Dylan Trigg: Topophobia: A Phenomenology of Anxiety

Topophobia: A Phenomenology of Anxiety Book Cover Topophobia: A Phenomenology of Anxiety
Dylan Trigg
Bloomsbury
2016
Paperback $26.96
256

Reviewed by: Francis Russell (Curtin University)

Topophobia: A Phenomenology of Anxiety by Dylan Trigg is a timely publication that provides a clear contribution to the ever-expanding philosophical challenge issued to the dominant bio-chemical and physicalist understanding of mental illness. More specifically, Trigg’s text engages with spatial anxiety, or a certain disquiet in the midst of things, that can be discussed by way of more familiar terms such as agoraphobia, claustrophobia, and disassociation. Through his discussion, Trigg raises important questions about the way in which anxiety can be approached as a means of with rethinking the body’s relation to space. Given the purchase that anxiety has within contemporary culture—from the pervasiveness of social anxiety to the ever increasing number of people diagnosed with generalised anxiety disorders (or GAD)—it is vital that contemporary philosophers and theorists respond to the dominance of the scientific model so as to prevent such a painful and meaningful mood slipping into the ubiquity of a common and unremarkable illness. This is to say that, while the encounter with anxiety is certainly remarkable for the one who endures it—and for those that support and nurture the one whom endures—there is nevertheless a sense in which contemporary psychology presents the risk of rendering anxiety as a ubiquitous phenomena that is best explained through a bio-chemical casual system. Accordingly, the meaning of anxiety is left obscure if not utterly effaced—indeed, in much contemporary clinical practice the broader question of what anxiety means might be construed as a defence mechanism used by the patient to resist a particular manualised treatment, such as cognitive behavioural therapy (or CBT). In this context, we can see that Trigg’s work is deeply connected to, and often draws directly from a tradition of twentieth-century theorists and philosophers whose work presents a challenge to the notion that a phenomenon like anxiety is simply a result of faulty cognition—an inability to think rationally in a given situation—or of neurological defects, and which, accordingly, has no significance at the level of human meaning.

Alternatives to such bio-chemical and psychological accounts of anxiety are common in the continental tradition. Indeed, for figures like Søren Kierkegaard, Martin Heidegger, or Jacques Lacan anxiety features as a phenomenon of fundamental importance. Where Trigg professes to differ from these aforementioned figures is with regards to the possibility of recuperating the radical negativity of anxiety. As Trigg states in reference to the legacy of Heideggerian phenomenology,

our phenomenology disembarks from a Heideggerian approach in identifying anxiety, not as a mood of existence reducible to humans subjectivity in its appeal to self-realisation, but as the site of an irreducible anonymity that outstrips subjectivity. (xxxv)

Given the brevity of Trigg’s discussion of Heidegger’s treatment of anxiety—being little more than what is put forth here—it is difficult to fully assess this purported distance from the Heideggerian tradition. However, despite the theoretical ambiguity of Trigg’s overt position there is nevertheless a sense in which he develops a compelling argument for a certain non-recoupable negativity that is inseparable from anxiety, and yet is absent in the phenomenon’s treatment by major figures such as Heidegger. It is important to not misread Trigg as suggesting that Heidegger limits anxiety to “human subjectivity,” but to remember the extent to which the Heideggerian treatment of anxiety is caught up in the possibility of “self-realisation.” While Heidegger’s account of anxiety in a text like “What is Metaphysics?” provides us with a compelling ontological placement of anxiety as a fundamental mood, his argument hinges on anxiety as the site for the authentic revelation of what could be referred to as the groundless grounds of beings. In such an account, no matter how disturbing the experience of anxiety might be for the individual in question, there is always the possibility of recuperating this encounter in the movement towards an authentic grasping of oneself and one’s historic meaning. Against this, Trigg’s project orients itself towards anxiety as resistant to recuperation and reintegration. This is to say, in Topophobia, Trigg looks to discuss anxiety in the sense of our being disturbed by a negativity at the heart of our subjectivity, and one that cannot be mustered towards the production of an authentic comportment, meditated on for the purposes self-actualisation, or tarried with in order to be eventually overcome. Instead, Trigg presents anxiety as the possibility of “experiencing one’s body as uncanny or alien,” (xxxvi) and, accordingly, as a blind spot in our fundamental corporeality that insists through disquieting disturbances.

Again, given the brevity of Trigg’s engagement with the more well known discussion of anxiety—such as those produced by Heidegger—it is difficult to fully asses his readings of such figures. Indeed, it is possible that one could find in Heidegger or Kierkegaard an account of anxiety that is sympathetic to Trigg’s own position. Despite this, Trigg’s account is nevertheless compelling insofar as it looks to linger for as long as possible on the disruptions produced through anxiety, and to do so in a way that avoids casting the subject of anxiety in a heroic light—that is to say, in terms of a possible triumph that awaits the subject who reflects on anxiety correctly. By dislocating anxiety from a broader question of authentic self-actualisation, Trigg is able to provide an account that is far richer descriptively than many conventional accounts of anxiety within the phenomenological tradition. Indeed, it is this descriptive sophistication that speaks most directly to the strengths of Trigg’s book. On the one hand, each chapter begins with a second person narration of an experience of anxiety that will inform the rest of that section’s argument. On the other hand, the less literally descriptive sections, those that do not necessarily attempt to simply sketch out what it is like to encounter certain kinds of anxiety, have a different kind of descriptive power. It is in the sense in which Trigg is able to describe encounters with anxiety as meaningful, as helping to provide an account of the significance of anxiety for understanding space and the body—and vice versa—that points to the real descriptive power of the project. In thinking through the problem of the meaning of anxiety, though not in terms that suggest anxiety to be the fundamental mood—or a mood that offers the possibility of a heroic movement towards authenticity—Trigg is able to take what is often a most intangible and ephemeral encounter, and allow it to find articulation.

Fundamental to Trigg’s argument is the phenomenological insight that the body is always already intersubjective and liminal, and that space is neither absolutely internal or external. In our encounter with anxiety, the problem of the body and space as dynamic thresholds insists upon us. In anxiety, the gap between my given sense of self, and the body as an excess irreducible to that sense, is revealed. In anxiety, the vast externality of a space that looms around me, and the deeply intimate sense that the discomfort caused by such a space can follow me, or can become part of me, reveals the problem of viewing space as either wholly internal or external. It is in anxiety, so Trigg argues, that the identity of space and the body—the sense of the body as mine and here, and space as other and “out there”—is disrupted to reveal a dynamism between the two that can produce immense fear and discomfort. While Trigg would agree with Heidegger that the encounter anxiety does not centre on a specific object, he nevertheless argues that in the revelation of alienness that accompanies the encounter with anxiety, what is typically taken as trustworthy and familiar—a nearby street, one’s own hand, etc.—can become terrifying. As Trigg states, with regards to the example of agoraphobic anxiety,

Quite apart from the idiosyncrasies of the subject’s psychological characteristics, being a subject means being exposed to and in touch with the bodies of others. Here, we can formulate an overarching thesis: with the agoraphobic experience of anxiety, the relation between the anonymous structure of intersubjectivity and the irreducibly personal experience of intersubjectivity effectively fracture. (105)

If the subject is not able to reconcile the irreducible gap between one’s personal experience of intersubjectivity—two or more hermetic bodies coming into contact with one another—with the revelation of an alien impersonal intersubjectivity—the broader context of shared interrelations that cannot be made fully individual—then the encounter with this irreducible alienness at the heart of subjectivity will produce a sense of terror in the everyday. “The failure to incorporate ambiguity and alterity leads to a bifurcation of the body,” Trigg’s argues (ibid). Rather than being able to tarry with the body’s simultaneously reliability and unreliability, controllability and unruliness, the body becomes bifurcated into the fear inducing “bad” body of anxiety, and the “good” body of control and self-regulation. It is in this sense, in navigating anxiety in relation to the meaning of the body’s intersubjective character and the liminality of space, that Trigg is able to recast anxiety as offering a hermeneutic opportunity that lies outside of notions of biological defect.

What at times feels absent from Trigg’s book is a reflection on the historical shifts that see self-control and self-regulation as virtues. Investigating the historical prominence of the kind of anxiety discussed by Trigg could only have deepened the richness of his account. Nevertheless, Topophobia is not only a vital resource for any foray into the meaning of the disquieting encounter with space, but it is furthermore a text that offers the potential for pathos and solace. Rather than producing an account of a passive subject that is simply prey to neuro-chemical interactions or childhood traumas, Trigg provides us with the opportunity to meditate on the ways in which our attempt to control and stave off negativity is linked to the terrible affects associated with anxiety. Our desire to contain our surroundings and to control ourselves are linked to the very fears of space and the body that are produced through the encounter with anxiety. It is in this sense that Topophobia allows the reader a space for reflection and an invitation for purposeful contemplation that is as not only intellectually productive, but also potentially therapeutic. Indeed, it is wonderfull to see Trigg end his text with a meditation on the possible confluences between the phenomenological tradition, and other intellectual traditions that challenge a physicalist and reductive approach to mental illness. The dialogue that Trigg encourages between psychoanalysis and phenomenology is certainly fruitful, and seemingly necessary if we are to foster serious political and ontological discussions of mental illness.

