Joel Smith: Experiencing Phenomenology: An Introduction

Experiencing Phenomenology: An Introduction Book Cover Experiencing Phenomenology: An Introduction
Joel Smith
Paperback £21.24

Reviewed by: Owen Earnshaw (Durham University)

As the Conclusion to Experiencing Phenomenology suggests, this book encourages us to dwell in Phenomenology[1] in order to judge its claims adequately and in doing so provides a much-needed bridge from contemporary philosophy to the world of Phenomenology. It starts out by providing a basic orientation to the problems of Phenomenology along with a brief history of the subject, but then dives straight into dealing with specific issues starting with an account of intentionality, objects, properties, events, possibilities, before then addressing the meaty subjects of self, embodiement, Others and emotions. Smith provides a good introductory overview of the main authors of the phenomenological tradition namely Husserl, Heidegger, Sartre, Merleau-Ponty and Stein and relates the theories from these authors to contemporary debates in a range of philosophical disciplines. In this review I will focus upon 4 lacunas in the text and explore whether they can justifiably be left out. In examining gaps in the text I do not wish to say that the text does not function extraordinarily well as an introductory text, but rather to analyse the authors attempt to relate Phenomenology to contemporary concerns and investigate whether such a ‘fusion of horizons’ (Gadamer: 2004) would require a more involved and careful handling of such a project than there is room for in an introductory text.

Competing Visions of Phenomenology

My first qualm about the text is the way a range of authors are presented in conjunction with each other in attempts to solve particular philosophical problems. The first problem Smith addresses is the phenomenological method itself and in doing this he pits Husserl ‘science of experience’ against Heidegger’s attempt to work out the ‘question of the meaning of Being’. The main problem here is that for a beginner this leaves out the central motivations for each thinker’s position. It would be uncontroversial to say that Heidegger and Husserl are up to very different things in their texts, and the same could be said for Sartre and Merleau-Ponty later on in the book. To present them as attempting to address certain specific problems in different ways would seem to stretch to the point of distortion their very particular approaches to the subject. The problems faced by each of the authors covered are bound up with their method, which is itself a question for them that they deal with as part of the outworking of their position. A concern with method is an aspect that is salient in much of ‘continental’ philosophy. Smith writes in the Preface, “[o]ne last thing: you won’t find the terms ‘analytic’ or ‘continental’ in the pages that follow. Good riddance” (Smith 2016: XV). Now the motivation for this statement is presumably that we have come to a point in the Anglophone philosophy where such terms are outdated and unnecessary. Smith maybe has other reasons for wishing to banish these terms from his book that he doesn’t mention, but a clarification of this statement would be good. However, it would seem that these terms can still usefully be applied if it is possible that there are different traditions behind the work done in mainly French and German Phenomenology and contemporary anglophone Philosophy of Mind or Metaphysics. And maybe the divide needs a more careful handling rather than just to ignore it. I will look at these questions in section 3. Suffice it to say that an introductory text might need to give a map of how Phenomenology is significantly different from other fields of the subject that is philosophy and at least nod towards the division that there has been in the past between at least two ways of doing that subject.

To return to the central point, with Husserl’s phrase “back to the things themselves!” we encounter a subject that wants to found a new beginning for itself as Descartes did and is very aware of its relation to the history of philosophy. Arguably this tradition of philosophy is much more dependent on personalities shaping the discipline and the student must be made aware of this. Wanting to find what is common to all Phenomenology is understandably an important concern for an introduction to the subject, but to really dwell in the subject any text on Phenomenology needs to question its own methods in relation to the history of the subject. Questions such as “Is what I am doing here authentic?” arise in relation to any engagement with the work of Heidegger or Sartre. “Can my work in this field be seen as scientific?” is a question that comes out of looking at Phenomenology with Husserl and maybe this is the method that Smith finds works best for what he has in mind and there is evidence that he sees the subject as a collaborative enterprise, where solutions to problems are worked out through argumentation, from the conclusions that he gives to each chapter. And this indeed is an appropriate methodology for an introductory guide. However the fact that the question of method for the text is never itself given an airing means that students are left with a rather disjointed exposition of fragments of the authors’ works and some of the most exciting parts of Phenomenology are left untouched. The most glaring omission to my mind is the absence of Sartre in the chapter on Other Minds, instead including Stein on empathy. This felt very unsatisfactory considering the original phenomenological analysis of shame Sartre gives as the basis for our knowledge of Other Minds and the vignettes he uses to illustrate this. Now this could be because Stein is more incisive here (and also this choice can be seen to grow out of the preceding chapter on embodiement) but it might be instead that Smith chose this author as being more in line with ‘analytic’ concerns and so a phenomenological treasure is passed over.

