ambitious task of a thinking that, like general logic, is pure in that it requires no input from externally given real objects, but at the same time delivers the truth about real objects nevertheless.
Nuzzo’s account of the method of such a dialectical logic accurately captures the Hegelian claim that the content of logic should not be separate from its form, and that logical thinking can generate its own content. Of course, even if one accepts Nuzzo’s characterisation of Hegel’s method in terms of the generation of logical content from the dynamic movement of thought itself, the question remains, particularly after the treatment of Hegel’s criticism of Kant, as to why one should suppose that this immanently generated logical content accurately tracks reality. Nuzzo rightly points out that Hegel takes his logical science to amount to an ‘objective thinking’ (161), but the reader may well wonder why this does not amount to anything more than an interesting new style of pre-critical dogmatism. To be fair to Nuzzo though, her chapter is concerned with the method of Hegel’s logic, and not with the question of how that logic also amounts to a metaphysics. This latter question has received plenty of attention in recent work on Hegel, and I think that Nuzzo’s essay succeeds admirably in shedding some light on its chosen subject-matter.
I should point out that there is a slightly misleading slip in the language of this paper. Nuzzo describes the relation between the question of the relation between Hegel’s dialectical logic and his attitude to Kant’s transcendental logic and the question of the relation between the conclusion of the Phenomenology of Spirit and the idea of logic present in the Science of Logic as ‘all but self-explanatory’ (155), where she means “anything but self-explanatory” (She does go on to provide an excellent explanation later in the chapter). Unfortunately, although no one paper in the volume exhibits a high volume of typos, mistakes, or awkward phrasings, there is quite a number of such things spread across the book as a whole. In general, the Palgrave Hegel Handbook would have benefitted from more careful editing on this score.
Burbidge, in his contribution, provides an illuminating discussion of Hegel’s use of the term Aufhebung, which describes the kind of transitions or inferences key to every part of Hegel’s mature philosophy. Burbidge’s chapter compliments Nuzzo’s. Whereas she focused on Hegel’s attempt to present a logical science that generates its own content, his attention is on the nature of the development of that content. In particular, he is concerned to explain how it is that Hegel is able to argue that more complex thought determinations emerge out of simpler and less determinate ones, without surreptitiously assuming those more complex determinations as a goal in advance. Of course, this has always been a common complaint made against Hegel’s procedure, and Burbidge makes quite a good case for thinking that it is unfounded. He shows, particularly by appealing to remarks Hegel makes towards the end of his treatment of quantitative concepts, and in his account of the absolute idea, that the basic parts of a move that can be described as an Aufhebung, the movement, that is, through which more complex determinations are generated from simpler ones, are firstly the immanent negation of some determination, followed in turn by the negation of the determination to which the first negation gave rise. This ‘doubled transition’ (171) amounts to a slippage between the two determinations in question, with each implying but excluding the other. Finally, this slippage between determinations can be grasped as a single unity, in which the one-sided conceptions of the previous determinations have been replaced with a conception that grasps them as belonging to this new determination in such a way that they have been both “annulled” and “preserved”, as the verb aufheben can suggest.
Burbidge’s account of the dialectical transitions which make up the argument of Hegel’s Logic does not require Hegel to assume in advance the outcome of those transitions, but there are other worries that might be expressed about it. It is not obvious what it is that gives rise to the moment at which the continual slippage between opposing thought-determinations is grasped as a whole. Burbidge invokes the unifying function that Kant attributes to the categories in the transcendental deduction, but it is not clear how helpful this is. Burbidge himself acknowledges that Kant’s discussion of how the categories unify sensible intuitions that have been synthesised by the imagination is somewhat removed from Hegel’s focus on the relations between concepts alone. What Burbidge seems to want from Kant is a discussion of the understanding, since it is the unifying activity that Kant attributes to the understanding that Burbidge sees in Hegel’s Aufhebung. But even then it is not clear exactly what or who is responsible for this unifying activity in Hegel’s case. What is more, Burbidge seems to slip rather too quickly between Kant’s account of the understanding as a faculty for unifying the deliverances of sensibility under concepts and Hegel’s insistence that the understanding is (primarily) a kind of thinking that separates and statically opposes thought determinations, risking giving the impression that Kant and Hegel are talking about the same thing. This cannot be right, but Burbidge’s suggestion that it is ‘understanding’s “power of the negative”, which collapses the double transition with its inherent contradiction and infinite progress into a simple, unified concept’ (172) is mystifying because it gives precisely this impression. What this account seems to require is a discussion of the kind of thinking Hegel describes as “reason”, but this is strangely absent.
Burbidge goes on to provide a useful overview of some of dialectical transitions which occur early in the first book of Hegel’s Logic. In fact, I think that it would have been better still if he had spent a little more time spelling some of these out, rather than focusing on the account of the concepts of being, nothing, and becoming as his most detailed example of an instance of a logical Aufhebung. In the case of this first dialectical transition it is uniquely difficult to see how the original, one-sided determinations of being and nothing are opposed at all, and thus to get the transition on the move. Things become much clearer in the case of, for example, the treatment of the (qualitative) finite and infinite, which Burbidge treats only briefly.
Turning from the Logic to the metaphysics of nature, Burbidge proceeds to provide a whistle-stop tour through some notable features of contemporary particle physics, biochemisty, and biology (which I am not competent to assess), suggesting that these provide evidence for thinking that the kind of dialectical transitions that Hegel explores in his Logic may appear in the activity and development of nature in ways that Hegel did not anticipate. Burbidge thinks that this amounts to a challenge to Hegel’s view that ‘the universe is grounded in a rational structure that is prior to, and independent of nature’ (180). It is not clear to me that such developments need push Hegel to abandon the idea that logic can be treated as an a priori science, independent of the study of nature, but one whose metaphysical implications might be expected to govern nature. Certainly, we might concede to Burbidge that if nature does indeed appear to run on Aufhebung-like processes, then a thinking which takes its cue from the presence of such dialectical transitions in nature and reflects upon them in an abstract context might come to resemble Hegel’s Logic, but this does not guarantee his conclusion that ‘there is no a priori logical structure, but human thought is affected by what it discovers in the changes and transformations of nature’ (181). Aside from the challenges mounted by Kant, Hegel, and others to conceiving of logic on such an empirical basis, it remains the case that if (and admittedly it is a big “if”) Hegel can make a case for the development of such a logic a priori and show that it has metaphysical implications, then he should not be too troubled by the discovery of natural processes which conform to the structures of thought. Burbidge is right to draw attention to outdated claims and failings in Hegel’s own philosophy of nature, but I do not think that these need to cause problems for Hegel’s big picture concerning the relation between thought and reality and the way that Burbidge seems to think that they might.
With that, I draw my discussion of just some of the essays assembled in this volume to a close. As additional highlights not addressed here, I would direct the reader’s attention to an essay by Collins which considers the role of Hegel’s account of religion in the context of the argument of the Phenomenology (85-108), an essay by Testa on Hegel’s treatment of embodied cognition and agency (269-95), an essay by Yeomans on the relation between Hegel’s logic and his political thought (373-88), and Motroshilova’s account of the development of Hegel’s treatment of the history of philosophy (485-517). By way of conclusion I shall simply state that there is a great deal in this volume that will be of interest to Hegel scholars and students, and that the Palgrave Hegel Handbook provides a valuable addition to the resources available to anyone engaging seriously with almost any facet of Hegel’s work.
Baur, M. and Houlgate, S. 2011. A Companion to Hegel. Oxford: Blackwell.
Bunyard, T. 2019. “Demagogy and Social Pathology: Wendy Brown and Robert Pippin on the Pathologies of Neoliberal Subjectivity.” Araucaria, Vol 21 Issue 42: 505-527
de Laurentiis, A. and Edwards, J. 2013. The Bloomsbury Companion to Hegel. London: Bloomsbury.
Kreines, J. 2015. Reason in the World: Hegel’s Metaphysics and its Philosophical Appeal. Oxford: Oxford University Press.
Moyar, D. 2017. The Oxford Handbook of Hegel. Oxford: Oxford University Press.
Monahan, M. 2017. Creolizing Hegel (London: Rowman and Littlefield International.
Westphal, K. 2018. Grounds of Pragmatic Realism: Hegel’s Internal Critique and Reconstruction of Kant’s Critical Philosophy. Leiden: Brill.
It is somewhat easy to forget that philosophy has not always, or in every case, been conducted through the medium of writing. For the most part, we expect philosophy to be written. But the written-ness of philosophy is contingent, and so too is its suspension in the written: in literature, media, interview, and of course poetry. Socrates and Plato, or instance, did not make much use of citation and Plato especially elevated philosophy at the expense of poetry and drama. And, indeed, this contingency is all the more difficult for philosophers to fathom, because the written word is usually the trade-mechanism by which we philosophize, and through which we think. The experienced phenomena of reading and writing are the basic instruments of philosophy, as we practice it. Writing is not merely the way we convey and transmit ideas, born and nurtured in the mind. Rather, when we look at the phenomena of reading and writing, we see the ebb and flow of epiphany, of doubt, of enlightenment and invention. Writing is quite often how we philosophize at all.
