In this day and age the majority of Heidegger’s works have been published. As a result, there is plenty of opportunity for philosophical exegesis: his works evidence various phases of philosophical styles and interests, a diversity of recurring topics undergoing changes in their analyses over time, and a hard-to-oversee body of creative vocabulary. It might be considered striking that one of Heidegger’s most consistent concerns throughout his catalogue was how various affective phenomena influence the practice of philosophy. Although a reasonable number of papers and book chapters have been written on the topic (with a strong preference to the topic as it appears in Being and Time), there has been, like Christos Hadjioannou says, ‘no single collection of essays exclusively dedicated to this theme’. For that reason, Hadjioannou dedicates this volume, Heidegger on Affect, to in-depth analysis of Heidegger’s many attempts at making ‘mood [Stimmung]’ and ‘disposition [Befindlichkeit]’ philosophically relevant, and conversely, at finding resources for understanding within the history of philosophy. With the objective of offering a comprehensive and relevant survey of Heidegger’s work on such matters, Hadjioannou has compiled essays by a variety of prominent contemporary Heidegger-scholars.
Overall the result is an unbiased, critical, and stimulating review of the resources Heidegger provides for thinking through affects. Thankfully, the chapters do not conform to a stereotype of Heideggerian scholarship: they do not present Heidegger’s considerations as an unfairly neglected and immeasurably valuable wellspring for endlessly fruitful contemplation. Instead, they take the more modest route of raising questions that are both inspired by and evaluative of said considerations. In this regard, Daniel O. Dahlstrom’s essay is exemplary of the collection’s often critical approach. His essay describes an issue with Heidegger’s writings that is indicative of what one may expect from this showcase of studies on affect: Heidegger’s considerations ultimately seem relatively limited. Aside from his surprising but altogether somewhat casual interest in the topic of love, as evidenced by atypical sources highlighted in a rich and enjoyable chapter from Tatjana Noemi Tömmel, Heidegger seems to have only a myopic interest in a small number of fairly dour moods, like angst and boredom. When Heidegger has the opportunity to talk about other kinds of affects, he mostly seems to divest for unclear reasons. It might disqualify Heidegger as a champion of phenomenological analysis of affects, and Dahlstrom is entirely right to challenge him (and his readers) on this point.
On the other hand, this lack of breadth does have a clear cause. Heidegger prefers analysing some moods over others, because he believes they are the ‘fundamental moods [Grundstimmunge]’. These in particular are intended to play an eminent role in his philosophy. Hadjioannou’s own chapter convincingly shows that the analysis of angst allows Heidegger to disavow Husserlian mentalism while retaining an epistemic norm for his own version of phenomenology. Hadjioannou argues that angst on Heidegger’s account is the quasi-evidentialist insight into ‘Being-in-the-world’ that serves as a methodological counterpoint to Husserl’s ‘original intuition’. In that way, angst is focal to Heidegger’s conception of phenomenology, and gets the elaborate treatment it deserves. In this way, the few moods that Heidegger does believe are deserving of his attention do compel him to write the kind of rich, unique, and interesting descriptions that serve as the inspiration for this collection of essays. A recurring theme in these descriptions, a theme subjected to much scrutiny in this volume, is the allegedly inherent opacity of moods and dispositions. From Heidegger’s perspective, enigmatic moods like angst and ‘profound boredom’ deserve the principal part in virtue of how telling they are with regard to this supposedly essential feature. Depending on how sympathetic a reader is towards this particular interest in moods, Heidegger’s limited focus will appear more or less justified.