Social Imaginaries: A Journal and a Project

Social Imaginaries Book Cover Social Imaginaries
Suzi Adams, Jeremy Smith (Coordinating Editors)
Zeta Books
2015-2016
Paperback

Reviewed by: Angelos Mouzakitis (University of Crete)

Not long ago, Social Imaginaries (Vol. 1, Issue 1, Spring 2015) appeared, with a volume that is both imaginative and ground-breaking. The journal aspires to open up a discursive space for different branches of the humanities, the social sciences, and philosophy. And at the same time it aspires to contribute to the further development and enrichment of an emergent field of research, presenting itself as a “paradigm in the making” (Vol. 1, Issue 2, p. 7). Drawing primarily on the works of Castoriadis, Arnason, and Charles Taylor, as well as on (post-) phenomenological currents of philosophy, the journal aims, as its very title suggests, to rekindle interest in the elucidation of the enigmatic field of collective and individual imagination, this “field of intersecting labyrinths,” of human creations and doings (Vol. 1, Issue 1, p. 7). It is also devoted to the study of “the intertwined problematics of modernity, multiple modernities, and the human condition,” while it promulgates “an understanding of society as a political institution, which is formed – and forms itself – in historical constellations, on the one hand, and through encounters with other cultures and civilisational worlds, on the other” (Vol. 1, Issue 1, p. 7). The first volume of the journal is organized in such a manner that it does justice to both the interdisciplinary and cross-cultural character of the project, and to the need to delineate the journal’s and the project’s subject-matter and theoretical origins.

Although the editorial note duly announces the purpose and the aims of the journal, the objectives of the whole project and the delimitation of the field of study takes place in a systematic and thorough manner in the introductory article entitled “Social Imaginaries in Debate,” which is co-authored by Suzi Adams, Paul Blokker, Natalie J. Doyle, John W.M. Krummel, and Jeremy C.A. Smith. In their attempt to theorize the field of the “imaginary,” the authors draw explicitly on Castoriadis, Sartre, Merleau-Ponty, Ricoeur, (Vol. 1, Issue 1, p. 18-19) and Charles Taylor, whom they merit with the distinction of having published the most comprehensive study in the field of social imaginaries. See the 2004 work Modern Social Imaginaries (Vol. 1, Issue 1, p. 24).   

With Castoriadis as one of the main influences behind the social imaginaries project, it comes as no surprise that the authors consider the links between the formation of meaning and creative imagination as “a central innovation of the social imaginaries field,” while they wish also to account for wider dimensions of the social, such as “power,” social action, or praxis. (Vol. 1, Issue 1, p. 20). At the same time, central to the social imaginaries field is the concept of the “world” as it emerges from both the writings of Castoriadis and the phenomenological tradition, especially Husserl’s notion of the lifeworld and Heidegger’s understanding of the co-emergence of “world” and Dasein. The brief historical overview of the way in which imagination has been treated in the course of the philosophical tradition is also invaluable, as is the discussion concerning the various forms of modern imaginaries.

Castoriadis’ essay on the “Imaginary as Such,” a seminal text that prefigures Castoriadis’ so-called “ontological turn,” is also a precious addition to the contents of this issue. Apart from translating the text from French and rendering it amenable for publication, Johann Arnason authors a brief, yet enlightening introduction to this text and to Castoriadis’ project in general. Arnason’s presence in the issue is actually even more pronounced, as he has also contributed an article on “The Imaginary Dimensions of Modernity,” an essay on Castoriadis’ understanding of imagination, translated and introduced by Suzi Adams.

The same strategy is followed in two more instances, as the articles by Nakamura Yusiro and Marcel Gauchet are translated and introduced by John W. M. Krummel and Natalie J. Doyle, respectively. Nakamura’s contribution has the merit of bringing into dialogue the philosophical tradition of the West and modern Japanese philosophy, as he advances interesting interpretations of the notions of “common sense” and “place,” drawing on the works of Nishida Kitaro. As someone who is rather unacquainted with modern Japanese philosophy I found this article indispensable both as a guide to the way in which this great civilization has received and appropriated western philosophy and for the unique manner in which it attempts to transcend the subject-object bifurcation with the introduction of the notions of place and common sense.

Gauchet’s article, “Democracy: From One Crisis to Another,” attempts to come to terms with the widespread feeling of crisis that has befallen contemporary democracies and culminates in a plea to shed light to the very notion of human rights as a remedy to the various disorders of modern democratic regimes. The issue also contains Peter Wagner’s essay “Interpreting the Present: A Research Programme,” which inquires into the experiences of time and space in the period following the end of “organized modernity” and which in my view is quite informative also in relation to Wagner’s most recent research on progress. Finally, the issue concludes with a vivid discussion on “Modern Social Imaginaries,” between Charles Taylor, Craig Calhoun, Dilip Gaonkar, Benjamin Lee, and Michael Warner.

The second issue of the journal (Vol. 1, Issue 2, Autumn 2015) is equally rich and compelling in its scope and aims. The phenomenological element is again quite strong.  Two of the articles address issues related to Ricoeur’s hermeneutic phenomenology, another couple of the contributions draw their inspiration from Levinas, while Husserl and Patocka are also in the center of two essays. The volume also comprises an article by Fred Dallmayr with the telling title “Man Against the State” and Johann Arnason’s “Elias and Eisenstadt: The Multiple Meanings of Civilization.”

George H. Taylor’s essay “The Phenomenological Contributions of Ricoeur’s Philosophy of Imagination” is an excellent attempt to open up Ricoeur’s philosophy toward the problem of collective and individual aspects of productive imagination and their transformative potential. Taylor’s interpretation relies on the one hand on Ricoeur’s best known works like The Rule of Metaphor and Time and Narrative, but on the other hand it owes much of its subtlety to a combined reading of Ricoeur’s series of lectures at the University of Chicago during the 1970s, especially the well-known Lectures on Ideology and Utopia and the less famous Lectures on Imagination (Vol. 1, Issue 2, p.14). Central to Taylor’s argument is Ricoeur’s concept of iconic augmentation, which the author masterfully links both with praxis and with the need to explore the space between language and lived experience, sense, and vision.

Timo Helenius’s “Between Receptivity and Productivity: Paul Ricoeur on Cultural Imagination” draws on Ricoeur’s essay Ideology and Utopia as Cultural Imagination in order to establish that cultural imagination provides the “basis for a sociocultural poetics of human action and, therefore, a condition for the birth of a situated subject in the positive fullness of belonging” (Vol. 1, Issue 2, p. 32). Importantly, through the employment of the notions of ideology and utopia Helenius offers yet another challenging interpretation of the role of productive imagination in Ricoeur’s works and argues that “l’ imagination culturelle” is the very core of productive imagination that informs human action (Vol. 1, Issue 2, p. 49-50).

Adam Konopka’s “Embodiment and Umwelt: A Phenomenological Approach” is a fine study of Husserl’s attempt to understand the Natur-Geist distinction and his theory of world-constitution. This article aspires to refute Merleau-Ponty’s thesis that Husserl was ultimately unable to move beyond the nature-spirit dichotomy. The notions of the Umwelt and of “embodied experience” are central to his argument, which also involves the consideration of Husserl’s “engagement” with the relevant debate between Dilthey and the Baden School. As the author shows, this “culminated in Husserl’s later articulation of the life-world in the Crisis writings of the 1930s” (Vol. 1, Issue 2, p. 58).  The great merit of Konopka’s essay is that it underlines Husserl’s acknowledgment of the existence of pre-reflective, embodied elements that actively contribute to sense-making processes (Vol. 1, Issue 2, p. 68). In other words he traces in Husserl’s works a theory concerning the formation of individual and collective habitus before this notion became available in the vocabulary of the social sciences.

“The Problem of Morality in a Mathematized Universe: Time and Eternity in Dostoevsky’s The Brothers Karamazov and the Concept of ‘Love’ in Patocka’s Last Essay” is a quite interesting attempt to conceptualize the possibility of ethics in the post-Kantian era, when the universe and the social world and human have lost their divine grounding. The author, Lubica Ucnik, reads Dostoevsky’s masterpiece as a response to the Kantian conception of morality and as a critique of the utilitarian conception of ethics, while she argues that Patocka’s reflections on “Masaryk’s Theological Philosophy” pave the ground for a conception of love and openness towards the Other that is not grounded on the existence of a supreme being but on the sort of responsibility that emanates from the acknowledgment of human finitude.

