Raoul Moati: Levinas and the Night of Being

Levinas and the Night of Being: A Guide to Totality and Infinity Book Cover Levinas and the Night of Being: A Guide to Totality and Infinity
Raoul Moati, Translated by Daniel Wyche, Foreword by Jocelyn Benoist
Fordham University Press
2016
Paperback $28.00
240

Reviewed by: Innocenzo Sergio Genovesi (Rheinische Friedrich-Wilhelms-Universität Bonn)

From Deleuze to Derrida, from Badiou to Nancy and Marion, the concept of event (évènement) witnessed an important development in the last fifty years of French philosophy and it is present in the most influential authors’ thought. Today, this notion still plays a central role in several attempts to rethink ontology and phenomenology, such as Claude Romano’s evential hermeneutics (hermenéutique événementiale). Even if the ideas of these philosophers substantially differ from each other and cannot be simply grouped together, we can trace at least one common issue in the notion of possibility. Events – with capital E – are happenings inaugurating a new horizon of possibility. They can actualize unforeseeable potentialities or make the impossible possible. For this reason, Events are said to be extraordinary moments and it has been argued that they should be unpredictable (imprévisible) or even impossible (impossible) since they lie beyond the ordinary structure of possibilities in which normal ontological movements take place. It goes without saying that the foundation of the modal structure of Being in such Events attests several theoretical problems If such Events overstep the general structure of Being, how are they supposed to happen? And where should an Event take place and have a place if Being cannot harbor its excess?

Some years before the flourishing of French “event” philosophy, Emmanuel Levinas formulated the notion of nocturnal events (événements nocturnes) in the preface of his masterwork Totalité et Infini. Levinas’ purpose is not to develop a philosophy of events. Indeed, in the whole book the expression “nocturnal event” is no more used and the adjective “nocturnal” appears just a few more times. However, even this parsimonious use of the term is enough to give us an important suggestion. The ultimate events that allow the deployment of new possibilities and which our comprehension of the world is based on are maybe not to be thought as impossible (im-possible), neither as unpredictable (im-pré-visible). They could rather be just invisible (in-visible).

After his impressive book on Derrida and Searle, Raoul Moati keeps deepening his researches about contemporary French philosophy dedicating an entire essay to Levinas and his idea of nocturnal events. What these two works have in common is the great attention given to the concept of intentionality and its Husserlian origins in the phenomenological tradition. Levinas and the Night of Being offers a fine reconstruction of the path undertaken by Levinas in Totalité et Infini to trace the way from the sensible ego to the infinite Other. Moreover, Moati shows us to what extent Levinas takes distance from other phenomenologists such as Husserl, Heidegger and Sartre as well as what does he own to their ideas. This review will first address which are the ontological and phenomenological involvements of nocturnal events that Moati highlights in his book. We will then retrace the way to the infinite in the context of a nocturnal conception of Being. Finally, we will have an overview of this book and its English translation by Daniel Wyche.

The Night of Being.

What Levinas reproaches to ontology and phenomenology is not, as other philosophers would have it, to be a sort of metaphysics of presence. Moati shows that the main critique that Levinas addresses to ontology and phenomenology is to be in a certain sense a metaphysics of light: they are based on “structures of illumination” (65), such as intuition, intentionality or comprehension. Sight and touch tended to have absolute primacy in the philosophical tradition, where “to be” means thus to be visible and graspable (67). The immediate consequence of this “diurnal sense of being” (XVI), from which Totalité et Infini attempts to liberate ontology, is that there is no more room left for otherness and exteriority: being becomes a totalizing structure and the Other is reduced to the self. A drastic rethinking of ontology, as a nocturnal broadening, is therefore needed in order to establish a place for those events that cannot be understood as being part of Being as a totality. That is to say, the nocturnal events:

There must be an ontology that establishes a place for ultimate events of being. […] Such events will no longer draw their significance from a Hegelian totalization or even from phenomenological constitution (Husserl) or the comprehension of the sense of being (Heidegger). The horizon of their deployment consists in a relation to being that overflows the light of objective evidence and of which all of these cases constitute various avatars (11).

The representation of Being that Moati presents us with is thus not that of a light irradiating the sensible world anymore, nor would it be that of a unique and totalizing illuminated surface. There are actually more than one illuminated surfaces, and we are only able to perceive them because of the dark background that encloses and undergirds them. Being does not correspond to these bright spots, but rather to the infinite night surrounding them. This night can be lightened by our “structures of illumination” and this is what originates diurnal events. However, there will always be a dark part not being seen in which nocturnal events are taking place.

Nocturnal events are “the nocturnal dramas by which being exhaustively produces itself” and amount to “a more originary experience for consciousness than transcendental constitution” (15). Is it possible to find a concrete case of nocturnal events? Moati provides us several examples taken from Levinas’ philosophy to describe these “nocturnal dramas”, among them we find the erotic encounter, fecundity, sociality and messianic peace. All these are for Levinas elements that, on the one hand, ground our primordial openness toward the Other and his or her face and which, on the other hand, constitute the base of an ontology that renounces to contain Being within the unity and recognises rather its plurality, taking up the discontinuity of the same and the other (81).

Even though Levinas affirms the primacy of events that are more primordial than subjective comprehension and transcendental constitution, Moati decisively stresses that this gesture does not correspond to a denial of the fundamental role that subjectivity, sensibility and ego play on the path to infinity. Indeed, without the ego’s sensible rooting in Being, no experience of infinite otherness would be possible: “the metaphysical alterity of the Other requires the precondition of the position of the self, a here-below positioned in relation to an over-there” (30). We will now see how nocturnal events and the sensible ego lead us on the way to infinity.

The Terrestrial Condition.

While in the first and last chapters of Levinas and the Night of Being Moati outlines the idea of a nocturnal ontology and unfolds the ontological involvements of nocturnal events, in the central chapters he deploys Levinas theory of the sensible ego and follows the path to infinity he had already sketched in Totalité et Infini. The book structure self is in this way a good representation of the nocturnal conception of being, where nocturnal events are the dark frame of our illuminated terrestrial experience.

First of all, Moati recalls the Levinasian notions of jouissance and element (élément). As it is known, according to Levinas the pre-objective degree of sensation corresponds to what he calls il y a (there is), that is the undefined existence without the existent, the undifferentiated element in which the self is originally immersed, the starting point of any further experience: “the element is the content from which forms are carved out, but it is not, as such, itself delimited by anything” (52). The first break in the uniformity of the element coincides with the subject’s jouissance, representing “the concrete mark of separation” (41). Enjoyment is “the contact between sensibility and the formless quality of the element” (94). It corresponds to sensation and more precisely to the very moment when the instrumental schema of the sensible is rejected and the subject just perceives his or her distinction and independence from the elemental world. Before having the possibility to be part of an ethical encounter with the Other, the subject should first have an ontic consistency: “enjoyment thus reveals the fundamental priority of the ontic for ontology” (47). This idea of a detachment and a constitution of the subject from and through the element questions the phenomenological distinction between constituent and constituted. Indeed, if on the one hand the ego shapes objectivity starting from the undifferentiated element, it is itself in turn delimited by the element:

Enjoyment reveals the impossibility of reducing the constituted to the position of the intentional correlate of the constitutive acts of transcendental consciousness. Every constituted object reveals itself through enjoyment just as much as it occupies the position of the constituent, which is to say the sensible nourishment of the self (55).

Once subjectivity consolidated, the self is ready for the encounter with the Other. This encounter begins in two other well known topoi of the Levinasian production: the dwelling (demeure), that is “the starting-place of any finalized human activity” (91), and the labor (travail), that consists “in the transformation of elemental nature into a world of identifiable things” (94). In order to encounter the Other, that is to manifest himself or herself to the Other, the subject should first have some possession to share with the Other, something to communicate to him or her. Here lies the fundamental importance of labor. It allows us to substantialize the element and fix it between the dwelling’s walls. Through labor we make the world and its objects identifiable and we start having possessions. At this point, Moati highlights and develops another great Levinasian intuition that, as the idea of a nocturnal ontology does, anticipates and responds to several difficult theoretical issues emerging in later event philosophy, especially the ones related to the possibility of the given and to its ontological status. Labor and possession – says Moati – turn the category of being into the category of having and they do that through a neutralization of being:

The thing is also, therefore, nothing more than the element, because it coincides with an element whose ontological independence has been neutralized and, in other words, whose being has been anesthetized. Put differently, through labor and the possession that results from it, the being (l’être) of the element becomes the having (l’avoir) of the self. […] The element becomes something only through the suspension of its being. Here, the ontological frontiers of the element no longer exceed those of the self, which is to say that we are now dealing with being insofar as it is possessed by someone (the self) (95).

Furthermore, in the event of the encounter our possessions become gift for the Other (136), and this gift is the content of the fundamental relation of teaching, that is the constitutive relation that marks the Other as such. As someone being my master not because of his or her deeper knowledges, but because of his or her radical otherness (126). Our shared world, that is the object of our ontology, does not follow the logic of being anymore, but that of having and giving. We are here facing a movement from être to il y a, from sein to es gibt.

Nocturnal Events.

Our possessions, shared in the social contest, exceed thus the ontology of light and become constitutive of the nocturnal event of sociality, a feature that marks us as humans. As the last step of the reconstruction, Moati finally points out how such nocturnal events, way far from being transcendent moments indirectly concerning the terrestrial condition, are not to be thought separately from our sensible way of being and how it grounds all other diurnal activities. We will now cite two cases Moati presents us with: sociality and fecundity.

Sociality is the base of our relationship with the Other. Because ofit we always already possess the idea of the infinite (107), which otherwise would be paradoxical and unreachable, for it would be reducible to totality of the self. Through sociality, ultimate event of Being, it is possible to articulate a relationship between the two terms (me and the Other) and at the same time maintain their separation (112). It is remarkable that sociality is an event of Being itself, constitutively belonging to its nocturnal structure. Because of sociality, Being is not a totalized monolithic Eleatic Being but is rather open and plurivocal. Moreover, in reason of this fundamental sociality, subjects can live their ethical relationship with the others expressing themselves through their discourse and interlocutory presence. Discours and teaching are the way in which the Other reveals to us his or her transcendence and allows us to have a relation with the infinite without reducing it to ourselves. Moati stresses one more time that this kind of expression is not to be understood in the context of a structure of illumination: “The one who expresses himself or herself does not draw his or her intelligibility from the light ‘borrowed’ from intentionality and unveiling, from which the same emerges” (115).