The primordial disciplinary decision to move the vague shapes and shadows of our ideas from their mental and social obscurity (and incompletion) to the written word—a decision which none of us living had any hand in making— itself has philosophical ramifications. That is to say that the presupposition of philosophy’s written-ness, is shot through with questions: questions about the truth, as well as metaphilosophical questions about the place of philosophy within the universal/Borgesian «Library of Babel» it has chosen for itself, about the necessity of writing philosophy and the necessity of philosophy regarding other kinds of written works, about the relationship between philosophical, literary, journalistic, and poetical styles to reality, truth, clarity, and that part of the human spirit to which philosophy wants to appeal.
Charles Bambach’s and Theodore George’s anthology, Philosophers and Their Poets lights upon these fundamental questions of philosophy-as-word, as speech, and as our connection to one another and to the real through a series of serious, considered, and illuminating papers examining the relationship of philosophers to art, style, and of course poetry. I see these papers as being divided into four more-or-less distinguishable subject-categories: 1) papers dealing with German idealist discourse around the role and status of art, poetry, and beauty in what they regard as a burgeoning philosophical and rational world, 2) analyses of Nietzsche’s philosophy of art as it serves as a kind of hinge—indeed serves as itself a revealing poem—between idealism and more phenomenological and existential traditions, 3) those dealing with Heidegger’s encounters with poetry as a revolutionary force in meaning-making, and 4) those which proceed from the poems themselves to philosophical analyses.
The first three chapters of this collection take us through the foundations of these questions of style and artistry in the German idealist tradition. The first essay by Maria de Rosario Acosta Lopez analyses a historical controversy between Schiller and Fichte over philosophical style and the part of the human being to which philosophy must speak. This is followed by Chapter 2, which presents us with a very clear and compelling translation of the very letters exchanged between Schiller and Fichte, regarding philosophical style. These first chapters elucidate a possible ambiguity between reason and feeling, which gives way to a possible ambiguity between philosophy and poetry. This ambiguity leads Hegel’s intuitions, both conceptually and historically. Theodore George argues in Chapter 3 that philosophy and art have a similar purpose in the creation of world-historical meaning, for Hegel. We see a transition from any concern about the purity of philosophy in Fichte to an embrace of its meaning-founding affinities with religion and art in the later work of Hegel.
Chapters 4 and 5 deal with Nietzsche, whose philosophy marks a kind of transition between German idealism and the phenomenological and existential (represented by thinkers like Heidegger and Gadamer), which will occupy the four of the volume’s remaining chapters. In Chapter 4, Babette Babich analyses Nietzsche’s relationship to ancient Greek tragic poetry, to its lost poets, and to their time-silenced songs in the interest of revealing what are indisputable contributions to philosophy itself, contra an extant tradition in the literature which more or less excludes him from the field. The fifth Chapter by Kalliopi Nikolopoulou investigates Nietzsche’s attachment to the heroic in Greek tragedy. Nietzsche saw ancient heroes and the poets who sung their tales as perhaps doubly heroic, she argues, since they might remedy Modern nihilism.
Chapters 5, 7, and 8 all deal with Heidegger’s encounters with poetry—as both the truth and the promise of philosophy. Like Schiller, Hegel, and Nietzsche Heidegger sees poetry as revealing a fuller truth than that accessible by reason alone. But it is only with Hegel that Heidegger shares this concept of the promise of poetry; both Heidegger and Hegel think art has (or once had) the power to inaugurate worlds and imbue them with meaning. Charles Bambach’s sixth Chapter for this volume begins at the interstices of aesthetics and ethics, mired in this Heideggerian meaning-making power/promise of the poem. He finds that the poem—in granting us access to our humanity in full—promises an originary ethics of our place, and (I’ll say) perfection, which is utterly opaque to us without the poetic disclosure. In the seventh Chapter, «Remains,» William McNeill addresses the futurity any concept of a promise must take for granted. He argues that Heidegger’s confrontations with Hölderlin’s poetry open up novel relations and meanings for us by altering the medium of time. Hölderlin’s works according to McNeill demonstrate a substratum of ambiguity in time wherein the greeting and remembrance are indistinct. Thus, the poem’s novel horizonality inaugurates a new world by possibilizing new projects, new relations to one another, and even new relations to the dead. Chapter 8 is likewise about the time of the poem, but it looks to its momentum, to the cadence of thought. Such poietic momentum, Krystof Ziarek argues, is experienced as rhythm and even texture. When philosophy takes on this cadence, it transcends the mere transmission of information and exceeds the possibilities of the argument: demonstrating in this excess new possibilities for thought itself.
Chapters 9, 10, and 11 emerge from analyses of poets and poetic works, rather than from within the philosophical theories which have taken them up. This provides what I think is a novel opportunity for philosophers who might not themselves read much poetry. It is a strange admission to make here, I suppose, that I have likely read more philosophical works which abstract from and selectively cite poems than I have poems themselves. To the question, «Is poetry true?» Chapter nine of Philosophers and Their Poets poses a kind of phenomenological/experimental response; «In order to answer this question maybe no extensive conceptual discussion of truth is needed…just attention to a particular poem led by the question how such a poem can be read and understood.» To this end, Gunther Figal looks to Burnt Norton» by T.S. Eliot. Chapter 10, by Gert-Jan van der Heiden, which I discuss in some greater detail below, looks to the somewhat revolutionary poetry of Célan, which render in poetic verse that promise of a different world, or of new meanings, of new homes—out of the silence, the nothingness, that must follow the decay of status-quo intelligibility, in the rests, and breaths that keep familiar meaning from crossing living lips. In Chapter 11, Max Kommerell (who has been translated here by Christopher D. Merwin and Margot Wielgus) provides an analysis of Hölderlin’s Empedocles poem, which demonstrates his distinctiveness. In particular, this analysis lays bare Hölderlin’s perhaps utterly unique poetic «ear,» which attunes him to cosmic harmonies and truths, and places what is revealed in his writing always-already outside the grasp of our concepts; «…in accord with his talent, Hölderlin could experience what, for us, lies at an ungraspable distance and is a hardly thinkable event as the real history of his soul.»
Because of its historical breadth, this anthology might serve as a kind of introduction to the specific questions that arise from continental philosophy’s various encounters with poetry. But the book would only be an appropriate introduction for somewhat advanced students of philosophy, familiar with continental thought, and its historical movements. It is therefore I think primarily suited to philosophers already researching some of the questions outlined in my introduction. These would also be invaluable secondary sources for interdisciplinary researchers. I would readily recommend the volume, for example, to anyone writing at the interstices of philosophy or art and aesthetics with ethics, political philosophy, epistemology, and metaphysics. This recommendation is in no small part because the authors in this volume have done an excellent job bringing the stakes of philosophy of art to the surface.
Art, especially as poetry, has had an inescapable influence on philosophical thinking throughout its 2000+ years of development. If the bare written-ness of philosophy opens up as many questions as it does, then what does its ready and intimate relationship to poetry mean for us? What does it say about philosophy itself: its veracity, its trustworthiness? And, perhaps more promisingly: What does it say about poetry, about its kind of truth? Bambach and George introduce the works in this anthology by way of a kind of conclusion:
What we find in poetry is the unfolding of the very momentum of language as an originary opening up and emergence that does not fit into the metaphysical encasements of presence and representation… Against the propositional language of statements, poetic language invites us to heed the pauses, the interruptions, and the caesurae that call us to attend to what is not said or can never be said in language.
They find that poetry invites that part of the human spirit which can attend to the immutable mysteries of our existence and of Being, in general, to attend to these mysteries, in spite of their inherent obscurity. Poetry, in short, invites us to philosophize. We come up against this indistinction between the philosophical and the poetic, as we read the essays collected in Philosophers and Their Poets, again and again. The philosophical—which has, in many of its iterations attempted to void itself of the poetic, to let beauty die of neglect—is shot through with the poetic. The poetic is unavoidably philosophical: so much so that we might call any promise of truth philosophy might make, at all, the «poetic.»
We cannot help but ask here, where ordinary categories fail; Who are the philosophers and who the poets of Philosophers and Their Poets? Some thinkers examined within the volume trouble themselves with the differences, while others embrace, and even invest fully in the similarities. (Although, the indistinction between the poetic and the philosophical may, in the end, be why we feel compelled to draw such a distinction in the first place, rendering both derivative).
Maria del Rosario Acosta Lopez’s analysis of a confrontation between Schiller and Fichte begins the essays in the collection and does so as an inauguration of the very questions with which we have been tarrying. Most importantly, the argument between these Modern titans lays bare a very basic metaphilosophical point I had not ever before considered: that all writing, all discourse, and all philosophy must speak either to the whole of the human being or to some part of her. Philosophy might, therefore, have a different audience than does poetry, news, or fiction even within the same enfleshed and living reader. Fichte presupposes that philosophy must solicit only some part of the subject. He argues that philosophical writing must be as logical as possible, using examples in such a way that they shore up arguments rather than evoke the sensible and imaginative capacities. This is because, on his view, philosophy takes aim at the Understanding alone. Other capacities of the subject are not relevant, on this view, to the philosophical pursuit of truth. Such a pursuit can, therefore, only be successful if it is confined to this valence of subjectivity.
But, is such a well-fortified compartmentalization of subjective parts, regions, and capacities even possible for more contemporary thinkers? Doesn’t Continental Philosophy’s «phenomenological turn» render anathema the very idea that philosophy might reach something like the tower-bound understanding—especially without dirtying itself in the more immanent ground of evoking and implicating imagination, sensation, and body? Indeed I think many of us would agree that philosophy might not be able to find and transmit truth if it does not consider and speak to the whole human being. Rosario Acosta Lopez shows that Schiller’s evocations of imagination insert «…in the heart of human action the elements of contingency, finitude and a permanent and necessary dialog with a world that is never entirely in our power to control.» Contra Fichte, Schiller’s more poetical and evocative style is veridical: showing us the world in its more awe-inspiring and challenging true-light.
