The Possibility of a World is a transcript of a conversation between Pierre-Philippe Jandin and the philosopher Jean-Luc Nancy. The conversation, which broaches topics spanning philosophy, art history, ethics, politics, religion, community, the Bible, the French Revolution and beyond, exhibits the wide and almost unprecedented scope of Nancy’s writings. This journey through Nancy’s thought is guided by the careful and considered questions of Pierre-Philippe Jandin who, in playing an active role in the conversation, challenges and provokes Nancy with testing questions and comments. An important statement precedes the conversation: “in accordance with J-L Nancy’s wishes, we have attempted to preserve the spontaneity of oral discussion […]”. Owing to this, the reader finds herself standing “on the threshold” (to use Nancy’s phrase from an essay of the same name), observing a scene. This scene, or conversation, is composed of nine chapters, each devoted to a specific topic, and beginning with a question that dictates the direction of the discussion. However, unlike a well-planned interview, the charm of this conversation lies in its associative, non-linear (and not always well-explained) façons de parler.
In keeping with Nancy’s central preoccupation regarding the ontology of plurality as a fundamental ontology, what presides over the entire conversation is a concern with the need to rethink ethics in a “world [that] is no longer simply a cosmos, a mundus, partes extra partes (an extension of distinct places), but the world of the human crowd” (28). In other words, a world that is neither harmonious nor orderly (in the sense of the Greek ‘cosmos’), but rather an irreducible plurality of worlds. Furthermore, this claim extends beyond the argument about the plurality of worlds, since what is at issue is “the plural itself as a principle”,[i] irrespective of whether it concerns politics, the thought of community, or the plurality of the Arts. These modes of plurality, and the consequent requirement to rethink ethics, preoccupy the body of this conversation.
The Possibility of the World does not—and is not intended to—introduce Nancy’s philosophy to the “novice”. Instead, it represents a journey through Nancy’s thought, with which we are already familiar. Owing to this, the book reads as though it were a director’s cut, adding another dimension to a movie or biopic. Given the broad scope of each chapter, in addition to their associative manner, I have chosen only to elaborate on the central issues evoked by each chapter, rather than reviewing chapters in their entirety.
The conversation commences with a preliminary, autobiographical chapter entitled “Formative Years”. This concerns Nancy’s childhood until his mid 20s. On this topic, Jandin begins with a provocative and ironic question:
How did you become a philosopher? Especially since you gave a lecture in 2002 at the Centre Pompidou entitled: “I Never Became a Philosopher.” What’s this non-becoming, then? (1)
I didn’t become a philosopher because I’ve always been one. All that I’ve known, or all that I’ve experienced, took place against a background that I wouldn’t call philosophical, though it’s close to it— a background of interest in the things of thought, in conceptions. (2)
The first chapter explores Nancy’s philosophical upbringing.
Nancy’s entry into the world, as Jandin puts it, unfolds in a time of turbulence. Born 1940 in the “thick of World War II” in occupied France, the young Nancy spent most of his childhood in Baden Baden, Germany, owing to his father’s work. As a young boy, Nancy recalls finding great pleasure in “meandering alone in nature” (3), but also, if not especially, in the solitude of reading, which he experienced as “a withdrawal from the rest of the world […] which was an entrance into another world” (3). In 1951, the family returned to France and the young boy entered French school in the middle of sixth grade, which he had in fact commenced already in a French lycée in Germany. He would later on join the Young Christian Students (YCS), a youth movement oriented towards leftist Catholicism, which he recounts as providing the “initial ferment of my intellectual formation” (8):
As I realized much later, this was certainly the beginning of something for me, the beginning of a relationship with texts as an inexhaustible resource of meaning or sense [sens]. The biggest revelation that I had through this exercise was that, in a text, there is practically an infinite reserve of sense […] Basically, this is what I was trained to do: One has to interpret a text and this interpretation is infinite. (7)
While the Catholic orientation of that movement provided the adolescent Nancy with his first encounter of biblical texts and their inexhaustible fount of sense, this encounter eventually culminated in a crisis of faith:
Suddenly the mere possibility of being in what I could think of as a relationship to God— addressing him, having to recognize myself as a sinner, having to confess, having to receive the communion of the body of Christ—all of this had completely lost any substance. (9)
Thus, while the YCS, with its religious orientation, provided the initial path to social and political advocacy, the young Nancy discovered that it was not the only path to becoming socially and politically engaged. Moreover, on account of his distancing from religion, he was increasingly drawn to philosophy. The first philosopher mentioned in this long conversation is Jacques Derrida, whose writings he came upon in 1964 (at the age of 24), and on whose philosophy he writes “I felt that something was bursting open. There was a timeliness to this thought […] A new language was trying, at least, to find itself” (14). However, even earlier on he had discovered Hegel and Heidegger (an encounter that Nancy elaborates on in “Heidegger in France”).[ii]
However, above all it was Kant’s Critique of Pure Reason that formed part of the aggregation that left the strongest impression on the young Nancy. Kant’s legacy, Nancy argues, is “enormous”, and far “greater than [Hegel’s]” (18). What changes with Kant is that there is no longer a distinction between the domain of pure reason and the domain of praxis, since after Kant “pure reason is itself practical, which is why it doesn’t need a critique, but rather a critique of its use” (19). Another leitmotif of Nancy’s writings was his preoccupation with the question of the relationship between the sensible and the intelligible, around which the entire Kantian critical corpus revolves (and which is referred to within Kant scholarship as “the Nature-Freedom problem”). These concerns, deemed the one thing “that had never been thought by metaphysics” (20) according to Kant writing to Marcus Herz, were centrally important to Nancy’s own writings, as evidenced (inter alia) in The Muses, Corpus, and The Ground of the Image.
As far as Nancy was concerned, challenging the distinction between pure and practical, sensible and intelligible, constituted a project originating in Kant. Such concerns inevitably move us away from the domain of the first Critique and its study into the possibility of a priori sensibility, to the domain of the third Critique, and its study into a different mode of sensibility.
It is here that the discussion turns to art and its difference from philosophy. “I envy the artist”, Nancy admits, because they “manage to do things which are real!” while “I have a feeling that my texts are too oriented towards the conceptual”. Philosophers “are a group of people who want clarity” (21). On this point, one need only recall Descartes’ fundamental distinction between clear and distinct ideas (as opposed to obscure and confused ideas) in The Passions of the Soul. While Western metaphysics is haunted by the metaphor of light, the artist has the freedom to dwell in the shadows. “I look into the night and enter it”, Nancy quotes Bataille, “but no philosopher truly takes it upon themselves to do that because philosophers are supposed to introduce light into the world” (21). For Nancy, philosophy is not an escape from a cave towards the bright light of the Idea. Philosophy is rather a dwelling-place between light and shadow, between philosophy and poesies: it is a form of writing that encroaches upon a reality that is irreducible to the conceptual, and which, in Nancy’s words, is an ex-scription (a writing from the outside). As he remarks, “words and ideas are not only words and ideas but the circulation of the real”.
The first chapter culminates with this ethically toned remark:
Human beings no longer live in the world in the sense of Hölderlin, reprised by Heidegger, when he writes: “poetically, man dwells.” “To dwell” [habiter] means to be in the habitus, not in the habit but in the “disposition,” an active disposition. In the end, habitus is not far from ethos; what we need is an ethics of the world. This is perhaps the greatest issue of Western civilization, which has now become worldwide [mondiale], or global [globale]—to have had this will to transform the world in order to make it a human world […] This is what Heidegger meant when he introduced what we translate as “Being-in-the-world” (in-der-Welt-sein); to say that the existent, the Dasein, is essentially in the world simply means that it’s necessarily involved in the circulation of meaning or sense, which is what makes a world. (26)
Notwithstanding this Heideggerian-toned observation, Nancy ends up invoking Kant’s Categorical Imperative: “Act as if the maxim of your action were to become a universal law of nature”:
The imperative is what has been given to human beings in order to make a world, in the end, this means that what’s at stake is to make or remake a world. (27)
This world, which has become an object of knowledge “is at the same time a world where human beings’ presence […] has been pushed aside” (26). We no longer live in the world as beings-in-the-world, we flee from this existential, from this mode of being, and in doing that we flee from our essence as existence.
Nancy interprets Kant’s principle of universality as the ethical obligation of each of us to remake a world, recreating it for the type of being that we ourselves are—Dasein—in order to recapitulate the question of being and our relationship to our being through this creation.
The second conversation, entitled “The World”, picks up the question of ethics and the remaking of the world in connection to one of the fundamental concerns of Nancy’s philosophy, namely the theme of plurality.[iii] Jandin begins by quoting Nancy’s argument in Corpus:
Our world is no longer simply a cosmos, a mundus, partes extra partes (an extension of distinct places), but the world of the human crowd, the non-place of a proliferating population, “[an] endless, generalized, departure.” (28)
Today it is no longer possible to sustain thought about the world in terms of a cosmos in the Greek sense, that is, a uni-verse that is harmonious, beautiful, unified, and total. This narrative is no longer valid, not only philosophically, as Nancy remarks; it is also scientifically untenable: “today astrophysics is compelled in a way to think a plurality of worlds” (30), a multiverse rather than a universe. This thought has two repercussions: “that we no longer can retain the model of a single universe”, but additionally that:
from now on all theories of physics have to think of themselves as a construction of fictions. Moreover, in The New Scientific Spirit, Bachelard writes, in effect, that: [Instruments] are nothing but theories materialized. The phenomena they produce bear the stamp of theory throughout. […] [We] produce, we multiply new objects according to several approaches, and thus we manage to produce several worlds. It’s better to say, perhaps, in order to avoid harming the spontaneous, realistic feeling, that we produce several possibilities of worlds or even several fictions of worlds. Nevertheless, even this word, fiction, is dangerous because it could allow one to think that behind this fictional world lies the true world, when we are perhaps moving past the representation of science as an objective knowledge that comes closer to a real that exists in itself. (30)
The plurality of worlds, an expression coined by Fontenelle that Nancy appropriates as the subtitle of his essay, “Why are there Several Arts and Not Just One?: (conversation on the Plurality of Worlds)”,[iv] refers to plurality as ontological principle rather than as empirical ontic idea, which merely points to the diversity of our world. Referring to this essay, Jandin remarks:
[…] the multiplicity of the “arts” can’t be subsumed under the unity of a concept of “Art,” you insist on the irreducibility of plurality. It’s the world itself that’s plural, and plurality or space is, so to speak, what makes it shatter from the inside. (37)
This argument resonates with not only Nancy’s theme of the Singular Plural but also Kant’s definition of reflective judgment as opposed to a determinate judgment, as expounded in the Critique of the Power of Judgment. The difference between these forms of judgment can be summarized as follows: the former is a kind of judgment for which no determinate concepts are available and which is therefore cognitively unmastered;[v] the latter, by contrast, countenances the possibility of subsuming the manifold of intuition under a unified concept or law. In a similar vein, there is no concept of Art to unify the heterogeneity of the arts, “art would thus be in default or in excess of its own concept” (The Muses, 4), which is to say that there is no principle of homogenization under which to subsume the multiplicity of worlds that we inhabit as beings-in-the-world. This is, therefore, a thesis that goes to the heart of Nancy’s ontology, while sharing firm ground with Kant’s aesthetics.[vi]
What is lost as a consequence of the fact that we “no longer [live] in a cosmos […] we no longer perceive the totality of an ordered and thus beautiful world” (29), is the loss of the image of man as derived from the idea of humanitas. On the one hand, Nancy emphasizes the great emancipatory value of the Enlightenment: it freed human beings to think for themselves, and it inaugurated the moment of the “auto”. Nevertheless, today we face a different challenge, intimated by Nancy’s claim that our world today is a place of plurality, of multitude, which consequently furnishes us with a new ethical task. At issue is no longer the imperative “to think for oneself”, but rather the requirement “to think about the multiple as dis-position, as dis-tinction” (50), that is, to think of the plural itself as a principle without neglecting the singularity and particularity of each individual. In other words, we must think of plurality not in terms of the faceless masses, but in terms of co-appearances. We must think of the multiple as the new face of humanitas.