The Importance of Psychopathology in the Phenomenological Tradition

It would seem very unfair to point out particular subjects that an author omitted in an introductory work where tough choices will have had to be made about what to include considering the accessible size of the volume. However, for reasons I will elaborate, psychopathology is central to an understanding of the subject of Phenomenology and at least deserves a mention on the basis of its contribution to methodology. Phenomenology aims at an accurate description of the structure of experience and in order to do this it needs examples. Smith goes back again and again to his contemplation of his place of work to illustrate phenomenological points. This could reasonably be thought of as normal experience. The critical thing about psychopathology (particularly of cases of delusions, hallucinations and unusual bodily and self experiences) is that it enables us to look at abnormal experience and see what the structure of experience must be in terms of extremes. It provides real cases for giving conclusions about the imaginative thought experiments found in the method of Husserl’s eidetic reduction. Jaspers (1997) is the main exemplar of the tradition of phenomenological psychopathology and his General Psychopathology from 1923 is still in circulation among psychiatrists to this day. Although Smith occasionally peppers some of his arguments with psychiatric cases, Jaspers is mentioned only once in passing and not in relation to psychopathology. There is a grand tradition of phenomenological psychopathology including the Zollikon Seminars by Heidegger (2001) and it is currently in ascendency among philosophically inclined mental health professionals and some mention of it would have helped show a wider view of the subject and its potential practical ramifications. The need to reflect on out of the everyday experiences should be highlighted to the student new to the subject in giving them tools to be able to dwell in the subject. The scope of the book is ample and many of the chapters would have been helped by examples from psychopathology including the ones on embodiement, self-awareness and Other minds. Hopefully if the book runs to further editions this may be remedied.

Mind the Gap: Acknowledging Differences in the Analytic and Continental Traditions

An exemplar of someone who draws on both the analytic and continental is Stanley Cavell (1979) for example in The Claim of Reason, but unlike Smith he acknowledges the split of mind between the two traditions and integrates the two styles of philosophizing into his own original voice. I would argue that trying to overcome the divide between the two traditions necessitates at least acknowledging that there is a divide that needs to be overcome rather than refusing to talk about it. This is especially important in an introductory text as students may not be aware of the history of the different practices in Anglophone and Continental institutions. How the divide came to be is not something I will go into here, but that there is a difference seems undeniable. The ability to relate the philosophers from the different traditions takes careful handling as the student introduced to a particular philosopher may read up on a reference and be left in perplexity as to how the writing of someone in the continental tradition relates to what they have done before in philosophy. Heidegger’s neologisms can be a large stumbling block to someone trying to read the primary text for the first time and may put the student off a seminal work in philosophy unless given guidance on what to expect. The frequent references to Derrida by Smith would lead the uninitiated to think that reading his texts is a straight forward matter as there is no acknowledgement that they can be quite difficult to enter into without some background contextualization. Although his exposition of various concepts in the work of the authors he focuses on are very clear, this aspect of Phenomenology needs addressing by Smith. Again to convict him of missing out something when the scope of the work seems constrained by the fact it is introductory would seem unfair. However, as Husserl and Heidegger are such important figures to understanding works by Derrida, Levinas and Ricoeur it would have made sense to outline their place in what has been known as the ‘Continental’ tradition as a guide for future reading and also to point out that a straightforward transposition to the concerns of contemporary anglophone philosophy can require a translation of concepts. To be fair to Smith he does a good job of combining the two perspectives but this is because he focuses on matters that are the concern of the two traditions such as intentionality rather than issues mainly from the continental tradition such as authenticity, or the Nothing that might well be of interest to more inquisitive students.

Is Phenomenology a Scientific Enterprise?