My continual tendency, aside from the inquiry itself, is to employ the ensemble of emotional forces and to the extent that it is possible to affect all of them. I thus do not wish merely to make my thoughts clear to others, but at the same time to transmit my entire soul to them, and to influence bother their sensuous and intellectual powers.
Schiller makes an epistemological, existential, and ontological point with his imaginative and sensuous writing style. He also makes a metaphilosophical one, which proceeds naturally from undermining the understanding’s epistemic monopoly; «[T]he discussion reflects on philosophy itself, inviting us to understand the boundaries of thought, and the very rich possibilities that come along [sic] the recognition of these boundaries.» The understanding has boundaries precisely with regard to the philosophical and cannot philosophize without pooling resources with something like the integrated-and-whole embodied subject.
This more phenomenologically salient, existential understanding of the poetic nature of philosophical writing (and of the philosophical nature of poetic writing, as well) seems to prevail in the context of the anthology as it deals with authors like Heidegger and Gadamer. Poetic writing, as it reaches the whole human being and casts its creeping, seeking, tendrils even into the most obscure and mysterious depths of the soil of our Being, and our Becoming.
Hegel might seem an odd-man-out in terms of this generalization since he does not affirm the indistinct boundaries between philosophy and art. His infamous and oft-misunderstood argument for the «end of art» and the primacy of philosophy is a testament to this. Yet, Theodore George shows Hegel nonetheless sees art as serving a similar function to philosophy in the founding and transmission of meaning, even in the Modern world. This function unsurprisingly has to do with truth. Art, religion, and philosophy allow «a society…to take a good look at itself, to make explicit its deepest context of meaning, the context that otherwise remains merely tacit even as it shapes, orients and grants legitimacy to all further meanings within that society.»
On George’s account in this volume, Hegel should be read as saying that between art and philosophy as well as between Classical and Romantic art, there are no differences in kind. Rather there are differences in context, which yield differences in the magnitude of their respective world-founding forces. Hegel thinks that Classical artworks originarily founded, grounded, and justified Greek culture. Everything in this period—including the first works of philosophy— derives from and makes sense in reference to this founding. Within the modern period, however, art bears no such promise and philosophy must provide our social foundations. The ancient context gave art a greater share of the inauguration, transmission, and preservation of its truth. The modern era by necessity gives it less.
On this view, the nascent philosophy of the ancient world could not but be derivative of its more originary sculptural founding, and thus will be supplanted by modern philosophy: the first philosophy to successfully found and ground a world-historical epoch. Hegel argues that modernity is, in essence, a revaluation, whereby philosophy accrues a greater degree of veridical force. This changing of worlds, the promise of new meanings and truths—the world-historical dawn in which Hegel feels himself bathed—this is the promise of philosophy as poetic and of poetry as philosophical, which comes to dominate Philosophers and Their Poets. Inchoate in language are new worlds.
Babette Babich’s search for Nietzsche’s all-but-lost poet, Archilochus, lays bare the tension with which humanity is suspended upon the Earth. The truth of tragedy is a musical truth, she concludes. But what is music within the Nietzschean paradigm other than «the becoming human of dissonance?» In music, we take up into the body our irresolute difference from the world and its entities: a tension that cannot be resolved so long as we are of this world. Such a tension as that between the world and its dominant species is perfectly thought as musical dissonance; dissonance heard arises from the proximity of one note with the other, the greatest dissonance from the greatest similarity, proximity, intimacy.
This is what distinguishes us as the exception among beings, that we both inhabit and are inhabited by an inescapable uncanniness that pervades our ethos.
This tension between the «possible nearness and necessary remoteness of all things» to us is the foundation of Heidegger’s philosophy, especially his philosophy of poetry and art. That strangeness and disquiet that emerges most strongly, most sustained, from the smallest margins of difference, from the tightest chasms of intimacy. We seek the resolution, like any listener, any composer. But the resolution cannot happen here, within our fraught intimacy with a world that cannot harmonize with us; a world that—through Modernity, mechanization, and technologization—we have mistakenly set to sing a different song from us, altogether. Philosophers and Their Poets allows us to tarry with the major philosophical insight that there are however possible—that is, horizonal, not-yet-actual/arrived—worlds, with which we could harmonize.
Such worlds, on Heidegger’s and Gadamer’s accounts, seem to exist just beyond the concepts that make up our reality: possibilities invisible to us because we have a faith in the world, which could perhaps shatter upon rocks of the right philosophical or poetic work. William McNeill argues that Heidegger’s encounters with poetry reveal the limits of phenomenology, and therefore of the truth-telling capacity of our very experience. Poetry reveals those limits of our world which serve as its conditions of possibility (time), and thus what is real beyond our comprehension, or our apprehension, through the structures of meaning in which we are presently enmeshed. Bambach argues that the poet sings the philosopher his longing for his «own home amid the experience of expulsion,» in an uncanny home, in an intelligibility which fails to make sense of the philosopher and indeed each of us, an intelligibility that thus desacralizes us, flattens and debases us. But the poet’s hymn is a heralding hymn, which points «ahead to the futural coming of the gods.» Gods, of course, found worlds. And perhaps the poet can sing the eventual creation of a home that protects our dignity, sanctifies us, and sets us forever free of the old intelligibility.
The anthology presents oscillations and refinements of this insight throughout the history of Western thought—from Nietzsche’s conception of world-revolutionary «revaluation,» to Heidegger’s alethic revelation of (extant and real) values, the existential progressivism of so-called ontological and ethical «ambiguity,» and Gadamer’s «subdued hope…» The notes that harmonize with our being, hum imperceptibly all around us; we just need philosophy and art to amplify them, and finally to change the song of the world.
With new worlds, of course, come new ethics, new values, new ways of being with one another, and even new entities. The works collected in Philosophers and Their Poets confront the abyss of the as-of-yet inchoate possibilities of this new world—hidden in the bare written-ness of philosophy—and they do so with an eye to what’s at stake in such questions for denizens of the present world. We should, I think, desire new answers to the question, «Who are we?” While I am reticent to add much of anything extra-textual to such a rich volume, I will say I feel we cannot but look at our current world in mourning, in longing. The coming of another means the terrifying demise of the world. But it might finally mean the embrace of the Other, of one another, no matter how strange we’ve been to each other:
Language gives us shelter… by deconstructing word and language the poem sets free another horizon, namely the horizon of the unfamiliar… the horizon of heaven.
The stranger, in her approach through the medium of the poem; The strange in its approach through the medium of the poem; Both approach with their arms outstretched, and paradise in their hands, according to Célan.
I do not believe a poem alone can save us (unless our definition of «poetry» becomes so diffuse as to lose all meaning). After all, the horrors of this world have easily survived any beauty in it. I therefore even have to regard the destructive power Célan grants poetry with some skepticism. Nonetheless, I do think that (poetic) beauty has its place, as we attempt to turn the world over and reveal its other side. Alongside Schiller, I feel poetic language might help to engage the entire human being in the work of making a way for new meanings. As social and political creatures we are, of course, embodied and intercorporeal, only partially rational. If poetry is world-transitional in the ways Heidegger and Célan argue, it is in part because we cannot migrate to a new world by virtue of our rationality alone. Beauty as justice, as long-awaited relief, as burgeoning post-revolutionary responsibilities to one another, even as forgiveness, as absolution: this is the medium of revolutionary beauty, which might both carry us to a new world as well as compose this world in its meter, its tone, and its colors (as the paint carries us to the world of the painting, by the very act of creating that world). Such a medium perhaps makes possible—even beckons—the revolutionary poem. And thus we might be called to the selfless, futural, heartache of revolutionary beauty by the poets of our current, decaying, world as well. A poem alone may not be able to save us, but I am inclined to take what help there is.
 Günter Figal, “Learning from Poetry: On Philosophy, Poetry, and T.S. Eliot’s Burnt Norton,” in Philosophers and Their Poets, 204.
 Max Kommerell, “An ‘Almost Imperceptible Breathturn’: Gadamer on Célan,» Translated by C. Merwin and M. Wielgus, in Philosophers and Their Poets, 260.
 Charles Bambach and Theodore George. 2019. Philosophers and Their Poets. Albany: State University of New York Press, 5-6.
 Maria del Rosario Acosta Lopez, “On the Poetical Nature of Philosophical Writing: A Controversy over Style Between Schiller and Fichte,” in Philosophers and Their Poets, 37.
 “Fichte and Schiller Correspondence, from Fichte’s Werke, Vol. 8 (De Gruyter).” Translated by Christopher Turner, in Philosophers and Their Poets, 56.
 Maria del Rosario Acosta Lopez, “On the Poetical Nature of Philosophical Writing: A Controversy over Style Between Schiller and Fichte,” in Philosophers and Their Poets, 37.
 Babette Babich, “Who is Nietzsche’s Archilochus? Rhythm and the Problem of the Subject,” in Philosophers and Their Poets, 103.
 Charles Bambach, “Heidegger’ Ister Lectures: Ethical Dwelling in the (Foreign),” in Philosophers and Their Poets, 146.