If sociality allows a relation without totalising elements of a plurivocal being, fecundity makes possible the production and realization of the infinite becoming of being. Moreover, it also represents a valuable alternative to the Heideggerian Geworfenheit to describe our terrestrial condition and our rooting in the concrete temporal situation. Moati recalls the famous example of the father/son relationship and gives us an account of its ontological meaning:

For the self, to be is also, through fecundity, to be other. The father is his son, in the precise sense in which the father transcends the horizon of his own selfhood in the son. The selfhood of the son, in the form from which the self of the father emerges, no longer coincides with the selfhood of the departure, that of the father. In fecundity, the self is discontinuous, fragmented. This discontinuity is an ultimate event of being itself, insofar as it is social, which is to say, transcendent and plural (172).

Levinas and Phenomenology.

As we mentioned before, together with a detailed development of the concept of nocturnal events and a reconstruction of the sensible ego’s relation with the infinite, Moati provides us with illuminating comparisons between Levinas and other prominent phenomenologists throughout this book . These comparisons aim at explaining to what extent he kept following the Husserlian and Heideggerian ideas and what kind of disagreements he had with his contemporaries.

It goes without saying that the greatest dissent with Husserl concerns the ideas of transcendental ego and intentionality. We already saw how Levinas gives up the primacy of intentionality as a mean of objective representation since it is reduced to a structure of illumination, and how the distinction between constituent and constituted is questioned. Besides it, Moati also stresses the fact that Levinas cannot accept Husserl’s notion of transcendental ego for at least two reasons. First of all, the ego is always already sensible and we cannot think of an ego beyond its sensible situation. Second, Levinas reproaches the subjective non determination of the concept of transcendental ego. Indeed, its generality “hinders the possibility of establishing a relation that departs from the concrete immanence, from which only the other may speak — which is to say, deploy its ethical infiniteness” (182). All these remarks could be summed up in the general critic that Husserlian phenomenology brings about a totalization of the other and reduces it to the self.

Concerning Heidegger, Moati highlights that in the eyes of Levinas his historical and temporal conception of Dasein and thrownness (Geworfenheit) surely represent a step forward compared to the Husserlian suprahistorical model of consciousness. However, it would be a mistake to describe the sensible installation of our sensible ego within the element in terms of thrownness. More specifically, the concept of thrownness is linked to a conception of our existence based on the notion of power, that Levinas instead wants to quit: thrownness reveals our limits only in regard to the power that we have over our being. On the contrary, for Levinas our primordial situation is a position that locates consciousness beyond any positive or negative reference to power (78) and corresponds to the nocturnal event of fecundity. While thrownness puts us in the tragic condition of being powerless faced with our historical sensible determination and subject to the given horizon of possibility that is opened up to us with our birth, fecundity frees our terrestrial condition from this tragic connotation. Indeed, fecundity is here situated in the context of an ontology that renounces every claim of totalization and, therefore, renounces the primary role of power in representing our relationship with the Other: “the primacy of sensible happiness over any condition of misfortune becomes intelligible only once the nocturnal event of fecundity is elucidated, which in turn opens up the sensible depth of our being-in-the-world. It is thus fecundity that exhausts the reference to power and allows us to grasp the depth of our foundation in being” (83).

Another important disagreement drawn by Moati concerns Sartre. It is true that for both Levinas and Sartre the Other cannot be the object of a phenomenological reduction because of his or her transcendence and the encounter with the other takes the form of a dispossession of the world. But in this disagreement, Sartre understands this dispossession as a kind of alienation from the world, while for Levinas it actually corresponds to the “real becoming an objective world” (135). Indeed, Levinas sees a world that is only possessed and not shared, a silent world without discourse, as a contradictory world that remains subjective and relative. Since sociality grounds our being in the world, sharing our possessions with the other becomes the realization of our humanity and does not imply for us any kind of loss. The world is always a common world.

The last comparison that Moati presents us with is the one with Derrida and focuses especially on Derrida’s essay Violence et métaphysique. First of all, Moati points out a misunderstanding concerning the concept of “transcendental violence” in Derrida’s reading of Totalité et Infini. This misunderstanding is caused by the different grasping of the concept of intentionality and egoity that the two authors have: while Derrida thinks about the ego in the ethical relation as a transcendental ego (even if, as we all know, he strongly criticizes the Husserlian idea of transcendental), Levinas is instead talking about a sensible ego. The critique Derrida addresses to Levinas on “transcendental violence” thus misses its addressee, since Levinas refuses to problematize the subject’s relation with the other in transcendental terms (181). Moreover, the most stimulating remark that is formulated by Moati in this comparison is for sure the one concerning their two different conceptions of eschatology, for this thematic directly relates to event philosophy. Roughly, the greatest difference between the two authors lies in the fact that Derrida thinks the infinite in eschatology as a negativity, an endless process of spacing produced by the infinite waiting for an Other that never comes. In other words, as an infinite différance. For Derrida history designates “the ever-unachieved work of transcendental constitution” and is to be understood as “opening up to a nonpresence at the heart of phenomenality” (186). On the other hand, eschatology “lies in history as the movement of overflowing the closure of finite sameness” (187). Quite the opposite, Levinas sees eschatology as a relation to positive infinity. The Other manifests his or her infinite transcendence to us in a positive way, without a negative withdrawing. For Levinas eschatology is not contained within history but rather suspends it, “not only in that the transcendent passage from finite totality to the positivity of the infinite happens through it, but also in that eschatology suspends any recourse to our constituent powers to deduce the event of the revelation of the infinite” (187).

I would like to underline this final remark. In his late works, starting with Psyché. Inventions de l’autre, Derrida explicitly mentions the event of the coming of the Other as a fundamental – even quasi-transcendental – element of our experience and the human condition. Nevertheless, for Derrida the Other never comes and should never come in order to keep open the empty space needed to welcome him or her. This is why the event is impossible for Derrida; its conditions of possibility are its condition of impossibility. Levinas’ nocturnal events, and above all the event of sociality allowing our relationship with the infinite transcendence of the Other, free us from the paradox of an impossible foundation of our experience and knowledge. Indeed, both in Derrida and Levinas, our theoretical openness is based on the previous ethical striving for the Other. But while the Levinasian ethics finds its foundation in the nocturnal event of sociality, Derrida always misses the fundamental encounter with the Other.

In the night of Being, the Derridean spectre of the impossible could be chased by invisible ghostbusters: the nocturnal events.

Conclusion.

Levinas and the Night of Being is an outstanding work of research in which Raoul Moati fully develops the ontological and phenomenological consequences of the notion of “nocturnal event” – on which very few was previously written – and properly contextualizes Levinas production in the phenomenological frame. Moati’s reading of Levinas thus provides us with new conceptual instruments to understand the key concept of ethics and otherness, theoretical core of Totalité et Infini. Inlight of his knowledge of phenomenology and French philosophy, Moati manages to explain with a remarkable clarity what is Levinas’ relation toward Husserlian phenomenology and how it is developed in contemporary philosophy, while also presenting critical readings of his work, such as the Derridean argument. Even though the chapters dedicated to the reconstruction of the sensible ego’s relation to infinity give us a general glimpse of Levinasian main concepts, I would not suggest reading this book to first approach Levinas’ philosophy because of its complex critique of ontology and phenomenology. I would rather warmly suggest this reading to anyone who is already familiar with Levinasian ideas in general and with Totalité et Infini in particular. Indeed, Moati’s book not only helps us understanding his work by giving us a rigorous phenomenological context but it also prevents us from misreading Levinas as an anti-metaphysical or anti-ontological author. On the contrary, Moati shows us that an ontology is definitively possible insofar as we accept to also consider its nocturnal component.

Last but not least, I would like to spend a few words about Daniel Wyche’s translation as conclusion. Translating such a book is for sure not an easy task. Beyond the difficulties caused by philosophical jargon and complex argumentative structures there are several expressions in French, untranslatable in English, that should be rendered with neologism or directly rewritten in French. The most complex paragraphs may therefore prove more difficult to understand in the English version. It is maybe for this reason that the author chose to completely rewrite several passages exclusively for the English version. Overall, Wyche’s realized an elegant translation and managed to render in English concepts that are so idiosyncratically French. However, I would suggest to francophone readers to check also the original version, at least the least clear passages.

Peter Sloterdijk: Not Saved: Essays After Heidegger

Not Saved: Essays After Heidegger Book Cover Not Saved: Essays After Heidegger
Peter Sloterdijk. Translated by Ian Alexander Moore, Christopher Turner
Polity
2016
Paperback $26.95
300

Reviewed by: Anthony Crisafi (Philosophy Department, University of Central Florida)

Peter Sloterdijk is currently one of Germany’s most important and most controversial philosophers, and his work has been emerging in English translations more and more over the past ten years. Polity Press has published quite a bit of Sloterdijk’s work, and its publication of Not Saved: Essays After Heidegger is a much-needed addition for Sloterdijk’s English audience. In this book of essays, lectures, and excerpts, Peter Sloterdijk presents the reader with a collection of thoughts which all swirl around two main concepts: 1. That Heidegger is a fallen soul whose inability to venture from the provincial into the cosmopolitan led him to retreat from the human world; and 2. That only through what Sloterdijk terms the anthropotechnic – the mobilization of the human being – can modern humans find their way in the world and to create of it what they will. In his fashion, through extended dialogues with both the reader and with a wide range of thinkers, as well as a developed depth and breadth of intellectual knowledge – with a literary style that is dense and compelling – Sloterdijk laments the fallen Heidegger, acknowledging and admonishing Heidegger’s embrace of cynical evil, while offering a positive vision of human power based on conscious activity and intelligent creation.

Concerning the first point, the substance of Sloterdijk’s critique of Heidegger is that Heidegger, in eschewing the cosmopolitan city for the village, never fully understood how humanity expands. Instead, Heidegger sought to impede modern growth by insisting on a philosophy of anti-expansion, one in which, according to Sloterdijk in the later works of Heidegger, becomes a parochial return to the Catholic-Augustinian acceptance of the human as a deeply flawed being incapable of overcoming this fall except through some metaphysical/spiritual intercession. Heidegger sought to ground the person in Ursprunglichkeit (origin), but for Sloterdijk this was a false consciousness: The human is anthropotechnic by nature, one whose growth is dependent on creating and recreating itself and its world through constant kinetic movement forward. In this instance, for Sloterdijk, the «The People» is a fiction, as this assumes, like Heidegger, that there is an essential essence which is what connects people together. But if we reject this Heideggerian Ursprunglichkeit for a more mobile ontology, we see that what connects people together is not essential ideology, but rather necessary technics of desire. Here, Peter Sloterdijk writes the following:

We will be dealing with a bit of mythology in which the screenplay for the history of this world begins with its prelude in the beyond. The Augustinian Satan, who represents something like an allegory of negation on a level below the principal, does not resort — this much is certain—to any external motive for his revolt against the origin. He finds everything that is necessary for sedition in himself — to put it more precisely, in his capacity for freedom, his most important endowment. By virtue of this, he can, parodying divine creation ex nihilo, generate his ‘no’ from the abyss of an unmotivated act of the will. Thus one may not ask why and from where he has acquired his evil will. He wills as he will and nothing more. (63)

It is the Augustinian-Satanic human, flawed and always doomed to failure and falling by engaging in degrading and dehumanizing behavior, of itself and of others for which contemporary humans have embodied in the new era. But Sloterdijk both laments and admonishes Heidegger for his own evil. Because Heidegger was afraid to move forward, he therefore had to justify his own failures within this Augustinian-Satanic paradigm, which also allows Heidegger to posit that there are classes of human beings: God and human, rulers and ruled, and breeders and bred.

