Karsten Harries: The Antinomy of Being

The Antinomy of Being Book Cover The Antinomy of Being
Karsten Harries. Preface by: Dermot Moran
De Gruyter
2019
Front matter: 22. Main content: 246

Reviewed by: Richard Colledge (School of Philosophy, Australian Catholic University)

Karsten Harries’ The Antinomy of Being, which is based on his final Yale graduate seminar, is a deeply ambitious study that brings to the table vast scholarship across a range of philosophical, as well as literary, theological, early modern scientific, and art historical sources. Focusing especially on what he presents as a key problematic in the work of Kant, Nietzsche and Heidegger, Harries demonstrates the way that this notion of the antinomy of Being is at the heart of the condition of possibility of truth, and thus for any response to the spectre of nihilism. When taken as a whole, his arguments make a compelling case not only for the centrality and irreducibility of this issue across a range of philosophical fields, but also for any rigorous meta-philosophical reflection. This welcome development in Harries’ work is a text that challenges contemporary thought across various fields.

The idea of the antinomy of Being is one that Harries has presented and discussed numerous times in his writings over the last decade and a half in particular, generally as part of a more finely focused argument that opens into this larger underlying set of concerns.[1] However, in this 2019 monograph, Harries provides a fully developed account of what he describes as “the unifying thread of [his] philosophical musings” from over half a century of teaching, even if the term itself appeared in his work only comparatively recently (AB, 1).

“Antinomy” is associated with paradox; aporia; the limits of language; cognitive dissonance; and possibly even the limits of logic. More specifically (especially in a Kantian context), it relates to the clash between two apparently contradictory beliefs, each of which is entirely justifiable. Two of the four famous antinomies in Kant’s first Kritik (relating to space and time, freedom, substance and ultimate necessity) are the subject of explicit attention in this book, as is the way that the same fundamental problematic can be seen as being deeply at play in the work of Martin Heidegger and various other post-Kantian thinkers. The ways that these more specific cases arise in Harries’ text will be surveyed below. However, it is important also to note that Harries’ concern is not to simply paint his topic as an issue in the thought of a particular group of philosophers. To the contrary, his larger and more basic project is to show that the antinomy of Being is an irreducible element in all thought, cutting across all disciplines and genres. Consequently, its denial amounts to the distortion of thought, while coming to terms with it is the only pathway to intellectual (perhaps also existential) authenticity. For ultimately, it is a question of how it is possible to respond to the ever-present threat of nihilism (the topic of his 1962 doctoral dissertation). As he puts it early in his Introduction:

[O]ur thinking inevitably leads us into some version of this antinomy whenever it attempts to comprehend reality in toto, without loss, and that a consequence of that attempt is a loss of reality. All such attempts will fall short of their goal. What science can know and what reality is, are in the end incommensurable. Such incommensurability however, is not something to be grudgingly accepted, but embraced as a necessary condition of living a meaningful life. That is why the Antinomy of Being matters and should concern us. (AB, 2)

What is the nub of Harries’ contention? In a sense, the book is something of a manifesto for hermeneutical realism, and in such a way that places equal weight on both hermeneutics and realism as complementary poles of the antinomy of Being as a whole. On one hand, there is an absolute insistence on the finitude of all understanding (“hermeneutics goes all the way down” as the old adage has it), while on the other hand there is an equally strong insistence on the real as that which is finitely understood. In this way, the twin disasters of nihilism – i.e., idealism (nothing can be known; or there is no real as such) and dogmatism (in its many guises, be it scientism, religious fundamentalism, etc) – are both variations on the theme of denial of the ineluctable antinomy of Being. Both idealism and realism contain kernels of truth, but in canonising one side of the antinomy and marginalising the other, both are ideologies that destroy the balance required to underpin the possibilities of knowing in any genuine sense. On one hand, idealism absolutizes the rift between mind and world so that it is portrayed as an unbridgeable chasm that makes knowledge of the real impossible. On the other hand, in its claim to have captured and represented the real, there is something absurd and self-undermining in rationalistic realism, and in presenting a shrunken parody of the real it too vacates the space for nihilistic conclusions.

In seeking to do justice to both sides of the antinomy, Harries is not afraid to defend what he sees as the key insight of the Kantian antinomies that he links respectively (if unfashionably) to the transcendental and the transcendent dimensions of the real:

[T]he being of things has to be understood in two senses: what we experience are first of all phenomena, appearances, and as such their being is essentially a being for the knowing subject. Science investigates these phenomena. But the things we experience are also things in themselves, and as such they possess a transcendent being that eludes our comprehension. The identification of phenomena, of what science can know, with reality is shown to mire us in contradiction. (AB, 1)

I suggest that Harries’ stance invites comparison with other contemporary forms of hermeneutical realism, such as that developed by Günter Figal.[2] Figal’s approach places the focus on the problem of objectivity: of the thing’s standing over against the subject as irretrievably other, even in its being understood and grasped. As Figal puts it, “[h]ermeneutical experience is the experience of the objective [das Gegenständliche]—of what is there in such a way that one may come into accord with it and that yet never fully comes out in any attempt to reach accord.”[3] Similarly, it is this simultaneous knowability and unknowability of things that Harries highlights in his observation of the antinomy that characterises all understanding of the objective, of that which shows itself – only ever finitely and incompletely – as the real.