In a way, there is an affinity between Ucnik’s essay and Kwok-ying Lau’s contribution entitled “War, Peace and Love,” as they both turn to a vulnerable element in the constitution of the human being in order to ground ethics and politics. In Lau’s essay this vulnerability is best exemplified by what – expounding on Levinas’s Totality and Infinity – he calls the “pathetique cry for love and peace” (Vol. 1, Issue 2, p. 122). Since the adjective “pathetique” is used as the author explains in line with “its Greek origin ‘pathetikos’, which means emotional with a strong power of affectivity” (Vol. 1, Issue 2, p. 125, n. 1), it becomes clear that the heroic “logic” of violence that according to Levinas governs human history is here denounced – in Levinasian fashion – in favour of the only kind of love that the author finds worthy of its name: a love that is vulnerable to the presence of the Other, that has the Other as its very origin.

Bernhard Wandenfels’ essay “The Equating of the Unequal” (translated by W.M. Krummel) draws in a wide spectrum of philosophers, thinkers and novelists in order to attack what the author perceives as being the two “extremes,” i.e. on the one hand “any sort of normalism fixed on functioning orders” and on the other hand “any sort of anomalism dreaming of mere events and permanent ruptures” (Vol. 1, Issue 2, p. 92).

Fred Dallmayr’s contribution “Man Against the State: Community and Dissent” conceptualizes the intricate relationship between individual freedom and communal solidarity as it argues against egocentric conceptions of liberty, promulgating instead “ethically grounded conceptions of individual freedom, civil disobedience and dissent” (Vol. 1, Issue 2, p. 127). Dallmayr’s essay starts and closes with quotes from Nietzsche.  In the opening paragraph, a quote from Nietzsche’s Thus Spoke Zarathustra presents the state as a cold monster (Vol. 1, Issue 2, p. 127), exemplifying from the outset the author’s concern that totalitarianism is always present in new – perhaps subtler or even almost unperceivable – guises. The final quote from Nietzsche’s “The Wanderer and His Shadow” shows the essay’s true spirit: “rather perish than hate and fear” (Vol. 1, Issue 2, p. 143), a call for a sort of resistance that refuses to succumb to ressentiment.  Dallmayr’s examples of resistance to totalitarian – or blind – authority are as telling as the key thinkers that inform his own position, for instance Thoreau, Mahatma Gandhi, and Albert Camus. Indeed, Socrates’ condemnation by the Athenians, Antigone’s tragic figure, the resistance of Germans against Hitler, are all examples of resistance inspired by belief in the common good, not by a narrow conception of securing one’s well-being.

Johann Arnason’s “Elias and Eisenstadt: The Multiple Meanings of Civilization” is a fine conclusion to this issue. With unfailing scholarship and great insight, Arnason brings the works of Elias and Eisenstadt into a fruitful dialogue by revealing their common Durkheimian-Maussian origins, while showing that Weber’s influence in their works is less significant than it is commonly assumed.

Johann Arnason features also in the third published issue of the journal (Vol. 2, Issue 1, Spring 2016), in a long and very informative interview with Suzi Adams that concludes the volume. Readers are sure to find interesting points for reflection both regarding Arnason’s own intellectual trajectory and their own projects.

This last volume opens with John W. M. Krummel’s “Introduction to Miki Kiyoshi and his Logic of the Imagination.” As the title suggests, this essay serves as an introduction to Miki’s philosophy and it gives a brief account of his life and major ideas, as well as serving as an indispensable introduction to Miki’s article that follows. It is obvious even to someone as unfamiliar with Japanese philosophy as myself that Krummel is perfectly at ease with the Kyoto School. I sincerely believe that readers should read his introductory essay before delving into Miki’s text, which is translated by Krummel himself. Miki’s Kiyoshi’s text, “Myth,” is in effect the first chapter of his book The Logic of Imagination. In Krummel’s essay readers can get a glimpse of the main points advanced in the other chapters, such as “institution,” “technics,” and “experience.”

Miki Kiyoshi’s chapter on “myth” is in effect a daring attempt to re-conceptualize “imagination” and it draws both on Japanese and Western sources, while Kant plays a pivotal role in the construction of the argument. It could be said of this first chapter that it is on the way to the construction of a logic of imagination, and in this respect it precedes Castoriadis’s explicit acknowledgement of the need for the advancement of a logic of magmas in The Imaginary Institution of Society. Like Castoriadis, Miki explicitly links imagination with creation and social action (Vol. 2, Issue 1, p. 28) and questions the relationship between subjective and collective manifestations of imagination with the aid of anthropological accounts available at his time and with Durkheim’s notion of collective representations. Importantly, Miki argues that the creation of “historical forms” is the outcome of “the unity of things in terms of logos and pathos.”  With this definition Miki brings to the fore the psychical, emotional, tactile, and kinetic aspects of the psyche as preconditions of socio-historical praxis.  Among the many interesting points raised in this article, readers won’t fail to notice Miki’s discussion of the connections between myth, utopia, and science (Vol. 2, Issue 1, p. 44) and his insistence that “imagination is at the root of the human will” (Vol. 2, Issue 1, p. 43).

Guanjun Wu draws on Lacanian psychoanalysis and its appropriation by Zizek in his attempt to reveal the hidden “psychical mechanism” that underlies modern discourses in the field of Sinology. In his “The Lacanian Imaginary and Modern Chinese Intellectuality,” the author identifies a striving for social harmony at a very early stage in the formation of Chinese civilization and argues that the fundamental fantasy of Confucianism “attempts to suture the ontological gap between the real [in the Lacanian sense] and reality.” It goes without saying that the promise of this realization “is always deferred” (Vol. 2, Issue 1, p. 79). Contemporary Chinese intellectuals are also seen as “projecting fantasmatic visions” (Vol. 2, Issue 1, p. 82) and their academic debates are said to represent “a clash of fantasies” (Vol. 2, Issue 1, p. 92), as Wu draws a vivid and quite interesting picture of Chinese academia.

Craig Brown’s “Critiques of Identity and the Permutations of the Capitalist Imaginary” is an investigation into the antinomies of the capitalist imaginary through the comparison of Adorno’s and Casoriadis’ critiques of instrumental rationality, or “identity thinking.” Brown finds in Weber a common source of influence for both Adorno and Castoriadis and argues that in spite of their differences and their limitations, Adorno’s and Castoriadis’ critiques of “the logic of identity remain relevant and that the capitalist imaginary can be recognised in domains that were sometimes thought to be separate from it and oriented by other values” (Vol. 2, Issue 1, p. 115).

Finally, Werner Binder’s “Shifting Imaginaries in the War on Terror: The Rise and Fall of the Ticking Bomb Torturer,” takes Niklas Luhmann’s “Ticking Bomb” dilemma as its point of departure, as it explores the impact of the terrorist attacks on the World Trade Center and that of the Abu Ghraib scandal in the shaping of the American social imaginary.

I am well aware of the fact that it was impossible to do justice here to the richness and complexity of every single contribution that features in the three first issues of Social Imaginaries. However, I sincerely hope that I did manage to point to some of their merits and to convey to the reader the feelings of pleasure and intellectual gratification that the texts generated in me. Social Imaginaries is certainly not just another journal; it rather is a space open to new and challenging ideas about the social world(s), and I do hope that it will get the warm reception it clearly deserves by academics and the wider reading public alike.

Francisco J. Varela, Evan Thompson, Eleanor Rosch: The Embodied Mind, Revised Edition: Cognitive Science and Human Experience (Revised Edition), MIT Press, 2017

The Embodied Mind, Revised Edition: Cognitive Science and Human Experience Book Cover The Embodied Mind, Revised Edition: Cognitive Science and Human Experience
Francisco J. Varela, Evan Thompson, Eleanor Rosch. Foreword by Jon Kabat-Zinn
MIT Press
2017. Revised Edition
Paperback $30.00
392

Vivre la raison Michel Henry entre histoire des idées, philosophie transcendantale et nouvelles perspectives phénoménologiques

Vivre la raison. Michel Henry entre histoire des idées, philosophie transcendantale et nouvelles perspectives phénoménologiques Book Cover Vivre la raison. Michel Henry entre histoire des idées, philosophie transcendantale et nouvelles perspectives phénoménologiques
Roberto Formisano, Fabio Grigenti, Ilaria Malaguti, Gaetano Rametta (eds.)
Vrin
2016
Broché 22.00 €
240

Jack Reynolds, Richard Sebold (Eds.): Phenomenology and Science: Confrontations and Convergences

Phenomenology and Science: Confrontations and Convergences Book Cover Phenomenology and Science: Confrontations and Convergences
Jack Reynolds, Richard Sebold (Eds.)
Palgrave Macmillan US
2016
Hardcover 107,00 €
XVI, 229

Reviewed by: Svetlana Sholokhova (Catholic University Louvain)

While the founding fathers of the phenomenological movement, Husserl and Heidegger, emphasized methodological differences between phenomenology and empirical sciences, successive generations of phenomenologists never ceased to question and challenge this basic presupposition. In the last decades, there has been a lot of discussion about whether the idea of phenomenological naturalism should be reassessed in the light of both advancements in empirical research, especially in cognitive sciences, and the progress in phenomenological investigations. Phenomenology and Science brings together the work of young researchers and experienced scholars in the fields of phenomenology, contemporary philosophy and cognitive sciences in order to address the question of the possibility of a productive dialogue between phenomenology and empirical sciences.