 William McNeill, “Remains: Heidegger and Hölderlin amid the Ruins of Time,” in Philosophers and Their Poets, 179.
 Charles Bambach, “Heidegger’s Ister Lectures: Ethical Dwelling in the (Foreign),” in Philosophers and Their Poets, 152.
 Charles Bambach, “Heidegger’s Ister Lectures: Ethical Dwelling in the (Foreign),” in Philosophers and Their Poets, 145.
 Gert-Jan van der Heiden, “An ‘Almost Imperceptible Breathturn’: Gadamer on Célan,” in Philosophers and Their Poets, 226.
The four sections of this review essay will each pursue a major facet of Nikolay Milkov’s monograph, a monograph mainly directed at professional philosophers and their postgraduate students, but not without interest for historians of ideas. Within the space available, we shall give particular attention to the opening chapters. Indeed, it is in these chapters that the fundamental framing of Early Analytic Philosophy and the German Philosophical Tradition is erected. They are finally re-engaged in the concluding pair of chapters, chapters that portray two dominant conceptions of analytic philosophy influencing its subsequent factional development; the consequent proliferation of incomplete often methodological definitions of analytic philosophy; and, finally, what amounts to the author’s manifesto for the future renewal of analytic philosophy. The questions governing the four sections of this critique can be summarised as follows. Firstly, how does Milkov construe the context of historical enquiries into early analytic philosophy? Secondly, what does he believe ought to be the task and goal of such endeavours? Thirdly, how do the demands of a case-study of the impact of a controversial major intellectual upon early analytical philosophers demonstrate his actual historical practice? Finally, to what extent do other significant, contemporaneous historical approaches invite further questions? Or, to recast this issue, do the assumptions Milkov makes about the very nature and crafting of the history of philosophy raise closer scrutiny and debate?
Milkov’s re-framing of the history of the early phase of analytic philosophy comes a half-generation after Daniel Garber’s reflection upon attitudes to the intellectual past by so many of its practitioners. Garber’s own generation was “reacting against … a bundle of practices” that could be characterized by several trends (2004: 2). These included the tendencies “to substitute rational reconstruction of a philosopher’s views for the views themselves,” “to focus upon an extremely narrow group of figures,” “to focus on just a few works … that best fit with … current conception[s] of the subject of philosophy,” “to work exclusively from translations and to ignore secondary work … not originally written in English,” and “to treat philosophical positions as if they were those presented by contemporaries” (2004: 2).
Before assessing how Milkov differs in his historical approach, let us focus upon the first two theoretical chapters of his sixteen-chapter volume in order to examine the underpinnings of that approach. Whereas the vast majority of chapters draw upon a dozen articles and chapters published between 1999 and 2012, both introductory chapters implicitly provide Milkov’s readers with his most recent thinking. It occurs within the statement of his over-arching aim of transforming the “largely disparate efforts” (4), notably but not exclusively since the ‘’seventies when Michael Dummett (1981: 628ff. & 665ff.) began probing the development of Gottlob Frege and the philosophy of language (also succinctly critiqued by George Duke (2009)). Milkov believes this can be achieved by “developing a comprehensive account of early analytic philosophy as a movement that both inherited and transformed an entire spectrum of themes … in mainstream German philosophy” (4). A significant factor amongst English-speaking commentators in avoiding, if not disparaging, the role of Germanic thinking from the twentieth century’s first world war to the aftermath of the second was “socio-cultural animosity and clashing ideologies” (4).
Milkov is well aware that his effort to construct “a theoretically balanced and comprehensive, ideologically unbiased account” involves him in pursuing “pioneering figures” of analytic philosophy such as B.A.W. Russell and G.E. Moore. More particularly, it demands that he demonstrates how they probed “inherited problems and doctrines” originating in Germanic philosophical thinking “in the language and theoretical idiom of a far different cultural and intellectual environment” (5). By so doing, we find that Milkov overtly opposes five historical conceptions of what many scholars construe as the Anglo-Germanic intellectual relationship (or lack thereof) during the initial period of the analytic movement (and subsequently elaborated when dealing with “incomplete definitions” of the extended analytic movement’s “methodological” and “defining themes” (208-212)). In brief, they comprise the following objections:
[i] that, as the twelfth and sixteenth chapter in the first volume of Scott Soames (2003) might be interpreted, Kant’s analytic-synthetic dichotomy was central to early analytic projects (5, cf. 8, 11-12);
[ii] that, despite efforts to reconnect two historically divorced yet aligned traditions in Paul Redding (2007) and thereby contend that Hegel’s “grand … theories” were central, but not his methods which Milkov specifically upholds subsequently (e.g. 46ff.) (5);
[iii] that, as promoted by the likes of Kevin Mulligan and Barry Smith, Kant and his followers operated “in principle” with a “universe of ideas” totally independent of the analytic movement (5-6);
[iv] that neo-Kantians, notably Ernst Cassirer of the Marburg school, “were largely preoccupied with the philosophy of culture,” thereby ignoring their continuation of “the logicalization of philosophy initiated by Kant” (6, cf. 7, 221); and,
[v] as Dummett (e.g. 1981: xlii, 665-684) influentially maintained, that “Frege alone introduced analytic philosophy as a kind of philosophy of language” (6, cf. 12, 111, 209-210).
From the pivotal occurrence of Kant’s “recalibration” of occidental philosophy by “synthesizing logic with the rest of the field” (7), Milkov proposes the next major pivot to be neither Hegel nor Frege but Hermann Lotze. His investigations would later be identified, if not always acknowledged, as “signature concerns” of early Cambridge analyses, ranging “from the proposition, objective content—both conceptual and perceptual—of knowledge, and intentionality to the theory of logical forms, the objective nature of values and logical validity” (7). As Hans-Johann Glock (1999: 141ff.) emphasizes, the “logocentric” factor in what he regards as German analytic philosophy saw the pronounced rejection of the naturalist trend of reducing philosophy to an empirical science such as psychology to which the laws of logic were subservient and thereby functioning as little more than empirical, inductive generalisations.
The subsequent questioning of logocentric constraints rationalises Milkov upholding a distinctive, “discrete” second (or “middle”) phase of analytic philosophy initially associated with the Vienna Circle’s focus upon “problems of explanation in science” (9). Thereafter, he observes, a “clearly distinguishable” third (or “late”) phase emerged from the ’sixties with Van Quine, Thomas Kuhn, and John Rawls epitomizing “leading exemplars” of shifts into questions of translatability and interpretation, scientific revolutions and commensurability, and socio-political rules and cohesion. In sum, synoptic attempts to define analytic philosophy fail to “discriminate … different stages” (10) and thus distort historical actualities of its “multifacteted” development (11).
Chapter One ends by returning to its goal of “a fine-grained” investigation of topics “from alternative perspectives” that were “formative” of early analytic philosophy to be treated by way of its “methodology … which was more focused on descriptions than explanations” (11). Rather than impose a “monothematic,” if not hierarchical, interpretation upon actual analytic development, such as Soames’ singular notion of analysis or Dummett’s one of language (11-12), Milkov points elsewhere. We, in fact, face “concepts that survived the demise of the grand theories in which they originally figured” (13). At the same time, when “later recast by thinkers,” the “supersession of historically successive philosophical contexts, whereby seminal ideas make their way through history, explains why philosophically formative ideas are often difficult to recognize” (13). Furthermore, “the progress of these ideas was not always linear … nor was it always a function of a proximate influence” (13).
Chapter Two ends Milkov’s theoretical introduction by initially surveying attitudes of philosophers, be they analytic or other, towards their intellectual antecedents. Whilst so doing, he notes that even philosophers “cannot, in principle, write down their completely finished story” (18). This state of affairs holds irrespective of whether their successors, be they “friends or rivals,” develop “steps” suggested or even when others, attempting to demonstrate how their ideas are “constructed” or related, typically interpret such ideas as contributing to a “completely new problem” (18-19). Curiously, for a chapter devoted to the logical, systematic history of philosophy, Milkov does not pursue the conceptual consequences of history as retrospective narrative, a point to be expanded in our fourth section.
Milkov contends that the task of an historian of philosophy is fourfold, namely:
[i] explicating “elements” of the “different range and level of specific philosophical works”;
[ii] relating these elements within “a logical net” or, still metaphorically speaking, mapping them;
[iii] logically relating them to “the ideas of other philosophers: predecessors, contemporaries, successors” irrespective of whether they are “members of the philosopher’s school or group”; and, finally,
[iv] aiming to “develop them further in their authentic sense” (19).
That said, Milkov makes allowance for more implications arising from his four designated tasks. These include, for example, the need for historians—especially for those pursuing “logical connections” aiming to detail “a map without omissions” (26)—to adopt two directions. On the one hand, there is a diachronic quest for the “origins of particular concepts, problems, and theories” (20). On the other hand, there is a synchronic “reporting” about how other philosophers deploy these differently in order to “delineate … how the systematic philosophical problems and concepts, past and present, interrelate in formally determinate ways” (20). In his penultimate chapter, Milkov reframes this dual task along the lines of what Peter Strawson (1992: 17-28) once called “connective” as opposed to “reductive” analysis (203).