Extending the discussion of plurality and the plurality of worlds, the third chapter is devoted to the notion of community as a politically active force of resistance. Jandin begins by asking Nancy to clarify the notion of community “by differentiating it from related notions, such as, for example, crowds, which inspired Baudelaire and sparked Benjamin’s thought, or masses, classes, and the multitude” (51). Having addressed the notion of crowd, Nancy turns to discuss the notion of mass:
[It is] a word that we’ve almost forgotten about today, although it used to be very present, perhaps after the postwar period, the adjective “working” frequently accompanied it: the “working mass”, an expression that was used in a positive way, by people who were involved in the social conflict. (55)
Whereas the notion of mass has been made redundant on account of our having “given up on a certain vocabulary of struggle”, the idea of a political community remains, although it instead appears under new “modified” names. Taking the place of “mass”, Nancy argues, are notions such as Rancière’s “no part” (sans part), suggesting a political alternative: a possibility of a world in which “there’s no politics unless the ‘no part’ manifest themselves in a movement in order to claim or demand their right to have a part” (58). Thus, while the class struggle in the Marxist sense is obsolete—both in language and in praxis—in Rancière’s thought (which Nancy sees as Marxist critique within Marxism itself) we may hope for “a new distribution of the sensible”,[vii] that is, for a Dissensus (disagreement). What we lack today, indeed what is lost, as Nancy points out, is the self-interpretation of society in terms of a conflict. And notwithstanding the fact that the rich get richer and the poor get poorer, Marxist vocabulary is obsolete. We no longer hear about class struggle and exploitation. Instead we are caught in the mechanism of Capitalism, which provides the language of self-interpretation. This language is that of consumption and accumulation: of consensus rather than dissensus.
In these circumstances, there is no longer any distance between the crowd and Capitalist logic. Since the “good life” is now given in term of consumption there is no longer any conflict or resistance. Thus, as Jandin notes, in our culture “the workers themselves produce the objects that they must acquire in order to live the ideal life” (59). What is lost, nevertheless, is the distance necessary for developing a critical attitude: the distance between the subject and agents of power, which Foucault elucidates by identifying the prisoner’s with the guard’s gaze, bespeaking the loss of distance between the subject and the ideology of power, which is now internalized. This marks the wholesale loss of dissensus. Nancy names this situation the “rehomenization of society”, explaining through this phrase that we are facing a new kind of (so-called) equality, whereby everyone is equal before the ideal of consumption, understood as the newfangled ‘Highest Good’.
In a society that values large numbers (and large number of objects) we see how the logic of “accumulation for accumulation sake” operates. Today everything is commodified: art, nature, universities—even the human being. The chapter concludes pessimistically: if the word ‘emancipation’ comes from Roman law, an emancipated slave becomes a free man:
[Today], on the other hand, it’s perhaps no longer possible to think about an absolutely emancipated human being […] And we’re dealing with a question that’s come up before: Who? We don’t know who we emancipate—we say it’s man, but actually, since we don’t know who man is, we don’t know who we emancipate . . . (65)
The fourth chapter, entitled “People and Democracy”, centers upon the notion of “people”. This chapter recently received critical attention in the collection of essays What is a People? (Columbia University Press, 2016), addressing the ambiguity surrounding this notion, in particular whether it is one of “political emancipation” or whether it has become a notion akin to “a group of words like ‘republic’ or ‘secularism’ whose meanings have evolved to serve to maintain the order. »[viii] To demonstrate ambivalence towards this notion the conversation begins with an anecdote that Nancy recounts of giving a talk on the notion of “people” at a conference in Cerisy, dedicated to Jacques Derrida, entitled “Democracy to Come”. After finishing his paper, Derrida approached Nancy and said to him: “I would’ve said everything you said, but not with the word ‘people’”, to which Nancy replied, “Ok then, but give me another word”. He answered, “I don’t know but it’s not ‘people’”. What Derrida expressed, Nancy tells Jandin, “through this discomfort, the discomfort of our current philosophical situation, was this: At certain moments, we lack the appropriate words” (67). Derrida’s reaction demonstrates his suspicion regarding this notion, even though there is no better word to use in its place. This is not merely a linguistic or discursive failure but rather attests to a certain reality that this notion embodies as an “indication of something that exists, that must exist” (70).
Whereas “the people” are something that must exist, it is at the same time not given, for the construction of a “people” depends on an act of self-declaration, that is, a constituting speech act. In other words, a “people” can only become a political community in this act of self-constitution. Here, then, we can see the emancipatory value of the term in acts such as the one that constituted the “French people” during the Revolution. This act of self-declaration was unprecedented:
I don’t think the French people had ever declared itself as such before through anyone; the king declared himself “King of France” and by the same token all of his subjects were subsumed under or assumed by the royal declaration. The institution of the “sovereign people,” which is not an empty expression, will probably give rise to dangerous political problems. But the “sovereign people” is perhaps first the fact that the people must be able to make a self-declaration, without any superior authority to declare it or institute it as such. (71)
It was in this self-declaration of the French people (at that time of the Declaration of the Rights of Man, and of the Citizen) that the Revolution began. Henceforth, the discussion turned to the question of the possibility of singularity within the plurality that the notion “people” connotes, as well as an interesting discussion on the implications of the notion of “people” in a culture, whereby what furnishes the tone is a concern with political correctness.
The fifth chapter deals with the question of political affects, which Nancy briefly touched upon in the third chapter. This chapter is governed by questions such as: “do political affects exit?” and if so “what are they?”, and “Why must there be something from the affective realm in order for political life to be possible?”. From the outset, Nancy dismisses what might have been the obvious answer to the first question, namely that political affects are essentially fear and terror, which one would normally associate with power relations. However, these affects, Nancy argues, are insufficient to “ensure the durability of a government”. Rather, the contrary is true: force must exhibit a sense of amiability so that one can trust the sovereign. This ensures a persistent, uninterrupted flow of power. This argument is supported by historical examples such as the case of Louis XV who was named “the beloved” or the image of the King as a Father, someone who takes care of a family, “the Patriarch”, looking after his subjects/children. But even if (as Machiavelli’s example makes explicit) one encounters the “virtuous appearance” of the prince, as Nancy rightly notes, “someone who has a cruel or perverse personality must be careful to present themself in a certain way” (87).
However, despite the intimate connection between sovereignty and affect, in the era of the modern state we witness the disappearance of affect:
To return to the topic of the modern State, one can say that, on the one hand, it’s forced to constitute itself outside of the affective realm of religion if it wants to claim its full independence, which would come to be called sovereignty, but on the other hand, it would still be forced to seek to qualify itself affectively in several ways and at several moments. (79)
Apart from the historical analysis of the dynamic between Church and state, it is noteworthy that, for Nancy, the question of affectivity holds an ontological significance, particularly in pertaining to the being-with of each of us. The connection between the singularities in this plural “body politic”, the community, is formulated in terms of touch (toucher), which is one of the fundamental concepts in Nancy’s philosophy. Marie-Eve Morin argues that touch is “somewhat equivalent to rapport or sense. That is, it names what happens between singularities, right at the extra of the partes extra partes”, rather than the merging of singularities into a unified whole.
Contra both the common-sense and philosophical understanding of touch as the sense of proximity (by opposition to the senses of sight, smell and hearing, which can sense at a distance), Nancy insists that in touching, what is touched always remains outside of what touches it, so that the law of touch is not so much proximity as separation.
The sixth part of the conversation, entitled “Politics and Religion”, is a shorter discussion on the difficult question of how the philosophical, the religious and the political interconnect. The discussion revolves around two axes: first, the implication of taking a theological term and using it in a non-theological context, and second, the question of the sacred.
Nancy addresses the first part of the question by making a reference to Gérard Granel’s essay Far from Substance: Whither and to What Point? (Essay on the Ontological Kenosis of Thought Since Kant). There, the Christian notion of “kenosis” (which appears in Paul) is given “an ontological index that is no longer theological” (96). Nancy recalls approaching Granel:
I remember asking him back then: What’s this about? Can we leave the theological behind? Today, very briefly, and as a start, I’d say we can’t. When we speak about “secularization” […] what are we talking about? Is it the complete transfer of the same content but in another context? If one takes a fish and puts it in a dry place, it can no longer live. Is it a metaphorical displacement? But then what does metaphor signify if one takes an element out of religion, it may no longer have a sense. If one extracts “kenosis”6 from its context, as Gérard Granel suggested, is there any sense in speaking about God “being emptied” of its deity in order to become a man outside of Christ, who was precisely this god who joined humanity completely? More simply, can one hold on to the term kenosis outside the context of creation and incarnation? (98)
Addressing the second part of the question, Nancy turns to discuss the notion of sacrifice and its relation to the sacred. Christianity, in its beginning was considered by many to be a philosophy, he claims. However, unlike philosophy or other religious groups it had a “relationship to a higher power and a higher ability to receive the complaints and the offerings of man at the same time, that is, a power that belonged to a logic of sacrifice in one way or another. Is this not what’s at stake in Christianity, which is perhaps the sacrifice that puts an end to all sacrifices, in the words of René Girard?” Nancy sees a connection between sacrifice and the “sacred” defined in The Ground of the Image as what “signifies the separate, what is set aside, removed, cut off”.[ix] If the sacred is what is set aside and cut off, how do we bond with it? Nancy’s answer is through sacrifice:
One attempt to form a bond with the sacred occurs in sacrifice, which as a matter of fact does belong to religion, in one form or another. Where sacrifice ceases, so does religion. And that is the point where, on the contrary, distinction and the preservation of a distance and a “sacred” distinction begin.[x]
However, if religion must involve a relationship to the sacred then Christianity is a “completely desacralized religion, which in a sense has been understood by modern society because it’s secular.” (100) But questions that remain are these: Can we be satisfied with desacralizing in this way? Is Christian behavior tenable as something that completely abstains from any relationship with the sacred? Given our over-scientific technological world:
one hardly sees how humankind could simply go back to the sacred now […] Perhaps the very grasping of what we call technology, reason, rationality, and so on will be transformed, but if this is the case, I don’t think that it will be in order to go back to some form of the sacred. (101)
In the seventh chapter the conversation turns to the question of art, a concern at the core of Nancy’s philosophy. While previously claiming to envy the artist who has the freedom to transcend the sensible/intelligible dichotomy, Nancy now turns to address the ontological implications of art, which he explored extensively in The Muses. Nancy begins by arguing that art presents us with a domain privileged for being able to reveal the “ontological range of what we’re after”, provided that we insist on the “heterogeneous multiplicity of the registers or regimes of the sensible” (112).[xi] But before exploring the theme of plurality, and the plurality of the senses, the discussion turns to the situation of art today, where by “today” Nancy means “a time in which the notion of art is no longer connected with the notion of cosmos or the notion of polis” (103) but is instead concerned with what is commonly referred to as “the crisis in art”. Nancy begins by exploring the historical background to this crisis (a crisis that we can perhaps simply call ‘modern art’) and the conditions leading up to it:
The decomposition, if not the rotting or certain disrepair or disassembling of something that was held to be a cosmic and cosmetic order until our time, or perhaps until the so-called “world” wars […]. This good and beautiful order, as it was thought about from the perspective of Europe or the United States, usually presented itself in the form of the nation-state. Besides, at the time of World War I, this order of the City […] began to crumble. (104)
However, despite the historical circumstances leading to a crisis in art, it is with Hegel that the idea of the “end of art” was introduced into philosophical discourse:
Here we can’t avoid returning to Hegel, to whom one always attributes the phrase that suggests art is dead or over, but whose actual words are that art is “a thing of the past.” With this expression, Hegel wanted to say that art as a representation of the truth, as the bearer of the representation of a general layout, was over, and I think he was spot on. (104)
Nancy here evinces agreement with Hegel’s thesis that art “is a thing of the past” insofar as art is no longer a representation of truth. Moreover, for Nancy art’s power is not in its mimetic function at all. Rather, art “consists [in] the gesture of taking sensation to a particular intensity” (104). This is not to say that art is merely about intensifying sensations, but instead that art first and foremost has to do with the discovery that our sensibility does not merely serve epistemological purposes—the sensible component in the acquisition of knowledge and cognition—but rather we can use our sensibility and our senses in ways that exceed cognition and induce pleasure. On this point, as Nancy remarks: “Once a man starts playing with his voice, not just speaking, perhaps already singing, we are no longer in the realm of phenomenology” (114). It is here where sensibility departs from its cognitive function—from its contribution to the cognition of an object, as Kant would have put it in the third Critique. Owing to this, the path to discovering a different aspect of sensibility is opened. Thus, in this respect the “end of art” designates both an end of an era, but at the same time the dawning of a new way of thinking about art, which is no longer committed to mimetic purposes, such as it had been since Plato’s Republic, but is rather (in Nancy’s words in The Muses) a “teckhne of existence”.[xii] For Nancy, while art has lost its representational function, it simultaneously gained ontological power: “like being, art presents itself as a surprise. It makes something visible without reproducing anything that would exist previously”.[xiii]
Nancy employs Focillon’s distinction between form and sign to argue that in modern art, color and sound function like “form” (which, one could add, was a fundamental category to aesthetic thinking since Kant’s third Critique). These, in being forms, signify only themselves, as opposed to being signs that “[signify] something else”. Thus, in departing from its representational vocation, art is freed to explore its own medium, and to make visible its own materiality. To this end, art “[makes] sound be heard for itself as it is being produced” (108), and “[does] color for color’s sake”, a paradigmatic example of the latter being, as Nancy notes, Yves Klein’s Blue (108).
