Jairo José da Silva: Mathematics and Its Applications: A Transcendental-Idealist Perspective

Mathematics and Its Applications: A Transcendental-Idealist Perspective Book Cover Mathematics and Its Applications: A Transcendental-Idealist Perspective
Synthese Library, Volume 385
Jairo José da Silva
Springer
2017
Hardcover 93,59 €
VII, 275

Reviewed by: Nicola Spinelli (King’s College London / Hertswood Academy)

This is a book long overdue. Other authors have made more or less recent phenomenological and transcendental-idealist contributions to the philosophy of mathematics: Dieter Lohmar (1989), Richard Tieszen (2005) and Mark van Atten (2007) are perhaps the most important ones. Ten years is a sufficiently wide gap to welcome any new work. Yet da Silva’s contribution stands out for one reason: it is unique in the emphasis it puts, not so much, or not only, on the traditional problems of the philosophy of mathematics (ontological status of mathematical objects, mathematical knowledge, and so on), but on the problem of the application of mathematics. The author’s chief aim – all the other issues dealt with in the book are subordinated to it – is to give a transcendental phenomenological and idealist solution to the evergreen problem of how it is that we can apply mathematics to the world and actually get things right – particularly mathematics developed in complete isolation from mundane, scientific or technological efforts.

Chapter 1 is an introduction. In Chapters 2 and 3, da Silva sets up his tools. Chapters 4 to 6 are about particular aspects of mathematics: numbers, sets and space. The bulk of the overall case is then developed in Chapters 7 and 8. Chapter 9, “Final Conclusions”, is in fact a critique of positions common in the analytic philosophy of mathematics.

Chapter 2, “Phenomenology”, is where da Silva prepares the notions he will then deploy throughout the book. Concepts like intentionality, intuition, empty intending, transcendental (as opposed to psychological) ego, and so on, are presented. They are all familiar from the phenomenological literature, but da Silva does a good job explaining their motivation and highlighting their interconnections. The occasional (or perhaps not so occasional) polemic access may be excused. The reader expecting arguments for views or distinctions, however, will be disappointed: da Silva borrows liberally from Husserl, carefully distinguishing his own positions from the orthodoxy but stating, rather than defending, them. This creates the impression that, at least to an extent, he is preaching to the converted. As a result, if you are looking for reasons to endorse idealism, or to steer clear of it, this may not be the book for you.

Be that as it may, the main result of the chapter is, unsurprisingly, transcendental idealism. This is the claim that, barring the metaphysical presuppositions unwelcome to the phenomenologist, there is nothing more to the reality of objects than their being “objective”, i.e., public. ‘Objectivation’, as da Silva puts it, ‘is an intentional experience performed by a community of egos operating cooperatively as intentional subjects. … Presentifying to oneself the number 2 as an objective entity is presentifying it and simultaneously conceiving it as a possible object of intentional experience to alter egos (the whole community of intentional egos)’ (26-27). This is true of ideal objects, as in the author’s example, but also of physical objects (the primary type of intentional experience will then be perception).

There are two other important views stated and espoused in the chapter. One is the Husserlian idea that a necessary condition for objective existence is the lack of cancellation, due to intentional conflict, of the relevant object. Given the subject matter of the book, the most important corollary of this idea is that ideal objects, if they are to be objective, at the very least must not give rise to inconsistencies. For example, the set of all ordinals does not objectively exist, because it gives rise to the Burali-Forti paradox. The other view, paramount to the overall case of the book (I will return to it later), is that for a language to be material (or materially determined) is for its non-logical constants to denote materially determined entities (59). If a language is not material, it is formal.

Chapter 3 is about logic. Da Silva attempts a transcendental clarification of what he views as the trademark principles of classical logic: identity, contradiction and bivalence. The most relevant to the book is the third, and the problem with it is: how can we hold bivalence – for every sentence p, either p or not-pand a phenomenological-idealist outlook on reality? For bivalence seems to require a world that is, as da Silva puts it, ‘objectively complete’: such that any well-formed sentence is in principle verifiable against it. Yet how can the idealist’s world be objectively complete? Surely if a sentence is about a state of affairs we currently have no epistemic access to (e.g., the continuous being immediately after the discrete) there just is no fact of the matter as to whether the sentence is true or false: for there is nothing beyond what we, as transcendental intersubjectivity, have epistemic access to.

Da Silva’s first move is to put the following condition on the meaningfulness of sentences: a sentence is meaningful if and only if it represents a possible fact (75). The question, then, becomes whether possible facts can always be checked against the sentences representing them, at least in principle. The answer, for da Silva, turns on the idea, familiar from Husserl, that intentional performances constitute not merely objects, but objects with meanings. This is also true of more structured objectivities, such as states of affairs and complexes thereof – a point da Silva makes in Chapter 2. The world (reality) is such a complex: it is ‘a maximally consistent domain of facts’ (81). The world, then, is intentionally posited (by transcendental intersubjectivity) with a meaning. To hold bivalence as a logical principle means, transcendentally, to include ‘objective completeness’ in the intentional meaning (posited by the community of transcendental egos) of the world. In other words, to believe that sentences have a truth value independent of our epistemic access to the state of affairs they represent is to believe that every possible state of affairs is in principle verifiable, in intuition or in non-intuitive forms of intentionality. This, of course, does not justify the logical principle: it merely gives it a transcendental sense. Yet this is exactly what da Silva is interested in, and all he thinks we can do. Once we refuse to assume the objective completeness of the world in a metaphysical sense, what we do is to assume it as a ‘transcendental presupposition’ or ‘hypothesis’. In the author’s words:

How can we be sure that any proposition can be confronted with the facts without endorsing metaphysical presuppositions about reality and our power to access reality in intuitive experiences? … By a transcendental hypothesis. By respecting the rules of syntactic and semantic meaning, the ego determines completely a priori the scope of the domain of possible situations – precisely those expressed by meaningful propositions – which are, then, hypothesized to be ideally verifiable. (83)

Logical principles express transcendental hypotheses; transcendental hypotheses spell out intentional meaning. … The a priori justification of logical principles depends on which experiences are meant to be possible in principle, which depends on how the domain of experience is intentionally meant to be. (73)

There is, I believe, a worry regarding da Silva’s definition of meaningfulness in terms of possible situations: it seems to be in tension with the apparent inability of modality to capture fine-grained (or hyper-) intensional distinction and therefore, ultimately, meaning (for a non-comprehensive overview of the field of intensional semantics, see Fox and Lappin 2005).[1] True, since possible situations are invoked to define the meaningfulness, not the meaning, of sentences, there is no overt incompatibility; yet it would be odd to define meaningfulness in terms of possible situations, and meaning in a completely different way.

Chapter 4, “Numbers”, has two strands. The first deals with another evergreen of philosophy: the ontological status of numbers and mathematical objects in general. Da Silva’s treatment is interesting and his results, as far as I can see, entirely Husserlian: numbers and other mathematical objects behave like platonist entities except that they do not exist independently of the intentional performances that constitute them. One consequence is that mathematical objects have a transcendental history which can and should be unearthed to fully understand their nature. The phenomenological approach is unique in its attention to this interplay between history and intentional constitution, and it is to da Silva’s credit, I believe, that it should figure so prominently in the book. Ian Hacking was right when he wrote, a few years back, that ‘probably phenomenology has offered more than analytic philosophy’ to understand ‘how mathematics became possible for a species like ours in a world like this one’ (Hacking 2014). Da Silva’s work fits the pattern.

And yet I have a few reservations, at least about the treatment (I will leave the results to readers). For one thing, there is no mention of unorthodox items such as choice sequences. Given da Silva’s rejection of intuitionism in Chapter 3, perhaps this is unsurprising. Yet not endorsing is one thing, not even mentioning is quite another. I cannot help but think the author missed an opportunity to contribute to one of the most engaging debates in the phenomenology of mathematics of the last decade (van Atten’s Brouwer Meets Husserl is from 2007). Da Silva’s seemingly difficult relationship with intuitionism is also connected with another conspicuous absence from the book. At p. 118 da Silva looks into the relations between our intuition of the continuum and its mathematical construction in terms of ‘tightly packed punctual moments’, and argues that the former does not support the latter (which should then be motivated on different grounds). He cites Weyl as the main purveyor of an alternative model – which he might well be. But complete silence about intuitionist analysis seems frankly excessive.

A final problem with da Silva’s presentation is his dismissal of logicism as a philosophy of, and a foundational approach to, mathematics. ‘Of course,’ he writes, ‘Frege’s project of providing arithmetic with logical foundations collapsed completely in face of logical contradiction (Russell’s paradox)’ (103). The point is not merely historical: ‘Frege’s reduction of numbers to classes of equinumerous concepts is an unnecessary artifice devised exclusively to satisfy logicist parti-pris … That this caused the doom of his projects indicates the error of the choice’. I would have expected at least some mention of either Russell’s own brand of logicism (designed, with type theory, to overcome the paradox), or more recent revivals, such as Bob Hale’s and Crispin Wright’s Neo-Fregeanism (starting with Wright 1983) or George Bealer’s less Fregean work in Quality and Concept (1982). None of these has suffered the car crash Frege’s original programme did, and all of them are still, at least in principle, on the market. True, da Silva attacks logicism on other grounds, too, and may argue that, in those respects, the new brands are just as vulnerable as the old. Yet, that is not what he does; he just does not say anything.

The second strand of the chapter, more relevant to the overall case of the book, develops the idea that numbers may be regarded in two ways: materially and formally. The two lines of investigation are not totally unrelated, and indeed some of da Silva’s arguments for the latter claim are historical. The claim itself is as follow. According to da Silva, numbers are essentially related to quantity: ‘A number is the ideal form that each member of a class of equinumerous quantitative forms indifferently instantiates’, and ‘two numbers are the same if they are instantiable as equinumerical quantitative forms’ (104).[2] Yet some types of numbers are more or less detached from quantity: if in the case of the negative integers, for example, the link with quantity is thin, when it comes to the complex numbers it is gone altogether. Complex numbers are numbers only in the sense that they behave operationally like ones – but they are not the real (no pun intended) thing. Da Silva is completely right in saying that it was this problem that moved the focus of Husserl’s reflections in the 1890s from arithmetic to general problems of semiotic, logic and knowledge. The way he cashes out the distinction is in terms of a material and a formal way to consider numbers. Genuine, ‘quantitative’ numbers are material numbers. Numbers in a wider sense, and thus including the negative and the complex, are numbers in a formal sense. Since, typically, the mathematician is interested in numbers either to calculate or because they want to study their relations (with one another or with something else), they will view numbers formally – i.e., at bottom, from the point of view of operations and structure – rather than materially.

Thus, the main theoretical result of the chapter is that, inasmuch as mathematics is concerned with numbers, it is ‘essentially a formal science’ (120). In Chapter 7, da Silva will put forward an argument to the effect that mathematics as a whole is essentially a formal science. This, together with the idea, also anticipated in Chapter 4, that the formal nature of mathematics ‘explains its methodological flexibility and wide applicability’, is the core insight of the whole book. But more about it later.

Chapter 5 is about sets. In particular, da Silva wants to transcendentally justify the ZFC axioms. This includes a (somewhat hurried) genealogy, roughly in the style of Experience and Judgement, of ‘mathematical sets’ from empirical collections and ‘empirical sets’. The intentional operations involved are collecting and several levels of formalisation. The details of the account have no discernible bearing on the overarching argument, so I will leave them to one side. It all hinges, however, on the idea that sets are constituted by the transcendental subject through the collecting operation, and this is what does the main work in the justification. This makes da Silva’s view very close to the iterative conception (as presented for example in Boolos 1971); yet he only mentions it once and in passing (146). Be that as it may, it is an interesting feature of da Silva’s story that it turns controversial axioms such as Choice into sugar, while tame ones such as Empty Set and Extensionality become contentious.

Empty Set, for example, is justified with an account, which da Silva attributes to Husserl, of the constitution of empty sets that I found fascinating but incomplete. Empty sets are clearly a hard case for the phenomenological account: because, as one might say, since collections are empty by definition, no collecting is in fact involved. Or is it? Consider, da Silva says, the collection of the proper divisors of 17:

Any attempt at actually collecting [them] ends up in collecting nothing, the collecting-intention is frustrated. Now, … Husserl sees the frustration in collecting the divisors of 17 as the intuitive presentation of the empty collection of the divisors of 17. So empty collections exist. (148)

It is a further question, and da Silva does not consider it, whether this story accounts for the uniqueness of the empty set (assuming he thinks the empty set is indeed unique, which, as will appear, is not obvious to me). Are collecting-frustration experiences all equal? Or is there a frustration experience for the divisors of 17, one for the divisors of 23, one for the round squares, and so on? If they are all equal, does that warrant the conclusion that the empty sets they constitute are in fact identical? If they are different, what warrants that conclusion? Of course, an option would be: it follows from Extensionality. Yet, I venture, that solution would let the phenomenologist down somewhat. More seriously, da Silva even seems to reject Extensionality (and thus perhaps the notion that there is just one empty set). At least: he claims that there is ‘no a priori reason for preferring’ an extensional to an intensional approach to set theory, but that if we take ‘the ego and its set-constituting experiences’ seriously we ought to be intensionalists (150).

Chapters 6 is about space and its mathematical representations – ‘a paradigmatic case of the relation between mathematics and empirical reality’ (181). It is where da Silva deals the most with perception and the way it relates with mathematical objects. For the idealist, there are at least four sorts of space: perceptual, physical, mathematical-physical and purely formal. The intentional action required to constitute them is increasingly complex, objectivising, idealising and formalising. Perceptual space is subjective, i.e., private as opposed to public. It is also ‘continuous, non-homogeneous, simply connected, tridimensional, unbounded and approximately Euclidean’ (163). Physical space is the result of the intersubjective constitution of a shared spatial framework by harmonization of subjective spatial experiences. This constitution is a ‘non-verbal, mostly tacit compromise among cooperating egos implicit in common practices’ (167). Unlike its perceptual counterpart, physical space has no centre. It also admits of metric, rather than merely proto-metric, relations. It is also ‘everywhere locally’, but not globally, Euclidean (168). The reason is that physical space is public, measurable but based merely on experience (and more or less crude methods of measurement) – not on models.

We start to see models of physical space when we get to mathematical-physical space. In the spirit of Husserl’s Krisis, da Silva is very keen on pointing out that mathematical-physical space, although it does indeed represent physical space, does not reveal what physical space really is. That it should do so, is a naturalistic misunderstanding. In the author’s words:

At best, physical space is proto-mathematical and can only become properly mathematical by idealization, i.e., an intentional process of exactification. However, and this is an important remark, idealization is not a way of uncovering the “true” mathematical skeleton of physical space, which is not at its inner core mathematical. (169)

Mathematical-physical space is what is left of the space we live in – the space of the Lebenswelt, if you will – in a representation designed to make it exact (for theoretical or practical purposes). Importantly, physical space ‘sub-determines’ mathematical-physical space: the latter is richer than the former, and to some extent falsifies what it seeks to represent. Euclidean geometry is paradigmatic:

The Euclidean representation of physical space, despite its intuitive foundations, is an ideal construct. It falsifies to non-negligible extent perceptual features of physical space and often attributes to it features that are not perceptually discernible. (178)

The next step is purely formal representations of space. These begin by representing physical space, but soon focus on its formal features alone. We are then able to do analytic geometry, for example, and claim that, ‘mathematically, nothing is lost’ (180). This connects with da Silva’s view that mathematics is a formal science and, in a way, provides both evidence for and a privileged example of it. If you are prepared to agree that doing geometry synthetically or analytically is, at bottom, the same thing, then you are committed to explain why that is so. And da Silva’s story is, I believe, a plausible candidate.

Chapter 7 is where it all happens. First, and crucially, da Silva defends the view that mathematics is formal rather than material in character. I should mention straight away that his argument, a three-liner, is somewhat underdeveloped. Yet it is very clear. To say that mathematics is essentially formal is, for da Silva, to say that mathematics can only capture the formal aspects of reality (as the treatment of space is meant to show). The reason is as follows. Theories are made up of symbols, which can be logical or non-logical. The non-logical symbols may, in principle, be variously interpreted. A theory whose non-logical symbols are interpreted is, recall, material rather than formal. Therefore, one could argue, number theory should count as material. Yet, so da Silva’s reasoning goes, ‘fixing the reference of the terms of an interpreted theory is not a task for the theory itself’ (186). The theory, in other words, cannot capture the interpretation of its non-logical constant: that is a meta-theoretical operation. But then mathematical theories cannot capture the nature, the specificity of its objects even when these are material.