The volume opens with a study by Aaron Harrison that focuses on the interactions between the first wave of phenomenology (Gurwitsch, Merleau-Ponty, Sartre) and Gestalt psychology (Wertheimer, Koffka, Köhler and Stumpf). The interest of the latter for the question of the modes of mutual influence between phenomenology and sciences lies in its complex relation to empirical science (which was especially the case in the first half of the twentieth century, when the boundaries between psychology and philosophy were still not defined) as well as to phenomenology (which had, as Harrison shows, an important impact on the development of Gestalt psychology). According to Harrison, this peculiar situation of Gestalt psychology suggests the importance of attentive examination of the history of its intersections with phenomenology in order better to understand how the phenomenological approach could be situated with regards to experimental methodology.

In the second chapter, Jack Reynolds starts by questioning the “stark methodological distinction between phenomenology and science” and advocates considering phenomenology as a “more hybridic enterprise” (p. 24). By concentrating on the theme of intrinsic time, Reynolds aims to demonstrate how the phenomenological analysis of the temporal dimension of subjectivity proves to be useful for the latest discussions within empirical sciences on the irreducibility of the first-person perspective. The phenomenological account of the temporality that draws the connection between the “intrinsic temporality” and the pre-reflective dimensions that constitute the “minimal self” offers, according to Reynolds, a more consistent explanation of what “is resisting the objectivism” since it avoids the “view from nowhere” and gives access to a lived subjective experience. To see the minimal self “both phenomenologically and empirically” (p. 37) provides, then, a significantly richer account of subjectivity and presents an opportunity to explore the potential of what Reynolds, in Gallagher’s terms, the “mutual enlightenment” (p. 31) of phenomenology and science is.

A more skeptical view of the relationship between phenomenology and the sciences is expressed by Richard Sebold, who insists on the fact that the “naturalistic perspective has much more going for it than the phenomenologists are prone to admit” (p. 47). In order to see this, it is necessary to rigorously examine the anti-naturalistic claims made by Husserl and his successors, starting with distinguishing between three major types of phenomenological arguments: metaphysical (“there are some phenomena that are of a certain nature that it is inappropriate to investigate them via scientific methodology”, p. 48), semantic (“the very intelligibility of the scientific project depends upon the meaning of the pre-theoretical world”, p. 53) and methodological (“scientific methods <are> incomplete and unable to gain certain types of knowledge about the world”, p. 57). Sebold’s paper provides a comprehensive study of the assessments of empirical sciences by various phenomenologists; a study that proves to be crucial for addressing their criticism and, more importantly, for revealing the sources of phenomenology’s claim for possessing a distinct advantage over other disciplines.

In the fourth chapter, Marilyn Stendera raises the question of how one should approach the inevitable negotiations between different perspectives in interdisciplinary projects. The author’s goal is to show that such negotiations do not necessarily lead to conflict and can, instead, create a productive exchange between different approaches. For Stendera, this is the case for the collaboration between Heideggerian phenomenology and the enactivist approach to cognitive science. Beyond their historical connection, these two approaches prove to be fundamentally compatible, first of all, where the idea of the interdependent relationship between the subject and the world is concerned. By studying how the Heideggerian conception of temporality could be useful to address one of the key issues of cognitive sciences – that of the possibility to trace a distinction between various cognisers without failing to consider their continuity, – Stendera explores the benefits of interdisciplinary dialogue and tries to outline possibilities for future investigations.

With Michael Wheeler’s paper, we switch from a phenomenologically minded perspective to an explicitly naturalistic one, according to which the conflicts that can possibly arise from negotiations between philosophical and empirical accounts should be resolved following the idea that “philosophy should be continuous with empirical science” (p. 87). Wheeler claims that “it is the phenomenologist, and not the cognitive scientist, who should revisit her claims” (p. 87), because the first-person perspective – and the phenomenological approach in general – is fundamentally “untrustworthy” (p. 92) when it describes mental states, since the operation of cognitive systems depends largely on unconscious states that remain unreachable in the first-person attitude. At the same time, Wheeler agrees that the phenomenological analysis could not be limited to introspection and that, instead, it represents a transcendental enterprise. Nevertheless, for Wheeler, no transcendental approach could be “insulated” (p. 100) from the social world, which leaves to science – that constitutes a “part of our social world-making” – the final word in the philosophy-science controversy.

In David Morris’s paper, we find a diametrically opposite view that considers life as a “transcendental condition of science”: “that is, science is not simply an activity conducted by living beings, rather, our living, as inherently oriented by affect, provides us with a pre-scientific feel and criterion for the activity-passivity distinction, without which we could not grasp key issues in, e.g., biology and quantum mechanics” (pp. 103-104). This claim puts phenomenology, and in particular Merleau-Ponty’s reflections, in a privileged position with regards to empirical sciences. Phenomenology allows us to grasp this dimension of affectivity that is “crucial for sciences” (p. 116), the dimension in which all the processes of constitution of sense are grounded.

The importance of phenomenological analysis as a unique tool that allows grasping the foundational role of affectivity in organizing experience is also defended by Joel Krueger and Amanda Taylor Aiken. Their joint paper aims to demonstrate that emotions and affectivity should be studied not only as they are perceived through social cognitive processes, but also as they are actually “facilitating interpersonal relatedness”: affectivity and embodiment structure the spatiality of interpersonal relationships and thus contribute to the emergence of the “social world as social”, that is “affording different forms of sharing, connection and relatedness” (p. 121). This role becomes particularly visible when the capacities to inhabit the social space are altered, as it can be observed in the cases of Moebius syndrome and schizophrenia. It is by drawing upon the analysis of such cases that the authors hope to “reinforce phenomenological arguments for the foundational role that body and affect play in organizing social space” (p. 136).

Andrew Inkpin chooses language as his object of study, a topic that had been mostly relegated to the margins of the so called ‘4e’ tradition dominant in cognitive sciences, a tradition that emphasizes the embodied, embedded, enactive and extended nature of cognition. The turn to non-linguistic phenomena in cognitive sciences, that initially aimed “to correct the earlier overemphasis on language” (p. 141), created a void that, in Inkpin’s opinion, should be filled by a phenomenological approach, which “might and should complement systematic empirical theories in the 4e tradition” (p. 141). Would it mean that phenomenology should be naturalized? For Inkpin, this way of formulating the question is misleading because it misses the specificity of the phenomenological approach to language. The goal of his paper is, therefore, to show why ‘4e’ cognitive science needs a phenomenology of language and what it could gain from it.

In the ninth chapter of the volume, Shaun Gallagher aims to show how the debate between two theories about social cognition (simulation theory and interaction theory) influences the idea of science and raises the question “whether one can continue to do science as we have been doing it, or one has to do it differently” (p. 161). Without ignoring the discoveries made by simulation theory in the area of brain processes involved in social cognition (e.g. activation of mirror neurons), Gallagher insists on the necessity to interpret such processes with regards to the intercorporeal character of social interactions, i.e. the fact that “we are dynamically coupled to the other person in our intersubjective interaction, most of which take place in highly pragmatic and social situations”. Pragmatism here means that our actions aim primarily to give a response to a certain situation and that the brain-body activity (promoted by simulation theory) should rather be thought of as a part of a more complex system: “brain-body-environment” (p. 170). Such a holistic, enactivist and dynamic conception is, however, a “challenge for the science of social cognition” (p. 171), which has to respond with developing a new model of explanation that could take into account various dimensions (neuroscientific, psychological, phenomenological, social etc.) that could, according to Gallagher, be compared to what Sandra Mitchell has called an “integrative pluralism” (p. 175).

How could we explain the fact that our memories are sometimes in a ‘first-person’ or ‘own-eyes’ perspective and sometimes in a ‘third-person’ or ‘observer’ one? This question is at the center of attention of the joint paper by Christopher Jude McCaroll and John Sutton. Drawing upon Sartre’s theory of image, the authors propose an analysis of memory imagery based on the idea that the image is not something “inspected by consciousness” but actually is “the act of consciousness, or a way of thinking about an object or event” (p. 183). According to the authors, such a phenomenological account of our puzzling ability to have multiperspectival memory imagery could “elucidate some of the empirical findings” (p. 183) and help to provide an understanding “uniting phenomenological and scientific perspectives on memory imagery” (p. 197).

The final chapter is also focused on the question of imagination. In her study of pretense (more precisely, non-deceptive pretense), Michela Summa draws on phenomenology of imagination, inspired mostly by Husserl and Merleau-Ponty, and addresses two main problems: the epistemic functions of pretense, and its social nature. Starting with a critical analysis of Piaget’s remarks regarding the egoistic nature of pretense and its role of protector from reality in children’s development, Summa defends the idea that “imagination is a part of genuinely social experience” (p. 216) based on Vygotskij’s reflections on pretend play. While being “inherently subjective”, imagination participates in the construction of the we-perspective not just by assembling individual perspectives, but by creating a “form of sharing” and “cooperation of different subjects” enabled by “the cognitive value of pretense, of the perspectival flexibility that underlies pretense actions, and of the social meaningfulness of such actions” (p. 220).