The eighth part of the conversation is devoted to an elaboration of a distinction Nancy drew between “the present” and “presence” in After Fukushima: The Equivalence of Catastrophes. Jandin begins by placing the topic in context:
[You] distinguish between two senses of the present: the present as it’s been criticized in the “metaphysics of presence” (being present to oneself, etc.) and the present that should be taken into account more seriously in the sense of what is ephemeral, in the words of Haruki Murakami, the Japanese writer you cite. In other words, has the moment come for carrying out a displacement of our thought, from a problem of time to a problem of space? (119)
J.-L.N.: Yes, a problem of space as in spacing, which may also be the spacing of time, which even our own Western tradition knows very well.
Nancy uses the term “spacing” to designate the act of the original unfolding of space as the site of the moment of the event. It is an original unfolding of spatiality that is exposed only temporally. In Corpus, Nancy describes this space as “a space which is more properly spacious than spatial, what could also be called a place”. Prior to any ontic, empirical space, it is the “ontological clearing” (lichtung) in the words of Heidegger, wherein Being is made patent. Following Heidegger’s critique on the metaphysics of presence, and the stasis, permanency and immovability associated with the thinking of being in terms of a substance, Nancy thinks being in the active transitive sense ascribed to it by Heidegger. As such being itself, presence, is always in movement which cannot be suspended:
All of us have in mind these lines from Lamartine: “O time, suspend your flight, and you, auspicious hours / Suspend your sequence on: / Let’s savor the rapid, evanescent delight / of beauty’s finest hour” — words pronounced by the woman whom the poet loves.3 It’s the request that the flow of time be interrupted, if you like, and this interruption is not a cut or an absence of continuity, but the suspension of the continuity through which it can present itself to itself. The female lover implores for the suspension of time, for spacing instead of the haste of successive moments, which end up nullifying the present moment. (119)
The suspension of continuity that the lover implores is a request to be in the present, to seize the “now”, to cherish the moment and freeze it just for a second so as to “be” in it. But this wish is of course in vain. Just as “time flies”, being is always in movement. In “Laughter, Presence” Nancy addresses the painter who paints the woman he desires, but this is “the painting of her disappearance or of her disappearing”.[xiv] If it is possible to long to paint her, it is because she has « appeared »—but « so rarely », and « so quickly fled”. Ontologically coming and going, into presence and out of presence, is one and the same movement.
In Basic Problems, Heidegger reads a fragment of the pre-Socratic philosopher Anaximander addressing movement in terms of the “arrival and departure » of Being: the « transition from coming and going” into presence. If the standing of Being in the Open is temporal rather than static or permanent then what emerges into presence is at the same time in the movement of departing from presence. This is the temporality of Dasein as opposed to the two other types of entity Heidegger defines in Being and Time that have a different existence in time:
But in this metaphysics, presence is actually considered to be something thrown on the shores of the river of time and that remains there in a sort of abandoned immobility. This is what Heidegger calls Vorhandenheit, that is, “Being-present-at-hand” [être-la-place-devant], a dense, motionless, silent, insignificant thing, to be differentiated from something “ready-to-hand” [sous-la-main] that is available for the activity or project of an existent, or what Heidegger calls Zuhandenheit. But one could say just as well that presence in this sense, even with the distinction between the two nuances, is not present at all or is present only for the existent that has it at its disposal. (120)
For Dasein, “one can understand presence in a completely different way as being intimately connected to manifestation or appearance, as we were saying, in the same sense as when one says that someone has a “presence” or that certain actors have a particular “presence,” which means the exact opposite of a thing’s presence. In this case, this presence is a “coming” (one “comes into the presence of”), an “appearing.” (120)
In the concluding chapter “Nihilism and Joy”, Nancy returns to the theme of affects. However, at issue are not political affects but affects that Nancy defines “as an affirmation of a sense of existence”. Jandin introduces the topic by questioning:
Our—final?—question is about nihilism and joy. Can one hear in “the possibility of a world,” the expression that seals our interview, an interrogation into the hope of exiting out of nihilism, which would mean being done with this world that’s ending and which has an affective tone of, in the words of Günther Anders, both hopelessness and the desire for revolution?1 Could one consider a world of joy—I’m aware of the Christian connotation of this expression—in the sense in which you write that “ there is not much joy in the human of humanism”? Must the “retracing” of the limits of the political leave room for the opening of spheres where joy would be possible? (127)
Jandin’s definition of nihilism in terms of the absence of joy appeals to Nancy (“I like this question’s position, which I’ve never thought about”). However, the latter attributes the “disappearance of joy”, and the “loss of enthusiasm – sacrificial, ecstatic, mystical […] [that] was present in all the mystery religions that existed up until Rome” (128) to the influence of Stoicism and Epicureanism, which [privilege] logos at the expense of Eros (128). Against the prominence of logos, Nancy claims, Christianity appeared with the theme of joy, particularly through participation in the divine, thereby fulfilling a need that was sought. In the modern world since the eighteenth century, Christian joy has been usurped by the idea of “happiness’, which Saint-Just, among the ideologues of the French Revolution (and an advocate of the Reign of Terror), declared as “a new idea in Europe”.
However, at the center of the discussion is Jandin’s evocation of the notion of jouissance (French for ‘enjoyment’ and ‘orgasm’, respectively), which Nancy addressed in both his essay on Lacan L’« il y a » du rapport sexuel, as well as in Dis-Enclosure. Jouissance , the Lacanian term for negative affects which store a possibility of enjoyment, affects which consist of both pleasure and pain, and are “beyond the pleasure principle, embody the separation between instinct and drive, and between procreation and pleasure (132). Once sexuality is dissociated from the aim of reproduction, once it is determined by the logic of the drive and its modes of representation rather than biologically driven, satisfaction is achieved through multiple fragmented erogenous multiple zones.
Just as in Freud, for whom the sexual drive, which although originally attaching itself to one of the somatic functions of the body can then exceed this function (e.g., the voice that is used for singing rather than for talking, the suckling of the breast in order to eat but shortly after, the suckling of the breast for pleasure, « sensual sucking »),[xv] Nancy similarly points to the dissociation between reproduction and pleasure, between life and what goes beyond it, to the intimate connection between jouissance and the death drive. As he remarks: “jouissance is how life shows that the desire to live, which is perhaps life itself very simply, goes far beyond the desire to go on living” (133).
[i] Jean-Luc Nancy, The Muses, trans. Peggy Kamuf (Stanford: Stanford University Press, 1996), 2.
[ii] Dominique Janicaud, Heidegger in France, trans. François Raffoul and David Pettigrew (Bloomington: Indiana University Press, 2015).
[iii] See Jean- Luc Nancy, Being Singular Plural, trans. Robert D. Richardson and Anne E. O’Byrne (Stanford: Stanford University, 2000), “Why are there Several Arts and Not Just One?” in Jean- Luc Nancy, The Muses, trans. Peggy Kamuf (Stanford, Calif.: Stanford University Press, 1997).
[v] An expression Rodolphe Gasché uses in The Idea of Form: Rethinking Kant’s Aesthetics (Stanford: Stanford University Press, 2003), 2.
[vi] For more on this point, see Ross, Alison. The Aesthetic Paths of Philosophy: Presentation in Kant, Heidegger, Lacoue‐Labarthe, and Nancy. Stanford, Calif.: Stanford University Press, 2007.
[vii] Jacques Rancière. The Politics of Aesthetics: The Distribution of the Sensible. Afterword by Slavoj Žižek. Trans. Gabriel Rockhill. London: Continuum, 2004.
[viii] Alain Badiou, Pierre Bourdieu, Judith Butler, et al., What Is a People?, trans. Jody Gladding (Columbia University Press, 2016), vii.
[ix] Jean-Luc Nancy, The Ground of the Image, Trans. Jeff Fort (New York: Fordham University Press, 2005).
[x] Ibid., 1.
[xi] For more on this point see “Why Are there Several Arts and Not Just One?” in The Muses, trans. Peggy Kamuf (Stanford: Stanford University Press, 1996).
[xii] Ibid., 38.
[xiii] Peter Gratton, Marie-Eve Morin (eds), The Nancy Dictionary (Edinburgh: Edinburgh University Press, 2015), 27.
[xiv] See Jean-Luc Nancy, Being Singular Plural, trans. Robert D. Richardson and Anne E. O’Bryne (Stanford, CA: Stanford University Press, 2000).
[xv] On this point see Jean Laplanche, Life and Death in Psychoanalysis, trans. Jeffrey Mehlman (Baltimore: The Johns Hopkins University Press, 1985), 17: “The crucial point is that simultaneous with the feeding function’s achievement of satisfaction in nourishment, a sexual process begins to appear. Parallel with feeding there is a stimulation of lips and tongue by modeled on the function, so that between the two, it is at first barely possible to distinguish a difference”
A reader looking to make their first entry into Jean-Luc Nancy’s work is bound to feel intimidated by the extraordinarily vast and varied nature of this particular French philosopher’s oeuvre. As it spans over dozens of books, hundreds of articles, and engages with almost every major modern thinker, one would be forgiven for feeling somewhat at a loss in deciding where to start. This is why the set-up of the interviews collected in The Possibility of a World is full of promise: guided by Pierre-Philippe Jandin, who shows himself both knowledgeable of how Nancy thinks and skilful in driving the conversation to cover as much ground as possible, Nancy is made to reflect on the entirety of his career in fluent and conversational language: the interviews provide both an accessible articulation of all the major themes of Nancy’s thought, if sometimes only implicitly, for those who are new to it; as well as a valuable insight into how Nancy relates to his own thinking and writing, for those who are already familiar with it. The present translation of these conversations by Travis Holloway and Flor Méchain generally captures Nancy’s playful use of the French language well, adding clarifying footnotes where necessary, and makes for a very fluent read in English that only falters occasionally when confronted with a particular French idiom or colloquialism.
Before delving into the conversations themselves, it is perhaps worth noting that, in my view, Nancy is a philosopher perfectly suited to be approached in this dialogical way: not just because it takes the sharp edges of his sometimes frustrating writing style; but also because the dialogical form – which, as Nancy notes, “has always been associated with philosophy” as the expression of “the free life of thinking” (Nancy 1982, 46-47) – embodies the very logic he wants to describe, namely the infinite circulation of meaning. Even when Nancy writes like any other philosopher would, he always does so under the guise of an engagement with someone else’s thinking: his own thinking exists in a dialogical interaction with that of others, to the point that it becomes hard to discern which ideas belong to which conversation partner, and that is exactly the point. Thus, in reading Nancy, we are always reminded of one fact: “without dialogue, no thinking, and no philosophy” (Nancy 1975, 330). In the case of the present text, we have the interesting opportunity to witness how, as prompted by Jandin, Nancy engages with himself, dialogues himself.
The first section of the book is dedicated to Nancy’s “formative years.” What the reader will not find here is a description of how Nancy sees the development of his own thinking throughout his life, for, as he admits elsewhere, he is “not somebody who is very self-aware, I don’t really have much of a conception of my own historical trajectory” (Nancy 2003, 45). What he does do in this section, however, is discuss the various “moments”, both anecdotal and more substantive, that would later prove important for his intellectual development. These anecdotes are really quite delightful. There is, for example, the very early memory of walking past a fence that “had these elaborate patterns.” Already betraying a theoretical orientation at that very young age, Nancy relates how he would “get lost in speculations about the necessity or non-necessity of all these adornments” (2). Then there is the story of his discovery of Heidegger: apparently the reason Nancy first engaged seriously with Heidegger was to play a trick on François Warin, by writing a text on Comte in a parody of Heidegger’s style that managed to convince Warin that it was actually penned by Heidegger himself (17-18).