In the first chapter of the book, Harries sets out his account predominantly with reference not to Kant, but to Heidegger. These pages provide a condensed summary of some of the major aspects of his previously published readings of Heidegger that gather around this theme. For Harries, the confrontation with the antinomy of Being is at the heart of a key tension in Being and Time, a tension that Heidegger repeatedly returns to for the rest of his life. Even if Heidegger never used the term, Harries asserts that it is directly evoked in his notion of “the ontological difference” (the difference between beings and their Being [Sein]), for to attempt to think this difference Heidegger, he claims, “had to confront the Antinomy of Being” (AB, 15). As Heidegger outlines in §§43-44 of Being and Time, but more directly in his summer 1927 lecture course, there is a formidable problem here. On one hand, without Being, there would be no beings, and so Being is transcendental. Further, there is Being only when truth (and thus Dasein) exists, for without Dasein, there would be no revelation of beings. But on the other hand (and here the antinomy becomes evident), it cannot be said that beings, or nature as such, only are when there is Dasein. Nature does not need to be revealed to Dasein (there need be no event of truth) in order to be what it already is. We do not create beings; they “are given to us,” and our “experience of the reality of the real is thus an experience of beings as transcending Being so understood” (AB, 15). Being “transcend[s] … the Dasein-dependent transcendental Being to which Being and Time sought to lead us” (AB, 14). The antinomy of Being thus arises in this distinction Heidegger implicitly notes “between two senses of Being: the first transcendental sense relative to Dasein and in this sense inescapably historical, the second transcendent sense, gesturing towards the ground or origin of Dasein’s historical being and thus also of Being understood transcendentally” (AB, 15-16).[4]

To be sure, with this Heidegger interpretation Harries intervenes in well-established debates within (especially American) Heidegger scholarship. However, unlike the way much of that debate circles around early Heideggerian thought (and sometimes only Division 1 of Being and Time), Harries is concerned with the way that this same issue continued to play out – albeit in different terms –  in Heidegger’s later works. For example, he makes the interesting (unfortunately undeveloped) suggestion that Heidegger sometimes looks to differentiate these two senses of Being via the introduction of the Hölderlin-inspired spelling “Seyn” or in placing “Sein” under erasure. “Sein and Seyn are the two sides of my antinomy,” he explains: “Being understood as the transcendent ground of experience (Seyn) transcends Being understood transcendentally (Sein)” (AB, 16). However, the attempt to comprehend … the presencing (das Wesen) of Seyn will inevitably “become entangled in some version of the Antinomy of Being. Thus:

Any attempt to conceptually lay hold of that originating ground threatens to transform it into a being, such as God or the thing in itself and must inevitably fail. Here our thinking bumps against the limits of language. Being refuses to be imprisoned in the house of language. And yet this elusive ground is somehow present to us, calls us, if in silence, opening a window to transcendence in our world. (AB, 16)

For Harries, the notion of the Kehre in Heideggerian thought – understood as Heidegger himself presents it, as “a more thoughtful attempt to attend to the matter to be thought” –  is a step made necessary by “the antinomial essence of Being, which denies the thinker a foundation.” Indeed, Harries goes still further in doubling back to Kant: the “Antinomy of Being shows us why we cannot dispense with something like the Kantian understanding of the thing in itself as the ground of phenomena, even as the thing in itself eludes our understanding” (AB, 16-17).

In Chapter 2 (“The Antinomy of Truth”), Harries continues his engagement with Heideggerian thought, specifically concerning the paradox of language. Accordingly, language is both the way that beings are revealed and thus (transcendentally) come to be for us, whilst also limiting us to a finite encounter with the real that in itself transcends the limits of linguistic and thus worldly presentation. In other words, as Heidegger emphasised time and again (though it is also an insight voiced throughout philosophical history, from Plato to Wittgenstein and beyond), language both reveals and conceals the real, both revealling and “necessarily cover[ing] up the unique particularity of things” (AB, 25). Harries illustrates this point by opening the chapter with citations from Hugo von Hofmannsthal’s evocative 1902 “Letter of Lord Chandos,” before then showing how Hofmannsthal’s insights were already voiced by figures as diverse as Aquinas, Kant and Nietzsche. After focusing on “the truth of phenomena” through a Kantian lens (in the course of which he illuminatingly quotes Copernicus on his own distinction between appearance and actuality in planetary observation), Harries then provides an extended analysis and critique of Heidegger’s account of truth. In partially sympathising with Tugendhat’s critique of Heidegger’s early notion of truth as alētheia, Harries goes on to maintain that transcendental subjectivity only makes sense in the context of transcendental objectivity. The real is only ever encountered and uncovered perspectivally, but the (infinite) array of possible perspectives (via the contingencies of worlding) points to a transcendent whole that is nonetheless inaccessible in its completeness to the finite subject:

To understand the subject as a subject that transcends all particular points of view is to presuppose that consciousness is tied to perspectives but transcends these perspectives in the awareness that they are just perspectives. The transcendental subject has its foundation in the self-transcending subject. (AB, 45)

In Harries view, in its focus on the finitude of phenomenological access, Heidegger’s early position fails to do justice to this larger context: Heidegger’s fundamental ontology “suggest[s] that the perspectival is prior to the trans-perspectival without inquiring into the meaning of this priority.” Further, it must be recognized that “the perspectival and the transperspectival cannot be divorced,” for human self-transcendence “stands essentially in between the two” (AB, 45). Nonetheless, even given this critique, Harries continues to insist, with Heidegger, on the ineluctability of finitude:

[T]he transcendental philosopher remains tied to a given language and subject to the perspectives it imposes, even as he attempts to take a step beyond them. The absolute of which he dreams must elude him. The pursuit of objectivity cannot escape its ground in the concrete. (AB, 45)

Chapter 3 (“The Architecture of Reason”) is largely devoted to the relationship between Kant and Nietzsche on this question. Focusing especially on the latter’s essay “On Truth and Lies in an Extra-moral Sense,” Harries is in agreement with Nietzsche in his staunch opposition to linguistic realism: words do not simply express the inner essence of the things they re-present. “What we can grant him is that the thing in itself remains quite incomprehensible,” and so “what we are dealing with are always only appearances.” However, Harries also wants to insist on the key distinction between the thing-in-itself and objective appearance as such. After all, if the phenomenon just is the self-giving of the thing as it is – albeit finitely and perspectivally – then this makes sense of the possibility of similar perceptions; and this in turn is what makes shared concept formation possible. Furthermore, he argues, it is only thus that Nietzsche is able to sustain his own “social contract theory of language” (AB, 55). But on the other hand, Nietzsche’s linguistic idealism produces a savage critique of scientific rationalism which, he suggests, fails to see that its concepts are really metaphors, the product of the imagination. Concepts are “the ashes of lived intuition”, and scientific rationalism is therefore nothing other than a chasing after shadows. In leaving behind lived experience, science leaves us with death: a “columbarium of concepts” (AB, 63).

