As a classicist and ancient historian, I have always been intrigued by Heidegger’s frequent references to the Greeks and what he described as their “original,” in a Nietzschean sense, appreciation of the essence of Being. Then, again, I am deeply aware of the truth pertaining Glen Most’s statement about classicists and Heidegger (“Heidegger’s Greeks,” Arion 10.1 (2002) 83-98 at 96):
“For the professional classicist, there is almost nothing at all of interest in Heidegger’s work on Greek philosophy and poetry—which no doubt says as much about professional classicists as it does about Heidegger. Heidegger’s work remains entirely marginal to the classics profession, except for a very few classicists who are themselves largely marginal.”
While this partly explains my protracted grappling with this review, it also relates most clearly why Marder’s book has been so tantalizingly appealing to me.
First, although classicists are not habitually interested in Heidegger, they are interested in theoretical advances that may defend their interpretations of ancient Greek texts from the usual charge of being irrelevant and almost a pastime for recluses. Phenomenology has been one of the latest theoretical approaches to be adopted by scholars of ancient religion (such as the great Walter Burkert) and Heidegger is regarded as “the father of phenomenology,” given that for him Aristotle was certainly influenced by a rhetorical culture in defining man as a political animal and that the constituent parts of Da-sein (the speaking, listening, and caring which characterize Heidegger’s concept of Being-There) provide a common ground between rhetorical politics and phenomenology (S. Elden, “Reading Logos as Speech: Heidegger, Aristotle and Rhetorical Politics,” Philosophy & Rhetoric 38.4 (2005) 281-301 at 286-288).
Second, Marder’s book struck a chord with me because the author sets out to make a significant point, that is, to advocate our duty to engage with Heidegger rather than continue to ignore him because of his antisemitic sentiments. The controversy surrounding Heidegger has intensified since 2014 when the first books of his Black Notebooks were published with Marder noting in his Introduction (xi):
“What reawakens each time with the controversy, or what reawakens it, is the desire to expel Heidegger and to expunge his contributions from the canon of Western philosophy or from what may be legitimately taught, interpreted, and discussed in self-respecting philosophy departments.”
In attempting a bold, but not out-of-place, in my view, comparison, I have often felt a similar attitude towards the Classics in post-colonial Australia; I vividly remember a professor of English, who exasperated with Norman Lindsay’s misogynistic adaptation of classical models, asked a doctoral student in a full amphitheater: “why do you want to study this stuff?” The conflation of Norman Lindsay’s views with the right (and even need) to study them produces a gross methodological error, one fraught with greater dangers than people gradually feeling at ease with expressing socially dangerous sentiments. Not trusting students to make the differentiation is indicative of how little confidence we have in our educational system(s), let alone the staff responsible for teaching it. In this regard, Marder’s Introduction is indeed powerful and invests the rest of the book with a renewed sense of purpose, a purpose which many scholars in the humanities are likely to empathize with. This is important given that eight out of the nine chapters comprising this book have been published before in some form and that this reader felt at times that Marder should refine the chapters further to accomplish his purpose of defending the study of Heidegger in a more concerted way.
The main body of the book consists of three Parts, focusing respectively on Phenomenology (3-65), Ecology (69-129) and Politics (133-173). Each Part contains three chapters.
Part I consists of the following chapters: “‘Higher Than Actuality:’ The Possibility of Phenomenology” (3-26), “Failure and Nonactualizable Possibility” (27-46), and “The Phenomenology of Ontico-Ontological Difference” (47-65). In the first chapter, Marder takes start from Heidegger’s view, expressed in paragraph 7 of Being and Time, that phenomenology does not lie in its actuality, but we should rather understand it as possibility (3). Drawing on the History of the Concept of Time, Marder analyzes Heidegger’s understanding of possibilities as existentially necessary for Dasein, especially since for him the impossible is the index of death (5-6). Furthermore, according to Heidegger, “the grounding possibility of phenomenology is “received” … from its “meaning in the human Dasein” (20). Hence, fundamental ontology (the acceptance of Dasein and its existence prior to inquiring about its meaning) is Heidegger’s response to Husserl’s phenomenology; according to Heidegger, by defining the phenomenon as the representation of the world in our consciousness, Husserl privileges consciousness in relation to the object. Of course, possibility needs actuality, otherwise the phenomenological approach to experience risks being separated from reality; Heidegger’s reflects on actuality in his Letter on Humanism where he argues that the accomplishment which constitutes the essence of action depends on how we perceive “productivity” since active fulfillment may well come in the form of letting be (22). This Destruktion of traditionality, enabled by Heidegger’s appreciation of fulfilling a possibility as productive but not productivist, allows for a new appreciation of efficacy in phenomenology as well as the link between intention and intuition (23).
From a classicist’s point of view, Heidegger’s observations are extremely useful in how we perceive and interpret ancient socio-religious experiences; to bring a concrete example to the discussion, ancient religion students have dedicated considerable effort to “categorizing” ancient religious experiences as “rites of passage” or “mysteries,” admittedly in an attempt to grapple with theories from anthropology or socio-linguistics. While there is little denying of the overlap between the categories construed, or the superficial enthusiasm with which classicists have at times adopted theoretical models, we are still hung on the need for classification which is a priori intrusive and inevitably anachronistic (see, for example, the refreshing article by H. Hays, “The End of Rites of Passage and a Start with Ritual Syntax in Ancient Egypt,” Rivista Studi Orientali Supplemento 2 (2013) 165-186). The same can be claimed for classifications of ancient magic, with a mind-blowing yet established in scholarship differentiation between plant-based magic, mainly entrusted to women, and aggressive, erotic magic typically encountered in the hands of men … The concept of possibility introduced by Heidegger can at least function as a halting point to allow for reflection on how certain ancient authors toyed with possibility and their audience’s assumptions or to use Heideggerian language, their “horizons of understanding.”
Marder’s second chapter is equally instructive to this direction, in my view, as it discusses the link between possibility and the sense of failure that overwhelms us when we consider our finitude, the possibilities that we will inevitably fail to actualize because of death. Importantly, our temporality, our ex-istence is essential to Dasein and to our perception of the ec-static character of time. Reading closely Heidegger’s Being and Time, Marder argues that “[T]here can be, and there is, a nothing that has broken free from lack, and that is both the abyssal foundation of fundamental ontology and the springboard for an alternative theory of failure” (32). It is in this nothingness that our existential failure can give birth to numerous other possibilities, what he calls the “fecundity of failure” (31). Importantly, Heidegger understands this “falling” (Verfallen, BT 219) in relation to the Dasein’s ability to understand itself. This falling into the ordinary and mundane expresses the worldliness (the everydayness) of Dasein and is a movement away from the Self, a movement toward inauthenticity; to restore our authentic Self we need to be able to listen to the silent call of conscience or be ready to be anxious about it (39; also, see J.B. Steeves, “Authenticity and Falling in Martin Heidegger’s ‘Being and Time,’” The Jerusalem Philosophical Quarterly 46 (1997) 327-338). To me, the notion of “falling” (especially in light of possibility being higher than actuality) has obvious Christian overtones (and though one could argue the same about the Greek Underworld, Heidegger, as Most (2010, 86) notes, often addresses his Church congregation). Marder does touch upon this on pages 90-91 when he describes the economization of our existence and the devastation of the polis but does not really engage with the idea. Further, although Marder analyzes Heidegger’s differentiation between malfunction and failure in relation to techne in Time and Being (44-46), he does not involve the Aristotelian concept of phronesis which Heidegger did discuss.
The final chapter of Part I focuses on Heidegger’s attempt to situate himself between the phenomenologies of Husserl and Hegel. The notion of types or perhaps possibilities of phenomenologies is enticing and Marder does engage masterfully with Heidegger’s reading of both philosophers. Here, Marder follows two hypotheses: first, Heidegger employs the Hegelian phenomenology of spirit to refute Husserl’s positions and second, Husserl and Hegel come to stand for “the encryptions of ‘ontic’ and ‘ontological’ phenomenologies, of consciousness and of spirit” (49). Heidegger attempts to bridge the “ontico-ontological difference” by gathering together, “without mixing them, dialectical fire and phenomenological water.” Although Marder makes clear that Heidegger does not reject Husserl outright, he concludes that his intentional consciousness caters for a relative being and relative knowledge (53, 56). By trying to substantiate his historically conditioned appreciation of Dasein (i.e. non-metaphysical), Heidegger employs the concept of Mitdasein (being-with) which allows for our existence with objects, with ourselves and importantly with the Hegelian absolute, that is, we can participate in the self-knowledge of the absolute as analyzed by Hegel in the final paragraphs of his Enclyclopaedia Philosophy of Spirit (59-60). At this point, I was feeling rather smug with my progress in following Marder’s often longwinded arguments, and at the same time guilty for having missed the affinity of Mitdasein with post-structuralism (Woerman, M. Bridging Complexity and Post-Structuralism: Insights and Implications, Switzerland: Springer, (2016) 243ff. on Nancy and Heidegger), when it occurred to me that Marder does not explain how the consciousness of Mitdasein (as well as authentic Dasein) can be non-metaphysical. I say this because to my mind, although Mitdasein is enabling us to approach the absolute through Hegelian self-reflection, it necessarily implies a sense of isolation and/or separation from the objects which we “are with;” this thought has a very Platonic as well as Nietzschean ring to it which is, of course, totally metaphysical. Here, Marder does not offer the non-expert much guidance.