However, the antithesis to Heidegger’s cynicism is through anthropotechnics and mobilization. Mobilization is a theme throughout Sloterdijk’s main work, and it is also found within the sections of this book as well. This lack of mobilization is what makes Heidegger’s fall to the Augustinian-Satanic figure so much more difficult for Sloterdijk. In the first essay in the book, titled “The Plunge and the Turn: Speech on Heidegger’s Thinking in Motion,” Sloterdijk writes, “With this fanciful sketch, ladies and gentlemen, with this almost ridiculous curriculum of the philosopher educated to the end, I have outlined what Heidegger, The Freiburg professor of philosophy and educator/inspirer of a generation of young thinkers and scholars, never did nor even attempted” (27). It may appear as a strong interpretation of Sloterdijk here, but Heidegger was evil because he was a coward, and Sloterdijk sees this in Heidegers’s own retracting from cosmopolitan human engagement. Sloterdijk lays bare the stark contradiction in Heidegger as he writes, as he lays bare this critique of Heidegger. But Sloterdijk goes further to demonstrate that Heidegger’s retreat into Augustinian solipsism is actually a perversion of Augustine’s own emphasis on movement through mediation. Heidegger selfishly adheres to the retraction part, which is where, according to Sloterdjk, Heidegger’s fear of expansion leads him to fall into the ignorance of the Augustinian-Satanic figure. This misappropriation of Augustine can also be found in Heidegger’s own awestruck admiration for Nietzsche. Heidegger’s affinity for Nietzsche rests within a narrow focus on power in Nietzsche, where Heidegger then mistakes power for the pastoral in Nietzsche. He refers to Heideger’s myth of “path of thought” (41) grounded in the “heroic apprehension of the self” in pseudo-Nietzschean terms, while Sloterdijk then remarks that this is because Heidegger retreats into a philosophy which pleads for salvation while still at the same time cowardly hides behind the fear of mobilization.

Therefore, according to Sloterdijk, Heidegger turned away from thinking and retreated towards a mythic metaphysics, as, according to Heidegger, the human cannot find a path to thought without help. Here we can feel Sloterdijk wrestling with an apologetics for Heidegger as Sloterdijk sees Heidegger as a fallen figure to be pitied. The true power of the human, according to Sloterdijk, is the mobilization towards outward expansion, which itself is a movement towards atmospheric and ecospheric migration, leaving behind the Augustinian for the propulsion into the macrosphere. But Heidegger himself never experienced this, and as such he sought to keep others from experiencing it as well through the appeal to philosophical certainty. Therefore, according to Sloterdijk here in Not Saved, philosophy is the attempt to plot a course, which is what Heidegger got right. But there is not one course, and Sloterdijk reads Heidegger as falling into a trap, in which for Heidegger contemplation is the tension and the kinetics of discovery, not truth. Once the philosopher abandons the search for truth, he becomes the lost soul, never finding the real and substituting that for chasing redemption in exile.

This theme runs throughout the book, in which Heidegger as the Augustinian-Satanic character is prevalent. In the essay “Luhmann, Devil’s Advocate,” Sloterdijk writes that the essentialist nature of Heidegger is exposed through Lumann’s own critique of the Augustinian, in which Luhmann demonstrates he is not afraid of the underlying systems of human ontology. This can also be seen in the essay “The Domestication of Being,” where Sloterdijk contrasts Luhmann to Heidegger by writing “The discourse on the human being in historical anthropology proceeds from the fact that the expression ‘human being’ does not designate any object concerning which one could formulate direct (edifying or lamenting) statements, but rather only presents a conceptual container that, to speak with Luhmann, holds ‘vast complexities’” (98). Here we see Luhmann embracing the macrospheric expanse, where Heidegger seeks to retreat away from this complexity into a mythology of a cynical rejection of human complexity. Here again, Sloterdijk points out that this expansionist thinking was present in Plato and Aristotle as the demiurgic and creative power of the human being.

However, the essay that encapsulates this dichotomy between the fallen Heidegger and the anthropotechnic antithesis is «Rules for the Human Park,” for which Sloterdijk started a controversial war of words between he and Habermas. Habermas raised the criticism that Sloterdijk was relying on the eugenic language of the Nazis, while Sloterdijk would go on to accuse Habermas of fascistically trying to smother Sloterdijk’s main point in the essay: That humanism is based on sophisticated dialogues between others and for which creates the topological space for human identity and human being. In this essay, Sloterdijk returns to the themes he has already raised in Not Saved by focusing on the categorical mistake Heidegger makes in dividing the world into God and human, rulers and ruled, and breeders and bred. Here, Sloterdijk insists that it is through true humanism – the study of the minds of the past and present – that will move the human from being a part of a breeding stock and towards a holistic being.

In “Rules” Sloterdijk writes:

The phenomenon of humanism deserves attention today above all because it recalls—in however veiled and timid a manner—the fact that human beings in high culture are continually engaged by two formative powers at the same time—we would like here, for the sake of simplicity, to designate them simply as inhibiting and disinhibiting influences. The conviction that human beings are ‘impressionable animals’ and that it is hence necessary to get them to come under the right kind of influences belongs to the credo of humanism. The label ‘humanism’ recalls—with false harmlessness—the constant battle for the human being, which is carried out as the struggle between bestializing and taming tendencies. (196)

Here Sloterdijk argues that human beings are “impressionable animals,” alluding to Aristotle’s comments concerning humans as politikon zoon while also harkening back to Plato’s theory of how proper education helps to create the good citizen and the just state. With a specific emphasis on Plato’s regard for rules regarding human political and social conduct, Sloterdijk then argues that human beings are not firstly interested in education, but rather, human beings are like animals who want to engage in the conditions which may breed successful human beings within a political-social topology. As Sloterdijk writes “In his dialogue Politikos—often translated as The Statesman—Plato put forward the Magna Carta of a European pastoral politology . . . Its incommensurable position in the history of thinking about the human being above all consists in the fact that it is conducted as though breeders were having a conversation about work” (207). Therefore, in Plato’s dialogue, Sloterdijk sees the beginning of Heidegger’s turmoil: From its very inception, philosophy has been about creating rules for human consumption. According to Sloterdijk, “Thus this Stranger and his counterpart, the Younger Socrates, devote themselves to the tricky endeavor of placing the politics of the future or the herdsmanship of the city under transparently rational rules” (207). On the surface, one may be tempted to take Habermas’ rejection of Sloterdijk here as true, but that would be facile at best. Sloterdijk is not advocating eugenics or any kind of political-social breeding program; instead, Sloterdijk wants to reorient the anthropology of the breeding human towards a positive and forward thinking humanism.

To do this, Sloterdijk begins the essay by defining humanism as “What from Cicero’s time onward has been called humanitas belongs, in the narrowest and broadest senses, to the consequences of literacy . . . It has allowed its writing to continue like a chain letter across generations” (193). From this point, Sloterdijk moves into a sustained critique of Heidegger, specifically Heidegger’s “Letter on Humanism.” Sloterdijk begins by acknowledging the vast gratitude he has for Heidegger in general, but from there begins to criticize Heidegger for allowing the humanism of philosophical discourse degenerate into attacks against humanity in general. Sloterdijk writes:

A part of Heidegger ’s strategy thereby becomes manifest: the word ‘humanism’ must be given up if the actual task of thought, which in the humanist or metaphysical tradition wanted to appear as though it had already been accomplished, is to be experienced once more in its initial simplicity and inevitability. To put it sharply: why again tout the human being and his prevailing philosophical self-depiction in humanism as the solution when it has just been shown in the catastrophe of the present that it is the human being himself, along with his systems of metaphysical self-elevation and self-explanation, that is the problem? (198)

Here Sloterdijk once more takes Heidegger to task for not directly engaging in humanity, or rather from disengaging from humanity. The critique here is based on Heidegger’s Post-War status as a former Nazi in exile, rather than the esteemed philosopher Heidegger used to be. We must now realize that Sloterdijk is wrestling with both Heidegger the philosopher and Heidegger the historical figure, and for Sloterdijk both of these positions come together in Heidegger’s work in general. Because Heidegger always saw philosophy as a provincially elitist activity, Sloterdijk now contends that Heidegger never fully understood the true quality of human activity: To create humanism. Humanism, even in the face of Sloterdijk’s own arguments concerning breeding in this essay, is the rule for human activity.

In order to affect this new concept of humanism, Sloterdijk must also focus on the concept of anthropotechnics and its mobilization as the power of humanism. Therefore, the other philosophical archetype in this essay for Sloterdijk is Nietzsche, for whom Sloterdijk views as the antithesis for the cynical Heidegger. Sloterdijk asserts that it is through Nietzsche that Heidegger’s rejection of Plato’s concept of education is now understood as a human breeding system which arranges the material world by strict rules of hierarchy of powers, both material and phemonenological. Sloterdijk’s use of Nietzsche in this essay leads him to advance a radical critique rooted in a position posited strictly against the inhuman form of late modernism itself. For example, Sloterdijk writes that “The era of modern humanism as the model for schooling and formative education is over with, because the illusion can no longer be maintained that large political and economic structures could be organized on the amiable model of the literary society” (195). Modern society – which for Sloterdijk is the contemporary world of late and hyper capital – is awash in Heidegger’s cynicism: Instead of embracing humanism and the good, the modern age has followed Heidegger down the rabbit hole and into a world where there is no human good to truly discuss. Because Heidegger sees his own failure as a failure of ideas, so to then the modern world must be bereft of ideas for Heidegger to hide his own cynical, evil Nazi persona. Again, according to Sloterdijk’s critique of Heidegger’s “Letter on Humanism,” Heidegger hides his shame behind the Augustinian-Satanic figure by shifting the blame onto an abstract concept of evil rooted in anti-humanism.