One of the more informative moments he relates is his reading of the Bible together with the Young Christian Students when he was a teenager: for Nancy, this was “the beginning of a relationship with texts as an inexhaustible resource of meaning or sense (sens).” What he learned there was above all that “One has to interpret a text and this interpretation is infinite” (7). This can still be seen in what we could call the hermeneutic logic that governs all of Nancy’s writing and sits alongside a critique of the specific hermeneutics formulated by Ricoeur and Gadamer. This interest in the texts of Christianity, however, soon became detached from a “properly religious relationship” (8). It is this religious orientation, together with a taste for social and political activism, which he sees as “the initial ferment of my intellectual formation” (8). Nancy then goes on to discuss his initial discovery of Derrida, who he saw at the time as ushering in a profound intellectual upheaval (14, 22). Finally, it is worth mentioning how he looks back on his early work on Kant, undertaken when he was preparing to take the agrégation, for it sets the stage quite well for how he would later develop his own thinking: “What Kant taught us is that (…) pure reason is practical in itself.” Hence, he continues, “in our desire for the unconditioned, in our desire for sense, we’re practical, we act in the world, and so, a priori sensibility (…) is praxis. In every case, I am in action” (19). It is this notion of the sense of the world consisting in our action within it that sets Nancy up to articulate the idea that is at the core of, and indeed guides, his entire philosophy: “Images of the world must be substituted for a dwelling (habitation), a life of the world, in the world. (…) The world is a possibility of sense or meaning’s circulation and we have to make a world, to remake a world” (26).
This allows for a seamless transition to the second section of the book, which deals with Nancy’s understanding of world. Indeed, one of the strengths of these interviews is that they show very clearly how all of Nancy’s thinking hangs together quite closely. Regarding the world, he again takes up his starting point as it is formulated elsewhere (see Nancy 1997, 4): declaring that “There’s no longer a cosmos, there’s no longer a mundus” (38), by which he means that the world no longer appears to us as a coherent totality that is unified by some kind of inherent order. The world that we are to think “no longer has a sense, but it is sense” (Nancy 1997, 8), exists in a circulation of meaning. This leads him to formulate his relational ontology, where the meaning that is the world exists in what happens between entities, in how they relate to one another. It is this question of relation, central as it is to Nancy’s thinking, that he sees as never having received serious philosophical attention (48). Nevertheless, “What is the world,” he wonders, “if not precisely the possibility of the ‘between’?” (47). For, if meaning is not inherent to any single entity, it can only exist in how that entity relates to other entities. In that sense, it is the between, not the self-enclosed singularity of an entity, that comes first. It is only because of “the relation between the two, that is, the ‘between’ the two, which relates the one to the other and separates it from the other at the same time” (47), that something can be anything at all: thing A can only be thing A because it is separate from thing B, because it is-not thing B; because of a separation that constitutes thing A as thing A. It is only because of this between that there can be something, or rather, some things. Being, for Nancy, even when it is singular, is always plural. Indeed, it is only within plurality that there can be singularity. The world is then the totality of sense or meaning that is created by the constellation of different entities in their relation to one another (133). Nancy has coined the term transimmanence to describe the nature of the meaning constituted in this way: neither fully immanent, nor transcendent; but an immanence pointing outside of itself to the between that would be collapsed by full immanence (93).
Ultimately, this thinking of the between is a critique of self-sufficiency: the self does not constitute itself, but must go outside of itself in order to find itself. This opens up an entry into Nancy’s social and political thought, for this impossibility of self-sufficiency “is true for both the collective and the individual,” he notes, “the idea of ‘community’ quite clearly implies (through communitarianisms) the danger of shutting oneself off in self-sufficiency” (49). Indeed, the subsequent three sections deal mostly with Nancy’s handling of questions concerning community and politics. Political questions are essential for Nancy, as long as this is understood in a broad and nuanced way: for him, the French word politique means both “the organization of common existence (…), conjoining antagonistic interests,” as well as expressing “a sense or truth about this existence” (94), and as such has clear ontological significance. Most of the discussion revolves around Nancy’s (relatively) recent engagement with questions concerning identity in relation to the notion of the people, formulated polemically in reaction to the French government’s attempt to have a debate on national identity in 2009. Just like the world no longer has meaning, but is meaning; so too, the people no longer have an identity, but are an identity (Nancy 2015, 29-32). That is to say, their identity is not inherent but exists in their action within the world, their life of the world in the world: the people in themselves are not sufficient for the constitution of their own identity. Hence, speaking of the people always risks understanding this plurality inauthentically as absolute, coherent, self-sufficient singularity: “What allows one to make sense out of numerousness is the people,” Nancy says, “which gets expressed in forms that themselves are no longer numerousness, but suggest a ‘substantial’ unity (‘one’ people, ‘one’ nation)” (73-74).
The sixth section deals with Nancy’s understanding of religion, Christianity in particular. For Nancy, “in the depths of Christianity, there is something like the germ of the disappearance of the sacred” (99). What this means is that Christianity is the religion through which the West is able to leave the religious modality of thought behind. It is the religion that allows the West to emerge from its metaphysical closure, which Christianity is nevertheless at the same time also responsible for. Nancy traces this historical development in his two volumes on what he calls the deconstruction of Christianity (Nancy 2008; 2012). In doing so, he takes up various Christian concepts – God, creation, grace, etc. – and uses them to think atheologically: not necessarily against theology, but in any case against onto-theological metaphysics; in order to put on display how Christianity and the West are opening themselves up from their metaphysical closure. In doing so, these concepts come to describe the way in which we inhabit the world, our dwelling in the world: for example, “creation is the world existing,” Nancy says. “In another sense,” he continues, “one could say that within this lies an opportunity to recover the possibility of admiring, of adoring that the world exists, and the fact that I exist, that you exist” (102). That is to say, these concepts not only function within the (a)theological register, but also take on a much broader existential and ontological meaning.
In the same way, Nancy can be seen to charge the notion of art with ontological and existential significance in the seventh section of the book. There he explains how, given that we no longer live in a cosmos, a world that is unified in its display of a certain inherent order, art is in crisis: what is its role if it can no longer represent this order now that it has collapsed? Let me quote Nancy at length here: « It’s like another creation, a recreation of the world and when there isn’t actually a creator or organizer of the entire world anymore, then this gesture becomes detached for itself, but this gesture has always been the gesture of art, of opening the possibility of an ordering. And I think that one can say that the human being is the one who has to bring out a world, both as a form and as sense, or as language » (106-107). Here Nancy is first of all saying that when art is without ground it fulfils a truly ontological role: in the absence of an order or truth preordained by a creator, art is no longer in the business of merely representing this truth; rather, it performs the gesture of the opening of the possibility of an order, expresses the movement in which the possibility of a world exists, by exposing the void at its origin as “the complete absence of beauty, that is, what points out or indicates beauty” (105). Art exposes what Nancy calls the patency, the opening or the transimmanence of the world: that the world is possible even in the absence of a unifying cosmic order, for it is patently already there in our engagement with it. Art exposes that the world is possible, that the world straightforwardly or manifestly makes sense to us, without the need for a unifying and ordering cosmology or metaphysics. As such art is, as Nancy puts it, “the presentation of presentation” (Nancy 1996, 34), of the infinite circulation of sense that is the world. All we need to do is greet the world in its thereness. Art thus embodies the very gesture of the world as it is constantly coming to be in our engagement with it, in our dwelling within it. When Nancy then says that human beings bring out a world, he means that “the human being is both the expression of the world and the world’s expression,” that is to say that it “is the inhabitant of the world, but at the same time, it transforms the world deeply through its technē, its technology, what in Latin gets translated as ars, its art” (115).
The discussion on art, the presentation of presentation, makes for a smooth transition to the final two sections of the book, dealing with presence and joy. Nancy here reprises, albeit in a more metaphysical way, the analysis of presence that he already formulated in his essay on sleep (see Nancy 2009). According to him, there is never full presence, indeed absence is at the heart of presence: just like the self needs to go outside of it itself in order to find itself; so too he understands presence generally as the continual arrival, or birth, of non-being into being. Here Nancy makes this clear by talking about how when we fall asleep, we at the same time descend into nothingness as well as fall into ourselves and the world. “Every morning,” he says, “one comes back to the world after being truly absent during sleep, which is connected to this poor, physiological, biological truth: Without sleep, one can’t live for long” (121). Though this does not come through particularly clearly in these interviews, for Nancy joy (jouissance) is the moment or experience of being on the limit shared between those two opposites – being and non-being, inside and outside, presence and absence, etc. – through which meaning comes-to-be as the sense that is-about-to-be, to come, through one’s being-outside-of-oneself. “Joy, jouissance, to come,” Nancy says, “have the sense of birth: the sense of the inexhaustible imminence of sense” (Nancy 1993, 5). As such, joy is the experience of ek-sistence as it “strives toward (…) the world and Being-in-the-world, that is, toward the possibility of making sense” (133). Knowing that these interviews were conducted in 2013, Nancy’s thinking of joy here seems to anticipate the conversations with Adèle Van Reeth he would have on the subject not long after, conversations that were published in 2014 under the title La jouissance and translated into English in 2016 as Coming (Nancy & Van Reeth 2014; 2016). It is perhaps unfortunate that the translators do not make a note of this, as one of the strengths of this book is that otherwise, whenever a particular aspect of Nancy’s work is broached in the interview, it comes with a series of useful footnotes that direct the reader to the relevant texts by Nancy or indeed his interlocutors.
Finally, it is worth pointing out that some of the most interesting reflections Nancy articulates over the course of these interviews are often the result of him briefly going off on a tangent. For example, he perhaps shows himself the present-day Kierkegaard or Nietzsche – albeit with a decidedly less capricious personality – when he recounts how he envies the painter and the writer of literature and poetry, since their mode of expressing themselves might be more suited to what Nancy is trying to do. The relationship between philosophy and literature has been a central topic of Nancy’s thinking since the start of his career, and indeed continues to be to this day: “I have the feeling that my philosophical texts aren’t philosophical enough,” he says, “that they need to be more philosophical, but in order to be so, they need to no longer be philosophical, but something else” (23). Hence, Jandin describes Nancy’s writing strategy very accurately by saying that we “aren’t in the coincidentia oppositorum, nor are we in a dialectical logic; we are trying to go ‘between’” (124). The possibility of a world rests entirely on this notion of the between that is explored by Nancy’s writing. Therefore, Nancy’s writing itself must be understood as similarly structured as the world it is trying to shine a light on, to uncover, to stage; a world that is “centrifugal, erratic, open” (134).
Jean-Luc Nancy, ‘“Our World” an interview’, trans. by Emma Campbell in Angelaki: Journal of the Theoretical Humanities, 8:2 (August 2003), 43-54.
Jean-Luc Nancy, Le partage des voix (Paris: Galilée, 1982).
Jean-Luc Nancy, ‘Le ventriloque (À mon père, X.)’ in Mimesis: Des articulations (Paris: Flammarion, 1975), 271-338.
Jean-Luc Nancy, The Sense of the World, trans. by Jeffrey S. Librett (Minneapolis: University of Minnesota Press, 1997).
Jean-Luc Nancy, Identity: Fragments, Frankness, trans. by François Raffoul (New York: Fordham University Press, 2014).
Jean-Luc Nancy, Adoration: The Deconstruction of Christianity II, trans. by John McKeane (New York: Fordham University Press, 2012).
Jean-Luc Nancy, Dis-enclosure: The Deconstruction of Christianity, trans. by Bettina Bergo, Gabriel Malenfant and Michael B. Smith (New York: Fordham University Press, 2008).
Jean-Luc Nancy, The Muses, trans. by Peggy Kamuf (Stanford: Stanford University Press, 1996).
Jean-Luc Nancy, The Fall of Sleep, trans. by Charlotte Mandell (New York: Fordham University Press, 2009).
Jean-Luc Nancy & Adèle van Reeth, La jouissance: Questions de caractère (Paris: Plon/France Culture, 2014).
Jean-Luc Nancy & Adèle van Reeth, Coming, trans. by Charlotte Mandell (New York: Fordham University Press, 2016).
Jean-Luc Nancy, The Birth to Presence, trans. by Brian Holmes et al. (Stanford: Stanford University Press, 1993).
A recent wave of Heidegger scholarship has been developing with the ongoing publication and translation of the Black Notebooks. The notebooks created an immediate controversy, so much so that Heidegger’s thought was a subject of discussion in popular Anglophone media even before the appearance of the English publication of the first volume. Planned to be published as the concluding volumes of Heidegger’s Collected Works, the notebooks are found particularly interesting in relation to their antisemitic content. The prevalent issue for many commentators and critics revolves around whether Heidegger’s apparent antisemitism is a personal engagement which would keep his philosophy sterile or whether there is an inherent antisemitism at the core of his thought, indispensable to the very notion of the truth of being. Nancy’s The Banality of Heidegger departs from this context and overreaches that basic either/or predicament by undertaking a rather post-Heideggerian reading of the notebooks. Holding on to what he thinks to be the essential resource of the Heideggerian enterprise of “reduction of naive ontology” (5), Nancy puts into question what remained unthought by Heidegger and reveals the play of deconstructive and antisemitic motifs within his thought.