The foregoing may nonetheless leave readers wondering if Milkov’s fourfold set of tasks above is sufficiently explicated. Consider, for instance, why Milkov’s preferred “elements”—concepts, problems, theories—gradually focus upon the first two at the expense of the third. Consider again, how one is to construe Milkov’s metaphorical notions of “net” and “map.” The latter, as we shall consider in our final section, reveals some questionable presuppositions bedevilling theories of history applied to the realm of ideas. Finally. consider why his reference to “specific … works” omits the interpretive nature, let alone assumptions and consequences, of translations, transcriptions, and reconstructions of published and unpublished work or works; all the more so, when pitted against the goal of approaching its or their “authentic sense” (19). Is this appeal to “authentic sense” in danger of becoming embroiled in a potential dilemma? As argued in more literary circumstances by Saam Trivedi (2001), the underlying conception of communication ultimately “implies a commitment” to “the view that the correct meanings and interpretations … are fixed” or “at least … constrain[ed]” by their authors’ “actual intentions” in constructing their works (195). In other words, the problem is “an epistemic dilemma, a dilemma with redundancy as one of its horns, and indeterminancy as the other” (198). Imagine a situation in which Antonio and Alessia, archaeologists and keen students of accounts of the settlement of the Azores archipelago begin reading the fifteenth chapter of the 1894 Raymond Beazley history of “one continuous thread of Christian” European exploration and expansion across the Atlantic which “treat[s] the life of Prince Henry as the turning point” albeit one “clouded by the dearth of compete knowledge… but enough … to make something of … a hero, both of science and of action” (xvii). Both sense the above-mentioned danger of confronting them, namely, whether or not Beazley’s textual or oral sources are pervaded by ambiguity. If ambiguity is pervasive according to Antonio, the historian’s attempt to appeal to contexts if not conventions as a sufficient constituent of his sources’ meaning in cases of failed or indeterminate intentions begins to crumble. The dilemma remains if, as Alessia contends, ambiguity here is not pervasive because the sources threaten to become superfluous especially in the face of Beazley’s ideological pre-occupations.
Our previous section has in passing questioned Milkov’s conception of the goal and task of historians of (early) analytic philosophy in terms of retrospective narratives and metaphors of mapping. However, before turning to these issues in our final section, we shall pursue, albeit briefly, how the demands of a significant philosophical case-study demonstrate his actual practices. Here, we find a rich array from Chapter Three onwards. In practical terms, we would hardly expect a volume of under three hundred pages to present a fully “comprehensive,” let alone an “unbiased,” account (5); rather, it acts as a corrective by challenging engrained scholarly perspectives with alternative ones. An example of a complex major German thinker, initially rejected by Russell and Moore as intersecting with early analytic philosophy, should suffice, namely, Hegel, a pivotal figure for what is popularly called the European idealist movement.
Milkov acknowledges the recent role of Redding (2007) and Angelica Nuzzo (2010) in drawing parallels between analytic philosophy and Hegel’s approach to concepts (46). However, he elects to highlight an “unexplored” perspective of the “methods employed” not as the “genealogical connection between … two theoretical orientations, but rather … [as] their kinship” (47). His prime candidate is the “economic method of elimination” (as distinct from the “reductive” conception of analysis in which particular concepts were assigned to specific classes (cf. 49)). Early analytic philosophers, beginning with its “only one founding father,” Russell (221), deployed elimination to rid analysis of “a superfluous duplication of terms” (47). For instance, if Antonio knows the words comprising a proposition (“The Azores is Europe’s largest volcanic archipelago”), then by that very fact he knows its meaning. If his colleague Alessia can confirm that the hypogea of the Azores are products of human activity at least a millennium before European settlement from 1433, then, ipso facto, she can prove that there were ancient people and things before and beyond herself.
This method, asserts Milkov, is akin to Hegel’s mereological approach in logic to analysing the relationship between a whole or totality and its parts or elements. By so analysing the connections between parts of a whole by “the most economic type of connection between them,” Hegel can simultaneously characterize those between the parts and the whole which “are unities of individuals” (48), the latter, citing Hegel (1830: §158), functioning as “only moments of one whole.” Nonetheless, Milkov concedes that the above method specifically “related to Hegel’s dialectics” was “a major trend” amongst fin de siècle philosophers ranging from William James, a key contributor to the North America pragmatist movement, to Edmund Husserl, a major instigator of the European phenomenological movement, and not peculiar to the early analytic movement as such (49).
For Milkov, only the early Wittgenstein (1922) fully embodies Hegel’s dialectics where “every concept transforms into another concept” and thereby making it “more precise” (50). His other nominee is Rudolf Carnap who, during the middle or second period of the analytic movement’s trans-Atlantic debates over the logical quest for conceptual or definitional precision, “called the practice of analysis explication” (50). Thereafter, the relatively open-ended use of “explication”—nowadays known as “conceptual (re)engineering”—by advocates in philosophical and psychological fields has seized upon experimentally or experientially driven applications of theoretical enquiries. Whereas Milkov subsequently concentrates upon Susan Stebbing’s criticisms (e.g. 186-187), the contested arguments of Quine and Strawson amongst others continue to reverberate. These include, for example, the viability of securing necessary and sufficient conditions; the validity of distinctions between analytical and empirical truths; the separation of denotative and connotative meanings; the division between semantic and pragmatic kinds of context and reference; and the methodological question of whether “explication” ultimately alters the subject of enquiry or forcibly resolves it by way of implicit stipulation.
Hegel’s mereological approach above carries implications for its relationship to the “absolute” or “absolute idea” which Milkov construes more generally amongst German idealists as determining “the characteristics and behavior of all individuals that fall under it with necessity of a law” (62). Later, focusing upon the early Russell under the specific influence of Lotze, Milkov claims that Russell, when first emphasizing “the logical discussion of metaphysical problems,” conceptually distinguished between space and time “as consisting of relations” and “as adjectives to the absolute” (89). What is ignored here is an alternative account of the “absolute idea” which, according to Markus Gabriel (2016), is grounded in “methodological assumptions designed to guarantee the overall intelligibility of what there is, regardless of its actual natural, social or more broadly normative structure” (181). Gabriel’s challenging perspective centres upon “how reality as a whole is the main topic of Hegel’s philosophy” which includes the crucial task in the face of scepticism of “accounting for the presence of self-conscious thinking in nature” (2018: 383). Irrespective of the merits of this alternative, it compels intellectual historians to ask if early analytic philosophers realised that Hegel’s “absolute idea” was not a first-order metaphysical method for disclosing, in Gabriel’s words, “the composition of ultimate reality in the sense of the furniture of mind-independent fundamental reality” (2016: 185).
There is something else Milkov largely seems to overlook in his treatment of Hegel’s mereological mode of dialectical analysis which only tangentially comes to the fore when his sixth and seventh chapters delve into Lotze’s focus upon the logical relations within judgements and its influence upon Russell and Moore (e.g. 73-74 & 76-77). For many readers, especially those more familiar with the third (or “late”) phase of analytic philosophy and its persistent debates about semantic holism, curiosity centres upon the extent to which the early analytic phase and its German antecedents wrestled with holistic assumptions. Yet only passing mention of Moore’s widely disseminated and influential Principia Ethica is made. Milkov simply remarks that the volume was “developed around the concepts of ‘organic unity’” or organic whole in a “quasi-Hegelian manner” (49)—notably, it may be added, in terms of the intrinsic and non-intrinsic values of whole and parts (e.g. 1903: §18-23, 27-36)—without any explicit mention of Lotze.
From an historical perspective, amongst the basic conceptions upheld by the generation of the late nineteenth and early twentieth century, the organic kind, as Dennis Phillips has long argued, took root in efforts to deny the adequacy of atomistic or mechanistic assumptions associated with the physical and chemical sciences of the day when applied, for example, to conscious beings, human societies, or even “reality as a whole” (1976: 6). Why? Because the “parts of an organic system are internally related to each other” (1976: 7). Internal relations are commonly explained by such propositions as the “whole determines the nature of its parts”; “parts cannot be understood … in isolation from the whole”; and, parts are “dynamically” inter-dependent or -related (1976: 6). To accept internal or intrinsic relations, continues Phillips, rapidly leads to the contestable belief that “entities are necessarily altered by the relations into which they enter” (1976: 8). Hegel’s mereological approach in, for example, The Science of Logic is replete with holistic assumptions. This becomes all the more so as Hegel probes the “essential relation” in that work’s 1813 The Doctrine of Essence as “the relation of the whole and the parts” wherein the whole “consists of the parts, and apart from them it is not anything” (1813: 449-450). Because the whole “is only relative, for what makes it a totality is rather its other, the parts” (1813: 451), Hegel unhesitatingly declares:
Nothing is in the whole which is not in the parts, and nothing is in the parts which is not in the whole. The whole is not an abstract unity but the unity of a diversified manifoldness; but this unity within which the manifold is held together is the determinateness by virtue of which the latter is the parts. (1813: 452)
In sum, we might ask, would focusing upon Hegel’s holistic commitments give us a more cohesive framework for explaining why the development of early analytic philosophy hinged upon overtly rejecting them for several decades at least? Or, if Milkov’s cryptic remarks about Hegel’s dialectical approach (e.g. 46-51, 75-76) tempt us to accept the reconstruction proposed by Gabriel (2011: 104-119), might this, in turn, explain why early analytic philosophers misinterpreted Hegel’s concept of the absolute in so far as it was premised on the “dialectical failure of transcendent metaphysics” from Kant onwards?