The editors of the volume, Jack Reynolds and Richard Sebold, are explicit about their desire to put together a variety of opinions, positive as well as negative, regarding the future of the dialogue between science and phenomenology. And each of the eleven chapters of the collection allows in fact looking at the possibility of such a dialogue from a different point of view. Reynolds and Sebold’s joint work provides, then, a keen insight into the state-of-the-art of recent debates, and outlines directions for future discussions.

Hermann Schmitz: Ausgrabungen zum wirklichen Leben. Eine Bilanz

Ausgrabungen zum wirklichen Leben. Eine Bilanz. Book Cover Ausgrabungen zum wirklichen Leben. Eine Bilanz.
Hermann Schmitz
Karl Alber Verlag
2016
400

[en:]Reviewed by: Corinna Lagemann (Freie Universität Berlin)Rezension von: Corinna Lagemann (Freie Universität Berlin)

Der Kieler Philosoph Hermann Schmitz (geb. 1928 in Leipzig) nimmt sicherlich eine besondere Rolle in der Theoriebildung des 20. Jahrhunderts, insbesondere in der Phänomenologie ein. Angetreten in den späten 50. Jahren mit dem ausdrücklichen Ziel „den Menschen ihr wirkliches Leben begreiflich zu machen“, d.h. „nach Abbau geschichtlich geprägter Verkünstelungen die unwillkürliche Lebenserfahrung zusammenhängender Besinnung zugänglich zu machen“[i], blickt er nun auf ein reiches Werk von über 50 Monographien sowie über 150 Aufsätzen zurück. Als Ausgangspunkt für sein Schaffen nennt Schmitz immer wieder die Auswirkungen eines verhängnisvollen Paradigmenwechsels des menschlichen Welt- und Selbstverständnisses, den er in der griechischen Antike verortet und der in den noch heute teilweise vorherrschenden Leib-Seele-Dualismus geführt habe. Sein umfangreiches, teilweise schwer zugängliches Werk darf man als Projekt verstehen, mit diesen Auswirkungen aufzuräumen; hier sieht Schmitz ein entscheidendes Versäumnis der Phänomenologie, in deren direkter Nachfolge er sich sieht; er ist der Begründer der sogenannten Neuen Phänomenologie.

Das Ziel des vorliegenden Bandes ist es, so Schmitz, „einige Fronten aufzuzeigen, an denen sich mein Kampf gegen die überlieferten Verkrustungen vermeintlicher Selbstverständlichkeit abspielt, um die wichtigsten Stoßrichtungen meiner Ausgrabungen zum wirklichen Leben zu markieren“[ii]. Durch die angemessenen Verbesserungen und Präzisierungen verschiedener Punkte möge das Buch auch für Kenner des Frühwerks ergiebig sein; gleichzeitig beansprucht Schmitz, dass es eingängig sei und sich damit auch für neue Leser seiner Theorie eigne.

Im Verlauf seines Werks haben sich seit den sechziger Jahren vier Hauptlinien seiner Theorie herauskristallisiert, denen jeweils ein Hauptkapitel des Bandes gewidmet ist. Somit erfolgt eine Rekonstruktion und eine kritische Revision des Gesamtwerks entlang seiner Hauptachsen.

Die ersten beiden Kapitel – Subjektivität und Mannigfaltigkeit – stehen sachlich in einem engen Verhältnis; so ist das Kapitel zur Subjektivität auch sehr kurz gehalten. Es handelt sich um eines der frühesten und fundamentalen Konzepte des Schmitzschen Theoriegebäudes und mit Sicherheit auch um eines der komplexesten und am schwersten zugänglichen; so befasst sich der erste Band vom System der Philosophie (Die Gegenwart) (1964) mit diesem Thema. Hier wurden die meisten Korrekturen und Erneuerungen vorgenommen.  Mit seiner intuitiv nicht ganz eingängigen Rede von den verschiedenen Formen der Mannigfaltigkeit beschreibt Hermann Schmitz die unterschiedlichen Stadien des Erlebens gemäß ihres Abstraktionsgrads. Das Mannigfaltige ist das, was der Mensch vor der Individuation einzelner Gegenstände an und um sich selbst erfährt. So unterscheidet Schmitz das chaotische Mannigfaltige vom numerischen, wobei sich ersteres in diffus und konfus unterteilen lässt. Chaotische Mannigfaltigkeit ist ein Zustand ohne Identität und Verschiedenheit, d.h. ein reines gleichförmiges Durcheinander, innerhalb dessen der Mensch sich orientieren muss. Als Beispiel nennt Schmitz das Wasser, das einen Schwimmer umgibt oder den Zustand des Dösens, der die Umgebung verschwimmen lässt. Die Unterteilung in die Subtypen ‚konfus‘ und ‚diffus‘ wurde nach den Ausführungen im System vorgenommen; damit wird dem Umstand Rechnung getragen, dass es ein breites Spektrum dieser Art(en) von Mannigfaltigkeit gibt. So ist das Wasser, das den Schwimmer umgibt, homogen und entbehrt jeder Form von Identität und Verschiedenheit, was mit dem Begriff der konfusen Mannigfaltigkeit bezeichnet wird. Die spürbaren Körperbewegungen des Schwimmers, oder auch Kaubewegungen[iii] sind immer noch nicht vereinzelbar, jedoch verfügen diese über ein gewisses Maß an Verschiedenheit in der Form, dass sie sich spürbar vom Hintergrund abheben und bewusstgemacht werden können. Bei dem numerischen Mannigfaltigen – im Frühwerk zählbares Mannigfaltiges – handelt es sich um den (leibfernen) Bereich des Zählbaren und der Mathematik.

Allein durch die Unterteilung der chaotischen Mannigfaltigkeit in ihre Subtypen gewinnt die Analyse gegenüber der Ursprungsversion von 1964. Nach der Überwindung des erheblichen Lesewiderstands ermöglicht dieses Konzept eine genaue und treffende Beschreibung des Kontinuums menschlicher Verhaltungen, von den basalen Bewusstseinsschichten bis hin zu dem größtmöglichen Grad an Abstraktion.

Hier schließt die Theorie der Leiblichkeit an, eine weitere zentrale Säule in Schmitz‘ Gesamtkonzeption, die im dritten Kapitel des Bandes entfaltet und umfassend gewürdigt wird. Im leiblichen Spüren liegt die Wurzel der Selbstzuschreibung, einem ersten rudimentären Selbstbewusstsein und die „Zündung der Subjektivität“. Über die identifizierbare Selbstzuschreibung, die im eigenleiblichen Spüren begründet liegt, können Identität und Verschiedenheit in die Mannigfaltigkeit gebracht werden, dergestalt, dass der Mensch (Schmitz: „Bewussthaber“) sich selbst als Zentrum seines Erlebens wahrnimmt und sich in der Welt verorten und sich zu ihr verhalten kann. Dies realisiert sich im affektiven Betroffensein (sic), wenn der Mensch etwas am eigenen Leibe spürt, sich ergriffen oder betroffen fühlt, „wenn der plötzliche Andrang des Neuen Dauer zerreißt, Gegenwart aus ihr abreißt und die zerrissene Dauer ins Vorbeisein entlässt (primitive Gegenwart (…)).“[iv] Hier wird bereits der zeitliche Aspekt von Leiblichkeit angedeutet, der in Schmitz‘ Konzeption eine große Rolle spielt, in diesem Band allerdings erst im Zusammenhang mit Welt wieder aufgegriffen wird.

Die Leibkonzeption ist seit den Anfängen im zweiten Band des Systems (1965 und 66) weitgehend unverändert; im vorliegenden Band findet sich eine pointierte, gleichwohl umfassende Beschreibung der zentralen Begriffe (leibliche Dynamik, leibliche Kommunikation, etc.). Allein die Beispiele, die Schmitz wählt, etwa um die leibliche Dynamik zu charakterisieren, sind bisweilen problematisch und nicht ohne Weiteres nachvollziehbar. So ist etwa im Zusammenhang mit den leiblichen Regungen von der Angstlust die Rede, und von Menschen, die z.B. die Achterbahn als angsterregende Situation aufsuchen, um sexuelle Erregung zu spüren; auch die Erwähnung der mutmaßlich schmerzfreien Geburt ist im Zusammenhang mit der Gewichtsverschiebung im vitalen Antrieb fragwürdig. Hier beruft sich Schmitz auf den Mediziner G.D. Read und bescheinigt den „innerlich vollkommen vorbereiteten Frauen (…) nur sehr geringe oder gar keine Beschwerden“[v]. Allerdings hätten sie „ein gutes Stück schwerer Arbeit zu leisten. Ihr Ächzen und Stöhnen sei das eines Mannes, der mit Erfolg an einem Seil zieht “ (Ebd.). Diese Beschreibung ist ebenso spekulativ wie anmaßend und wird damit dem zu beschreibenden Aspekt nicht gerecht.