Part II consists of the following chapters: “To Open a Site: A Political Phenomenology of Dwelling“ (69-92), “Devastation” (93-111), “An Ecology of Property” (113-129). In chapter four, Marder explains Heidegger’s application of the concept of failure in the context of the Greek polis, which is linguistically tied to the word polos (=swirl) (70); the latter is characterized by a perennial openness both in the sense that its members are renewed continuously but, also, in the sense that the questioning that takes place in the polis can never be concluded. Heidegger objects to the common translation of polis as state or city-state because it suppresses its ecological stance (72). Notably, he toys with the Nietzschean notions of hypsipolis and apolis, often through his grappling with Sophocles’ Antigone (73-74) which indicates that Heidegger recognizes oikologia, which in Heideggerian terms would be translated as house-being or house-gathering, as a concept often realized by those who substitute the site of the polis with the site of history – another deeply Platonic idea (cf. Republic, 592b on the Heavenly city), but, also interestingly agreeing with several stories of ancient founders who were never afforded civic identity. I am here thinking of Heracles, but, in defense of Marder’s point that to appreciate Heidegger’s preoccupation with the polis is inherently antisemitic, I would like to add the example of Moses, who led his people to the promised land, but was not allowed to cross the river and enjoy Canaan. Heidegger employs a geometrical appreciation of the dwelling; as Marder explains (75) dwelling, or being a Dasein, is conceived as the meeting point of a vertical dimension that refers to geographical situation and the political and a horizontal dimension that refers to the ethos of the polis. In fact, it is in the context of the polis that Dasein is revealed to be a Mitsein, being-with (76). Having the Platonic example at the back of my mind, I was not clear at this point how Heidegger deals with those exceptional (philosophizing?) individuals who manage to exchange the actual dwelling for the site of history; how does the notion of Mitsein apply in these cases? And, importantly, if the openness of the dwelling relies on it becoming hostile to the individual (as in the case of Antigone), should we consciously seek to rise above the Mitsein? Possibly questions of a novice in Heidegger’s thought, but in advocating the study of Heidegger, Marder could have spent a bit more time trying to guide the less advanced reader. Marder then argues that ecology has been replaced in modern societies by a political and ethical economy, which privileges quantitative valuation (78). Discussing Heidegger’s contribution to the concept of nomos, Marder notes: “The work of ‘mere fabrication’ of the law by human reason corresponds to the degradation of ēthos to the ethical with the help of morality …” (79). The intense economization of existence has allowed for the reign of nihilism, defined as the “danger of self-destruction” (82). In HHI 48, cited by Marder on 91, Heidegger explains: “What I mean by ‘economization’ is the encumbrance of the things and the world they co-create with the time, spatiality, and language (nomos) that are alien to them.” Heidegger charges the Romans with mistranslating the politikón, as the product which arose “out of the existence of the Greek polis,” with the Latin Imperium (83) (as well as with attaching to the Greek word gē = earth the notion of territory by translating gaia/gē as terra, 84). Admittedly, I am grateful to Marder for including the etymological arguments of Heidegger’s thought to his analysis, I found them delightful. Heidegger urges us not to confuse the need for housing with the desire for dwelling (87). By now, however, I really thought that Marder would press the question of people without terra and flung into history (regardless of whether this was a choice) … maybe the reader should be more patient for a treat later in the book?
In chapter five, Marder examines the question “what do we do when we devastate the world?,” noting that Heidegger anticipated “an abandonment of being” (93). He then introduces the distinction between destruction and devastation (94): “Staying with the logic and the vernacular of the preceding chapter, I am tempted to say: destruction destroys housing, while devastation devastates dwelling, striking not at the actual but at the possible, at the possibility of actuality.” For the next few pages, Marder details Heidegger’s desperate attempt to find hope in the face of ecological destruction, eventually glimpsing it in what Heidegger mentioned in HCT 18 (19): when the system fails possibility or the possibility of possibility, then possibility enters concealment. Thus, when devastation has completed its terrible effect both within and outside us, the concealment of the beginning harbored within Dasein offers the possibility of a new beginning (97). At this point, Heidegger appears almost poetic, perhaps even fatalistic. The worse effect of devastation in us is the “incapacitation of logos, of articulation” (99). Devastation, according to Heidegger, “transmits a scorching desert silence” which “cuts into Dasein and severs it from its world.” Again, to me, Heidegger’s thought at this point is pregnant with theological concepts, especially the eastern hesychast tradition (as an adaptation of pagan philosophical silence) and was a bit disappointed that Marder is not interested in the topic, though this observation is an aside rather than a criticism for the work which here becomes much more legible in terms of style. Going back to the problem of articulating devastation, Heidegger suggests discussing it as “evil,” though he suspiciously claims that “the devastation of the earth and the annihilation of the human essence … are somehow evil” (101). Heidegger appreciates evil as the opposite of logos, rather than in moral terms, but again here Marder avoids saying more about Heidegger’s antisemitism and how this plays against the fascist devastation of logos. Heidegger finds the positive aspects of devastation in the trace of its energy (103); devastation “procures its energy from a contentless and abstract possibility and, in effect, reconfigures energy as this possibility” (104). Although such an appreciation of devastation seems to almost brash off the Nazi regime and their followers as the mere means of devastation, Marder reminds us that Heidegger’s thought is here preoccupied with more mundane forms of devastation, primarily in the forms of economic rules (105). Finally, we come to the question, “what is to be done” about the onslaught of unconditional calculation? The answer being a. “fight the obvious temptation to get over it” (CPC 140/216 cited in Marder, 108) and b. endure it (GA: 94: 292, also on 108). Marder reminds us that here that being proactive is not necessarily a philosophical category, especially given Heidegger’s belief that in doing something we contribute to the expansion of devastation (109). Although Heidegger argues that devastation destroys the in-between space in which the polis exists, there is an in-between possibility in devastation too, the space between abandonment (of being) and releasement which may still save us (111).
In chapter six, Marder discusses the notion of property in the context of Marx’s political economy (113). Since Plato and Heidegger believe that the philosopher’s task is above all to “un-forget being in the midst of a profound ontological amnesia” (114), very much in line with the ancient conception of oikonomia, the modern institution of economy perplexes the mission of the philosopher: “the un-forgetting of being must engage in a painstaking analysis of economism and its corollary modes of appropriation that endanger planetary existence.” Marder here proposes to examine “how the ecologico-phenomenological attitude subtends an economic-political approach to ‘property’” by putting Heidegger in dialogue with Vladimir Bibikhin, a Russian philosopher who translated much of Heidegger’s work into his native language (114-115). Taking start from the post-Soviet privatization, construed by Bibikhin as the “capture of the world” (117), Marder explains how Heidegger allows Bibikhin to articulate the challenges of his society as a symptom of our overall tendency to “world-devastation and the obviation of logos inherent in the economic or economistic attitude.” Finally, Marder considers fascism and technocratic liberalism as alternatives to the ecology of property (119-122). Toying with the double meaning of the Latin capio as grab and grasp(=understand), Marder explains liberalism as preoccupied with grasping without being-grasped to which fascism responds with the reverse option of being-grasped without grasping (119) – notions which both Heidegger and Bibikhin employ in their struggle to restore the ecology of property (120). Here, we have a pseudo(?)-choice between the indifferent grasp of beings or the ecstatic surrender to them. For Heidegger, Marder concludes, “ontological history proceeds by way of ending, its ‘process’ twisting into the ends, a pair of them-fascism and technocratic liberalism-now looming large before us as the only destiny” (121). In his effort to free up some space between calculative rationality and thoughtlessness, Heidegger comes up with the notion of “inceptual thinking,” which diverts “the task of thought from the capture of the world,” to “dwelling with and in the world, all the while articulating and being articulated by this difference between ‘with’ and ‘in’” (123). Pages 127-129 focus on Bibikhin’s intricate method of translating Heidegger whereby he “makes his own what is of the other” while “making other what is his own” (127). Marder obviously enlists Bibikhin as an important ally to his argument about the usefulness of Heidegger’s thought (and crucially in trying to argue that what has been often construed as his antisemitism may in fact, be Heidegger’s indulgence into a separate trail of thought to the point of naivety or even lack of sensitivity), but his point remains latent and is never fully articulated.
Part III consists of the following chapters: “The Question of Political Existence” (133-144), “The Other ‘Jewish Question’” (145-161), “Philosophy without Right” (163-173).
In chapter seven, Marder focuses on Heidegger’s 1934-35 seminar on Hegel’s Philosophy of Right for which he has been accused of putting “Hegel in the service of Nazism” by “supplying a philosophical justification for the theories of state, power and leadership redolent of this deplorable ideology” (133). Accordingly, his aim is to “tease out … Heidegger’s unique being-historical take on the political philosophy” (133) of his predecessor. Marder argues that we should “examine the 1934-35 seminar in light of Heidegger’s own philosophy, which slots Hegel into the vast project of destruction (Destruktion) of Western metaphysics in a privileged way” (134). Like in chapter 3 where, despite of being critical of Hegel, Heidegger opted for a middle position between Husserl’s relative phenomenology and Hegel’s absolute phenomenology of being, Heidegger develops a similar strategy regarding political philosophy. But this time instead of comparing Hegel to Husserl, Heidegger compares what he perceives as Hegel’s idealistic approach to political existence to Karl Schmitt’s realism.