The question of method permeates Smith’s book in the way he presents the subject matter. He seems to come down on the side of Husserl that Phenomenology is a science of experiences and its methods are comparing phenomenological descriptions in a collaborative deductive exercise that will eventually lead to the truth of the structure of experience. In contrast to this he gives an airing to Heidegger’s ‘Hermeneutic Phenomenology’ but does not follow through on an analysis of this method of Phenomenology, one that requires a greater role for culture in elucidating the structures of experience. Heidegger’s method is a more historically and literary based questioning of experience.  Although it includes the critique of others in advancing the subject, the validity of its claims are based on the authenticity of the self-questioning involved. To put it another way, Husserl’s method relies on the paradigm of a scientific inquiry whereas Heidegger’s method points to the paradigm of a religious confession where the truth of the matter is based on the honesty and self-examination of the questioner. Heidegger’s method has been hugely influential in the continental tradition so this method should not be dismissed out of hand. Modern anglophone philosophy would seem to side on the whole with Husserl’s tendencies, but it should be noted that Wittgenstein’s (1963) Philosophical Investigations, an important work for inheritors of the analytic tradition, starts by quoting Augustine’s Confessions suggesting that Wittgenstein was not wholly adverse to Heidegger’s conception of method in philosophy. So to raise the question in earnest, which method would seem to have the most going for it? As this question goes beyond the scope of a book review, I will only make a few brief points that suggest that the question of method might be something Smith may need to go into in more detail in future editions. Phenomenology is based on articulating experience and so honesty with ones self about the character of experience would seem to be of upmost importance. This would involve trying to find the truth for yourself at a distance from the opinions inherited from others and your upbringing and this itself is perhaps the kernel of truth in Husserl’s phenomenological reduction. This is not to say that others should be ignored but rather that the role of the other is to help you to better scrutinize yourself, what Heidegger terms ‘being-ahead’ of the another person and trying to help someone attain transparency to themselves. The other person’s role is to articulate the internal voice of conscience. This suggests that virtue is indeed required to perform the aims of Phenomenology adequately and further hints that one should rely upon one’s own self-examination rather than looking for the results to be given through a collaborative, objective, science-like enterprise. Smith presents the results of the conclusions of his chapters in the style of the latter; hopefully I have raised sufficient doubt about the necessity of that method to make plausible the idea that an introductory text in Phenomenology, to be fair to the subject matter, requires more reflection on the method of its composition.


Experiencing Phenomenology is a bold attempt to provide access for beginners to the wealth of a tradition that holds out the hope of charting human subjectivity. In his book Smith accomplishes his aim with a deft handling. The critique of the text provided here is merely to point out some of the structural problems that could be addressed to further his aims in future editions. In ignoring the analytic-continental divide Smith seems to be writing from the perspective that questions of method and presentation have already been decided in favour of the paradigm of science and the doubts I have raised here should help the reader to keep this as an open question. Aside from this I would thoroughly recommend the text to undergraduate students and scholars keen to look at Phenomenology in dialogue with the analytic tradition while noting that there are important issues that explicitly need addressing in order to avoid confusion.



Cavell, S. 1979. The Claim of Reason: Wittgenstein, Skepticism, Morality and Tragedy. Oxford: Oxford University Press.

Gadamer, H. G. 2004. Truth and Method 2nd Revised Edition. trans. J. Weinsheimer and D. Marshall. London: Continuum.

Heidegger, M. 1962. Being and Time. trans. J. Macquarrie and E. Robinson.  Oxford: Blackwell.

Heidegger, M. 2001. Zollikon Seminars: Protocols-Conversations-Letters. trans. M. Franz and R. Askay. ed. M. Boss. Illinois: Northwestern University Press .

Jaspers, K. 1997. General Psychopathology. Volume 1. trans. J. Hoenig and M. Hamilton. London: The John Hopkins University Press.

Smith, J. 2016. Experiencing Phenomenology: An Introduction. Oxford: Routledge.

Wittgenstein, L. 1963. Philosophical Investigations, trans. G.E.M. Anscombe.  Oxford: Blackwell Publishers Ltd.

[1] I shall refer to ‘Phenomenology’ with a capital, for the reason that, as I argue in the text, I do not believe it is possible to separate the subject from an understanding of its tradition.