From this point in the essay, Sloterdijk begins to unpack Nietzsche for the reader. For Nietzsche:

In contrast, Nietzsche—who read Darwin and St. Paul with equal attention—thinks that he perceives a second, darker horizon behind the bright horizon of the formation of the human being in schools. He perceives a space in which inevitable battles over directions of human breeding will begin—and it is this space in which the other, veiled aspect of the clearing is revealed . . . He [Nietzsche] wants to call the proprietors of the monopoly on taming up to this point—the priests and teachers who present themselves as friends of the human being—by their name and to designate their secret function; he wants to launch a world-historically new kind of contest between different breeders and different kinds of breeding programs. (204)

Sloterdijk’s understanding of Nietzsche here is a complex articulation of both the fundamental problem within political philosophy – philosophy as regulator of human activity – and what Sloterdijk sees as Nietzsche’s strength: The human as anthropotechnic and mobile. Sloterdijk demonstrates that Heidegger’s cynical rejection of humanism has wrestled humanity away from its own consciousness by technologizing human labor and regulating human congregation, specifically through modern capital’s control over media and the phantasy worlds they create. By reproducing text itself not as a phenomenon of human cognitive self-positioning but as a measurable quantity of human worth and dignity, reproducible within technological apparatuses, human being can be controlled through the architecture of modern capital itself. Plato and Heidegger posit that rules must come from specialized types of ruler, referred to as breeders, for which Sloterdijk questions whether or not the breeders become a different species altogether, as Heidegger also differentiates between human and animal species, effectively rendering any discussion of consciousness from the later.

The result in the essay “Rules for the Human Park” is that Sloterdijk comes back to the concept of humanism as not a set of rules but the means to create human spaces. Sloterdijk writes:

It is the signature of the technological and anthropotechnological era that human beings become increasingly involved in the active or subjective side of selection, without having to be voluntarily thrust into the role of the selector. Additionally, one may observe that there is an unease in the power of choice; soon it will become an instance of opting for innocence when human beings explicitly refuse to exercise the power of selection that they have in fact managed to achieve. But as soon as powers of knowledge are positively developed in a field, human beings cut a poor figure if they—as in earlier times of incapacity—wish to allow a higher force, whether it be God or chance or something else, to act in their stead. Since mere refusals and dismissals generally fail in their sterility, in the future it will arguably be necessary to actively enter the game and formulate a code of anthropotechnics. Such a code would even retroactively transform the significance of classical humanism—since it would disclose and put in writing the fact that humanitas not only involves the friendship of human being with human being; it always implies as well—and with growing explicitness—that the human being represents the higher force for the human being. (206)

Sloterdijk’s reading here of psycho-socio culture is as an aggressive purveyor and user of cynicism against philosophy as humanism and humanity as biological. In this case, the human is not a self-creating being with anthropotechnic power, but rather is a product of a radical barrier which cuts off from the self its desire to create, maintain, and sustain its own ontology. Humanism is recognized here by Sloterdijk as the extended dialogue with past minds and as the concretization of the ideal through this mobilized poesis. Therefore, the antithesis for Heidegger’s cynicism is for human beings to return to true humanism and become the very spirit for which has to overcome its current bioorganic-technological existence. Instead of creating categorically false differences between classes of breeders and those who are bred, mobilization becomes the activity for consciousness to embody and extend itself into the material through a synthesis of anthropotechnic root structures.

The selections of the essays, lectures, and excerpts from Sloterdijk’s works here in Not Saved: Essays After Heidegger provides the reader with a sustained critique of Heidegger while also clearing a path towards unity between human and world. The uncovering of Heidegger as a fallen figure allows Sloterdijk to posit a philosophy of mobility and movement forward, and the analysis of the anthropotechnic – the self-creating mobile human being – becomes the action and the activity for which we as modern humans find mobility. The translation of these pieces by Ian Alexander Moore and Christopher Turner is sensitive to Sloterdijk’s style while at the same time offering English readers the ability to savor Sloterdijk’s literary approach to philosophy. The book itself is not a primer for Sloterdijk, as it presents essays, lectures, and selections as pieces of an extended argument, as well as the nature of Sloterdijk’s dense prose, which is never stultifying but rather engaging and erudite. However, the translators are keenly aware of this as well, and as a general introduction to Sloterdijk’s methodology and concepts, this book is essential for anyone interested in one of the contemporary world’s most prescient, prolific, and prominent philosophers.

 

Babette Babich (Ed.): Hermeneutic Philosophies of Social Science, De Gruyter, 2017

Hermeneutic Philosophies of Social Science Book Cover Hermeneutic Philosophies of Social Science
Babette Babich (Ed.)
De Gruyter
2017
Hardcover 109,95 €
432

David Farrel Krell: Phantoms of the Other: Four Generations of Derrida’s Geschlecht

Phantoms of the Other: Four Generations of Derrida's Geschlecht Book Cover Phantoms of the Other: Four Generations of Derrida's Geschlecht
SUNY Series in Contemporary Continental Philosophy
David Farrell Krell
SUNY Press
2015
Paperback $34.95
357

Reviewed by: Joeri Schrijvers (KU Leuven)

David Farrell Krell’s Phantoms of the Other. Four Generations of Derrida’s Geschlecht is an in-depth study of Derrida’s Auseinandersetzung with Heidegger. Krell takes Derrida’s Geschlecht-series as his starting-point to focus on Heidegger and Derrida’s “magnetization” (25, also 113) with the poetry of Georg Trakl. Heidegger’s preference for poetry and language is well-known but his fascination with Trakl really stands out as a bit odd nonetheless: what on earth has Heidegger seen in the poetry of this young, rather rough and dark, poet?

Krell examines Derrida’s series thoroughly and focuses on its missing never published third piece. Geschlecht I and II are published as the opening of Derrida’s Psyche. Inventions de l’autre II (Galilée 2003), the fourth features in Politiques de l’amitié (Galilée 1994), all of which were written in the eighties of the previous century. Around that time Derrida, prolific writer as he was, also was composing his De l’esprit. Heidegger et la question (Galilée 1987), which Krell treats in his chapter three. Of Geschlecht III, there exists only a typescript of thirty pages or so that Derrida handed out to the happy few present at a colloquium in Chicago in 1985. Krell contends that this typescript was drafted from a seminar on ‘Nationalité et nationalisme philosophiques: le fantôme de l’autre’ that Derrida held in Paris from 1984 through to 1985 (2-3). For this seminar, Derrida drafted 100 or so pages on Heidegger’s 1953 essay Die Sprache im Gedicht, now in Unterwegs zur Sprache (Neske 1975: 35-82). Derrida’s text, however, was never published and it is not sure whether it will be—later in his beautiful book Krell complains that next to no one can read Derrida’s handwriting (218).

In his Introduction, Krell examines Derrida’s early confrontations with Heidegger, the recently published “Heidegger: la question de l’être et de l’histoire” (Galilée 2013) is included, for example, in order to look for “anticipations of the Geschlecht-series” (16n.2). Here Krell examines what will become one of his book’s main themes namely, what he calls “Derrida’s hope” (ibid.)—readers of Derrida will note the pun: had not Derrida once written rather critically about “Heideggerian hope” (in Marges de la philosophie 1972: 29). These anticipations and this hope will prove to be rather similar in Heidegger and Derrida, and my point in what follows will be that Krell takes the similarity perhaps a bit too lightly. To be sure, Derrida has never hoped for a primary word, nor for a gathering that gathers all and most certainly not for a ‘destiny’ that this or that people would have chosen. Yet Derrida’s hope, “for a sexuality that is not trapped in and by dualities and duels” (ibid.), for a humankind, a Geschlecht that is, or becomes, one is surely one of Derrida’s greatest dreams that resists (even his) deconstruction.

It is here, with questioning Heidegger’s Dasein supposed neutrality, transcending sexual difference that Geschlecht I, which Krell discusses in his first chapter. All of us, of course, have been struck by Heidegger’s repeated claims of neutrality, by his dismissing embodiment, especially in Sein und Zeit, lest ‘Dasein’ is not a thing, not a body primarily, but rather describes the phenomenological gaze, shared equally by women and men, arising from out of being-in-the-world—I have ventured something of this sort in my own work (Schrijvers 2016: 25 and 194).

Of course, Derrida is right in saying that Heidegger neutralizes and in a sense neuters Dasein. “To pass from the masculine and the feminine to the neuter is clearly, for Heidegger, to pass toward the transcendental, toward a meditation on the conditions of possibility of the being of Dasein” (27): if the being of Dasein would be neither male nor female, then what is it? This neutral, transcendental vantage point has a striking resemblance to what Heidegger will later call the ‘split’, or ‘blows’ the one Geschlecht faces (Heidegger 1975: 49-50). There is obviously a bit of a fog when it comes to these ‘blows,’ and Derrida will not stop questioning and exploiting these ‘blows’ or ‘Schlage’ nor will he stop being puzzled by them. For the moment, let us track what Heidegger takes from Trakl: there would be (there would have been or there will be: this is what separates Derrida from Heidegger) one Geschlecht, one humanity (but Heidegger will exclude all Latinate words and things. Hence, Krell and Derrida note, there ‘will never have been’ oneness in the first place), that then receives a blow, and one becomes two: this is the male-female Schlag, a sort of twofold that is not yet conflictual. The conflict and the duel, Heidegger states, comes later (like the third party in Levinas patiently waits until the ‘ethical relation’ between the other and me has been dealt with) and then the Zwiefalt becomes Zwietracht: there will be men and women, friends and foes, families and tribes against other tribes. This, Heidegger will call, with Trakl, the “decomposition [Verwesenden] of the human Geschlecht” (Heidegger 1975: 50). Not so much ‘beyond essence’ but, as it were, ‘out of essence’.

All of this surely sounds a bit mythological and for some, still versed in that tradition, Christian even: for, doesn’t it echo a tradition that narrates a ‘paradisiac’ state without shame or reticence that rather quickly had fallen (but when?) into dispute, into jealously, into ‘male’ and ‘female’ to such a point that it wasn’t even sure who was to be ‘his brother’s keeper’? For this, we would have to wait for that other great unifier, Versammlung, of which Paul (who gathers by dividing!) said that he inaugurates a state in which there will be ‘neither male nor female, neither master nor slave’ (but when?).