Im Zusammenhang mit der Leiblichkeit wird in einem extra Unterkapitel dem Bereich der Gefühle besondere Aufmerksamkeit geschenkt. In seiner Beschreibung der Gefühle als leiblich fundierte Atmosphären sieht Schmitz „ein jahrtausendealtes Missverständnis der Gefühle“[vi] überwunden, jenes Missverständnis nämlich, das die Gefühle einer privaten, unzugänglichen Innenwelt zuordnet. Indem er Gefühle als Atmosphären mit eigener räumlich-zeitlichen Struktur beschreibt, kann er sie als gleichsam in der Welt vorkommend, den Fühlenden übersteigend und intersubjektiv wirksame Mächte plausibel machen, die keinesfalls auf private Innenwelten beschränkt sein können. Sehr stark ist in diesem Kontext der Vergleich mit Wetter und Klima, ebenso wie seine sehr überzeugenden Beispiele, etwa die Wahnstimmung in der Schizophrenie, das Grauen, aber auch die Zufriedenheit und der ennui. Vor allem die Transformationsprozesse von reinen Stimmungen hin zu in einem bestimmten Gegenstand oder Sachverhalt zentrierten Gefühlen lassen sich so gut nachvollziehen.

Im vierten Kapitel öffnet sich der Fokus in Richtung Welt. Hermann Schmitz umreißt seinen Begriff der Welt als entfaltete Gegenwart, wie er dies in seinem Band Was ist die Welt? entwickelt hat; ein Konzept, das sich zwingend aus seiner Theorie ergibt und darin auch schon angelegt war, aber niemals explizit als ‚Welt‘ dargelegt wurde. Die entfaltete Gegenwart ist gleichsam der Gegenbegriff zur bereits erwähnten primitiven Gegenwart. Stiftet diese nämlich im affektiven Betroffensein die Subjektivität, findet in der Entfaltung der Gegenwart nach Schmitz eine Abschälung jener Subjektivität statt und der Mensch gewinnt mehr und mehr Distanz zum Geschehen. Das Ergebnis der Entfaltung der Gegenwart ist die Welt: eine den Menschen übersteigende Ganzheit von Gegenständen, Sachverhalten und Möglichkeiten zur Vereinzelung. Dieses Konzept ergibt sich fast zwingend aus seinen bisherigen Überlegungen, expliziert wurde dieser Begriff erst kürzlich im Band Gibt es die Welt? (Alber 2014).

Der Band schließt mit einem vergleichsweise kurzen Kapitel zur Geistesgeschichte des Abendlandes ab; es schlägt den Bogen von dem heidnischen Altertum über das vorchristliche Jahrtausend hin zur Neuzeit. Dieses Kapitel kann als Rückblick auf die philosophiehistorischen Ausführungen verstanden werden, die Hermann Schmitz in verschiedenen Monographien, zuletzt in Der Weg der europäischen Philosophie (2009) ausführte. Gemessen an seinem inhaltlichen Umfang ist es mit 50 Seiten recht kurz und es schließt sachlich nicht an die vorangehenden Kapitel an. In den einleitenden Worten nennt Schmitz ‚Enthusiasmus und Melancholie‘ als Triebfedern für dieses Kapitel, was einem bilanzierenden Alterswerk unbedingt zugestanden werden kann.

Was bleibt nun also als Bilanz? Die tatsächliche Überwindung der Mensch- und Weltspaltung? Die Relativierung eines einseitig akzentuierten Individualismus?[vii]

Immerhin kann man festhalten, dass Hermann Schmitz im Verlauf seines Werks ein entscheidender Beitrag zur phänomenologischen Forschung und auch zu zahlreichen anderen Disziplinen gelungen ist, für die seine (Wieder-)Entdeckung des Leibes und seine Auffassung der Gefühle als Atmosphären anschlussfähig und überaus fruchtbar waren, um nur zwei Beispiele herauszugreifen. So profitieren nicht nur Psychologie und Psychiatrie von seiner Theorie, auch für die Geographie, Sozial- und Rechtswissenschaften haben sich seine Analysen als anschlussfähig erwiesen. Mit den Ausgrabungen ist ein pointierter Rückblick auf ein äußerst ertragreiches Werk gelungen, der für Einsteiger und Kenner seines Werkes gleichermaßen empfehlenswert ist.

[i] Hermann Schmitz, Ausgrabungen zum wirklichen Leben. Eine Bilanz. Verlag Karl Alber, Freiburg i.Br. 2016. S.7.

[ii] Ebd., S.8.

[iii] Ebd., vgl. S.104.

[iv] Ebd., S.19.

[v] Ebd., S.170.

[vi] Ebd., S.225.

[vii] Ebd., S.368.

At the Existentialist Café: Freedom, Being, and Apricot Cocktails

At the Existentialist Café: Freedom, Being, and Apricot Cocktails Book Cover At the Existentialist Café: Freedom, Being, and Apricot Cocktails
Sarah Bakewell
Other Press
2016
Hardcover
439

Reviewed by: Anthony Clemons (Alma Mater Europaea/Global Center for Advanced Studies)

Nietzsche wrote that a philosophy is always the biography of the philosopher. However, a philosophy taken outside of the context of the philosopher’s life can make their ideas seem, at best, un-relatable and, at worst, inaccessible.

In her latest work At the Existentialist Café, Sarah Bakewell revisits the texts that defined her adolescence and adopts this premise, writing, “Ideas are interesting, but people are vastly more so” (p. 326) This feeds into her interest of investigating the lives of the seminal philosophers who re-appropriated German phenomenology into a redefined brand of continental philosophy known as existentialism. In doing so, Bakewell assumes the role of cultural tour guide and frames an ever-vivid and occasionally nostalgic milieu of love affairs, mentorships, rebellions, lifelong partnerships, and the fallings-out of Jean-Paul Sartre, Simone De Beauvoir, Albert Camus, Heidegger, Maurice Merleau-Ponty, Richard Wright, Edmund Husserl, Jean Genet and other larger-than-life thinkers who defined the thinking and culture of the post-World-War II generation.

In the book’s opening pages, Bakewell encapsulates the depth of her scholarship and biographical pluck by encapsulating the birth of existentialism into a singular point, “near the turn of 1932-3 when three young philosophers were sitting in the Bec-de-Gaz bar on the rue du Montparnasse in Paris, catching up on gossip and drinking the house specialty, apricot cocktails” (p. 1). These burgeoning philosophers included a 27-year-old Sartre, his 25-year-old girlfriend Beauvoir as well as Raymond Aron, an academic colleague of Sartre’s who was visiting during winter break from his philosophical studies in Berlin.

Suffering from intellectual atrophy in their own careers, Sartre and Beauvoir were interested in the intellectual discoveries Aron had unearthed in Berlin. Aron was only happy to oblige by describing a new brand of philosophy purported by Martin Husserl and refined by Aron’s mentor, Edmund Heidegger. Using vivid prose, Bakewell richly describes the Husserlian word phenomenology,

[Aron] was now telling his friends about a philosophy he had discovered there with the sinuous name of phenomenology—a word so long yet elegantly balanced that, in French as in English, it makes a line of iambic trimester all by itself (p. 2).

Though well-educated in their own right, neither Sartre or Beauvoir found Heidegger’s treatise on phenomenology to be linguistically accessible. However, on this day, in this café, Bakewell describes the moment Sartre and Beauvoir jumped into the phenomenological abyss, arguably spurring the most influential cultural movement of the 20th-century. Speaking directly to Sartre, Aron said, “You see mon petit camarade…if you are a phenomenologist, you can talk about this cocktail and make philosophy out of it!” (p. 3).

Flying in the face of the analytic calculus in which they were formally trained, Beauvoir wrote that, “Sartre turned pale on hearing this” (p. 3). Similarly, Sartre would recall in an interview some 40 years later that moment “knocked me out”, because there was now a treatise for, “doing philosophy that reconnected it with [the] normal, lived experience” (p. 3). In fact, Bakewell’s rendering of just how much Aron piqued Sartre and Beauvoir’s curiosity gives her opening a flavor of France at that time; feverish, yet relaxed.

Ultimately, this new-fangled notion of phenomenology was the ingredient that both young philosophers needed to refine their own theories and a starting point for Bakewell to chronicle how their ideas fuse and infuse the European cultural scene.

Yet, a discussion of phenomenology and existentialism would be incomplete without considering the role of World-War II. Bakewell does this by recounting how even the celebrated minds of philosophy are sometimes thrust into the fray of reality. She illustrates her case with an account of Sartre being held as a German prisoner of war and his anti-climatic escape by making an ophthalmology appointment and leaving unattended, only to never return. Bakewell also parallel’s Sartre’s experience with the measures Beauvoir was taking to survive the rationing of food and other items in Nazi-controlled Paris.

