Dr. Corijn van Mazijk is an assistant professor at the Rijksuniversiteit Groningen, the Netherlands, who specializes in Kant and post-Kantian philosophy, particularly phenomenology. De Wereld als Verschijning: Fenomenologie en de Twintigste Eeuw (The World as Appearance: Phenomenology and the Twentieth Century, all translations from the Dutch are my own) is his second book, following a monograph on the nature of reality, perception and the relation between the two, in the work of Kant, Husserl and McDowell.
De Wereld als Verschijning is a step back from the highly specialized research conducted in the earlier publication. Van Mazijk sets out to provide an introduction into phenomenology that is “as easily accessible as possible” (32). And that is exactly what he delivers. The book comprises five chapters and each chapter treats one of the four most influential phenomenologists of the 20th century; Husserl, Heidegger, Sartre and Merleau-Ponty, respectively. The final chapter discusses six lesser known phenomenologists, including Edith Stein and Emmanuel Levinas.
Each chapter follows an identical structure. It opens with a short column detailing the main themes of this particular philosopher’s thought, as well as his or her influence on the development of the phenomenological tradition. This is followed by a few pages of biographical information, detailing the life of the thinker and the cultural-intellectual climate of the time, and how this influenced the work he or she went on to produce. With this setting-the-stage out of the way, the main part of each chapter is dedicated to a discussion of the philosophical substance itself. Van Mazijk emphasizes that although the book is intended to introduce phenomenology, the subject matter by itself is by no means simple, and so the main objective is to expound the ideas as clearly as possible, where needed aided by illustrations. The chapters then conclude with an overview of the main ideas of each thinker, complemented by a short list of important concepts and their definitions.
The work of each thinker is discussed in largely chronological order. For example, the first chapter, on Husserl, starts out with a discussion of the Logische Untersuchungen (1901) and ends with Die Krisis der Europäischen Wissenschaften und die Transcendentale Phänomenologie (1936). Of the five, this chapter is the longest. This is not surprising, considering the amount of work Husserl produced and his importance as the founder of the phenomenological tradition. As such, this chapter serves not only as an introduction to Husserl, but to the themes and philosophical considerations that continue to define phenomenology more broadly. It starts out, for instance, with Husserl’s critique of psychologism and naturalism, and the aim of returning to the description of things as they are given to consciousness, guaranteeing the clarity and absolute certainty of the outcome of his investigations. Van Mazijk then introduces the reader to Husserl’s work on intentionality, the natural attitude, the phenomenological reduction and the epoche. Then follows a more in-depth explanation of eidetic variation and the difference between constitutive and genetic phenomenology, the latter marking a shift in focus from Husserl’s earlier to his later work. The chapter concludes with a discussion of Husserl’s concept of ‘horizons’ and his analysis of time. By the end of these 36 dense pages, the reader is acquainted with many concepts and themes essential to understanding the other thinkers, although it is likely that those novel to phenomenology will have to return to this chapter for clarifications later on.
As the previous one, the chapter on Heidegger is divided between the early and later works. The priority is given, understandably, to the earlier work, Sein und Zeit (1927) in particular. Van Mazijk spends some time establishing the relationship between Husserl and Heidegger, and consequently the personal and intellectual rift between the two. He emphasizes Heidegger’s deviation from Husserl, especially where it concerns their respective epistemological positions by highlighting Heidegger’s recognition of human finitude and “the insignificance of every human attempt at knowledge” (p. 72). Simultaneously, he shows how Heidegger employs a kind of phenomenological reduction in carrying out his existential analytic of Dasein to uncover the ‘meaning of Being’. The main part of this chapter is dedicated to examining the results of this analysis, including the ontological difference between beings and in general, being-in-the world as human existence, care, the distinction between Vorhanden and Zuhanden through the classic example of the hammer, and the different modes of human existence in fallen-ness and authentic being. The chapter concludes by referring to Heidegger’s later works, of which only The Question Concerning Technology is discussed somewhat extensively.
The third chapter, on Sartre, is almost a third shorter than the preceding two and by far the most critical of the author discussed. In the introduction Van Mazijk makes it clear that, rather than a rigorous philosophical teaching, Sartre’s existentialism was more of a cultural movement, “comparable to the American beat generation” (109). Sartre, he argues, uses Husserl and Heidegger’s phenomenology primarily to ground his theory of the radical freedom of human beings. According to Sartre’s analyses, expounded in his main works Le Transcendence de l’Ego (1936) and L’Être et le Néant (1943), consciousness is essentially nothingness, an apersonal, transparent process without fixed properties. It is this essential nothingness, being-for-itself, that constitutes the freedom against the being-in-itself, the massive presence of the outside world. Thinking one is ‘something’ or a definite ‘someone’ is living in bad faith, a denial of the true, free essence of human life; hence Sartre’s famous proclamation that “existence precedes essence”. Van Mazijks main critique of Sartre’s brand of phenomenology is that it is flawed and inconsistent. It is flawed, since it denies the limiting constraints put on freedom by concrete reality. It is inconsistent, on the other hand, because Sartre modifies his theory on multiple occasions to undercut objections raised against him, or to avoid unwanted conclusions that seem to follow from his premises. For example, he rejects the possibility of radical egoism by introducing a kind of Kantian deontology in his lecture Existentialism is a Humanism, without much ground for these kind of ethical constraints on human freedom present in his earlier works. All in all, it seems Van Mazijk includes Sartre in the book more because of his historical influence in popularising phenomenology in Europe mid 20th century, rather than his philosophical accomplishments in their own right.
The fourth chapter discusses the work of Merleau-Ponty. The shortest chapter of the book limits itself to discussing La Structure du Comportement (1942) and Phénoménologie de la Perception (1945). Van Mazijk stresses Merleau-Ponty’s achievements in his analysis of perception as the fundamental way in which subject and object, or consciousness and world, interact. For each work, he shows how Merleau-Ponty’s dialectical style of doing philosophy results in a new understanding of this interaction. He shows how Merleau-Ponty uses insights from Gestalt-psychology to show how the intellectualist and physiologist paradigms of human behaviour are both lacking in their own right when it comes to describing and explaining behaviour, while his own position ambiguously oscillates between these subjectivist and objectivist poles, resisting a reductive interpretation. Similarly, in Phénoménologie de la Perception Merleau-Ponty shows how both empiricism and intellectualism remain stuck in the natural attitude towards the world, whereas perception as the portal to this world cannot itself be understood in terms of it. His own phenomenological analysis, combined with insights from empirical research, again paints a more holistic and ambiguous picture of the relation between man and world, in which the living body is the locus of this interaction. Van Mazijk emphasises that Merleau-Ponty’s phenomenology is much closer to Heidegger and Husserl than it is to Sartre – although the deviations from Husserl are significant, including the integration of empirical research in his philosophical works, leading to a more interdisciplinary phenomenology.
The fifth and final chapter of De Wereld als Verschijning explores the work of six lesser known phenomenologists in brief. These are, in order, Max Scheler, Edith Stein, Eugen Fink, Alfred Schutz, Emmanuel Levinas and Jan Patočka. Here, too, a brief biographical introduction is followed by a discussion of their work. Since only a few pages are dedicated to each thinker, their treatment is condensed to a defining theme. For Scheler, this is love; for Stein, empathy; for Fink, phenomenology itself and the possibility of philosophy in general; for Schutz, philosophy of the social world and the foundations of sociology; for Levinas, the Other; and for Jan Patočka, the care for the soul. This chapter is a nice addition to an introduction to phenomenology, since it shows the influence and scope of phenomenological research. The choice of authors seems somewhat arbitrary, though; certainly, other writers in the phenomenological tradition could have been considered, such as Frantz Fanon, Ludwig Binswanger, Luce Irigaray or Iris Marion Young. Their influence today is certainly no less than Patočka or Schutz, and the inclusion of especially Young and Fanon would have added some diversity. They opened the door to what is now called Critical Phenomenology, and have been instrumental in pointing out how the supposedly ‘neutral’ consciousness of classical phenomenologists obscures latent presuppositions on what it is to be human. It is also notable that Simone the Beauvoir receives no more than a passing mention in the chapter on Sartre, while she is from a philosophical perspective undoubtedly as influential as her life-partner.
The book starts out with the question ‘what is phenomenology?’, and by the end the reader has a good idea of what Husserl, Heidegger, Sartre and Merleau-Ponty thought on this matter. However, Van Mazijk’s own view on the matter is not discussed in detail. In the conclusion, he briefly discusses the modern, specialized applications of phenomenology in different branches of science, such as psychiatry and artificial intelligence. It appears he laments this development and prefers the ‘grander’, more ambitious transcendental and existential projects of the past. He writes: “Only the future can tell whether the phenomenology of the 20th century had maybe more to offer than a reservoir of ideas for scientific application”, and it is clear that he certainly thinks so, but how exactly remains obscure. Throughout the book, he mentions these modern applications of phenomenology, but never elaborates in detail. This is a missed opportunity, since it could have emphasized the importance and relevance of the tradition, and potentially inspire those readers not strictly interested in abstract philosophy.
All in all, Van Mazijk provides a detailed and supremely readable introduction into phenomenology, which will undoubtedly be of great value to those interested in learning about the tradition and its main figures, or students looking for a good overview. De Wereld als Verschijning is the first book of its kind published in Dutch by a Dutch author in several decades, and it is a testament of the knowledge, passion and dedication the author has for his field of expertise.
 van Mazijk, C. 2020. Perception and Reality in Kant, Husserl, and McDowell. New York, NY: Routledge. For a review of this book in this journal: http://reviews.ophen.org/2020/08/23/perception-and-reality-in-kant-husserl-and-mcdowell/.
Henri Bergson paints a fascinating, slightly fear-provoking and highly counter-intuitive yet incredibly beautiful picture of the world greatly reminiscent of the Heraclitean universe. A world where one cannot step into the same river twice, where repetition is but an illusion, a temporary shell for the human mind surrounded by the eternal flux of becoming and a place where intuition reigns supreme over both reason and instinct. Adam Lovasz pays great homage to Bergson by reconstructing his thought, adding his own particular flavor to the style and defending the Bergsonian world from the most unrelenting critical attacks. “Philosophy, if it is to approach the demiurgic vibration of the real, must resist the temptation to build cathedrals” writes Lovasz (16). Defending the continental tradition against vicious assaults from both the analytical camp as well as from those who seek answers exclusively from fact-minded scientists is no easy task. Despite being slightly repetitive at times Upgrading Bergson is a wonderful read, executed in the most beautiful literary style and showing incredible depth of comprehension in fields as seemingly distant as Einsteinian relativity theory and modern evolutionary biology. Not to mention the philosophical legacies of Bergson and Gilles Deleuze alike.
The book is made up of 5 chapters, an introduction and a conclusion. Chapter 2: Completing Relativity should pose the most difficult challenge to most readers, as it gets into the nuts and bolts of relativity theory. Lovasz however goes much further, attempting to reconcile two diametrically opposed worldviews of Albert Einstein and Henri Bergson, shedding a new light on the famous Bergson-Einstein debate and attempting a thorough renaissance of the Bergsonian position concerning the philosophical interpretation of time according to, as well as against – Einstein’s theory of relativity. As far as alternative narratives are concerned, Bergson via Lovasz offers us one of the most profound counter-ontologies.
Instability is a semantic attractor-state for Bergsonian philosophy. Chapter one of Adam Lovasz’ work is dedicated to Bergson’s La Penseé et le mouvement, often translated as Thought and Instability. A treatise on time and the flux of human experience. How does mind make sense of temporality in a real and material sense? “Material patterns invoke new modes of thought, without presenting us with any general image or form” (Lovasz 2021, 15) writes Lovasz. The absence of an ideal image is precisely what points to instability. The fact that entities persist in time is understood by Bergson as a variety of the miraculous. We have here the deconstruction of universals par excellence. Even scientific theories, according Bergson (via Lovasz), are subject to the constant change in virtue of their underlying methodologies. Behind the apparent unity; the stability of a scientific theory, there lies an ever-present, turbulent and hybrid-form of the method, it’s concrete manifestation in practical performance.
Reality does not offer itself up to mind, there is no one-to-one correspondence between mind and matter. Lovasz shows that Bergsonian cosmology has no room for the idea of progress or a meaningful teleology. History and human activity in the aggregate, have no finality nor a determined goal. Instead, the idea of a purpose-driven universe is only a useful fiction constructed for the purpose of avoiding collective despair and pessimism. Moreover, the deluded thinking which renders the past a servant to the present (or the present to the future) is the direct symptom of universalizing speculative thinking that Bergson aimed to challenge.
Such retrograde thinking serves a distinct political function of means-ends justification. It is often referred to as the post hoc ergo propter hoc fallacy, or the “retrospective movement of truth.” The essence of such wishful thinking and ideological manipulation is once again, the failure to admit the underlying instability of reality, an unmanageable substratum of contingency and chaos. This is a profound connection with serious epistemological and political implications. Bergson wants to underscore the importance of contingency simultaneously at both levels of immediate human experience and history. One might venture as far as to say that the very idea of progress itself is a form of ideology.
There is an internal excess within every object of immediate experience which can never be understood or analyzed completely. The TFP, which stands for the True-First Perception, refers to the uniqueness of an image generated by consciousness during every act of perception, each irreducible to the former and the next. Reality is in essence a perturbation. This way, Bergson is swimming against the current of traditional western philosophy, side-stepping or dissenting from, an enormous corpus of philosophical knowledge, the aim of which is to uncover the essence and the underlying foundation of reality. This leads us closer to the central argument. Bergsonian epistemology unpacks a phenomenological interpretation of time. Time as a duration is contrasted with time as displayed by the clock or time as seen through the eyes of a physicist. Bergson has little interest for the spatialized time of discrete units where every moment is identical to the next. Bergsonian duration is non-quantifiable.
The translation of the flow of time into discrete units instantiates a suppression of duration. It cannot be the case that the time of the clock measures real temporality (Lovasz 2021, 19-20).
The Bergsonian variety of essentialism is quite paradoxical. And understandably so, given Lovasz’ insightful and accurate reflections on the subject. For Bergson, change itself is the underlying structure; the substance of reality. Duration, in all of its heterogeneity, remains nonetheless a given throughout and for all reality. Higher levels of complexity are introduced in Bergsonian ontology, where the reader is confronted with multiple forms of differential durations, which nonetheless exhibit a certain level of invariance. A Bergsonian take on the theory of evolution arranges beings according to the kind of duration they belong to. Material duration refers to inanimate matter, organic duration to the realm of animal species and conscious duration to human temporal interiority.
The deconstruction of the atomistic, abstracted interpretation of time and the universe is followed by a positive theory of human intuition.
We are enjoined to return to a condition of immediacy before the colonization of thinking by ready-made concepts and fixed, static ideas. Intuition is a passive, reverent posture concerning the complexity of being/s that is nevertheless resolutely creative (Lovasz 2021, 27).
Intuition is a spiritual form of comprehension, which reaches into a pre-conceptual mode of understanding. For Bergson via Lovasz, concepts operate as distancing mechanisms, they obstruct the mind’s capacity to relate to the object directly without mediation.