The Banality of Heidegger consists of 12 numbered chapters, a coda and a supplementary chapter on a passage from Anmerkungen I-V, the fourth volume of the Black Notebooks, which was published after Nancy’s book. The merits of the Heidegger-Levinas-Derrida lineage are visible throughout the book with carefully situated ambivalences and rigorously structured interpretations at the limits of the possibility of a discourse. Nancy focuses primarily on the notebooks and operates within their discourse by assuming an earlier acquaintance with Heidegger’s fundamental ontology. The first two chapters introduce the framework and lay out a few preliminary remarks.
The book does not have the author’s preface or introduction; thus, the first chapter bears the responsibility to justify the title, “the banality of Heidegger.” Nancy repeatedly notes that the fact that antisemitism is “banal” is not to be taken as something that would result in a relative indifference to the horrific moments in empirical history. It means, rather, that Heidegger’s corpus inherited some values of the dominant antisemitic discourse of its time. In fact, Heidegger’s identification of Jewishness with calculative reasoning, manipulation, historylessness, internationalism, and the will to domination is drawn from the “most banal, vulgar, trivial, and nasty discourse . . . propped up for some thirty years by the miserable publication of The Protocols of the Elders of Zion” (23).
Yet Nancy seeks the philosophical significance of what Heidegger has to say with this notorious jargon, which will go beyond the crude fact of its notoriety. To this end, before any close reading, Nancy eliminates a certain untenable—yet still widespread—interpretation in which Heidegger’s antisemitism is identified as or at least associated with a form of racism. Notwithstanding, Heidegger explicitly renounces the racial principle in the notebooks, and also in Contributions to Philosophy, because it “proceeds from a biological, naturalist, and therefore ‘metaphysical’ conception” (4). This is not to say that Heidegger did not argue about the Jews as the embodiment of a greedy vulgarization of the world (24), but to say that “Jews” in that context does not signify a racial determination. What does it signify, then? This is a question Nancy resolves by first outlining a few cardinal concepts from the broader context of the Heideggerian thought in the second chapter.
The first of those concepts is “the reduction of naive ontology” (5), a term Nancy uses with reference to Derrida’s Speech and Phenomena and equates with both Heideggerian Destruktion and Derridean deconstruction (6), which here designates the general critical stance of Heidegger and of the thinkers following the pathway opened by him—including Nancy—on traditional Western metaphysics from Ancient Greece to Hegel and beyond. Secondly, the reduction of naive ontology requires an essentially novel way of grasping metaphysics, a “second beginning” of metaphysics (6). This new beginning or the “other beginning” [Anfang] would be driven by the thoughtful scrutiny and radical questioning directed at the conceptualization of the human essence as something shared equally by the entire homogeneous bulk of humankind irrespective of how Dasein constitutively understands itself with regard to its being. Such a conception of human essence, which lies at the heart of the Western metaphysics and in particular of the Enlightenment, amounts to the uprooting of Dasein from its ecstatico-horizontal temporality (Being and Time, H. 388; pagination of the later German editions). Thirdly, the constitutive understanding of being which belongs to a “people” [Gemeinschaft], whose shared understanding implicates a shared history [Geschichte] as their shared ground. As Nancy summarizes Heidegger’s point concisely, “a people—which is not a race—can be considered as a . . . force of historial [geschichtlich] beginning” (7-8). The reciprocity among a people, history, and being has thus been established.
It has already been said that a people is not a race but a historial determination, and Nancy touches upon the purport and significance of a particular people at the beginning of the third chapter, the Jewish people, in the context of the Black Notebooks. The opening passage has this remarkable quote from Heidegger: “The question concerning the role of world Jewry is not a racial question but the metaphysical question that bears on the type of human modality which, being absolutely unbound, can undertake as a historial ‘task’ the uprooting of all beings from being” (10). Such is called “historial anti-Semitism” by Peter Trawny. Accordingly, being Jew is being in a certain human modality, which does not stipulate consanguinity or any other biological or natural circumstance. From all these, an affinity between the Jews and the “they” [das Man] as evinced in Being and Time is visible (H. 129). To be sure, Heidegger presumes that he has the right to use the word “Jews” to designate a people who are eo ipso dispersed into the “they,” that is, entrapped in their everyday, inauthentic existence in which they see the world through a scientific-historiological objectification. Yet it would be untenable to claim that “they” is just a euphemism for “Jews,” because, as the above quote shows, for Heidegger, the Jews are not only characterized by being “absolutely unbound” and thus “groundless” but also specified as those whose historial task is “the uprooting of every being” by way of calculative reasoning and machination (11), which have only been aggravated since the “first beginning” of Western metaphysics in Ancient Greek thought. In other words, Heidegger takes Jewishness to be more than an inauthentic human modality; it also indicates the task with whose accomplishment such an inauthenticity would dominate the world.
In the fourth chapter, this line of thought is furthered and one of the major questions of The Banality of Heidegger, namely, the question of how Heidegger locates the Jews with respect to the history [Geschichte] of being, or, in other words, to the destiny [Geschick] of the West, is introduced. Nancy here draws a striking parallel between the Marxist narrative and Heidegger’s account of the Jews. To begin with, Marx’s interpretation of the homogenization of labor in the form of a “general equivalent” as alienation from the proper value of the human productivity calls for a specific understanding of, and a political-spiritual stance against, a certain type of nondifferentiation (cf. Capital, 46-55). It is under the light of this portrayal that Nancy reads the Jews’ claiming for themselves the principle of “‘domination of life by machination’ . . . in the direction of a complete ‘deracialization’ (Entrassung) of a humanity reduced to the undifferentiated equality of all, and in general of all beings” (15). In a mixed discourse of Marx and Heidegger, then, the Jews would be the commodity fetishists par excellence. Moreover, a different as yet even more striking parallelism suggests that both the Jews of the Black Notebooks and the proletariat suggests “a certain eschatological and figural regime of thought: an end is approaching—an end, and therefore a beginning—and this advent requires a figure, the identification of the annihilating force” (15). This time, the Jews are the proletariat par excellence as the bearers of the task of annulling the multiplicity of peoples’ being. Therefore, with their incapability of acknowledging Dasein’s essential belongingness to a people, the Jews in the discourse of the Black Notebooks constitute the historial force which drives the West to its devastating self-alienation [Selbst-entfremdung].
In the following few chapters, Nancy expands the scope of his investigation into the designation of the Jews in the context of Geschick/Geschichte. It has been said that the Jews, with regard to their historial determination, embody the decline of the West, and Nancy shows that the historico-destinal possibility of the devastation of Western civilization is put to be the ultimate condition of its salvation, viz., of the second beginning. Indeed, Heidegger had already maintained in “Overcoming Metaphysics” that overcoming metaphysics necessitates a stage of decline, and the notebooks confirm that the Heideggerian depiction of the West resembles a phoenix; the “other beginning” is possible only after the destruction of the predecessor (19). This does not mean, nonetheless, that the historial force that has been characterized by Jewishness is to achieve complete annihilation of the West or its turning into nothingness, but means that the Western-destinal schema must harbor the epitome of “a failure to identify itself, to recognize itself, and to accept itself” (20) and thus must employ the Jewishness as a part of its ownmost destining (25).
Once the task of “destruction of the spirit of beginning” is set to belong to the West itself, the task becomes at once self-affirmation and self-destruction. By destroying itself, the West fulfills “a necessity of its destining, and it requires the destruction of its destructiveness, so as to liberate another beginning” (25). Thus, there are multiple tasks and intertwined historialities, which constitute the unique history of being. Nancy examines these interweaving historialities. This does not only put forward a framework to read Heidegger’s historial understanding of the people of the West, but it also provides Nancy with a textual margin within which a manoeuvre of radicalization would render Heidegger’s narrative to be the subject of its own questioning. While doing so, Nancy proceeds from a play of equivocalities to a relatively clear interpretation of how Heidegger positions the Jews with respect to the history of being. There are four particularly important nodes that set the ground for a deconstructive discourse within the margins of the Black Notebooks.
The first of those nodes is the “first beginning,” i.e., the Ancient Greek thinking. “The West bears within itself a fatality [Verhängnis]” (19), which is inscribed by the destining of being in the “first beginning” (30). That is to say, the self-detestation of the West was not alien to Ancient Greek thought, as if imposed by the Jews as an external force, but to the contrary was inaugurated by it. “[The] erosion began with Plato . . . [who] is not Jewish” (33), and it is not by accident but as a necessity that the initial unveiling (ἀ-λήθεια) stipulates the subsequent decline. Nancy states that investigating this necessity falls outside the scope of the book, except just once he gives a hint: “Thus have we learnt that the unveiling is always initial, but also that it was necessary that the veiling come along to show this to us” (53-4). Then, given that “Jewishness” is inscribed within Ancient Greek thought, one questions Heidegger’s choice of the “Jews” as the leading agent of modern devastation. The answer will be given in the second nodal point of the discourse, which is Christianity.
Heidegger’s account of Christianity displays a double character. On the one hand, he reduces Christendom to the Jews and sees the former as an extension or as the twin of the latter. It is not so seldom that Heidegger arrives at Christianity as the roots of an idea by way of a rigorous and elaborate investigation, then jumps to Judaism by simply stating that Christianity is issued from Judaism (cf. 69). Bringing Christianity and Judaism together results in nothing but the calcification of the status of the Jews as the principal agent of the devastation of the West in Heidegger’s discourse, because Christianity in this way is seen as the Roman appropriation of the Jewish groundlessness and nothing more. By insistently avoiding any interest in questioning this “self-evident” caricature and by submitting to a violent and hateful depiction of the Jews, Heidegger joins the banality and vulgarity of the antisemitism of The Protocols of the Elders of Zion without a question, which is also why he feels no discomfort at labeling the entire tradition of the forgetting of being as “Jewish.” On the other hand, Heidegger’s narrative is shown by Nancy to exhibit an affinity with Christianity insofar as Christianity itself is antisemitic. From this perspective, Christendom is the first to renounce the groundlessness in Judaism by claiming for itself an identity which is detached from the Jews. However that identity is rooted in the Jewish convictions, its historial legacy fosters antisemitism, which Heidegger eagerly adopted (34-5). On the whole, Christianity as a historico-destinal human modality stands in contradistinction to itself, and thus becomes the true heir of the West’s self-rejection.
Thirdly, there is Jewishness, whose portrayal by Heidegger is already the main thematic of The Banality of Heidegger. To sum up, there are three aspects to Jewishness in Heidegger’s understanding. First, the Jews are inherently bound with technics and machination, and thereby epitomize the primary historial force that leads to the devastation of the West. In this respect, the Jews are thoroughly repudiated by the destining of being. However, for this exact reason, secondly, they appear as an indispensable part of the history of the West and hence of its second beginning. In this respect, the Jews are included as a cardinal part of the Western destiny. And thirdly, by being a people whose historial task is the dissolution of all peoples into a non-differentiated array of calculable atoms, that is, by being self-destructors per se, they represent the grounding possibility of the Western beginning in general. As Nancy confirms, “the Jew is the oldest figure of a self-destruction of the West” (30), and in this respect, the Jews’ historico-destinal standing is elevated, although in the form of a “detestable exception . . . of a foreign intrusion” (28). Thus, repudiation, inclusion and elevation frame the constitutive aporia of Jewishness.
Finally, Nazism. In the notebooks, Heidegger states that “[o]nly someone who is German can in an originarily new way poetize being and say being—he alone will conquer anew the essence of θεωρία and finally create logic” (Ponderings II-VI, 21). Here and in many other places, for example, in Being and Truth and in “Europe and German Philosophy”, the Germans appear as the “spiritual nucleus” of the West. Accordingly, the Germans are the rightful bearers of the task to undertake the second beginning. Notwithstanding, by the very fact that they are the nucleus of the West, they carry within themselves the self-annihilating force, which led to the self-betrayal of Germans with the thoughtlessness of the Nazi regime (8, 71), so much so that through the end of 1941 Heidegger even considered the possibility of a non-German “new beginning” that might arise out of Russian authenticity as opposed to communism (7-8). It is important here to clarify that for Heidegger, the horror of Nazism is not related to a moral, political, or sociological account of the extermination camps but has always been “the extreme destinal point of technics” and machination (40). For this matter, the Nazi regime, for Heidegger, indulged in the ultimate German hypocrisy, as it were, by taking as its principle the domination of the masses despite the Greek legacy of authentic thought. It is ontically the closest to the possibility of the second beginning, that is, by being German, yet ontologically maybe the farthest.