This link between science and loss – of the dangers of intellectualism that imperils the natural human experience of the real – is accentuated in the following chapter (“The Devil as Philosopher”) that presents an intriguing diptych of Fichte and Chamisso. Harries’ engagement with the former – who is his major philosophical interlocutor in this chapter – surveys the train of thought that led Fichte to the nihilism of his absolute idealist conclusions. But he also addresses the sense in which Fichte’s path of thought equivocally led out the other side through his conception of “conscience” by which a disinterested intellectualism is replaced by a spirit of conviction. It is thus that Harries sees Fichtean thought as subject again to “the call of reality, which is submerged whenever the world is seen as the desiccated object of a detached, theoretical understanding” (AB, 77). The hinge of the aforementioned diptych is made possible by Fichte’s historical exile from Jena to Berlin, where he met and befriended the romantic poet Adelbert von Chamisso, author of the cautionary tale of Peter Schlemihl. In Harries’ interpretation, Schlemihl – a character who (Faust-like) bargains with a demonic (Mephistopheles-like) philosopher to trade his shadow for unending wealth – is emblemic of the dark side of Enlightenment reason that would have us lose our natural embodied selves, our cultural and social particularities, our “homeland,” in pursuit of the ashes and emptiness of objectivity, soulless freedom and universal reason. Only disembodied ghosts cast no shadows. As Nietzsche would later suggest, disembodied reason is a form of living death. The rationalistic road by which Fichte would propose the inescapable mirror of consciousness that posits the world through its own volition is yet another form of failing to think through both sides of the antinomy of Being.

This leads Harries the full circle back to Heidegger, in a chapter titled “The Shipwreck of Metaphysics”, but also to a very contemporary application of the Heideggerian problematic. He begins by recalling his diagnosis of the antinomy of Being that emerges from Heidegger’s early thought (two irreducibly opposed senses of Being), and he notes Heidegger’s own admission (in his 1946/47 “Letter on Humanism”) that “[t]he thinking that hazards a few steps in Being and Time has even today not advanced beyond that publication.” Harries has us dwell on this impass with Heidegger. Was the whole incomplete project of Being and Time was therefore a dead-end? For Heidegger, it was not simply a “blind alley” (Sackgasse), but something far more telling: a Holzweg. The path of his thought was a very particular kind of losing of one’s way that is typical of “a genuinely philosophical problem” as Wittgenstein would put it (AB, 86). The Holzweg of Heideggerian thought leads us directly into the to the aporia of Being as such.

Harries goes on in this chapter to provide a very contemporary and “concrete” illustration of how this plays out in our own time with regard to the contortions of scientific materialism. He might have chosen any number of interlocutors in this field, but instead (in another hint of Harries’ intellectual generosity) he selects an interlocutor close at hand: a philosophically-minded colleague from Yale’s computer science department, Drew McDermott. With a nod to the medieval doctrine of “double truth” (condemned at Paris in 1277), Harries notes the way that his colleague is completely committed to the basic proposition that the natural sciences hold the key to all that is, can be, and will be understood, even as he admits that science cannot explain key aspects of our first-person experience of the world, including values we hold to be true. In this, he was inspired by Heidegger’s account of Dasein’s Being-in-the-world (that undermined a materialist “present-at-hand” projection of the world) , even though his commitment to the scientific attitude puts him at loggerheads with Heidegger. Harries sees in McDermott’s apparent cognitive dissonance the very aporia with which Kant and Fichte wrestled, and to which Heidegger’s own work was also to point.

The following chapter (“Limits and Legitimacy of Science”) expands upon this problem of the incompatibility of science with meaning, seen through the lens of the nineteenth century German physicist Heinrich Hertz (in his search for simple comprehensive scientific principles to comprehend the world), the early Wittgenstein (who despite similar aspirations famously concluded that “the sense of the world must lie outside the world”), and Kant (who similarly wanted to entirely affirm the scientific attitude even as he affirmed the truth of dimensions that transcend, and are precluded by, the sciences: freedom, immortality, God).

What begins to emerge in Chapter 7 (“Learning from Laputa”) are twin themes that will come to dominate the later parts of the book: the notion of seeking to escape from the confines of earthly existence through rationality and scientific application, and the theme of being-at-home. Harries’ major inspiration here is Swift’s portrayal of the Laputians in Gulliver’s Travels, who in creating their flying island revel in their (albeit ambiguous) transcendence of standard physical constraints and social bonds. These men of Laputa literally “have their heads in the clouds,” as they exist detached from their earthy home. Indeed, Harries notes the allusions here to Aristophanes’ The Clouds, and he sees both productions as parodies of rationalistic hubris (AB, 119). Here we see the link made to Heidegger’s critique of technology, which not only involves the triumph of curiosity (seen also in the Laputians), but also the flight from grounded human dwelling. Like Peter Schlemihl, with technological enframing, we lose our shadows.

Harries’ upward orientation continues in Chapter 8 as he turns to the cosmological revolution of the sixteenth century. A key figure here is Giordano Bruno, whose execution is understood in the context of an absolute commitment to the sovereignty of rational freedom, and more specifically the implications of his championing of the idea of infinite time and space. In such a universe, conceptions of boundedness, constraint, society, embodiedness, home and homecoming – one might say facticity –  are lost. As Nietzsche pointed out, there is no longer any horizon, no up or down. But Harries similarly points to the earlier tradition of Germanic mysticism (from Walther von der Vogelweide, to Ruysbroeck, to Eckhart and Suso) that made similar gestures toward the power of self-transcendence and freedom of thought to leave the body behind and even challenge the boundary between the human and the Divine. Here the thinking of space through intellectual freedom leads to antinomy. On one hand, space must be limited, since otherwise location would be impossible; but on the other hand, space cannot be limited since there can be nothing outside of space.