Another element of Bergson’s process philosophy extends his epistemology, his ontology and his theory of time to a very unique account of free will. Without a doubt, one could see its potential emergence and attempt to reconstruct Bergson’s thought along the lines of an indeterminist position concerning freedom. A Bergsonian account of freedom and the conditions for its realization would most likely involve, first and foremost, the recognition of one’s ignorance by acknowledging the occlusion of reality by an invented conceptual framework. The deconstruction of universals and retrograde thinking would then be followed by more positive and active techniques for uncovering the hidden durations and temporalities of the universe thereby fostering one’s intuitive faculty for creative reasoning. One could therefore potentially identify both negative (critique of rigid conceptual systems and the illusion of stability) and positive (developing the intuitive forms of comprehension) forms of freedom in Bergson.
Completing the circle of the first chapter and returning to the question of thought and instability, we can see now how a Lovaszian reading of Bergson advocates for a destabilization of thought, with the purpose of uncovering a more spiritual, but also a finer and more accurate form of intuitive reflection. Bergson’s True Empiricism is a mystical anthropomorphism of inanimate matter and the environment. A mystical form of apprehension which listens to entities in a way that classical empiricism would find childish and pseudo-scientific. An intensified form of listening, as opposed to the indifferent gaze of an impartial bystander.
The debate between Einstein and Bergson concerning the theory of relativity and the interpretation of time has been strangely neglected by history. At least as far as the Bergsonian view is concerned. The physicist’s conception of time has come to dominate the modern scientific paradigm. Time as duration on the other hand, has been entirely relegated to the realm of the subjective, artistic and the emotional. Lovasz believes that Bergson’s book Duration and Simultaneity, where Bergson offers a critique of specific metaphysical interpretations of Einsteinian relativity, despite all the accusations levelled against it; as being “unscientific” — deserves a second look. A much needed and overdue renaissance for the continental tradition. The purpose of the second chapter is to seek out a reconciliation, if any, for Bergsonian metaphysics and the theory of relativity.
Lovasz offers a shockingly original interpretation of relativity theory, perhaps much to the detriment of many superficial “post-modernists”. The view, which according to Lovasz was shared by Einstein, is that modern science, far from tackling universal truths and eternal verities, is only a useful convention used to solve particular human, all too human, problems. The position is largely reminiscent of Wittgenstein’s view of mathematics. Wittgenstein describes mathematics as a collection of various techniques of calculation — language games, in essence — the purpose of which is to solve particular mathematical problems. There is no overarching Truth or even a stable continuity of calculating practices across either the history of mathematics or within the internal development of any particular axiomatic system. Radical conventionalism has been around as an epistemological theory for a while now, but Lovasz seems to be one of the few people who ascribes this position to a famous revolutionary scientist.
No longer may we talk of absolute movement, mobility having no independent existence in the Einsteinian view. It is always a particular, relative development we talk of when we speak of change (Lovasz 2021, 83).
The larger point is that conventionalist methodological approaches imply the suppression of passions, emotions or other personal investments during the construction of scientific systems and this is what tends to draw a line between Bergsonism and relativity. However, the existence of multiple heterogeneous timelines and the constant discrepancy between clocks travelling at different speeds within different inertial frames of reference seems to hint at a universe that isn’t that different from Bergson’s!
Time itself is a heterogeneous multiplicity of temporal interrelations and mutual causalities. Does this not in itself resemble the Bergsonian affirmation of multiple durations? Real simultaneity is distorted by gravitational effects. Time has no relevance outside of a particular body of reference (Lovasz 2021, 83).
Lovasz’s project is little short of ambitious as he seeks to reconcile two enormous and radically divergent metaphysical systems.
Not only time, but extension itself becomes something relative with Einstein; as objects accelerate they change their shape and become elongated, mass and energy become interchangeable magnitudes, and reality itself becomes akin to a mathematical equation where objects morph and transform into one another according to fixed proportions and measurable quantities.
Momentously, relativity constitutes an upheaval that liquifies all constants by paradoxically utilizing a constant value—the speed of light—to decompose a previous cosmology (Lovasz 2021, 85).
The dissolution of object-identity in Einstein via Lovasz is absolutely fascinating. We spoke of an object-excess, with Bergson, where we can never conceptually grasp reality, but only describe its surface appearances. There seems to be a very similar situation with Einstein where things are not what they are per se; instead, things are what they do i.e. how fast and in which direction they travel, at what speed, how other things are behaving in their vicinity and so forth.
Lovasz takes things further. Much less than attempting to “excuse” Bergson’s critique of relativity theory, he levels his own criticism against Einstein, who, Lovasz claims, remained a crypto-absolutist by utilizing the concept of the speed of light as a constant invariant across space and time. But the weakest link in Einstein’s theory remains for us the famous Twin Paradox. The dissolution of objects qua objects, their mathematical intersubstitutability can be restated as an equivalence between space and time. In an Einsteinian universe time exhibits the properties of space, that is, time is entirely spatialized. The faster one travels the more time one “gathers”. One can monopolize on temporality by increasing the level of acceleration. “Aging is a matter of movement” (Lovasz 2021, 99). If a man is launched into space, traveling fast enough for an (un)certain amount of time, while his twin remains on earth, once he returns to earth, the second twin will have aged considerably more than the first. The problem arises when we decide to choose between the two (seemingly arbitrary) frames of reference. Whichever twin remains “motionless” ends up aging more than the other. What lies, to my mind, at the core of the insurmountable problem is the irreducible difference between Biology and Physics. As Lovasz clearly explains, the world of the physicist is a world of reversible processes, whereas the world of the Biologist, and to a certain extent the Bergsonian subject, both inhabit an irreversible timeline, where the same path cannot be taken twice nor travelled backwards. The essence of the problem then, in very blunt and oversimplified terms, is the artificial imposition of a quantitative universe of interchangeable magnitudes upon the lived and the real experience of time that Bergson aims to bring to our attention. Lovasz dedicates an entire section to the problem, one that is satirically and most adequately termed: The Tyranny of the Clock.
Physics is overwhelmingly concerned with an objective definition of time. Ironically, such a striving to get a handle on the physical reality of time drives Einsteinian relativity into a forgetfulness of time’s indivisible, enduring being. The accelerations and transformations of real processes cannot remain characterized by their relationships with clocks. Measurement invariably tends to decompose duration into a set of spatialized instances (Lovasz 2021, 106).
The main takeaway here is that time cannot be measured. And the obsessive compulsive intuition of the physicist is what lies at the root of the twin paradox. Duration is not, nor can it be made to be discrete. Time dilation which results in the desynchronization of clocks is precisely the result of the spatialized interpretation of time. Space becomes “parasitic” upon time and quite literally steals duration. Bergson via Lovasz argues that this is nothing but pure fiction: “Time dilation is an abstraction that does not correspond to physical reality. It is not unlike mistaking the distancing of a person from us with a real reduction in stature” (Lovasz 2021, 110). The problem lies in the fact that choosing different inertial frames places us into different kinds of universes, where it is no longer a trivial matter which of the two twins’ position we adopt, as it will decide which one of them is accelerating. In a way, the chosen frame will also add more reality to one of the twins, leaving the other to suffer the consequences of Einstein’s abstractions.
Chapter 3 contains the core argument of the book and an abridged presentation of the entire Bergsonian corpus: Being is becoming. The point was already made earlier in different terms, when we spoke of change being substance, and of reality as essentially impermanent and unstable. Any kind of stability or order encountered in the world is the result of the activity of the mind and is therefore, entirely a construct. Our construct. Lovasz refers to Bergsonian ontology as organic temporality (Lovasz 2021, 121). The chapter also aims at investigating the question of whether Bergson was a monist or a dualist. That is, whether life and matter are in effect the same thing, or if there is a significant distinction that makes living beings stand out ontologically from the background of inorganic matter. Bergson’s book Creative Evolution offers a beautiful literary combination of evolutionary biology and abstract metaphysics, often referred to as philosophy of life.
The phenomenology of Bergsonian becoming is repeatedly compared to a mounting snowball, an analogy used by Bergson himself. The snowball, as it becomes larger tends to get increasingly impure and polluted with assimilated matter. Our experience of duration resembles this process. At any given moment the entire memory of our journey is reflected in our present moment, the path is present as a miniature map within the physiognomy of the actual.
According to Lovasz, process philosophy does not automatically entail holism. The statement concerning either the substantiality of change or the conceiving of reality as a series of hybrid durations, does not necessarily entail a holist-reductionist metaphysics. However, other difficulties come to light. For instance, the reality of individual objects and living beings becomes undermined. To take the theory of evolution as an example:
Movement alone is real, but if this is the case, then the individuation of species represents a halt and hence, an unreality” (Lovasz 2021, 128). And further on: “the privileging of processes and relations involves a slippery slope, leading inevitably to the negation of individual objects. Without individual substance, the very basis of individuation is supposedly endangered (Lovasz 2021, 128).
Bergsonian process ontology privileges change, immobility and movement, which results in a horrifying view of reality where all entities, including human or animal species have neither essence nor reality. What seems most beneficial to the species in the classical Darwinian axiology: their individuation, seems to be the beginning of the end, from the vantage point of process metaphysics.
Lovasz does not offer us a teleological Bergson, but he does aim to rescue him from the accusations of pessimism and holistic reductionism. One of the most common notions in Bergsonian philosophy used to argue in favour of an holistic interpretation is the vital impetus, or vital force. The elan vital was supposed to capture the essence of living beings; exhibiting a mysterious property that constantly eludes proper empirical investigation.
Lovasz argues one should not even speak of the vital force in the singular, but rather see it as a multiplicity of vitalisms, each with its own particular ontology. The functionalist-vitalist account of life relies only on identifying a particular form of arrangement, regularity or a set of relations that are found throughout nature indicating the presence of organic life-forms. There is no singular chemical reaction that would account for the emergence of life. Such indeterminist positions concerning the nature of living organisms has been widely confirmed throughout the sciences. More so, the irreducible complexity of living entities is used by Bergson as an epistemic contribution to his account of free will. Life as indeterminacy is also the very condition for the freedom of living beings. Duration is not a blanket term with Bergson, there is no overarching form of duration that could subsume all the others.
Returning to the question concerning science and its tendency to exclude time as duration in order make sense of reality. The scientific method proceeds in a way that is similar to the human cognitive process: It abstracts a significant portion of reality in order “discover” a handful of variables and identify a set of relations among them. In order to do so, it must operate through fixed concepts. Science, by spatializing time, in fact constructs an artificial edifice; a theory, the purpose of which is in effect to exorcise change and instability. If scientists operated through Bergsonian ontology and the epistemic “commitments” of process philosophy, then science would be in a permanent Kuhnian paradigm shift, an ongoing and ceaseless revolution in methodology. It would be the end of science as we know it.
Only fictional extracts, as molded by scientific or practical activity, have a relative immunity to the bite of time’s fangs, and even these are affected by longer term historical transformations of knowledge and society. Time is not a quantity but a quality (Lovasz 2021, 134).
And nonetheless, reality is not some insane muddle of pure difference, at least not unless we undergo a kind of traumatic limit-experience, which one could argue to be a form of revelation or direct insight into the mystery of substance as pure change. The reason we at least experience reality as relatively stable at moments is due to the variable, but nonetheless patterned distribution of durations. It is indeed the case, as we mentioned before, that the Bergsonian universe is essentially a collection of actions and processes, but there are similarities among them. Reminiscing once more, another Wittgensteinian notion; that of family-resemblances, we could say, despite the fact that no two durations are identical, that there are similarities which tend to crisscross and overlap without pointing to any comprehensive unity or universality. “An object exists to the extent that it endures, but this persistence is qualitative and not quantitative” (Lovasz 2021, 134).
An interesting hierarchy is present in Bergson via Lovasz. Scientific-analytical constructs borrow from, and are built upon the primal level of durations; not the other way around. For a classical philosopher of science, it would be very counter-intuitive to speak of foundation as something less fixed and more turbulent then the construction; more fluid then the facts themselves. Bergson is not exclusively concerned with the world of the scientists. His aim is to reconcile the everyday with the analytical. Bergson is not, properly speaking; a philosopher of science, despite the fact that he was always very careful to square his views with the latest developments in the natural sciences. Instead, Bergson brings the conceptual edifice down to the level of perturbations, demonstrating that theories, concepts and paradigms are subject to the same flux and constant change as the very objects they try to fix.
Bergson’s book Creative evolution is incompatible with either a mechanistic or a teleological world-view due to its insistent emphasis on the role of novelty in all becoming. It is entirely opposed to an unfolding of a pre-determined structure of being. Nothing is set in stone, nothing follows a plan (neither material nor divine) and there is no final end to the striving of turbulent durations. Whatever limited finality an organism might have, it is only an attempt to cling to a false and invented individuality, only to disperse once again into a whirlwind of pure change either in the act of reproduction or its own final termination. Let us conclude this part by quoting Bergson via Bergson this time:
That is why again they [scientists] agree in doing away with time. Real duration is that duration which gnaws on things, and leaves on them the mark of its tooth. If everything is in time, everything changes inwardly, and the same concrete reality never recurs. Repetition is therefore possible only in the abstract: what is repeated is some aspect that our senses, and especially our intellect, have singled out from reality, just because our action, upon which all the effort of our intellect is directed, can move only among repetitions (Bergson 1998, 52).
In chapter 4 Lovasz discusses another famous work by Bergson: Matter and Memory displaces the mind-body problem entirely and offers its own deconstructive version of the unnecessary dualism. The key to uncovering Bergson’s position lies in his theory of perception. The image is contraposed to representation, with the former exhibiting emergent and novel features irreducible to the latter, which in turn is always incomplete. In addition to the mind-body problem and in relation to it, Bergson via Lovasz simultaneously aims at dismantling the debate concerning the opposition between materialism and idealism.
Matter cannot be represented. Nor is it in any other way separate from the way it is uniquely, that is discontinuously perceived. Matter just is a multiplicity of images. There is neither a pure materiality; objective and inert, nor an ideal point of perception that could unite all individual durations into a whole. Neither subjectivism nor objectivism can dominate the Bergsonian metaphysic. Analogously, consciousness with Bergson is an emergent and highly dependent property of the brain, while simultaneously being irreducible to mere neurochemical processes. Memory, according to Bergson, is the meeting ground for mind and matter, the point of reconciliation and the central point of departure for his theory of subjectivity.
Movement is primary, while individual perception is but a sampling of images. What Bergsonism allows for is the introduction of pure, undomesticated mobility into philosophy. Nothing exists apart from images or movements (Lovasz 2021, 186).
We might add that the aforementioned ontology of mobility is further used to occupy a peripheral space between ideality and materiality, a space, it seems, where memory, intuition and images – present central oscillating points for the rest of the Bergsonian philosophy of the process.
The closing chapter returns to the question of agency and free will in Bergson tending to the famous essay on Time and Free Will. The work aims at a similar project of rescuing duration from quantification, except; instead of challenging leading breakthroughs in modern physics, its purpose is to resist the temptations of psychophysics, neuroscience and other (what today we would term) cognitive sciences to reduce human subjectivity to a set of calculable problems and chemical processes. The project is similar to what is often encountered in classical phenomenology, where the reader is called on to return to “the things themselves”; her immediate given data of consciousness, in order discover a primordial presuppositionless way of seeing that has been covered up by the “natural attitude”. Such a return to immediacy would be consonant with the injunction to think differently, to train one’s intuitive faculty and thereby see through the veil of stability and structure.