Marder lays out Heidegger’s critique of Hegel and Schmitt on pages 135-139, concluding that he rather “oversimplifies their positions in order to cement his alternative version of political existence” (139). In addition, Marder observes that “Schmitt’s nonmetaphysical political ontology, which has all the trappings of a ‘self- developing self- assertion,’ is as attuned to existential realities and possibilities as that of Heidegger himself” (140). Heidegger tries to avoid Hegel’s “absolutization of spirit” which privileges the metaphysical being and Schmitt’s “relativization of the political (as a relation to the enemy other),” which privileges the individual beings over the political (141). Instead, he claims that “political existence transpires in the difference between being and beings that Hegel and Schmitt all but effaced” (141). Heidegger introduces a valid contradiction between domestic and international politics (since the state is Dasein and hence, the center of its world, but not of the world) and insists that the essence of the political is its existence as a historical being-in-the-world personified by its leader (141-142). Earlier Marder suggested that Heidegger appreciates the state as “historical being” (GA 86: 85) through which “spirit gives itself actuality, political facticity, and freedom” (135). Further, he argues that “‘the essence of the state’ is ‘unification’ (GA 86: 79– 80), and that the Dasein of the leader effects ‘the unification of powers’” (142). Although Marder rightly observes that “translating the vocabulary of Being and Time into political categories proves impossible,” and is critical of Heidegger’s emphasis on the role of the leader, it must be said that to this day such views are widely held by many people and regimes across the globe who loudly reject Nazism while strongly defending their right to preserve a certain, unified identity. Thus, castigating Heidegger for putting forward a Nazi-echoing political system applies to the extent that he expresses these views in 1930s Germany and perhaps that he was misled by his historical context in grappling with the Dasein-based struggle he describes. Without underplaying in the least the gravity of the Holocaust, and hence by a similar token, we could argue that there is little point in studying Plato, a male, totalitarian aristocrat whose political views have been long branded as utopian. Marder is treading carefully here, stating that “We are yet to gauge the depth of ontico-ontological difference and other aspects of Dasein- analysis in the question of political existence” (144).
In chapter eight, we finally get to the core of the discussion about Heidegger’s antisemitism. To this direction, Marder compares Heidegger’s Black Notebooks as well as a 1933-34 seminar with the title “On the Essence and Concepts of Nature, History, and State” with Marx’s 1843 essay “On the Jewish Question.” Marder “suspects” that Heidegger’s antisemitism is mostly related to his reluctance to a. turn the figure of the Jew into a question and b. interrogate the logic of coming up with a specific figuration model for the nihilistic completion of metaphysics (145). Marder’s analysis of Heidegger’s attack on Husserl on account of his Jewishness which, in his view, accounts for the limits of his philosophy, is very successful as is his point that Heidegger clearly thought in similar terms about other groups such as “the Cartesians, but also the Bolsheviks, the English, the Americans …” whom he showcases “as though they were different specimens of an indifferent metaphysical nihilism” (145). On the same page, Marder suggests that we should resolve the Jewish issue as a question through which we are not looking for an answer but for an emancipatory commingling of the questioned and the questioning in a “single –and singular– being.” Marder finds this emancipatory path in Marx and his rejection of religion through which the conflict between Christians and Jews which makes the foreignness of the latter irreconcilable is resolved. The second stage of Marx’s emancipation is a critique of state per se (i.e. not the Christian state) and the third what Marx calls communism. The essence of Heidegger’s problem with the Jews or rather, the problem embodied by the Jews in his society, is this: “The question of the role of world Jewry is not a racial question, but the metaphysical question about the kind of humanity that, without any restraints, can take over the uprooting of all beings from being as its world-historical task” (GA 96: 243 cited on 151). Hence, Marder explains “[T]he ontic displacement of traditional Jews, sublimated in the secular version of Jewish cosmopolitanism, has mutated, on Heidegger’s reading, into the ontological deracination of the world and of being itself” (152). Marder offers a very insightful analysis of how Heidegger’s fear of the worldlessness practiced by the Jews was already articulated by Hegel but also of how, despite claiming that race did not play a role in determining the kind of humanity we aspire to, he did fall prey to racial stereotypes (154). More problematic is his understanding of the Jews’ calculated overbreeding as a way of overpowering life and leading to nihilism (153). Marder claims that, overwhelmed by the prejudice of his time, Heidegger did not pay enough attention to the unique Jewish attachment to tradition as a valid alternative to space – a situation drastically altered by the Zionist project. Here, I would like to offer two points: first, although the Zionist project offered substance to Israel as a nation state, subscribing to a political ideal that originates in the nineteenth century, the spatial aspects of Jewish belonging were extremely pronounced in ancient accounts of the Jewish history; regardless of the debates about the exact dating of the Tanakh books, the idea of the Promised Land is ubiquitous in them (e.g. Genesis 15: 18-21; Exodus 23: 31; Numbers 34: 1-2; Deuteronomy 19: 8-9). Further, I wonder to what extent Heidegger would regard the Zionist project as enough response to the stubborn clinging of the Jews to the idea of foreignness (149), from a Mitdasein perspective. Second, for me, the “homelessness of modern man” (GA 9: 340) that Marder identifies as Heidegger’s main problem with modernity has given rise increasingly in the second half of the 20th and the 21st century to a number of cultural identities (which may or may not include racial, religious, and other dimensions), often in response to experiences of marginalization (e.g. Greek-Australian, Italian-American etc.), often competing with each other (e.g. Christian Black American vs homosexual Christians), certainly breaking down with tradition in some ways yet confirming it in others (e.g. both groups may subscribe to the idea of national army service), which would disrupt Heidegger’s appreciation of history as written by races or peoples (GA 96: 56 cited on 155) as much as the case of the Jews. I was urged to make this association by Marder’s observation on page 158 that Heidegger “converts the figure of the Jew into a complexio oppositorum (i.e., the complex of opposites, where otherwise antithetical traits coexist without the work of dialectical mediation) abounds.” Still, from this perspective, Heidegger’s failings make him totally relevant and worth-studying nowadays in the same way that Plato’s authoritarian regime, in response to the problems of Athenian democracy make him a core reading (for everyone really). Interestingly, Plato remains locked into the walls of the ancient city-state in the same way that Heidegger remains trapped in the nation-state. To put it differently, Heidegger adheres to a single version of history (cf. 159 where Marder notes Marx’s differentiation of the Jewish question according to the national context in which it is raised).
The last chapter of the book, co-authored with Marcia Sá Cavalcante-Schuback, tries to address “the relation between philosophy and politics, when both politics and philosophy lose their footing and their right” (165). According to Marder, “[T]hat is why the case of Heidegger mobilizes a question that is also ours, demanding an ‘active reading’ à la Lacoue- Labarthe, rather than the reading of a historian or a philologist.” I found this comment uninformed: historians and philologists have long insisted on post-structuralist rigor. As a trained philologist, Heidegger did not fail because of his penchant for etymology, his one-dimensional application of a discipline onto his understanding of Dasein. He failed, as the authors acknowledged on 164, because despite thinking the possible he kept consulting the actual, a kind of bias to which all scholars, all thinkers are susceptible. Here, the focus shifts on Heidegger’s reading of Hegel’s Philosophy of Right which tries to reunite “philosophy and politics (the latter, in the guise of right) precisely in the common destiny of their end as completion and exhaustion” (166). Heidegger sees in National Socialism the answer to the danger of Hegelian dialectics which produce an endless exchange; Heidegger refers to the scope of dialectic as “Back and forth— going— Dissolution— confusion,” (HPR 136 cited on 167) leading to “the loss of right.” Feeling that by the 1930s democratic liberalism and socialism had run their course, unable to produce anything new, other than “the back-and-forth of an exhausted dialectics” (168), Heidegger recognizes in National Socialism a “letting-emerge” of new possibilities. Another side of the problem is Heidegger’s insistence on actively fomenting the emergence of new forms to achieve “self-assertion.” His proposal can work only if “implemented together with the people grounding the state” (168). Marder admits that in embracing National Socialism as a way of transforming the essence of being by “rethinking and reorganizing power and work” was Heidegger’s biggest historico-political blunder (169). Still, Heidegger was not incorrect in his criticism of Hegelian dialectics; in his view, unlike Socratic dialectics, Hegel “does not invent a method for seeking the truth of being but identifies the truth of being itself as a method” (172). Heidegger continued to associate dialectics with actuality well into the post-war period and be frustrated by its inability to recognize phenomenological possibilities. The chapter concludes:
“… the darkest excesses of metaphysics tend to be repeated and magnified in every attempt to master and idealize finitude, putting it at power’s disposal. Do living and thinking ‘without right’ provide a sufficient insurance against this possible repetition […]? Our wager in this chapter has been on the incomplete dialectics of the without and an enduring search it instigates for the right to philosophy and to politics with others. Whether or not it could work, only being as time would tell” (173).
Appropriately philosophical, this conclusion lacks the force of the Introduction. Overall, the book achieves its goal of re-introducing Heidegger in philosophical debate though less so in political theory (for example, it would be interesting to see how Heidegger’s theories would be challenged by the increasing contemporary phenomenon of stateless people). I found Marder’s use of texts to support his arguments extremely valuable (and philological). The book would have benefited from a list of the sources used. Finally, although I applause Marder’s intention in putting this book together, he could have done more work to address his purpose in a more systematic way. That said, the book is still a must for every student of philosophy.
The Possibility of a World is a transcript of a conversation between Pierre-Philippe Jandin and the philosopher Jean-Luc Nancy. The conversation, which broaches topics spanning philosophy, art history, ethics, politics, religion, community, the Bible, the French Revolution and beyond, exhibits the wide and almost unprecedented scope of Nancy’s writings. This journey through Nancy’s thought is guided by the careful and considered questions of Pierre-Philippe Jandin who, in playing an active role in the conversation, challenges and provokes Nancy with testing questions and comments. An important statement precedes the conversation: “in accordance with J-L Nancy’s wishes, we have attempted to preserve the spontaneity of oral discussion […]”. Owing to this, the reader finds herself standing “on the threshold” (to use Nancy’s phrase from an essay of the same name), observing a scene. This scene, or conversation, is composed of nine chapters, each devoted to a specific topic, and beginning with a question that dictates the direction of the discussion. However, unlike a well-planned interview, the charm of this conversation lies in its associative, non-linear (and not always well-explained) façons de parler.