Nancy’s investigation into the historial-political discourse of the Heidegger of the Black Notebooks does not employ the schematic description outlined here. The four textual nodes of tension, namely, the first beginning, Christianity, Jewishness, and Nazism, are rather to be taken as the outcome of an effort to structurize the unsystematic unfolding of The Banality of Heidegger. Furthermore, they are neither the consecutive stages in a continual history nor the moments of a dialectic movement. They rather designate a set of non-sequential yet in a way interrelated encounters of the peoples with the historial possibility they open.
World War II is seen from this perspective as the Jews’ “simultaneous combat against its counterpart (the Nazi racial principal) and against itself [Bolshevism]” (50). Thus, Nazi thoughtlessness is seen to be the counterpart of the Jewish groundlessness. While Jewishness dictates metacultural neutrality, Nazism dictates its extreme opposite: the racial principle. “This struggle—at once Jewish/Nazi and Bolshevik/American—determines ‘the high point of self-annihilation [Selbstvernichtung] in history’” (69). Yet “at the height of devastation ‘there continues to shine [and is therefore undestroyed] the light of a history capable of decision’” (21; Nancy’s insertion). In other words, neither the Nazi betrayal nor the overarching ravage of the war, which, in the eyes of Heidegger, is nothing but the domination of the technical calculating machination, then, does eliminate the possibility of the second beginning. Accordingly, there remains an untouched authenticity within the West, not in the sense of a self-subsistent spirit but as a necessity of the overflowing of being, which ultimately grounds the possibility of all forgetting and concealment, and thus of all machination and also the war itself (cf. 30). Apparently, Heidegger locates his own discourse within this authentic Germanness, whose victory over the historyless can only arrive through the self-destruction of the agent of the Western destruction. Depending on this, Nancy concludes that “Heidegger was not only anti-Semitic: he attempted to think to its final extremity a deep historico-destinal necessity of anti-Semitism” (51-2).
The historial, non-racial antisemitism of Heidegger stems from the banality of Heidegger, which puts the Heideggerian discourse on the Jews in contradistinction to itself, and this is where Nancy extends his reading towards questioning the unthought of Heidegger. The demonstration is spread throughout the book, but is condensed in the final chapters. One facet of the banality of Heidegger has already been mentioned, in that, Heidegger’s antisemitism “carts around the vulgarity spread by an incessant discourse crystallized as hateful, racist denunciation” (71). In other words, Heidegger adopts the antisemitic vocabulary of his time, a time which is shaped by the mass propaganda of the antisemitic discourse. If one prefers the rhetoric of Being and Time, the vocabulary that Heidegger so blatantly adopts is the “public” [Öffentlich] vocabulary of the “they” (cf. H. 126-7). Therefore, to the extent that Heidegger remains reluctant to question what is ordinarily self-evident, i.e., a deep-rooted antisemitism, his narrative rivets the “long error and/or wandering of the West” (30). And yet if one prefers rewording this finding in the rhetoric of the Black Notebooks, it would be Heidegger’s own “thoughtlessness” to assume the antisemitism of the tradition.
There is another facet of Heidegger’s banality, and that is more deeply entangled with the core of the Heideggerian enterprise. Nancy quotes Elisabeth Rigal to summarize the issue: “Heidegger’s error is to have believed in a unique destining” (42). To explain, despite its difference from the traditional understanding of history as the succession of happenings [Historie], Heidegger’s understanding of history as destining of being inherits the idea of “origin” from the tradition. Thus, having a proper, authentic, delineable and determinable origin, viz., Ancient Greek thought, which is also free from the “darkening of the world” (69), the entire history is perceived with reference to that origin and to everything inscribed within it, that is, decline, second beginning, etc. Hence, the multiplicity of peoples is—not melted into or sublated by but—conglomerated into one single heterogeneous play of forces revolving around the first beginning towards the second beginning upon the unique destining of being (41-2). Having related the concept “origin” to the “uniqueness of destining,” Nancy claims that this obsession with the origin is the “metaphysical” obsession par excellence, which led Heidegger into his own way of self-hatred (47), which is in general the peculiarity of Western metaphysics. Therefore, what is obstructed [verstellt] in the discourse of Heidegger is the possibility of a wholly other destining, which would entail the acknowledgement of, if not respect for, the Jews as a people towards an other destiny than what Heidegger thinks to be the singular one.
However, these do not mean that the Destruktion of ontology, as an attempt to destabilize that which is ordinarily self-evident, has to operate within a self-annihilating banality. As for the first facet of the banality of Heidegger, Nancy points out that the Heideggerian impetus has resulted in the flourishing of many philosophical pathways, such as that of Levinas, Derrida, Lacan, Lyotard, which did not “pick up anything remotely resembling anti-Semitism from the always murmuring gutters of banality” (47). As for the second facet, Nancy considers Heidegger’s thought not as a static doctrine but as a way of questioning which is open to transformation. Thus, he still has the hope that the currently unpublished volumes of the Black Notebooks may harbor a transformation in Heidegger’s understanding of “beginning” (38). Furthermore, Nancy also thinks that Heidegger’s thought already implies the Destruktion of the “rage for the initial or for the archi-” even though that rage is one of the main tenets that shape how Heidegger considers historiality; accordingly, it would still be “thinking” [Denken] even if the uniqueness of destining is questioned (43).
On the whole, by way of deconstructive plays with the intertwined textual tensions in Heidegger’s Black Notebooks, Nancy’s reading demonstrates that Heidegger’s unthought partakes in the antisemitism which has been a constitutive element of the discourse of Western thought since the early days of Christianity. Identification of the Jewish people with the “thoughtless will to domination” is the persistent characterization on which the entire antagonism is built in the Black Notebooks. Nevertheless, it must also be noted that Heidegger’s antisemitism does not stem from the racial principle of Nazism; it rather takes its departure from the concept of the destining of being, according to which, as Nancy’s reading shows, Nazism is the German counterpart of “Jewishness,” both serving to the spiritual decline of the West. While Nancy examines the antisemitic character of the Black Notebooks, he in no way disregards the fact that Heidegger is one of the leading figures—and indeed he states Heidegger’s “operation was the most frontal” (12)—of contemporary thought. All in all, Nancy does not only think that the Destruktion of ontology can operate without the antisemitic elements in Heidegger’s thought, but also demonstrates that the Heideggerian legacy paves the way for the deconstruction of those very elements.
Heidegger, Martin. Being and Time. Trans. John Macquarrie and Edward Robinson. Harper & Row, 1962.
———. Ponderings II-VI: Black Notebooks 1931-1938. Trans. Richard Rojcewicz. Indiana UP, 2016.
Marx, Karl. Capital: A Critical Analysis of Capitalist Production. Vol. 1. Trans. Samuel Moore. Wordsworth, 2013.
Nancy, Jean-Luc. The Banality of Heidegger. Trans. Jeff Fort. Fordham UP, 2017.
 All page references are to The Banality of Heidegger unless stated otherwise.
On the evening of February 5, 1988, at the University of Heidelberg, three of the major and most influential figures of the 20th-century philosophy met in Heidelberg before a large audience. Fifty five years before, in the same lecture hall, Martin Heidegger, as Rector of the University of Freiburg, had given a speech that would be part of the firsts steps towards a running sore, “a wound in thought itself” [c’est une blessure de la pensée] in Maurice Blanchot’s words[i], a proper caesura, entitled “Das Universität im neue Reich » [The University in the New Reich]. Jacques Derrida, Hans-Georg-Gadamer, and Philippe Lacoue-Labarthe, three unquestionable distinguished Heidegger’s interpreters, came together that February of 1988 for over two days to discuss the philosophical and political implications of Martin Heidegger’s thought and legacy, under a Gadamer’s sign of hospitality: the encounter took place in the common linguistic territory of the French language. Heidegger, Philosophy, and Politics: The Heidelberg Conference, edited by Mireille Calle-Gruber, and translated into English by Jeff Effort, collects the fruitful dialogues between these three thinkers and their exchanges with the audience during this unforgettable debate officially entitled “Heidegger: Portée philosophique et politique de sa pensée” [Heidegger: Philosophical and Political Dimensions of his Thought].
Days after the conference, once the text of the public debate was ready, Derrida, Gadamer, Lacoue-Labarthe, but also, Calle-Gruber—who was in charge of the presentation—and Reiner Wiehl—president of the session—, all of them, agreed to defer the publication[ii]. Those were unquiet days: only a year before had been published the « spectacular » book by Víctor Farías, Heidegger et le nazisme[iii] (1987) and, by the time of the Heidelberg Conference—partially motivated by the whirlwind generated by the Farías’ book—the media focus was as never before concentrated on Heidegger’s documented Nazism (which was already known from the 1960s, provided by Guido Schneeberger[iv], as Gadamer remembers[v]). Both Lacoue-Labarthe[vi] and Gadamer[vii], as it is well known, had largely discussed Farías provocative book, and had considered that was written not without recourse to misrepresentations and malicious omissions. Farías also devoted himself to denounce not only Heidegger Nazism but the so-called « heideggerianism », especially what he understood as its French decline: Jean Beaufret and Jacques Derrida, both unfairly associated to Robert Faurisson and his revisionist-negationist theories regarding the non existence of gas chambers in the nazi concentration camps. Thus, the gadamerian decision that the conference be delivered in French, besides representing an act of generosity, acquires a new meaning.
Derrida, Gadamer and Lacoue-Labarthe faced in this conference the complexities of the discussion on a shared ground, each resorting to their own considerations while attempting to set up a dialogue (despite the manifest intention, at least from Derrida and Lacoue-Labarthe, of not giving a full account of their own most well-known published texts). To begin, Lacoue-Labarthe invoked his thesis on the confrontation, “the inmense debate”, that Heidegger, after the rectorship at Freiburg, would have started with what National Socialism meant in the history of the West, through the calling of art into question and the deconstruction of Western aesthetics, that is to say, the understanding of the essence of tékhne [viii]. One of the central thesis of Lacoue-Labarthe, that is present in his participation in the conference, is that the question of art occupies a nodal place in Heidegger’s self-interpretation of the enigma of his own political commitment, since it would constitute his self-confrontation with National Socialism, his own Auseinandersetzung subsequent to the experience of the Rectorship. After 1934, Heidegger introduces poetry and the poet figure as the main references for the reflection on the German identity and, in this way, Nietzsche’s previous dominant influence begins its decline to give way to the new hero: Hölderlin. The terms in which the myth and the tragedy would be thus later understood will not be those of the great German mimetic dream of Greece proper to nazi Wagnero-Nietzscheanism, but those of Dichtung, Sprache and Sage, which, in turn, overflow the aesthetic determination of the poetic.
Gadamer, contributed to the conference with both his irreplaceable reflections and testimonies, but also reopening the interrupted conversation started in April 1981 at the Paris Goethe Institute with Jacques Derrida. Therefore, Gadamer’s intervention was focused, on one hand, in its testimony value, maybe because the questions of the audience had conducted him too much in this way. In this respect, “surprise” and “shock” are the recurrent adjectives he used for describing what was then in 1933 his reaction to Heidegger’s Rectorship chair acceptation, indissociable of the latter’s public nazi commitment, specially when he had seemed to Gadamer politically much closer to National-Bolshevikism[ix] (which, in the eyes of Gadamer, as political Movement, had not a biologicist discourse). The main hypothesis of Gadamer is that Heidegger really believed for a moment that the nazi revolution was the possibility of a true spiritual renovation, but once he understood Nazism had become not more than a “decadent revolution”, it was for him no more his revolution, he felt no responsible at all for anything. And that would explain his great ambiguities: first of all, his silence. But also the responsibility with respect to the great number of colleagues and students who followed him in his political decision together with the disturbing contradiction of writing contemporary on the “forgetting of being”, the predominance of technics and the devastating consequences of the industrial revolution.[x] On the other hand, Gadamer presented a critical point of view of Heidegger’s path to the “fragmentation of metaphysical conceptualization by means of this force he exerted against words”[xi], that involved a similar consideration regarding to Derrida, and that allowed Gadamer to understand himself closer to Paul Celan and his sense of fragmentation.