Bergson does not, however offer a clear, distinct and positive definition of freedom. It is very difficult to apply his ideas to practical conduct and determine whether this or that course of action was self-determined. If duration is pure heterogeneity and each moment is intertwined with the next, there is no clear way of separating off the stimulus from the agent, the action from the reaction. Where in the chain of interpenetrating images could one separate oneself off and state without hesitation the moment she began to act, as opposed to the moment she was affected by something else? In many ways, Bergson plays on our ignorance, on human ignorance in general, equating freedom with contingency and pure spontaneity. Freedom is the irreconcilable eruption of agency amidst overdetermined necessity; an epistemic break in the series of concepts that bind us to an artificially assembled reality. Concepts, which just like everything else, are vulnerable to the tides of fluctuating perturbations. Our blind spots are effectively the source of our autonomy.
Adam Lovasz’s Upgrading Bergson is an exciting and difficult journey through a cosmology that is both beautiful and terrifying. It presents a real challenge to reassess our worldviews in a radical, almost pathological manner. A world where becoming determines being and order gives way to chaos. A thoroughly anti-Platonic vision, which dares to undermine our most cherished belief in the indisputable authority of modern science and Einsteinian relativity in particular. A turbulent universe of scaled difference, multiple durations and heterogeneous temporalities. And finally, an outstanding contribution to the much neglected field of Bergsonian scholarship. Upgrading Bergson deserves its own shelf-space in every continental philosopher’s personal library.
References & Bibliography:
Bergson, Henri. 1998 (1911). Creative Evolution. Trans. Arthur Mitchell. Mineola, NY: Dover.
Dupré, John, and Stephan Guttinger. 2016. «Viruses as Living Processes.» Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 59: 109-116.
Kuhn, Thomas. 2021. The Structure of Scientific Revolutions. Princeton University Press.
Lovasz, Adam. 2021. Updating Bergson: A Philosophy of the Enduring Present. Lexington Books.
Wittgenstein, Ludwig. 2010. Philosophical Investigations. John Wiley & Sons.
Wittgenstein, Ludwig. 2013. Tractatus Logico-Philosophicus. Routledge.
“Don’t think I am a compulsive letter writer or that I have a sense of dialogue. I hate it.”/ „Denken Sie nicht, ich sei ein gewissenhafter Briefeschreiber oder dass ich einen Sinn für Dialog habe. Ich hasse es.“ (72, an Gherasim Luca; Übers. RG)
Die lange erwartete englische Übersetzung des 2015 im französischen Original erschienen Buchs Letters and Other Texts ist der dritte und letzte von David Lapoujade zusammengestellte bzw. herausgegebene Band mit posthum erschienen Sammlungen von Deleuze-Texten nach Die einsame Insel (2002) und Schizophrenie und Gesellschaft (2003). Daneben existieren noch die zu Lebzeiten Deleuzes (1925-1995) von ihm selbst arrangierten Textkompilationen Unterhandlungen (1990) sowie Kritik und Klinik (1993).
Zum 20. Todesjahr Deleuzes publiziert, bietet der Band neben den Briefen vor allem schwer erhältliche sowie einzelne noch nicht erschienene Texte, aber auch ein längeres Interview (zusammen mit Félix Guattari) und 5 Zeichnungen von Deleuze. Während die beiden vorhergehenden Anthologien chronologisch und zeitbezogen strukturiert sind, kommt dem vorliegenden Band mehr die Rolle eines „Restbestands“ von noch unveröffentlichten (oder lange nicht verfügbaren) Schriften zu, wenngleich dies die Lektüre abwechslungsreich und immer wieder spannend gestaltet. Trotz der ausführlichen und gelehrsamen Einordnungen von Lapoujade (besonders in den Briefen) ist eine Kenntnis der Werkgeschichte von Deleuze eine Voraussetzung, um die tour de force an Zeitsprüngen und Textgenrewechseln inhaltlich mitzuvollziehen. Und doch liegen die Vorteile der kurzen Texte, wie schon in Die einsame Insel sowie Schizophrenie und Gesellschaft auf der Hand: in Briefen, Interviews oder Essays wird den schwierig verständlichen philosophischen Konzepten manchmal mehr Leben eingehaucht indem beispielhaft erklärt, pointiert zusammengefasst oder fast schon entstellend verkürzt wird. Sollten Die einsame Insel und Schizophrenie und Gesellschaft (aber auch Unterhandlungen), die damit schon seit über 15 Jahren fester Bestandteil des Forschungskorpus rund um Deleuze (und Guattari) sind, demensprechende Erwartungen an Letters and Other Texts geweckt haben, lässt sich dieser Anspruch natürlich nicht gänzlich erfüllen. Jedoch gibt es, neben tatsächlich eher belanglosen Briefen, immer wieder interessante Korrespondenzen (vor allem mit Guattari, Villani, Klossowski, Foucault oder Voeffray), die sowohl philosophische als auch allgemeine Einblicke in die Lebenswelt von Deleuze und seinen Adressaten über eine Zeitspanne von nahezu vier Jahrzehnten geben. Das Highlight des Buches ist sicher ein erstmals publiziertes gemeinsames Interview mit Guattari (geführt von Raymond Bellour im Frühjahr 1973) über den Anti-Ödipus (1972), aber auch die Unterlagen für einen „Course on Hume (1957-1958)“, der Einblicke in Deleuzes pädagogische Herangehensweise in Bezug auf Hume erlaubt, oder das zwar schon länger kursierende, aber erstmals seit 1946 wieder abgedruckte „From Christ to the Bourgeoisie“ empfehlen sich für eine durchaus lohnende Lektüre.
Der Anspruch auf Vollständigkeit der Edition von Deleuzes Schriften sowie die damit einhergehende Nachvollziehbarkeit, Auffindbarkeit und Übersetzung ist ein hoch zu schätzender Verdienst Lapoujades. Aus diesem Grund wird das „Patchwork“ bzw. der mangelnde rote Faden des Buchs nicht nur in Kauf genommen, sondern bildet sogar dessen notwendiges Grundgerüst, wird es eben als Ergänzung zu den bisher erschienenen Sammelbänden verstanden. Gleichzeitig muss konzediert werden, dass viele dieser Texte ohne den starken Aufschwung und die zunehmende Popularität von Deleuze in den letzten Jahren – insbesondere im englischsprachigen Raum – sonst wohl nicht nochmal abgedruckt worden wären
So reicht Letters in Bezug auf die Erschließung des Gesamtwerks (sowohl für die Deleuze-Forschung als auch zur allgemeinen Verständlichkeit von Deleuze und Guattari) nicht an die vorhergehenden Sammelsurien heran, die deutlich reichhaltigere Quellen an kurzen Texten in der Form von zumeist autorisierten Interviews, Zeitschriftenartikel, Gesprächen und Briefen, beinhalten, welche sich vor allem um zusätzliche Erläuterungen, konzise Zuspitzungen, konkrete Anwendungen oder Verteidigungen der eigenen Theorien drehen. Damit sind sie von herausragender Bedeutung, um die Intentionen, Abläufe und Prozesse von Deleuzes Denken und Schaffen nachzuvollziehen. Dafür wird mit dem Fokus auf Briefe eine persönlichere, ja geradezu private Ebene erschlossen (wobei stets in einem professionellen Rahmen verbleibend), die eine gewisse theoretische Kraft entfalten kann, auch wenn dies kritisch betrachtet werden sollte.
Das Buch ist in drei Teile gegliedert:
Der erste Teil beinhaltet Briefe an Félix Guattari, Michel Foucault, François Châtelet, Pierre Klossowski, Jean-Clet Martin, aber auch an außerhalb Frankreichs weniger bekannte Personen wie Jean Piel, Arnaud Villani, Alain Vinson, Clément Rosset, Elias Sanbar, André Bernold, Joseph Emmanuel Voeffray und Gherasim Luca. Dabei wurden einzig einige der Briefe an Arnaud Villani und Gherasim Luca sowie der erste an Alain Vinson vorher schon veröffentlicht.
Wie schon in den vorangegangen Textsammlungen bettet Lapoujade zu Beginn jeden der chronologisch geordneten Briefe in die jeweilige Zeit ein und gibt anderweitigen Kontext zu den Adressaten sowie zu Ereignissen, Umständen, Texten oder Personen, auf die in den Zuschriften referiert wird. Auch ein Namensindex am Ende des Buches leistet Hilfe bei Einordnung und Recherche. Leider befinden sich in der vorliegenden auf Englisch übersetzten Ausgabe in den Fußnoten einige kleine Fehler (z.B. 27; 29; 69 oder 97), die im französischen Original so nicht vorkommen.
Auch für langjährige Deleuze-Leser:innen dürften die 5 Zeichnungen überraschend anmuten (101ff.), die von Karl Flinker 1973 in einem Heft zu Foucault und Deleuze unter dem Titel „Faces et Surfaces“ [Seiten/Gesichter und Oberflächen] veröffentlicht wurden. Diesen Illustrationen folgen im zweiten Teil des Buches die „Other Texts“, diverse Texte, die entweder lange nicht verfügbar waren, zu unterschiedlichen Zeiten in Zeitungen beziehungsweise als Rezensionen oder noch gar nicht erschienen sind, was auf den „Course on Hume (1957-58)“ (119ff.) sowie ein Interview von Deleuze und Guattari mit Raymond Bellour (auf Vorschlag Foucaults) über den Anti-Ödipus (195ff.) zutrifft.
Des Weiteren sind im dritten Teil des Bandes fünf als „Jugendwerke“ deklarierte Schriften enthalten, die Deleuze zwischen seinem 20. und 22. Lebensjahr verfasst, allerdings später wieder zurückgezogen hat.
Wie im Titel programmatisch angekündigt, liegt das Hauptaugenmerk von Letters and Other Texts auf von Deleuze gesendeten Briefen, die zwar nach Personen chronologisch angeordnet sind, jedoch keine Antworten inkludieren, weshalb auch nicht von vollständigen Briefwechseln gesprochen werden kann. Dementsprechend erscheinen die Briefe trotz der ausgezeichneten Kontextualisierung Lapoujades teilweise zusammenhangslos beziehungsweise mit vielen Jahren Abstand. Gemäß dem Titel werde ich mich auch in folgender Rezension primär auf die Briefe konzentrieren.
Dass die im Buch versammelten Briefe keinen Anspruch auf Vollständigkeit erheben können, ist zwar evident, wird aber auch nicht explizit erwähnt. Lapoujade gesteht in der Einführung zu, dass die Briefe im Œuvre Deleuzes keine zentrale Rolle einnehmen, da Deleuze diesen keine Wichtigkeit einräumte und sie nicht als Teil oder Erläuterung seines Werks ansah (7). In dem Band sind ausschließlich von Deleuze geschriebene Briefe, nicht aber von den jeweiligen Adressaten enthalten – begründet wird dies damit, dass er keine Korrespondenzen aufbewahrte, wobei nicht ganz klar wird, ob vom Herausgeber eine solche Rekonstruktion von Briefwechseln überhaupt angestrebt wurde.
Es ist davon auszugehen, dass Deleuze außerdem die vollständige Veröffentlichung seiner Briefe nicht vorsah und wahrscheinlich auch nicht erwartet hätte, da er bei der Autorisierung (so etwa bei der auszugsweisen Publikation seines Briefs über Kant an Alain Vinson (17f.)) äußerste Zurückhaltung an den Tag legte. Die Diskussion um Deleuzes Verhältnis zu Briefen flammte posthum schon mit dem Nachruf Clameur de l’être (1997; Geschrei des Seins) von Alain Badiou (*1937) auf, in dem dieser nicht nur seine eigenwillige Interpretation von Deleuze niederschrieb („Metaphysik des Einen“), sondern freimütig sein (Nicht-)Verhältnis zu Deleuze aus seiner Sicht schildert, welches sich jedoch ausschließlich anhand des Narrativs von Badiou nachvollziehen und einschätzen lässt. Nach einer jahrzehntelangen Distanz und offenen (vornehmlich politisch induzierten) Kontroversen begannen die beiden Anfang der 1990er-Jahre einen kurzen, aber intensiven Briefwechsel über ihre theoretischen Divergenzen. Nach Badious Darstellung brach Deleuze, schon in seinen letzten Lebensjahren und durch Krankheit geschwächt, die Korrespondenz 1994 abrupt ab, teilte Badiou die Vernichtung der Briefe mit und verbat sich eine Veröffentlichung ebendieser (Badiou 2003, 14).
So interessant dieser Austausch für Wissenschaft und Öffentlichkeit wäre, wird Deleuzes Wunsch natürlich entsprochen und es finden sich keine Briefe an Badiou in Letters and Other Texts. Die beschriebene Episode wirft allerdings die Frage auf, nach welchen Kriterien die Briefe in Letters zusammengestellt wurden, was in dem Buch leider nicht ausgeführt wird: anhand der Verfügbarkeit und Zugänglichkeit oder des Ausbleibens eines dezidierten Veröffentlichungsverbot? Das editorische Problem, über keine Antworten der Empfänger zu verfügen, wird zwar in der Einleitung angesprochen, das moralische Problem der Veröffentlichung jedoch nur auf Deleuzes Frühwerke bezogen. Wenn Lapoujade in der Vorbemerkung Deleuzes allgemeines Verhältnis zu Briefen thematisiert, erkennt er zwar eine Ambivalenz an, lässt die Leser:innen aber nicht an weiteren Überlegungen zu diesem grundsätzlichen Dilemma teilhaben.
Ein ähnlich gelagertes Problem wie die Briefe betrifft die frühen Texte „Description of Women“ (1945), „From Christ to the Bourgeoisie“ (1946), „Words and Profiles“ (1946), „Mathesis, Science, and Philosophy“ (1946) sowie „Introduction to Diderot’s La Religieuse“ (1946), die vor 1953 erschienen sind, von Deleuze allerdings wie schon erwähnt später zurückgezogen wurden. Argumentiert wird dies durchaus überzeugend damit, dass diese (teilweise in veränderter/verfälschter Form) schon in Deleuze-Zirkeln kursiert seien und deshalb auf dieses Faktum nur mehr mit der Edition reagiert werden könne. Somit geht es Lapoujade und den Rechteinhaber:innen Fanny, Émilie Deleuze sowie Irène Lindon darum, eine autorisierte sowie originale Form dieser Texte zu gewährleisten. Die vorangestellte provisorische Bibliographie (11ff.) – von Deleuze wahrscheinlich 1989 erstellt – beginnt mit Empirismus und Subjektivität, seinem Hume-Buch 1953, was nicht einer gewissen Ironie entbehrt, wird somit die in Letters and Other Texts vollzogene Unterminierung der bewussten Auslassung seiner Frühschriften gleich von Anfang an ins Werk gesetzt.
Die Warnung, die Deleuze an Arnaud Villani 1981 ausspricht – „Don’t let me become an object of fascination or headache for you.” (80) – kann jedenfalls für die akademische Auseinandersetzung schon lange (zurecht) als überholt gelten. Mit dem vorliegenden Band dringt die Faszination in noch deutlich weitere Bereiche vor, die Deleuze selbst wahrscheinlich besagte Kopfschmerzen bereitet hätten. Obwohl Deleuze jungen Doktoranden in einer Mischung aus Bescheidenheit und Sorge um ihre universitäre Karriere rät, den Fokus ihrer Thesis nicht hauptsächlich auf ihn zu richten (an Villani, 80; an Voeffray, 91; an Martin, 94), nimmt er spätestens mit diesem Band einen Platz im historisierten Kanon ein, wo jedes jemals geschriebene (sowie gesprochene) Wort seziert und akademisch verwertet wird, was selbstredend auch auf den Autor dieser Zeilen zutrifft. Gerade die (immer auch, aber nicht nur) privaten Briefwechsel legen Zeugnis davon ab, wie sich die Deleuze-Rezeption diesbezüglich intensiviert und auch historisiert hat, sodass Letters nicht nur inhaltlich, sondern auch in der Form über die vorhergehenden Die einsame Insel und Schizophrenie und Gesellschaft hinausgeht. Deleuze formuliert in diesem Sinne an Joseph Emmanuel Voeffray reuevoll: “I should never have read a book on me at all.” (91).