On the basis of this extensive groundwork, in Chapters 9 and 10 Harries turns, respectively, to other Kantian antinomies: concerning freedom and time. With reference also to Fichte, he sets out the terms of Kant’s antinomy of freedom: that on one hand there are two kinds of causality in the world (via laws of nature, and via the law of freedom, since otherwise it would be impossible to account for spontaneous events that are not reducible to natural cause and effect), while on the other hand freedom is clearly precluded by the necessary laws of nature (since otherwise the flow of events would lose their regularity). He follows this line of thought into Kant’s Critique of Judgment, in which freedom is defended “from a practical point of view” in terms of the experience of persons (AB, 159). But again, Harries is keen to show the perennial nature of this problem, returning to the Paris Condemnations to show that these same irresolvable issues are at play both in terms of the understanding of God’s freedom (Divine voluntarism vs rationalism) and human freedom (in the context of knowledge and sin).

The richly textured chapter on Kant’s antinomy of time (that draws in also Plato’s Timaeus, Aristotle, Rilke and Heidegger), takes a series of perspectives on the theme. On one hand, time must be bounded (and the world must have a beginning), since otherwise there could be no foothold in time within which events could occur. But on the other hand, it makes no ordinary sense to conceive of an event outside of time, so time must be infinite. As Harries points out concerning the latter, Kant is thinking here of the idea of time as a complete and infinite whole, an incomprehensible “noumenal substrate.” Here the notion of the sublime in the third Kritik is helpful. Sublime nature, for example, cannot be phenomenonally comprehended as a whole, but it can be thought, and here reason comes to the fore even as imagination and understanding are outstripped. This power of reason to think the infinite, points to the human capacity to transcend its finitude in a certain sense at least that nonetheless conflicts with the ongoing finitude of understanding. The noumenal is thinkable, but not understandable.

It is perhaps something of a shortcoming of the book that Harries doesn’t do the detailed work of relating the structure of the Kantian antinomies in general to his proposal about the antinomy of Being as such. However, the main outlines can be inferred. The logic would seem to be that the “thesis” and “antithesis” sides of Kant’s antinomies speak to the two senses of Being that Harries delineates: the transcendental and the transcendent (or the phenomenological and the noumenal). If, for Kant, transcendental idealism was the means by which these two were held in tension, Harries would seem to be suggesting that we need a robust sense of the Holzwege that both joins and separates what Heidegger wrote of as Realität and des realen: worldly reality and the inaccessible real.[5]

The final chapters of the book (Chapter 11 on “The Rediscovery of the Earth”, and Chapter 12 on “Astronoetics”) focus on this notion of the tension between human finitude and our attractedness to the heavens, to the infinite. We live with a double truth here: we are at home in our local domestic communities even as we are aware that we dwell on a planet that is spinning through space at extraordinary speed. Some of us long to realise the ubiquitous human desire to transcend our earthly dwelling place (as seen in ancient theories and myths, from Thales, to Vitruvius, to Icarus, to Babel, to modern hot air balloons and space flight), and the recent innovation of literal astronautical transcendence of the earth’s atmosphere has given us a taste of what this might mean. In our own times, there is talk of humanity becoming a space-travelling, multi-planetary species. However, Harries insists that we remain mortals, and (for the foreseeable future) creatures of the earth. The brave new world of space flight remains parasitic on the rich and nurturing resources of our home planet. He goes on to reminds us of the long tradition of Christian suspicion of pagan hubris (Augustine vs Aristotle): yes, we are made in God’s image, but human curiosity is also at the root of the fall.

These many themes are continued into the chapter on Astronoetics. The key question here concerns the human relationship to our origin: our earthly home. Are there limits to human self-manipulation and our manipulation of the earth? In order to think through such questions, aeronautics needs to be complemented by what Hans Blumenberg termed astronoetics: the act of thinking or dreaming our way imaginatively through space while remaining “safely ensconced at home.” (AB, 189). This is eventually a matter of thinking deeply about what is at stake in human ambition. Harries presents Jean-François Lyotard and the artist Frank Stella as representatives of the alternative he terms “postmodern levity.” This approach is uninterested in what they characterise as the modern (philosophical and artistic) nostalgic longing for a “lost centre or plenitude,” instead freely revelling in immanence and innovation. If modern art, in its “unhappy consciousness” is “never quite at home in the world,” the post-modern is characterised by a resolute this-worldliness (AB, 204). If modernity looks to evoke that which is finally unpresentable, artists like Frank Stella strive to create works of art that simply satisfy, are fully present, and eschew any ambition to point beyond themselves to obscured dimensions of truth or reality. Needless to say, such an approach is the antithesis of Harries’ account of the incomprehensible presence of the real in things as ordinary and precious as the experience of other human beings and the beauty of nature (see AB, 209).

It cannot be said that Harries’ Conclusion (titled “The Snake’s Promise”) succeeds in pulling together the various threads of his rich and ambitious book. But then again, for a book that deals with the the irreducible antinomy of Being, this seems apt. There are no neat resolutions to be had here. Perhaps this is already intimated in the re-encapsulation of the meaning of the antinomy of Being with which the chapter begins: that “reality will finally elude the reach of our reason, that all attempts to comprehend it will inevitably replace reality with more or less inadequate human constructions.” (AB, 216) In musising further on Heidegger’s critique of technology, Harries shows himself to be largely on the same page as Heidegger, though he is slightly sceptical about a simplistic nostalgic call to return to a pre-industrial golden age. Science and technology have profoundly changed our context, and there is no lineal return.

However, what the final pages do provide is a concluding and scathing critique of the distortions and banishments of the real by science, by art, in education and in popular culture. Science “seeks to understand reality in order to master it” (AB, 233), but in this never-ending quest, it reduces the real through perspectivalism and objectification, alienating us from it. Second, “aestheticizing art” obscures the real insofar as in simply looking to entertain it asks nothing of us. In both cases, the real lies inaccessible and largely forgotten behind the image. In fact, neither the artist, nor the scientist, are second Gods (as per the snake’s promise in the garden), for the work of both is parasitic on the underlying reality that make them possible. Third, and worse still, is the aestheticization of thinking itself: “the transformation of humanistic scholarship into an often very ingenious intellectual game.” (AB, 233) Fourth, and worst of all, is the attempt to aestheticize reality, especially by technological means, for in this way, reality is counterfeited; the real becomes the surreal.