Upon Sartre’s return to France, Bakewell sets the stage to evidence just how much reality can affect even the staunchest of pure practitioners, writing, “Beauvoir was briefly jubilant at seeing Sartre, then frankly pissed off by the way he began passing judgement on everything she had been doing to survive” (p. 143). Sartre’s confrontation with Beauvoir regarding her philosophical compromises would ultimately cause both philosophers to make an introspective inquiry as to how existentialism should now be defined, leading to Sartre’s seminal work Being and Nothingness (1943) and Beauvoir’s feminist treatise The Second Sex (1949).

Combined, these examples are the formative means that Bakewell uses to frame the case that phenomenology and existentialism are more than just a couple of philosophical theories. Rather, they are rather formative notions of the nature of living, suffused with the real experiences and personal sufferings of those who developed the ideas and lived their lives according to their dictates.

Early-on, Bakewell acknowledges the influence existentialism welded on her adolescent years and acknowledges the cherished the role it serves in her life today. She writes, “when reading Sartre on freedom, Beauvoir on the subtle mechanisms of oppression, Kierkegaard on anxiety, Albert Camus on rebellion, Heidegger on technology and Merleau-Ponty on cognitive science, one sometimes feels one is reading the latest news” (pp. 28-29). This is why Sartre, Heidegger, and especially Beauvoir would likely approve of Bakewell’s approach to telling the story of existentialism. As a storyteller, she reconnects their lived experiences with their contribution to the development of existentialism as a philosophy. She also pervades her storytelling with the mark of her own interdisciplinary education and experiences.

Born in England and raised in Australia, Bakewell is a polymath and self-reformed academic. She read philosophy at the University of Essex and eventually took a postgraduate degree in Artificial Intelligence. Professionally, she has worked as a factory worker on a tea-bag assembly-line, bookshop attendant, library cataloguer, and is now an award-winning full-time author and professor of Creative Writing at Kellogg College, Oxford, UK. These experiences have influenced Bakewell’s biographical style, giving rise to her willingness to ground the high-brow, biographical tone of her characters to their own story, while also intertwining her own lived experiences.

At the Existentialist Café offers a nostalgic and introspective look at the birth and development of pure existentialism through the eyes of the most notable philosophers of the movement and the author, whose experience with the philosophy provides grounded clarity. The book is also a refreshing glance at the mid-twentieth century ideas that led to the post-modern and deconstructionist philosophies that we continue to refine. Ms. Bakewell’s method of storytelling exudes a personal sense that is neither overreaching nor overtly critical. It is seemingly the result of a conversation between her, a historian, a philosopher, and a cultural critic, all draining Apricot cocktails along a bustling Parisian street, while reminiscing on an earlier period forgotten by most, remembered by some, but loved by all.

Frank Schalow: Departures: At the Crossroads between Heidegger and Kant

Departures: At the Crossroads between Heidegger and Kant Book Cover Departures: At the Crossroads between Heidegger and Kant
Quellen und Studien zur Philosophie 112
Frank Schalow
De Gruyter
2016
Paperback 19,95 €
viii, 243

Donald A. Landes, Leonard Lawlor, Peter Gratton (Eds.): Between Philosophy and Non-Philosophy: The Thought and Legacy of Hugh J. Silverman

Between Philosophy and Non-Philosophy: The Thought and Legacy of Hugh J. Silverman Book Cover Between Philosophy and Non-Philosophy: The Thought and Legacy of Hugh J. Silverman
Donald A. Landes, Leonard Lawlor, Peter Gratton (Eds.)
SUNY Press
2016
Hardcover $80.00
254

Emmanuel Falque: Crossing the Rubicon: The Borderlands of Philosophy and Theology

Crossing the Rubicon: The Borderlands of Philosophy and Theology Book Cover Crossing the Rubicon: The Borderlands of Philosophy and Theology
Perspectives in Continental Philosophy
Emmanuel Falque, Translated by Reuben Shank, Introduction by Matthew Farley
Fordham University Press
2016
Paperback $28.00
216

Reviewed by: Owen Earnshaw (Durham University)

This remarkable book deals with the border between philosophy and theology and asks a question that Stephen Mulhall (2001) also poses at the end of his book Inheritance and Originality and leaves unanswered, namely, “[C]an philosophy acknowledge religion and still have faith in itself?” Falque argues very much in the affirmative and a repeated slogan of the text is “the more we theologize, the better we philosophise”, that is, philosophy finds its rightful place when it engages with theology and then returns to its own land of ‘the human per se’. In this book Falque is dealing mainly with the theological ‘turn’ in French phenomenology and what we are to make of it, but it will be of interest in this review to see if his arguments hold for the wider terrain of philosophy.

He starts out reviewing hermeneutics and its relation to phenomenology and examines how Ricoeur and Levinas both allow their confessional faith to help determine their hermeneutic approach; Protestant faith’s reliance on scripture alone for Ricoeur and Judaism’s trace of God in the letter of scripture for Levinas. In contrast to these approaches Falque puts forward his own Catholic hermeneutic of the body and the voice, which highlights that in the liturgy the Word of God nourishes the faithful both in the aspect of Scripture and in the Eucharist. This leads to the idea that phenomenology should engage with lived experience and the Catholic hermeneutic that he has expounded allows us to do this by making us aware of the body that speaks (the original form of the text) and should allow us to appropriate the text or be appropriated by the text in a bodily way that he calls ‘intercorporeality’. He then moves on to an analysis of what faith is and states that there is a common human faith in the reality of the world that he calls ‘philosophical faith’ that we attempt to suspend in Descartes method of doubt or in the phenomenological reduction and argues that confessional faith must be a transformation of this faith rather than a further step on from this faith. This is based on the theological foundation that God became man to transform humanity not to supercede it. Confessional faith is a transformation of the natural trust in the world all humanity shares. This leads on to the idea that philosophers who have taken the decision to believe need to produce not so much a philosophy of religion but rather a philosophy of religious experience as he claims Kierkegaard, Edith Stein and Simone Weil all worked on. This involves elucidating the reasons from within the faith that led to their decision ‘while not renouncing philosophy, conceive its activity quite otherwise’ (Falque 2016: 104). Falque then carries out such a philosophical investigation by looking at the choice of believing and concludes that it involves community, that I believe through a ‘we’. The next part looks at the relation between Theology and Philosophy and the final section is called ‘finally theology’ and reiterates Aquinas’ phrase that ‘philosophy is the servant of theology’. At this point I will quote Falque to make his position clear:

Finitude, or the human per se…are indeed starting points for philosophy and under the jurisdiction of the philosopher. But only as this finitude is then rejoined and transformed in the recited and assumed act of the Resurrection, is it made known that we were actually within the realm of true humanity and thus of philosophy-not of divinity concealed under the cover of humanity –that is, theology…This position can be summarized as the principle of ‘the philosopher before all else’ which should be adopted today not against theology but, on the contrary, for it, in order to dwell otherwise and situated within it. (Falque 2016: 148-149)

In what follows I shall look at Falque’s contestation that philosophy can be transformed by a confessional faith and still remain philosophy.

‘First live then philosophize’

The first point we shall look at is how a confessional faith can impact on the work of a philosopher. Mulhall (1994) in Faith and Reason gives a Wittgensteinian take on the limits of philosophy’s foraging into the territory of theology and I shall quote it at length in order to contrast it with Falque’s position:

Is there really room here for an exercise of reason that is not an employment of it on one side or another of the existential choice with which Christianity faces us?

Only if the following distinction can be made and observed: the distinction between a description and a defence of (or an attack upon) a form of life. For what can then follow is a distribution of duties, a division of intellectual labour. On this understanding, philosophy can spell out the features of the forms of life that face one another across the divide between religious and other modes of existence, and bring us to see how each will inevitably appear to the other…But it neither can, nor should, attempt to engage in those arguments with, let alone to make that choice for, its readers.  The latter is always an error; the former is the business of edification, engagement, substantive discussion. It is, of course, neither an intellectually nor an ethically illegitimate enterprise – it is a perfectly valid use to which reason might be put, and forms a central part of any individual’s life; but it is not a philosophical use of reason, and it should form no part of a philosopher’s life qua philosopher. A philosopher should never forget that she is a human being, but not everything that a human being may do should be done in philosophy’s name. As Climacus might say, philosophy is not an edifying business. (Mulhall 1994: 76-77)

What seems to be missing here, and what Falque is very much aware of is that philosophy is never done in a vacuum. To take a hermeneutic approach for a moment, there is always, as Heidegger (1962) states, a fore-concept before the analysis begins and this is then where the enquiry starts from. If this is the case then the most intellectually honest way of proceeding is to make this fore-conception transparent. And so if you are philosophizing from the standpoint of someone with a confessional faith it is best if this faith is given an airing at the start to make the reader aware of the type of human life you envision and are trying to elucidate. Falque makes this point by looking at the Protestant hermeneutics of Ricoeur and the Judaic hermeneutics of Levinas before positing his own Catholic hermeneutic and what this allows us to see is how a confessional faith can help to make salient certain aspects of the philosophical enterprise that may be obscured from a primarily secular starting point. The life a person leads undoubtedly permeates their philosophy and although philosophy should be solely based on reason, the experiential ‘content’ given through a lived faith and the motivation, in terms of the mission of the philosopher will transform the subject matter and methodologies employed.  This does not mean the resulting philosophy will necessarily be edificatory, but rather certain evidence, premises, topics and intuitions will have salience above others in the work of a philosopher with a confessional faith and this will not invalidate the philosophy by itself, but a self-aware philosopher would do well to make transparent how her faith informs her practice.