Wie bereits ausgeführt, sah Deleuze das Medium „Brief“ einerseits nicht als übermäßig bedeutsam an, weshalb auch keine seiner empfangenen Zuschriften erhalten sind (denken wir an die vorher geschilderte Episode mit Badiou), andererseits auch nicht als eine Erweiterung seiner im Entstehen begriffenen Arbeiten, sondern entkoppelt von seinen Publikationen. Direkte, wenn auch kokettierende Verweise auf sein Verhältnis zu Briefen aus Letters and Other Texts sind etwa das eingangs zitierte: “Don’t think I am a compulsive letter writer or that I have a sense of dialogue. I hate it.” (72, an Gherasim Luca) oder an Pierre Klossowski: “I can no longer write a letter, it’s terrible. Effect of the solitude I nonetheless love.” (66)
Dies spiegelt sich zum Großteil auch in den Briefen selbst wider, die zwar spannende Einblicke in das Leben von Deleuze geben, so etwa in seine Lektüren, Aufenthaltsorte oder auch seinen Gesundheitszustand – dabei stets mehr beruflich als privat. Allerdings geht Deleuze in den Schreiben kaum philosophisch in die Tiefe oder gibt Erläuterungen für sein Werk bzw. seine Konzepte – mit faszinierenden Ausnahmen, auf die ich zurückkommen werde. Nur folgerichtig, wenn man bedenkt, was er Clément Rosset 1981 als Entschuldigung, Villani nicht in Paris getroffen zu haben, mitteilt: „[…] philosophical conversations are a pain” (23).
Begeben wir uns jedoch auf die Ebene der Entstehungskontexte, so ergeben sich interessante Zusammenhänge, von denen wiederum Rückschlüsse für andere Werke gezogen werden können.
So schreibt er im April 1968 an Jean Piel, dass ein Artikel zu Lewis Carroll derart den Rahmen von Umfang und Fragestellung sprenge, so dass es sich zu einem Buch entwickle (33). Betrachtet man das daraus entstandene Logik des Sinns (1969) unter dieser Voraussetzung als aus einem Text zu Carroll entstanden, lädt dies zu einer dementsprechend gewichteten Re-Lektüre durch diese Brille ein.
Der allgemeine Duktus der Schriften orientiert sich an einem Vorsatz, den er an François Châtelet im Jahr 1966 so formulierte: man benötige eine gewisse Wertschätzung um über etwas zu schreiben. So sei es ihm (Deleuze) lieber, gar nicht zu schreiben anstatt eines Verrisses (27). Diese Haltung scheint über weite Strecken auch in den Briefen durch, die geprägt von Höflichkeit, Anerkennung, Wertschätzung und Zuneigung sind, auch wenn dies sicherlich einer stilistischen Komponente geschuldet ist.
In den vorhergehenden Textsammlungen erschienen bereits Briefe, die in Letters nicht mehr aufgenommen wurden, so etwa an Jean-Clet Martin, Kuniichi Uno, Dionys Mascolo (Schizophrenie und Gesellschaft) sowie der „Brief an einen strengen Kritiker“/Michel Cressole (Unterhandlungen), wobei insbesondere der Brief an Cressole (aber auch an Martin) durchaus eine Öffentlichkeit über den eigentlichen Empfänger hinaus adressiert – siehe auch den Verweis auf Cressole im Schreiben an Villani (77). Die Briefe ermöglichen einerseits die Erläuterung von schwer zu fassenden Begriffen [concepts] seiner Philosophie in einem einfacheren Stil, andererseits geben sie Innenansichten über Enstehungskontexte, Arbeitsweisen oder Methoden. In der Polemik gegen Cressole findet sich neben den Hinweisen auf seine philosophische Evolution etwa die berühmte Stelle über Deleuzes eigenes philosophisches Lesen und Produzieren, nämlich klassische Philosophen „von hinten zu nehmen“ und ihnen ein monströses Kind zu machen, das trotzdem ihres sei (Deleuze 1993, 15f.). Aber auch die Darstellung der ödipalen und repressiven Funktion der Philosophiegeschichte für das Denken stammt aus dem Schreiben an Cressole. Dagegen beleuchtet Deleuze in der Korrespondenz mit Uno besonders das Kennenlernen sowie die Zusammenarbeit mit Guattari in einer detaillierten Ausführlichkeit, wie sie sonst nicht bekannt wäre (Deleuze 2005, 223ff.). Und in dem Brief an Martin beschreibt er konzise die philosophische Operation der Begriffsschaffung [création], die sich stets am Konkreten zu orientieren habe, um erst von diesem zu Abstrakta vorzudringen (Deleuze 2005, 345).
Es ließe sich jedoch vermuten, dass die schon publizierten Briefe (in Unterhandlungen und Schizophrenie und Gesellschaft) inhaltlich begründet, d.h. aufgrund ihrer theoretischen Relevanz bereits in diesen Bänden erschienen sind, weshalb Letters and Other Texts ein wenig wie ein Residuum anmutet, wenngleich auch daraus wichtige und interessante Passagen für die Deleuze-Forschung zu extrahieren sind. Neben den bereits erwähnten Exzerpten sind dies vor allem:
- Nachträgliche Werkeinordnungen, wie zum Beispiel in einem Brief an Arnaud Villani 1981, in dem Deleuze die Wichtigkeit seines Textes über den Strukturalismus (Deleuze 2005, 248ff.) sowie Teilen von Logik des Sinns relativiert, welche noch zu sehr der Psychoanalyse verhaftet bzw. in Bezug auf die Serien zu strukturalistisch gedacht seien (79).
- Ein Schreiben an Joseph Emmanuel Voeffray 1982 primär über transzendentalen Empirismus (88f.), in dem Deleuze einen Bogen von den Problemen seiner Hauptwerke Ende der 1960er (Differenz und Wiederholung; Logik des Sinns) zu seiner aktuellen Beschäftigung (kurz nach Tausend Plateaus) spannt und besonders auf die stattgefundene Verschiebung zum Komplex „Abstrakte Maschine—Konkretes Gefüge“ verweist. Gleichzeitig deutet sich schon die Wiederaufnahme des transzendentalen Empirismus im Spätwerk an (89).
- Die Selbstbezeichnung „pure metaphysician“ (78) aus einer Beantwortung von Fragen an Arnaud Villani 1980, die sich bereits zur Chiffre in der Deleuze-Forschung verselbständigt hat. Der Kontext dieser Charakterisierung liegt darin, den Schluss von Tausend Plateaus als Kategorientafel im Sinne Whiteheads (nicht Kants) zu verstehen (Deleuze/Guattari 1992, 695ff.). Im Anschluss an Bergson gehe es darum, den modernen Wissenschaften eine Metaphysik zu geben (78). Etwa in der Interpretation von Bonta/Protevi gelingt Deleuze (und Guattari) dies mit der Geophilosophie, allerdings beschreiben sie es als Deleuzes Ontologie, nicht als Metaphysik (Bonta/Protevi, 2006, viii).
- Besagter Fragebogen von Villani, welcher allerdings zuvor schon in dessen Buch La Guêpe et l’orchidée (1999) erschienen ist, bietet auch sonst interessante Gesichtspunkte, so etwa die Philosophie als Wissenschaft zu klassifizieren, wenn sie die Bedingungen der Problematisierung bestimme (78).
- Ausgesprochen informativ ist ein Verweis auf von Deleuze selbst ausgewählte kurze Textauszüge seiner Schriften (nur 2-10 Seiten) in einem Brief an Elias Sanbar im Jahre 1985 für eine Anthologie auf Arabisch (92f.). Ohne diese Selektion zu einem „Best-of“ erklären zu wollen, wirft sie ein Schlaglicht auf Passagen, die Deleuze selber (aus der Sicht von 1985) als essentiell oder paradigmatisch für sein Werk einstuft.
Besonders hervorzuheben ist ferner der Austausch mit Félix Guattari (1930-1992), Deleuzes langjährigem Freund („I also feel that we were friends before meeting“, 35) und Ko-Autor: „Es gibt nur ein Rhizom zwischen Félix und mir.“ (78; Übers. RG) Die beiden lernten sich im Frühjahr 1969 in der Region Limousin kennen und kurze Zeit später begann der erste Briefwechsel, welcher recht schnell den Beginn der Zusammenarbeit für den Anti-Ödipus (1972) einleitete. Die Briefe geben Einblicke in die erste Phase des Entstehungsprozesses des Anti-Ödipus, allerdings maximal als Ergänzung zu dem bereits 2006 erschienen, hauptsächlich auf Guattaris Beiträge fokussierten Buch The Anti-Œdipus Papers (hg. von Stéphane Nadaud), wo vornehmlich die Textentwicklung des Anti-Ödipus aufbereitet und dargestellt wird. Die in Letters gesammelten Briefe an Guattari (sicher nur ein Bruchteil der tatsächlichen Korrespondenz) zeigen jedoch darüber hinaus den Duktus und Ton der Kommunikation von Deleuze gegenüber Guattari – wie genau er dessen Texte ab ihrer ersten Begegnung 1969 liest und dessen Thesen (zum Beispiel den Maschinenbegriff) aufnimmt bzw. verarbeitet. Auch zwei Briefe im Rahmen der Vorbereitung für Tausend Plateaus sind im Buch enthalten, wozu bislang im Vergleich zum Anti-Ödipus deutlich weniger Quellenmaterial veröffentlicht wurde. Grenzwertig private Aufschlüsse ergeben sich aus einem dieser Briefe außerdem über die Art und Weise, wie bzw. über welches Medium die Auseinandersetzung mit den so genannten „Neuen Philosophen“ um Bernard-Henri Lévy Ende der 1970er Jahre am besten stattzufinden habe (51ff.).
Auch in anderen Briefen wird Guattari natürlich immer wieder Thema, so etwa im wiederholten Insistieren von Deleuze gegenüber Villani (immerhin im Abstand von drei Jahren), in dessen Texten bzw. Buch über Deleuze der Rolle von Guattari für die gemeinsamen Schriften zu seinem Recht zu verhelfen und diesem eine größere Relevanz für ihre gemeinsam erarbeiteten Konzepte einzuräumen (82; 84ff.). Deleuze stößt sich insbesondere an Villanis (verfehlter) Interpretation, Tausend Plateaus beruhe vornehmlich auf seiner Philosophie bzw. sei hauptsächlich von Deleuze verfasst.
Dies ist selbstredend eine der zentralen Fragen, die sich für die Deleuze&Guattari-Forschung in Bezug auf das rhizomatisch verflochtene Tandem stellt und die nach wie vor extensiv untersucht wird. Diesbezüglich ist wiederum eine Stelle aus dem Villani-Fragebogen von Interesse, in dem Deleuze bemerkt, dass die Mikro-Makro-Unterscheidung in Tausend Plateaus mehr von Guattari komme, wobei Deleuze die Unterscheidung zwischen zwei Typen von Mannigfaltigkeiten (die sich von seinem Bergson-Buch bis zu Tausend Plateaus mehr oder weniger durchzieht) dieser vorgelagert sieht und den Begriff der Mannigfaltigkeit [multiplicité] für wichtiger als die Mikrophysik (mehr ein Konzept Foucaults als Guattaris im Gegensatz zur Mikropolitik, Anm.) erachtet (79). Tausend Plateaus zeigt, wie diese verschiedenen Aspekte nebeneinander als Plateaus ko-existieren können, da einerseits die Mikro-Makro-Unterscheidung in diesem Werk ihre höchste Wichtigkeit erlangt (vor allem im 9. und 10. Plateau: „1933 — Mikropolitik und Segmentarität“ sowie „1730 — Intensiv-Werden, Tier-Werden, Unwahrnehmbar-Werden…“) und andererseits Deleuze/Guattari das gesamte Buch als „Theorie der Mannigfaltigkeiten“ (Deleuze/Guattari 1992, II) zusammenfassen.
Daran anschließend passt dazu das (neben den Briefen) meiner Ansicht nach zentrale Element des Buches – ein sehr ausführliches, aber auch aufschlussreiches Interview über den Anti-Ödipus mit Raymond Bellour, welches aber nie publiziert wurde, da es in der eigentlich angedachten Zeitschrift Les Temps modernes auf Intervention Guattaris aus politischen Gründen (wahrscheinlich die maoistische Prägung der Zeitschrift Anfang der 1970er) nicht erschien. Das Interview ist aus mehreren Gründen lesenswert sowie lehrreich:
1. Die Atmosphäre des Interviews schwankt zwischen locker-belustigt und angespannt. Besonders Guattari scheint von Bellours Fragen eher genervt zu sein („your question is lousy“, 200; „he’s going to say something stupid”, 205), was allerdings sowohl Guattari als auch Deleuze viele Erklärungen, Umschreibungen und Beispiele ihrer Thesen entlockt, die insbesondere für das Verständnis von Strömen [flux] oder ihrer Kritik an der familialen, reduktionistischen, ödipalen Psychoanalyse zugunsten eines sozialen und politischen Feldes gewinnbringend sind.
2. Wirft es ein Schlaglicht auf das Verhältnis von Deleuze und Guattari, ihrer (humorvollen) Kommunikation, gegenseitigen Vorlieben, aber auch Differenzen. So betritt Deleuze nach einem Telefongespräch wieder den Raum, worauf Guattari ihm mitteilt: „I said the opposite of what you said.“ Deleuze antwortet lapidar: “Good. Very good.” (231) Im Speziellen sticht der Fokus auf die politische Dimension hervor, die insbesondere Guattari immer wieder einbringt. Eine oft vorgetragene These, dass Guattari das Politische, wenn er es doch nicht in Deleuze hineintrage, so doch mehr zum Vorschein bringe und einfordere, zeigt sich in diesem Interview paradigmatisch.
3. Die starke bzw. umfassende Beschäftigung und Auseinandersetzung mit der Psychoanalyse, die Ende der 1960er/Anfang der 1970er noch eine viel breitere gesellschaftliche Rolle spielte. Noch vor dem Erscheinen über den Anti-Ödipus richtete Deleuze an Klossowski die Prognose: „either silence or war with psychoanalysts” (61) Auch in besagtem Interview vertreten Deleuze/Guattari ihre zentralen Thesen, wie etwa, dass das Begehren/der Wunsch [désir] nicht auf die Erfüllung eines Mangels zu reduzieren, sondern Produktion sei. Durch die beharrlichen Nachfragen Bellours entstehen bemerkenswerte (aber auch zugängliche) Passagen, beispielsweise die Forderung (sowie auch praktische Anwendung), konsequent in Strömen [flux], Intensitäten und Mannigfaltigkeiten zu denken und nicht einfach von präexistenten Fixpunkten (Subjekt/Objekt) auszugehen (200f.).