That is the master argument, as well as the crux of the whole book. For it follows from it that mathematics is essentially about structure: objects in general and relations in which they stand. This, for da Silva, does not mean that mathematics is simply not about material objects. That would be implausible. Rather, the claim is that even when a mathematical theory is interpreted, or has a privileged interpretation, and is therefore about a specific (‘materially filled’) structure, it does not itself capture the interpretation (the fixing of it) – and thus it is really formal. Some mathematical theories are, however, formal in a stricter sense: they are concerned with structures that are kept uninterpreted. These are purely formal structures. Regarding space, Hilbert’s geometry is a good example.

Da Silva’s solution to the problem of the applicability of mathematics is thus the following. Mathematics is an intentional construction capable of representing the formal aspects of other intentional constructions – mathematics itself and reality. Moreover, it is capable of representing only the formal aspects of mathematics and reality. It should then be no surprise, much less a problem, that any non-mathematical domain can be represented mathematically: every domain, insofar as it is an intentional construction, has formal aspects – which are the only ones that count from an operational and structural standpoint.

This has implications for the philosophy of mathematics. On the ground of his main result, da Silva defends a phenomenological-idealist sort of structuralism, according to which structures are the privileged objects of mathematics. Yet his structuralism is neither in re nor ante rem. Not in re, because structures, even when formal, are objects in their own right. Not ante rem, because structures are intentional constructs, and thus not ontologically independent. They depend on intentionality, but also on the material structures on whose basis they are constituted through formalisation. This middle-ground stance is typical of phenomenology and transcendental idealism.

I have already said what the last two chapters – 8 and 9 – are about. The latter is a collection of exchanges with views in the analytic philosophy of mathematics. They do not contribute to the general case of the book, so I leave them to prospective readers. The former is an extension of the results of Chapter 7 to science in general. A couple of remarks will be enough here. Indeed, when the reader gets to the chapter, all bets are off: by then, da Silva has put in place everything he needs, and the feeling is that Chapter 8, while required, is after all mere execution. This is not to understate da Silva’s work. It is a consequence of his claim (217) that the problem of the applicability of mathematics to objective reality, resulting in science, just is, at bottom, the problem of the applicability of mathematics to itself – which the author has already treated in Chapter 7. Under transcendental idealism, objective, physical reality, just like mathematical reality, is an intersubjective intentional construct. This construct, being structured, and thus having formal aspects to it, ‘is already proto-mathematical’ and, ‘by being mathematically represented, becomes fully mathematical’ (226). The story is essentially the same.

Yet it is only fair to mention that, while in this connection it would have been easy merely to repeat Husserl (the approach is after all pure Krisis), that is not what da Silva does. He rather distances himself from Husserl in at least two respects. First of all, he rejects what we may call the primacy of intuition in Husserl’s epistemology of mathematics and science. Second, he devotes quite a bit of space to the heuristic role of mathematics in science – made possible, so the author argues, by the formal nature of mathematical representation (234).

As a final remark, I want to stress again what seems to me the chief problem of the book. Da Silva’s aim is to give a transcendental-idealist solution to the problem of the applicability of mathematics. Throughout the chapters, he does a good job spelling out the details of the project. Yet there is no extensive discussion of why one should endorse transcendental idealism in the first place. True, a claim the author repeatedly makes is that idealism is the only approach that does not turn the problem into a quagmire. While the reader may be sympathetic with that view (as I am), da Silva offers no full-blown argument for it. As a result, the book is unlikely to build bridges between phenomenologists and philosophers of mathematics of a more analytic stripe. Perhaps that was never one of da Silva’s aims. Still, I believe, it is something of a shame.

References

Boolos, G. 1971. “The Iterative Conception of Set”. Journal of Philosophy 68 (8): 215-231.

Bealer, G. 1982. Quality and Concept. Oxford: OUP.

Fox, C. and Lappin, S. 2005. Foundations of Intensional Semantics. Oxford: Blackwell.

Hacking, I. 2014. Why is there Philosophy of Mathematics at all? Cambridge: CUP.

Lohmar, D. 1989. Phänomenologie der Mathematik: Elemente enier phänomenologischen Aufklärung der mathematischen Erkenntnis nach Husserl. Dodrecht: Kluwer.

Tieszen, R. 2005. Phenomenology, Logic, and the Philosophy of Mathematics. Cambridge: CUP.

Van Atten, M. 2007. Brouwer Meets Husserl: On the Phenomenology of Choice Sequences. Dodrecht: Springer.

Wright, C. 1983. Frege’s Conception of Numbers as Objects. Aberdeen: AUP.


[1]     Unless impossible worlds are brought in – but as far as I can see that option is foreign to da Silva’s outlook.

[2]     The notion of quantitative form is at the heart of Husserl’s own account of numbers in Philosophy of Arithmetic – and it is to da Silva’s credit that he takes Husserl’s old work seriously and accommodates into an up-to-date phenomenological-idealist framework.

Klaus Held: Der biblische Glaube: Phänomenologie seiner Herkunft und Zukunft, Klostermann, 2018

Der biblische Glaube: Phänomenologie seiner Herkunft und Zukunft Book Cover Der biblische Glaube: Phänomenologie seiner Herkunft und Zukunft
Rote Reihe 105
Klaus Held
Klostermann
2018
Paperback 19,80 €
176

Michela Summa, Thomas Fuchs, Luca Vanzago (Eds.): Imagination and Social Perspectives

Imagination and Social Perspectives: Approaches from Phenomenology and Psychopathology Book Cover Imagination and Social Perspectives: Approaches from Phenomenology and Psychopathology
Routledge Research in Phenomenology
Michela Summa, Thomas Fuchs, Luca Vanzago (Eds.)
Routledge
2018
Hardcover £96.00
358

Reviewed by: Mary Edwards (School of English, Communication and Philosophy, Cardiff University)

In his Philosophical Introduction to Jean-Paul Sartre’s The Imagination: A Phenomenological Psychology of the Imagination, published in 2004, Jonathan Webber observes that despite the centrality of the imagination to numerous philosophical debates, scant attention has been given to questions such as “What is imagination? What are we actually doing when we imagine? What are we aware of, and what kind of awareness do we have of it?” (2004: xii). The situation has changed dramatically since 2004. Today, questions concerning the character, function, potential, and limits of the imagination are the focus of many exciting debates not only within phenomenology and the philosophy of mind, but also in the fields of psychology, social and political theory, and aesthetics. In short, the imagination is now flourishing as a subject of interdisciplinary scholarship.

Imagination and Social Perspectives: Approaches from Phenomenology and Psychopathology takes on the vital task connecting new insights about the nature of the imagination to questions concerning “the meaning and formation of social perspectives” (1). Although it would be incorrect to claim that research into the imagination has hitherto ignored questions about human sociality (see, for example, Castoriadis 1987 [1975]; Lennon 2015; Robinson and Rundell 1994), this edited volume strives to fill some notable gaps in the available research on imaginary dimension of sociality. Specifically, the editors state that their aim is to offer new investigations into the nature of the “interplay between imaginative and social experience” (1), a topic that has been relatively under-researched.

As the subtitle suggests, the volume emphasizes insights from phenomenology and phenomenologically informed research in psychopathology. However, an increased appreciation for centrality of the imagination to human life – along with the recognition that phenomenological methods provide the most satisfactory means to investigate it – means that this emphasis has the potential to furnish a rich interdisciplinary exchange. This potential is realized in this volume, which brings together contributions from leading and emerging scholars working not only in phenomenology and psychopathology, but also in philosophy of mind, epistemology, psychology, social and political philosophy, philosophy of language, and anthropology. What’s more, Imagination and Social Perspectives: Approaches from Phenomenology and Psychopathology does some work towards bridging the so-called divide between continental and analytic philosophy by combining insights from thinkers from both traditions.

The volume’s eighteen chapters are divided into five sections: Imagining Oneself; Imagination and Intersubjectivity in Psychopathology; Imagination and the Experience of Others; The Sociality of Imagination; and Aesthetic, Ethical and Social-Political Grounds of Perspective-Taking. These section titles provide an accurate indication of the diversity – in terms of both focus and approach – of the volume’s contents. Although it is impossible to do full justice to all eighteen contributions in the context of a review such as this, in what follows, I shall try to provide a general sense of the achievements of the collection as a whole by discussing it in terms of what I take to be three of its key themes.

Unsurprisingly, empathy is an important theme. What is perhaps more surprising though is that the chapters that offer theorizations and analyses of empathy in are not confined to the third section on Imagination and the Experience of Other but, rather, peppered throughout the volume. Indeed, the idea that our common conception of empathy – as an imaginative action through which one simulates the experience of another in order to feel what s/he feels – is impoverished is continually reinforced throughout the book.

Matthew Ratcliffe’s chapter, titled “Empathy Without Simulation”, is the chapter that most obviously calls our preconceptions about what empathy is into question. Drawing on instances of empathy in clinical practice, Ratcliffe contends that empathy has a “wider applicability” than is generally supposed (199). He criticizes theories of empathy that define it as the (implicit or explicit) simulation of another’s experience for mistaking a characteristic particular to quite sophisticated kinds of empathy – and which is neither necessary nor sufficient for empathy – for the essential characteristic of empathy. Further, he maintains that while phenomenological accounts – such as those defended by Edith Stein and, more recently, Dan Zahavi – correctly underline the centrality of the second-person to empathic experience, they tend to overstate its perceptual (or quasi-perceptual) quality, with the consequence that they render the other’s feelings as visible but vague; they seem incapable of explaining how one subject would be able to “‘see’ why” another feels the way she does (212). Sight is, therefore, gained at the cost of empathetic insight in Ratcliffe’s view. In order to preserve both “the second-person orientation” of empathy and grant its subject insight into another’s perspective, Ratcliffe argues that empathy ought to be characterized as an “openness to potential phenomenological difference between self and other” (205), with more sophisticated forms of it also involving “exploratory” processes, including simulation (202).

Anita Avramides examines simulation and perception accounts of empathy in chapter 11, so as to contrast their respective views on the role of the imagination in “knowing others”, which she takes to be a means not only for predicting others’ behaviour but also for calibrating one’s mental life with regard to theirs (194). She contends that simulation accounts assign a central role to the imagination and perceptual accounts, none at all. This sets the stage for the introduction of Avramides’s own alternative account, which grants the imagination a key role in the process of knowing others, but turns out to be in accordance with perceptual accounts due to its insistence that “the role of the imagination in our coming to know the minds of others is the role it plays in the perception of others, not the simulation of others” (192). Building primarily upon the work of P.F. Strawson, Avramides’s chapter may be of particular interest to readers from continental and phenomenological backgrounds, since it employs an “analytic” frame to defend a perceptual account of perception, which makes an interesting contrast to the phenomenological (quasi-)perceptual accounts of empathy discussed elsewhere in the volume.

Matthias Flatscher and Sergej Seitz’s chapter on “The Ethico-Political Turn of Phenomenology” makes another important contribution to the overarching idea that empathy may function in ways that extend far beyond our conscious efforts to understand others. The authors hold that Husserl’s key insight that “the other is ultimately not a phenomenon in the phenomenological sense” (327) – since the other qua other conscious subject is given to conscious as inaccessible – when considered alongside the “riddle of how empathy becomes indeed possible”, gives us cause to challenge the “two basic assumptions that Husserlian phenomenology shares with the whole tradition of modern Western thought”; namely, the presumed “analytic priority of the subject over the other” and the idea that the “relation between self and other is first and foremost epistemological” (328). Then, through a careful discussion of Emmanuel Levinas’s view that subject’s being is one that “occupied by the other” from the beginning (332), Flatscher and Seitz suggest Levinasian phenomenology – which takes the ethico-political sphere as ontologically more primary than the epistemological – opens up the possibility of conceiving of empathy not as a riddle, but as a the principal ethical event triggered by perception of a face that “speaks” (330).

The idea that intersubjective events play a fundamental role in shaping human experience motivates all the chapters in this collection, in one way or another. It is an idea of central philosophical importance because it prompts us to challenge our preconceptions about the autonomy of the individual, and many of the chapters within this volume attempt – in more or less direct ways – to respond to this challenge. Even Andrea Altobrando’s chapter, titled “Imagining Oneself”, eventually connects the capacity to abstractly conceive of oneself on one’s imagination to the capacity to be a social subject (39). The indispensability of the imagination to social experience is the subject of chapter 8, where Jens Bonnemann seeks to illuminate the fundamental role it plays in Sartre’s conception of intersubjectivity. The novelty of this chapter lies in the fact that rather than examining Sartre’s thought on the imagination in The Imaginary, it focuses on his discussion of “The Look” in Being and Nothingness, in order to highlight the role of the imagination in shaping social experience and, primarily, the experience of being looked at. Bonnemann’s analysis elaborates upon Sartrean insight that when one feels oneself as the object of a look, the “perceptible qualities of the objective Other become the basis for imagining his/her inaccessible view” (161). In the context of Sartre’s phenomenology, it contends that only our interactions with others can show us who we are. This implies that “[w]hen I think about myself, the imagination comes into play as well because I try to imaginarily see myself with the eyes of another” and so the other’s otherness, together with “the inescapability of the first-person perspective”, provide “the basis for the constitutive correlation of interaction and imagination” (165). And, what Sartre sees as being constituted by this correlation is, according to Bonnemann, precisely the subject’s sense of herself as an I.

Fittingly, the chapter that follows Bonnemann’s provides an elucidation of Merleau-Ponty’s attempt to move away from what he regards as overly individualist philosophical accounts of intersubjective experience – which he even finds preserved in Sartre’s phenomenology – by shifting the emphasis from the subjectivity of consciousness to “intercorporeality”. Here, Luca Vanzago explains that intercorporeality for later Merleau-Ponty designates something more than the “incarnated subjectivity” discussed in The Phenomenology of Perception. Although the nature of this “something more” is difficult to define, Vanzago’s suggestion is that it involves a revision of Merleau-Ponty’s earlier sharp distinction between the imagination and perception, as well as “a different articulation between the two” (167). This different articulation is described as being one that presupposes a “relationist” as opposed to a “substantialist” conception of life and nature. It, therefore, gives way to a new relational ontology. This gives us further insight into what the “something more” of Merleau-Ponty’s later notion of intercorporeality consists in, as the “ontologization of the interrelations between subjects” in his later work is described to take “the shape of intercorporeality”, which – rather than deriving from substance – appears to be “more fundamental than substance” (171). But what does this ontological claim have to do with sociality? What does this understanding of intercorporeality imply for intersubjectivity? In responding to these questions, Vanzago underlines the crucial point that if intercorporeality provides the basis for intersubjective experience, then “what a subject is can neither be equated with its own self-consciousness or with its own biological body”, since “Othernes” is “already present as a constitutive part of the subject’s sameness” (172). Why might this view be considered more radical than, for instance, Sartre’s idea that the imagined other is essential to the subject’s capacity to understand herself as an “I-subject”? The answer is because it refuses to posit even a weak sense of self-consciousness as existing prior to the encounter with otherness. The perspective from which the problem of intersubjectivity is considered is, therefore, reversed in Merleau-Ponty’s later work, according to Vanzago. The task for the philosopher approaching this problem is no longer that of accounting for the experience of another but, to the contrary, that of accounting for the experience of the self as an individuated subject.

Silvana Borutti, and Karl Mertens, in chapters 16 and 17 respectively, offer further illuminating changes of perspective in relation to the problem of intersubjectivity. The perspective put forward by Borutti is one that regards “an aesthetical-imaginative relationship with otherness” as “the foundation of meanings comprehension” (288), which is illustrated through an analysis of Kant’s concept of Gemeinsinn (common sense) alongside Wittgenstein’s notion of Übereinstimmung (literally: consonance of voices). Mertens’s chapter asserts that if the perspective that “agents are always already embedded in situations that are fundamentally social” is adopted, “there is no need to transcend the individualistic perspective of the involved agents” and the “problem of explaining how it is possible for individual agents to develop collective intentions that guide their social action no longer arises” (311). Mertens presents “collective social perspectivity” – whereby “the particular social perspectives of social groups and even whole societies are considered in the specificity” (306) – as real possibility, in order to support the adoption of this perspective in analyses of societal change and social progress.