In keeping with Nancy’s central preoccupation regarding the ontology of plurality as a fundamental ontology, what presides over the entire conversation is a concern with the need to rethink ethics in a “world [that] is no longer simply a cosmos, a mundus, partes extra partes (an extension of distinct places), but the world of the human crowd” (28). In other words, a world that is neither harmonious nor orderly (in the sense of the Greek ‘cosmos’), but rather an irreducible plurality of worlds. Furthermore, this claim extends beyond the argument about the plurality of worlds, since what is at issue is “the plural itself as a principle”,[i] irrespective of whether it concerns politics, the thought of community, or the plurality of the Arts. These modes of plurality, and the consequent requirement to rethink ethics, preoccupy the body of this conversation.
The Possibility of the World does not—and is not intended to—introduce Nancy’s philosophy to the “novice”. Instead, it represents a journey through Nancy’s thought, with which we are already familiar. Owing to this, the book reads as though it were a director’s cut, adding another dimension to a movie or biopic. Given the broad scope of each chapter, in addition to their associative manner, I have chosen only to elaborate on the central issues evoked by each chapter, rather than reviewing chapters in their entirety.
The conversation commences with a preliminary, autobiographical chapter entitled “Formative Years”. This concerns Nancy’s childhood until his mid 20s. On this topic, Jandin begins with a provocative and ironic question:
How did you become a philosopher? Especially since you gave a lecture in 2002 at the Centre Pompidou entitled: “I Never Became a Philosopher.” What’s this non-becoming, then? (1)
I didn’t become a philosopher because I’ve always been one. All that I’ve known, or all that I’ve experienced, took place against a background that I wouldn’t call philosophical, though it’s close to it— a background of interest in the things of thought, in conceptions. (2)
The first chapter explores Nancy’s philosophical upbringing.
Nancy’s entry into the world, as Jandin puts it, unfolds in a time of turbulence. Born 1940 in the “thick of World War II” in occupied France, the young Nancy spent most of his childhood in Baden Baden, Germany, owing to his father’s work. As a young boy, Nancy recalls finding great pleasure in “meandering alone in nature” (3), but also, if not especially, in the solitude of reading, which he experienced as “a withdrawal from the rest of the world […] which was an entrance into another world” (3). In 1951, the family returned to France and the young boy entered French school in the middle of sixth grade, which he had in fact commenced already in a French lycée in Germany. He would later on join the Young Christian Students (YCS), a youth movement oriented towards leftist Catholicism, which he recounts as providing the “initial ferment of my intellectual formation” (8):
As I realized much later, this was certainly the beginning of something for me, the beginning of a relationship with texts as an inexhaustible resource of meaning or sense [sens]. The biggest revelation that I had through this exercise was that, in a text, there is practically an infinite reserve of sense […] Basically, this is what I was trained to do: One has to interpret a text and this interpretation is infinite. (7)
While the Catholic orientation of that movement provided the adolescent Nancy with his first encounter of biblical texts and their inexhaustible fount of sense, this encounter eventually culminated in a crisis of faith:
Suddenly the mere possibility of being in what I could think of as a relationship to God— addressing him, having to recognize myself as a sinner, having to confess, having to receive the communion of the body of Christ—all of this had completely lost any substance. (9)
Thus, while the YCS, with its religious orientation, provided the initial path to social and political advocacy, the young Nancy discovered that it was not the only path to becoming socially and politically engaged. Moreover, on account of his distancing from religion, he was increasingly drawn to philosophy. The first philosopher mentioned in this long conversation is Jacques Derrida, whose writings he came upon in 1964 (at the age of 24), and on whose philosophy he writes “I felt that something was bursting open. There was a timeliness to this thought […] A new language was trying, at least, to find itself” (14). However, even earlier on he had discovered Hegel and Heidegger (an encounter that Nancy elaborates on in “Heidegger in France”).[ii]
However, above all it was Kant’s Critique of Pure Reason that formed part of the aggregation that left the strongest impression on the young Nancy. Kant’s legacy, Nancy argues, is “enormous”, and far “greater than [Hegel’s]” (18). What changes with Kant is that there is no longer a distinction between the domain of pure reason and the domain of praxis, since after Kant “pure reason is itself practical, which is why it doesn’t need a critique, but rather a critique of its use” (19). Another leitmotif of Nancy’s writings was his preoccupation with the question of the relationship between the sensible and the intelligible, around which the entire Kantian critical corpus revolves (and which is referred to within Kant scholarship as “the Nature-Freedom problem”). These concerns, deemed the one thing “that had never been thought by metaphysics” (20) according to Kant writing to Marcus Herz, were centrally important to Nancy’s own writings, as evidenced (inter alia) in The Muses, Corpus, and The Ground of the Image.
As far as Nancy was concerned, challenging the distinction between pure and practical, sensible and intelligible, constituted a project originating in Kant. Such concerns inevitably move us away from the domain of the first Critique and its study into the possibility of a priori sensibility, to the domain of the third Critique, and its study into a different mode of sensibility.
It is here that the discussion turns to art and its difference from philosophy. “I envy the artist”, Nancy admits, because they “manage to do things which are real!” while “I have a feeling that my texts are too oriented towards the conceptual”. Philosophers “are a group of people who want clarity” (21). On this point, one need only recall Descartes’ fundamental distinction between clear and distinct ideas (as opposed to obscure and confused ideas) in The Passions of the Soul. While Western metaphysics is haunted by the metaphor of light, the artist has the freedom to dwell in the shadows. “I look into the night and enter it”, Nancy quotes Bataille, “but no philosopher truly takes it upon themselves to do that because philosophers are supposed to introduce light into the world” (21). For Nancy, philosophy is not an escape from a cave towards the bright light of the Idea. Philosophy is rather a dwelling-place between light and shadow, between philosophy and poesies: it is a form of writing that encroaches upon a reality that is irreducible to the conceptual, and which, in Nancy’s words, is an ex-scription (a writing from the outside). As he remarks, “words and ideas are not only words and ideas but the circulation of the real”.
The first chapter culminates with this ethically toned remark:
Human beings no longer live in the world in the sense of Hölderlin, reprised by Heidegger, when he writes: “poetically, man dwells.” “To dwell” [habiter] means to be in the habitus, not in the habit but in the “disposition,” an active disposition. In the end, habitus is not far from ethos; what we need is an ethics of the world. This is perhaps the greatest issue of Western civilization, which has now become worldwide [mondiale], or global [globale]—to have had this will to transform the world in order to make it a human world […] This is what Heidegger meant when he introduced what we translate as “Being-in-the-world” (in-der-Welt-sein); to say that the existent, the Dasein, is essentially in the world simply means that it’s necessarily involved in the circulation of meaning or sense, which is what makes a world. (26)
Notwithstanding this Heideggerian-toned observation, Nancy ends up invoking Kant’s Categorical Imperative: “Act as if the maxim of your action were to become a universal law of nature”:
The imperative is what has been given to human beings in order to make a world, in the end, this means that what’s at stake is to make or remake a world. (27)
This world, which has become an object of knowledge “is at the same time a world where human beings’ presence […] has been pushed aside” (26). We no longer live in the world as beings-in-the-world, we flee from this existential, from this mode of being, and in doing that we flee from our essence as existence.
Nancy interprets Kant’s principle of universality as the ethical obligation of each of us to remake a world, recreating it for the type of being that we ourselves are—Dasein—in order to recapitulate the question of being and our relationship to our being through this creation.
The second conversation, entitled “The World”, picks up the question of ethics and the remaking of the world in connection to one of the fundamental concerns of Nancy’s philosophy, namely the theme of plurality.[iii] Jandin begins by quoting Nancy’s argument in Corpus:
Our world is no longer simply a cosmos, a mundus, partes extra partes (an extension of distinct places), but the world of the human crowd, the non-place of a proliferating population, “[an] endless, generalized, departure.” (28)
Today it is no longer possible to sustain thought about the world in terms of a cosmos in the Greek sense, that is, a uni-verse that is harmonious, beautiful, unified, and total. This narrative is no longer valid, not only philosophically, as Nancy remarks; it is also scientifically untenable: “today astrophysics is compelled in a way to think a plurality of worlds” (30), a multiverse rather than a universe. This thought has two repercussions: “that we no longer can retain the model of a single universe”, but additionally that:
from now on all theories of physics have to think of themselves as a construction of fictions. Moreover, in The New Scientific Spirit, Bachelard writes, in effect, that: [Instruments] are nothing but theories materialized. The phenomena they produce bear the stamp of theory throughout. […] [We] produce, we multiply new objects according to several approaches, and thus we manage to produce several worlds. It’s better to say, perhaps, in order to avoid harming the spontaneous, realistic feeling, that we produce several possibilities of worlds or even several fictions of worlds. Nevertheless, even this word, fiction, is dangerous because it could allow one to think that behind this fictional world lies the true world, when we are perhaps moving past the representation of science as an objective knowledge that comes closer to a real that exists in itself. (30)
The plurality of worlds, an expression coined by Fontenelle that Nancy appropriates as the subtitle of his essay, “Why are there Several Arts and Not Just One?: (conversation on the Plurality of Worlds)”,[iv] refers to plurality as ontological principle rather than as empirical ontic idea, which merely points to the diversity of our world. Referring to this essay, Jandin remarks:
[…] the multiplicity of the “arts” can’t be subsumed under the unity of a concept of “Art,” you insist on the irreducibility of plurality. It’s the world itself that’s plural, and plurality or space is, so to speak, what makes it shatter from the inside. (37)
This argument resonates with not only Nancy’s theme of the Singular Plural but also Kant’s definition of reflective judgment as opposed to a determinate judgment, as expounded in the Critique of the Power of Judgment. The difference between these forms of judgment can be summarized as follows: the former is a kind of judgment for which no determinate concepts are available and which is therefore cognitively unmastered;[v] the latter, by contrast, countenances the possibility of subsuming the manifold of intuition under a unified concept or law. In a similar vein, there is no concept of Art to unify the heterogeneity of the arts, “art would thus be in default or in excess of its own concept” (The Muses, 4), which is to say that there is no principle of homogenization under which to subsume the multiplicity of worlds that we inhabit as beings-in-the-world. This is, therefore, a thesis that goes to the heart of Nancy’s ontology, while sharing firm ground with Kant’s aesthetics.[vi]
What is lost as a consequence of the fact that we “no longer [live] in a cosmos […] we no longer perceive the totality of an ordered and thus beautiful world” (29), is the loss of the image of man as derived from the idea of humanitas. On the one hand, Nancy emphasizes the great emancipatory value of the Enlightenment: it freed human beings to think for themselves, and it inaugurated the moment of the “auto”. Nevertheless, today we face a different challenge, intimated by Nancy’s claim that our world today is a place of plurality, of multitude, which consequently furnishes us with a new ethical task. At issue is no longer the imperative “to think for oneself”, but rather the requirement “to think about the multiple as dis-position, as dis-tinction” (50), that is, to think of the plural itself as a principle without neglecting the singularity and particularity of each individual. In other words, we must think of plurality not in terms of the faceless masses, but in terms of co-appearances. We must think of the multiple as the new face of humanitas.