Zu guter Letzt geht es mir passenderweise um die Frage nach der Wirkung eines Buchs. Beklagt Deleuze im Interview 1973 noch den akademischen Aspekt des Anti-Ödipus als Ärgernis, wenn auch damit kokettierend (Guattari: „Exactly, it’s Gilles‘ fault.“ (208)), so klingt dies im Brief an Villani 1986, also 13 Jahre später, deutlich anders, man möchte sagen (wieder) deutlich akademischer. Deleuze nennt dem jungen Freund drei Aspekte, die ein existierenswertes Buch ausmachen sollten: In bisherigen Studien zum jeweiligen Thema 1. einen Fehler zu korrigieren (polemische Funktion), 2. etwas Übersehenes zum Vorschein bringen (erfinderische Funktion) sowie 3. einen Begriff [concept] zu schaffen (schöpferische Funktion). Interessanterweise steht dies in einem Spannungsverhältnis dazu, was Deleuze und Guattari im Anschluss an den Anti-Ödipus nicht müde werden zu betonen und auch im in Letters enthaltenen Interview immer wieder ansprechen (198f.; 207f.). So werden sie nicht müde zu betonen, das Buch nicht als Buch zu verstehen, sondern vornehmlich auf die (politischen) Effekte außerhalb und transversale Verbindungslinien abzuzielen sowie Äußerungsgefüge und Gefüge des Begehrens zu schaffen. Funktion des Buches sei dabei, nicht zu überzeugen, sondern abzuholen, wer die Psychoanalyse, aber auch das Subjekt, das Ego satthabe (207). Dass sich diese Hoffnung nicht erfüllen sollte, zeigt sich insbesondere in der Einschätzung im Vorwort zur italienischen Ausgabe von Tausend Plateaus. In einer seltenen Rückschau über die unterschiedliche Rezeption der zwei Bände ihres Opus magnum zu Kapitalismus und Schizophrenie ziehen sie Jahre später (1987) ein gänzlich anderes Fazit noch im Interview 1973, weshalb ich ausführlicher zitiere: „Tausend Plateaus (1980) war die Fortsetzung des Anti-Ödipus (1972). Aber beide Bücher hatten objektiv ganz verschiedene Schicksale. Das lag sicherlich an den Umständen: die bewegte Zeit des einen, die noch unter dem Einfluß von 68 stand, und die Zeit der seichten flaute, der Gleichgültigkeit, in der das andere erschien. Tausend Plateaus ist von all unseren Büchern am schlechtesten aufgenommen worden. Wenn wir es dennoch besonders mögen, dann nicht so, wie eine Mutter ihr mißratenes Kind liebt. Der Anti-Ödipus war sehr erfolgreich, aber dieser Erfolg wurde von einem noch größeren Scheitern begleitet. Der Anti-Ödipus wollte auf die Verwüstungen Hinweisen, die Ödipus, das ‚Mama-Papa‘, in der Psychoanalyse, in der Psychiatrie und selbst in der Anti-Psychiatrie, in der Literaturkritik und im allgemeinen Bild, das man sich vom Denken macht, anrichtet. Wir haben davon geträumt, Ödipus den Garaus zu machen. Aber diese Aufgabe war zu groß für uns. Die Reaktion auf 68 hat gezeigt, wie stark Ödipus noch in der Familie war und wie er weiterhin in der Psychoanalyse, in der Literatur und überall im Denken sein Regime der kindlichen Weinerlichkeit ausübte. So blieb Ödipus für uns eine schwere Belastung. Tausend Plateaus hat uns dagegen, zumindest uns, trotz seines scheinbaren Mißerfolgs, einen Schritt weitergebracht und uns unbekannte und von Ödipus unberührte Gebiete entdecken lassen, die der Anti-Ödipus nur von ferne sehen konnte, ohne in sie vorzudringen.“ (Deleuze/Guattari 1992, I)
Auch in Letters reflektiert und resümiert Deleuze in einzelnen Passagen über intendierte, aber auch unerwünschte Effekte seiner Bücher. So bemerkt er in einem Brief an Voeffray (1983), dass die Schriften über Proust und Kafka keine Wirkung in seinem Sinne entfalteten (im Gegensatz zu dem Buch über Masoch). Indes waren Konzepte wie „Tier-Werden“ oder „Rhizom“ umgekehrt so erfolgreich, dass sie in einer Weise bar jeder Logik (!) verwendet wurden, die Guattari und ihn abstoße: „I sometimes feel like I’m being roasted by idiotic parasites.“ (91) – eine im Vergleich zum allgemeinen Duktus der Briefe seltene sprachliche Schärfe. Bei aller Kritik am vorliegenden Band könnte die nun vollständig vorliegende Edition der Schriften und Briefe im besten Falle einen Beitrag zum Schutz gegen idiotische Instrumentalisierungen von Deleuze liefern.
Wer darauf hofft, in Letters and Other Texts neue Theoriebausteine oder Verbindungslinien zu finden, welche fundamental andersartige Perspektiven auf und in Deleuzes Philosophie erschließen, muss enttäuscht werden. Das Buch beinhaltet jedoch wertvolle neu publizierte Texte und eröffnet in seiner Gesamtheit neue Ebenen, auf denen die Mannigfaltigkeit an deleuzianischen Strömen [flux] ineinander übergehen und sich verknüpfen lassen.
Badiou, Alain. 2003. Deleuze. »Das Geschrei des Seins«. Diaphanes: Zürich/Berlin [Deleuze. »La clameur de l’Etre«, 1997].
Bonta, Mark/ Protevi, Jon. 2006. Deleuze and Geophilosophy. A Guide and Glossary. Edinburgh University Press: Edinburgh .
Deleuze, Gilles. 2020. Letters and Other Texts, hg. von David Lapoujade. Semiotext(e): South Pasadena [Lettres et autres textes, 2015].
Deleuze, Gilles/Guattari, Félix. 1977. Anti-Ödipus. Kapitalismus und Schizophrenie I. Suhrkamp: Frankfurt am Main [L’Anti-Œdipe, 1972].
Deleuze, Gilles/Guattari, Félix. 1992. Kapitalismus und Schizophrenie. Tausend Plateaus. Merve Verlag: Berlin [Mille plateaux. Capitalisme et schizophrénie, 1980].
Deleuze, Gilles. 1993. Logik des Sinns. Suhrkamp: Frankfurt am Main [Logique du sens, 1969].
Deleuze, Gilles. 1993. Unterhandlungen 1972-1990. Suhrkamp: Frankfurt am Main [Pourparlers 1972-1990, 1990].
Deleuze, Gilles. 1997. David Hume. Campus Verlag: Frankfurt am Main/New York [Empirisme et Subjectivité. Essai sur la nature humaine selon Hume, 1953].
Deleuze, Gilles. 2003. Die einsame Insel. Texte und Gespräche von 1953 bis 1974, hg. von David Lapoujade. Frankfurt am Main [L’ile déserte et autres textes. Textes et entretiens 1953-1974, 2002].
Deleuze, Gilles. 2005. Schizophrenie und Gesellschaft. Texte und Gespräche von 1975 bis 1995, hg. von David Lapoujade. Frankfurt am Main [Deux régimes de fous et autres textes (1975-1995), 2003].
Guattari, Félix. 2006. The Anti-Œdipus Papers, hg. von Stéphane Nadaud. New York [Écrits pour l‘Anti-Œdipe, 2005].
 Seitenzahlen ohne weitere Angabe referieren auf Letters and Other Texts (Deleuze 2020).
 Ich verwende in dieser Rezension, wenn vorhanden, die deutschen Übersetzungen, allerdings das jeweilige Ersterscheinungsjahr im Original.
It is hard to overstate the effect Gilles Deleuze had (and continues to have) on academia. For someone who defined philosophy as the creation of concepts and devoted himself to the task so prolifically, it would surely be pleasing to him that people working in every corner of the human sciences have engaged with his creations. Deleuze’s philosophy is multi-faceted and complicated, but had a constant emphasis on thinking reality in its flux and becoming — and concepts are no exception. As Daniel Smith points out: “concepts are not eternal and timeless (true in all times and all places), but are created, invented, produced in response to shifting problematics”[i], and subject to change. Deleuze’s concepts have been given countless applications, developments, revisions, interpretations and reinterpretations, and they continue to resonate with many, philosophers and non-philosophers alike. Alas, Deleuze is no longer around to develop them himself, but the hive of activity around his work and the fascination it elicits for many shows no sign of abating. Two posthumous volumes of his work have appeared so far: Desert Islands and Other Texts and Two Regimes of Madness. Collected in them are numerous essays, interviews, conferences and other texts published in French between 1953 and 1995, which do not appear in any of Deleuze’s books. Letters and Other Texts is the third and final volume of this project. While it may not be as substantial as the previous two, the letters offer us a fascinating glimpse into Deleuze’s personality as a friend and academic, and there are some very interesting additions among the ‘other texts’. Academically speaking, those familiar with Deleuze’s work will find valuable resources for chronicling the development of some of his ideas, and the uninitiated will find useful texts to read alongside some of his major works – especially the long, hitherto-unpublished interview (with Guattari and Raymond Bellour) about Anti-Oedipus.
The book is structured into three parts, as David Lapoujade clarifies in his brief introduction:
- A set of letters addressed to different correspondents out of friendship or circumstance;
- A series of texts published or circulated during Deleuze’s life that were not included in the two previous volumes of posthumous texts;
- The four texts published before 1953 that Deleuze renounced although their publication can no longer be avoided. (7)
The book comes with some warnings. Many of these texts were either published but renounced later by Deleuze, or unintended for publication. Some of them he was thinking about publishing, but did not necessarily prepare them for it. There are texts here that are only being published at the wishes of his family, since they are being circulated containing errors and without authorization, and the letters (with one exception) were never intended for publication. Deleuze considered them to be private and not part of his work, even though he discusses his work in them. There are also significant gaps because Deleuze did not keep his mail – we do not have the responses of his correspondents, and many of the letters are not dated (though helpful approximations are made by Lapoujade). But these are only factors to bear in mind, and should not deter anyone from engaging with this valuable collection. From the perspective of studying his work and being interested in him as a human being, there are some brilliant pieces in here. Anyone familiar with the L’Abécédaire interview with Claire Parnet will know first-hand what an engaging and articulate speaker Deleuze was, and this also comes out in the letters (and the Anti-Oedipus interview). L’Abécédaire is essential viewing for those studying Deleuze because of its depth, breadth and brilliance, but also its relative straightforwardness compared to his published works. In Deleuze’s published work there is a commitment to the idea that a philosophical concept should not necessarily be easy to grasp, and must be wrestled with, thought about, thought about again, struggled to be comprehended. This is much less obvious in his interviews and letters, which are exceptionally clear and engaging, and nowhere near as much of a struggle to understand.
Let’s begin with the letters, and especially on the point of what they tell us about Deleuze as a person and professional. They are a very pleasant read, revealing Deleuze’s amiability at every turn and his deep admiration for his correspondents, especially Pierre Klossowski, Michel Foucault and the poet Gherasim Luca. From the perspective of his philosophical work and his intimate, most personal thoughts, they do not reveal too much – but there are some notable exceptions. Most of these correspondences are of a professional nature, and the minutiae of academic life found in them are charming. Apparently his course on cinema was his most worrying and difficult, which was a surprise to him. (81) He didn’t seem to be a big fan of conferences or speaking at them — not entirely a surprise coming from someone who “insist[ed] that the activity of thought took place primarily in writing, and not in dialogue and discussion.”[ii] His two favourite parts of A Thousand Plateaus were the intimately-connected ‘Becoming-animal’ and ‘Refrain’ plateaus, which deal primarily with music and territorialization. (84) Dryly, he claimed (probably in 1970) that he’d “rather have another tuberculosis cavity than start over at Lyon.” (29) “This thesis pursues me as much as I pursue it” (31) he wrote to Jean Piel. To Guattari: “as usual, after my enthusiasm, doubt sets in.” (51) (Who hasn’t felt this way when writing a thesis at some point?) There are refreshing sections where Deleuze imparts advice on those that ask for it, like when Clement Rosset asks about writing his thesis (20-21), or Arnaud Villani considers writing about Deleuze.
Don’t let me become an object of fascination or a headache for you. I have seen cases of people who wanted to become the ‘disciple’ of someone and who definitely had as much talent as the ‘master’ but who ended up sterilized. It’s awful. […] You deserve much more than just being my commentator. (80)
There is one tension of significance to be found in the letters, and it also comes in the correspondence with Villani. The latter published a review of one of Deleuze and Guattari’s texts that substantially downplays Guattari’s role, much to Deleuze’s annoyance. Deleuze vehemently sticks up for Guattari in multiple letters: “remember that you have often taken my defence without me asking for it and here I am defending Felix who is not asking for it either.” (85) Many of these letters seem to show Deleuze to be self-effacing, often eschewing recognition and downplaying his achievements in favour of those he writes to, always giving credit where credit is due. Nevertheless, when the spotlight is directly on him, he takes it with grace: it is hard not to smile at his veritable elation at getting a positive review from Foucault, and how genuinely pleased he is with how he engages with his work: “I have both the impression that you understand me fully and that at the same time you have surpassed me. It’s a dream.” (68)
But what do the letters have to tell us about Deleuze’s philosophy? There are a few exchanges to look out for here. In a letter to Alain Vinson, for instance, Deleuze answers questions about Kant’s critical philosophy and his book on the subject. In the only portion of the letters that was published, Deleuze answers a questionnaire about his work sent by Arnaud Villani, where Deleuze’s well-known characterization of himself as “a pure metaphysician” (78) appears. Villani also asks Deleuze to summarise his disparate texts at some point, leading him to wonder if there is any kind of unity between them. His answer describes what he takes to be the three principal characteristics of any useful book, which might provide some readers with some guidance:
a book, if it deserves to exist, can be presented in three quick aspects: you do not write a «worthy» book unless: 1) you think that the books on the same subject or on a neighbouring subject fall into a type of overall error (polemical function of the book); 2) you think that something essential has been forgotten in relation to the subject (inventive function); 3) you believe yourself capable of creating a new concept (creative function). (86)
These aspects of his texts are exemplified later with some references to his books on Proust and Sacher-Masoch. (An essay on Sacher-Masoch is also included in the diverse texts.) Elsewhere, the letters to Jean Piel include some descriptions of the development of The Logic of Sense, and there is a very helpful and clear discussion of ‘transcendental empiricism’ in the letters to Joseph Emmanuel Voeffray.
But perhaps most important is the correspondence between Deleuze and Guattari, which mostly consists of discussions about the development of what would become their most well-known and well-read work: the two-volume Capitalism and Schizophrenia. Of especial interest are the letters about Anti-Oedipus, which contain early attempts to work out the exact direction and questions of their inquiry, and to formulate their concepts, such as ‘machine’. I would emphasize that seasoned students of Deleuze and Guattari may not find anything new or surprising here, but those struggling with the undeniable difficulty of reading Anti-Oedipus for the first time may find helpful the more concise and clear propositions about the aim of the text that appear in these letters. For instance:
as long as we think that economic structures only reach the unconscious through the intermediary of the family and Oedipus, we can’t even understand the problem […] what are the socioeconomic mechanisms capable of bearing directly on the unconscious? (37, 39)
In fact, Anti-Oedipus is probably the text that comes to the fore more than any other in Letters and Other Texts, owing not just to this correspondence, but the long interview conducted with Deleuze and Guattari by Raymond Bellour, which I will come to later.