Sonja Rinofner-Kreidl, Harald A. Wiltsche (Eds.): Analytic and Continental Philosophy, De Gruyter, 2016

Analytic and Continental Philosophy. Methods and Perspectives. Proceedings of the 37th International Wittgenstein Symposium Book Cover Analytic and Continental Philosophy. Methods and Perspectives. Proceedings of the 37th International Wittgenstein Symposium
Publications of the Austrian Ludwig Wittgenstein Society – New Series (N.S.), Volume 23
Sonja Rinofner-Kreidl, Harald A. Wiltsche (Eds.)
De Gruyter
Hardcover 149.95 €
vii, 423

Anya Daly: Merleau-Ponty and the Ethics of Intersubjectivity

Merleau-Ponty and the Ethics of Intersubjectivity Book Cover Merleau-Ponty and the Ethics of Intersubjectivity
Anya Daly
Palgrave Macmillan UK
Hardcover $95.00

J. Aaron Simmons, J. Edward Hackett (Eds.): Phenomenology for the Twenty-First Century

Phenomenology for the Twenty-First Century Book Cover Phenomenology for the Twenty-First Century
J. Aaron Simmons, J. Edward Hackett (Eds.)
Palgrave Macmillan UK
Hardcover 99,99 €
XVII, 378

Jean Wahl: Transcendence and the Concrete. Selected Writings

Transcendence and the Concrete. Selected Writings Book Cover Transcendence and the Concrete. Selected Writings
Perspectives in Continental Philosophy
Jean Wahl. Edited by Alan D. Schrift, and Ian Alexander Moore
Fordham University Press
Hardcover $125.00

Panos Theodorou: Husserl and Heidegger on Reduction, Primordiality, and the Categorial

Husserl and Heidegger on Reduction, Primordiality, and the Categorial: Phenomenology Beyond its Original Divide Book Cover Husserl and Heidegger on Reduction, Primordiality, and the Categorial: Phenomenology Beyond its Original Divide
Contributions To Phenomenology, Vol. 83
Panos Theodorou
Hardcover: $199.00 / eBook: 149.00
vii-xxxvi, 381

Adolf Reinach. La fenomenologia, il realismo

Adolf Reinach. La fenomenologia, il realismo Book Cover Adolf Reinach. La fenomenologia, il realismo
Quodlibet Studio/Discipline filosofiche
Marco Tedeschini
july 2015

Mauro Carbone: The Flesh of Images

The Flesh of Images: Merleau-Ponty between Painting and Cinema Book Cover The Flesh of Images: Merleau-Ponty between Painting and Cinema
SUNY Series in Contemporary Continental Philosophy
Mauro Carbone
SUNY Press
Paperback $24.95

Reviewed by: Paul A. di Georgio (Department of Philosophy,  Duquesne University)

Mauro Carbone’s The Flesh of Images: Merleau-Ponty Between Painting and Cinema, a translation by Marta Nijhuis of the French original that debuted in 2011, is a short book that, despite its brevity, has quite a lot to say. Instead of deliberately working towards a grand, singular thesis with his chapters (although the final chapter is rather conclusive and synthetic), Carbone assembles six essays that all look in different, sophisticated ways at how Merleau-Ponty’s late work can further our understanding of art, music, time, and ontology.

Carbone does not only situate Merleau-Ponty’s later phenomenology vis-a-vis thoughtful reflections on cinema and painting, but he also establishes thoughtful connections, as well as creative and sometimes playful tensions, with the work of myriad other writers, from Freud to Jean-Luc Nancy. This smart book is nothing short of a philosophical tour de force that nicely sweeps through numerous dimensions of Carbone’s work over the course of the past decade and a half.

As is the case with some other recent Merleau-Ponty scholarship, here the central focus is on the late-period turn to the ontology of the “flesh,” an area that Carbone has been exploring since at least the early 2000s. He notes in his introduction that “flesh” is sometimes used interchangeably in Merleau-Ponty’s writing with the term “visibility” (1) and he argues that too often this point is “forgotten.” It shouldn’t be, though, because for Carbone thinking of the flesh in terms of visibility can sort out the way phenomenology can grasp at Being.