‘The more we theologize, the better we philosophise’

To make clear how a faith can inform a philosophical practice I would like to set out one particular practice in philosophy that is evident in philosophers such as Cavell, Mulhall, Wittgenstein and arguably Falque and argue that it is a legitimate philosophical practice. This practice might be called ‘transfiguring the ordinary’ and I will present a version of it developed elsewhere (Earnshaw 2011). A quote from Simone Weil sums up a way of understanding the interconnection of philosophy, ethics and aesthetics focused on the everyday:

The beautiful: that which we do not want to change. The good: not to want to change it, in fact (non-intervention). The true: not to want to change it in one’s mind (by means of illusion).  The good — not to want to change what? My place, my importance in the world, limited by my body and by the existence of other souls, my equals (Weil 2004: 38).

The experience of beauty is of something that strikes us in such a way that we do not want to change it; the apprehension of it as beautiful just is seeing the object of our attention as perfect just as it is. Such an experience is articulated in McCarthy’s book The Road:

He remembered waking once on such a night to the clatter of crabs in the pan where he’d left steakbones from the night before. Faint coals of the driftwood fire pulsing in the onshore wind. Lying under such a myriad of stars. The seas black horizon. He rose and walked out and stood barefoot in the sand and watched the pale surf appear all down the shore and roll and crash and darken again. When he went back to the fire he knelt and smoothed her hair as she slept and he said if he were God he would have made the world just so and no different (McCarthy 2007: 234).

Here the character describes an experience through which he is willing to affirm the whole world as it is. In such experiences we are able to ‘see’ the world as ‘good’, as God is said to have done in Genesis. These experiences allow us to affirm that there is a value to life and living, and, indeed, we are able to affirm the value of our own existence because it is only due to the fact that we exist that this consummation experience (of perceiving the goodness of the world) is possible.

So what is it about ourselves that leads us to want to escape the real and live in fantasy? One line of thought (developed by Cavell in The Claim of Reason (1979)) is that we become entangled in philosophical problems (in the widest sense) because of the tendency for humans to want to overcome what they see as the limitations of finitude. This is one way of understanding what Weil is responding to in the quote above when she talks about the true as not wanting to change the world by means of illusion. The work of philosophy can then be understood as getting the person to see that the facts about our lives that can seem like obstacles or limitations should instead be perceived as limits to our lives. Their overcoming does not make any sense as they are the conditions for the possibility of the intelligibility of the world and other people. Scepticism can be seen as a desire to know the world in a more secure way than through our human faculties, as if there were a means of arriving at a more direct access to the world than through our everyday procedures for finding things out and to other people than through the means provided by language. Ordinary language philosophy tackles scepticism by reminding us of ‘what we say when’ in order to bring the conditions for knowledge of the world and others to the fore. However, this can seem like a very deflationary account of what is possible for philosophy.  Wittgenstein sums this feeling up when he says:

Where does our investigation get its importance from, since it seems only to destroy everything interesting, that is, all that is great and important? (As it were all the buildings, leaving behind only bits of stone and rubble) (Wittgenstein 1963: §118).

If ‘the destruction of anything interesting’ is all this methodology of philosophy can achieve, why should it claim any of our attention? Wittgenstein’s answer is that ‘the aspect of things that are most important for us are hidden because of their simplicity and familiarity’ (Wittgenstein 1963: §129). The disappointment we feel at the humble task of philosophy is a hankering after the facility and seeming profundity found in fantasy. In order for us to see ‘the aspect of things most important for us’ it is necessary to find ways of exalting in the ordinary and recovering the hidden beauty therein.

One way of tackling this problem of familiarity can be found in art, but also in religion. In Catholicism, the sacraments involve taking some everyday activity and relating it to the divine. For instance, in the sacrament of Communion the value of sharing a meal is celebrated with all the related values of family and friendship. In Confession the process of repairing a relationship is connected with our relation to the divine. In all religions the life of the community is understood as bound up with the eternal. In this way everyday practices are transfigured and thereby their value as part of a life is re-presented (reflected back to the community) in a new light and reaffirmed. This reaffirming of the everyday is found in Wittgenstein’s philosophy where we are invited to pay careful attention to our life with words and how this is inextricably bound up with our form of life (thereby taking our anxieties about language and showing how they express anxieties about our lives). Wittgenstein’s writings focus our attention on the conditions of the human relationship to the world and others, and help us to recognise that the wish for depth in our understanding of things is inherently empty. Such a recognition is one way in which we can overcome artificial craving to go beyond the everyday. The words of this philosopher allow the familiar to become strange and enticing and thereby reignite our interest in the ordinary. Through the ordering of his words the ordinary is transfigured and our poor substitute fantasies can be left behind for a time.

The idea that ‘transfiguring the ordinary’ is a respectable aim of philosophy is given backing in the writings of Victor Shklovsky who takes the methodology of art as involving what he calls an ‘enstrangement’ of objects and forms of life. I will quote at length from Shklovsky’s book and then comment briefly afterwards:

If we examine the general laws of perception, we see that as it becomes habitual, it also becomes automatic. So eventually all of our skills and experiences function unconsciously – automatically. If someone were to compare the sensation of holding a pen in his hand or speaking a foreign tongue for the first time with the sensation of performing this same operation for the ten thousandth time, then he would no doubt agree with us. It is this process of automatization that explains the laws of our prose speech with its fragmentary phrases and half-articulated words…If the complex life of many people takes place entirely on the level of the unconscious, then it’s as if this life had never been.

And so, in order to return sensation to our limbs, in order to make us feel objects, to make a stone feel stony, man has been given the tool of art. The purpose of art, then, is to lead us to a knowledge of a thing through the organ of sight instead of recognition. By ‘enstranging’ objects and complicating form, the device of art makes perception long and ‘laborious. (Shklovsky 1991: 5-6).

It is by creating a space in our workaday activity (by making the task ‘harder’ than it might normally be) that can release us from ‘enslavement’ to habitual practices. This disruption enables us to carry out projects in ways that interweave spontaneity into the rhythm of the task we are engaged in. This practice in philosophy of trying to ‘transfigure the ordinary’ for the reader can be seen as a practice adopted from a perspective of a confessional faith without overstepping the boundaries of the ‘human per se’. I believe this is what Falque is aiming towards and if it seems an important practice is worth defending.

Conclusion: ‘I am first of all a philosopher and want to remain one’

Mixing theology and philosophy can be seen as a path inherent with dangers that may mean that others convict you of not doing philosophy at all. Crossing the Rubicon is an important book in that Falque attempts to cross the stream between these two disciplines to eventually return and know philosophy better.  It would seem his crossing is successful and that he does remain a philosopher in the end and I have tried to outline the practice within philosophy that he follows that has confessional roots but conforms to the boundaries of philosophy. The book is a testament to being honest about your motivations and trying to find a way to carry on in a discipline bound by the ‘human per se’ while being inspired by the divine and highlights an overwhelming need in philosophy for the recognition and the acknowledgement of the personal as an necessary partner of the rational.

References

Cavell, S. 1979. The Claim of Reason: Wittgenstein, Skepticism, Morality and Tragedy. Oxford: Oxford University Press.

Earnshaw, O. 2011. Recovering the Voice of Insanity: A Phenomenology of Delusions. (Doctoral dissertation). Available at: http://etheses.dur.ac.uk/3225/

Falque, E. 2016. Crossing the Rubicon: The Borderlands of Philosophy and Theology. trans. R. Shank. New York: Fordham University Press.

Heidegger, M. 1962. Being and Time. trans. J. Macquarrie and E. Robinson.  Oxford: Blackwell.

McCarthy, C. 2007. The Road. London: Pan Mcmillan Ltd.

Mulhall, S. 1994. Faith and Reason. London: Gerald Duckworth & Co. Ltd.

Mulhall, S. 2001. Inheritance and Originality: Wittgenstein, Heidegger, Kierkegaard. Oxford: OUP.

Shklovsky, V. 1991. Theory of Prose. trans. B. Sher. London: Dalkey Archive Press.

Weil, S. 2004. The Notebooks of Simone Weil. trans. A. Wills. London: Routledge.

Wittgenstein, L. 1963. Philosophical Investigations. trans. G.E.M. Anscombe.  Oxford: Blackwell Publishers Ltd.