I will not go into too much detail about the ‘writings of youth’, not only because Deleuze renounced them later on, but because they are not of as much interest as the letters and ‘diverse texts’. Suffice it to say that there are some early essays and book introductions here, including the first essay Deleuze published: ‘description of women’. It is understandable, given Deleuze’s later writings, why he distanced himself from work like this. Not to say that the essay is bad, or uninteresting, but it is of a completely different style and orientation than his mature philosophy. It clearly bears influence from Sartre and phenomenology, and is of a decidedly existentialist bent both in style and content, as passages like this show:
Major principle: things did not wait for me to have their meaning. Or at least, which comes to the same from a descriptive standpoint, I am not aware that they waited for me. Meaning is objectively inscribed in the thing: there is something tiring, and that is all. This big, round sun, this climbing road, this fatigue in the lower back. I do not have anything to do with it. I am not the one who is tired. I do not invent anything, I do not project anything, I do not bring anything into the world, I am nothing, not even a nothing, especially not: nothing more than an expression. I do not attach my little meanings onto things. The object does not have a meaning, it is its meaning. (254)
Again, this is by no means a poor essay, but the kind of work Deleuze would go on to do and the philosophers he would later most associate himself with are completely different. He goes on to criticise phenomenology and place importance on philosophers that were at the time not studied that much in France. Deleuze was working in a time where ‘the three Hs’ – Hegel, Husserl, Heidegger — were prevalent in French philosophy education. Deleuze eschewed this tradition and the major philosophy of the day (existentialism, Marxism, phenomenology) in favour of what he sometimes called the ‘minor’ history of philosophy, which he found more productive: Hume, Spinoza, Proust, Nietzsche, Bergson. Deleuze’s mature work would amount to a criticism of the movements, styles and philosophers he shows more allegiance to in his early essays — but they are nonetheless of interest for the topics he discusses.
Philosophically and academically speaking, the ‘diverse texts’ are the best in this collection. Of interest are the two texts on Hume: a course Deleuze was thinking about publishing, and an essay submitted as part of his agrégation exam on the Dialogues Concerning Natural Religion – “undoubtedly the only example of real ‘dialogues’ in philosophy.” (183) Hume was a particularly important philosopher for Deleuze – his first book, Empiricism and Subjectivity, is devoted to the interpretation of his work, and anyone interested in tracing this aspect of Deleuze’s career will find much worth in these two texts. The course is excellent, but consists of notes that Deleuze would presumably have expanded on at length in class, so it reads very densely and can be difficult to connect the dots at times. The Dialogues text is much more polished, contains brief summarizations of some of the text’s key arguments and offers reflections on the significance of the Dialogues and their correct interpretation. Deleuze explains nicely how the problem of religious belief becomes a problem for Hume because of the consequences of his wider theory of knowledge:
Hume finds belief at the foundation of knowledge. At the base of knowledge, there is belief […] The problem of religious belief then takes on greater urgency because one can no longer appeal to the heterogeneity of the two domains, knowledge and faith. […] Since everything is belief, the question is knowing under what conditions a belief is legitimate and forms true knowledge. (184)
And he is absolutely strident on which character represents Hume (which is Philo):
There is […] a common interpretation that says Hume put some of his thought into each of the characters: it is an untenable interpretation because it neglects both the originality and the essential of the Dialogues, that they go entirely against the idea of natural religion. (184)
Also in the diverse texts is a short, remarkably positive book review of an ethnographic text by Pierre Clastres, a French anthropologist Deleuze admired greatly and whose importance in relation to Deleuze and Guattari is perhaps underappreciated. Clastres is cited approvingly a couple of times in Anti-Oedipus but referenced more often and substantially in A Thousand Plateaus, which appeared three years after his untimely death in 1977. Part of the ‘war machine’ plateau is written as a tribute to his memory and makes use of his fascinating work on the Guayaki Indians, and his anti-evolutionary theory of so-called ‘primitive societies’, expressed by Deleuze and Guattari as follows:
Societies termed primitive are not societies without a State, in the sense that they failed to reach a certain stage, but are counter-State societies organizing mechanisms that ward off the State-form, which make its crystallization impossible.[iii]
The reason so-called primitive societies don’t have a state, on Clastres’ account, is because they put mechanisms in place to make sure it never arises, as though they unconsciously ‘saw’ ahead of time that this would be necessary. Given the power that Clastres’ ideas seemed to have for Deleuze and Guattari, it is interesting to see Deleuze engage with Clastres’ ethnographic text. He describes his style as one which “attains an ever-increasing sobriety that intensifies its effect and turns this book, page after page, into a masterpiece. […] In truth, it is a new ethnography, with love, humour, and procedures formed on location.” (192-193) Though the review was published in 1972, there are parts which arguably seem to anticipate the language of ‘lines of flight’ and ‘rhizomatic connections’ that would feature more heavily in A Thousand Plateaus, such as when Deleuze is describing Clastres’ method:
He enters his tribe from any direction. And there he follows the first line of conjunction that presents itself to him: what beings and what things do the Guayaki place in conjunction? He follows this line to the point where, precisely, these beings or things diverge, even if they form other conjunctions…etc. Example: there is a first line «manhunter-forest-bow-animal killed»; then a disjunction woman-bow (the woman should not touch the bow); from which a new conjunction «woman-basket-campsite…» starts; another disjunction «hunters-produce» (the hunter should not consume his products himself, in other words the animals he has killed); then another conjunction (hunter alliance-food prohibition, matrimonial alliance-incest prohibition). (193)
Clastres was clearly an influence on Deleuze and Guattari to some extent, though exactly how influential is unclear. But Deleuze’s review of Clastres, despite its brevity, is a welcome addition to the English translations of his work because it highlights an interesting (and perhaps underappreciated) intellectual, and his connection with Deleuze’s philosophy.
But the most substantial text to be found in this collection, from a scholarly viewpoint, is the Anti-Oedipus interview with Deleuze and Guattari, conducted by Raymond Bellour. Anti-Oedipus is the first volume of Capitalism and Schizophrenia (arguably Deleuze and Guattari’s most important text), so reading it is essential for anyone wanting to get to grips with their work. But reading it is a challenge for anyone: it is dense, bizarre and erudite in equal measure. The number of psychologists, philosophers, anthropologists and artists it refers to is dizzying. Concepts are often deployed without their meaning being explained — either until later or not at all. It seems determined to overwhelm the reader, confuse them and shatter their expectations of what an academic book on psychoanalysis is supposed to be. It is often ironic, makes plentiful use of foul language and takes delight in mocking its targets. It’s a brilliant text, but one that requires a lot of hard work on the part of the reader.
Some of the initial difficult to understand the main points of the book, and its arguments, can be lessened by reading this interview. It covers some of the book’s main points, the motivation behind it, the response it received, and includes some helpful questions from Bellour[iv] about the books central concept that provoke clarificatory responses from Deleuze and Guattari. They explain that the point of the book was to help a certain class of people for whom psychoanalysis, as traditionally practised, does not work.
There is a whole generation of young people in analysis, who are more or less stuck in analysis, who continue to go, who take it like a drug, a habit, a schedule and, at the same time, they have the feeling that it is not working, that there is a whole load of psychoanalytic bullshit. They have enough resistance to psychoanalysis to think against it, but at the same time, their thinking against it in terms that are still psychoanalytical. (195-196)
Deleuze and Guattari want to criticise and rethink psychoanalysis and the practise of therapy from the ground up. But doing this requires overcoming the psychoanalytic language and categories we are used to, which the authors attempt by deploying a cornucopia of new concepts. But their biggest targets, by far, are the dominant psychoanalytic conceptions of the unconscious and desire. They contend not only that these conceptions are wrong, but that they have been used to repress people and reinforce the capitalist hegemony. Desire and the unconscious contain great revolutionary potential which psychoanalysis, as usually practised, suppresses. The Bellour interview focusses more on desire, but the gist of their argument about the unconscious can be well illustrated by a quote they cite from D. H. Lawrence:
the unconscious contains nothing ideal, nothing in the least conceptual, and hence nothing in the least personal, since personality, like the ego, belongs to the conscious or mental-subjective self. So the first analyses are, or should be, so impersonal that the so-called human relations are not involved.[v]
Psychoanalysis mistreats the unconscious and obscures it because it conceives of it as ‘slightly-less-conscious’ rather than un-conscious and as a mere passive receptacle for repressed thoughts and drives. The crucial idea that motivates Anti-Oedipus — as Foucault explains in the preface — is that we have been made to desire our own repression. The key to overcoming this is unlocking the potential of the unconscious as an active, productive machine through which desire flows.[vi] The flow of desire has been perverted such that people actually want to be oppressed, but if we could better understand the mechanisms by which this is possible, we can reprogram ourselves and begin to get out of this lamentable condition. Desire is suppressed when we treat it as a lack of something that one wants, it is rather an active force that flows through everything we do and produces our thoughts, behaviour and society itself.
One of Bellour’s strengths as an interviewer is that he, as Deleuze puts it, concertedly ‘plays the role of the simpleton’ (200). His questions and comments about desire are the sort that anyone would have on first hearing Deleuze and Guattari’s conception of desire, especially: why would we call this desire, when we always understand it in terms of lack? This provokes some helpful clarificatory responses from both authors. I have largely focussed on Deleuze here, but Guattari, though usually harder to understand, has moments of exceptional clarity, such as when he expresses one of the key conceptions of ourselves (that we have clear, well-defined identities) he and Deleuze are seeking to overturn.
It is an incredible illusion to think that people have an identity, are stuck to their professional function, father, mother, all that… They are completely lost and distressed. They flow. They put some shit on television, they look transfixed, caught in a constellation, but they are adjacent to a bunch of systems of intensity that run through them. You really must have a completely rationalist intellectual view to believe that there are well-built people who preserve their identity in a field. That’s a joke. All people are wanderers, nomads. (204-205)
Letters and Other Texts is the final part in a trilogy, the conclusion of an admirable project to bring the remainder of Deleuze’s texts to publication. It should be understood in context and read alongside Desert Islands and Two Regimes of Madness. Compared to the previous two volumes, Letters is much less substantial from an academic point of view, but there are still texts in here that will be of interest to Deleuzians of all stripes. In many ways, Letters is a fitting conclusion to the oeuvre of one of the 20th century’s greatest thinkers – in the letters, we see not just Deleuze the philosopher, but some of Deleuze the person: friendly, helpful, self-effacing, sincere, funny. Seasoned scholars probably won’t find much here that will be new to them, but students wanting to become familiar with Deleuze’s more difficult texts – especially Anti-Oedipus – will have a lot to go on here. Taken together as a unified project, Desert Islands, Two Regimes and Letters stand out as essential reading for anyone interested in Deleuze’s thought – and each has its place.
[i] Daniel W. Smith. 2020. «The Deleuzian Revolution: Ten Innovations in ‘Difference and Repetition.’» Deleuze and Guattari Studies, 14, Issue 1: pp. 34-49; p. 36.
[ii] Daniel Smith and John Protevi. 2020. «Gilles Deleuze.» The Stanford Encyclopedia of Philosophy (Spring 2020 Edition), Edward N. Zalta (ed.), URL = <https://plato.stanford.edu/archives/spr2020/entries/deleuze/>
[iii] Gilles Deleuze and Felix Guattari. 2019. A Thousand Plateaus: Capitalism and Schizophrenia (‘Apparatus of Capture’ plateau). Translated by Brian Massumi. Bloomsbury Academic: London/New York, p. 499.
[iv] Although Guattari certainly didn’t think they were helpful, and sometimes calls Bellour’s interventions ‘stupid’ and ‘lousy’.
[v] Gilles Deleuze and Felix Guattari. 2019. Capitalism and Schizophrenia: Anti-Oedipus. Translated by Robert Hurley, Mark Seem and Helen R. Lane. Bloomsbury Academic: London/New York, p. 139.
[vi] Deleuze and Guattari suggest that we see a glimpse of what a completely unfettered unconscious would look like in schizophrenia.
The book is a whole divided into three parts, with the first part concerned with the performativity of phenomenology, the second with the phenomenology of performativity and the third with exercises in phenomenology. In this review, first I briefly discuss the volume as a whole. Then I focus on individual entries present in the volume, since they differ by topic and in quality. I conclude with some remarks.
The aim of the book is “to establish the first systematic connection between phenomenology and performativity” (1), which concerns both the performativity of phenomenology as well as the phenomenology of performativity (2). The third part of it “aims to sketch out three phenomenological exercises devoted to the constitution of contemporary performative phenomena” (7). The label “exercises” is somewhat misleading since all phenomenological inquiries are exercises in phenomenology. Moreover, all three essays in the exercise-section of the book are themselves phenomenological investigations into specific performances (as opposed to performativity in general), which thematically justifies their inclusion.
While we do get a promised look into the different ways in which phenomenology can be considered “performative,” I hold that the “transformation of attitude [performance] effects through a number of parallels between phenomenology and the ancient understanding of philosophy as an exercise and a way of life” (2) does not get enough attention. The specifics of this transformation do not seem to be discussed thoroughly enough in the book. How is the subject transformed exactly? From which state to what other state? Is subject-transformation desirable? Then again, this collection is just that: a collection – and therefore it cannot be expected to provide the same encompassing systematic reach a monograph might achieve.
What I liked in this volume was the systematic engagement with both historically close (Foucault, Derrida, a lot of Butler) as well as distant theories (e.g., Plato), which shows that phenomenologists are still interested in theoretical (as opposed to merely exegetical) issues and that we read and talk outside the boundaries of the phenomenological tradition, thus preventing conceptual in-breeding.
As I highlight later in this review, almost all papers contain more or less implicit assumptions about what phenomenology is and what it is supposed to do. If we follow some of the authors in this collection, it ought to be critical, active, transformative, not too intellectual or detached; yet there is not much open discussion about the foundations and justifications of these conceptions and I think this is a debate still waiting to happen – and one which can never really come to an end as long as philosophy demands radical justification for, of and by itself.
As far as I am concerned, paying close attention to how things appear (including texts) should still be the fundamental tenet of phenomenology, because that is how we adequately grasp things instead of just dealing with our own presuppositions and projections. As simple as this sounds, neither close attention (i.e. attention without prejudice, readily available formulae or random associations) nor the focus on the how of appearing (as against the what) are very well developed in our societies. And as Guidi points out, phenomenology is – in one sense – already “critical” inasmuch as it “draws our attention” (2) to sundry phenomena and their (contingent, problematic) modes of appearing, which for example include our naturalistic conceptions and inauthentic tendencies.
My final question however targets the subject and the object of these reflective operations. If we as phenomenologists are supposed to draw “our attention,” does this refer only to us phenomenologists or to us as simple humans? Put in the vocabulary of the present volume, who is supposed to be the benefactor of these phenomenological performances and exercises? And consequently, how should these exercises look? Should they be more academic exercises? More tentative theoretical acrobatics, language games within the same tedious vernacular, or maybe the umpteenth reading of Husserl’s descriptions of inner time consciousness? Or could they be more public exercises in reflecting on presuppositions and attending how things appear?
These questions are not trivial. For example, Husserl famously envisioned a social renewal centred around transcendental phenomenology. While I do not wish to advocate another attempt at healing (or bettering) the world through philosophy, I think phenomenologists are not in a bad position to contribute to what one might call “public philosophy”; especially since phenomenology is not a set of theorems or arguments or a doctrine one can extol, but a way of living, a way of looking, something we do and something we can train others to do too, maybe even to their (and our) advantage – a “performative exercise” indeed.