He points out that one of the most noteworthy features of Merleau-Ponty’s texts during this period is a turn to a different manner of ontological thinking, which isn’t exactly a novel or controversial claim, but what Carbone does with the “visible” is intriguing. He indicates that the “visible” is “only sketched” in Merleau-Ponty’s writing but evinces what he calls “the reciprocal precession of the vision and the invisible.” (5) He refers to the mutually constitutive relation between seeing, vision, and capability-of-being-seen, or the visible. To put it simply, the visible is “folded” into the viewer, while at the same time the viewer can’t view anything at all without that which is visibleand so the viewer is herself folded into the visual phenomenon. (57) “Visibility” is what we call the product of this mutual folding. Carbone characterizes this situation as paradoxical, and he illuminates the scrambling and disruptive effect of the “presence of images” that betrays how inadequate our normal philosophical categories are. Thus what Merleau-Ponty does with visibility is not so different from what he does in earlier texts with the opposition between subject and object (Phenomenology of Perception). We’ve seen similar claims in Nietzsche (“Truth and Lies in a Non-Moral Sense”) and and even Aldous Huxley (The Doors of Perception) but what’s new here is a sophisticated phenomenological framework that Merleau-Ponty brings to the table, elaborated upon by Carbone, although comparing these various sources might prove to be useful.

The essays that make up the chapters basically work off of this observation about the disruptive power of beholding an image, and they apply it to different areas of aesthetics. I’d have to say that the fourth chapter, centered on cinema and temporality, is the most provocative  and interesting and it is here that Carbone does some of his best work. It is also here with the focus on the rhythmic nature of the cinematic frame that you can already see Carbone working toward a leap that he will make near the end of the book. Carbone echoes Jean-Pierre Charcosset and argues that on Merleau-Ponty’s terms, the film cannot be what it is not without the image as such, but rather, not without the rhythmic arrangement of its set of images.

Ultimately in the sixth and final chapter Carbone ends up at a form of visibility which doesn’t seem so visible at all, and yet after thoughtful consideration with Carbone seems like the example of visibility par excellence: audition, or listening. One would not say that in the case of music there is not an image, so this move is quite natural despite how surprising it might be to jump from one faculty of sense to another. In a way part of the point here, I think, is to minimize the distinction between these faculties. In this final chapter Carbone also makes some interesting remarks concerning the relation between philosophy and non-philosophy, a topic of great interest, of course, to Merleau-Ponty.

As fecund as it is short, the book does ask for a bit of work from its readers, and it will probably be a more straightforward experience for engaged readers who have been following Carbone for a while. That said, because of the fact that some of the repackaged and revised material will be very familiar to Carbone’s readers, the book might be the most rewarding and enlightening for those who are taking their first look at his Merleau-Ponty scholarship. These readers should work slowly through the book, even if it might be tempting to do otherwise with such a short text.

Jens Bonnemann: Das leibliche Widerfahrnis der Wahrnehmunghe Widerfahrnis der WahrnehmungDas leibliche Widerfahrnis der Wahrnehmung

Das leibliche Widerfahrnis der Wahrnehmung. Eine Phänomenologie des Leib-Seele-Verhältnisses Book Cover Das leibliche Widerfahrnis der Wahrnehmung. Eine Phänomenologie des Leib-Seele-Verhältnisses
Jens Bonnemann
Mentis Verlag GmbH
Paper Text 54,00 €

Reviewed by: Agata Bak (Universidad Nacional de Educación a Distancia, Spain)

The present work is an essay on the theory of perception, but Bonnemann´s book aims at recovering an often overlooked dimension of perception in a profound research that establishes a dialogue with a wide scope of interlocutors from both so-called continental and analytic traditions. Given the extension and the details of the study, we resign ourselves to present exclusively the development of its main  thesis, leaving aside many valuable interpretations and debates. The study counters the over-intellectualizing trend in philosophy of perception (18) and accounts for a broader notion of this phenomenon, in order to include also the aspect of the “felt” bodily experience: leibliche Widerfahrnis (“experience” is our way of translating Widerfahrnis: it should be taken in a sense in which we say “I was hardly experienced in my life”, that is, a happening or incident that had an impact on us). The standard account of perception tends to ignore the fact that perception is also a bodily event, and conceives it rather exclusively on epistemic grounds (as the sensible moment of the sinnliche Erkenntnis), where the role of body is more ancillary and anecdotal. The turn in the philosophy of perception, as might be the case of Noë, but also of Heidegger or Sartre, highlighted also the practical dimension of perception. Nothing similar happened with the pathical dimension of experience, despite the fact that different authors referred to it in their work. This work aims at closing this gap.