Rudolf Bernet’s chapter, “Spinoza on the Role of Feelings, Imagination and Knowledge in Sex, Love and Social Life”, is an investigation into the possibilities that emerge from considering the metaphysics of intersubjectivity by following Spinoza, for whom “[t]he metaphysical interest in what it means to be a human among other humans and the ethical interest in what it means to lead a good life in relation to other persons are intimately related” (140). Bernet’s close study of Spinoza’s understanding of the passions provides a way of conceiving of “the imagination of others” as something that may be surpassed and transformed into “an intellectual insight into their intrinsic nature” (151).

A different question to that of how the imagination may function in our awareness of others’ experiences is the question of whether we can share imaginative experiences with others. The three chapters comprising section IV, The Sociality of Imagination, take up this question. In chapter 14, Julia Jansen uses a phenomenological approach to consider whether there is “even such a thing as shared imagining” (247). By situating the question concerning the possibility of shared imagining within a phenomenological framework that considers the imagination not merely as a cognitive function that generates private representations “inside” the subject’s mind, but as a dynamic mode of consciousness that can also be embedded in, extended into, and distributed throughout a social world, Jansen shows that the idea of shared imagining is not strange as it might initially seem. What is most illuminating about Jansen’s chapter, is its development of Husserl’s idea that imagined objects are not individual objects (as objects of perception are), but ideal objects that are, in Jansen’s terms, insusceptible to “individuation” (255). When imaginary objects are conceived of in this way, it becomes possible to see how different subjects can still be said to imagine the same thing even if the contents of each subject’s consciousness is not the same: “Despite the different psychological episodes the two [imaginers] may be undergoing, they can still share the content of their imagining because that content is ‘ideal’ insofar as it is irreducible to any real experiences in space and time or any processes underlying them . . . we can both imagine the same (snow white, ‘a just state’) in different ways”, and this “same” turns out to be “merely quasi same” because the imagined object necessarily lacks a distinct position in space and time (256). The possibility of having the quasi same imaginary object as another opens up the further possibility of bringing our imaginings closer together through communication. For instance, if we imagine Madame Bovary together and you tell me that she has brown eyes, so long my imagined Madame Bovary is neutral with regard to eye-colour, I can adjust my image of Madame Bovary to bring it closer to yours. However, Jansen suggests that Husserl’s key insight about sharp distinctions between perception and imagination being phenomenologically unviable is not pushed to its full conclusion in his work, which places too much emphasis on the “creative” aspects of imagination (261). More work must be done then, in Jansen’s view, in order to satisfactorily account for the imaginative aspects of less cerebral forms of collaboration at work in activities such as dancing together, playing music together, etc.

Emanuele Caminada’s exploration of Scheler’s account of the social cognition, in chapter 15, and Thomas Szanto’s normative account of collective imagination, in chapter 13, compliment Jansen’s chapter by investigating the conditions for sharing mental states that are usually construed as “subjective”. First, Caminada’s chapter does a good job of underlining the value of following Scheler when considering different types of social understanding in connection to different forms of sociality, by showing how “paying attention to the role played by different forms of sociality permits to see how direct social perception is constitutively embedded in communities that share a good amount of expression forms” (278). Caminada draws upon Scheler’s famous example of shared grief to provide a typology of social emotions that illustrates how the difficulty in understanding how another feels may be reduced or increased depending on the social situations of both parties, as well as their relation to the object of the emotion in question. Second, Szanto’s chapter considers the phenomenon of “imaginative resistance” – where the subject finds that s/he is unable to engage in imagining a situation s/he finds morally abhorrent – in order to counter the common assumption that there are no limits to what can be imagined. Then, it proceeds to argue that the normative constraints that the imagination is subject to take on a stronger role in collective imaginings. Szanto maintains that an appreciation of the enhanced normative dimension in collective imaginings turns out to be crucial for grasping the ways in which collective imaginings differ from individual imaginings. Drawing on the work of Edith Stein, Szanto reinforces Jansen’s point that subjects can imagine the same object differently, and he helpfully outlines the normative criteria he believes must be satisfied in order for the imagining of an object to be considered collective by developing Kendall Walton’s classic account of collective imagination. A final result of Szanto’s chapter is that it provides a solid basis for more comprehensive accounts of the collective imagination.

The final key theme of this volume, as I see it, is that of the as-if function of the imagination. This function is shown to be essential not only to our theoretical understanding of the imagination, but also to our understanding of certain psychopathological conditions, since the awareness that imaginings merely constitute objects “as if” they were present is vital in distinguishing fiction from reality – as Michela Summa’s chapter “Experiencing Reality in Fiction: Discontinuity and Permeability” superbly illustrates – as well as for separating the real from the unreal within experience. Thus, in addition to revealing the imagination as an essential component of human experience, the volume also offers systematic analyses of its potential to be dangerous and alienating. In chapter 5, Thomas Fuchs provides a fascinating account of the ways in which the as-if function of imaginings may be reduced or altogether lost in schizophrenia by investigating some of its symptoms, including: concretism, defined as “the failure to adequately use an understand the metaphorical or figurative meaning of language”; transitivism, “the loss of self-other distinction or self-demarcation”; and delusion (87-94). Moreover, Fuchs also argues that the transition from the delusional mood – in which aspects of experience take on an unreal character – to full delusion – in which the unreal is mistaken for the real – involves not only a loss of the as-if function, but also a loss of intersubjectivity (92). The centrality of a sense of a shared reality to non-pathological imagining is further explored in the two chapters that follow: Tim Grohmann’s chapter 6, titled, “Intersubjective Expression in Autism and Schizophrenia”, and Zeno Van Duppen’s chapter 7, “The Phenomenology of Intersubjective Reality in Schizophrenia”.

If one expects to find some sustained engagement with Cornelius Castoriadis’s philosophical work on the imaginary institution of society in this volume, one will be disappointed. Castoriadis is mentioned in Szanto’s chapter (224) and briefly discussed in Jansen’s (249-50), but there is no sustained treatment of his work here. As the focus of this volume is on phenomenological analyses of the imagination and social perspectives, it would be unfair to regard the absence of a prolonged engagement with Castoriadis’s work as a flaw. But, it certainly would be a bonus, in my view, particularly as Kathleen Lennon has recently underlined its significance for philosophical investigations into the social imaginary (2015: 71-95). Further, even though Sartrean insights are developed throughout this volume outside of Bonnemann’s chapter in ways that will surely be of interest to Sartre scholars (see, especially, 84, 124-5, 223, 228), some may find it disappointing that there is only one chapter that concentrates on Sartre’s thought on the imagination. My only real issue with this volume, however, is that it has been let down by careless copy-editing in places. Notably, one finds “deem [instead of doom] to failure” on the first page, then “synonymous of [instead of with] ‘supposing’” (2), “how [instead of what] your experience would be like” (11), and “the most evident bias of these current debates consists in its naturalism” (265, emphasis added). Castoriadis’s name is also missing from the Index. Although minor, these errors can distract the reader from the content.

In conclusion, this collection of original articles – some of which were first presented at the 2015 conference “Imagination, Intersubjectivity, and Perspective-Taking”, held at Villa Vigoni, Loveno di Menaggio, Italy – offers a fresh and truly interdisciplinary perspective of on the significance of the imagination in our social lives. But it has much to recommend it beyond its novelty and interdisciplinary scope. First and foremost: it brings together vitally important research on the social features and functions of the imagination that have so far been under-researched. The editors’ helpful introductory chapter outlines the problems raised by the question of the imagination’s role in human life and gives readers a good sense of which chapters will be most relevant to their interests. The chapters themselves each yield new insights into the incredibly complex ways in which the imagination provides structural support for human sociality and indicate areas where further research is required. Altogether, this means that Imagination and Social Perspectives: Approaches from Phenomenology and Psychopathology represents an invaluable resource for scholars and advanced students working on the philosophy of the imagination and/or the psychological mechanisms involved in social interaction.

 

References:

Castoriadis, C. 1987. The Imaginary Institution of Society, trans. K. Blamey. Cambridge: Polity Press.

Lennon, K. 2015. Imagination and the Imaginary. New York and London: Routledge.

Robinson, G. and J. Rundell (eds). 1994. Rethinking Imagination: Culture and creativity. New York and London: Routledge.

Webber, J. Philosophical Introduction. In The Imaginary: A phenomenological psychology of the imagination, by J.-P. Sartre, trans. Routledge. New York and London: Routledge, 2004.

Saulius Geniusas, Dmitri Nikulin (Eds.): Productive Imagination: Its History, Meaning and Significance, Rowman & Littlefield, 2018

Productive Imagination: Its History, Meaning and Significance Book Cover Productive Imagination: Its History, Meaning and Significance
Social Imaginaries
Saulius Geniusas, Dmitri Nikulin (Eds.)
Rowman & Littlefield International
2018
Hardcover $120.00
240

Sebastian Luft, Maren Wehrle (Hrsg.): Husserl-Handbuch: Leben – Werk – Wirkung

Husserl-Handbuch: Leben – Werk – Wirkung Book Cover Husserl-Handbuch: Leben – Werk – Wirkung
Sebastian Luft, Maren Wehrle (Hrsg.)
J.B. Metzler
2017
Hardcover 89,95 €
VI, 374

Reviewed by: Corinna Lagemann (Freie Universität Berlin)

Das vorliegende Werk Husserl-Handbuch. Leben – Werk – Wirkung (Metzler Verlag, Stuttgart 2017), herausgegeben von Sebastian Luft und Maren Wehrle, stellt einen vielseitigen, umfassenden Überblick über das Leben und Wirken Edmund Husserls dar. Sein besonderes Verdienst liegt darin, dass er deutlich über einen bloßen Überblick hinausgeht und inhaltlich auch in der Tiefe zu überzeugen vermag. Der Band versammelt eine Vielzahl von Aufsätzen, nicht nur zu Husserls Schaffen als publizierender und lehrender Philosoph – die Sektion „Werk“ umfasst immerhin 24 Beiträge und untergliedert sich in Veröffentlichte Texte und Nachlass – auch seinem Leben, seiner Biographie und den historischen Gegebenheiten seiner Zeit wird, immer in Hinblick auf sein philosophisches Projekt, Beachtung geschenkt. Abschließend widmet sich der Band dem Einfluss, den Husserl ausübte, sowohl auf Personen, deren Denken und Wirken er maßgeblich geprägt hat als auch Strömungen und Denkrichtungen innerhalb und außerhalb der Philosophie. So sind hier neben philosophischen Schulen auch Soziologie, Psychologie und interdisziplinäre Diskurse genannt.

Als „besonderes Anliegen“ und gleichzeitig als Neuartigkeit des Bandes bezeichnen die HerausgeberInnen dem Nachlass: „den in ihm behandelten Themen, seiner Entstehung und der sich durch diesen ausdrückenden Arbeitsweise Husserls, gebührend Raum zu geben. Die Betonung des Nachlasses in der Auswahl der in diesem Handbuch behandelten Themen ist in der Forschung ein Novum“ (S.3).

Die AutorInnen sind der internationalen Husserl-Forschung zuzuordnen; neben Beiträgen aus dem deutschsprachigen Raum von einschlägigen Husserl-Experten wie Sonja Rinofner-Kreidl, Christian Bermes und Thomas Bedorf, ist z.B. Nicolas de Warren zu nennen, der insbesondere den ersten Teil des Buches mit luziden Betrachtungen zentraler Werke Husserls bereichert.

Der biographische Abschnitt „Leben und Kontext“ bündelt familiäre Situation, zentrale Personen, psycho-soziale Umstände (Husserl spricht in den 1930er Jahren über seine Depression) und bettet sein Schaffen und Lehren sowie die Ausführungen zu seinem wissenschaftlichen Projekt gut ein. Teilweise sehr sachlich, teilweise anekdotisch, greifen die Beiträge von unterschiedlichen Autoren sinnvoll ineinander und schaffen so einen roten Faden, der plausibel zur Werk-Sektion überleitet und die Auseinandersetzung motiviert. So werden bereits hier zentrale Interessen und Begriffe in Husserls Phänomenologie angerissen, die im Lauf des Buches erörtert werden. Als Beispiel wird Husserls Analyse von Twardowski genannt, die gewissermaßen der Ausgangspunkt für Husserls Weiterentwicklung des Intentionalitätsbegriffs sei und damit eine bedeutende Rolle spiele: „Die Frage nach der Rolle der Intentionalität in der Relation zwischen Akt und Gegenstand, und allgemeiner zwischen Ich und Welt, wird dann zum Fundamentalproblem der Phänomenologie“ (S.30).

Im Abschnitt III A, in welchem die veröffentlichten Texte verhandelt werden, folgen die Beiträge chronologisch nach Erscheinungsjahr des behandelten und publizierten Werks. So macht denn auch die Philosophie der Arithmetik als erstes Buch, das auch den Weg in den Buchhandel fand, den Auftakt. Bereits in diesem frühen Text, so arbeitet Mirja Hartimo heraus, werden Konzepte angelegt und entwickelt, die Husserls gesamte Philosophie prägen werden. So wird die Methode der kollektiven Verbindung genannt, und zwar „als psychischer Akt, der mehrere Objekte als ein Ganzes begreift, ohne dass diese ihre Individualität verlieren“ (S.49). Hier zeichnet sich Husserls Herangehensweise ab, Logik und Erfahrungswissen zu verknüpfen, die Gesamtheit eines Phänomenbereichs im Blick zu haben, ohne dabei die Individualität und die logischen Gesetzmäßigkeiten zu verlieren. Originellerweise wendet er diese Methode auch auf die Arithmetik an, wenn er seinen Zahlbegriff aus der natürlichen Anschauung entwickelt: „Husserls Argument ist, dass man ohne die Idee einer kollektiven Verbindung nicht erklären könne, warum bestimmte Inhalte verbunden sein sollen, während andere von einer solchen Kollektion ausgeschlossen sind“ (S.52). Die Anschauung dient Husserl immer als Ausgangspunkt für seine Analysen, und in der Anschauung ist nunmal die Mannigfaltigkeit gegeben. Ein Problem sieht Husserl darin, „die Welt der reinen Logik und die Welt des Bewusstseins zu vereinen“ (ebd.), und hierin liegt, das legt Hartimos differenzierte Analyse nahe, der Ausgangspunkt für Husserls phänomenologisches Projekt, die formale Logik mit der Psychologie zu vereinen, um – im Sinne eines Arguments gegen den Psychologismus – „die Korrelation der objektiven Logik mit dem subjektiven Bewusstsein verständlich zu machen“ (S.55).

An dieser Stelle können nicht alle Beiträge im Band in der Tiefe betrachtet werden. Allen gemeinsam ist, dass sie Bezug aufeinander nehmen, zentrale Begriffe hervorheben und deren Weiterentwicklung skizzieren, was dieser Sektion eine große Stringenz verleiht. So wird das Projekt der Philosophie als strenger Wissenschaft thematisiert (Vgl. Nicolas de Warren, „Ideen zu einer reinen Phänomenologie und phänomenologischen Philosophie“), außerdem wird der Begriff der Epoché eingeführt, jene Methode, die durch Abschälung der Sinneseindrücke und die Ausschaltung der naiven Annahme der Gegebenheit der Welt definiert ist und die phänomenologische Untersuchung damit auf die reine immanente Bewusstseinsleistung beschränkt. Diese Methode wird v.a. in den Cartesianischen Meditationen erneut zentral.

Besondere Beachtung verdienen indes Nicolas de Warrens Text zur Phänomenologie des inneren Zeitbewusstseins sowie Dermot Morans Beitrag zu den Cartesianischen Meditationen. Beide Texte überzeugen durch ihre knappe und dennoch sehr lesbare Entfaltung hoch komplexer Thematiken. De Warren unterfüttert seine Betrachtungen durch kurze Exkurse zu Kant und Hegel, die als wichtige Einflüsse genannt werden und arbeitet Husserls eigenes Projekt in Abgrenzung zu Kants Zeitbegriff heraus; Zeit wird bei Husserl nicht als Abfolge von Jetzt-Punkten im Sinne eines naturwissenschaftlichen Zeitbegriffs verstanden, sondern vielmehr, im Rahmen seines Begriffs der Intentionalität, als Dauer, als Ineinandergreifen von Protention, Retention und Urimpression, was der Dimension des Zeiterlebens viel eher Rechnung trägt. Husserl gelingt hier, das verdeutlicht de Warren, eine Konzeption der Zeit als Struktur des Bewusstseins, welche für nachfolgende Autoren und auch für die heutige Forschung in anderen Disziplinen maßgeblich ist.