Extending the discussion of plurality and the plurality of worlds, the third chapter is devoted to the notion of community as a politically active force of resistance. Jandin begins by asking Nancy to clarify the notion of community “by differentiating it from related notions, such as, for example, crowds, which inspired Baudelaire and sparked Benjamin’s thought, or masses, classes, and the multitude” (51). Having addressed the notion of crowd, Nancy turns to discuss the notion of mass:
[It is] a word that we’ve almost forgotten about today, although it used to be very present, perhaps after the postwar period, the adjective “working” frequently accompanied it: the “working mass”, an expression that was used in a positive way, by people who were involved in the social conflict. (55)
Whereas the notion of mass has been made redundant on account of our having “given up on a certain vocabulary of struggle”, the idea of a political community remains, although it instead appears under new “modified” names. Taking the place of “mass”, Nancy argues, are notions such as Rancière’s “no part” (sans part), suggesting a political alternative: a possibility of a world in which “there’s no politics unless the ‘no part’ manifest themselves in a movement in order to claim or demand their right to have a part” (58). Thus, while the class struggle in the Marxist sense is obsolete—both in language and in praxis—in Rancière’s thought (which Nancy sees as Marxist critique within Marxism itself) we may hope for “a new distribution of the sensible”,[vii] that is, for a Dissensus (disagreement). What we lack today, indeed what is lost, as Nancy points out, is the self-interpretation of society in terms of a conflict. And notwithstanding the fact that the rich get richer and the poor get poorer, Marxist vocabulary is obsolete. We no longer hear about class struggle and exploitation. Instead we are caught in the mechanism of Capitalism, which provides the language of self-interpretation. This language is that of consumption and accumulation: of consensus rather than dissensus.
In these circumstances, there is no longer any distance between the crowd and Capitalist logic. Since the “good life” is now given in term of consumption there is no longer any conflict or resistance. Thus, as Jandin notes, in our culture “the workers themselves produce the objects that they must acquire in order to live the ideal life” (59). What is lost, nevertheless, is the distance necessary for developing a critical attitude: the distance between the subject and agents of power, which Foucault elucidates by identifying the prisoner’s with the guard’s gaze, bespeaking the loss of distance between the subject and the ideology of power, which is now internalized. This marks the wholesale loss of dissensus. Nancy names this situation the “rehomenization of society”, explaining through this phrase that we are facing a new kind of (so-called) equality, whereby everyone is equal before the ideal of consumption, understood as the newfangled ‘Highest Good’.
In a society that values large numbers (and large number of objects) we see how the logic of “accumulation for accumulation sake” operates. Today everything is commodified: art, nature, universities—even the human being. The chapter concludes pessimistically: if the word ‘emancipation’ comes from Roman law, an emancipated slave becomes a free man:
[Today], on the other hand, it’s perhaps no longer possible to think about an absolutely emancipated human being […] And we’re dealing with a question that’s come up before: Who? We don’t know who we emancipate—we say it’s man, but actually, since we don’t know who man is, we don’t know who we emancipate . . . (65)
The fourth chapter, entitled “People and Democracy”, centers upon the notion of “people”. This chapter recently received critical attention in the collection of essays What is a People? (Columbia University Press, 2016), addressing the ambiguity surrounding this notion, in particular whether it is one of “political emancipation” or whether it has become a notion akin to “a group of words like ‚republic‘ or ’secularism‘ whose meanings have evolved to serve to maintain the order.“[viii] To demonstrate ambivalence towards this notion the conversation begins with an anecdote that Nancy recounts of giving a talk on the notion of “people” at a conference in Cerisy, dedicated to Jacques Derrida, entitled “Democracy to Come”. After finishing his paper, Derrida approached Nancy and said to him: “I would’ve said everything you said, but not with the word ‘people’”, to which Nancy replied, “Ok then, but give me another word”. He answered, “I don’t know but it’s not ‘people’”. What Derrida expressed, Nancy tells Jandin, “through this discomfort, the discomfort of our current philosophical situation, was this: At certain moments, we lack the appropriate words” (67). Derrida’s reaction demonstrates his suspicion regarding this notion, even though there is no better word to use in its place. This is not merely a linguistic or discursive failure but rather attests to a certain reality that this notion embodies as an “indication of something that exists, that must exist” (70).
Whereas “the people” are something that must exist, it is at the same time not given, for the construction of a “people” depends on an act of self-declaration, that is, a constituting speech act. In other words, a “people” can only become a political community in this act of self-constitution. Here, then, we can see the emancipatory value of the term in acts such as the one that constituted the “French people” during the Revolution. This act of self-declaration was unprecedented:
I don’t think the French people had ever declared itself as such before through anyone; the king declared himself “King of France” and by the same token all of his subjects were subsumed under or assumed by the royal declaration. The institution of the “sovereign people,” which is not an empty expression, will probably give rise to dangerous political problems. But the “sovereign people” is perhaps first the fact that the people must be able to make a self-declaration, without any superior authority to declare it or institute it as such. (71)
It was in this self-declaration of the French people (at that time of the Declaration of the Rights of Man, and of the Citizen) that the Revolution began. Henceforth, the discussion turned to the question of the possibility of singularity within the plurality that the notion “people” connotes, as well as an interesting discussion on the implications of the notion of “people” in a culture, whereby what furnishes the tone is a concern with political correctness.
The fifth chapter deals with the question of political affects, which Nancy briefly touched upon in the third chapter. This chapter is governed by questions such as: “do political affects exit?” and if so “what are they?”, and “Why must there be something from the affective realm in order for political life to be possible?”. From the outset, Nancy dismisses what might have been the obvious answer to the first question, namely that political affects are essentially fear and terror, which one would normally associate with power relations. However, these affects, Nancy argues, are insufficient to “ensure the durability of a government”. Rather, the contrary is true: force must exhibit a sense of amiability so that one can trust the sovereign. This ensures a persistent, uninterrupted flow of power. This argument is supported by historical examples such as the case of Louis XV who was named “the beloved” or the image of the King as a Father, someone who takes care of a family, “the Patriarch”, looking after his subjects/children. But even if (as Machiavelli’s example makes explicit) one encounters the “virtuous appearance” of the prince, as Nancy rightly notes, “someone who has a cruel or perverse personality must be careful to present themself in a certain way” (87).
However, despite the intimate connection between sovereignty and affect, in the era of the modern state we witness the disappearance of affect:
To return to the topic of the modern State, one can say that, on the one hand, it’s forced to constitute itself outside of the affective realm of religion if it wants to claim its full independence, which would come to be called sovereignty, but on the other hand, it would still be forced to seek to qualify itself affectively in several ways and at several moments. (79)
Apart from the historical analysis of the dynamic between Church and state, it is noteworthy that, for Nancy, the question of affectivity holds an ontological significance, particularly in pertaining to the being-with of each of us. The connection between the singularities in this plural “body politic”, the community, is formulated in terms of touch (toucher), which is one of the fundamental concepts in Nancy’s philosophy. Marie-Eve Morin argues that touch is “somewhat equivalent to rapport or sense. That is, it names what happens between singularities, right at the extra of the partes extra partes”, rather than the merging of singularities into a unified whole.
Contra both the common-sense and philosophical understanding of touch as the sense of proximity (by opposition to the senses of sight, smell and hearing, which can sense at a distance), Nancy insists that in touching, what is touched always remains outside of what touches it, so that the law of touch is not so much proximity as separation.
The sixth part of the conversation, entitled “Politics and Religion”, is a shorter discussion on the difficult question of how the philosophical, the religious and the political interconnect. The discussion revolves around two axes: first, the implication of taking a theological term and using it in a non-theological context, and second, the question of the sacred.