Heidegger makes no mention of these echoes of Christianity; Derrida, an Algerian Jew no less, will point them out to us. In his reading of Hölderlin, no less than in his reading of Trakl, the former theologian Heidegger will pretend not to know what this ‘bread and wine’ theme is all about. Derrida worries about this gesture: is this “not the classic metaphysical problem, namely, the attempt to ground negativity and dispersion on what ought to have been purely positive and unified” (35) and is not this metaphysics, with Heidegger, primarily Christian (and also without Heidegger of course: why else would he be in denial and/or repeating it, unbeknownst to himself)? These questions, Krell argues, would have prevailed in the Geschlecht III (43-45).

The second chapter, on Geschlecht II, is again a patient summary and meditation on Derrida’s piece on Heidegger’s imagery of ‘the hand’. Derrida’s hope “for a love where no quarrel can arise” (17) is here framed against Heidegger’s thinking of the hand, of handiwork and all things zuhanden. Why, Krell asks, is there again no mention of “loving hands” (50) in Heidegger, of handshakes perhaps, but of course also (and again) of caress, of sexual giving and taking? Derrida mentions Heidegger’s obsession with the hand in the singular, with apes who ‘have no hand’, but here again: is one always better than two? And would not “the folding of two hands into one, that is, into the gestures of pointing, signifying, praying and gathering” (58) deserve at least equal attention than, for instance, the ‘holding hands’ of lovers: why would these hands not form a unity and a gathering just the same? Yet, even though Krell notes how this “become[s] a crucial question for Derrida” (50) as well as for himself this early in the book, it already appears that these themes of love, of the sister, and of hope in general are suggested and intimated by Krell rather than straightforwardly addressed. This reader, at least, was a bit disappointed on that score, although Krell’s writing, humble, modest and suggestive as it is, is surely a strongpoint of the book. Countless are the ‘if I may’s, the ‘if I am allowed’s that preface a remark or a critique by Krell, who sometimes wants to side with Heidegger rather than simply follow Derrida (e.g. 87, 92, 116, 118 and so on).

I am not entirely convinced by Krell’s third chapter on Derrida’s De l’esprit. Krell contends that its importance is obvious from the fact that it was composed, more or less, at the same time Geschlecht III was drafted. Yet its themes and concerns seem to lie elsewhere. I remember the imagined dialogue in De l’esprit between Heidegger and the theologians fondly as one more example of how Heidegger’s thinking was at times being deconstructed by the Christianity he wanted to avoid. Krell, too, notes some important convergences between Heidegger and Derrida on this matter. Heidegger’s thinking about language shares the same paradox as Derrida’s question about the question: Heidegger was very much aware that to ask about the being of language, that “relation of all relations” (Heidegger 1975: 215), is only possible by already using language, just as Derrida’s questioning of the primacy of questioning, rather than of hearing or being addressed, is a similar way of a snake eating its tail (75). In the end, Krell too, concedes that De l’esprit is less radical than the Geschlecht series (85).

Nonetheless, we should recall that the third Geschlecht stems from a seminar on ‘philosophical nationalism’. Derrida’s remarks on Husserl’s Eurocentrism and, shall we say, his rather xenophobic remarks about gypsies should make us pause and think, beyond philosophical ‘scientificity’ (Derrida 1987: 94-95): it might be used to not too quickly condemn and judge Heidegger, for instance (not before reading him, that is) and to realize that, whatever neutral, transcendental vantage point we might desire to reach, this is not possible without somehow our locale and our context creeping in into our very desire for transcendentality—after all, one does not choose one’s metaphysics nor does one control how such a metaphysics could be overcome.

Chapter four turns to Derrida’s Geschlecht IV, where Derrida’s critique of Heidegger’s preference for ‘gathering’ and ‘unifying’ gains its full force. The problem with this gathering is that it gathers everything, “love or hate, amity or discord, peace or war—it does not really matter, it all gets gathered. One is all. For a thinker of différance, this is a nightmare” (125). Levinas, too, will criticize Heidegger for this: the ontological difference would have gathered both the same and the other, leaving no room for this Other to leave the ‘train of being’. Very true, this, but the opposite tendency might be just as well oppressive, for if nothing ever gets gathered, nothing ever gets united, we might lose the ability for reconciliation, for a certain dialectic perhaps, just the same. Hence, if I may, my critique of Derrida: whereas all naming might be a gathering of differences, not all gathering is just such an inappropriate naming (Schrijvers 2016: 352n.40). Sometimes, contra Derrida, the philosopher should simply try to say and name what ‘is’; and this ‘is’, of course, is ‘of the essence’. Perhaps not all differences can and should be gathered under the general heading of différance.

Krell contends that Derrida’s Politiques de l’amitié gestures toward the missing Geschlecht and its question about Heidegger’s desire to unite “what can distinguish between those two strokes that have struck our Geschlecht, the first, which coins a more gentle twofold, and the second, which condemns [it] to discord [?]” (129). How and when does the neutral “duality” become a malignant “discord” and duel (96), or: from whence and why this being chased out of paradise (see 162)?

Chapter five focuses on the thirty pages Derrida handed out to the participants in the colloquium in Chicago, entitled Geschlecht III. Here Derrida argues that in Heidegger’s reading of Trakl something similar occurs: on the one hand, there is the simple, traditional commentary of poetry (Erläuterung). On the other hand, Heidegger wants nothing to do with these commentaries, focusing on ontic affairs (such as biography for instance) and attempts what he calls an Erörterung, a ‘placement’ of the one poem that Trakl wanted to poetize and bring to speech. Just as every thinker truly has one thought, so Heidegger thinks that every real poet has but one poem. For Heidegger, obviously, there would be a rigorous difference between the two: the one ontic (and many), the other ontological, one might say: neutral (and one). For Derrida, however, such a neat distinction simply cannot be—if there is this one poem of Trakl (s’il y en a indeed) then some insight surely is to be gathered from his biography, from his coke addiction for instance (of which Heidegger says nothing), of his suicide (probably from an overdose, but Heidegger, again, remains silent), from his relation to his sister Gretl (again, of which Heidegger says next to nothing). One can see that the two realms are endlessly interspersed and there would be no way to distinguish them once and for all: their relation is in deferral and can in no way be denied. Krell comments: “For Derrida dissemination leaves only traces of sense, recognizing as it does the archaic non-origin of all meaning, for Heidegger dissemination is that paradox of an [essence] that peters out in a scattering of forces, a kind of ontic-existentiel entropy” (137).

The second blow to ‘humanity’ “irrupt[s] from the discord of the sexes” (163) and strikes everywhere, invading even, for Heidegger, das Geschwisterliche (Heidegger 1975: 60): it is no less than a plague—Heidegger mentions the Greek word, he could (and perhaps should) have mentioned the Hebrew. Heidegger, of course, pays no attention to the rumours of incest that surrounds the relation between the two Trakl’s, Gretl and Georg. Heidegger’s dream, for Krell, is the dream for a “new Geschlecht” (159), restored from out of the return of a (new) dawn, of a childlike state of being (before sex, neutral in any case to the question of sexual difference) (163). Krell asks, rightly, “does the poet ever dream Heidegger’s dream?” (165) and then, without further ado, wrongly I think, relegates the dream of Heidegger to the “utterly phantasmatic” (169). The chapter concludes with Derrida’s rather deft deconstruction of the difference between the ontological and the sexual difference: “it [is] impossible […] to keep these blows apart [and] equally impossible to deny that sexual difference and ontological difference are structurally identical. [If] the difference between being and beings, which is initially granted in Western history, is soon cursed by oblivion of being, so too is sexual difference initially granted, only to be cursed at some point by discord and dissension” (167). This, again, should make us pause and think about whether that which Heidegger wants to avoid—sex, Christianity, metaphysics—is not always that neatly avoided. The ontic and empirical—our history, our biography—penetrates the ontological.

Chapter six treats the hundred or so pages of Derrida’s seminar on nationalism that served as the inspiration for the thirty pages of Geschlecht III. These pages are now deposited in the archive in Caen where ‘Derrida’ is gathered. For the time being, Krell wants us to pause by “the coldness of Heidegger’s reasoning” (181), when stating that nothing is lost when this decomposing Geschlecht will have made its way onto a new dawn and a new gathering. There, supposedly, is a clear-cut between our past and our future. And even if Trakl mentions the “unborn grandchildren” in his last poem, written right after witnessing first-hand the horrors of the world war, then Heidegger will continue stating, in his ‘placement’ of Trakl, that these “are by no means the unengendered sons of the sons who have fallen” (Heidegger 1975, 65, Krell, 181). Something as ontic as the war surely will not have changed the one poem that Trakl needed to write. Heidegger’s attention goes to the ‘one Geschlecht’ that will rise from this new dawn, and here too this “resurrection” seems to have nothing to do with Christianity, nor, as Krell notes, with the lovers who Trakl nonetheless seems to intend (183). Derrida offers a benevolent but penetrating reading of the relations between women and men in this paradisiac state Heidegger is aiming for and states that, prior to the second evil blow, there would have been a sexual difference not yet disturbed by duel and discord. The typescript breaks off with the following enigmatic lines: “this relation between brother and sister is thus not asexual, but is a sexual relation within a difference that is without dissension” (184). Derrida and Heidegger’s hope, in a sense, coalesce. Here, in this fraternal moment, a moment of love, a relation to the other is envisioned in which our Geschlecht is set aright again, as in a “third stroke” (185), where the Geschlecht is one and where all are “brother to the brother” and “brother to the sister” in and through a sexual difference that is not a matter of discord anymore.

Such a dream means trouble nonetheless. On the one hand, Heidegger seeks to abolish the univocity brought about by technology and the current Gestell; on the other hand, the univocity of the Geschlecht remains something to be hoped for… Derrida does not sleep (or dream) lightly however and, in the typescript, likens such a paradisiac state to death. “Death lies in wait in on both sides,” he states, “with the phantasm of the integrity of the proper place and the innocence of a sexual difference without war, and also on the opposite side, that of impropriety or radical expropriation” (189). It is as if Derrida is voicing common sense (imagine!): it can’t be all good, but neither is it all bad. There is neither a paradise without the duel and the discord and yet the dual is not war and conflict all the way down. The place of life is in the movement between the two, between the dual and the dual. As long as there is movement, there is no death. In Heidegger, though, Derrida rightly perceives “the grand logic of philosophy […] still at work” (189) or, in Krell’s words, “a confidence in the purity and mutual exclusion of opposites” (190).