Die Cartesianischen Meditationen werden als Husserls „Haupt- und Lebenswerk“ (S.90) gewürdigt, in dem viele Hauptbegriffe der anderen Werke zusammengeführt und weiterentwickelt werden, auch werden wichtige Einflussgrößen diskutiert. Bei aller Komplexität und Detailfülle bleibt Morans Text kurz, präzise und dicht, ohne dabei einen übermäßigen Lesewiderstand aufzubauen.

Wie bereits in der Einleitung angekündigt, erfährt im Folgenden der Nachlass Husserls eine besondere Würdigung in Form einer recht umfassenden eigenen Sektion. Diese ist sehr plausibel und systematisch nach Themen gegliedert; auf besondere Schwierigkeiten bei der Sichtung des Materials gehen die HerausgeberInnen ein. Die Schwierigkeiten ergeben sich aus Husserls durchaus origineller Arbeitsweise, täglich Denktagebuch zu führen, dabei immer neue Ideen anzureißen, auszuprobieren, zu verwerfen oder weiterzuentwickeln, was zwar produktiv ist, aber auch ganz eigene Herausforderungen bei der Aufbereitung birgt. Umso mehr sei die sorgfältige Zusammenstellung der Beiträge entlang der wichtigsten Themen und Begriffe in Husserls Werk gewürdigt, die sowohl das gesamte Projekt der Phänomenologie unter verschiedenen Gesichtspunkten (als Erste Philosophie, Im Grenzbereich zur Psychologie, Intersubjektivität u.a.) beleuchtet, als auch große Themenbereiche wie Erkenntnisphilosophie und Logik und zu guter Letzt auch auf Kernthemen aus Husserls Schaffen eingeht, wie Lebenswelt und Räumlichkeit.

Im Anschluss benennt der Band Personen, die durch Husserl maßgeblich beeinflusst wurden, darunter natürlich Martin Heidegger – der wohl prominenteste Zeitgenosse Husserls, wobei wohl das gleichzeitig äußerst inspirierende und problematische Verhältnis der beiden maßgeblich für diese Prominenz war und ist. Dies stellt Thomas Nenon in seinem Beitrag sehr gut dar. Außerdem sind z.B. Sartre, Scheler, Merleau-Ponty, Ricoeur, Derrida und Foucault genannt, aber auch Husserls Einfluss in Japan wird erwähnt, in Form eines Beitrag zu Kitaro Nishida. Kritisch bemerken lässt sich, dass Edith Stein keinerlei Erwähnung findet, die als Husserls Assistentin durchaus großen Anteil an manchen Werkphasen hatte – wie immerhin in der Einleitung erwähnt wird – und eine Theorie der Einfühlung entwickelte, die durch Husserl ebenfalls inspiriert war.

Die letzte Sektion setzt sich mit dem Einfluss Husserls auf verschiedene Denkrichtungen und Disziplinen auseinander. Hier wird einmal mehr deutlich, welch große Rolle seine Theorien für die – nicht nur philosophische – Wissenschaft seit dem letzten Jahrhundert spielen.

Alles in allem liegt mit diesem Handbuch ein äußerst bereicherndes Werk für die Auseinandersetzung mit Husserls Philosophie vor. Durch seinen hohen Detailreichtum, seine enorme Dichte und Tiefe bei gleichzeitig überzeugender Struktur, hoher Lesbarkeit und seiner sehr gelungenen Auswahl an Autoren bietet es Kennern eine gute Handreichung und ein solides Nachschlagewerk, aber auch Einsteigern und an Husserls Philosophie Interessierten, die sich einen Überblick verschaffen mögen, ist es eine wertvolle Quelle. Es eignet sich sowohl zum Nachschlagen einzelner Themen und Begriffe, als auch zur Lektüre insgesamt, was dem klugen Aufbau und dem sinnvollen Ineinander der einzelnen Artikel zu verdanken ist.

Michael Barber: Religion and Humor as Emancipating Provinces of Meaning

Religion and Humor as Emancipating Provinces of Meaning Book Cover Religion and Humor as Emancipating Provinces of Meaning
Contributions to Phenomenology, 91
Michael Barber
Springer
2017
Hardcover 96,29 €
XV, 231

Reviewed by: Adrian Razvan Sandru (Eberhard Karls Universität Tübingen)

Michael Barber investigates Alfred Schutz’s psychological phenomenology (6) aiming at describing the possibility of emancipation from the stress of everyday life through non-pragmatic regions of meaning. Barber believes that Schutzian phenomenology has the potential of emancipation even though Schutz was weary of committing society to normative determinations and he considered reason to be merely an explanatory instrument in determining the relation between means and ends. Barber grounds the possibility of emancipation in Schutz as follows: 1) the “world of working” – the everyday life of an agent oriented toward pragmatic goals – consists of morally neutral pragmatic situations. At the center of these stands the ego agens as 0-point of all its projects and plans which it needs to master and accomplish. 2) The pragmatical relevances – i.e. the hierarchical ordering of one’s plans and projects – of the ego agens are often confronted with obstacles which may or may not be overcome. 3) The confrontation with higher-level obstacle – such as death, natural phenomena or societal restraints – leads to the ago agens developing pragmatic meta-levels of coping with obstacles and uncertainties such as “the medical industry, massive security measures, or the societal suppression of uncomfortable questions and the development of central myths” (24). Barber argues that such meta-level strategies – meant to defend lower-level pragmatic interests – may lead to pathological needs of mastering the world and exerting one’s control and manifest themselves as “domination of others” or “psychological neuroses”. 4) Relief from such pathologies can be provided by non-pragmatic regions of meaning such as literature, phantasy, dreaming, or theoretical endeavors. 5) These can however also be endangered by the pragmatic anxieties of not reaching one’s goals and thus require grounding in something more. 6) This something more would be, according to Barber, “someone else”, i.e the other embodied in the religious and humorous non-pragmatic provinces of meaning. Drawing and building on Schutz’s “On multiple realities”[1] Barber speaks of religion and humor not just as opposing the world of working but also as provinces of meaning standing in a dialectical relation to everyday life: they can free us from pragmatic anxieties, shed new light on the possibilities of everyday life, and incorporate pragmatic bodily functions essential for communication. Thus, the pragmatic and non-pragmatic are also inter-dependent. Non-pragmatic provinces resist the pragmatic in not being accomplishment-oriented but rely on the latter to manifest themselves in communicative acts.

Barber’s book aims thus not only at reconstructing Schutz’s phenomenology but also at extending it to address the possibility of emancipation. In doing so he hopes to develop an account of non-pragmatic regions of meaning which can communicate and reflect on the pragmatic but also and more importantly address current social, racial, cultural, and psychological issues. In this vein he describes religion and humor as intersubjective experiences which can bridge the conflictual differences afflicting our current society. Barber’s undertaking is remarkable in several aspects: he describes in a Schutzian manner the constitution of the natural attitude; he accepts and further develops Schutz’s extension of this natural attitude through several regions of meaning; building on this he addresses the problem of intersubjectivity in phenomenology and tries to offer several solutions to current societal issues based on it; he addresses the relevancy of religion in a secular world and gives an exhaustive account of humor and its inner workings. Given that Barber relies on Schutz to achieve this I shall first give an account of his reconstruction of the Schutzian philosophy. From this I shall move to discussing in detail the above mentioned aspects of Barber’s book. Even though I appreciate Barber’s attempt I do believe that he runs into some issues discussing the character of religion and of humor as emancipating regions of meaning. This is why I shall also give a short account of the concerns I had reading the book presented here. This shall be followed by a conclusion in which I weigh in once again on the positives and negatives of Barber’s work.

Alfred Schutz and the World of Working

As Barber explains, Schutz – being influenced by Max Weber, Henri Bergson and Edmund Husserl – grounds his description of everyday life on a stream of consciousness in which present experiences are lived, future ones are anticipated and past ones are mediated by memory. He sees the formation of meaning of this stream of consciousness in a twofold fashion: first, experiences receive meaning via intentionality, i.e. by singling out experiences and reflecting on them; second, by planning in future past tense we can imagine a project, which as a goal provides meaning to any action we undertake. An important step in describing the world of working is the standardization of these meanings through culture. The standardization occurs as both general typification – concepts such as cats, dogs, trees, house etc. – and as personal typification – the ordering of our interests in hierarchical relevances (e.g. I study in order to receive a well payed job). Even though these typifications occur in culture and are thus intrinsically intersubjective – as language typification shows – they also pertain to subjective meanings as they are formed in the personal temporal unfolding of consciousness of each subject. Despite this they present a common pragmatic ground which makes communication possible. Communication and relating to others in general are also determined by our temporal and spatial state. When space and time are shared with another, subjects take part in the unfolding of each other’s stream of consciousness and influence each other’s typifications.[2] When only time is a shared determination the other is only known as a Contemporary based on typifying inferences leading to an ideal-type. Other ideal-types would be Successors and Predecessors. This kind of pre-reflective typisations constitute our social world, which Schutz holds to be dominated by pragmatic relevances, though he does not accept pragmatism as a viable description of everyday world. Instead, he relies on phenomenology and its methods: aiming objects as form of interacting; eidetic variations as determining essences; the epoché as explaining transitions from one finite region of meaning to another. The latter are not to be understood as ontological structures but as coherent domains of experience which we determine as real by inhabiting them. These regions of meaning are spelled out by a shared “cognitive style” determined by six features: 1) a tension of consciousness which is described in a Bergsonian manner as the attention to life needed at accomplishing projects; 2) the epoché as accessing a certain region of meaning; 3) a form of spontaneity which in the world of working describes the pragmatic involvement of the ego agens, i.e. the pragmatic agent engaged in its projects, in the world through bodily actions; 4) “a specific form of experiencing oneself” ( 5) which in the world of working would consist in an undivided and non-reflective subject living in the present of its projects; 5) “a specific form of sociality (as it is experienced in common sense communication)” (5); 6) and lastly temporality. Given that Barber describes the religious and humorous region of meaning by means of these attributes of the cognitive style I shall present his account of religion and humor in the same manner.

Cognitive Style of Religion

The first attribute of the cognitive style addressed by Barber is the tension of consciousness. Barber associates religion with Bergon’s pure memory as release from the tension of everyday life (10; Bergson, 1950). The tension of consciousness is loosened in religion as believers turn over the control over their lives to a transcendent and establish the latter as the absolute value of their system of relevances. By doing this, a certain objective order is ascribed to the world, through which everything is part of a higher order plan.[3] This, the unconditioned objective order which does not blame failure, helps the ego agens cope with the possibility of not achieving its goals. This in turn helps the ego agens have a more relaxed attitude towards its plans and help it better achieve them, without being plagued by anxieties of failure. Thus, the leaping into a non-pragmatic region of meaning can shed new light on the pragmatic and improve one’s engagement in the world by providing relief from the anxieties of the world of working. The transition from one region of meaning to another is achieved via a certain form of epoché. This transition functions in a Husserlian way by opening up new regions of meaning. In religion this is achieved through sacred spaces, times, and rituals. These isolate the individual from everyday life and inscribe one in a religious appresentative state: “the religious epoché displaces one from straightforward engagement with the world, reorients one’s system of coordinates, and alters one’s relevance scheme” (p12). One can however further engage the world both in a pragmatic and in a religious way. Both manners of involvement require a certain spontaneity of the individual. The involvement in the world of working is thought as being purposive, namely determined by the possibility of achieving goals. The assessment of this possibility and the non-reflective involvement of the ego agens rely on the typisation of past actions. Through the passive representation of accomplished past actions the pragmatic subject determines a certain goal as possible. This possibility is embodied in the sentence “I can do that again”. This determines the possibility of any goal starting from the ego agens as the 0-point of every action. In religion, the story differs. In this region of meaning, the transcendent is set as the ultimate goal, independent from us. This relativizes any other pragmatic goal and makes it lower-order. Such relativizing process may soothe personal anxieties regarding the possibility of pragmatic failure. Liberation however requires that we relate properly to the transcendent. The proper way proposed by Barber is absolute giving over to the transcendent which strips the ego agens of its characteristic as 0-point of all action. This stands in close relation to the fourth attribute of the cognitive style, namely the form of experiencing one’s self. In the world of working one understands oneself as the unity of his involvement in the world and as the “0-point of one’s spatiotemporal and social coordinates” (13). In religion one sees one’s entire history as the appresentation of the transcendent. As such one does not see oneself as the sole conductor of one’s life. As such, one’s involvement in the world is relieved from anxiety as one understands failures not as absolute but as inscribed in a certain purposiveness. This departure from an egocentrical world view reflects itself in the fifth attribute – sociability – too. Just as in phantasy one can enter religion alone or with others. Religious experience accentuates though sociability as the temporality of religion allows for the “socializing” with predecessors in a ritual time. The same ritual aspect of religion weakens the self-oriented typifications and strengthens other-oriented ones. As such “religion engenders social responsibility for the others” (14). As it was shown, the temporality of religion also differs from the one of the world of working. In religion time presents a non-linear character in which passed events or moments may be re-actualized as actually present and not just as memories. This allows for a multivectorial time which provides relief from the linear and future-oriented time of the world of working.

These six attributes show how each aspect of everyday life can be reinterpreted in religion in such a manner that the pragmatic is made relative. Paradoxically, exactly this relativizing of the pragmatic reinforces the pragmatic possibility of the ego agens: not afflicted by anxieties, one can better accomplish one’s projects. This overarching pragmatic view can however raise certain questions. These will be addressed in the section to follow.