The last two chapters deftly portray three key issues motivating Milkov’s monograph which some readers may find worthwhile reading first of all before retracing earlier chapters for the expository details. These key issues include the emergence of two dominant conceptions of analytic philosophy influencing its subsequent factional development which, as Gordana Jovanović (2010) unwittingly demonstrates, echoes tensions within the early history of psychological theory and practice. Thereafter, Milkov turns to the resultant proliferation of incomplete, and often implicitly reified methodological, definitions of analytic philosophy. Finally, he ends Early Analytic Philosophy and the German Philosophical Tradition with what amounts to a manifesto for the future renewal of analytic philosophy partly by contrasting its fundamentally asymmetric relationship with “continental” philosophy and partly by looking to how reconnecting to scientific developments promises its theoretical interdisciplinary enrichment (217ff.).
Milkov’s closing chapters seek “to articulate a clear definition” based upon “the findings” of his preceding chapters and to “foster a more historically informed and theoretically nuanced understanding of analytic philosophy in general” (208). This statement returns us to his initial one about the ideal goals and tasks facing the historian of philosophy: “a theoretically balanced and comprehensive, ideologically unbiased account” (5). As noted in our previous sections, this left at least two historical issues in abeyance which we rather tersely associated with the retrospective character of narratives and the misleading metaphors of mapping. We shall briefly conclude by questioning the presuppositions of these and related issues whilst drawing upon recent re-conceptualisations of the crucial explanatory dimension of history of philosophy.
To ask Milkov what the criteria are that mark an historical account of analytic philosophy as balanced, comprehensive, and unbiased may well be accompanied by such questions as “From whose perspective?” or “By what objective measure?” More unsettling here is the possibility that we are dealing with an idealised set of attributes. How, were this the case, would we ever recognise a comprehensive or an unbiased historical account? The contrast with actual historical accounts immediately shifts our focus. For example, the question might now become whether any historical narration of the occurrences and persons said to be instrumental in the formation of the analytic movement—the role, for instance, assigned to the neglected Dimitri Michaltschew and Johannes Rehmke (153ff.) or Jacob Fries and Leonard Nelson (167ff.)—changes with each re-description by the historians involved, irrespective of whether their chronological, let alone intellectual, scope is relatively narrow or expansive.
Or, to change tack, do individual re-descriptions multiply other kinds of consequences facing historians of analytic philosophy? For example, if Dummett identifies Frege, Redding identifies Hegel, and Milkov identifies Lotze as pivotal to the development of early analytic philosophy, have we become trapped between Scylla and Charybdis, between accepting, on the one hand, a multiplicity of different pasts, different formative occurrences and persons, different causal sequences and accepting, on the other hand, an incapacity for historical accounts to become synthesized and for historical understanding to accumulate? Again, do we confront another consequence? To what extent is any historical narration ultimately a product of imaginative re-enactment where the historian has, as R.G. Collingwood proposed, “no direct or empirical knowledge of … facts … no transmitted or testimonial knowledge of them” (1936: 282)? Hence, when probing the formation of analytic philosophy, the historian is not engaging in an act of recollection where “the past is a mere spectacle” as distinct from being “re-enacted in present thought” (1936: 293). If so, how are we to defend the historical reconstruction’s claim to have disclosed the truth of the matter? Would it be feasible here to appeal to all narrated propositions within the account as not only constituting the facts but also corresponding to a past and actual state of affairs? Or would it feasible to presume that the narrative account is simply justified by an appeal to generalisations about intellectual influences, the Zeitgeist, which map particular occurrences and persons as necessary to the historical terrain being explored, namely, how the nineteenth-century German philosophical tradition or a pivotal figures within it influenced the early twentieth-century analytic movement? In turn, is that historical act of mapping or charting the means for automatically justifying what is therefore construed as significant and hence worthy of inclusion?
The foregoing questions, drawing upon the concerns of Louis Mink (1987) amongst others with the very idea and practice of history, emphasize that the past is not somehow immutable and unchanging, that the past is not somehow awaiting historical discovery to be told (by analogy with the excavations undertaken by our archaeologists, Antonio and Alessia, in the Azores archipelago). Rather, as Mink (1987: 140 & 79) contends, historical enquiries plumb developmental processes retrospectively. Being written from at least one particular perspective at the historian’s time and place, his or her account is thereby characterized by its “conceptual asymmetry” with the antecedent time and place under examination. In that respect, Milkov can be rightly seen as taking particular care over what might be implied and thus translated by Lotze’s concepts (e.g. 98ff.) that have misled Anglophone commentators and translators. Furthermore, Mink portrays a distinctive feature of historical accounts. Their significant conclusions are not so much a mathematical quod erat demonstrandum as what the preceding narrative “argument” aims to have “exhibited”: “they are seldom or never detachable” so that “not merely their validity but their meaning refers backward to the ordering of evidence” (1987: 79).
Finally, as Paul Roth (1989: 468ff.) suggests, there is a “logic internal” to the way in which a narrative account proves explanatory by using “cases … taken to be exemplary instances of problem solving.” In the course of so saying, Roth seems to have provided us with a set of criteria by which any historian of philosophy, Milkov included, can be evaluated. Does the historical account under examination establish the significance of the occurrence or the event, the person or the puzzle; what is problematic about that occurrence or event, person or puzzle; why have other rational reconstructions failed; and how has the narrative presented solved the problem set (1989: 473).
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While Hegel has long been acknowledged as an important influence upon several figures within the phenomenological tradition, the relation of his system to the movement’s founder, Husserl, has been largely overlooked. Husserl’s few, and – for the most part – unenthusiastic references to Hegel, together with the anti-Hegelian attitudes of his teacher, Brentano, have seemed, for most, to suggest that there is nothing to learn from comparing Husserl’s thought with Hegel’s, however much Hegelian and Husserlian themes are to be found combined in the works of subsequent phenomenologists. As such, the recent collection of essays, Hegel and Phenomenology, edited by Alfredo Ferrarin, Dermot Moran, Elisa Magrì and Danilo Manca, represents a most welcome contribution to current debates concerning Hegel’s legacy for Continental philosophy, and the affinities between Hegelian and Husserlian approaches. The collection leans very much towards Husserl, with eight of its eleven chapters centring upon Husserl’s relation to Hegel. Other members of the phenomenological tradition, customarily thought closer to Hegel, are less well-represented here, although there are very interesting chapters on Heidegger, Merleau-Ponty and Ricœur, each of which makes an original contribution to phenomenology scholarship while offering a distinct perspective from which to assess Hegel’s twentieth century legacy.
Although several of the contributors note significant agreements between Husserl and Hegel in earlier works, it is no surprise that the Hegelian motifs in Husserl’s project are most apparent in the posthumous Crisis of the European Sciences and Transcendental Phenomenology. Whether or not Husserl himself became conscious of his affinities with Hegel, his successors in the phenomenological tradition were not slow to appreciate the Hegelian implications contained within a post-Kantian philosophy of subjectivity once it has become sensitive to the importance of intersubjective and inherited historical factors conditioning the subject’s understanding of its experience. The first three chapters of the collection are therefore specifically devoted to interpreting Husserl’s Crisis text in the light of such Hegelian motifs. Chapters four and five compare methodological approaches in Hegel’s phenomenology, whereas chapters six, seven and eight make subjectivity their central theme. The remaining three chapters examine Hegel and Husserl by way of Adorno, Ricœur and Sellars.
The first chapter of the collection, by Dermot Moran, delivers a fascinating account of Hegel’s passage from disrepute to prestige during the early history of the phenomenological movement. As Moran explains, Hegel’s reputation suffered enormously in Germany during the second half of the nineteenth century, when the call for a return to Kant left Hegelian speculative idealism discredited as an extravagantly metaphysical position vulnerable to epistemic critique. Brentano typifies the anti-Hegelian attitudes of this period in German philosophy, identifying Hegel as part of an irrationalist wave terminating a cycle of philosophical progress. The monumentally influential lectures of Koyré, Kojève and Hyppolite notwithstanding, however, Moran shows Heidegger’s rehabilitation of Hegel to pre-date these developments in France, so that it is in Germany that Hegel’s journey to phenomenological respectability originates. Moran stresses the importance of Heidegger’s Freiburg lectures on the Phenomenology of Spirit in restoring Hegel’s esteem amongst a new generation of phenomenologists, and devotes particular attention to Finks’s Hegelian inheritance and its possible influence upon the ultimate shape of Husserl’s Crisis text.
Husserl’s early disregard for Hegel aside, Moran clearly identifies deep affinities between Hegel’s treatment of subjectivity in terms of historically developing intersubjective Spirit and the concerns of the Crisis, examining possible sources of conscious or unconscious Hegelian influences upon this work. Moran’s assessment of the Hegel-Husserl relationship is compelling, original and productive, opening a route to significant re-evaluation of a pairing frequently regarded as fundamentally incompatible. Moran arguably overstates Hegel’s proximity to Husserl, however, on the crucial and much-contested issue of transcendental philosophy – a matter of decisive importance in assessing Hegel’s place in the post-Kantian tradition. Whereas Husserl never abandons his commitment to transcendental methods following his 1907 Kantian epiphany, Hegel’s consciously anti-Kantian methodology greatly complicates efforts to classify him as a transcendental philosopher in any straightforward, unqualified sense.