Heidegger dreams of a more originary dawn and future for us mortals, separating as it were the days and the nights, the heavens and the earth in a clear-cut manner (and so repeating a gesture of the Judeo-Christian tradition whilst silencing this tradition). Derrida, however, has a few qualms about such a “more originary repetition” (190). This is where the dreams of Derrida and Heidegger separate: while Heidegger explains away all references to Christianity in Trakl’s poems, Derrida offers a reading of them that will shock not a few theologians. Heidegger asked why Trakl’s last poems of horror do not call upon God if this poet is so decidedly Christian, calling for the sister instead (Heidegger 1975: 76)? Derrida answers, to his students, that “if they would grant him a bit of time he could show that the figure of the sister and that of Christ could in fact be substituted” (191).

Let us cite the passage in full:

“Son of God, Christ is the brother of all men and all women; he is simultaneously the image or the intercessor of the father. Yet he is a brother whose virility is never simply manifest or unilateral, a brother who presents himself within an aura of universal homosexuality, or in a sexual difference that has been appeased, pacified […] thus a brother who can be nothing other than a sister” (192-3).

The passage goes on: is this “not the essence of a relation to Christ, the essence or at least the destination, [the] entire Christian experience of the Holy Family, which is to say, of any and every family” (193)? Christ, being simultaneously both father and mother, or brother and sister, would then, for Trakl (and for a certain Derrida) be the one that gathers all and everything. Theology is rife, of course, with suggestions about Christ’s sexuality, gathering twelve fishermen around him, dwelling with prostitutes of the likes of a Mary Magdalene and with an institution that (more or less) condones homosexuality but abhors it when such sexuality would not be appeased or at all pacified.

Be that as it may, Derrida comments that in Heidegger “both Christian and Jews might well be happy to latch onto this moment […] as the affirmation of some sort of messianism” (199). But we know that messianism was not foreign to Derrida either. For Heidegger, though, this messianism as “the transition [of the West] to its matutinal essence” (ibid.) is a return to what once was. For Derrida, such a return is phantasmatic, that is, “a return to something that never was, an impossible return to a past that never was present” in the first place (229). No early Greeks, no pre-Socratics, no originary experience of being, no experience of a soft and tender childhood will tell us how to be our being.

But Derrida does dream, however, and Krell argues that “the entire Geschlecht series is magnetized by such a promise—the promise of a radically different sexuality for the future of humankind” (199). Derrida is not, for all that, laughing at Heidegger’s phantasm of a newly found childhood for humanity but “takes Heidegger’s effort […] quite seriously” by pondering that “it is perhaps when the sexual sense separates itself and determines itself as only sexual that discord appears” (204). Then, one might say, it is when eros separates itself from agape, that love is lost and one simply lusts (and vice versa perhaps: an agape without eros would not be love proper). Love, from then on (but when…?), is intermingled with instrumentality, with the techné of a Don Juan as it were. The question to Derrida here, of course, is, how can we name that difference? How can we state it phenomenologically: when and “how does the stroke strike” (207)?

Derrida takes Heidegger seriously, which in itself should be one of the lessons gained from Krell’s book. His “generous” reading will also try to see that Heidegger is not simply lamenting a lost and bygone era, but rather that Heidegger “is calling for, rather than to, a possibility” (217). In effect, what matters for Heidegger is more the transition to something new, a new gathering of being and beings, rather than a simple return to a phantasmatic past. It is such a transition, which dawns upon us a possibility precisely, that permeates Heidegger’s call out of technology and out of metaphysics. Krell, as we will see, is a bit too pessimistic about the possibility of this transition in Heidegger. Heidegger’s was not a revolutionary spirit for whom all that is past is bad and all that will come is good. Derrida, too, pondered this possibility, late in his life especially, and argues for the following: even though the ‘good’ and the ‘bad’ stoke are always intertwined, even though there is no specific ‘beginning’ or ‘end’ to it, one might always hope for ‘moments’ of peaceful fraternity, of, well, democratic fervor for fraternity, equality and freedom in a “brotherland” (218). Following this, it is a bit odd that Krell does not turn to Derrida’s reservations about fraternity and community, notably in his Voyous (2003). Such a sexual difference, or such ontological differences over sexuality, has repercussions for the ontological difference too: not the one, grand history and sending of being, but rather “multiple sendings, sending of the other and of others”, of otherness, perhaps, in general and essentially (211).

Krell inserts Trakl into the debate in his final chapter, focusing primarily on his relation to his enigmatic sister, Gretl. Krell returns to Heidegger’s “coldness” when it comes to our falling Geschlecht and states that “Trakl does not dream of the demise of any Geschlecht” (231). It is in effect more than likely that it was the horrors of the battlefield that caused his own demise. There is no doubt that Heidegger could be harsh in his judgement of people, of persons and of era. There is however another Heidegger too, one for which the past is not simply a Christian, ontotheological mistake, but whom rather calls to a patient transformation of that past, for a meditation on the possibilities that lie dormant in these traditions, very much like Derrida’s deconstruction is the hornet on the back of those traditions rather than simply being ‘against tradition’. Heidegger, in Unterwegs zur Sprache, wrote that “die wahre Zeit ist Ankunft des Gewesenen” (Heidegger 1975: 75) and has, in other writings where he was on the way to language just as well, made clear just how to envision such an arrival of what was: “Gewesenheit darf aber nicht als Vergangenheit begriffen werden”—that which has been is never simply past. On the contrary, Heidegger argues, “it has always already grasped over every today and now: it essences as tradition” (GA38, 117; Heidegger 2009, 100). Concerning this matter of the Verwindung of a certain history, Heidegger and Derrida are closer than expected. This would mean that we cannot comprehend the call for a ‘brotherland’ without the call (back) to our past, our metaphysics and our discords (and all the phantasmatic risks involved). Here too, not the one without the other. Derrida, too, would have known that no one ultimately is immune for a certain nostalgia, and a certain hope.

That would be my small bit of critique of Krell’s remarkable book, the ease with which it is prepared to call Heidegger’s other thinking a phantasm (e.g. 238) and the concomitant silence about Derrida’s doubts, elsewhere, about fraternity. Far from a phantasmatic either/or on this score, Heidegger would never have “banish[ed] th[e] tradition” (241): it is certainly true that Heidegger wanted to ‘overcome’ and even abandon Christianity, but he also said that this metaphysics would be overturned very, very slowly (if at all), and since a lot of this metaphysics is Christian, there is thus no way, in Heidegger, to banish and bar the Christian tradition. What dawns upon us as lying ahead of us, is precisely an Abbau or deconstruction of Christianity.

Krell has written a magnificent book: at times it is a true adventure in thinking. We should call ourselves lucky that he has not been “dashing off to meetings” (Krell 2013, 6, also 75 and 149) too much lately. Another book of his is out, on the Black Notebooks this time, and my copy is on its way. Let us, to conclude ponder the motto of this fine book, on Derrida’s dream, Derrida’s dreaming, and the nature of dreaming: “does not the dream, all by itself, demonstrate, that of which it is dreaming” (200)? Or, to quote another thinker that received Heidegger’s cold gaze, pondering the nature of love and imagination: “in jener ‘Einbildung’ enthüllt sich nämlich ein anthropologischer Wezenszug” (Binswanger 1993, 298).

References:

Binswanger, Ludwig. Grundformen und Erkenntnis des menschlichen Daseins (Heidelberg: Asanger, 1993).

Derrida, Jacques. Marges de la philosophie (Paris: Minuit, 1972).

Derrida, Jacques. De l’esprit. Heidegger et la question (Paris: Galilée, 1987).

Derrida, Jacques. Politiques de l’amitié (Paris: Galilée, 1994).

Derrida, Jacques. Psyche. Inventions de l’autre II (Paris: Galilée, 2003).

Derrida, Jacques. Voyous. Deux essais sur la raison (Paris: Galilée, 2003).

Krell, David Farrel. Derrida and our Animal Others. Derrida’s Final Seminar, The Beast and the Sovereign (Bloomington, IN: Indiana UP, 2013).

Heidegger, Martin. Unterwegs zur Sprache (Pfüllingen: Neske, 1975).

Heidegger, Martin. Logik als die Frage nach dem Wesen der Sprache (Frankfurt a. M: Klostermann, 1998).

Heidegger, Martin. Logic as the Question Concerning the Essence of Language, trans. W.T. Gregory and Y. Unna (New York: SUNY Press, 2009).

Schrijvers, Joeri. Between Faith and Belief. Toward A Contemporary Phenomenology of Religious Life (New York: SUNY Press, 2016).

Proto-Phenomenology and the Nature of Language: Dwelling in Speech I

Proto-Phenomenology and the Nature of Language: Dwelling in Speech I Book Cover Proto-Phenomenology and the Nature of Language: Dwelling in Speech I
New Heidegger Research
Lawrence J. Hatab
Rowman & Littlefield Interntional
April 2017
Hardcover, Paper, Ebook
192

Susanne Claxton: Heidegger’s Gods: An Ecofeminist Perspective, Rowman & Littlefield International, 2017

Heidegger’s Gods: An Ecofeminist Perspective Book Cover Heidegger’s Gods: An Ecofeminist Perspective
New Heidegger Research
Susanne Claxton
Rowman & Littlefield International
2017
Hardback £80 / $120
176

John Sallis: The Return of Nature

The Return of Nature: On the Beyond of Sense Book Cover The Return of Nature: On the Beyond of Sense
Studies in Continental Thought
John Sallis
Continental Philosophy
Indiana University Press
August 10, 2016
Paperback
136

Reviewed by: Zachary Isrow (Global Center for Advanced Studies)

There is a growing concern in the world today, especially in contemporary philosophy, regarding nature. However, despite the strong concern, few texts adequately address the topic. In his work The Return of Nature, John Sallis attempts to show just how imperative it is that we reflect on nature and come to a new understanding of the relationship between humans, the current state of our world, and nature. This book serves as a solid call to arms, forcing us to reevaluate the meaning of nature and compelling us to take up the challenge of re-envisioning a future that is both sustainable and more fulfilling of our being.

The work emerges at the forefront of an ever growing concern with nature. With increased awareness of climate change and other environmental issues we face today, scholars from a wide array of disciplines have sought to address ways we can combat the evolving crises. In philosophy, nature has long been subject to investigation. Up until recently, the focus on nature was aimed at understanding its relationship to being or law, and related issues. Today, much of the focus has been on reconsidering various perspectives of nature in an attempt to account for the current movement to “return to nature,” with advocates for natural medicine, ecological living and energy.

This is indeed where Sallis fits; the goal of his text is to raise awareness to the necessity of accounting for nature in such a way that a paradigm shift occurs from man vs. nature, to man with nature. As with any text in this field it must not only provide a coherent and valid argument, but it must also draw from the tradition out of which it arises. Sallis utilizes German Idealism and American Transcendentalism to establish differing conceptions of nature as well as to interpret what a return to nature might mean for us today. Specifically, he focuses on the works of Emerson, Hegel, and Schelling in order to give an account of nature.