Intrinsic and Imposed Relevances

As explained shortly above, everyday life is mainly constituted by the pragmatic engagement in the world. This engagement relies on typisations and passive synthesis which standardize behaviors and actions improving the efficacy of pragmatic agency. Based on such standardized action, the ego agens determines the possibility of a future action based on past successful ones and concludes “I can do it again”. By inhabiting the world of working in this way it also posits itself as the 0-point of its actions. Starting from its spatio-temporal and societal coordinates the pragmatic self determines which plans and projects it can accomplish. The plans and projects are in their turn conditioned by one’s intrinsic relevance system: what one wishes to attain. However, the ego agens is also confronted with imposed relevances and obstacles. The confrontation between imposed and intrinsic relevances can give rise to the meta-strategies at mastering the world. These consist in converting the imposed relevances into intrinsic ones manifested as plans and projects which the ego agens carries out. The degree of imposed relevances can however bring about a conflict in the ego agens, which can lead, according to Barber and Schutz, to pathologies such as anxiety or depression: “it is this collision of intrinsic relevances and imposed relevances that prompts us to turn to non-pragmatic finite provinces of meaning like religion and humor” (47). It seems that non-pragmatic regions of meaning are responses to an increased level of anxiety determined by higher-order imposed relevances which cannot be overcome in a pragmatic way: non-pragmatic regions provide relief as the subject renounces control and ceases to act pragmatically. This may relativize the relevance of the pragmatic self and allow for a more relaxed repositioning of the subject in the world-of-working. This description however also presents some difficulties. The starting point in discussing religion and the transcendent is clearly the religious community regarded from a pragmatic standpoint. One gets the feeling, from the beginning of the book, that this entire involvement in religion only occurs because one is stressed and needs relief. The danger of this is to drag the non-pragmatic into the pragmatic as a kind of Feuerbachian response to finitude. Given that Barber states at times that the pragmatic subject re-identifies and sees itself as a new self from the point view of religion, I do not think that he thinks that religion is purely a non-pragmatic tool for the pragmatic. Nevertheless, one does get the feeling that this danger – which is announced in the beginning by Barber – is not dealt enough with and is also not overcome by the communicative dialectics, which Barber proposes as answer to the relation between the pragmatic and the non-pragmatic. The dialectic of communication states that religion not only opposes pragmatic provinces but also makes use of them as communicatory tools. This however does not answer my concern regarding the reduction of religion to pragmatics. A more plausible answer might be the fundamental aspect of the non-pragmatic region of religion explained by Barber as the absolute entrusting of oneself to the transcendent. This absolute entrusting would then eliminate the danger of reduction: even though one is lead to religion by pragmatically induced anxiety, the absolute entrusting ensures that one does not return to the region of pragmatics in the same manner and that therefore one’s relation to the transcendent is not pragmatically determined. Even though this makes clearer how religion interacts with the pragmatic region of meaning without being absorbed in it, it still doesn’t resolve all issues of the religious province of meaning. In the same context of mastering the world Barber says: “we address imposed relevances through all sorts of approaches, from ignoring them, suppressing them, or even developing central myths about the superiority of our own social group” (8.) Here, Barber explains how the pragmatic integrity of a pragmatic community can be defended by mastering strategies relying on a central myth, which can reinforce the mastering identity of said community. Barber does not explain in my opinion how religion avoids acting as a central myth and as such as acting as a hyper-mastering strategy, even when the subjects give themselves completely over to a transcendent. It seems that these issues need be addressed given that we are confronted time and time again with religious fanatism and discrimination. It seems all the more stranger that he does not discuss in detail such issues as he does address it in the case of humor. Barber acknowledges that religion may be seen in a negative way but chooses not to go into detail in this matter. Instead, he states that he deals with an ideal understanding of religion and does point to the necessity of religion being in contact to the theoretical region of meaning for constant revision. I believe that he does not address such issues in depth because he chooses to speak of religion in a universal manner, without differentiating too much between multiple forms of religion. Barber attempts to resolve the problematic of religious variety by ascribing a generic “transcendent” as religious object and appresentation as religious process. In addition to this, he provides several examples of rituals from different religions which match this description. I believe that this is not enough in order to resolve the above mentioned issue and moreover restrains Barber to a generic discourse, which cannot address very specific topics. Furthermore, this generic discourse also neglects the variety of “transcendences” present in different religions. This is for me the overarching problem with Barber’s analysis of religion. One gets the feeling that all forms of religion are constituted by a pragmatic response to an obstacle which relies on a ritualistic process in the name of an absolute power. As such, one could argue that non-pragmatic provinces are constituted by pragmatic ones and for the sake of pragmatic improvement: “Paradoxically, leaping into a province of meaning, in which pragmatic relevances no longer govern, may in some cases be the most pragmatic way of dealing with the difficult-to-control dangers jeopardizing lower-level projects and relevances” (25). This circularity might be problematic as the non-pragmatic provinces would be essentially pragmatically oriented and as such instrumentalized (the other included).

Cognitive Style of Humor

Barber relies on the incongruity theory to describe the intentionality of humor as a non-linear, disturbed one. He argues more precisely that intentionality does not attain its goal as the result of a certain comical event is unexpected: humor breaks away from the expectations of everyday life and does so with a flexibility which allows for laughter. This phenomenological description is, as Barber argues, universal for all humor related phenomena. He also states that the incongruity theory underlines the other two major humor description models: the superiority and the relief theory. In the first case it is argued that one finds something to be funny only as one adopts a superiority stance over that something. In the second description, humor is described as relief of built up tension. Barber argues that in both cases incongruity is first required. The definition of humor is completed later on (151) by two criteria: the first one is that the experience must be enjoyable and it leads to the second, namely that the person experiences the scenario as laughable. I do not know in what degree this really adds to the definition of humor. Incongruity is a powerful argument, but the laughability of humor somehow seems tautological. This concern is resolved later in the book (177) where Barber further explains what laughter and enjoyment actually stand for. Humor detaches itself from the world of working as it has no practical value, instead it only pertains to the enjoyment of incongruities without any other goal. Due to these characteristics it relaxes the restrictions of everyday life by showing that pragmatic relevances can be viewed from another, i.e. comical, perspective. Furthermore, it also has a cathartic function allowing for the venting of tensions in a – ideally – benign way. These last two aspects of humor pertain to the relaxation of the tension of consciousness. Furthermore, incongruities are not rationally interpreted in humor. Instead, they are processed in passive syntheses which surprise the subject with their speed of development. They pertain thus to a certain loosening of the control of the subject and therefore to a loosened tension of consciousness. The transition to these humorous region of meaning is again achieved through an epoché, in this case a comical one. The comical epoché makes apparent the intersubjective nature of humor “perhaps because the humorous province of meaning usually relies on companions, including comedians, who invite others to leap with them into the province” (182). I believe this is one of the most important distinctions to religion. While religion affords a solitary connection with the transcendent and a leap into its region of meaning, humor is conditioned by the immanent other, who has the role of inviting.[4] In short, the transition to the humorous region of meaning relies on the invitation – mediated by body or language cues or specially designated times and spaces such as comedy clubs – of another. The leap in humor often happens in hindsight, when laughter occurs and incongruity is processed in reflection. The enjoyment of this incongruity is the form of the third attribute of the cognitive style, namely the form of spontaneity. Thus, humor relaxes spontaneity as disinterested and purposeless enjoyment. When this enjoyment or when the joke is not fully dedicated to the incongruity and for its own sake then the humorous region of meaning is not achieved. When this is though achieved, one’s experience of oneself – the fourth attribute – changes. The humorous self is a split self as it leaves the pragmatic region in which it is an undivided self, focused on the task at hand and often resorting to formerly developed patterns of behavior. Splitting the self occurs as the comical reveals hidden unconscious actions (such as weird bodily movements) and reorganizes one’s relation to one’s self. This, is explained by Barber through Helmuth Plessner (1970) who calls humans eccentric: “rooted in a body and yet able to take a perspective from outside itself upon itself” (198). Thus, while the pragmatic self thrives in predictability, the humorous self is directed towards incongruity and interruption which diversifies perspective. All this equips humor with a certain flexibility which not only loosens the tension of consciousness and helps the ego agens but also allows for reflection and reassessment of societal conditions. This of course also shapes one’s sociability. The experience of sociability can range from intimacy to aggression. However, when one respects the structure of humor, as Barber argues, humor normally tends towards intimacy, in which a comical community is built and which allows for a flexible ascription of roles: each one of the members can be the joker or the listener. In this community, trust plays an interesting and important role, namely it both determines the possibility of humor – without trust one might be insulted – and is itself determined by humor – trust that is met with trust is also reinforced by humor. The last attribute of the humorous province of meaning is its temporality. Just like phantasy, dreaming, or religion, humor does not deal with objects fixed in time. Instead, it brings a sort of temporal flexibility: it can slow down time, it can rearrange the temporality of a situation by re-assessing it from the viewpoint of incongruity (after the punch-line one reassess a certain temporal process as leading toward the comical climax). However, unlike religion, humor cannot reverse time and it cannot make something past or future present.

Face-to-face Humor

Barber gives an exhaustive account of humor contrasting Schutz’s view with other concurrent theories. The remarkably interesting aspect of the analysis of this region of meaning is its interracial and intercultural potential, as Barber explains it. Intersubjectivity is closely related to the humorous epoché: the very accessing of humor is determined by cues given by another. After the epoché is reached one’s expectations are shattered by the passive synthesis of events developing at a surprising speed. This incongruity re-shapes perspectives bringing to light hidden aspects of experience. Furthermore, as explained above, the very humorous style of an individual is influenced by the passive absorption of different humorous styles from different individuals. This also involves an interracial sensibility to humor: through associative absorbing, a situation – which could otherwise present interracial tensions – can be understood in a more relaxed and comical way. Barber further develops this thought stating that humor can reveal hidden cultural determinations of our behavior, submitting them in a comical way to a reflective process, which could loosen sociocultural preconceptions. This aspect of Barber’s book is interesting insofar as it deals with sensitive social issues through the agency of a more relaxed environment prone to intersubjecivity. Here, however, the idealistic manner of treating different regions of meaning is also felt. Barber often speaks of his African-American friend who through humor makes Barber conscious of his cultural background. This in turn helps Barber better understand himself and relate to his friend. Intercultural or interracial jokes and humor can however also turn into clichés and/or discriminatory typifications, which mediated by humor may appear benign. In the case of humor, Barber does see the danger of racism and discrimination and addresses it in chapter 7.4. Based on Schutz he argues that humor is also the medium of discriminatory typifications of closed groups through which they denigrate the Stranger. As a solution he offers a face-to-face humor, namely a humor based on interpersonal relationships. Face to face, says Barber, the subjects are constantly confronted with each other. This regulates humor insofar as the face-to-face situation forces both teller as well as listener to measure each other’s responses and exchange perspectives. He develops on this with examples of his already mentioned African-American friend. He states that his jokes make Barber aware of cultural differences as well give him insight in the oppression experienced by the African-American community. This opens the way for interracial communication. This account is indeed an interesting alternative to intercultural and interracial approaches but it does have, in my opinion, a weak spot. It remains ideal as it speaks of already friendly relationships in which respect is presupposed. Furthermore, it offers as example the jokes of a person which is described by Barber as kind and always willing to breach racial barriers (166). Based on this, it seems to me that the kindness of the joke teller and his disposition and respect to the other build the basis for non-racist jokes and not the face-to-face situation. The same can be said about another requirement of intersubjective comical community, namely trust. If trust is part of humor from the outset,[5] then humor between parties in tension would not be possible. Furthermore, it strengthens the worry, that Barber bases his analyses of humor on examples of humor within an established relationship of friendship. This question would be answered, if one accepts a common, universal, and underlying trust between all people which can be reinforced by humor and thus improving interracial relations. There is however no argument for such a trust in Barber’s book and its mere presupposition would be problematic.

Conclusion

In conclusion I think that Barber’s handling of humor is more interesting and appealing than his expose on religion. I think the problem with his analysis of religion lies within the fact that he analyses religion as a unitary and uniform concept: he reduces a variety of religions to a system of relevances and a relationship to the transcendent which strips his analysis of specificity and in depth analysis of religious phenomena. On the other hand, humor is treated in its entirety as it is looked at on its own. A further advantage of humor in this book is that it is more universal than religion. Religions each have their own set of rituals and dogmas which I do not think can be reduced to some sort of universal set of relevances. On the other hand, humor is described as flexible and adaptable to each situation. Furthermore, each one of us can relate to a comical phenomenon and as such, humor is universal. I regret not being able to discuss other interesting themes of Barber’s book such as Schutz’s view on passive synthesis and the constitution of the natural attitude, the dialectical nature of the collective and the individual in religion, the relation between the reflexive and the pragmatic self in the world of working and its relation to death, etc. Unfortunately, due to lack of space I had to focus on the main goals of Barber’s book: explaining humor and religion as emancipating regions of meaning. As I have stated, I think the analysis of humor is more precise and clear. Nevertheless, both topics shed light on the possibilities of alternate solutions to intercultural, interracial and psychological issues. This makes Barber’s book worthy to read.

Bibliography

Schutz, Alfred. 1962. On multiple realities. In The problem of social reality, ed. M. Natanson, 207–259. Vol. 1 of Collected Papers. The Hague: Martinus Nijhoff.

Plessner, Helmuth. 1970. Laughing and crying: A study of the limits of human behavior. Trans. J.S. Churchill and M. Grene. Evanston: Northwestern University Press.

Bergson, Henri. 1950. Matter and memory. Trans. N.M. Paul and W.S. Palmer. London/New York: George Allen and Unwin, Ltd./The Macmillan Company.


[1] Barber does not only discuss “On multiple realities”. He provides a detailed historical development of Schutz’ thought. Unfortunately, I am not able to go into detail concerning this historical account due to space restrictions. This aspect of Barber’s book would be nevertheless of great interest for any Schutzian scholar.

[2] This is important in Barber’s account of face-to-face humor.

[3] Barber explains this relation to the transcendent in a Husserlian way, namely by means of appresentation: symbols function as appresentative loci for the divine.

[4] One can of course re-live a past comical event by oneself, but this would also be intersubjective in nature as humor is often associative and reflected in connection to the humorous style of another. Barber refers here to a “passive absorbtion” of other humorous styles which shape the humor region of meaning in an intersubjective manner.

[5] As shown above.

Kate Kirkpatrick: Sartre on Sin: Between Being and Nothingness

Sartre on Sin: Between Being and Nothingness Book Cover Sartre on Sin: Between Being and Nothingness
Oxford Theology and Religion Monographs
Kate Kirkpatrick
Oxford University Press
2017
Hardcover £65.00
288

Reviewed by: Joeri Schrijvers (Independent Scholar)

Kate Kirkpatrick’s Sartre on Sin broaches a difficult topic; the relation between Sartre and theology. It does so, more specifically, through one of theology’s most difficult topics, the question of sin. The volume consists of an introduction and three main parts. Kirkpatrick’s work is informative and makes for a good ‘dossier’ for anyone who wants to read up on Sartre’s stance toward theology. Having not read Sartre in a long while and unaware of any links of his theoretical links with theology, I found helpful to read Kirkpatrick’s Sartre and Theology at the same time.[i]

Sartre was aware that a certain type of God was dead and the second part of the book demonstrates that he was informed when dismissing that concept of God. It is Kirkpatrick’s merit to show how theological debates informed Sartre’s education in philosophy and literature. Furthermore, she demonstrates how these debates are echoed in the works of Racine, Voltaire and Victor Hugo.

The book shows “a level of theological sophistication that is underexplored in Sartre scholarship” (2017a: 17). Kirkpatrick extrapolates certain themes within Sartre’s Being and Nothingness and then shows how these themes make for a “realized eschatology of damnation” (2017a:181) by focusing on a number of ‘unrealizables’, including inadequate knowledge of the self, others and the world. Kirkpatrick almost exclusively focuses on what she calls a pessimistic reading of Sartre—one of the reasons why her reading focusses mainly on Being and Nothingness.

Kirkpatrick concludes that Sartre takes from Jansenist pessimism and, later in his life, from Kierkegaardian despair, the figure of a “tragic refusal” (2017a: 83). For Calvinism and Jansenism, the nothingness of nature is such that humanity qua being is dependent upon God (as a creator or maybe even in a creatio continua). For Sartre, “the human exists in a tensive state between being and nothingness” (2017a:60). However, “while there exists a nothingness of nature and (arguably) of sin, there is no nothing of grace” (ibid.). Sartre accepts the disease, one might say, but “rejects [the] cure” (2017a: 61). He refuses the grace that cures the pains of the tension between being and nothingness – an assessment Kirkpatrick shares with Gabriel Marcel (2017b: 157). Kirkpatrick finds in Sartre not a determinism of grace (as Jansenists and Calvinists would have it) but a “determinism of nothingness” (2017a: 162). In other words, our endeavors are bound to fail and will lead to nothing whether we seek knowledge of the self or of others. Theologically, Sartre shares with Pelagius the view that the human being is able to seek transcendence but, unlike Pelagius, nothingness is that into which we try and transcend. Whereas, for Pelagius, the perfectibility of human beings unfolds through their own doing, for Sartre, this freedom is now directionless. Beings can do whatever they want, whenever they want though not with whomever they want (Sartre’s limit on freedom is determined by others and the world).

One of the best parts of Kirkpatrick’s book concerns her insistence that philosophy should be lived. It is through this lens that she reads The Transcendence of the Ego. Here, Sartre lays bare the gap between the cogito and reflective consciousness arguing that the first is constituted by, as much as it would be constitutive of, the self, others and world. If the transcendental ego itself is constituted (rather than constituting) then it seems no more than a side-effect of being-in-the-world. Consequently, one can see in Sartre a further decentering of Descartes’ cogito. Whereas Cartesians tell us that this cogito can only be certain of itself when it thinks and as long as it thinks, theologians of the seventeenth century undermine this certainty by insisting on the nihilism of sin (cf. 2017a: 59, ‘he did not discover that he was but rather he was lacking’). For Sartre, between being (‘in itself’) and reflective consciousness (‘for itself’) a cleavage exists that cannot be bridged. This gap is a nothingness that creeps into being (ontologically), into what we can know (epistemologically) and into what we can do with and for others (ethically). Consequently, this gap between reflective consciousness and the ego is a perpetual ‘filling-in-the-blank’—human being becomes the being “by which nothingness arrives in the world” (BN 47). However, a human being knows such a négatité—the absence at the heart of being—in and through anxiety, which reveals the freedom for human beings “to become other than we are” (2017b: 95). Anxiety and freedom thus reveal a non-being and an indetermination of the self. Anxiety is a fear and trembling before the fact that things can always be different than they presently are. However, according to Sartre, we flee from this anxiety.