The complex relationship between Hegel’s system and Husserl’s later work is further examined in the second chapter of the collection, by Tanja Staehler, which addresses their respective treatments of history and teleology. Whereas, according to Staehler, both thinkers identify a purposiveness in European history, and an orientation towards a telos, Hegel takes the goal of history to have been prescribed in advance by the logic of the Absolute Idea, while Husserl allows for changes in historical trajectory owing to the revisability of its telos. In spite of a common teleological approach to historical understanding, Husserl and Hegel differ very significantly, according to Staehler, in their treatments of the future. For Staehler, Hegel’s omnivorous system struggles to accommodate genuine spontaneity into its grand design, which entails that the horizons of historical possibility completely fixed by a process which achieved maturation in the early nineteenth century. Husserl, however, is better able to acknowledge contingencies of time and culture not anticipated in the historical experience of any given community. As such, the future never loses its potential for radical novelty on Husserl’s account, according to Staehler, who takes Husserl to deny the possibility of an ‘absolute’ perspective from which all historically-conditioned limits of understanding are overcome.
Those who are sympathetic to Hegel shall no doubt take issue with Staehler’s familiar objection that there is no contingency or spontaneity worthy of the title in Hegel’s treatment of history. All the same, Staehler identifies a crucial point of disagreement between Hegel and Husserl, insofar as Husserl treats the telos of European history as originating within a specific historical life-world, whereas, for Hegel, teleology involves the realisation in space and time of a conceptual order originating elsewhere. As such, Staehler is well-supported in maintaining that Husserl’s historical teleology is more modest in its claims than Hegel’s.
Danilo Manca’s chapter – the third of the collection – compares Hegel’s and Husserl’s respective treatments of the history of philosophy, with particular focus upon their differing relations to Kant’s approach to the same topic. Beginning with a discussion of Kant’s position, Manca outlines the notion of a ‘philosophizing history of philosophy’ which Kant introduces to distinguish a narrative of specifically philosophical significance within the events leading from Thales to the Enlightenment. Although the first Critique presents the history of philosophy as a cyclical process of metaphysical indulgence and sceptical renunciation, Manca notes evidence from Kant’s posthumous documents suggesting a more progressive interpretation of the same events, whereby reason’s own nature entails its elaboration over time. According to Manca, Hegel and Husserl are Kant’s successors in the project of a philosophizing history of philosophy, each seeking for an underlying rationale and a generally progressive direction to the same historical sequence of events.
Manca’s contribution is the first of the collection to discuss in detail the shared Kantian inheritance to the Hegelian and phenomenological movements, and his comparison of Hegel’s and Husserl’s respective accounts of the history of philosophy neatly illustrates their points of departure from a common ancestor. Manca notes that, for Hegel, contingencies in the historically-situated articulations of the Absolute Idea are the result of the spatiotemporal medium in which reason strains to express itself, whereas Husserl understands the same contingency to originate in more mundane cultural differences. Ultimately, Manca concludes, Husserl remains closest to Kant, insofar as he interprets the history of philosophy as orbiting around a set of problems, rather than as the unidirectional process by which reason realises itself over an organic series of stages. Whereas, for Hegel, history articulates a conceptual structure outlined in the Science of Logic, Husserl recognises no such extra-historical standard informing history’s development.
Hegel’s critique of immediacy and its implications for Husserl’s foundationalist project provides the theme for Chapter Four, by Chong-Fuk Lau, in which it is argued that Husserl came ultimately to concede the impossibility of the very presuppositionless standpoint to which his epoché had been intended to facilitate access. As Lau notes, Hegel and Husserl are similarly committed to the possibility of a rigorously scientific and presuppositionless philosophy, differing principally over whether presuppositionlessness is the feature of a starting-point or a system taken as a whole. Lau is sympathetic to Hegel’s anti-foundationalism, which he takes to fatally undermine the pursuit of ultimate beginnings to which Husserl is committed in his transcendental phenomenology. According to Lau, whereas Hegel had shown that there is nothing altogether free of mediation, Husserl’s performance of the epoché is intended to facilitate a radical beginning from which all mediation has been expelled. For Lau, there is simply no room for compromise between Husserl and Hegel over this Cartesian methodological issue, and Husserl’s appearance of having moved closer to Hegel by the time of the Crisis is the result of his having abandoned his earlier foundationalist ideals.
Lau’s expert discussion of Hegel compellingly makes the case for a fundamental incompatibility between Hegel’s method and that of the Husserlian transcendental phenomenologist. Whereas, however, he is on secure ground in maintaining that Heidegger or Gadamer represent greater prospects for a phenomenological appropriation of Hegelian insights than is afforded by Husserl’s transcendental phenomenology, his claim that the Crisis involves a complete reversal of earlier foundationalist aspirations is more questionable. The ideal of “European science” to which Husserl re-affirms his commitment in the Crisis does not significantly differ from that which he presents in the Cartesian Meditations, and Husserl does not suppose his greater attention to the life-world to undermine earlier aspirations.
Chapter Five, the first of the collection specifically to compare Hegel and Heidegger, is by Antoine Cantin-Brault and examines Hegel’s and Heidegger’s respective understandings of the Heraclitean logos. In its profounder sense, as the principle (arche) of nature (phusis), logos may, according to Cantin-Brault be understood either as (i) the dialectical and determinate truth of being, or as (ii) the unveiling of that which is concealed. Although Heraclitus does not, Cantin-Brault maintains, explicitly make any such distinction, Hegel interprets Heraclitean logos from the first perspective, whereas Heidegger’s interpretation emphasises the second. For Cantin-Brault, Heidegger’s approach to Heraclitus is mediated by a Hegelian interpretation which he tries, and ultimately fails, to overcome. As such, Cantin-Brault argues, Heidegger is unsuccessful in his attempt to understand Heraclitean logos apart from Hegelian dialectic. Hence, for Cantin-Brault, as for Hegel, Heraclitus is a dialectical thinker, in whose work a process of rational self-articulation is driven by the dynamic relation between certain fundamental concepts. Indeed, Cantin-Brault maintains, it was Heraclitus that first instituted a logos which provides Hegel’s philosophy with its central governing principle.
Heidegger’s changing approach to Heraclitean logos, and his disagreements with Hegel on this matter, are, according to Cantin-Brault, illustrative of differing understandings of the nature of ontology, and Heidegger engages differently with Heraclitus before and after his famous Kehre. Cantin-Brault’s chapter strikingly highlights the very different issues relevant to comparing Hegel with either Heidegger or Husserl, and marks quite a thematic departure from the previous, more Husserl-focussed contributions. This is apparent not only in the respectively epistemic and ontological priorities which distinguish Husserl and Heidegger, but also in their divergent attitudes towards the pre-Socratics. Although Plato marks a watershed for both Husserl and Heidegger, he is, for Husserl, the first true philosopher, and for Heidegger, the initial step to modernity’s ontological forgetfulness.
In Chapter Six, Andrea Altobrando compellingly makes the case that, from the time of his transcendental turn, Husserl came to share with Hegel a commitment to the pure ego as a necessary abstraction from the concrete self. After the initial Humean-Brentanian scepticism towards the unified self which he displays in the Logical Investigations, Husserl moves, according to Altobrando, in the contrary direction, acknowledging the pure ego as a necessary condition of any possible experience. Like Hegel, however, in the Phenomenology of Spirit and Philosophy of Mind, Husserl is not, Altobrando shows, committed to Cartesian substance dualism, but recognises the pure ego as an abstraction from a more concrete self, upon which it is therefore ontologically dependent. Both Hegel and Husserl, Altobrando maintains, recognise a demand to develop a more concrete understanding of one’s ontological identity which is not, therefore, merely abstract. For Hegel as well as Husserl, the pure ego, according to Altobrando, is entirely barren of content, simple, indeterminate and negative, without being unreal. Such an abstract pure ego is, Altobrando maintains, necessary for both Hegel and Husserl in order to accommodate the possibility of free agency and the intentionality of consciousness.
With this discussion of the pure ego, Altobrando highlights a feature of Husserl’s philosophy which might – in view of his well-known Cartesian inheritance – initially be thought to disqualify any prospect of overlap with Hegel, and shows that such impressions are unfounded. What is more, as Altobrando explicitly remarks, the comparison of Hegel’s and Husserl’s respective views concerning the pure ego represents a large and difficult project with very significant potential for re-assessing the prospects for dialogue between Husserlian and Hegelian traditions. As such, Altobrando’s contribution indicates the beginning of an exciting and promising larger project concerning the place of the pure ego in Husserl’s thought and Hegel’s.
Chapter Seven, by Alfredo Ferrarin, examines the much-neglected topic of Hegel’s and Husserl’s respective views concerning the imagination and, in so doing, identifies fascinating and unexpected points of agreement between the two thinkers, along with more predictable disagreements. According to Ferrarin, Hegel and Husserl share, first, a common Humean target, and, second, an understanding of the mind as stratified into layers of capacity which support and build upon one another. Unlike Hume, who recognises only a difference in degree of liveliness and vivacity between the ideas and impressions which furnish the contents of the mind, Hegel and Husserl recognise logically irreducible functional differences between the imagination and other subjective capacities. Such capacities are vertically ordered, for Hegel and Husserl, each of whom maintains that the capacity for sensible perception is conditional and grounded upon that of imagination.