I believe that Sallis’ book can be broken down into three major sections based on the goal of each chapter. These are as follows: understanding nature, evaluating nature, and connecting nature to man. The first of these is the objective in the first three chapters, the second the middle three chapters, and the last the final two chapters. I will consider each of these sections as I see them in greater detail.

First, Sallis must provide a detailed background for viewing nature in the many ways that it has been understood. Accounting for the pre-Socratics through Nietzsche, he has done precisely this. In the first section, Sallis discusses the various ways in which nature can be said to “return.” He points out changing seasons, abandoned cities or buildings, and other instances in which nature may return – the meaning of return changing in different senses. In addition, “There are occasions when nature lets its beauty appear, when it shines forth in a scene so wondrous that it draws us into a contemplative repose in which we linger before the scene” Sallis writes (7).

Having set forth an explanation of the ways in which nature can be said to return, that is, the various meanings of “return” such that nature may do so, Sallis attempts to outline, in the second chapter, the origins of thought regarding nature, or what the Greeks termed φύσις, which reveals the etymological origins of the word to mean “birth” (28). Sallis then seeks to explore the foundations of nature in theoretical thought. He suggests that nature is “the place from within which natural things are born and determined as such” (29). Tracing nature in thought through German Idealism, and specifically through the philosophy of Schelling, Sallis concludes that nature tends to serve as grounding, a replacement for God. With this, “God can no longer be regarded as the causa sui but rather as progeny of the ground, as given birth by nature” (42).

Next, Sallis insists upon stablishing a distinction between the phrasing a “return of nature” and a “return to nature,” the former having been dealt with in the first chapter. The return to nature represents an often philosophical assertion, that we must derail the current trend of societal development and instead return to a state in which we give more regards to nature. As Sallis writes, it is an imperative which “presupposes that its addressees either have themselves retreated from nature or somehow been withdrawn from it, so that in either case they have been separated or at least distanced from nature” (44). Sallis considers the focus on a ‘return to nature’ through the theories of natural man in Rousseau, aesthetic judgment in Kant, and nature in Emerson. Following this, he briefly continues on into the German idealist tradition, as well as its successors in Nietzsche and Heidegger.

In accounting for Rousseau’s position on natural man as a starting point for a ‘return to nature’, Sallis notes that it “opens the way to a condition that, though not that of a savage, in a way accordant with modern life, approximate the state of nature” (46). It is thus theoretical and descriptive in content as it describes the state of nature, with the goal of leading to a method of critiquing or analyzing the modern political state. In the case of Rousseau then, the notion of a ‘return to nature’ is not asked on a sharp contradistinction between the separation of nature and this return. However, the opposite is true in Kant.

In his Critique of Pure Reason, Kant “begins by acknowledging the dependence of knowledge on experience, the primary movement enacted in the critical project consist in a regress from experience – primarily the experience of nature – to the a priori conditions of such experience, conditions that lie not in nature but in the subject,” Sallis notes (49). The separation of man from nature is evident in Kant’s theoretical philosophy, but is perhaps more profound in his practical, moral theory. According to Kant, morality consists in acting in accordance with the categorical imperative and goes against nature. Sallis writes “morality itself lies in self-determination that, utterly detached from natural inclination, is carried out in accordance with the moral law” (49).

Stemming out of this separation, this fierce distinction between man and nature, Emerson’s essay Nature,  argues in favor of a ‘return to nature’ considering that man has so far removed himself from nature due to his entrapment in urban atmospheres. Emerson, Sallis suggests, saw “the human spirit is expanded by coming into proximity to nature, by returning from the detachment from nature inculcated and enforced by city life” (50). Thus nature serves as the means through which spirit manifests itself and presents itself contrary to its becoming subservient to materialism and the goals associated with materialism.

While I will not comment further on the general outline of the views of a return to nature as it develops in the German idealist tradition, it is clear the direction which it is headed. As Sallis writes, “From nature one is displayed to oneself in some specific manner” and that “The return to nature also awakens a sense of the elemental in nature and of our capacity to master and control it,” we can already note the progression this takes (51). For example, Nietzsche’s conception of the ‘Will to Power’ is easily traced and tied into this development of a ‘return to nature.’

In the first section of the text, Sallis has set-up the background for the ability to analyze the concept of ‘nature’ as such, a task which I have described as understanding nature. He has provided a detailed history of the development of ‘nature’ as a concept, including its ancient Greek origins as well as its changing tone in German Idealism. Additionally, he examined the conceptions of “return of nature” and a “return to nature” differentiating the two and clarifying the concern over nature in contemporary continental philosophy. In doing so, Sallis has given the reader the ability to understand nature such that they may critique and analyze nature along with the next aim of the text: evaluating nature.

The goal of evaluating nature is one of analysis and critique, through examining in detail the theories in which a certain conception of nature is presupposed. This section is condensed into a single chapter, chapter four, “Return to Nature from a Beyond Nature,” though it penetrates into the remainder of the work. In this chapter, Sallis argues that nature is, in one sense, reduced to mere sensation, i.e., colors and shapes. In this case, nature is no longer ‘nature’, i.e., landscapes and environs. In order that the former can be determined to be “reconstituted” as the latter, “determinacy must supervene upon it from elsewhere, from somewhere beyond nature,” and so thus, “posits a nature beyond nature” (61). Sallis traces this ‘beyond nature’ through Nietzsche’s thought and notes that the metaphysical ground of the beyond nature is shifted to a subjective ground. “Nature is thus recalled to nature,” or, in other words, nature is not constituted by a “nature beyond nature” anymore, but instead contains its own self-determinacy, nature as such (63).

Sallis then shifts in chapter five, “The Elemental Turn,” to applying philosophy to practical political and ecological concerns. This final section of the book, which I have termed, connecting man to nature, seeks, by making philosophy contemporary in its goals, to illustrate ways the philosophical conception of “return to nature” may be applied to a revised concern for nature and the environment. Thus, this section serves ultimately as a “call to arms,” a militancy, with the objective of eliminating a particular mode of living in the world that is not only contrary to, but ultimately destructive of our nature. It is the task of philosophy to “dismantle the frame of this turn so as to return to a nature,” which we have neglected throughout the whole of philosophy (74).

Overall then, this book is one of many in a push to reconsider and reevaluate nature, and our place within it. More importantly however, it joins the contemporary effort to utilize humanities research, especially philosophical research, to impact the global effort to combat our own actions that have proven devastating to the environment as well as to our very own nature. With that said, while this book expertly provides insight into how we ought to conceive of ‘nature’ such that a “return of nature” is possible, and even necessary, little is done to suggest where this might lead. The one effort made to provide a suggestion is what Sallis calls the “disintegration of difference” which involves the elimination of being a particular of being, and instead focused on the “plurality of being.” It is, Sallis writes, “precisely in being the kind it is, it would be devoid of selfsameness and so would not be a kind. There would be a disintegration of difference at the very heart of being” (119).

Sallis ends with questioning what this would lead to, but does not himself posit this future. Without this, the book almost feels incomplete. Unless, however, one considers this book amongst another which may perhaps put into perspective this emphasis on the plurality of being. Read together with the other works that complement each other in this emerging push for philosophy to influence practical issues, this book might be able to offer an alternative to our current mode of being in the world.

The Return of Nature is nevertheless an inspiring read which engages its readers from the very beginning. It can be read by anyone looking to open up their mind to the reflection on other ways to live more closely in tune with their own nature and to the nature that is around them.

Alice Holzhey-Kunz: Introduction à la Daseinsanalyse. Un regard existential sur la souffrance psychique et sa thérapie, Association Le Cercle Herméneutique, 2016

Introduction à la Daseinsanalyse. Un regard existential sur la souffrance psychique et sa thérapie Book Cover Introduction à la Daseinsanalyse. Un regard existential sur la souffrance psychique et sa thérapie
Collection Phéno
Alice Holzhey-Kunz. Préface de Thomas Fuchs
Le Cercle Herméneutique
2016
Broché
300

Martin Heidegger: Introduction to Philosophy—Thinking and Poetizing, Indiana University Press, 2016

Introduction to Philosophy—Thinking and Poetizing Book Cover Introduction to Philosophy—Thinking and Poetizing
Studies in Continental Thought
Martin Heidegger. Translated by Phillip Jacques Braunstein
Indiana University Press
2016
Paperback $20.00
96, 2 b&w illus.

Françoise Dastur: Déconstruction et phénoménologie. Derrida en débat avec Husserl et Heidegger

Déconstruction et phénoménologie: Derrida en débat avec Husserl et Heidegger Book Cover Déconstruction et phénoménologie: Derrida en débat avec Husserl et Heidegger
Le Bel Aujourd'hui
Françoise Dastur
Hermann
2016
Broché 34,00 €
248

Reviewed by: Innocenzo Sergio Genovesi (Rheinische Friedrich-Wilhelms-Universität Bonn)

Derrida ha sempre presentato la sua filosofia come una scrittura a margine. Questo margine non corrisponde soltanto ai limiti della logica e della metafisica occidentale, che il filosofo francese cerca di destabilizzare dall’interno mettendo alla prova le strutture piú antiche e consolidate del pensiero. I «margini della filosofia» sui quali Derrida scrive sono i margini tangibili dei volumi dei classici filosofici: si tratta degli spazi bianchi non coperti dal testo stampato, della spaziatura tra le righe e le lettere, la quale apre nuove possibilità per una scrittura della disseminazione e per un pensiero della differenza rimasto ancora “inaudito”. Lo studioso di Derrida che si sia cimentato a sufficienza nella decifrazione di queste note a margine avrà senza ombra di dubbio compreso che la scrittura derridiana è sempre scrittura sopra e a partire da un testo. In questo modo, per Derrida la lettura di un autore va a coincidere fin da subito con un’operazione di scrittura. Cercare di enumerare tutti gli autori nei quali è possibile imbattersi all’interno della sterminata produzione derridiana sarebbe un’impresa filologica molto ambiziosa. Tuttavia, è noto che Derrida abbia nutrito una certa predilezione per alcuni autori le cui opere sono al centro degli scritti più conosciuti del filosofo francese: si pensi a Nietzsche, Levinas, Platone o Blanchot, solo a titolo d’esempio.