As the author observes, it is sufficient to reflect on painful experience, or on joy, to see that there are many ways in which things affect us, and that these experiences are not well accommodated within standard, epistemological accounts. Predicates such as “pleasant” or “unpleasant” have no place there, or rather, they do not refer to any qualities of the object, in which the other side seems to be reduced to the object of knowledge. Also more praxis-oriented and phenomenological accounts, as stated in the first part, are object of critique; in fact, many authors, such as Schütz or Henry fail to conceive the pathic (pathisch) moment of living experience, that is, the things that attack, hurt, please or frighten us. It is so, because they do not conceive in terms of original and intentional relation with the world, that is, the fact that a thing might be pleasant or unpleasant to me, straightforwardly. The author pursues an intentional and perceptual account of this phenomenon.

It is to stress here that the author remains faithful to the idea that it is the perception, the original phenomena, he wants to study; he struggles to avoid both the extremum which dissolves perception in the phenomenology of the body, and of course the one that makes perception (and subject) transparent in the epistemology. The point is to conceive the perception as an original relation, that makes subject and object emerge, rather than the reverse. This seems the only way to overcome dualism installed in the very heart of the theory of perception. To coin this account, the author enters in the first part of the book into a very deep dialogue with a different philosophical tradition.

The departure point is the traditional problem within standard perception theory, and author´s interlocutors range from Aristoteles, Kant and Plessner to Jonas and Strauss. The most prominent feature that Bonnemann discusses in the first part is the dualism between perception, understood as part of sensible knowledge and thus an epistemological term, and experience (as Widerfahrnis) which was traditionally conceived as a feeling that does not correspond to any object or objective feature in the world (it is weltlos). Even Jonas, whose critique of the traditional notion of perception is detailed in the second chapter, falls back to this polarity, as he finally conceives the bodily affection as something that lacks connection to the world and we need to abstract from it in order to produce knowledge. Strauss integrates Empfindungen into worldly related states, but he reserves pathic experiences as self-affective and non-intentional. On the contrary, the author defends the thesis that this dualism should be overcome, as the very perception contains also features whose correlative are vital interests and necessities of the subject. Suffering also discloses properties of the object, properties that are unreachable for a distanced epistemological subject. (56)

He then proceeds to examine in detail different approaches to perception (chapter 3) and he does so in order to show three ways in which the pathic dimension can be overlooked. The first of them is the one that takes perception as part of sensible knowledge, and which is represented by Searle; and then two that stand against the primacy of theoretical aspects of perception. One of them stresses the priority of praxis (Dewey, Heidegger) and the second reduces the perception as such to philosophy of body (Henry). All of them, according to the book, fail to grasp the complex relation established in perception: Searle lacks the intuition that perception might be something bodily and that the subject is something more than the subject of knowledge; theories of action are certainly right in describing other kinds of relations with  objects (as Zuhandenheit), and are a source of very rich descriptions about our being in the world, but the circular relationship between action and perception does not account properly for the bodily relevance, and it seems that it finally embraces some kind of intellectualistic explanation of what pathic experience is. According to Schütz (in Bonnemann´s reading): “the taste of chocolate is for Schütz only a genuine motivational relevance, because I have learnt that chocolate tastes good to me” (115). It is strongly theoretical and it does not explain then this pathic experience as disclosing some straightforwardly given properties of the object. Henry´s philosophy, on the contrary, affirms clearly that experiences of the pathic kind arise in the intimacy of subjectivity, and not as effects of the world on an embodied subject (119). The last chapter of this part exams contemporary notions of embodiment, as represented by enactivism and “postcognitivist” movements. He discovers there that most of the accounts certainly accommodate bodily action in the world, but they tend to focus exclusively on the pragmatic aspect of bodily-perceptual conditionality rather than on the intentional moment of the affectivity.