Whereas, for Ferrarin, Hegel stresses the continuities between imagination and perception, Hegel emphasises their discontinuities, but both acknowledge a mutual dependence between the possible representation of the real and that of the unreal. In accordance with their contrasting methodological approaches, however, Hegel and Husserl differ very significantly, according to Ferrarin, in their assessments of the philosophical role of the imagination. Husserl’s eidetic discoveries are presented as the products of phantasy or imaginative variation, whereas Hegel understands the imagination as an intermediate stage on subjectivity’s self-propelling journey towards the pure Idea, wherein the sensible content of one’s representations is abstracted and their logical form laid bare to the contemplation of speculative intelligence. Since for Hegel it is the business of philosophy to transform representations into thoughts, the products of imagination are, in spite of their necessary contribution in facilitating the possibility of sensible knowledge and experience, part of what needs to be overcome in effecting the self-mediated transition from ordinary consciousness to philosophical science.
In her chapter – the eighth of the collection – Elisa Magrì argues that Hegel and Merleau-Ponty confront a similar paradox concerning expression, and pursue a common strategy in response. According to Magrì, the concept of expression occupies a central role in Hegel’s thought and Merleau-Ponty’s, but is in neither case to be understood in terms of the manifestation of a pre-existing logos. Beginning with Kant’s account of genius in the third Critique, Magrì shows that, for Kant, expression involves the spontaneous production of a representation which is communicable to others without having been generated according to a fixed procedure or rule. Expression takes on a broader systematic role for Hegel and Merleau-Ponty, Magrì maintains, both of whom employ genetic description to make sense of its pervasive significance in every aspect of thought and subjective experience. Magrì examines Hegel’s discussions of the concepts of expression and manifestation in the Science of Logic and identifies how their respective shortcomings contribute to the emergence of the self-conditioning concept which is the articulation of its own significance. Hegel’s account of expression in the Philosophy of Subjective Spirit is then explored in depth and its systematic connections with the argument of the Logic brought into view.
Merleau-Ponty is seen to agree with Hegel in treating expression properly understood as the origination of meaning, rather than the making publicly available of a privately originating significance. According to Magrì, expression depends, for Hegel and Merleau-Ponty, upon a complex dialectical interplay of activity and passivity, the importance of which for their respective post-Kantian approaches is difficult to overstate. Such a dialectic is particularly well-illustrated, Magrì suggests, in Hegel’s and Merleau-Ponty’s respective accounts of the processes by which the body becomes habituated to the expression of meaning – a series of developments involving moments of subjectivity and objectivity, interiority and exteriority.
Chapter Nine, by Giovanni Zanotti, represents something of a change in direction for the collection, with Hegel taking a step into the background and his place being filled by one of his most important twentieth century enthusiasts – Theodor Adorno. Zanotti examines Adorno’s Hegelian critique of Husserl’s commitment to a presuppositionless first philosophy grounded in the immediate deliverances of intuition. According to Zanotti, Adorno shows Husserl’s ambitious foundationalist project to fall victim to Hegel’s critique of pure immediacy, insofar as Husserl falsely assumes the possibility of an immediate foundation to knowledge which is yet able to mediate the transfer of epistemic support to propositions to which it must therefore stand in relations of mediation. Zanotti explicitly maintains that Adorno’s critique is effective specifically against such earlier Husserlian works as the Logical Investigations, leaving open the possibility that Husserl may be less vulnerable to such criticisms in the Crisis and related works of that period.
What is especially interesting about Zanotti’s admirably lucid and finely-crafted chapter is the way it explains Adorno’s discovery of an unintended dialectical tendency in Husserl’s work. According to Zanotti, Adorno shows that Husserl is led, in spite of himself but nonetheless through a kind of logic immanent within his position, to qualify the earlier Platonic realism of the Logical Investigations in recognition of a necessary subjective ground for the logical concepts he intends to elucidate without, however, sliding into the naïve psychologism which, Adorno maintains, Husserl was right to reject. As such, Zanotti’s chapter amplifies a theme recurrent throughout the collection – that in spite of his ignorance of and early antipathy to Hegel’s thought, the trajectory of Husserl’s philosophical development is towards increasingly greater proximity to Hegel. This is not to deny, however – as Adorno well-recognises – that the one-sidedness of Husserl’s earlier works indicates a genuine insight.
The penultimate chapter of the collection, by Gilles Marmasse, explores Ricœur’s ambivalent assessment of Hegel’s system and its legacy. According to Marmasse, Ricœur understands Hegel’s absolutist ambitions as a temptation which must be resisted, but the renunciation of which cannot be experienced without a sense of profound loss. For Ricœur, the events of the twentieth century have made it impossible to subscribe any longer to the self-grounding and totalising conception of philosophy which Hegel offers in reply to the finitude of the Kantian system, without having eliminated the appeal of such an ideal. The contemporary predicament is well-illustrated by the remarkable fascination which Hegel’s system retains, according to Ricœur, notwithstanding that it is no longer possible seriously to regard philosophy as party to anything else than a partial interpretation of the multifaceted cultural environment to which it belongs and by which it is conditioned.
Ricœur exaggerates Hegel’s dogmatic proclivities, according to Marmasse, who confronts Ricœur’s familiarly speculative interpretation of Hegel with a more deflationary approach which emphasises the Hegelian ambition to accommodate contingency and particularity within the system without annihilating their status as irreducible moments of a greater whole. Contrary to Ricœur’s inflationary reading, Hegel’s notion of Spirit does not, Marmasse maintains, commit him to any disembodied extra-human agency. All the same, according to Marmasse, Ricœur’s criticisms of Hegel retain, in spite of their shortcomings, a contemporary value and interest, especially in respect of their highlighting of authoritarian implications in Hegel’s theory of the state. Marmasse’s chapter is especially interesting in the way it exemplifies a phenomenon frequently remarked upon in the history of Hegel’s reception – namely, the peculiar allure of his system even for those seeking to identify its failings, and the apparent impossibility of ‘getting beyond’ Hegel – with whom it therefore seems necessary to remain in continued dialogue.
Daniele De Santis concludes the collection with a chapter defending Husserl against charges of the kind raised by Sellars’s monumentally influential critique of the myth of the Given. As De Santis remarks, Sellars’s Empiricism and the Philosophy of Mind is often taken as the original source of a Hegel renaissance within analytic philosophy by which Cartesian approaches of the kind which Husserl advocates have been largely discredited. De Santis identifies three aspects of Sellars’s Hegelianism; (i) a ‘three-fold critique’ of givenness, comprising epistemological, metaphysical and genetic elements, (ii) a historical counter-account to a received view of Hegel’s relation to Cartesian philosophy, and (iii) a conceptual holism subsequently embraced by Brandom and McDowell. According to De Santis, Sellars intends for his initial attack against sense-datum theories to open a route towards the rejection of a general picture of givenness of which no philosopher has been altogether innocent. Sellars’s self-described Méditations Hégéliennes are intended to recall Husserl’s Méditations Cartésiennes, De Santis maintains, and therefore to implicate Husserl as complicit in the myth which Sellars means to unveil and dispel.
Identifying a problematic conception of evidence as the core of Sellars’s three-fold critique of givenness, De Santis proceeds to argue that performance of the transcendental-phenomenological reduction, or epoché, leads Husserl to reconceive of the intentional object as the product of acts of transcendental synthesis. Appearances are not mere isolated ‘givens’ according to Husserl, but originate within a normative network of combination-guiding principles which has more in common with Sellars’s conceptual holism than analytic Hegelians have yet to recognise. De Santis’s contribution carries the welcome implication that the so-called ‘Hegelian turn’ in recent analytic philosophy need not preclude productive engagement with phenomenology, any more than phenomenologists have been prevented from making significant contributions to Hegel scholarship or to contemporary understandings of Hegel’s current relevance.
The omission of chapters devoted specifically to Sartre, de Beauvoir and Gadamer and their respective responses to Hegel is perhaps surprising, although a volume addressing each of the major figures of the phenomenological movement would have significantly increased the length of the collection and shifted its focus away from the movement’s founder. Certainly other phenomenologists are more explicitly indebted to Hegel, and Husserl is one of the least obviously ‘Hegelian’ figures of the tradition, but the collection’s unusual attention to Husserl’s widely unacknowledged affinities with Hegel’s thought is, for this very reason, amongst its many virtues. Few other collections offer such thorough studies of the congruences and points of departure between Hegel’s ambitious project and the tradition of philosophical research originating with Husserl, without failing to respect the complex unity of the phenomenological movement as a venture of Husserlian origin. The essays in the present volume – the result of a conference on “Hegel and the Phenomenological Movement” held in Pisa in 2014 – collectively and compellingly make the case for a fresh approach to the relation between Hegelianism and phenomenology, which does not assume Husserl’s basic philosophical orientation to be antithetical to Hegel’s but sees both traditions as responses to a common Kantian heritage and capable of productive cross-fertilisation in the development of anti-naturalist strategies centring upon the meaning-constitutive priority of historical subjectivity. Such a re-evaluation – it might reasonably be hoped – shall be met with enthusiasm by an audience which has become impatient with dismissive treatments of Husserl as a naïve Cartesian, radical only in his uncompromising foundationalism and unmoved by the era-defining concerns which have, since the mid-twentieth century, made Hegel increasingly difficult to ignore for analytic as well as Continental philosophers. While the history of the phenomenological movement has typically been seen as one of successive heretical departures from an original Husserlian ideal of ‘philosophy as rigorous science’ and the greater acceptance of a hermeneutic and historicist approach antithetical to Husserl’s, the present collection invites readers to question such received wisdom by considering the Hegelian potential implicit in Husserl and re-examining his legacy from a perspective informed by Hegel.