Where does Harries’ extraordinary book leave us? Perhaps most of all with a plea to respect the real, by making a space for its unexpected appearings, to await its uncontrolled showings, and to resist the temptation (driven by our own anxieties) to partialize or even falsify it. I can do no better than to end with Harries’ own appeal:

[E]very attempt to [manipulate reality] … makes us deaf to its claims, denies us access to its transcendence in which all meaning finally has its ground, a ground that by its very essence will not be mastered. To open windows to that reality we must find the strength to abandon the hope to take charge of reality, the hope to be in this sense like God. Only such strength will allow us to be genuinely open to the claims persons and things place on us, will let us understand that we do not belong to ourselves, that we cannot invent or imagine what will give our lives measure and direction, but have to receive and discover it. (AB, 233-34)


[1] See Karsten Harries, “The Antinomy of Being and the End of Philosophy,” in Division III of Heidegger’s Being and Time: The Unanswered Question of Being, ed. Lee Braver (Cambridge, MA: MIT Press, 2015), 133-47; Harries, “The Antinomy of Being: Heidegger’s Critique of Humanism,” in The Cambridge Companion to Existentialism, ed. Steven Crowell (Cambridge: Cambridge University Press, 2012), 178-198; and Harries, Wahrheit: Die Architektur der Welt (München: Wilhelm Fink Verlag, 2012). For a thoughtful engagement with the last of these, see Steven Crowell, “Amphibian Dreams: Karsten Harries and the Phenomenology of ‘Human’ Reason,” in Husserl, Kant and Transcendental Phenomenology, ed. Iulian Apostolescu and Claudia Serban (Berlin: de Gruyter, 2020), 479-504.

[2] For more on this, see my “Thomism and Contemporary Phenomenological Realism: Toward a Renewed Engagement,” American Catholic Philosophical Quarterly 95, no. 3 (2021): 411–432 (esp. 417ff).

[3] Günter Figal. Objectivity: The Hermeneutical and Philosophy. trans. Theodore George (Albany: State University of New York Press, 2010), 2.

[4] For a not dissimilar reading of the dynamics at play in this area of early Heideggerian thought, and of how this plays out in his later thought, see my “The Incomprehensible ‘Unworlded World’: Nature and Abyss in Heideggerian Thought,” forthcoming in The Journal of the British Society of Phenomenology.

[5] See, e.g., Martin Heidegger, Being and Time (Oxford: Blackwell, 1962), 255 [SZ: 212]; Heidegger, History of the Concept of Time (Bloomington: Indiana University Press, 1985), 217 [GA20: 298].

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Lorenzo C. Simpson: Hermeneutics as Critique, Columbia University Press, 2021

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Jürgen Renn, Hanoch Gutfreund: Einstein on Einstein: Autobiographical and Scientific Reflections, Princeton University Press, 2020

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Rudolf Carnap: The Collected Works of Rudolf Carnap, Volume 1, Early Writings

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Reviewed by: Flavio Baracco (Institut Wiener Kreis)

After the complete collection of the published works of Rudolf Carnap (1891-1970) was accepted to be published by Oxford University Press in 2016, the long-awaited first volume of the 14-volume edition of the Collected Writings of Rudolf Carnap has been finally published. This volume represents the first ever English translation of Carnap’s early writings published from 1918 through 1926, before Carnap moved to Vienna becoming one of the leading figures of the Vienna Circle. Carnap is rightly considered one of the most influential philosophers of the twentieth century. He made contributions in many areas, from the philosophy of science to the philosophy of logic, always stressing the need for a critical assessment of the role logic, mathematics and philosophy should play in scientific knowledge. His works played a key role in the development of Logical Empiricism; one of the main sources of what would become analytic philosophy. Although in the present day a fruitful dialogue between analytic philosophy and other philosophical traditions is not always easily achievable, at that time rather different philosophical perspectives were coexisting. The perspectives shared a common cultural framework and, most importantly, they were used to profitably interact with each other in a way that has since become increasingly difficult and Carnap’s early writings are a perfect example of this. Carnap was an eclectic intellectual whose interests embraced different philosophical ways of thinking to such an extent that his multifaceted interests appeared to some as objectionable or even inconsistent, as he recalls in his autobiography. However, he was proud to claim that he acquired valuable insights from philosophers and scientists of ‘a great variety of philosophical creeds’. Carnap’s early writings indeed shows a clear influence of the main philosophers usually regarded as belonging to the analytic tradition, such as Frege and Russell, but Husserl’s phenomenology and many neo-Kantian thinkers such as Natorp and Cassirer play an important role as well. These essays  represent a fundamental resource for both Carnap scholars and historians of analytic philosophy. Firstly, these writings make possible a better understanding of Carnap’s thought and its development since the early years and, secondly, they shed some light on the origins of analytic philosophy and the multi-faceted nature of the cultural framework around  that time.

I wish now to make a few general considerations on the editorial work. First of all, let’s say the present volume represents an outstanding work in Carnap scholarship both for its great attention to detail and for its richness in several in-depth analyses that furnish all the historical and mathematical background needed to understand Carnap’s writings. The volume is the final outcome of the work of many people and the editors present an  overall picture of all those who have  contributed to the  project. The volume begins  with a brief chronology of Carnap’s life followed by an Introduction edited by Carus and Friedman which presents  an exhaustive overview of the essays that  follow. The editors show the original German alongside the English translation and at the end of volume they accurately report any minimal changes they have made with respect to the original text. Each essay is followed by a section giving further information that carefully helps the reader to contextualize and understand the text, and in places,  the editorial notes are impressively accurate. The editors indeed make  extensive use of Carnap’s Nachlass to furnish us with a clear representation of Carnap’s view. Although, reference to an English translation of much of the literature quoted in the final bibliography would have been useful to the reader. The editors accurately report the corrected bibliographic information for all items cited in Carnap’s texts, but they do not indicate whether  an English translation of each item is available . As  the present volume is mainly addressed to an English audience, this would have been useful even though  it would have resulted in a longer bibliographical list. Finally, I would report a misprint at page 189: towards the end of the page the editors refers to note mm (twice), but it should be note ll. In the following I will briefly show the content of the different essays and give a few remarks on the editorial work on these texts whenever appropriate.