Kirkpatrick recalls that this nothingness (or lack of being) is a nothingness of sin, a nothingness stripped of God and grace. There’s no overcoming this lack (2017a: 102/BN 67). In many respects Kirkpatrick follows Judith Wolfe’s analysis in Heidegger’s Eschatology, where she describes Being and Time as an ‘eschatology without eschaton’. However, whereas Heidegger’s eschatology was a bit utopist, Sartre’s tends towards dystopia. Kirkpatrick concludes that “to be free is to be between being and nothingness” (2017a:102). Intriguingly, Descartes still claims, on basis of the Augustinian-Bérullian tradition that Kirkpatrick traces, that humans are ‘between God and nothingness’ (2017b: 54).

Since, for Sartre, human being is between facticity and transcendence, it is the conclusion that Kirkpatrick does not draw that seems to me to be more important. Whereas, in classical theology, sin cannot be conceived as an entity in the sense that it has no real being and, therefore, must be understood in terms of its relation to grace, its presence (in the world and in being) cannot be looked at otherwise than as the disruption of the balance between sin and faith. Where there is sin, grace is not. If there is grace, there is no sin. In Kierkegaard, sin shows itself in a double way: first, in not wanting to be oneself; secondly, in too much wanting to be oneself (elucidated in pride). For Kierkegaard, faith navigates this tension by allowing for a self that wants its self just as God wants this self (Cf. 2017a: 81-87). However, if Sartre can be conceived as a secular translation of theology’s account of sin (cf. 2017a: 113, quoting Robert Solomon), and if sin is a thoroughly relational term, then it in the (dis)order and unbalance of facticity and transcendence that we need to look.

For Sartre, faith cannot navigate the tension between facticity and transcendence. On the one hand, there is the flight from freedom through bad faith. On the other hand, because of freedom, there is transcendence towards the world. Sartre, Kirkpatrick notes, mentions that there is a “valid coordination” (BN 79) between these two aspects. Yet such a coordination is of a peculiar kind, and it is one that can never be ascertained and assured by a certain idea of God and theology. Kirkpatrick argues that, because Sartre opts for an autonomous subject (2017a:177-81), it must be an account of sin (an absence of a relation with God). However, it seems that, for Sartre, existence is far from non-relational; it is just that, because of its being stripped from grace—a secular translation of sin—a just and faithful way of coordinating facticity and transcendence is never a (phenomenological) given. Where Kirkpatrick sees Sartre’s subject as a conscious turning away from relation(s) and veering towards an autonomous monad—a ‘walled city’ (2017a: 222)—and for this reason she discerns a phenomenology of sin, I think something else is going on: not the absence of relation, but the perpetual missing out on each other, the failing of relationality in its very act.

Kirkpatrick does not explore this coordination between facticity and transcendence in Sartre. The only ‘valid’ coordination, for her, seems to be theological in nature. Yet what Sartre wanted to point to was precisely the absence and the lack of the assurance that theology could provide. It is not that there is no coordination ‘between being and nothingness’, it is that no one knows just how to balance these coordinates. Whereas theology, in a sense, always brings the tension to a halt, Sartre wanted to keep his eyes on the very existence and presence of this conflict. Sartre’s trouble with theology, then, was perhaps not so much with sin, but rather with grace and how theology conceives it as the privatio peccatum—the end of sin and the end of tension.

How are the gaps between the ego and reflective consciousness and between transcendence and facticity lived? Kirkpatrick’s fifth chapter explores this gap on an epistemological and anthropological level. The self is but a presence to itself (2017a: 118). On the one hand, the self is a longing for the identity of an en-soi (which can simply be what it is). On the other hand, it is a consciousness of the perpetual escape of such an identity (we are conscious of the fact that we always are in relation towards what we are not). For this reason, the self exists as its own non-coincidence (it is what it is not, perpetually). Sartre writes that the self posits this identity as a unity and as a “synthesis of multiplicity” (BN 184). In short, the self believes that there is a recognizable ego underlying its diverse experiences. The self reaches for identity but knows that it cannot obtain one.

Kirkpatrick points out that this non-coinciding relationship with oneself is the source of “suffering”, that is, an understanding of oneself as a contingent and unjustifiable factum (2017a: 121-22). This epistemology gives way to ontology. For Sartre, “lack is […] an element of the real. But it is important that this lack is not lived neutrally, as a brute fact among brute facts. Rather, [it] is an experience of failure (échec), of missing the mark” (2017a: 128). In other words, the self has to be this lack-of-being while being-in-the-world-with-others. However, in my opinion, the world and others make for more obvious adversaries than ‘being’ or ‘consciousness’. This problematizes Kirkpatrick’s interpretation, a problem hinted at when she considers the worumwillen of the self in Sartre. The self suffers from not having a self. As Sartre claims, “the self haunts the heart of the for-itself as that for which the for-itself is” (BN 117-8). Consciousness, Kirkpatrick concludes, is haunted by the desire “to be meaningful” (2017a: 129). With such meaningfulness, I suggest, the self comes across something that is not of its own making, something present in the world and in others that, in more than one sense, is granted and given to the self (with a special kind of facticity, one that disrupts Sartre’s neat distinction between the for-itself and the in-itself).

The sixth chapter turns on the question of being-with-others. Kirkpatrick explains that “while the distance between consciousness and the ego arises on account of time, the distance between consciousness and the other arises on account of space: Sartre attributes the separation of consciousness to the separation of bodies (BN 255)” (2017a: 139). Elaborating, she claims that “when alone, I can see the fissure between the self-knowing (consciousness) and the self-known (intentional object of consciousness)” (2017a: 143/2017b: 91). As a result of this fissure, we can know something pertaining to the world but the instance of knowing remains in the dark about itself. Kirkpatrick argues that “the self-known is always indeterminate, because it is always subject to the freedom of others” (2017a: 143). The intentional object of the other leaves me and my being, in a way, at the mercy of the other. Consequently, the intentional object of consciousness is something that I cannot master—“the other reveals something I cannot learn on my own, which is how I really am” (2017a: 153.

It is in this context that Sartre discusses the Book of Genesis and the concepts of shame and nakedness. The shame we feel before the other is described as an “original fall” (BN 312). Karsten Harries notes the Christian overtones in Sartre’s work and queries whether Sartre’s philosophy is not excessively burdened by an uncritically assumed Christian inheritance (Cf. 2017a: 153). The questions that would need to be posed are whether Sartre’s references make for an inheritance (as something acknowledged) and in what sense such an inheritance can be considered to be a burden. Kirkpatrick does not address such questions. She does claim, however, that with guilt, and after God’s departing, “there is no true being to be neglected” (ibid.). For Kirkpatrick, the body becomes “both warrior and warzone in the fight for my identity[;] it is both active agent and passive site. [I]n the face of objectification, one can either give in (in bad faith) or fight back” (2017a: 155 and 159). This tension and conflict is one between identifying and being identified, between defining as and being defined as.

The problem is that Kirkpatrick does not consider the fact that the other exists in a perceptual relationship with the subject. Furthermore, as much as others reveal themselves to me as the image I have of them, they have but an image of me. One might legitimately wonder whether this presence-to-self (as it concerns the other) might not limit intersubjective objectification. After all, there is little reason to assume that if the other knows that he or she is incapable of obtaining a definitive self, he or she can define me once and for all. If the presence-to-self needs to be extrapolated to the consciousness of the other, then perhaps what is going on here is not so much a battle and a war but a perpetual ‘missing out’ on each other, an overreaching that comes with suffering and conflict.

Chapter seven focuses on Sartre’s account of freedom as “anti-theodicy” (2017a: 13). Contra Leibniz, Sartre argues that freedom is not sufficient reason to explain the presence of evil in the world. In this context, Kirkpatrick argues that Sartre offers no proper account of freedom. A case can, of course, be made that Sartre did not insist on the notion of responsibility until Existentialism is a Humanism. Kirkpatrick is clear, however, that she does adopt an “optimistic reading” (2017a: 178) of Sartre, one that would focus on responsibility, authenticity and salvation through art. The reasons for adopting a pessimistic reading are unexplained, but it is clear that Sartre’s footnotes on salvation through art and ethics do not convince her (2017a: 127 and 160).

Kirkpatrick admits that Sartre’s discussions regarding the limits of freedom as they concern the other might “mitigate the charges of radical voluntarism” (2017a: 177). However, she goes on to claim that “the other limits my freedom only insofar…as I let her” (ibid.). Kirkpatrick concludes, in ways similar to Beauvoir’s Ethics of Ambiguity, that Sartre’s ‘determinism of nothingness’ resembles Calvinist predestination but she insists that such determinism is not arbitrary (like grace in Protestantism) but egalitarian—we all have an equal share in this tragic existence and all of us are ‘condemned to freedom’. That said, Kirkpatrick acknowledges that this account of tragedy is but one component of Sartre’s ontology of freedom. The stress on tragedy “[misses] an important component: namely that it is an account of refusal, an anti-theodicy” (2017a: 190). The utmost freedom is “to refuse God and the good” (ibid.). We refuse God because God can put an end to freedom and so submit to the tyranny of freedom and its concomitant ‘determinism’.

That Sartre was acutely aware of the death of God is evident from his review of Georges Bataille’s Inner Experience with which the fourth part of Kirkpatrick’s monograph begins. Here, Sartre speaks of a mute God that remains as a corpse (Cf. 2017a: 201). Kirkpatrick focuses on Sartre’s view of love in a “loveless” world where relationality is but a ruse. The aim is to demonstrate how Sartre “might […] inform contemporary hamartiology, arguing that […] theological categories […] cannot be known merely conceptually, but must be acknowledged personally” (ibid.). This happens, Kirkpatrick concludes, in a situation of “original optimism [entailed by] the Christian doctrine of sin” (ibid.).

In Augustine, sin is but a “disordered love” (2017a: 203), a love that, to resort to Kierkegaard, focuses too much or too little on the self. The ‘proper’ love of self, others and world, in theology, is of course ordered by God. For Sartre, love promises more than it can actually offer, even when the other whom I love might for a while “save my facticity” (BN 392/2017a: 207) and justify my existence. Love, then is “deceptive” (2017a: 207) and entails a self-love that demands of the other a complete surrender or objectification—Sartre’s thought that love easily gives way to sadism and masochism is well-known. Kirkpatrick reminds us that “all love is ultimately reducible to amour-propre” (2017a: 205). We should in effect consider “how theological Sartre’s ‘unrealizables’ are” (2017a: 204). What Sartre offers is more than just a suspicion about theology—e.g. unmasking some aspect of neighborly love as one more instance of self-love—he shows us a loveless world that is abandoned by God (2017a: 209).

According to Kirkpatrick, if the Jansenists temptation was to despair over grace, the Sartrean temptation is, in despair over sin, to refuse (2017a: 212). For classical theology, sin and evil are to be understood on a scale, admitting of degrees, and are always balanced within the broader horizon of God and goodness. For Sartre, the presence of evil negates the idea of God. Kirkpatrick’s concludes that Sartre “explicitly inverts the imago Dei, embracing instead the fallen human desire to be sicut Deus”. Furthermore, “his psychological description of unrealizables can be read as affective consequences of God’s absence” (2017a: 211). However, one might question whether this conclusion is a matter of theology at all. After all, Sartre may well be describing the consequences of God’s death without drawing any theological conclusions. One could claim that this desire to be ‘like God’ is, for Sartre, phenomenological commonsense. What matters for theology is precisely Sartre’s insistence on the failure of love and the concomitant need to think of God otherwise than the assurance that our relationships of love will succeed. The death of God, for Sartre as for theologians, ought to mean that what has died is precisely the God that serves to remedy, and is instrumental to, our own failures.

Kirkpatrick ends with an interesting rapprochement between phenomenology and theology. For a philosopher who does not acknowledge the least possibility of ‘salvation in Christ’ (2017a: 2014), what function does theology serve? According to Kirkpatrick, theologians either believe that it is through revelation that we know what sin is or they believe that it is sin that puts us on the path to salvation. For those that believe the latter, lived experience with sin might shed light on revelation. A particular understanding of phenomenology will aid theology here. Far from presenting a survey of inner experiences, phenomenology tends to interpret our experience in the world. In this regard, recognition serves as a criterion of correctness for description—if no one really knew what Heidegger meant when writing on angst, for instance, it is unlikely that Sein und Zeit would have been such a success (Cf. 2017a: 217). Theology seems to allude to such a criterion when it speaks of the difference between ‘knowledge’ and ‘acknowledging’—I might know everything there is to know about sin in classical theology, for instance, without ever acknowledging any sins of my own (Cf. 2017a: 220). It is for this reason that Kirkpatrick focuses on Sartre’s literary legacy. She claims that his “use of narrative […] was undergirded by a conviction that […] precision concerning individuals can only [occur] when individuals are considered in […] their situated, lived experiences” (2017a: 219). Kirkpatrick argues that Sartre’s notion of ‘the unrealizable’ can be interpreted within the context of this relationship between knowledge and acknowledgement (2017a: 220-221).

For Kirkpatrick, “to refuse anything that comes ‘from without’ (BN 463) is to refuse the gaze of love” (2017a: 221). Although not everything that comes ‘from without’ should be confused with a gaze of love, it is remarkable that Sartre should not consider the fact that the other’s point of view might be at least as valid as our own. Kirkpatrick neglects the fact that this immunization against otherness, this attempt at a ‘walled city’, is itself a ‘useless passion’. What matters is that, for Sartre, there is a multiplicity of others. It is not the case that one is either a free, autonomous subject or ‘condemned’ by the other. Amidst a multitude of viewpoints, one should still try to assert oneself in the world. For Sartre, the point is that no one can step outside of their situation, a situation that always concerns a “multiplicity of consciences”. This “antinomian character” of the totality of beings-in-the-world is “irreducible” and obeys no laws that would oversee it. Consequently, it is impossible to “take a point of view on this totality, that is to say, to consider it from the outside”.[ii] I am always and already engaged, immersed and absorbed by the world and being-with-others. Furthermore, there is no ‘God’s eye point of view’ of this being-with-others.

Kirkpatrick’s sympathizes with Beauvoir, who is “closer to the Christian position [where the] self is invited to a life of intersubjective co-creativity. It is an invitation to know that we are both constituted by and constitutive of the others in our lives, and to acknowledge our co-constitution in humility, love and mercy” (2017a: 222 and 224). It is toward such love and mercy that Kirkpatrick gestures in the final chapter of her book. She asserts that it is theology that is able to offer us a “rightly ordered self” (2017a: 225). This theology is developed through two provocations: the first is that Sartre is right in stating that optimism, considering the state of the world, is irrational and that optimism is justified only if God exists; the second extends her interpretation of Sartre as a Westphalian ‘master of suspicion’—an “atheism ‘for edification’” (2017a: 212)—by questioning how love is to be set in order. For Kirkpatrick, one must first “recognize—and acknowledge—our own failures in love” (2017a: 234). Kierkegaardian ‘edification’ turns out to be “self-examination” (2017a: 235). She argues for a position between néantisme (nothing is any good) and Pelagianism (an overconfident claim toward self-assertion). Identification with facticity entails a passivity that would reject all responsibility while identification with transcendence entails an oversight of our thrownness in determinate situations with determinate others. Humility and love require both activity and passivity: a “personal transformation [which] takes into account the situatedness of our convictions and the importance of our conduct in relation to them” (2017a: 238). Such an autonomy from within heteronomy warrants the optimism that “failures don’t have the last word” (2017a: 241). Kirkpatrick’s hope is that the reality of sin might give way to an intellectual climate that “hold[s] open the possibility of taking religious points of view seriously” (2017a: 233). However, Kirkpatrick stops short of dealing with those questions that attracted me to this book in the first place, such as, “if we find recognizable descendants of […] sin in some of the twentieth century’s most prominent philosophers: why?” (2017a: 233, her italics).