Nancy addresses the first part of the question by making a reference to Gérard Granel’s essay Far from Substance: Whither and to What Point? (Essay on the Ontological Kenosis of Thought Since Kant). There, the Christian notion of “kenosis” (which appears in Paul) is given “an ontological index that is no longer theological” (96). Nancy recalls approaching Granel:
I remember asking him back then: What’s this about? Can we leave the theological behind? Today, very briefly, and as a start, I’d say we can’t. When we speak about “secularization” […] what are we talking about? Is it the complete transfer of the same content but in another context? If one takes a fish and puts it in a dry place, it can no longer live. Is it a metaphorical displacement? But then what does metaphor signify if one takes an element out of religion, it may no longer have a sense. If one extracts “kenosis”6 from its context, as Gérard Granel suggested, is there any sense in speaking about God “being emptied” of its deity in order to become a man outside of Christ, who was precisely this god who joined humanity completely? More simply, can one hold on to the term kenosis outside the context of creation and incarnation? (98)
Addressing the second part of the question, Nancy turns to discuss the notion of sacrifice and its relation to the sacred. Christianity, in its beginning was considered by many to be a philosophy, he claims. However, unlike philosophy or other religious groups it had a “relationship to a higher power and a higher ability to receive the complaints and the offerings of man at the same time, that is, a power that belonged to a logic of sacrifice in one way or another. Is this not what’s at stake in Christianity, which is perhaps the sacrifice that puts an end to all sacrifices, in the words of René Girard?” Nancy sees a connection between sacrifice and the “sacred” defined in The Ground of the Image as what “signifies the separate, what is set aside, removed, cut off”.[ix] If the sacred is what is set aside and cut off, how do we bond with it? Nancy’s answer is through sacrifice:
One attempt to form a bond with the sacred occurs in sacrifice, which as a matter of fact does belong to religion, in one form or another. Where sacrifice ceases, so does religion. And that is the point where, on the contrary, distinction and the preservation of a distance and a “sacred” distinction begin.[x]
However, if religion must involve a relationship to the sacred then Christianity is a “completely desacralized religion, which in a sense has been understood by modern society because it’s secular.” (100) But questions that remain are these: Can we be satisfied with desacralizing in this way? Is Christian behavior tenable as something that completely abstains from any relationship with the sacred? Given our over-scientific technological world:
one hardly sees how humankind could simply go back to the sacred now […] Perhaps the very grasping of what we call technology, reason, rationality, and so on will be transformed, but if this is the case, I don’t think that it will be in order to go back to some form of the sacred. (101)
In the seventh chapter the conversation turns to the question of art, a concern at the core of Nancy’s philosophy. While previously claiming to envy the artist who has the freedom to transcend the sensible/intelligible dichotomy, Nancy now turns to address the ontological implications of art, which he explored extensively in The Muses. Nancy begins by arguing that art presents us with a domain privileged for being able to reveal the “ontological range of what we’re after”, provided that we insist on the “heterogeneous multiplicity of the registers or regimes of the sensible” (112).[xi] But before exploring the theme of plurality, and the plurality of the senses, the discussion turns to the situation of art today, where by “today” Nancy means “a time in which the notion of art is no longer connected with the notion of cosmos or the notion of polis” (103) but is instead concerned with what is commonly referred to as “the crisis in art”. Nancy begins by exploring the historical background to this crisis (a crisis that we can perhaps simply call ‘modern art’) and the conditions leading up to it:
The decomposition, if not the rotting or certain disrepair or disassembling of something that was held to be a cosmic and cosmetic order until our time, or perhaps until the so-called “world” wars […]. This good and beautiful order, as it was thought about from the perspective of Europe or the United States, usually presented itself in the form of the nation-state. Besides, at the time of World War I, this order of the City […] began to crumble. (104)
However, despite the historical circumstances leading to a crisis in art, it is with Hegel that the idea of the “end of art” was introduced into philosophical discourse:
Here we can’t avoid returning to Hegel, to whom one always attributes the phrase that suggests art is dead or over, but whose actual words are that art is “a thing of the past.” With this expression, Hegel wanted to say that art as a representation of the truth, as the bearer of the representation of a general layout, was over, and I think he was spot on. (104)
Nancy here evinces agreement with Hegel’s thesis that art “is a thing of the past” insofar as art is no longer a representation of truth. Moreover, for Nancy art’s power is not in its mimetic function at all. Rather, art “consists [in] the gesture of taking sensation to a particular intensity” (104). This is not to say that art is merely about intensifying sensations, but instead that art first and foremost has to do with the discovery that our sensibility does not merely serve epistemological purposes—the sensible component in the acquisition of knowledge and cognition—but rather we can use our sensibility and our senses in ways that exceed cognition and induce pleasure. On this point, as Nancy remarks: “Once a man starts playing with his voice, not just speaking, perhaps already singing, we are no longer in the realm of phenomenology” (114). It is here where sensibility departs from its cognitive function—from its contribution to the cognition of an object, as Kant would have put it in the third Critique. Owing to this, the path to discovering a different aspect of sensibility is opened. Thus, in this respect the “end of art” designates both an end of an era, but at the same time the dawning of a new way of thinking about art, which is no longer committed to mimetic purposes, such as it had been since Plato’s Republic, but is rather (in Nancy’s words in The Muses) a “teckhne of existence”.[xii] For Nancy, while art has lost its representational function, it simultaneously gained ontological power: “like being, art presents itself as a surprise. It makes something visible without reproducing anything that would exist previously”.[xiii]
Nancy employs Focillon’s distinction between form and sign to argue that in modern art, color and sound function like “form” (which, one could add, was a fundamental category to aesthetic thinking since Kant’s third Critique). These, in being forms, signify only themselves, as opposed to being signs that “[signify] something else”. Thus, in departing from its representational vocation, art is freed to explore its own medium, and to make visible its own materiality. To this end, art “[makes] sound be heard for itself as it is being produced” (108), and “[does] color for color’s sake”, a paradigmatic example of the latter being, as Nancy notes, Yves Klein’s Blue (108).
The eighth part of the conversation is devoted to an elaboration of a distinction Nancy drew between “the present” and “presence” in After Fukushima: The Equivalence of Catastrophes. Jandin begins by placing the topic in context:
[You] distinguish between two senses of the present: the present as it’s been criticized in the “metaphysics of presence” (being present to oneself, etc.) and the present that should be taken into account more seriously in the sense of what is ephemeral, in the words of Haruki Murakami, the Japanese writer you cite. In other words, has the moment come for carrying out a displacement of our thought, from a problem of time to a problem of space? (119)
J.-L.N.: Yes, a problem of space as in spacing, which may also be the spacing of time, which even our own Western tradition knows very well.
Nancy uses the term “spacing” to designate the act of the original unfolding of space as the site of the moment of the event. It is an original unfolding of spatiality that is exposed only temporally. In Corpus, Nancy describes this space as “a space which is more properly spacious than spatial, what could also be called a place”. Prior to any ontic, empirical space, it is the “ontological clearing” (lichtung) in the words of Heidegger, wherein Being is made patent. Following Heidegger’s critique on the metaphysics of presence, and the stasis, permanency and immovability associated with the thinking of being in terms of a substance, Nancy thinks being in the active transitive sense ascribed to it by Heidegger. As such being itself, presence, is always in movement which cannot be suspended:
All of us have in mind these lines from Lamartine: “O time, suspend your flight, and you, auspicious hours / Suspend your sequence on: / Let’s savor the rapid, evanescent delight / of beauty’s finest hour” — words pronounced by the woman whom the poet loves.3 It’s the request that the flow of time be interrupted, if you like, and this interruption is not a cut or an absence of continuity, but the suspension of the continuity through which it can present itself to itself. The female lover implores for the suspension of time, for spacing instead of the haste of successive moments, which end up nullifying the present moment. (119)
The suspension of continuity that the lover implores is a request to be in the present, to seize the “now”, to cherish the moment and freeze it just for a second so as to “be” in it. But this wish is of course in vain. Just as “time flies”, being is always in movement. In “Laughter, Presence” Nancy addresses the painter who paints the woman he desires, but this is “the painting of her disappearance or of her disappearing”.[xiv] If it is possible to long to paint her, it is because she has „appeared“—but „so rarely“, and „so quickly fled”. Ontologically coming and going, into presence and out of presence, is one and the same movement.
In Basic Problems, Heidegger reads a fragment of the pre-Socratic philosopher Anaximander addressing movement in terms of the “arrival and departure“ of Being: the „transition from coming and going” into presence. If the standing of Being in the Open is temporal rather than static or permanent then what emerges into presence is at the same time in the movement of departing from presence. This is the temporality of Dasein as opposed to the two other types of entity Heidegger defines in Being and Time that have a different existence in time:
But in this metaphysics, presence is actually considered to be something thrown on the shores of the river of time and that remains there in a sort of abandoned immobility. This is what Heidegger calls Vorhandenheit, that is, “Being-present-at-hand” [être-la-place-devant], a dense, motionless, silent, insignificant thing, to be differentiated from something “ready-to-hand” [sous-la-main] that is available for the activity or project of an existent, or what Heidegger calls Zuhandenheit. But one could say just as well that presence in this sense, even with the distinction between the two nuances, is not present at all or is present only for the existent that has it at its disposal. (120)
For Dasein, “one can understand presence in a completely different way as being intimately connected to manifestation or appearance, as we were saying, in the same sense as when one says that someone has a “presence” or that certain actors have a particular “presence,” which means the exact opposite of a thing’s presence. In this case, this presence is a “coming” (one “comes into the presence of”), an “appearing.” (120)
In the concluding chapter “Nihilism and Joy”, Nancy returns to the theme of affects. However, at issue are not political affects but affects that Nancy defines “as an affirmation of a sense of existence”. Jandin introduces the topic by questioning:
Our—final?—question is about nihilism and joy. Can one hear in “the possibility of a world,” the expression that seals our interview, an interrogation into the hope of exiting out of nihilism, which would mean being done with this world that’s ending and which has an affective tone of, in the words of Günther Anders, both hopelessness and the desire for revolution?1 Could one consider a world of joy—I’m aware of the Christian connotation of this expression—in the sense in which you write that “ there is not much joy in the human of humanism”? Must the “retracing” of the limits of the political leave room for the opening of spheres where joy would be possible? (127)
Jandin’s definition of nihilism in terms of the absence of joy appeals to Nancy (“I like this question’s position, which I’ve never thought about”). However, the latter attributes the “disappearance of joy”, and the “loss of enthusiasm – sacrificial, ecstatic, mystical […] [that] was present in all the mystery religions that existed up until Rome” (128) to the influence of Stoicism and Epicureanism, which [privilege] logos at the expense of Eros (128). Against the prominence of logos, Nancy claims, Christianity appeared with the theme of joy, particularly through participation in the divine, thereby fulfilling a need that was sought. In the modern world since the eighteenth century, Christian joy has been usurped by the idea of “happiness’, which Saint-Just, among the ideologues of the French Revolution (and an advocate of the Reign of Terror), declared as “a new idea in Europe”.