The phenomenological analysis of pathic phenomena as a perception and in relation to the world is precisely the aim of the second part of the study and the thesis pursued in the book. The axis that articulates this study are Shaun Gallagher´s notions of Körperschema and Körperbild. Although the author highlights that Gallagher´s account tends to conceive pathic experience exclusively in terms of consciousness of pain/pleasure, on the reflective level and referred exclusively to the body, he thus fails to conceive the intentional character of pathic dimension, though the distinction itself is very useful. Körperschema refers to the notion of unconscious or unreflective processes that flow and in which a subject is involved. This is then the prereflective level of perception, in which the pathetic perception is world directed and consequently includes a moment of intentionality. The objects disclose themselves as pleasant, menacing, too cold etc. It is only on the second level, the one of Körperbild, defined by Gallagher as “the system of perceptions, attitudes, and beliefs pertaining to one´s own body” (147), where the pain or other experience of the kind becomes a bodily localized sensation and then refers rather to the subject than to the world. One should notice that the first part of Bonnemann´s project is not common in phenomenology, that it does not always grant intentional character to pathetic experiences. The author promotes the idea that this kind of experience is originally not an inner bodily state, but rather considers that what is lived involves objective qualities of the perceptual world (173).

The second part of the book studies then the prereflective and world oriented dimension of pathic experiences. It is about conceiving the pathic experience not as a phenomenon of Leib, but as a bodily-mediated phenomenon of the thing (323). The author stresses in many ways the urge to distinguish the practical and the pathetic dimension of perception, which turn out to be mutually influenced but non reducible, as it can be seen in his analysis of Satrean thought. Whereas it is quite common to grant that engagement (action) is necessary for knowledge, the necessity of an affective component in every perception is not that clearly pointed out in many authors. What Bonnemann wants to stress is that world does not only serve my purposes and invites me to act; it can also hurt and destroy me (169) and thus discloses our radical vulnerability and some deprivations. This dimension is not properly the resistance of things (Widerstand), but rather their capability of affecting me (widerfahren). Somehow paradoxically and also in a shocking (in a literal sense) way it anchors us in a world, and shows us how material and vulnerable we are. It is not a constitution of sense, but rather its surge or event (Ereignis) is what we experience there.

The author analyses the mode of intentionality which is presupposed in this world – subject relation, and he discovers that its object is a value, whose best expression could be “too much” or “too little”, certain maximum or minimum; its normative character should not be conceived in abstracto as an ideal, nor should it be compared to any social norms. It refers exclusively to the excess or the poverty that affects the body. These objects are in constant relation to practical and theorical objects and mutually influence; its objectual character is also confirmed by the fact that it also opens a horizon, which is very well illustrated in the book by the “menacing horizons of perception” in 225ff. The author sketches there a situation where the whole wood turns dangerous when we fearfully expect a wild boar that could emerge out of the bushes.  Probably the account that Bonnemann finds the most suitable for his purpose is Levinas´s account of joy and his notion of “life that lives from” (vivre de), for it gathers many elements that Bonneman uses to put forward his prerreflective accont of the pathic, such as: intentional character of pathic experience, the fact that it actually has an “object” (element, in French philosopher´s words), its irreducible – and in Levinas also primary – character, and it´s positive character. This long and extremely interesting chapter gives us an idea of how to phrase properly the pathic experience. Levinas conceives this affection by comparing it to the “bath” in the “environment” (258ff), where there is still no “world” (but precisely “environment”) and no objects or things, just affections like a gentle touch of the wind (but before being thematized) or the sun on the skin. Such limit experiences are rather a starting point of the pathic experience, for, as soon stated, the transition to the practical or the theoretical dimension (from “the affecting” to “the affecting thing”) is well quick. Marginally, it is interesting to notice that the Heideggerian notion of Sorge would be situated already in this second, practical dimension and not in the original (and according to Levinas) founding moment.

The pathic experience, and this is the thesis of the last part of the study, shows us that our living body (Leib) is worldly implicated and rooted in what it is not (277). The third part aims then to give an account of how the body is experienced in the pathic experience (the level of Körperbild according to Gallagher´s terminology) and what it means, as asked in the last chapter, for a theory of subject. The central notion that Bonnemann presents here is “als-Körper-von-der-Welt-Gehabtwerden” which he finds in Plügge´s philosophy. This wording stresses the fact highlighted by the phenomenologist like Böhme, namely, that the Körper is also a Widerfahrnis, that is, that it is also part of living body (Leib) in a way that it expresses our experience of being in the world, and moreover, of being in the world as a thing among things (296). Being possessed by the body also phrases the Marcelian statement that we are incapable of fully possessing our body. This is the basic structure, according to the author, of the body (Leib) – world relation, in which the latter befalls (pleasantly or unpleasantly) the former (301). It comprehends three dimensions at the same time: being a body (Leib), which is the moment of experiencing; having a body (Körper), which means that we have a tool that is useful in our exploration of the world, and being possessed by my body (Mein Körper hat mich), which points to the fact that things can affect (attack! – 302) me. So it is not only an assertion of the well know duality (being a body and having a body), but also an affirmation of their worldly interaction.