The first essay is entitled Völkerbund – Staatenbund and depicts a young Carnap in his twenties engaged in the social-political life of his country towards the end of World War I. At that time Carnap was actively engaged with the German Youth Movement, particularly the parts of the movement politically engaged against the war, and this text represents his contribution to the first issue of the left-wing political newsletter Politische Rundbriefe, published by Karl Bittel in October 1918. This brief text should have been followed by another text where a few critical considerations on the German’s defeat in the war were addressed; however, this second text was never published. However, in the  Introduction the editors sketch the content of both texts and we can then see how they present  an overview of Carnap’s political world view at that time. According to Carnap, politics is not to be understood in a narrow sense, rather  it refers to everything that has ‘some connection with the public social life of people’. As the editors suggest, this view of politics underlies Carnap’s philosophical work for most of his life, especially with respect to the role that reason, and more specifically ‘scientific’ reasoning should play in a society or a community where all the activities should be regulated and so removed ‘from the realm of chaotic whim’ and subordinated ‘to goal-oriented reason’. On the contrary, an excessive contemplative, quietist, or even mystical approach of mental life, not properly balanced by a politically active life is instead suggested to be one of the main reasons for Germany’s guilt for causing the war. This text represents an important resource in order to understand the interconnection between the political and philosophical reflections that were co-existing in Carnap’s philosophy and more generally, in the ambitious and multi-faced cultural phenomenon represented by the Vienna Circle.

In Wer erzwingt die Geltung des Naturgesetzes? Carnap reviews Hugo Dingler’s Physik und Hypothese where the author defends a conventionalist account of the primary laws of nature. Carnap acknowledges Dingler’s philosophical view as one of the most important influences on his own  thought. In 1920 Carnap even considered writing a doctoral dissertation under Dingler’s direction at the physics department in Munich, and a joint publication was also planned till September 1921. Despite several disagreements, Dingler remained an important influence Carnap’s writings in the early 1920s. At the very beginning Carnap asked himself a question: what if someone comes along and claims that laws of nature are matter of free decision? That’s exactly the kind of question  that Dingler’s book seeks to address. Dingler holds that nature can neither impose a particular choice, nor ever contradict our stipulations, but we are free to choose the primary laws of nature; the spatial and causal laws. Carnap admits that a view of this sort appears  odd, and he is reluctant to  agree with Dingler, (especially with respect to Dingler’s rejection of Einstein’s general theory of relativity), but he proudly claims that this book ‘clears the ground on which an examination of the foundations of physics, and in particular the theory of relativity, could rest’. The present essay is an important resource in order to better understand the genesis of  very distinctive Carnapian notion, i.e. Carnap’s conventionalism. This notion is clearly influenced by Dingler’s view on the conventional nature of the laws of nature that Carnap identifies as critical conventionalism, thereby distinguishing it from Poincaré’s notion of conventionalism. According to Carnap, Poincaré’s conventionalism relies on a free choice that is completely arbitrary, whereas Dingler’s view holds that our choices can be uniquely determined by a certain principle of maximal simplicity. Carnap favours Dingler’s conventionalism over Poincaré’s account and  will reformulate Dingler’s criteria of simplicity in later years. Carnap’s early conventionalism then seems to find its roots in a critical reformulation of Dingler’s conventionalism. Moreover, this essay shows us the  extent to which Carnap’s philosophical considerations rely on an in-depth knowledge of physics and scientific practice. This is  evident from his remarks on stipulations that rely on a critical analysis of physical knowledge, conceived not simply as a study of empirical data, but as a stratified and articulated measurement practice of empirical phenomena.

Der Raum is definitely a fundamental text for Carnap scholars. It is a lengthy and substantial book, it was largely written in late 1920, then submitted in 1921 to the philosophy department as a doctoral dissertation, and eventually published in Kant-Studien in 1922. The book aims to make things clear on the  debate taking place at the time regarding  the source of our knowledge of space and, especially, to what extent an objective knowledge of space could depend on experience. Carnap argues that the many different perspectives advocated by philosophers, mathematicians and physicists are contradictory as their differences rely on confusion over the different meanings of space. Der Raum then aims to show that a proper conceptual clarification of the different meanings of space and their interconnections can shed light on this debate and finally dissolve the controversy.

The first three chapters deal respectively with three different meanings of space; formal, intuitive and physical space, whereas the last two chapters focus on their interconnections and how each space is related to experience. The notion of formal space (formale Raum) is defined in terms of ‘relational or structural system’, i.e. a system fully determined by a set of formal axioms whose objects and relations (holding among them) are indeterminate and not related to any specific intuitive meaning. From this formal system we can obtain the spatial system once we substitute spatial elements (point, line, …) for their indeterminate correlation. Carnap refers to this formal system also in terms of “pure theory of relations” (reine Beziehungslehre). He further claims that the construction of formal space can be undertaken in a different way, which is the only path that ‘makes the complete construction of formal space possible, comprising all the special cases’. Starting from formal logic, i.e. the general theory of classes and relations, Carnap then briefly sketches this construction. He introduces the basic notions of ‘judgment’, ‘proposition’, ‘concept’, ‘relation’, and so on, until he defines the notion of ‘(ordered) series’ (natural numbers, real numbers, etc) and finally he arrives at the most general notion of formal space, called n-dimensional topological space and designated by Rnt. By imposing specific conditions on this structure, Carnap obtains the n-dimensional projective space Rnp and the n-dimensional metrical space Rnm. Starting from these formal structures we can obtain the three different intuitive spaces (topological, projective, metrical) by substituting their indeterminate elements with spatial elements. Carnap explicitly claims that ‘a relation of substitution (Einsetzung) holds between the theory of formal and that of intuitive space’, even though the connection between formal space and intuitive space is not so straightforward since postulates and generalizations also play a role in the construction of the order-structure of intuitive space (for any dimension). However, this kind of connection resembles Husserl’s distinction between formal ontology and regional ontology and Carnap is well aware of this and he explicitly refers to it in order to clarify his perspective. Moreover, Husserl’s Wesenserschauung is mentioned to specify the kind of intuitive knowledge involved, making clear that it is not to be confused with ‘intuition (Anschauung) in the narrower sense, focused on the fact itself’ as it pertains to the essential features that can be grasped within phenomena. In agreement with Husserl’s remarks on Kant’s conception of a priori, Carnap claims that the essential features of intuitive space turn out be ‘the synthetic a priori propositions claimed by Kant’. Therefore, the principles governing the formal space are analytic a priori, whereas the ones governing the topological space are synthetic a priori. These two kinds of space, however, are not enough to give a comprehensive picture of scientific knowledge of space. We need to introduce the physical space that represents the domain of synthetic a posteriori knowledge. The knowledge of physical space, however, other than being based on the empirical results of experiments, necessarily relies on conventions that are based on the choice of metric stipulation we decide to adopt. Carnap further claims that, if we wish, we could impose a different metric geometry and still obtain a physical space that is compatible with all our everyday and scientific observations, even though the final outcome might be far from straightforward. Physical space, therefore, relies on conventions but the choice of metric stipulation should be evaluated in terms of some criteria of simplicity that consider the overall description of nature.