However, at the center of the discussion is Jandin’s evocation of the notion of jouissance (French for ‘enjoyment’ and ‘orgasm’, respectively), which Nancy addressed in both his essay on Lacan L’« il y a » du rapport sexuel, as well as in Dis-Enclosure. Jouissance , the Lacanian term for negative affects which store a possibility of enjoyment, affects which consist of both pleasure and pain, and are “beyond the pleasure principle, embody the separation between instinct and drive, and between procreation and pleasure (132). Once sexuality is dissociated from the aim of reproduction, once it is determined by the logic of the drive and its modes of representation rather than biologically driven, satisfaction is achieved through multiple fragmented erogenous multiple zones.
Just as in Freud, for whom the sexual drive, which although originally attaching itself to one of the somatic functions of the body can then exceed this function (e.g., the voice that is used for singing rather than for talking, the suckling of the breast in order to eat but shortly after, the suckling of the breast for pleasure, „sensual sucking“),[xv] Nancy similarly points to the dissociation between reproduction and pleasure, between life and what goes beyond it, to the intimate connection between jouissance and the death drive. As he remarks: “jouissance is how life shows that the desire to live, which is perhaps life itself very simply, goes far beyond the desire to go on living” (133).
[i] Jean-Luc Nancy, The Muses, trans. Peggy Kamuf (Stanford: Stanford University Press, 1996), 2.
[ii] Dominique Janicaud, Heidegger in France, trans. François Raffoul and David Pettigrew (Bloomington: Indiana University Press, 2015).
[iii] See Jean- Luc Nancy, Being Singular Plural, trans. Robert D. Richardson and Anne E. O’Byrne (Stanford: Stanford University, 2000), “Why are there Several Arts and Not Just One?” in Jean- Luc Nancy, The Muses, trans. Peggy Kamuf (Stanford, Calif.: Stanford University Press, 1997).
[v] An expression Rodolphe Gasché uses in The Idea of Form: Rethinking Kant’s Aesthetics (Stanford: Stanford University Press, 2003), 2.
[vi] For more on this point, see Ross, Alison. The Aesthetic Paths of Philosophy: Presentation in Kant, Heidegger, Lacoue‐Labarthe, and Nancy. Stanford, Calif.: Stanford University Press, 2007.
[vii] Jacques Rancière. The Politics of Aesthetics: The Distribution of the Sensible. Afterword by Slavoj Žižek. Trans. Gabriel Rockhill. London: Continuum, 2004.
[viii] Alain Badiou, Pierre Bourdieu, Judith Butler, et al., What Is a People?, trans. Jody Gladding (Columbia University Press, 2016), vii.
[ix] Jean-Luc Nancy, The Ground of the Image, Trans. Jeff Fort (New York: Fordham University Press, 2005).
[x] Ibid., 1.
[xi] For more on this point see “Why Are there Several Arts and Not Just One?” in The Muses, trans. Peggy Kamuf (Stanford: Stanford University Press, 1996).
[xii] Ibid., 38.
[xiii] Peter Gratton, Marie-Eve Morin (eds), The Nancy Dictionary (Edinburgh: Edinburgh University Press, 2015), 27.
[xiv] See Jean-Luc Nancy, Being Singular Plural, trans. Robert D. Richardson and Anne E. O’Bryne (Stanford, CA: Stanford University Press, 2000).
[xv] On this point see Jean Laplanche, Life and Death in Psychoanalysis, trans. Jeffrey Mehlman (Baltimore: The Johns Hopkins University Press, 1985), 17: “The crucial point is that simultaneous with the feeding function’s achievement of satisfaction in nourishment, a sexual process begins to appear. Parallel with feeding there is a stimulation of lips and tongue by modeled on the function, so that between the two, it is at first barely possible to distinguish a difference”
A reader looking to make their first entry into Jean-Luc Nancy’s work is bound to feel intimidated by the extraordinarily vast and varied nature of this particular French philosopher’s oeuvre. As it spans over dozens of books, hundreds of articles, and engages with almost every major modern thinker, one would be forgiven for feeling somewhat at a loss in deciding where to start. This is why the set-up of the interviews collected in The Possibility of a World is full of promise: guided by Pierre-Philippe Jandin, who shows himself both knowledgeable of how Nancy thinks and skilful in driving the conversation to cover as much ground as possible, Nancy is made to reflect on the entirety of his career in fluent and conversational language: the interviews provide both an accessible articulation of all the major themes of Nancy’s thought, if sometimes only implicitly, for those who are new to it; as well as a valuable insight into how Nancy relates to his own thinking and writing, for those who are already familiar with it. The present translation of these conversations by Travis Holloway and Flor Méchain generally captures Nancy’s playful use of the French language well, adding clarifying footnotes where necessary, and makes for a very fluent read in English that only falters occasionally when confronted with a particular French idiom or colloquialism.
Before delving into the conversations themselves, it is perhaps worth noting that, in my view, Nancy is a philosopher perfectly suited to be approached in this dialogical way: not just because it takes the sharp edges of his sometimes frustrating writing style; but also because the dialogical form – which, as Nancy notes, “has always been associated with philosophy” as the expression of “the free life of thinking” (Nancy 1982, 46-47) – embodies the very logic he wants to describe, namely the infinite circulation of meaning. Even when Nancy writes like any other philosopher would, he always does so under the guise of an engagement with someone else’s thinking: his own thinking exists in a dialogical interaction with that of others, to the point that it becomes hard to discern which ideas belong to which conversation partner, and that is exactly the point. Thus, in reading Nancy, we are always reminded of one fact: “without dialogue, no thinking, and no philosophy” (Nancy 1975, 330). In the case of the present text, we have the interesting opportunity to witness how, as prompted by Jandin, Nancy engages with himself, dialogues himself.
The first section of the book is dedicated to Nancy’s “formative years.” What the reader will not find here is a description of how Nancy sees the development of his own thinking throughout his life, for, as he admits elsewhere, he is “not somebody who is very self-aware, I don’t really have much of a conception of my own historical trajectory” (Nancy 2003, 45). What he does do in this section, however, is discuss the various “moments”, both anecdotal and more substantive, that would later prove important for his intellectual development. These anecdotes are really quite delightful. There is, for example, the very early memory of walking past a fence that “had these elaborate patterns.” Already betraying a theoretical orientation at that very young age, Nancy relates how he would “get lost in speculations about the necessity or non-necessity of all these adornments” (2). Then there is the story of his discovery of Heidegger: apparently the reason Nancy first engaged seriously with Heidegger was to play a trick on François Warin, by writing a text on Comte in a parody of Heidegger’s style that managed to convince Warin that it was actually penned by Heidegger himself (17-18).
One of the more informative moments he relates is his reading of the Bible together with the Young Christian Students when he was a teenager: for Nancy, this was “the beginning of a relationship with texts as an inexhaustible resource of meaning or sense (sens).” What he learned there was above all that “One has to interpret a text and this interpretation is infinite” (7). This can still be seen in what we could call the hermeneutic logic that governs all of Nancy’s writing and sits alongside a critique of the specific hermeneutics formulated by Ricoeur and Gadamer. This interest in the texts of Christianity, however, soon became detached from a “properly religious relationship” (8). It is this religious orientation, together with a taste for social and political activism, which he sees as “the initial ferment of my intellectual formation” (8). Nancy then goes on to discuss his initial discovery of Derrida, who he saw at the time as ushering in a profound intellectual upheaval (14, 22). Finally, it is worth mentioning how he looks back on his early work on Kant, undertaken when he was preparing to take the agrégation, for it sets the stage quite well for how he would later develop his own thinking: “What Kant taught us is that (…) pure reason is practical in itself.” Hence, he continues, “in our desire for the unconditioned, in our desire for sense, we’re practical, we act in the world, and so, a priori sensibility (…) is praxis. In every case, I am in action” (19). It is this notion of the sense of the world consisting in our action within it that sets Nancy up to articulate the idea that is at the core of, and indeed guides, his entire philosophy: “Images of the world must be substituted for a dwelling (habitation), a life of the world, in the world. (…) The world is a possibility of sense or meaning’s circulation and we have to make a world, to remake a world” (26).
This allows for a seamless transition to the second section of the book, which deals with Nancy’s understanding of world. Indeed, one of the strengths of these interviews is that they show very clearly how all of Nancy’s thinking hangs together quite closely. Regarding the world, he again takes up his starting point as it is formulated elsewhere (see Nancy 1997, 4): declaring that “There’s no longer a cosmos, there’s no longer a mundus” (38), by which he means that the world no longer appears to us as a coherent totality that is unified by some kind of inherent order. The world that we are to think “no longer has a sense, but it is sense” (Nancy 1997, 8), exists in a circulation of meaning. This leads him to formulate his relational ontology, where the meaning that is the world exists in what happens between entities, in how they relate to one another. It is this question of relation, central as it is to Nancy’s thinking, that he sees as never having received serious philosophical attention (48). Nevertheless, “What is the world,” he wonders, “if not precisely the possibility of the ‘between’?” (47). For, if meaning is not inherent to any single entity, it can only exist in how that entity relates to other entities. In that sense, it is the between, not the self-enclosed singularity of an entity, that comes first. It is only because of “the relation between the two, that is, the ‘between’ the two, which relates the one to the other and separates it from the other at the same time” (47), that something can be anything at all: thing A can only be thing A because it is separate from thing B, because it is-not thing B; because of a separation that constitutes thing A as thing A. It is only because of this between that there can be something, or rather, some things. Being, for Nancy, even when it is singular, is always plural. Indeed, it is only within plurality that there can be singularity. The world is then the totality of sense or meaning that is created by the constellation of different entities in their relation to one another (133). Nancy has coined the term transimmanence to describe the nature of the meaning constituted in this way: neither fully immanent, nor transcendent; but an immanence pointing outside of itself to the between that would be collapsed by full immanence (93).