II. Review of Individual Entries
Dahlstrom characterises Heidegger’s phenomenology as performative insofar as it is obviously something we perform (as in: do), but mainly because “the phenomenologist’s philosophical act of understanding certain experiences entails carrying out the experience herself” (14). This leads him to the language used to prompt these re-enactments of experience – and to Heidegger’s reflection on the performativity of (phenomenological) language. Dahlstrom thus notes several concordances between Austin’s analyses of performatives and Heidegger’s early thoughts on language, especially on everyday performative discourse. Dahlstrom also mentions Heidegger’s engagement with authentic and inauthentic discourse as something that goes beyond Austin’s work.
In section two Dahlstrom deals with the phenomenological re-enactment (Vollzug) of experience in the sense of truth-proclamations. This touches upon the problem that phenomenological description does not simply mimic what it describes, but gives it “shape” (24). This is an example of “Gestaltgebung” (24). From here, Dahlstrom links Heidegger’s account of formal indication and its “existential-disclosive aspect” (26) to Searle’s take on performatives as creating linguistic facts. Dahlstrom ends on the observation that Heidegger’s account of speech acts is embedded in a much larger framework, while the speech act theorists focus more on specific issues and thus bring out more details, such that both could profit from each other (28).
From Dahlstrom’s considerations in section two, one might further question the function of re-enactment: why is it even necessary to “perform” experiences in phenomenology? And to what end? The repetition of experiences is necessary for our adequate grasp of what is given in experiences. Asserting without experience, i.e., asserting without direct contact to the things themselves, merely verbally, is what Husserl calls “empty” or even “inauthentic” discourse. How we perform our assertive acts is important because “empty” speech is phenomenologically worthless – hence the insistence on first-hand experience or, as Husserl calls it, “intuition.” Dahlstrom hints at the necessity of unpacking the distinction between authentic and inauthentic in Heidegger in FN 48. The end of all these efforts is ontological for Heidegger, for he is never interested simply in understanding experiences or even types of experiences for their own sake or in service of practical, “critical” projects. For Heidegger, questioning aims at something deeper: i.e., understanding being.
Legrand asks “What does happen if one practices an epochê without reduction?”(33). To arrive firstly at the fact that the epochê itself “is a performance of the subject” and that “the subject is performed by practicing the epochê,” the epochê becomes something specific to a suspension of judgement, a “suspension of anything that would prevent to work with what gives itself, as it is given, in the very field in which it is given.” (33-4, 40). Legrand sees Barthes practising a kind of epochȇ by suspending “that which makes his experience of the photograph ‘banal’” thereby also “suspending any narcissistic identifications with one’s mundane identity and normative identification with social roles” (36-7). In performing this bracketing, the subject shows itself to be certain without employing categories like “real” or “fictional”.
This allows Barthes to experience the “singularity” of the photograph, a singularity apparent just for him. However, the singularity for one is also singularity of one, an encounter between two singularities: “I am singular for the other” (37). Moreover, “the structure of singularity is not reflexivity but: the address of one to another” (38). Arguably, then, one could describe this whole structure comprising the two singularities as reflexivity, given that the other reflects me onto myself (and vice versa).But the point seems to be that singularity requires more than individual reflection.
At any rate, Legrand fleshes out some of the differences between phenomenology and psychoanalysis and finds that the latter is decidedly non-transcendental, but still operates with a form of epochê. The psychoanalytic epochê consists in suspending the categories of the “correct, appropriate, relevant, interesting, true, or embarrassing, shameful, false, stupid, ridiculous etc.” (47) so as to “consider speech as Saying” (48) without judging the adequacy of the spoken to reality. The analyst instead listens with the presumption “that who I hear is irreducibly singular” (48). Following Legrand, in this act one would perform themselves as a singularity as well as the other. She offers the takeaway or insight that there are either different species of epochê or different paths to take, springing from the one epochê and leading to very different subjects/situations, depending on the mode and aim of the performance of the bracketing.
Cimino argues for deep agreements between Husserl and Plato. He begins by pointing out that Plato and Husserl agree on the fundamental nature of philosophy in regard to the other sciences. He fleshes out this distinction by drawing on a distinction between “discursive thinking and intuitive thinking” (53) as well as the necessity of other sciences “to rely on assumptions” (53) which philosophy questions; he then focusses on the former difference (56). I obviously agree with the general idea that Husserl and Plato are in accordance on central systematic issues (whether Husserl is aware of it or not); I disagree with Cimino’s more specific claim that they both endorse “the specific method of philosophy as inuitive thinking” (50).
For what could this “intuitive method” (56) even be? Firstly, what is intuition? As Cimino points out, self-givenness of any thematic object is fundamental to Plato and Husserl and both criticise mere verbal, i.e. non-intuitive speech. For both it “is rather the familiarity with the thing itself that produces real philosophical knowledge” (58) and when Cimino speaks of the “dialectical method” (57) he claims that “it entails the direct, first-hand grasp of essences or ideas” (57). To explain one metaphor through two others: intuition (for Cimino as well as for Plato and Husserl) is familiarity is first-hand grasp. Now can this be a “method” in and of itself? As Cimino himself says, the “dialectical method” “entails” it, which means it is not identical to it. And I venture it entails it because dialegesthai, literally “talking it through”, leads to what we have described as seeing, i.e. first-hand grasping. But the method, the way to go, is logical, it proceeds through logoi, through speeches, through questioning presuppositions, drawing out implications, discussing (varying) examples etc. Therefore intuition might either be a result or even a presupposition of Plato’s (and Husserl’s) philosophical method, but not a method in and of itself.
This has bearing on another issue, namely the intersubjective dimension of philosophy. In regard to this, what I hod to be a mistranslation of a passage from Plato’s 7th Letter is noteworthy. According to Cimino it states that insight appears “as a result of continued application to the subject itself”; however this passage ought to read that insight appears “in joint pursuit of the subject” (as translated by Morrow), since “synousia” means “being-together” and refers to the intersubjective dimension of philosophy, similar to “syzên”, “living together” in the very same sentence (one line further in 341d1). This being-together necessitates the logos as medium of philosophy since we cannot share intuitions directly. It is the intersubjective and reflective giving and taking of reasons which is the “method” of Platonic philosophy.
It is here, as I have argued, that Husserlian phenomenology could benefit from a little more Platonism, given that some of Husserl’s own methodological characterisation of phenomenology turn it into a rather private, even solipsistic enterprise of inner monologue rather than the intersubjective endeavour he clearly wants it to be.
D’Angelo aims at establishing “four principles of every performance of phenomenological reading” (63) by reading and expanding on Gadamer’s reading of Plato’s Lysis. He sets out with highlighting that “phenomenology seems to happen mostly through texts and the interpretation of texts” (64); interestingly, D’Angelo does not call us (us phenomenologists that is) out on this (which he very well could and which Husserl would surely do), but rather asks “whether there is a distinctly phenomenological way of reading texts” (64) and claims that reading Husserl (for example) can still be a genuinely phenomenological exercise.
D’Angelo takes a basic principle from Gadamer, employs it (again) to the Lysis and then develops “four central moments of Plato’s theory of friendship which are, in my interpretation, at the same time four central moments of philosophy in general” (66). In a sense he performs a phenomenological reading to establish what a phenomenological reading is. These are the principles he wants to establish. First principle: There needs to be a “conjunction” of word and deed or attention to “the peculiar performance of a text” (76). For example, in the Lysis, “Socrates does things (erga) with words (logoi), by obtaining Lysis friendship through discourse.” (76) Were we to only focus on the explicit logoi, we would miss Plato’s enactment (in the sense of staging) of friendship, like Vlastos does, as D’Angelo contends (FN 19). The second principle D’Angelo gains from the fact that we are creating a logos about something for someone, which he translates into a principle of reading charitably, but also attending to the topic of the text itself, as to be able to criticise the text on its own terms. The third principle derives from the fact that “ignorance is a necessary component of philosophy” (74) and is basically a call to stay open-minded. The fourth principle reads: “There must be co-belonging, but also distance”, which implies a search for “common ground” (77). D’Angelo admits to a “feeling of triviality” (78) in regard to the principles listed, but points out that the triviality of these norms rather cements their validity while they are still continuously violated.
In reading D’Angelo’s account, two questions sprang to my mind: a) Why should we consider these principles to be especially “phenomenological”? b) Even if I happen to fully agree with his principles, where does their normativity stem from? Why should Gadamer or Plato (or their accordance) justify any principle for phenomenological reading whatsoever? An answer to both questions might lie in the phenomenological motto, since if we want to attend to the things themselves or let them show themselves as they are (be they texts or things or the world or…), we need to focus both on their explicit and implicit dimensions, apply categories of description not foreign to the phenomenon, stay open-minded and while attending the things themselves keep the appropriate descriptive distance.
Delving once again into the platonica, I have only a small gripe with how D’Angelo presents a basic Socratic tenet. Socrates’ principle is not “knowing only not to know” (69), as D’Angelo puts it, it is knowing when and if he does not know and abstaining from claiming such knowledge he does not possess (Apology 21d). In things of love and eidetic pregnancy, so to speak, Socrates always appears well-versed, indeed knowledgeable and proud of the fact. In the Symposium he even reveals his teacher in regard to these things, Diotima. Socrates knows that he knows of these things because he constantly proves to himself that he does, namely by performing his midwifery, i.e. dialectics. This does not however impede D’Angelo’s overall point that philosophy appears as the “in-between” (70) and as concerned with such.
Guidi focusses on the transformative dimension of phenomenology, which she then analyses in terms of the middle voice. Recalling the early Heidegger’s considerations about how understanding of formal indication requires a transformation on the side of the reader, Guidi concludes that phenomenological “speech is an enactment” (86), drawing the reader towards certain experiences, especially towards our thrown-ness: “Thus all phenomenological speech does is to indicate and address the very actual situation of the reader, by allowing her to experience the impossibility of founding that situation.” (85)
To conceptualise this enactment further, she draws on Benveniste’s analyses of the so called “middle voice”, which she claims opens “a topological perspective” (88), meaning that one can analyse actions as external or internal, the middle voice referring to a situation “where the agent is situated inside the process” (88), is “being affected” (89) in action. Guidi sees thinking according to Heidegger as exactly such an enactment, but denies its priority: “I claim that the ungrounded character of Dasein, the very same which phenomenology addresses in a performative way, opens up the ordinary and never fully accomplished task for every Dasein of transforming oneself and therefore relating to Dasein’s ungrounded facticity.” (90). Guidi then goes on to discuss four examples of middle-voice enactments, namely dialogue, expressing oneself, play and vulnerability, as analysed by Butler. She concludes with the conjecture that the “middle voice, by prompting the assumption of a topological perspective, may reveal the transformative potential of our ordinary comportments, and may further offer a new grammar for political action, one which is no longer founded on a sovereign account of subjectivity and agency” (96).
My main questions about Guidi’s account revolve around the notion of transformation. What transformation exactly are we talking about? And who has decided that it is to be the “task for every Dasein” (90)? The transformation involved in phenomenology is fairly specific and implies a shift away from “ordinary comportments”, not within or through it. This is why Husserl keeps writing introductions to phenomenology to explicate both the epochê as well as the reduction(s) in terms of a massive rupture with the natural attitude. Similarly for Heidegger; for while his philosophy certainly implies “acknowledging the ungrounded character of Dasein” (79), it also constitutes a radical break with the ordinary (even ordinary philosophy) towards fundamental ontology, the history of being or “thinking” in an eminent sense. Therefore I would be very interested in how exactly ordinary comportment transforms itself relating to Dasein’s ungrounded facticity without simply becoming philosophy, poetics or “thinking” – and how this transformation might be achieved. To be clear, this is not an ironic or rhetorical question, as I think it might really be better for everyone involved if more people acknowledged “the ungroundedness and the constitutive opacity” of our situation and acted accordingly. Could and should it be the “task” of philosophy to further this transformation?
Summa discusses the relation between performing and expressing, refuting Butler’s early claim that expression and performance are mutually exclusive, based on the assumptions that expression does not contribute to the constitution of what is expressed and presupposes a substantial subject (102). Instead, Summa offers a complementary account.
In the first section she sets out the false dichotomy between expression and performance. In the second section she discusses different notions of performance which inform current debates, namely Austin’s linguistic account of performatives and Turner’s cultural-anthroplogical account of ritual and the social drama. The common denominator Summa sees in “the accentuation of the productive and transformative power of the activity” (108) while pointing out that Turner’s concept is farther reaching, including the institution of norms and social identities through repetition – or their breaking. In the third section, Summa argues both that the “sincerity condition for the success of performative utterances” (112) cannot be understood apart from considerations of expression, and that expression itself is one way to exercise the power of institution as described by Merleau-Ponty. In each case, Summa shows that expression does not presuppose “the assumption of the subject as substance” (116). What is presupposed in but also formed by expression and acknowledgement, is experience. Moreover, any “expressive impulse emerges as a response to or a way to cope with some form of impasse within an already given order” and this presupposes an “embodied history of a style, which can itself become the object of modification, or écart, which will have an impact on our subsequent experience.” (118)
Summa’s contribution is both precisely argued and strategically interesting, as she, like Wehrle in her paper (see below), brings phenomenology systematically and critically into contact with concurrent theories, especially Butler’s. In doing so she disabuses us of certain common misconceptions about phenomenology, namely of being a subjectivist, pre-post-modern (i.e. modern) project. At the same time she actualises a transcendental line of questioning by elaborating on the conditions of possibility of expression and performance as well expression and performance as conditions of the possibility of subject-formation.
Wehrle contends “that Butler’s account of performativity as well as her ethics of precarity could profit from a phenomenologically-informed account of bodily performativity, which includes its passive and active aspects.” (126) She then explicates bodily performativity in terms of engagement: “as embodied, we are engaged with our environment and creative with regard to our relation with it. […] This relation, the performances of the body, so I want to argue here, have ontological relevance in that they can create real and lasting changes in situations, the environment and the bodies themselves.” (127) This “performative force of the body often goes unnoticed” (128), because it is usually anonymous.
While our bodies can actively perform, they can also be acted on, for example through bodily discipline, which Wehrle interprets as “forced or prefixed habituation” (130), be it through external forces or internalised norms. Thus bodies are normalised. Depending on the situation, the norms working on bodies and bodily behaviour are either experienced as comfortable (in case we conform to them) or uncomfortable (in case we do not conform to them) (132).
In dealing with these norms, Wehrle votes for a “pragmatic approach” according to which we do not simply abolish uncomfortable norms, but use the discomfort to enact the norms in “slighlty different ways”: changing their script so to speak, “thus integrating more possibilities and more possible subjects into it” (133). In fact, since no bodily act ever reproduces the underlying norms completely and since we (can) experience this discrepancy, Wehrle argues that we ought “regard embodied experience by itself as perfomative and, therefore, potentially subversive” (134) – like language. The starting point to any of these subversive acts is the “distance that is inherent to our very embodiment and experience”, namely that between being a body and having a body to which we can relate and which we ourselves can objectify, discovering “our ordinary ways of moving” (137) and lining them up for scrutiny – and consequently change through self-discipline, which Wehrle links with Foucault’s “care for the self”. She concludes: “In enacting norms, we thereby make them “real”, but always retain the capacity to transcend them.” (139)
As with parallel discussions in the realm of linguistic acts and norms, the next question – which can use Wehrle’s concise conceptual work as a starting point – would be how exactly this transcendence takes place, especially in extremis. For while it is easier to envisage how we can (bodily) transcend (bodily) norms in (more or less) free societies, it is harder to imagine how one can enact and subvert norms in, say, Guantanamo Bay or an Uighur internment camp. The enforced performances in such “Vocational Education and Training Centers” are exactly aimed at stopping any form of subversion, even to reduce fellow human beings to obedient bodies, collapsing the critical distinction between being and having a body.