Carnap’s Der Raum shows an impressive richness both from a philosophical and mathematical point of view. Carnap’s appendix ‘Pointers to the Literature’ contains substantial resources to historically contextualize many of the issues raised in the book. Starting from his adherence to the logistic approach of Frege and Russell, then going through the neo-Kantian perspectives of Natorp and Cassirer, on to Husserl’s phenomenology and Dingler’s conventionalism, Carnap’s Der Raum turns out to be a very interesting re-elaboration and combination of different philosophical perspectives. Moreover, the most important mathematical and physical literature of the time is seriously taken into account and the major works of Hilbert, Poincaré, Weyl, Riemann, and many others, are discussed and their results are assimilated into Carnap’s view. Several issues in Der Raum, therefore, should be enlightened by reference to the rich cultural framework that underlies this book. For instance, further investigation into the interconnections between Der Raum and Weyl’s Raum-Zeit-Materie would prove  very interesting and fruitful. Carnap explicitly makes reference to Weyl’s writings several times, and a comparison between Carnap’s and Weyl’s studies on space – the latter being clearly influenced by Husserl’s phenomenology – might shed light on the nature of Husserl’s influence on Der Raum. Similarly, further investigation into Carnap’s re-elaboration of Russell’s and Husserl’s perspectives on logic to construct formal space could be useful in order to clarify several aspects of Carnap’s later notion of rational reconstruction. Carnap’s notion of metrical stipulation is another example. A detailed analysis of Carnap’s account on stipulations could shed light on the development of his  later conventionalism. The editorial work on Der Raum (edited by Michael Friedman) successfully achieves a great deal of this task. It is extremely accurate and several in-depth analyses furnish the historical and mathematical background that a reader needs to properly understand the many issues contained in this book. The editor further includes Carnap’s marginalia (contained in Carnap’s own copy of Der Raum) in the editorial notes at the corresponding points which gives the reader a clearer picture of Carnap’s view on this specific issue.

However, a few critical remarks can be put forward. Friedman does not seem to capture the exact nature of the Husserlian framework underlying Carnap’s view nor how it relates to the neo-Kantian framework that – as Friedman rightly suggests – underlies Der Raum. In the Introduction (edited also by Carus), for instance, the editors charge Carnap with  confusion in respect to his conception of intuitive topological space, which ‘somewhat confusingly’ shares the status of conditions for the possibility of experience with formal topological space. This remark seems to underlie a misconception of Husserl’s philosophy. The introduction of phenomenology is definitely one major difference between the previous Masters dissertation of 1920 and the published version of Der Raum. The published edition of 1922, indeed, is a revisited version of the previous Masters dissertation that Carnap had written for the philosophy department in 1920. In the revisited version Carnap substitutes his previous conception of ‘pure geometry’ with ‘intuitive space’ and this very change marks a shift from a neo-Kantian notion of ‘condition for the possibility of experience’ to a Husserlian reinterpretation thereof. I do not mean that Carnap adheres completely to Husserl’s perspective, but his major interest in phenomenology relies exactly on the Husserlian reformulation of Kant’s synthetic a priori propositions in terms of regional axioms that belong to a certain regional ontology. It is precisely this notion of regional ontology that shapes Carnap’s notion of intuitive topological space, and more generally it is precisely the Husserlian distinction between regional ontology and formal ontology that shapes the overall Carnapian distinction between intuitive and formal space. Husserl’s transcendental phenomenology is a philosophical account that – by the introduction of the notion of categorial intuition (that later develops into the notion Wesenserschauung) – enables Husserl to speak in terms of essential structures intuitively given in a phenomenal domain and playing the role of regional axioms, i.e. conditions for the possibility of experience of this very domain. These regional axioms, moreover, are connected to their correlated abstract structures – free from any intuitive elements and belonging to the domain of formal ontology – by means of relations of formalization and de-formalization (categorical intuitions come into play again). These abstract structures, moreover, share the status of experience-constituting validity since they represent the categorical form of the essential structures governing the given phenomenal domain. Carnap’s intuitive topological space – shaping Husserl’s notion of regional ontology – does not share ‘confusingly’ the status of conditions for the possibility of experience with formal topological space, rather they both have this experience-constituting validity – even though in a different way – in agreement with Husserl’s perspective. Further remarks can be found in the editorial notes that do not seem to capture adequately the nature of the Husserlian framework underlying Der Raum. The editors rightly point out that Husserl’s phenomenology is essentially a descriptive science based on essential insight (Wesenserschauung), but they do not seem to ascribe the role of essences – grasped by Wesenserschauung – directly to the axioms of intuitive space. They designate these axioms as ‘describing the Wesenserschauung’ of our perceptual experience of objects in space, or as ‘codifying certain attributes of intuition’. These remarks seem to underlie that firstly, they keep distinct essences grasped by Wesenserschauung and the axioms describing them, and secondly, they do not ascribe to the axioms any intuitiveness by essential insight. Although the relation between a phenomenological description of a given phenomenal domain and the regional ontology characterizing the domain itself is a complex, multi-faced, and problematic field of phenomenological research, Husserl clearly states that they both have to investigated by Wesenserschauung. Therefore, the axioms themselves are intuitively given and they do not ‘describe’ or ‘codify’ an intuitive knowledge but, at most, we could say that in-depth phenomenological analysis can clarify their meaning-constitution.