Some of the essays in this collection are, unfortunately, suffering from minor issues that are a detriment to the presentation of their core content. Although most of the essays successfully mine ideas from the source material that would be interesting for a broader audience, not all of them put enough effort in to make the ideas accessible, or ensure clarity over how they relate to existing philosophical ideas. It results in interpretative work being done in a vacuum. Essays by Mahon O’Brien, Thomas Sheehan, Niall Keane, and François Raffoul all could have benefited from engaging with more critical literature on Heidegger and this topic. O’Brien sees his essay as part of an endeavour to criticize certain ‘readings of Heidegger in the literature’ (1-2), but a reference to only one author is made: Richard Capobianco. Capobianco also happens to be the sole Heidegger scholar Sheehan engages with, offering largely the same critique of Capobianco as he has offered in previous writings. In both essays, the reference to Capobianco is perfunctory, because Capobianco’s views either are not elaborated, or it is not explained how those views are relevant to specifically the matters discussed in these essays. In his essay, Keane wants to provide a helpful hermeneutic framework for Heidegger’s often complicated writings: his approach reads Heidegger as turning his readers’ attention to possibilities ‘blocked’ by the metaphysical tradition of philosophy. The framework is taken from Heidegger’s analysis of Aristotle’s work on rhetoric. After an interesting and elegant reconstruction of Heidegger’s appreciation of the intersubjective, affective basis of rhetoric in that account, Keane is incidentally in a great place to address a volume on the topic of Heidegger’s thoughts on rhetoric, but he references it without discussion of the claims made by the authors in it, which leads him (among other things) to ignore the sensitive, political overtones of Heidegger’s discussion. Daniela Vallega-Neu’s contribution evinces a different issue. For the most part, the volume avoids Heideggerian jargon, but her essay is an unfortunate exception to this. Her essay is complicated by unnecessarily difficult sentences, abstruse claims, and unexplained jargon. She makes a commendable case against Heidegger’s prioritizing of fundamental moods over regular moods, and for appreciation of the body’s role in the latter, arguing that a person has no control over the ways in which moods become revelatory for us, and is not to a greater or lesser degree ‘erring’ by getting ‘caught up’ by the body. However, in the process, she surprisingly ends up acknowledging Heidegger’s ‘great concentric power’ and calling on extra argumentative support from the authority of independent meditation (223).
Other essays are excellent. Katherine Withy’s essay offers a nuanced and thorough exploration of Heidegger’s notion of ‘disposition’, here translated in a more active voice as ‘finding’, in the sense of ‘how one finds oneself’. Particularly helpful is the clear distinction of ‘finding’ from ‘mood’. Heidegger makes one passing remark on the matter in Sein und Zeit, stating that disposition is the ontological dimension of what ontically is familiar to anyone as moods. With Withy’s commentary in mind one can conclude that Heidegger most certainly does not mean to use the two notions interchangeably (in contrast to Vallega-Neu: 207), and that his analyses of moods must be read from the perspective of his interest in finding. On Withy’s account, finding involves taking a practical identity to be vocational; it is the necessity of hearkening to one project rather than another, i.e. to be called to self-disclose in one particular way (155-157). Noticing a tension with the ecological psychology literature of James J. Gibson, she argues that affordances (the possibilities offered up by entities) become solicitings (possibilities that call for engagement) through finding, which is to say: through coordination with the projects that resonate with the person (165-166). Withy here finds the conceptual resources to argue against two authors: Matthew Ratcliffe and Lauren Freeman. Both are well-known for their work on Heideggerian interpretations of emotions and affects, and the latter is featured with an essay unrelated to this discussion, i.e. a comprehensive study contrasting various conceptions of boredom, written in collaboration with Andreas Elpidorou. These two authors have argued on the one hand that Heidegger seems unaware of distinctive features that would make certain moods into emotions and not moods, and on the other hand that Heidegger unfairly neglects the role of the body in affective phenomena. She replies to the first contention by noting the lack of relevance of any distinction between mood and emotion to Heidegger’s analysis of moods in terms of finding, and by stressing how moods are relative to our projects (citing Aristotle: “what is frightening is not the same for everyone”). To the second, she replies by arguing that it is not obvious that the body plays a necessary or essential role in finding, despite acknowledging the importance of embodiment as a project (170-171). These arguments result in a rich, intriguing analysis that leaves plenty of possibilities for further discussion.