Laner offers “(Post)Phenomenological Considerations of Contending Bodies” (140), taking Butler’s account of assembly and her criticism of Arendt’s perceived intellectualism as her starting point. She then goes on to develop a concept of “bodily forms of critique” (145), drawing on Merleau-Ponty and Ryle.
What then is “critique” and how can it be “bodily”, according to Laner? What are “performances of critique” (144) if not criticising? “Critique, as performed on a bodily level, […] means to question a situation not from a distanced perspective” (140), “critique” is about “altering” (142) a situation and attacking the norms inherent in it, indeed, critical “performances aim at transgressing such limitations” (143); “it is by means of bodily enactment that one takes a critical stance toward an existing system of norms” (146); “taking a critical stance on a bodily level can, in a very basic sense, be regarded as a form of bodily enactment that transgresses or subverts the existing norms.” (147) Bodily criticism is “a response to a given situation that does not affirm, but that questions the norms prefiguring our performances” (149). Such critical stances are performed by “[b]odies that claim to be recognized as free” (144) and it “it is the body that thinks and reflects” (151). Laner thus wants to overcome the “Dualistic characterisation” (144) of us humans as divided in body and mind.
In light of this aim it is odd that she a) constantly distinguishes between body and mind rather than focusing on the person as a whole but also b) keeps using mentalistic vocabulary to describe bodily actions. It is unclear why we should say that the body claims something, takes a stance or questions anything; surely it is the whole, embodied as well as minded person who performs all these acts? And does the difference between simply failing to properly enact a norm and subverting it reside in the body as opposed to the mind? Also having an “aim” (152) surely is something the person rather than the body ‘performs’? Even “performing intelligently” (153) in Ryle’s sense does not justify the term “bodily criticism” as Ryle himself says of a person or the “agent” that he does or does not exercise “criticism”, not of the body (as quoted by Laner on p. 153). So does Merleau-Ponty: the artist “questions perceptual norms” (155), as Laner says, not the artist’s body. Discovery and analysis are feats of the person as a minded entity, so why go back to the harsh duality of body and mind to then misapply these activities?
I do not advocate a view according to which “bodies are not able to perform critically, since their performances are understood in terms of necessary reaction” (145), but a view according to which criticality is an attribute of activities and dispositions of the whole person rather than one aspect. That is not to say that bodily performance cannot subvert norms, as Summa and Wehrle both establish very clearly (see above), but both successfully avoid forcing mentalistic vocabulary or dualism into their spelling out of the subversive possibilities of bodily engagement. Humans can question norms bodily, even by performing (or failing to perform) certain movements, yes. But why call this “bodily criticism”?
Then again, Laner also sees herself “questioning a notion of critique that underlines its merely rational nature and the distanced attitude it presupposes” (147) – a notion of critique she characterises as “trivial” and traces back to Kant. “Trivial notions of critique often refer to the etymology of the concept krinein, stressing its original meaning of discriminating. If critical performances are regarded as performances that simply detect differences and discriminate, critique seems to loose its normative impact.” (148) According to Laner it is also “clear that only a small elite even qualifies for critical engagement” (148) in this sense, although she does not say in which way it is so “clear”.
Firstly, where does the imperative of “normative impact” of critique come from? Or is that “simply” a presupposition? Secondly, as to the triviality of critique: the main aspect of “krinein” is to differentiate adequately, to detect a difference that makes a difference in a given context and to conceptualise it aptly – to “carve nature at the joints” as Plato has it (Phaidros 265e), A judge for example “simply” has to judge (discriminate) whether someone is guilty or not and what punishment is adequate. Critical thinking thus is not a passive “becoming aware of differences” or a bodily response of “detecting differences” (155), but actively seeking out differences according to certain criteria, employing conceptual skills. The ability to differentiate properly does therefore not seem “trivial” to me; or if it is “trivial” in the sense of belonging to the “trivium”, i.e. to any form of halfway proper education, it is not very well received – it certainly is not widely spread even within academia.
It is also arguably different from the drive or wish to change something one has previously identified (and thus differentiated from what it is not) as defective, which can follow acts of criticism but does not have to.
Regarding Kant, his notion of “Kritik” is very specific and concerns the possibility of metaphysics and the range of valid conclusions reason is allowed to draw (Critique of Pure Reason, A-Vorrede) and which is supposed to answer the question “How are synthetic a priori judgements possible?” – which is not what most people mean when they speak of the intellectual activity or disposition of being “critical”, presumably. Then again, in a more general understanding of a “critical” stance, Kant asks all of us (rather than a “small elite”, as Laner has it) to “dare to know”.
The connection between what Laner calls “trivial” as well as “non-bodily forms of critique” remains vague as she just says they are “somehow complementary”, since bodily critique relates “towards a matter from within”, whereas non-bodily critique supposedly operates “from outside the system” (156). Which is, again, highly problematic, given that the whole issue with Kant and post-Kantian idealism is the acute awareness that we are always “within”. There is no view from outside, no view from nowhere, no side-ways on view, no context-less context, no a-perspectival perspective etc. – pick your favourite “trivial” formula. Also, given that Kant talks mainly about theology, how is his critique not at least associated with “actual desires, affects and needs of the performer” (156)? Kant himself at least sees his critique as a matter of life and death after all – and lest we forget, with Plato, the proper critical, dialectical stance is the proper way to deal with death and the only worthy expression of Eros.
Laner’s divestment of critique from reflection is motivated by her concern about those unable to reflect as “they too deserve to be attributed the possibility of taking a critical stance.” (148) I am unsure who decides who is deserving, but surely the validity of attributions ought to rest on clean definitions rather than moral considerations?
Finally I think “postphenomenology” is an odd term in this context, since considerations about the “broader horizon of changing times, various cultures, political systems and power mechanisms shaping bodies as well as the diverse social roles attributed to them” (142) are well inside the range of phenomenological thought; after all, Husserl himself already conceives of a “historical apriori” (Krisis, 380) and takes the differences between “homeworld” and “otherworld” into account, as well as the cultural differences between say, Greek and non-Greek thought which sparked philosophy in the first place in his view. See Rentsch’s take on “situative contextuality” (164) in Husserl in the same volume (see below).
Classical phenomenology always calls for a “Leitfaden” to any discussion, i.e. a given phenomenon from which the structure of interest can be lifted and analysed. This would have been very helpful in this case, since at least to me it is still very unclear what bodily critique is supposed to be.
Rentsch moves away from the body, towards the “transcendence of logos”, which refers to the “unavailability and withdrawal of the performative constitution of meaning, that is, its negativity”, i.e. “that which precedes and is outside of logos cannot be grasped or conceived of, except once again through linguistic forms.” (159) Rentsch situates this topic within the thematic range of the present volume by positing: “Linguistically, this transcending manifests in performativity” (167).
He proceeds from Wittgenstein’s silence at the end of the Tractatus and his subsequent practical turn, to Heidegger, Adorno’s constellation and Husserl’s passive synthesis, in all of which he sees attempts to conceptualise the unavailable performativity that constitutes meaning. Where Husserl is concerned, one might even go further than Rentsch in that not only the living present “does not exist as such, […] is unthinkable and unrepresentable” (166); the same holds for the ur-sphere and the “Urstand” therein, which is the form of subjectivity constituting all objects (Gegen-stand as opposed to Ur-stand) and which Husserl also considers to be no object in any way (cf. Bernauer Manuskripte 277) .
This line of thinking that certain structures are both “limits and ground” (167) of something can – again – be easily traced back to (at least) Plato, in whom the structuring principle always transcends whatever it structures, a thought that found its home at the heart of Neoplatonism, leading from Plotinus to Proclus on to the Florentine Academy, Cusanus and further. Rentsch can be read as analysing an instantiation of this very basic structure in its aspect concerning meaning and language, truth (161).
As with Platonic takes on the issue, one might ponder what exactly “inexplicability” (167) means in this context. After all, Rentsch asks us “to conceive of [the inexplicable conditions] as conditions of meaning” (167), thus conceptualising, explicating and expressing them, namely “as conditions”. The formerly non-thematic performance becomes thematic and thus loses its transcendence – otherwise it could not be object of inquiry.
In his conclusion he hints at ways in which “fundamental domains of the constitution of meaning on the life-world” (169) are affected by recent developments and mentions fake news, exchange trade, artificial intelligence in warfare and pornography. In all these cases he sees the irreducible and to some extent inexplicable basis of meaning-constitution under threat. The connection of these issues to his former elucidations of the performative withdrawal at the heart of meaning-constitution remains somewhat tentative however. He ends on an ethical note: “what is at stake is that we develop ways to take back […] and strengthen the critical faculty of judgement” (169) – and who would argue against that?
Slaby bridges a wide gap, “From Heidegger to Afro-Pessimism”. In this he aims at a “temporal account of affectivity” (173), specifically the “background affectivity” which permeats our being-in-the-world and which is shaped by “historical events” (174). Slaby wants to “revive” Heidegger’s take on the relation between affectivity and time “for the purpose of motivating and informing a critical phenomenology of affectivity” (174), where to be “in an affective state amounts to finding oneself “here”, at a particular juncture, confronted by what has been, what is factual, what has come to be so that we have no choice but to go on from here.” (175) Affectivity both discloses and occludes our situation, however. Slaby’s goal is thus partially critical, to “reveal layers of distrust, dishonesty and inauthenticity” (176).
He then draws on Fanon, Rankine and Coates (among others) to portray the affectivity of many black lives in the US, “constitutively placed on the brink of death” through the “violent appropriation of black lives” (179). He goes on to discuss Merleau-Ponty’s concept of social sedimentation as it impacts the body-schema, as well as Al-Saji’s and Ahmed’s contributions to phenomenology. It is here that the phenomenological meat of his approach lies as he establishes the connection between the historical (re-)embodiment of white privilege “in the spaces and operations of public institutions, and how it becomes manifest within affective modes of embodied being-in-the-world.” (186)
Slaby follows this with a look at Sharpe’s concept of the Wake (of the Middle Passage), which is both a factual condition as well as a mode of caring. He sees Wake work as similar to phenomenology in regard to the attention to the natural attitude (192; additionally he posits the condition of being in the Wake as a “Grundstimmung”, alongside the phenomenological favourites “anxiety” and “nausea” (192): “Living under the reign of capital is living in the Wake, still embodying, continuing, re-enacting this concrete history.” (192-3) – This is, of course, tricky terrain, since while capitalism affects non-black people as well, the Wake shapes black lives, especially in the USA, very differently from how it shapes the lives of white people; or – on average – white people are living in the Wake differently than black people.
The only point I do not quite understand in Slaby’s contribution is his criticism of aspiring to “evaluative” “detached neutrality” (194) as opposed to a stance which would “require practitioners to thoroughly situate their respective subject matters historically and to devise philosophical methods adequate to this task – methods that work performatively so as to crack open ossified formations of understanding and being.” (194) Again I am tempted to ask where the imperative to crack open anything stems from and why that cannot or should not be performed in a detached way. After all, even Husserl’s fairly detached way of philosophising always aimed at negating what he called ossification in order to get at the things themselves and renew society. And surely “neutrality” in this context simply means not to be unfair or prejudiced?
Kozel writes about her engagement with the works of the choreographer Margrét Guðjónsdóttir and states that “A phenomenology of affect affords a parallel between Guðjónsdóttir’s choreographic practices and Cambridge Analytica’s political manipulations”, namely as “choreographies of affect and somatic states”, in each case affective states being the “material” of the work in question. The difference for Kozel lies in the fact that in the former case, the “reflective process” is in play, while it is “missing from social media users’ attitudes” (205), as the reflective process is part of the choreographer’s work. The paper also contains a detailed description of the experience of viewing a piece by Guðjónsdóttir.
In terms of theory I could not find a definition for what she calls “hyper-reflection” (205). In general, Kozel’s idea of how and why we “do a phenomenology” (206) seems to be more practical than theoretical. Her description of the steps involved in doing “a” phenomenology sounds more like a form of mindfulness-meditation followed by a written account; to me it certainly seems further removed from traditional philosophical theorising than the other contributions – which in itself is not a reason to evaluate it negatively, of course.
Buongiorno’s paper deals with “digital performativity” in the sense of the “ways we act ourselves out” and “construct ourselves by means of digital artefacts” (214) After briefly sketching the differences in self-constitution brought on by digitalisation, drawing on work by Belk, Buongiorno discusses three phenomenological concepts, which he thinks will help to understand these new forms of self-constitution: a) epochê: this constitutes the distance necessary to do phenomenology, as is the case with Husserl, b) variation: our digitalised mediated experience can be conceptualised as variations of non-digital experience – “we may understand digital experiences as a virtual transposition of the contents of real experience” (222) and c) the flesh, which serves to undercut the discussion about disembodiment through digitalisation and its dualist presuppositions, in order to better understand digital “reembodiment”.
“Phenomenology” for Buongiorno is supposedly “far from being just a theory resorting to reflection and analysis” (220) but rather a “form-of-life” (221) – something no traditional phenomenologist would doubt, presumably. However the specifics of this form-of-life seem to me to rest exactly in “reflection and analysis”, as phenomenology both as a stance and an activity is based on turning our attention back (reflectere) towards conditions of possibility, towards conceptual structures and frames of mind, towards our constituting activities, ill-grounded presuppositions etc. and then carefully taking them apart (analyein) and explicating them in order to foster understanding.
As can be gleaned from my remarks, I am rather taken aback by some of the implicit or explicit disavowals of the ideals of earlier phenomenology, namely to strive for a differentiated, analytic, reflexive, neutral, i.e. theoretical account of the things themselves (including ourselves). This striving is itself already a performative as well as a transformative exercise and thus a way of life, one which is sorely in need of proponents in my mind, since it implies a thoughtfulness and an understanding of our own presuppositions and (epistemic) limits which in turn are the bedrock both for reasonable political action as well as fruitful research. Temporal philosophical disengagement neither implies global (political) inactivity or a general disembodiment, yet only reflection can curb some of our more unproductive reflexes.
This reflection also ought to include the “ought”, as quite a few papers in the present collection simply assume certain norms or directives without either arguing for or at least describing the sources of their validity, which ought to be a problem for any radical, self-critical philosophy – as phenomenology traditionally purported to be.
Despite my critical remarks, most of the contributions to the volume qualify as solid academic performances, some are outstanding in clarity and concision. The volume as a whole shows (again) that current phenomenology is divers, well suited to place itself in a wider context and able to engage with other traditions and new topics. As the Guidi states in the introduction, “We wish [to] bring to light the mutual relation between phenomenology and performativity and set the ground for further exercises” (10). This it accomplishes very well.
 Cf. Florian Arnold, Logik des Entwerfens (Paderborn, 2018) for an account of the connection between philosophy and design.
 Thomas Arnold. 2017. Phänomenologie als Platonismus. Berlin/New York, §§ 22.
 See also Aldea’s take on the criticality of Husserlian phenomenology in: Smaranda Aldea, «Making Sense of Husserl’s Notion of Teleology: Normativity, Reason, Progress and Phenomenology as ‘Critique from Within’,» Hegel Bulletin 38/1 (2017): 104–128 and «Phenomenology as Critique: Teleological-Historical Reflection and Husserl’s Transcendental Eidetics,» Husserl Studies 31/1 (2016): 21–46.
 Cf. the locus classicus, Pierre Hadot. 1995. Philosophy as a Way of Life. Blackwell .