It seems to me that this misconception of Husserl’s philosophy undermines their evaluation of Husserl’s contribution to Der Raum in several instances. However, the editors are right not to over-estimate Husserl’s influence on Der Raum over Carnap’s adherence to Kant’s philosophy or neo-Kantian thinkers. Der Raum is arguably a personal re-elaboration of several philosophical perspectives rather than a complete adherence to one specific account. It is not clearto what extent Carnap is fully accepting Husserl’s phenomenology in Der Raum, especially, with respect to the possibility to explore exhaustively a given phenomenal domain by Wesenserschauung in all its essential and stratified connections. Instead he seems interested in Husserl’s perspective only so far as it represents a philosophical account (with a Kantian flavor) within which it is possible – starting from the domain of empirical reality – to avoid the restrictions imposed by a neo-Kantian approach. This would enable him  to freely explore the ‘characteristic structures’ belonging to this domain as without it implies a contingent knowledge and laying the foundations for a structural objective analysis of experience.

Über die Aufgabe der Physik addresses the question of what should be regarded as a criterion for maximal simplicity within a physical theory. Two different possibilities are examined with the aim of clarifying the relevant aspects that should rule the choice between them, even though no decision between these two possibilities is suggested in the paper. This text is an important resource to better understand Carnap’s view on simplicity and stipulations within a physical theory and how they both are related to Carnap’s conception of scientific rationality.

In Dreidimensionalität des Raumes und Kausalität Carnap explores how we construct reality starting from a world of sense impressions. Carnap draws an important distinction between experience that exhibits only necessary formation – or first-order experience – and experience that is processed further – or second-order experience. This distinction echoes the previous one in Der Raum between the necessary topological form and the various metrical conventions that could be imposed on it. In the paper Carnap explores this specific issue in a wider perspective where his conventional view is elaborated in the light of Vaihinger’s pragmatic view. It is no coincidence that the paper was published in Annalen der Philosophie, regarded as the house journal of Vaihinger and his followers. Vaihinger argues that we are able to access only the ‘chaos’ of our world of sense impressions whereas the reality we construct is not genuine knowledge but is rather based on useful fictions that allow us to get things done and live in the world. Carnap agrees with Vaihinger as far as it concerns the role of fictions in constructing the reality, but he argues that such a construction is not completely arbitrary. Firstly, we face a first-order experience that exhibits a basic form of ordering, and secondly, certain kinds of logical connections can be established among fictions shaping second-order experience. The paper aims to show that the fiction of three-dimensionality of space and the fiction of physical causality ‘stand in a relation of logical dependence with each other’, and the former is conditioned by the latter. This text is especially important because it helps us to shed light on the development of Aufbau. The first draft of Aufbau dates back to early 1922 and it was completed in 1925. During these years we can observe an important shift: in the early phase (1922-24) Carnap distinguishes a fixed ‘primary world’ of immediate experience – in accordance with the text we are discussing – from a ‘secondary world’ (or ‘realities’) that could be constructed by quasi-analysis on this intuitive basis. However, sometime during 1924 the distinction between primary and secondary world was dropped. Further investigation of Carnap’s intellectual encounters during these years is required , but the present text is clearly an important resource to better understand the development of his thought from Der Raum to Aufbau, especially with respect to his changing perspective on the epistemic value of intuitive knowledge.

In Über die Abhängigkeit der Eigenschaften des Raumes von denen der Zeit Carnap argues that statements about the topological structure of physical space can be reduced to statements about temporal or causal order. The paper needs a proper mathematical and physical background to be properly understood and Malament’s appendix satisfies this requirement. Malament gives a detailed reconstruction of Carnap’s account and he further discusses a number of mathematical problems suggesting how they could be fixed. This text is clearly an important resource for understanding Carnap’s efforts during these years not only in logic and philosophy of science, but also in physical and mathematical research of the time.

The last paper, entitled Physikalische Begriffsbildung, is an important paper written shortly before Carnap moved to Vienna in 1926. In the Introduction Carnap outlines what is science: an activity of collecting and organizing items of knowledge with the aim of subjecting the reality ‘to an ever higher degree of control’”. According to this pragmatic view of science, the task of physics is ‘to order perceptions systematically and to draw inferences from perceptions at hand to perceptions to be expected’. Carnap then explores thoroughly the hierarchical structure of physical concept formation, subdividing its formation into three main stages: qualitative stage, quantitative stage, and abstract stage. The present paper gives us an interesting overall picture of Carnap’s conception of rational reconstruction at the very moment when Carnap was on his way to the final version of the Aufbau. The editorial work (edited by Creath and Richardson) is again very accurate and detailed, although a few remarks on the comparison between Carnap’s Begriffsbildung and Weyl’s Begriffsbildung (as well as Weyl’s Konstitution) might have been useful, especially with respect to Carnap’s later conception of Konstitution.

But aside from these last considerations, the editors have done an excellent job firstly, in making all these texts available to English readers for the first time, and secondly, in making them more understandable thanks to their very rich in-depth analysis. This volume enhances the increasing English literature on the early young Carnap, which in turn provides a clearer picture of the development of logical empiricism and early analytic philosophy. The essays provide a fundamental resource to explore the multi-faceted cultural framework of the time where different philosophical movements were used to profitably interact with each other in a way that has become increasingly difficult in the later years. For all these reasons, the present volume is of considerable merit and should be of interest to Carnap scholars, historians of analytic philosophy and to Husserl scholars and researchers working at the intersection between the philosophy of science, logic and phenomenology.

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