Ultimately, this thinking of the between is a critique of self-sufficiency: the self does not constitute itself, but must go outside of itself in order to find itself. This opens up an entry into Nancy’s social and political thought, for this impossibility of self-sufficiency “is true for both the collective and the individual,” he notes, “the idea of ‘community’ quite clearly implies (through communitarianisms) the danger of shutting oneself off in self-sufficiency” (49). Indeed, the subsequent three sections deal mostly with Nancy’s handling of questions concerning community and politics. Political questions are essential for Nancy, as long as this is understood in a broad and nuanced way: for him, the French word politique means both “the organization of common existence (…), conjoining antagonistic interests,” as well as expressing “a sense or truth about this existence” (94), and as such has clear ontological significance. Most of the discussion revolves around Nancy’s (relatively) recent engagement with questions concerning identity in relation to the notion of the people, formulated polemically in reaction to the French government’s attempt to have a debate on national identity in 2009. Just like the world no longer has meaning, but is meaning; so too, the people no longer have an identity, but are an identity (Nancy 2015, 29-32). That is to say, their identity is not inherent but exists in their action within the world, their life of the world in the world: the people in themselves are not sufficient for the constitution of their own identity. Hence, speaking of the people always risks understanding this plurality inauthentically as absolute, coherent, self-sufficient singularity: “What allows one to make sense out of numerousness is the people,” Nancy says, “which gets expressed in forms that themselves are no longer numerousness, but suggest a ‘substantial’ unity (‘one’ people, ‘one’ nation)” (73-74).
The sixth section deals with Nancy’s understanding of religion, Christianity in particular. For Nancy, “in the depths of Christianity, there is something like the germ of the disappearance of the sacred” (99). What this means is that Christianity is the religion through which the West is able to leave the religious modality of thought behind. It is the religion that allows the West to emerge from its metaphysical closure, which Christianity is nevertheless at the same time also responsible for. Nancy traces this historical development in his two volumes on what he calls the deconstruction of Christianity (Nancy 2008; 2012). In doing so, he takes up various Christian concepts – God, creation, grace, etc. – and uses them to think atheologically: not necessarily against theology, but in any case against onto-theological metaphysics; in order to put on display how Christianity and the West are opening themselves up from their metaphysical closure. In doing so, these concepts come to describe the way in which we inhabit the world, our dwelling in the world: for example, “creation is the world existing,” Nancy says. “In another sense,” he continues, “one could say that within this lies an opportunity to recover the possibility of admiring, of adoring that the world exists, and the fact that I exist, that you exist” (102). That is to say, these concepts not only function within the (a)theological register, but also take on a much broader existential and ontological meaning.
In the same way, Nancy can be seen to charge the notion of art with ontological and existential significance in the seventh section of the book. There he explains how, given that we no longer live in a cosmos, a world that is unified in its display of a certain inherent order, art is in crisis: what is its role if it can no longer represent this order now that it has collapsed? Let me quote Nancy at length here: „It’s like another creation, a recreation of the world and when there isn’t actually a creator or organizer of the entire world anymore, then this gesture becomes detached for itself, but this gesture has always been the gesture of art, of opening the possibility of an ordering. And I think that one can say that the human being is the one who has to bring out a world, both as a form and as sense, or as language“ (106-107). Here Nancy is first of all saying that when art is without ground it fulfils a truly ontological role: in the absence of an order or truth preordained by a creator, art is no longer in the business of merely representing this truth; rather, it performs the gesture of the opening of the possibility of an order, expresses the movement in which the possibility of a world exists, by exposing the void at its origin as “the complete absence of beauty, that is, what points out or indicates beauty” (105). Art exposes what Nancy calls the patency, the opening or the transimmanence of the world: that the world is possible even in the absence of a unifying cosmic order, for it is patently already there in our engagement with it. Art exposes that the world is possible, that the world straightforwardly or manifestly makes sense to us, without the need for a unifying and ordering cosmology or metaphysics. As such art is, as Nancy puts it, “the presentation of presentation” (Nancy 1996, 34), of the infinite circulation of sense that is the world. All we need to do is greet the world in its thereness. Art thus embodies the very gesture of the world as it is constantly coming to be in our engagement with it, in our dwelling within it. When Nancy then says that human beings bring out a world, he means that “the human being is both the expression of the world and the world’s expression,” that is to say that it “is the inhabitant of the world, but at the same time, it transforms the world deeply through its technē, its technology, what in Latin gets translated as ars, its art” (115).
The discussion on art, the presentation of presentation, makes for a smooth transition to the final two sections of the book, dealing with presence and joy. Nancy here reprises, albeit in a more metaphysical way, the analysis of presence that he already formulated in his essay on sleep (see Nancy 2009). According to him, there is never full presence, indeed absence is at the heart of presence: just like the self needs to go outside of it itself in order to find itself; so too he understands presence generally as the continual arrival, or birth, of non-being into being. Here Nancy makes this clear by talking about how when we fall asleep, we at the same time descend into nothingness as well as fall into ourselves and the world. “Every morning,” he says, “one comes back to the world after being truly absent during sleep, which is connected to this poor, physiological, biological truth: Without sleep, one can’t live for long” (121). Though this does not come through particularly clearly in these interviews, for Nancy joy (jouissance) is the moment or experience of being on the limit shared between those two opposites – being and non-being, inside and outside, presence and absence, etc. – through which meaning comes-to-be as the sense that is-about-to-be, to come, through one’s being-outside-of-oneself. “Joy, jouissance, to come,” Nancy says, “have the sense of birth: the sense of the inexhaustible imminence of sense” (Nancy 1993, 5). As such, joy is the experience of ek-sistence as it “strives toward (…) the world and Being-in-the-world, that is, toward the possibility of making sense” (133). Knowing that these interviews were conducted in 2013, Nancy’s thinking of joy here seems to anticipate the conversations with Adèle Van Reeth he would have on the subject not long after, conversations that were published in 2014 under the title La jouissance and translated into English in 2016 as Coming (Nancy & Van Reeth 2014; 2016). It is perhaps unfortunate that the translators do not make a note of this, as one of the strengths of this book is that otherwise, whenever a particular aspect of Nancy’s work is broached in the interview, it comes with a series of useful footnotes that direct the reader to the relevant texts by Nancy or indeed his interlocutors.
Finally, it is worth pointing out that some of the most interesting reflections Nancy articulates over the course of these interviews are often the result of him briefly going off on a tangent. For example, he perhaps shows himself the present-day Kierkegaard or Nietzsche – albeit with a decidedly less capricious personality – when he recounts how he envies the painter and the writer of literature and poetry, since their mode of expressing themselves might be more suited to what Nancy is trying to do. The relationship between philosophy and literature has been a central topic of Nancy’s thinking since the start of his career, and indeed continues to be to this day: “I have the feeling that my philosophical texts aren’t philosophical enough,” he says, “that they need to be more philosophical, but in order to be so, they need to no longer be philosophical, but something else” (23). Hence, Jandin describes Nancy’s writing strategy very accurately by saying that we “aren’t in the coincidentia oppositorum, nor are we in a dialectical logic; we are trying to go ‘between’” (124). The possibility of a world rests entirely on this notion of the between that is explored by Nancy’s writing. Therefore, Nancy’s writing itself must be understood as similarly structured as the world it is trying to shine a light on, to uncover, to stage; a world that is “centrifugal, erratic, open” (134).
Jean-Luc Nancy, ‘“Our World” an interview’, trans. by Emma Campbell in Angelaki: Journal of the Theoretical Humanities, 8:2 (August 2003), 43-54.
Jean-Luc Nancy, Le partage des voix (Paris: Galilée, 1982).
Jean-Luc Nancy, ‘Le ventriloque (À mon père, X.)’ in Mimesis: Des articulations (Paris: Flammarion, 1975), 271-338.
Jean-Luc Nancy, The Sense of the World, trans. by Jeffrey S. Librett (Minneapolis: University of Minnesota Press, 1997).
Jean-Luc Nancy, Identity: Fragments, Frankness, trans. by François Raffoul (New York: Fordham University Press, 2014).
Jean-Luc Nancy, Adoration: The Deconstruction of Christianity II, trans. by John McKeane (New York: Fordham University Press, 2012).
Jean-Luc Nancy, Dis-enclosure: The Deconstruction of Christianity, trans. by Bettina Bergo, Gabriel Malenfant and Michael B. Smith (New York: Fordham University Press, 2008).
Jean-Luc Nancy, The Muses, trans. by Peggy Kamuf (Stanford: Stanford University Press, 1996).
Jean-Luc Nancy, The Fall of Sleep, trans. by Charlotte Mandell (New York: Fordham University Press, 2009).
Jean-Luc Nancy & Adèle van Reeth, La jouissance: Questions de caractère (Paris: Plon/France Culture, 2014).
Jean-Luc Nancy & Adèle van Reeth, Coming, trans. by Charlotte Mandell (New York: Fordham University Press, 2016).
Jean-Luc Nancy, The Birth to Presence, trans. by Brian Holmes et al. (Stanford: Stanford University Press, 1993).