Derrida, for its part, during the conference superbly questioned Heidegger’s own questions and avoidances, as well as the meaning of legacy and responsibility. He asserted—by way of an improvised and risky hypothesis, later shared by Lacoue-Labarthe and Gadamer—that Martin Heidegger’s silence, his unforgivable silence in the face of the barbaric horror of Nazi extermination, is the legacy that has bequeathed us. In Derrida’s words:
What I am saying here is very risky, and I risk it as a hypothesis, while asking you to accompany me in this risk. […] with a phrase spoken in the direction of an easy consensus, Heidegger woul have closed the matter. […] I believe that if he had let himself go for a statement, let’s say, of immediate moral reaction, or of a declaration of horror, or of non- forgiveness—a declaration that would not itself be a work of thought at the level of all that he had already thought—, well, perhaps we would feel more easily spared the work that we have to do today: because we have to do this work. That is what we have inherited.[xii]
This hypothesis is, ultimately, the beginning of a response, an answer to the question of responsibility of thought. On the one hand, improvisation would be a kind of responsibility by means of risking a disarmed speech.[xiii] On the other hand, to be heir to a legacy supposes always a response, the act of responding for not only a call not chosen, but also one that comes before oneself[xiv]. This is the call that Farías book wanted to mute, the path this book tried to close by doing a “case closed” out of the Heidegger nazi commitment. For this commitment was not in 1988 nor now something someone can put into question. Heidegger’s Nazism is indisputable. But to be heir to a legacy in the sense Derrida expressed it means a response to the dogmatic question where Faría’s book seem to lead: “is it posible yet to read Heidegger?”.
Somehow, today the 1988 scenario recurs. The publication for the first time of the Heidelberg Conference in 2014, in its French first edition[xv], concurrent with the beginning of the publication of the Schwartze Hefte in Germany, revealed a “dislocation” [décalage], as Jean-Luc Nancy has said[xvi], which comes not only from the very root of the problem itself, the relationship between Martin Heidegger and his political commitment with Nazism, but also from the mediatic racket generated by the very publication of the Schwartze Hefte themselves.
The process, begun in 2014, of the gradual publication of the Schwartze Hefte, which are loaded with resounding anti-Semitic expressions (that occupy a new and important place in the philosophical work of Martin Heidegger, although are not the only elements of these books), challenges us today to think, demands pronouncements and explanations, in a climate of opportunism, confusion, obscurantism and controversy as it was that of the late eighties. Once again, the mass media (but not only the media) raise a false alternative that may be summarized as it follows: « If he was a great philosopher, then he was not a Nazi; if he was a Nazi, then he has not been a great philosopher »[xvii]. Thus, the task would be enormous for the heirs: none other than the terrifying and valuable mandate to think what Heidegger did not think, to say what he was not able to say[xviii], namely, the affinities and common roots among his thought, the essence of the West and Nazism; the subject of Nazism by itself; the basis for his National-Socialist engagement.
Nowadays, the publication of the Schwartze Hefte came to dispel the silence, but did not liquidate the task. In any case, today there is no way to avoid the inevitable. As Donatella Di Cesare said:
Even the stereotype of the philosopher lying in an impolitic conformity seems totally unmotivated. Heidegger was by no means a « conformist » and in the Black Notebooks—as in other works of the thirties—appears a politically radical philosopher. It will therefore be necessary to rewrite the chapter « Heidegger and politics » which promises to be much more complex than what has been assumed so far[xix].
That chapter today is beginning to be rewritten, little by little. To be sure, Donatella Di Cesare and Peter Trawny[xx]—editor of the Schwarze Hefte, published by Klostermann—provide today the most penetrating and accurate analysis on Heidegger’s anti-Semitism (although each one from a different point of view). In particular, in direct relation to one of the main reflections that the publication of the Heidelberg Conference brings up, Di Cesare dedicated half of his Heidegger & Sons. Eredità e futuro di un filosofo (2015) to face the problem of Heidegger’s legacy. Two paths seem to be shaped in the face of the intellectual inheritance of the German thinker. On the one hand, « orthodoxy », which either denies or trivializes the status of Heidegger’s political statements, reacts with loyal impotence, marginalizing texts, problems, even people. On the other hand, a spectacular parade of pamphleteer whistleblowers sets out to hunt down the « Heideggerians », suspected subscribers of any action or omission of Heidegger. Of course, these are false options that take us to just a single alternative: refusing to think. For, as Di Cesare affirms, « an inheritance is never something that can be either fully received or, on the contrary, totally refuted »[xxi]. We are heirs, whether we want it or not; that means having to learn to be both faithful and unfaithful[xxii]. Reading Heidegger, Philosophy, and Politics: the Heidelberg Conference will not dissipate the new questions that the publication of the Schwartze Hefte opened, but may give us both a vision of a path that must be understood as well as an understanding of some initial conclusions of three major philosophers that should be necessary overcome if we are really willing to confront once again to the challenges posed by Martin Heidegger’s thought.
Blanchot, Maurice. « Notre compagne clandestine », in Textes pour Emmanuel Levinas (Paris: J.-M. Place, 1980).
Cohen, Richard A. Face to face with Lévinas (Albany, NY: State University of New York Press, 1986).
Derrida, Jacques, Hans-Georg Gadamer, Philippe Lacoue-Labarthe. Heidegger, Philosophy, and Politics: the Heidelberg Conference (Fordham University Press, 2016).
Di Cesare, Donatella. Heidegger e gli ebrei. I «Quaderni neri» (Torino: Bollati Boringhieri, 2014).
Di Cesare, Donatella. Heidegger & sons: eredità e futuro di un filosofo (Torino: Bollati Boringhieri, 2015).
[i] Cohen, Richard A. Face to face with Lévinas (Albany, NY: State University of New York Press, 1986), 43. Originally in Blanchot, Maurice, « Notre compagne clandestine », in Textes pour Emmanuel Levinas (Paris: J.-M. Place, 1980), 81.
[ii] Derrida, Jacques, Gadamer, Hans-Georg, Lacoue-Labarthe, Philippe. Heidegger, Philosophy, and Politics: the Heidelberg Conference (Fordham University Press, 2016), xiii.
[iii] Farías, Víctor. Heidegger et le nazisme (Paris: Verdier, 1987).
[iv] Schneeberger, Guido. Nachlese zu Heidegger (Bern: Suhr, 1962).
[v] Derrida, Jacques, Gadamer, Hans-Georg, Lacoue-Labarthe, Philippe. Heidegger, Philosophy, and Politics: the Heidelberg Conference, 63.
[vi] “Sur le livre de Victor Farias, Heidegger et le nazisme”, in Lacoue-Labarthe, Philippe. La fiction du politique: Heidegger, lart et la politique (París: Christian Bourgois,  1998), 173-188. The text resumes with some modifications an article appeared in the Journal Littéraire: “Le procès Heidegger”, Le Journal Littéraire, no. 2: 115-117, December 1987-January 1988.
[vii] Published originally as “Zurück von Syrakus?”, in Die Heidegger-Kontroverse, ed. Jürg Altwegg (Frankfurt am Main: Athenäum, 1988), 176-79; later was published in French in Le Nouvel Observateur, January 22-28, 1988, translated by Geneviève Carcopino. It was also translated into English as “Back from Syracuse?,” trans. John McCumber, Critical Inquiry 15, no. 2 (Winter 1989): 427-30. The English version of Gadamer’s text was included in the edition here reviewed.
[viii] Derrida, Jacques, Gadamer, Hans-Georg, Lacoue-Labarthe, Philippe. Heidegger, Philosophy, and Politics: the Heidelberg Conference, 37-38.
[ix] Ibid., 64-75.
[x] Ibid., 11-12.
[xi] Ibid., 41.
[xii] Ibid., 35-36.
[xiii] Ibid., 16.
[xiv] Ibid., 65-68.
[xv] Derrida, Jacques, Hans-Georg Gadamer, Philippe Lacoue-Labarthe, and Mireille Calle-Gruber. La conférence de Heidelberg, 1988: Heidegger, portée philosophique et politique de sa pensée (Paris: Lignes, 2014).
[xvi] Derrida, Jacques, Gadamer, Hans-Georg, Lacoue-Labarthe, Philippe. Heidegger, Philosophy, and Politics: the Heidelberg Conference, vii.
[xvii] Di Cesare, Donatella. Heidegger e gli ebrei. I «Quaderni neri» (Torino: Bollati Boringhieri, 2014), 3. All Di Cesare’s translations by Facundo Bey.
[xviii] Derrida, Jacques, Gadamer, Hans-Georg, Lacoue-Labarthe, Philippe. Heidegger, Philosophy, and Politics: the Heidelberg Conference, 35.
[xix] Di Cesare, Donatella. Heidegger & sons: eredità e futuro di un filosofo (Torino: Bollati Boringhieri, 2015), 79.
[xx] Trawny, Peter. Heidegger und der Mythos der jüdischen Weltverschwörung (Frankfurt: Vittorio Klostermann GmbH, 2015).
[xxi] Di Cesare, Heidegger & sons, 33.
[xxii] Di Cesare, Heidegger & sons, 33-34.
John Sallis’ edited text Plato’s Statesman; Dialectic, Myth and Politics is a collection of essays on Plato’s Statesman (Politicus). The dialogue is part of a trilogy that includes Theatetus, Sophist and Statesman, which, together seek to define three key figures; the sophist, the statesman, and the philosopher. Theatetus is concerned with understanding the nature of knowledge, the Sophist seeks to identify traits of the sophist (as distinct from the philosopher) and the Statesman seeks to define the statesman. Though the dialogues do not explicitly address the nature of the philosopher, by eliminating the characteristics ascribed to the other figures we may grasp some of the traits and features a philosopher should possess. One must note the proximity of the conversation in the Statesman to the trial and execution of Socrates as the threat of his impending absence permeates the text and is reinforced by his withdrawal from the discussion. In Theatetus the train of events leading to Socrates death has already been set in motion so that when the conversation of the Statesman takes place it has already been decided that he will go to trial. The dialogue alludes to the coming events, and towards the end the Stranger launches into an assault on the democratic regime (see 299c).
The essays in this collection approach the Statesman as a ‘strange mixture’ of mathematics, politics, ontology, dialectic and myth (1). The Introduction is written by John Sallis who maintains that in order to enable the manifest force of this dialogue to come to light, one must enter into it as another voice in the conversation. John Sallis is Frederick J. Adelman Professor of Philosophy at Boston College. He is well known for his work on phenomenology and is the founding editor of the journal Research in Phenomenology. He is the author of more than 20 books which address major philosophical themes such as the legacy of Platonic thought, art, the imagination, chorology and the elemental in nature. His works include Crossings: Nietzsche and the Space of Tragedy (1991), Chorology: On Beginning in Plato’s “Timaeus” (1999), Platonic Legacies (2004), The Verge of Philosophy (2007) and more recently The Return of Nature (2016) and The Figure of Nature (2016). The essays in this collection address the Statesman as a work in which several disparate themes are addressed but never properly conjoined. Notable themes include: absence and withdrawal, the role of law, myth, comedy, politics, and the method proper to practicing philosophy.
The theme of absence and withdrawal is always present in Plato’s dialogues as the author himself remains withdrawn; speaking through characters and figures such as Socrates. In the Statesman this theme is developed by removing Socrates as a dramatic figure and concentrating on the presence of the Stranger (who remains unnamed). Despite Socrates absence from the conversation, there is a strange doubling of him in respect to Theatetus (who looks like him) and Young Socrates (who shares his name). Socrates is therefore present despite his absence and the Stranger remains somewhat absent despite his recurring presence. Other themes such as the role of law (in its written and spoken forms) and the complex function of paradigm are significant in relation to the explicit task of the dialogue – to define the nature of a good, worthy statesman—and are given gravitas in light of Socrates’ impending trial.
Likewise, the question concerning the method through which philosophy should be conducted gains significance, in light of the impending threat posed by Socrates’ trial—a theme observed by many essays in the collection. The divisive bifurcation used by the Stranger contrasts with Socrates’ dialectical style and other questions are treated concerning: Where to begin? How to proceed? What is the role of analogy and examples? What is the effect of Plato’s use of figures, characters and dialogue? The Stranger’s method fails to yield insight into the nature of the statesman and so he turns to myth; setting out the myth of two ages. Treatment of this myth is also taken up by a number of essays in the collection which seek to extract meaning and demonstrate its philosophical significance. Various themes combine to influence how one understands the role, function and qualities of a worthy statesman, and by comparison the sophist and the philosopher.
In the Introduction Sallis notes that one should be wary of projecting concepts from Aristotle into the Statesman; he claims that the essays in this collection aim to make manifest the key themes outlined earlier (amongst others) by taking contextual and discursive forms of the dialogue into account. All of the essays seek to enter into the Statesman with attentiveness, reticence, and discretion, and all share in the desire for dramatic content and unique features to be addressed. However, each essay embarks upon a different path in respect to how to interpret Plato’s objectives, trace the primary aims of the text, uncover the rationale behind certain inclusions (and omissions), and, of course, understand Plato’s treatment of the philosopher. The essays attribute different degrees of significance to the key themes highlighted and present varied interpretations in relation to Plato’s methodological decisions.