In this sense Bonnemann goes beyond the phenomenological claims of Jonas, Böhme, Schmitz and others, as he does not only advocate for a wider consideration of pathic phenomena, he also includes them in an intentional framework, as a part of the body- world relation with a disclosing character. These authors tend to embrace a certain “weltlos” character of the Leib and affection, as they focus rather on the embodied “marks” rather than on the nature or a particular dimension of the world that “causes” them. The living body is rather a closed whole with some marks on it and the analysis does not go beyond it. And although it is useful to comprehend the relation of Leib and Körper, they seem to omit its fully intentional character. But the main interlocutor here is Plessner, whose analysis of laughter and crying accomplishes the intention of conceiving a description of body that would acocmodate a world- related pathic experience. In his analysis Plessner distinguishes the dimension of being and having a body, and then introduces, inspired by Plügge, precisely the third, intermediate dimension, itself also divided into consciousness of being, a Körper, thus a consciousness of being affected by the outside world, and the consciousness of myself being a corporal thing. These distinctions enable him to conceive crying or laughter as manifestations of a suffering body; and suffering means here disorganization and sudden possession by the body and the consequent loss of ruling position of self. What the cry implies is that the real world, the causal world has imposed on me. Thanks to this intermediate dimension and its implications we are able to conceive now how it is possible that it is not only a body mark, but also a world relatedness. It is to notice that Plessner´s account amounts to an explanation of the pathic in terms of the frustration of an action more than a positive and full-fledged pathic experience.

Our Körperbild is precisely this, the experienced awareness of being Körper in the world, and being able to experience as Leib. When it comes to the reflective view on experience as Widerfahrnis, it is conceived as a phenomenal experience, in which appears both my living and material body (325). This is exactly the shift from one part of the analysis to another. Due to this double condition, it is necessary to conceive causality and intentionality as invervowen, as it enables us to comprehend the complex relation of us being affected by the world. Otherwise, our pathic experiences would be wordless and we would not be able to conceive subjectivity properly.

As to this question, on the one hand we might be running the risk of conceiving the Körper as something biological and as such pertaining to a non phenomenal layer. On the other hand, there is also a possibility, explored by Böhme, that the corporality (as well as “I”) is nothing but the abstraction from the only authentic and primordially given in affection, Leib. However, it should be clear from the preceding analysis, that Bonnemann opts for a solution where both Leib and Körper are co-original, as in Plessner. He finds a proof for that in the Husserlian analysis of the hand touching hand: whereas normally we pay attention to the dimension of the living body that unveils, it is at the same time the disclosure of our materiality. It also makes comprehensible how von-Körper-Gehabtwerden, pathic experience of my own reality might be prior to any action, as we can conceive Empfindnisse or localized sensations, as prior to kinaesthetic sensations. It is the “being irritated by the world (e.g. 337) what properly constitutes the sensory field of the body. The reflective moment, the apprehension of Körperbild is here equivalent to the shift of attention from the object to the subject and becoming aware of this texture. As long as we do not do this, our Leib remains insivisible. This, in turn means that both Körper-haben (having body) and Leib sind (being a body) are reflective stances posterior to the worldly intervowen von-Körper-Gehabtwerden.

The study culminates in describing the Merleau-Pontian notion of chair, which seems to englobe the preceding aspects highlighted by the study, namely a certain duality, or rather reversibility of the body, and its entrenchment in the world that even amounts to the confusion between both notions. In this sense it is the overcoming of dualism, as the subject is not entirely subject, and the things are close to the Leib. Körper and Leib, concludes the author, are mutually interwoven, as the experience of the latter implies the givenness of the former (358ff). It is to ponder that the notion of self that stems out from this pathic account is not the one of suffering subject, it is the one which is accommodated in the world, and whose being is not “knowledge, nor praxis, but joy” (363), joy understood in every moment as the basic moment of pathic life in which something discloses affecting to the subject interwoven in the world. This radical relatedness of the subject is perhaps the firmest assumption that is visible at every stage of the study. With this Levinasian conclusion, the author completes this overwhelming research.