Kirkpatrick is to be commended for the conversation she establishes between philosophy and theology. She makes a strong case for interpreting Sartre as ‘phenomenologist of fallenness’. One learns in her other book that the great theologians that responded to Sartre—Barth, Tillich, Wojtyla and Yannaras—agree upon one thing: that Sartre’s account of self-alienation stands in clear opposition to the Christian stress on relationality (Cf. 2017b: 136, 142, 173 and 181). Yet the trouble for theology, then and now, is that this does not seem entirely correct and its praise for relationality is premature. If Sartre was describing the failure of relationality in the very act of relating to self, others and world, then one is left wondering, whether and how theology could respond to such a situation.


[i] Kate Kirkpatrick, Sartre and Theology (London: Bloomsbury, 2017b). The work under review will be referred to in the text as (2017a). References to Being and Nothingness, trans. H. Barnes (London: Routledge: 2003), the editions which Kirkpatrick uses, will be given in the text.

[ii] Sartre, L’être et le néant, p. 349.

Inga Römer: Das Begehren der reinen praktischen Vernunft: Kants Ethik in phänomenologischer Sicht, Meiner, 2018

Das Begehren der reinen praktischen Vernunft: Kants Ethik in phänomenologischer Sicht Book Cover Das Begehren der reinen praktischen Vernunft: Kants Ethik in phänomenologischer Sicht
Paradeigmata 36
Inga Römer
Meiner
2018
Hardcover 78.00 €
455

Eileen Rizo-Patron, Edward S. Casey, Jason M. Wirth (Eds.): Adventures in Phenomenology: Gaston Bachelard

Adventures in Phenomenology: Gaston Bachelard Book Cover Adventures in Phenomenology: Gaston Bachelard
SUNY series in Contemporary French Thought
Eileen Rizo-Patron, Edward S. Casey, Jason M. Wirth (Eds.)
SUNY Press
2017
Hardcover $90.00
338

Reviewed by: Dylan Trigg (University of Vienna)

In Anglo-American philosophy, Gaston Bachelard has never assumed the influence of Merleau-Ponty, Sartre, or Levinas, much less Heidegger. Where his work has been addressed, it has tended to be outside of philosophy, especially in literary studies, human geography, and branches of psychology. Monographs devoted to his work from a philosophical perspective tend to be rare while research on his philosophy together with the proliferation of this thought tend also to emerge from a handful of scholars and institutes, not least the Dallas Institute of Humanities and Culture, which has championed the translation of Bachelard for several decades. There was also a brief surge of interest in Bachelard in the UK via Clinamen Press who published several key texts before they went out of business.

Beyond these contingent circumstances, quite why Bachelard has been neglected in this fashion is a contentious matter. In part, it may be because of the idiosyncrasy not only of his work, but also of the course of his thought. Although he is more commonly known for his work on the philosophy of imagination, Bachelard started out as a philosopher of science, working extensively on the epistemology of science. This disparity in the course of his philosophical research tends to generate the impression of a thinker on the margins, neither fitting entirely into the traditional context of Heidegger, Merleau-Ponty, Levinas, and so forth, but nor fully belonging to the philosophy of science, at least in a traditional sense. In part, this is true. Although he lived through the era, Bachelard was never part of the ethos of existentialism, much less a political philosopher in the manner that Sartre would eventually become. Yet the notion that there are two distinct trajectories in Bachelard’s thought may be one-sided. Much like Merleau-Ponty, there are strands of thought in the early Bachelard, which, far from being left behind, are returned to in his late work, only now from an enriched perspective (one thinks of his striking discussion of Baudelaire’s notion of “smiling regret” in the 1932 text Intuition of Instant and its subsequent reappearance in his 1960 book The Poetics of Reverie).

The neglect of Bachelard is regrettable, not least because the gap between the sciences and humanities is one such area where he can assume a pivotal role. Furthermore, where philosophers have engaged with Bachelard, it has tended to be in a dismissive if polite fashion (to think here of Foucault’s comments on Bachelard’s in the former’s essay “Of Other Spaces). Because of this dismissal, an entire area of research on Bachelard remains underdeveloped (not least his relation to other thinkers within the tradition, especially Merleau-Ponty).

In spite—or because—of the peculiarities of his thought, over the last ten years or so, we are beginning to witness something like a slow revival in the thought of Gaston Bachelard. Beginning with author such as Roch C. Smith, Mary McAllester, and Mary Tiles in the 1980s, after a latency period, a new generation of thinkers resumed scholarly work on Bachelard either by tackling specific thematic and conceptual strands of his thought (as in Miles Kennedy’s book on the role of home in Bachelard) or through employing Bachelard in a dialogical fashion to develop an applied analysis of a certain phenomenon (as in Ed Casey’s work on place or Richard Kearney’s work on imagination). Eileen Rizo-Patron is another key figure in the contemporary revival of Bachelard, translating his important early book Intuition of the Instant (2013) as well as being the lead editor on the present volume under review, Adventures in Phenomenology: Gaston Bachelard.

This is an impressive, wide-reaching, and important volume in several respects. Over the course of sixteen chapters, the collection covers topics as varied as Bachelard’s philosophy of time, his place within the phenomenological tradition, his analysis of language, and the usage of his philosophy in issues such as environmental politics and theories of space and place. These issues are tackled by many if not all of the key players in Bachelard studies, including notable figures such as Ed Casey, Richard Kearney, and Mary McAllester Jones. It would be impossible to review the book as a whole given its complexity and range, but in what follows I will critically survey some of the book’s salient themes, addressing to what extent the volume as a whole develops Bachelard studies for contemporary research in phenomenology.

Eileen Rizo-Patron’s introduction to the volume establishes the aims and context of the collection clearly and coherently. From the outset, the aim is established of positioning Bachelard in dialogue with contemporary continental thought (1). In the first instance, this requires a historical context, which Rizo-Patron provides. The “cavalier attitude toward Bachelard” by his contemporaries is conceived in both institutional and conceptual terms (4). Bachelard’s appointment as chair of History and Philosophy of Science at the Sorbonne was contentious when set against his wide-ranging—and autodidactic—interests, not only in the philosophy of science but also of his then burgeoning interest in Jungian psychology, alchemy, and the philosophy of imagination. Yet this methodological stance, far from a weakness, emerges as a strength insofar as Bachelard can be read as a “subversive” figure both within the history of philosophy but also in terms of his broader thought. Bachelardian concepts such as reverie and oneirism anticipate the ways in which Merleau-Ponty’s late thought sought to undermine binary divisions and address the ways in which experience and thought appear for us long before those same thoughts have been culturally and intellectually sedimented into habitual patterns.

Such is the theme of the first chapter of the volume, a provocative exploration of Bachelard’s account of temporal duration by Ed Casey. At the heart of this chapter is a question that is central to both Bachelard and contemporary continental philosophy; namely, is time continuous or disruptive? (19). Indeed, the question forms a leitmotif in Bachelard, evident from the outset to the end of his life, either appearing explicitly in temporal terms or through a series of different guises (be it spatiality in The Poetics of Space or animality in Lautréamont). From the outset the question is posed against a critical reading of Bergson. What Bachelard finds problematic in Bergson is the assumption that duration can involve continuous change. For Bachelard, this paradox can only be resolved through the introduction of a dialectical model of time that recognises how discontinuous and disorders of time are consolidated into the appearance of continuity. As Bachelard writes in the 1936 book Dialectics of Duration, there is a “time which is ineffective, scattered in a cloud of disparate instants and on other [hand] time which is cohered, organised, and consolidated into duration.”[1] In a word, time is that which is to be worked on, formed, reformed, consolidated, reconsolidated, renewed, and returned to. Duration is never given to experience as a unitary field, but instead becomes in Bachelard an achievement of sorts.

It is in the 1932 book Intuition of the Instant—thus written during Bachelard’s “scientific” phase—where these issues are first explored at length, and it is this formative text that Casey attends to in his contribution. As Casey makes clear, Bachelard’s motivation for introducing the notion of the instant is to undercut the dichotomy between thinking of time as either continuous or discontinuous. Casey contextualizes this claim through applying Bachelard’s notion of the instant to an analysis of the distinction between the sudden and the surprising, with the two terms being “coeval if not precisely coextensive” (22-23). Both occur instantaneously, and, moreover, “all of a sudden,” even if the result of a sustained process of rumination. Both moreover, are taken up in the overarching theme of newness, which Casey offers a threefold taxonomy, from the new as “utterly unprecedented” to that which is already but renewed in its newness upon each contact (as in engaging with a great work of art that generates new perspectives), and then finally to the cases of what is new in relation to what is familiar (as when we are presented with something novel that is situated with an already established context).

What is important about these reflections is that they enrich Bachelard’s idea of the instant and what he will enigmatically call “verticality,” a key concept that several of the chapters explore, and one that I will return to. Bachelard’s own remarks on this concept consist of several sketches and some incisive though underdeveloped passages. An appendix in the English translation of Intuition of the Instant includes Bachelard’s short essay “Poetic Instant and Metaphysical Instant,” written in 1939, which unpacks his notion of vertical or poetical time. But much remains to be said on what implications Bachelard’s philosophy of the instant and his analysis of time more generally have for contemporary research. In extending Bachelard beyond his own remit, Casey’s elaboration of these ideas positions us in a much better place to grasp the “unthought thoughts” within Bachelard.

Alongside Casey, Richard Kearney also tackles Bachelard’s concept of the instant, giving more specific attention to the enigmatic essay “Poetic Instant and Metaphysical Instant” and its adjoining notion of vertical time. Some words on Bachelard’s usage of poetics and poesies is needed here. By “poetic,” Bachelard refers not only to sensuous experience and that alone, but rather insofar as it involves poesies, the act of creation that is as much concerned with the composition of time in the present as it is that of the past. Such is the task of poesies, to shatter “the simple continuity of shackled time,” revealing therein an “element of suspended time, meterless time—a time we shall call vertical in order to distinguish it from everyday time.”[2] With his idea of vertical time, Bachelard offers a rejoinder to Bergsonian durée, which he finds unconvincing on both a conceptual and phenomenological level, not least because it fails to account for how paradoxes and contradictions are central to the creative act of time. It is, Bachelard writes, “astonishing and familiar…a harmonic relationship between opposites [which] compels us to value or devalue” (59). More than a detached aesthetic pleasure, the poetic instant confers upon the reader an imperative to assess our understanding of time itself and to recognise that within that understanding there lies an enduring ambivalence that is fundamentally “androgynous” in nature (59).

Bachelard explores these rich concepts through literary illustrations, Baudelaire’s motif of “smiling regret” being one such articulation of the androgyny of the poetic instant. As mentioned above, Bachelard was so taken with this image that he would return to it at the final stages of his life, in The Poetics of Reverie, a book that expands and to some extent fulfils the promise of the earlier sketch of vertical time. In speaking of a smile that regrets, the question is not of trying to resolve this contradictory image, but of preserving it. Through this preservation of two apparently disjoined states entering the same affective orb, time, Bachelard insists, comes to a standstill.

Both Bachelard and Kearney distance this temporal structure from that of nostalgia, even though Bachelard will speak of the poetic instant as allowing us to “experience, belatedly, those instances which should have been lived” (60). I would question to what extent this distancing from nostalgia is tenable, given the direction Bachelard’s philosophy will proceed, with its eventual veneration of childhood as a model of the cosmos. But for Kearney the movement toward polarised time is less a question of nostalgia and more of a fascination with the “poetic conjunction of opposites,” which derives from Bachelard’s broader intellectual landscape, especially that of depth psychology and alchemy, where the conjunction of opposites assumes a vital role. Such influences are traceable in Bachelard’s notion of vertical time, where we find a plurality of timescales inhabiting the same sphere.

Naming this movement of time standing still an “epiphanic instant,” Kearney broadens Bachelard’s privileging of poetry over fiction, locating the movement of vertical time within Proust and Joyce, as Kearny puts it, “these novels are narratives constructed around certain vertical moments of ‘epiphany’ which cut through the linear plot line and liberate the story into a series of circular reprises … chronological time is upended and reversed, as past and future are reinscribed in a timeless moment” (52). Kearny notes in a footnote that there is a striking rapport here between Bachelard’s notion of vertical time and that of Benjamin’s concept of the “Messianic instant,” with Benjamin employ a metaphorical figure of flashing lightning and Bachelard invoking the figure of a “phoenix poetic flash” (56). While there is no evidence of a mutual influence between Benjamin and Bachelard (indeed, Benjamin would write a critical letter on Bachelard’s book, Lautréamont, toward the end of his life), untapped connections of this sort (not least between Merleau-Ponty and Bachelard) litter the work of Bachelard and remain to be developed. There is much more to be said on Kearney’s paper, which is exemplary in not only unpacking but also situating Bachelard’s critical (and overlooked) account of the poetic instant within his work as a whole.

Moving on from time, the middle parts of Adventures in Phenomenology deal with Bachelard’s methodology and his concept of language. Of these parts, Anton Vydra’s chapter is especially notable for critically assessing Bachelard’s place within the phenomenological landscape. Despite his avowed passion for phenomenology, especially in the later works, Bachelard’s relationship to the method is ambiguous. Vydra’s chapter explores these points of ambiguity, situating Bachelard’s methodology in relation to the concepts of phenomenon and noumena, his evolving concept of a “non-phenomenology,” his perspective on the phenomenological attitude, and how these dimensions contribute to an authentic formulation of phenomenology. Of note here is the phenomenological pathway Bachelard was developing and its potential relation to Merleau-Ponty. As with Merleau-Ponty, Bachelard calls into a question a phenomenology that centralises explicit modes of act intentionality. What this prioritizing omits is the way in which intentional relations are structured in the first place. In a word, it confines itself to things rather than what Bachelard terms “elemental matter” that has yet to assume a static quality. The rapport here not only with Merleau-Ponty’s concept of flesh, but also of his own development of “non-phenomenology” (of course, long before its formulation in Laruelle) is a rich area of research that is currently under-investigated. Vydra is exemplary in negotiating with the trajectory of Bachelard’s thought, but it would have been enriching to read a more sustained analysis of the relation between Merleau-Ponty and Bachelard, especially in their joint understanding of the term “element.” In addition, while Vydra ends his rich chapter with an inclusion of Bachelard’s “turn” toward poetics, there remains much here to say on the ontological and conceptual significance of concepts such as reverie, ontological amplification, and oneirism, which are touched upon but only in passing.

Both of Eileen Rizo-Patron’s contributions to this volume are noteworthy by dint of their incisiveness and lucidity. In her first chapter, Rizo-Patron picks up where Vydra left through tackling Bachelard’s relation to psychoanalysis. This relation is situated within Bachelard’s “psychotherapeutic period” in the 1940s, and the beginning of his concern the value of repose in response to what he will term in The Dialectic of Duration “ill-made durations” (108). By this, Bachelard seems to have in mind something like a Freudian complex, a dysfunctional “affective knot” that binds humans to impoverished ways of being, dwelling, and thinking. Rizo-Patron’s first chapter is especially helpful in teasing out these complex strands through identifying the central role alchemy plays in Bachelard’s intellectual background. Rizo-Patron maintains that Bachelard’s hermeneutics frames poetic texts as “proverbial ‘philosopher’s stones’ capable of drawing out the latent energies in other ‘stones’ (readers’ souls) while assisting in their distillation and transmutation” (114). This language may appear ornate, but I think it is more than a whimsy on behalf of Bachelard and Rizo-Patron. Bachelard’s hermeneutics is alchemical insofar as it revolves around themes of change and transformation, both within the texts and within the reader. Alchemy forms the allegorical counterpart to Bachelard’s insistence on the value of opposites, the significance of elemental images, and the centrality of reverie, and marks the way of attending to phenomena that implicates the reader as an active constituent in the formation of the world.

The volume’s middle section on language offers more detailed studies of the role language plays in the formation of Bachelard’s thought. Essays here concern the relation between Bachelard and Henry Corbin; and Bachelard’s relation to Nancy as well as his relation to Gadamer. Roch C. Smith’s chapter on Bachelard and the logosphere, although published in another form in 1985, is a welcome inclusion here for its astute analysis of a lesser known essay, “Reverie and Radio” in which Bachelard makes a plea to nothing less than a global logos (157).