Sallis describes how the collection of essays is intended to ‘enter into the Statesman in a way that opens from the dialogue itself’ (2). Essays such as ‘From Spontaneity to Automaticity…’ by Michael Naas address key sections of the text, whereas others e.g. ‘Where have all the Shepherd’s gone…’ by S. Montgomery Ewen focus on a particular theme. Essays such as ‘Reconsidering the Relations between the Statesman, the Philosopher and the Sophist’ by Noburu Notomi work to contextualise the Statesman by addressing it alongside the other dialogues to trace how the figures being addressed develop and are present throughout the trilogy. Those such as ‘The Art of the Example…’ by James Risser focus on the Statesman itself in order to analyse the theme addressed as it arises from and is present within this dialogue specifically.
Most texts on the Statesman analyze the work holistically or focus on a specific theme in the wider works of Plato. However, this collection sets itself apart by being beneficial through the different insights it provides regarding a variety of themes. This enables the reader to gain multiple perspectives into the disparate themes contained within the Statesman as whole. It demonstrates the complex multidirectional possibilities for interpreting the features of the topics treated and draws attention to curious aspects of Plato’s method. While the themes addressed are sufficiently treated in other works for the reader to grasp their importance, few texts on the Statesman offer insights as varied and dynamic as this one. The book contains an extensive bibliography which details different translations of the Statesman (in Greek and in English) and it purports relevant primary and secondary texts. The bibliography by itself is useful to Plato scholars interested in contextualising the Statesman or in learning more about how the key themes outlined (and others) are addressed in the Statesman itself and in Plato’s wider works.
The structure of the text involves a loose grouping of the essays according to theme, it is therefore difficult to assess a clearly defined structure in relation to how they are organised. As a result, the reader must leap between disparate themes and interpretations as the collection does not progress sequentially and it is not easy to synthesize events as they unfold within the dialogue or to develop a structured treatment of each theme. As the dialogue within the Statesman also leaps between disparate themes it is not beneficial to set the essays within a rigid structure as such an arrangement could impose reductive and counterproductive limits on a reader’s understanding. So, although the essays are roughly grouped according to the themes they cover, such rough groupings are necessary as they mirror the content and style of the dialogue in the treatment of these themes. There is a useful index of relevant terms in both Greek and English as well as biographical details of all contributors so the reader may reference the language structure and trace further works.
In his brief essay ‘Beginnings’ Sallis contemplates a question concerning the nature of a suitable beginning which, in regard to the Statesman is related to the dramatic order of the dialogues within the trilogy. The Sophist and the Statesman are dramatic sequels to Theatetus and all three involve the same people in the same location with a shared task of defining the sophist, the statesman and the philosopher. As the third work in the trilogy, the Statesman does not begin at the beginning and Sallis claims that a ‘palintropic turn’ is required; ‘a turn back to the beginning anterior to the beginning’ and this is a turn to myth (13). In the dialogue the rigour of mathematics gives way to myth as, when Theodorus responds to Socrates’ remark that he owes him much (in respect to the conversation he (Theodorus) arranged between Theatetus and the Stranger to delimit the sophist) Theodorus replies ‘But soon you will owe me triple this…’ inferring that, once insight into the statesman and the philosopher are gained the debt will increase threefold (257a). Socrates argues that the three figures are not reducible to equal, mathematical units, and, as one may appear in the guise of another they are not strictly distinct but are related in community. Socrates begins by marking out the limits of mathematics and for Sallis ‘The Statesman begins with a return to a beginning anterior to its own beginning’ (14).
In ‘Spontaneity to Automaticity: Polar (Opposite) Reversal at Statesman 269c-274d’ Michael Naas focuses on the myth of two ages and the role played by a double sense of αύτόματος as meaning both actively spontaneous and passively automatic. Naas argues that everywhere else in Plato’s dialogues this term is used not to suggest a positive, spontaneous movement, ‘but the lack of any kind of intelligent, guided, or oriented movement’ (4). In relation to the myth of two ages this is significant as, though it is tempting to read the movement of the universe in a positive way ‘as the spontaneous motion of a living being endowed with a capacity for self-movement’ in reality it suggests ‘a lack or deficiency at the heart of the universe’ (5). He uses an interesting (and relevant) analogy to refer to the universe in the age of Zeus as one that is adrift, abandoned, unorientated ‘like a written law without the originary lawmaker’ (5).
In ‘Autochthony, Sexual Reproduction, and the Political Life in the Statesman Myth’ Sara Brill highlights the Statesman’s contribution to ontology and the ontological status of human political phenomena. She conducts a careful reading of the myth of two ages comparing the age of Cronos to the age of Zeus in order to present two forms of generation; generation from others and generation from the same (sexual reproduction). Brill argues that the myth marks human sexual reproduction as the advent of political life; a form of self-rule in imitation of the self-rule of the cosmos that requires us to acknowledge that human political life ‘is grounded in the fact that we are born from others like ourselves’ (5). ‘Where Have All the Shepherds Gone? Socratic Withdrawal in Plato’s Statesman’ sees S. Montgomery Ewen take Socratic withdrawal as key to understanding the dialogue. He draws similarities between Socrates’ withdrawal from the conversation and the withdrawal of the god in the myth of two ages to suggest that philosophy itself is presented as a Socratic withdrawal ‘that grants things the space to become what they most properly are’ (5). He claims that, if read alongside the Phaedo, the Statesman ‘is Plato’s attempt to make sense of a world without Socrates, whose death sets us adrift on our own devices, without the care and concern of the most orderly and godlike of philosophers’ (5).
Walter Brogan interrogates questions of the relationship to time that the Statesman raises as a condition of forming human community. He considers the care for this community that should be exercised by the statesman as that which should take up an appropriate relationship to time to invest in and preserve unity amongst the people. His essay considers the time of myth (before Cronos), the time of the statesman (the time of Zeus, or due measure) and the time of law (constituted by the founding sovereign to withstand the passing of time and ensure survival). Sallis notes that ‘Brogan shows how absence and withdrawal define and haunt the Platonic conception of time in the Statesman’ (6).
Nikolas Pappas focuses on the myth in the Statesman and addresses the question of how the age of Cronos is to be connected to the present age. He notes how the verb διανέμω occurs in reference to both ages but has different meanings; it links governance by the true king in that age, with dialectic by the philosopher in this age. Pappas presents philosophy as resulting from ‘the diffusion of kingship from foreign lands’ and understands the myth as reflecting back on the way that learning from ‘ancient foreigners’ allowed the Greeks to establish philosophy as a private and institutional response to kingship elsewhere (6). In ‘Noesis and Logos in the Eleatic Trilogy, with a Focus on the Visitor’s Jokes at Statesman 266a-d’ Mitchell Miller explores the interplay of intuition and discourse as two distinct methods. He begins with the ‘orienting provocations’ provided by Socrates refutation of knowledge as “true judgement and logos” in the Theatetus, and moves on to the Stranger’s ‘obscure schematization’ of the eidetic field of dialectic to arrive at the discussion at Statesman 227a-278e of the use of paradigms (6). He seeks to show that the Stranger’s odd medley of ‘geometrical and Homeric jokes’ aim to spark an intuition of statesmanship whose ‘self-nourishing’ motivates: the rejection of the initial definition (of statesman as shepherd), a turn to the analogy of the weaver, and the rejection of bifurcation in favour of the non-bifurcatory account of an art ‘that functions as the “limbs” of a well-formed city’ (6).
Gunter Figal addresses the way that topic and method intertwine in the Statesman by interrogating the relation between dialectical training and an objective determination of the nature of the statesman. Figal argues that we cannot determine the nature of political knowledge by imposing one single idea on it; the dialectical exercise therefore fails. Eric Sanday analyses the account of paradigm to show that the Stranger provides us with a method of inquiry that draws on and is guided by wisdom. For Sanday the Stranger’s use of paradigm heralds a gap between 1) the parts of a complex, meaningful whole and 2) the ingathering normativity that challenges and exceeds its articulation. We as philosophers must understand the power of paradigm if we hope to unfold ‘new horizons of intelligibility’, only then can we understand the distinction between the paradigm of the shepherd and the paradigm of the weaver to make sense of our search for the statesman.
James Risser in ‘The Art of the Example’ interprets the section in the Statesman where the need arises to give an account of the use of an example for determining the statesman. Risser claims that this part of the dialogue indicates how the discovery of the statesman ‘cannot be extricated from the experience of learning that approximates a dialectical art’ (7). For Risser, the key lies in the Greek word παράδειγμα which is used in this context to mean both model and example. Risser also submits that the stated need is to introduce a model for how comparative learning occurs and concludes that this model is operative in every example in order to generate the organic unity of the whole that is sought.
Noburu Notomi’s essay addresses the question of the relationship between the statesman, the philosopher and the sophist. Notomi assumes that the trilogy of dialogues pursues a single theme; the nature of the philosopher. This essay addresses the question: What becomes of the philosopher in the Statesman? It draws comparisons with the sophist and the statesman in relation to the distinction between genuine and imitative kinds of knowledge or art. Notomi determines the epistemological position of the philosopher in relation to the other figures, demonstrating that both the sophist and the statesman display the nature of the philosopher in their definitions. In ‘Syngrammatology in Plato’s Statesman’ Robert Metcalf focuses on 293a-299e; the connections between the critique of law and the critique of writing. He shows that what is at issue is not just any kind of writing, but syngrammatic writing which aims to eliminate ambiguity and is a structural feature of the ‘hypergraphic polis’. This raises the question about whether law can be thought on the model of non-syngrammatic forms of writing e.g. soul writing which is hypothesised by Socrates in the Phaedrus.
In ‘Stranger than the Stranger: Axiothea’ Drew Highland imagines a subsequent dialogue between Thaetetus, young Socrates and Axiothea (the purported female member of the academy). The objective is to raise the question for the two youngsters, of the limits as well as the virtues of each understanding of philosophy by comparing the dialectic method of the Stranger with Socrates interrogative method. Highland argues, it is an open question whether Plato intends us to leave behind the Socratic method in favour of the Stranger’s Eleatic formalism. Robert Bartlett’s essay considers the Stranger’s presentation of law as relevant not only to political life, but extending far beyond it. The Stranger proves quite critical of law in general and of divine law in particular; he praises the statesman as one who possesses the knowledge needed to be self-ordering in a way that those who profess to receive their law from the gods are not. This essay presents the anti-theological character of the Stranger’s account of law as an important feature of his political science.
Ryan Drake considers the fate of sophistic persuasion in the Stranger’s elucidation of the best possible regime under law; the legitimacy of this practice has been thrown into question by Socrates throughout the dialogues. Drake notes that, the Stranger remarks that the statesman in a lawful regime will need orators able to engage in ‘mythopoetic persuasion’ rather than teaching as a means of preserving civic order (9). These rhetorical tactics involve a ψυχαγωγία; a ‘leading of souls’ which is distinct from ‘the philosophical ‘directing of souls’ through dialectic’ and these methods are set in opposition. Drake observes that, for the Stranger the rhetoric of sophistry is necessary to the regime of law (but recognises that it is anti-philosophical in nature).
Burt C. Hopkins essay seeks to answer the question of whether Plato’s portrayal of multiple philosophers in the trilogy seeks to show that philosophy itself is something that is multiple (bigger than one man). For Hopkins, Socrates and the Stranger share a vision (of the difference between the whole and all the parts) and this guides their method of “looking into things by dividing them according to forms” (285A). He argues that they possess a common vision of άρχή beyond being and therefore the philosophy of the two labours is one. Gary M. Gurtler explores how Plotinus uses texts from the Statesman for different purposes; some pedagogical in nature. Gurtler argues that Plotinus’ interpretations and reference to examples intended to clarify reveal ‘different assumptions about the unity of Platonic philosophy and the possibility of its retrieval in a thinker like Plotinus’(9).
In summary, the essays within this collection make a valuable contribution to the clarification of the role and practice of the philosopher through comparison with key figures, e.g. the sophist and the statesman. The collection will be of interest to those who wish to further pursue key themes in respect to philosophical methodology such as: the limitation of mathematics, the importance of the good in politics, ontology, dialectic and the power of myth in the works of Plato. It will also be of use to those interested to explore how historical and philosophical events unfolded in the lead up to the trial and execution of Socrates and how this symbolic event is reflected and responded to through the work of Plato.