Equally fecund is Denis McManus’ chapter, which brilliantly showcases the virtue of deftly setting limits to one’s exegetical goals and sustaining a focus on the matter under consideration, resulting in a modest and elegant argument for a new, recognizably Heideggerian understanding of practical deliberation. McManus considers two different models for the interpretation of Heidegger’s notoriously difficult notion of authenticity, and proposes a third of his own, in which authenticity is explained in more close conjunction to disposition. The first ‘decisionist’ model, held by Michael Friedman, claims that a person has the freedom to make a resolute decision, which takes action of its own accord and makes that person answerable with regard to it. McManus shows this model to be at odds with Heidegger’s ideas, in so far as a person always submits to a world by ‘constantly being summoned by the world’ (132), limiting the volitional mastery of such decision-making. McManus then underlines the problematic nature of the decisionist model by recounting criticisms of Heidegger by Iris Murdoch and Ernst Tugendhat. Both authors McManus takes to make the important point that such freedom removes the person from ‘the medium within which our thinking, doing and acting happen’ (134). The second model, the ‘standpoint’ model, points out the commonality between a variety of existing Heidegger interpretations. Authenticity is, according to this model, taken to be the owning of a standpoint, meaning something like a commitment to a project that involves a particular set of norms. Contra the decisionist model, this model accommodates the predisposed and embedded nature of resolutions by allowing for consistency in one’s subjection to characteristic affects. A person can, for instance, be committed to readiness for righteous indignation, outlining in advance how the principle of social injustice matters to that person (example drawn from Somogy Varga, 135-136). In order to substantiate the pluralist intuition that one may have to answer to all kinds of competing normative demands, McManus proposes an ‘All-Things-Considered Judgment’ model. He invokes Heidegger’s account of guilt to make the point that a person always already waives possibilities for the sake of others. This point shows that a person incorporates a multi-dimensional, guilt-laden treatment of possibilities in moments of action (140-141). Authenticity, therefore, must consist in meeting the challenge to “be open to my situation in its concretion in allowing my many emotions a voice in my deliberations, acknowledging rather than evading the full range of ways in which I am already attuned to my situation” (144). In this way, McManus makes a strong case for the way in which affects must condition the success of deliberation, even where one is confronted with ‘mixed feelings’.
On a whole, then, Heidegger on Affect is a worthwhile collection of essays on affectivity that is accessible to readers with broader interests than just ‘Heidegger’. Hadjioannou has included work that is representative of some of the weaknesses, but most of all of the imaginative strengths of the field. Heidegger’s work, although descriptively limited to a small number of moods, provides resources for philosophical discussion on a large variety of topics, and the authors in this volume put forward a number of interesting considerations in relation to them. Given that, as Hadjioannou has said, “affective phenomena are central to all of Heidegger’s work” and “no single collection of essays has been exclusively dedicated to this theme” (ix), this collection can be considered a major contribution to its own field, one that simultaneously invites further productive engagement with the theme from anyone interested in what Heidegger brings to bear on affects (be it from within the field or from without). The volume’s efficacy lies in seriously considering how affects are existentially pertinent to human beings, deepening the widely-held intuition that they are. For that reason, it is of considerable merit and should be of interest to many.
Golob, Sacha. 2017. ‘Methodological Anxiety: Heidegger on Moods and Emotions’. Chapter 12 in Thinking about the Emotions, A Philosophical History: 253-271. Edited by Alix Cohen & Robert Stern. Oxford University Press.
Gross, Daniel M. & Kemman, Ansgar. 2005. Heidegger and Rhetoric. State University of New York Press, Albany. Part of the SUNY series in Contemporary Continental Philosophy, edited by Dennis J. Schmidt.
Hatzimoysis, Anthony. 2009. ‘Emotions in Heidegger and Sartre’. In The Oxford Handbook of Philosophy of Emotion. Edited by Peter Goldie. Oxford University Press.
Martin Heidegger. 2005. Sein und Zeit. Max Niemeyer Verlag, Tübingen.
Ratcliffe, Matthew. 2009. ‘Why Mood Matters’. Chapter 7 in The Cambridge Companion to Heidegger’s Being and Time. Edited by Mark Wrathall. Cambridge University Press.
Shockey, R. Matthew. 2016. ‘Heidegger’s Anxiety: On the Role of Mood in Phenomenological Method’. Bulletin d’analyse phénoménologique 12.1.
Staehler, Tanja. 2007. ‘How is a Phenomenology of Fundamental Moods Possible?’. International Journal of Philosophical Studies 15 (3): 415-433.
 My personal favourites include Golob 2017, Hatzimoysis 2009, Shockey 2016, Staehler 2007, and works from Ratcliffe – 2009 for instance – and from the various authors in this book.
 Gross & Kemman 2005.
 Heidegger 2005: 134.