The final part of the volume considers various applications of Bachelardian phenomenology as understood through the theme of alterity. The theme is pertinent, given that much of Bachelard’s thought prima facie invokes a solitary world sealed off from otherness and others. It is true that in The Poetics of Space, he devotes a chapter to the dialectical relationship between inside and outside, and suggests that this relation can always be reversed. It is also true that he emphasizes temporal discontinuity over a pregiven durée. But in all this, the overarching sentiment seems to be establishing a quiet space far from the hum of urban life, in which individual memories and dreams are protected by drawn curtains (to think of Bachelard’s discussion of the house in the snow in The Poetics of Space). While this part of the volume intends to confront whether Bachelard’s philosophy is receptive to the other, I think it only partly succeeds in this task.

Both Edward Kaplan’s chapter on Buber and Bachelard and Madeleine Preclaire’s contribution on solitude deal in some part with the question of alterity in Bachelard, both of whom argue passionately for Bachelard’s commitment to the other. Preclaire’s chapter is especially notable for its insistence on this point. Despite the impression of Bachelard as a philosopher of solitude, Preclaire claims that solitude is but a first step toward a shared world, a “call” of sorts that leads us out of ourselves and toward the other. The theme is taken up here through Bachelard’s discussion of the flame, love, and reading. In each case, a gesture is made toward drawing the other into contact with the self through a paradoxical deepening of solitude. “[Solitude] alone,” Preclaire writes, “enables the discovery of deep being, that which in the midst of the din and stress of the world reserves its secret, but which is therefore the source and springboard of dialogue and sympathy” (261). We are certainly rather removed from the ethical demands Levinas places upon the reader to recognise the primacy placed on the alterity of the Other. Bachelard’s intersubjective world, in sharp contrast, is described as “solitudes filled with company” (267).

While there is no doubt that Bachelard as a human being was receptive to other people, a fuller defense of whether Bachelard’s philosophy is welcoming to the other would require a more sustained look at his writings on dwelling. Yet for a philosopher most commonly associated with his work on spatiality, the theme itself in Bachelard is surprisingly underplayed in this volume. Ed Casey’s contribution on the topic of “missing land” is the exception; though alterity is not a central theme despite being placed in this section (a section on spatiality may have been more judicious). In short, while the section on alterity is welcome, to my mind, a critical assessment of Bachelard’s account of intersubjectivity, his openness on the other, to say nothing of his account of gender, remains to be undertaken.

Despite this shortcoming, this is an excellent volume, which will be of immense benefit not only to Bachelard scholars but also to the contemporary continental philosophy community more generally. As a whole, the volume is edited with care, though several unfortunate typos were found, including blank empty page citations (“000”) that were presumably pending actual page numbers. This is a minor point in what is otherwise a necessary and welcome collection.


[1] Bachelard 2016, 81.

[2] Bachelard 2013, 58.

Uriah Kriegel (Ed.): The Routledge Handbook of Franz Brentano and the Brentano School

The Routledge Handbook of Franz Brentano and the Brentano School Book Cover The Routledge Handbook of Franz Brentano and the Brentano School
Routledge Handbooks in Philosophy
Uriah Kriegel (Ed.)
Routledge
2017
Hardcover £175.00
400

Reviewed by: Diana Soeiro (IFILNOVA - NOVA Institute of Philosophy, FCSH/ Universidade Nova de Lisboa )

For those who follow Franz Brentano’s (1838-1917) published work in English, it is not surprising that Routledge is the publishing house editing the volume under review, The Routledge Handbook of Franz Brentano and the Brentano School (2017). Back in 2006 Routledge provided us with a translation of Descriptive Psychology (1982), having published in 2009 four other volumes under its series “Routledge Revivals”: The Origin of Our Knowledge of Right and Wrong (1889); The Foundation and Construction of Ethics (1952); The True and the Evident (1930); Philosophical Investigations on Time, Space, and the Continuum (1976). The series aimed to provide access to long-awaited book titles that have not been available to the English-speaking reader up to now. In 2014, it added to its string of publications on Brentano Psychology from An Empirical Standpoint (1874).

Brentano, having passed away in 1917, had only a portion of his work published during his lifetime. As Kriegel states in his Introduction, Brentano was not a systematic writer, but he was a systematic thinker (21). English translations of the above-named books appeared much later than the German editions. This means that English-speaking audiences interested in Brentano’s work have been deprived of a user-friendly access to the philosopher, his work mainly having been available to specialists who possess mastery of the German language. The situation has contributed significantly to a lack of references and research on Brentano when compared to the many he has strongly influenced, among them, Edmund Husserl (1859-1938), Sigmund Freud (1856-1939), Rudolf Steiner (1861-1925), Alexius Meinong (1853-1920), Carl Stumpf (1848-1936) and Martin Heidegger (1889-1976). But as Thomas Binder claims, even when it comes to Brentano’s many original manuscripts, a critical edition of his works is needed, being the most indispensable instrument for all future research (20).

Due to the English-language reader’s delayed access to Brentano’s work, Routledge’s Handbook is timely and welcome. A similar edited volume was published back in 2004, entitled The Cambridge Companion to Brentano, edited by Dale Jacquette (1953-2016), Professor for many years at Pennsylvania State University (USA) and later on at the University of Bern (Switzerland). That book featured thirteen chapters. The reference to Jacquette is pertinent because the current Handbook’s editor, Uriah Kriegel, pays homage to him by closing the book with a contribution by Jacquette himself — as if meaning to close the book with a tribute but also leaving it open for those who will develop research on Brentano in the future.

Routledge’s publication of six of Brentano’s works since 2004 aims to have an impact on research of the philosopher, and the current Handbook confirms the intention further, providing encouragement to those who seek an orientation on how to approach the philosopher’s work. Featuring more than thirty contributors, the volume aims to give an updated perspective of Brentano’s current relevance. An option that should be praised is the fact that the Handbook is not exclusively about Brentano but also about the Brentano School.

The Handbook features two parts. Part I is dedicated to Brentano’s work, having three sections (Mind, Metaphysics and Value) underlining the philosopher’s significance for philosophy of mind, metaphysics, and moral philosophy. Part II focuses on the Brentano School, both his students and those he has influenced, making us aware that his work is relevant for understanding the roots of many other thinkers that came afterwards.

An additional good option taken by Kriegel is to open the Handbook with two chapters giving an overview of Brentano’s life and philosophy. One takes a biographical approach authored by Thomas Binder, Supervisor of Brentano’s Archives at the University of Graz (Austria). And a second one, by Kriegel himself (Professor of Philosophy and Cognitive Science and Associate Director of the Center for Consciousness Studies, at the University of Arizona, USA) delivers a summary of Brentano’s philosophical program.

In Kriegel’s words, “the basic idea behind Brentano’s program is that there are three distinctive types of mental act that proprietarily target the true, the good, and the beautiful…. [T]he true is that which it is correct, or fitting, or appropriate to believe; the good is that which it is correct/fitting to love or like or approve of; and the beautiful is that with which it is correct/fitting to be delighted” (21).

Both Brentano’s thesis (1862) and habilitation (1867) were on Aristotle and the philosopher was a main influence in his work. Part I approaches several main concepts present throughout his work like intentionality, consciousness, the senses, judgement, emotions, will, time and space, truth, reality, and ethics. These are known to have strongly influenced Edmund Husserl, known for being the founder of phenomenology. Husserl was indeed Brentano’s student, having first taken a course with him in 1884, at 25 years old. At the time, Husserl was a mathematics student taking a minor in Philosophy, who decided to go deeper in his philosophy studies. He chose to attend courses lectured by the much talked-about philosopher, Brentano. In the words of Rollinger, also a Handbook contributor, “[w]hat began as a mere curiosity became a great enthusiasm” (Rollinger 1999: 16).

Kriegel’s Introduction elegantly presents us each of the book’s 38 chapters, providing the reader with a clear vision of the volume’s content. It is particularly useful not only because it allows us to be aware of the main concepts at stake but also because it describes the flow and links between each chapter, providing a sense of unity to the sizeable number of contributions. In what follows, I summarize the content featured in Part I (Chapters 3-24).

Denis Seron (University of Liege, Belgium) authors the first chapter of the first section, which is dedicated to philosophy of mind (Chapters 3-12). In this chapter he presents Brentano’s most famous work, Psychology from an Empirical Standpoint (1874), where he establishes that the foundation for a scientific approach to psychology is empirical. By empirical, Brentano understands a “purely phenomenal science,” i.e. a science whose objects are not substances but phenomena. This perspective is a powerful statement in the realm of ontology, one that sets the tone for what is now clearly acknowledged as Brentano’s aim of conceptualizing a big system. Psychology, instead of being the science of mental substances (the soul) should be understood as the “science of mental phenomena.” Brentano laid down powerful epistemological principles claiming that science should dispense metaphysical assumptions that there are substances that underlie the phenomena we witness. It is based on this that he favors descriptive psychology. Psychology has two branches, “physiological psychology” and “descriptive psychology.” The first he would name “genetic psychology” and this approach explains mental phenomena, referring to physiological processes. “Descriptive psychology” precedes “genetic psychology” in the sense that it describes the phenomena that are in need of explanation, providing also a classification.

According to Brentano, in order to reflect upon a given subject it is first necessary to establish the terms in which the subject will be discussed and agree upon which concepts will be used. Following this perspective, the first section of the volume under review presents the main concepts founding the philosopher’s epistemology. The main concepts of Brentano’s system are presented in the following sequence: intentionality, consciousness (also its unity and relation with time), sensations and sensory qualities, classification of mental phenomena, judgement, emotion and will, and self-knowledge. Intentionality, addressed by Tim Crane (Central European University, Hungary), is the most peculiar feature of mental phenomena. Brentano uses the concept as a point of reference, classifying kinds and modes of intentionality, and this chapter portrays how the concept has evolved throughout his work. Mark Textor (King’s College London, UK) examines the concept of consciousness, which stems from Brentano’s classification of intentionality in two kinds – “primary” directed at a worldly object and “secondary” directed at the self. The secondary kind will be key to Brentano’s theory of consciousness.

The scope of the philosopher’s understanding of consciousness is approached by Barry Dainton (University of Liverpool, UK), Guillaume Fréchette (University of Salzburg, Austria), and Olivier Massin (University of Zurich, Switzerland). These chapters develop how a unity of consciousness relates to unity at a time and how consciousness, inevitably, involves the passage of time. It is stated that Brentano struggled with this last idea and tried several different formulations in order to convey it. As for sensory consciousness, Brentano will claim that sensations are intentional, like all mental phenomena, which is a stark contrast with the prevailing view.

Classification of mental phenomena is part of descriptive psychology and Kriegel guides us through its taxonomy. It is divided into three kinds: presentations, judgements and “phenomena of love and hate.” Claiming that judgement does not involve predication and does not have propositional content, Kriegel considers Brentano’s theory of judgement one of the most creative theories in the history of philosophy. Michelle Montague (The University of Texas at Austin, USA) accounts for the phenomena of love and hate, framed under the concepts of emotion and will. The idea is to explore how the range of mental phenomena that can go from one extreme to the other has a continuity embodying good or bad intention – evaluating corresponding objects accordingly.

Closing the section on philosophy of mind, Gianfranco Soldati (Fribourg University, Switzerland) identifies three key theses that account for Brentano’s theory of self-knowledge. These are particularly relevant for those interested in the concept of Self.

Section Two of Part I is dedicated to metaphysics (Chapters 13-19). Werner Sauer (University of Graz, Germany) develops a critical assessment of Brentano’s vital claim for reism: it is impossible to even contemplate, or represent to oneself, anything other than “things” in the relevant sense. This means that he endorses a monocategorial ontology where the only category of being is things. A theory of the soul is crafted by Susan Krantz Gabriel (Saint Anselm College, USA). Brentano identifies two kinds of things, physical and mental, the soul being a mental, immortal substance. Time and space are two basic elements of metaphysics, to which Brentano dedicated much of his attention in his last decade. These are related with substance, the nature of continuum, and the foundations of topology. Wojciech Żełaniec (University of Gdańsk, Poland) is the contributing author addressing this topic. Substances have determinations that allow one to recognize properties and relations among things. Properties are special parts of a thing (either metaphysical or logical), as Hamid Taieb (University of Geneva, Switzerland) shows us, while addressing Brentano’s ontology of relations. Johannes L. Brandl (University of Salzburg, Austria) draws on the nature of truth, a difficult concept, where the main idea at stake is the acquisition of the concept of truth. This follows another contribution by Seron who argues that when it comes to appearance and reality, the theory is the same as its theory of intentionality, meaning that appearances are the intentional objects of conscious experiences and vice versa. The section closes with Alessandro Salice’s (University College Cork, Ireland) chapter on negation and nonexistence. These concepts follow a similar logic to the one used to elaborate his theory of judgement but according to Salice’s critical appraisal the approach is ultimately frail and confusing.

The closing section of Part I is dedicated to value theory (Chapters 20-24). Jonas Olson (Stockholm University, Sweden) argues the all-encompassing significance of Brentano’s metaethics and its relevance to the debates nowadays on key questions such as that of when we say that something is good, what exactly are we doing? While highlighting the philosopher’s relevance to contemporary debates, Lynn Pasquerella (Mount Holyoke College, USA) advocates viewing Brentano as favouring a pluralist consequentialism, i.e. things are instrumentally good when their consequences are intrinsically good. Wolfgang Huemer (University of Parma, Italy) discusses Brentano’s contribution to aesthetics, confirming its solid scientific foundations because again, his main concern was epistemological: he was more interested in defining the framework in which questions should be asked than in addressing aesthetic questions. The foundation was scientific psychology and not subjective speculation. Specifically, he did address the question of artistic genius and the role in art of fantasy and imagination. Ion Tănăsescu (Romanian Academy) reconstructs his view. Closing this section we are presented Brentano’s philosophy of religion in a chapter authored by Richard Schaefer (SUNY—Plattsburgh, USA). As an ordained Catholic priest who decided to leave the Church, he remained deeply religious. He was a rational theologian who subordinated theology to philosophy. Presenting four arguments for the existence of God, Brentano favours the one that appeals to probability theory.

Husserl was not the only philosopher enthusiastic about Brentano. A similar feeling seems to have occurred for many who followed, and whose relation to Brentano is explored in the current book (Part II): Anton Marty (1847-1914), Carl Stumpf, Alexius Meinong, Christian von Ehrenfels (1859-1932), Kazimierz Twardowski (1866-1938) and Hugo Bergman (1883-1975), the Israeli philosopher who was a close friend of Franz Kafka (1883-1924). Also identified are the British psychologist and philosopher G.F. Stout (1860-1944), G.E. Moore (1873-1958), one of the founders of analytic philosophy, and American philosopher Roderick Chisholm (1916-1999). Brentano’s influence on other schools is also addressed: The Prague School, which focused on linguistics, philology, and literature; the Lvov-Warsaw School, established by Twardowski and key to Polish philosophy; and the Innsbruck School, which was mainly engaged in philosophy and psychology. All authors in this Handbook contribute successfully for the reader to be able to build a bridge between Brentano’s original work and that of his students. Part II aims to support evidence that Brentano’s School had a unified view, namely, that philosophy is continuous with the sciences, and that the science all philosophy depends upon is descriptive psychology.

For many years now, Brentano has sparked curiosity mainly because of his influence on Husserl. Brentano is sometimes credited as the one who has laid the ground for phenomenology’s main concepts. Yet, a clear vision of what his work consists of has not been delivered. We are aware that as a renowned professor in his time, he influenced many, but his philosophical program has remained unclear. Only with this program in view we will be able to truly understand his philosophical insights and to evaluate the extent to which he has influenced others. In that sense, Routledge’s Handbook is a highly relevant resource and a significant step further in that direction. Furthermore, it is a clear and scientifically informed introduction to Brentano that invites us, with renewed confidence, to read the philosopher himself. Brentano seems to be a key figure for understanding better the prolific time that was the turn of the twentieth century and that, among many other movements, fostered the development of phenomenology and analytic philosophy, confirming that further research on his work is in order.

For those who wish to delve deeper into the philosopher’s work, the Handbook’s current editor Uriah Kriegel has authored a book titled Brentano’s Philosophical System: Mind, Being, Value (Oxford University Press, 2018), which develops the contents of Part I further, following a similar structure.

Works Cited

Rollinger, Robin D. (1999). Husserl’s Position in the School of Brentano. Dordrecht: Springer.