Nel suo libro Déconstruction et phénoménologie. Derrida en débat avec Husserl et Heidegger Françoise Dastur prende in considerazione due tra i filosofi che maggiormente hanno influito sul pensiero derridiano, se non addirittura le colonne portanti su cui si è sviluppato il pensiero della différance. Questi pensatori hanno segnato il debutto filosofico di Derrida come fenomenologo e hanno accompagnato il suo percorso fino alla fase di produzione più tarda, rimanendo rintracciabili in maniera più o meno esplicita anche nei suoi ultimi testi. Il lavoro della Dastur si prefigge di indagare il rapporto tra Derrida e questi due autori e di capire in che misura egli si sia allontanato dal loro pensiero nella sua operazione di riscrittura. L’investigazione è condotta con una raffinatezza analitica e una precisione filologica lodevoli. Grazie alla sua profonda conoscenza delle opere dei tre autori Françoise Dastur ci offre l’opportunità non solo di rintracciare con precisione nei testi dei filosofi tedeschi i luoghi di nascita delle future intuizioni derridiane, ma anche di comprendere se e quanto Derrida abbia ricostruito con fedeltà le idee dei suoi maestri nel momento in cui le ha presentate nei suoi testi. La decostruzione delle principali idee husserliane e heideggeriane è spesso dipinta come una specie di parricidio nel quale Derrida sovverte i sistemi filosofici dei suoi maestri servendosi dei mezzi teorici che questi stessi gli hanno dato. L’opera di Dastur ci mostra adesso che questo parricidio potrebbe in realtà non essere mai avvenuto e Husserl e Heidegger siano più vicini di quanto si creda al pensiero della différance.

Il libro si divide in tre parti. La prima e l’ultima sono dedicate rispettivamente al dialogo con Husserl e Heidegger. La parte centrale si propone invece come un terreno comune di confronto tra i tre filosofi. Il principale motivo di interesse di Derrida per Husserl è rintracciato nella discussione delle tematiche riguardanti la finitudine, la ripetizione e la presenza. Françoise Dastur sostiene infatti che il dibattito tra Derrida e Husserl corrisponda al dibattito generale tra la filosofia della presenza e il pensiero della non presenza (p. 37). L’accusa ben nota che Derrida rivolge a Husserl è di essere incapace di pensare la possibilità della propria sparizione e della propria morte. In altre parole, di non saper concepire la differenza originaria che si cela dietro alla presenza in generale; differenza che Derrida ha messo in relazione con la diacronicità della ritenzione e della ripresentazione in La voce e il fenomeno. Sono proprio queste strutture della costituzione temporale husserliana che catturano l’attenzione dell’autrice. In un’attenta analisi di La voce e il fenomeno, la studiosa osserva che l’idea derridiana di ritenzione e ripresentazione si basa proprio su una concezione discontinua del tempo come diacronia. Questa concezione non è tuttavia condivisa da Husserl, che ha piuttosto pensato la temporalità come un processo di autodifferenziazione continuo. Dastur evidenzia questo fatto richiamandosi alle Lezioni del 1905, dove Husserl sviluppa una concezione del tempo basata sulla differenza tra l’adesso – l’istante immediato – e il presente vivente, che comprende anche il passato appena trascorso e il futuro prossimo. Questa teoria della temporalità era stata utilizzata da Derrida contro Husserl in La voce e il fenomeno per criticare la sua teoria dell’idealità dei significati e per affermare l’originarietá della différance. Dastur rimarca con impegno che anche per lo stesso Husserl il presente vivente rinvia a un’alterità che si insinua nell’identità a sé del soggetto (p. 88 sg.), senza però che egli adotti una concezione discontinua del tempo: Husserl parla infatti di una modificazione continua della stessa impressione originaria nella coscienza. Françoise Dastur ci mette così di fronte al fatto che per decostruire la fenomenolgia in quanto «metafisica della presenza» Derrida deve uscire da essa, o per lo meno porsi al suo margine, e servirsi di un pensiero dell’alterità che viene assimilato alla «metafisica dell’esteriorità» levinassiana: è proprio l’alterità, vale a dire l’esteriorità, che costituisce la struttura diacronica dell’esperienza che non può mai essere totalizzata (p. 90).

Venendo al rapporto tra Heidegger e Derrida, il punto di contatto e di scontro più significativo è riconosciuto nel concetto di differenza nelle sue più svariate accezioni. Derrida ha illustrato in numerosi testi il suo debito nei confronti di Heidegger nel momento in cui ha coniato i due termini chiave della sua filosofia: decostruzione e differenza. La parola decostruzione vuole infatti tradurre l’Ab-bau heideggeriano, mentre la différance si pone fin da subito come un ampliamento della differenza ontologica. Dastur richiama all’attenzione che è proprio per via di questo pensiero della differenza come distinzione dell’essente in rapporto all’essere che Heidegger ricade, agli occhi di Derrida, nella metafisica della presenza e rimane più un pensatore dell’essere che della differenza (p. 116). Come è noto, le discordanze in fatto di differenza non si limitano soltanto all’ontologia. Anche i casi della differenza tra uomo e animale e della differenza sessuale, a cui Derrida ha dedicato svariati saggi a partire dagli anni ’80, sono riportati con grande accuratezza e l’esposizione è impreziosita dalla testimonianza personale dell’autrice, che era presente al convegno Reading Heidegger tenutosi nel 1986 a Colchester, dove Derrida tenne un lungo intervento. La domanda fondamentale che porta all’allontanamento di Derrida rispetto a Heidegger può essere generalizzata in questo modo: se vi è un primato dell’essere (ontologia), o della comprensione dell’essere da parte del Dasein umano (umanismo) o della neturalità del Dasein (differenza sessuale), in che momento e come può instillarsi una differenza in questo elemento primordiale? Come è successo nel dialogo con Husserl, anche qui sorge un problema genetico che porta Derrida a rifiutare la priorità di un pensiero dell’essere. La conseguenze di questo gesto risiedono da una parte nella negazione di unadistinzione tra uomo e animale basata sulla comprensione dell’essere da parte del primo, dall’altro nella rinuncia all’estromissione della sessualità dalla struttura essenziale del Dasein.

Sebbene la trattazione di questo problema teorico mantenga la sua ragion d’essere anche al di là del rispetto filologico del testo heideggeriano, Dastur ci mostra che la relegazione di Heidegger nel territorio della metafisica della presenza che opera Derrida è probabilmente troppo drastica e non tiene sufficientemente in considerazione gli sviluppi della filosofia heideggeriana dopo la Kehre. Facendo riferimento al testo Identità e differenza, apparso in tedesco nel 1957, l’autrice suggerisce che Heidegger, utilizzando gli strumenti offerti dalla lingua tedesca, voglia compiere un’operazione simile alla sostituzione derridiana della lettera e con la a nella parola différance: ridefinendo la differenza come entbergend-bergender Austrag e come Unter-schied egli fornisce infatti una nozione dinamica e processuale della differenza, secondo la quale essa non trova più origine nella trascendenza del Dasein, ma si presenta in maniera più originaria come una doppia piega dell’essere e dell’essente che li rende inseparabili l’uno dall’altro (pp. 129-130). Questa differenza non è più la relazione tra due termini dati, ma è l’accadere simultaneo della loro separazione e messa in relazione. In altre parole, anche nel secondo Heidegger, proprio come in Derrida, una differenza giace alla base dell’essere e della sua presentazione. Questo fatto risulta chiaro anche dallo sviluppo parallelo dei concetti di Ereignis ed Enteignis, per cui l’evento come coappartenenza di uomo ed essere si configura non solo come un’appropriazione, ma anche come espropriazione e privazione. L’elemento che in ogni caso distingue i due filosofi è il loro rapporto con la presenza: Heidegger non ha mai formulato un differimento all’infinito della presenza e non ha intenzione di mettere in questione il primato della presenza, che è la forma del darsi dell’essere nell’essente. Per questo motivo Dastur definisce Derrida come «il pensatore dell’assenza della presenza, di una presenza indefinitamente differita» e Heidegger come quello della «presenza dell’assenza, dell’estraneità dell’essente che emerge dal niente ed è portato dal niente» (p. 132).

La sezione del libro dedicata al confronto comune tra Husserl, Heidegger e Derrida mette bene in luce le sfide che il Derrida fenomenologo ha dovuto affrontare e i punti di distacco del suo pensiero rispetto all’impostazione fenomenologica in generale. Le questioni più controverse riguardano, com’è naturale aspettarsi, i problemi dell’origine e della temporalità, che trasposti su un terreno di studio più concreto corrispondono ai problemi della teologia e della storicità. Dastur evidenzia in maniera molto chiara che la differenza fondamentale tra Derrida e i due pensatori tedeschi risiede nel dato di fatto che la decostruzione non è un’analisi, ossia una regressione che porta a un’origine indecomponibile (p. 86). Non si cerca quindi di arrivare a un’elemento primo della nostra esperienza del mondo, cosa che il tardo Husserl vuole fare riabilitando l’esperienza antipredicativa della doxa e Heidegger ritornando alle esperienze originarie a partire dalle quali sono state definite le prime determinazioni dell’essere. Dal punto di vista del discorso sulla deità, questa rinuncia all’origine e alla validità fondamentale di un principio dei principi ha portato ad assimilare il pensiero derridiano della traccia e della differenza a una teologia negativa, cosa che in Husserl e Heidegger non può trovare luogo: da una parte infatti nella fenomenologia trascendentale la forma irriducibile di tutta l’esperienza, vale a dire l’egoità, precede anche la deità; dall’altra anche l’ontologia heideggeriana mostra di pensare la divinità al di là della totalità dell’essente, ma non dell’essere. Analogamente, trasponendo questo procedimento sul campo della storicità, Dastur ci fa vedere come il rifiuto di un’origine trascendentale e di una concezione ermeneutica e totalizzante dell’essere portano Derrida a respingere sia la proposta husserliana di una «storia trascendentale», intesa come storia di ciò che rimane identico e può essere indefinitamente ripetuto, sia l’idea heideggeriana di una storia dell’essere, ossia della comprensione e riappropriazione dell’essere da parte del Dasein e del suo ritorno ad esso. Rinunciando a ogni originarietà, Derrida concepisce piuttosto la storia come gioco e scrittura della disseminazione: «Se ogni segno è una marca e quindi una ri-marca nella misura in cui essa non è originaria, se non vi sono che delle marche derivate, allora non è possibile stabilire tra di loro una gerarchia, né pensare la storia nella forma di un flusso continuo di tempo» (p. 105).

Déconstruction et phénoménologie. Derrida en débat avec Husserl et Heidegger è un’opera illuminante che ci offre la possibilità di ripensare il rapporto di Derrida con i suoi maestri e delinea una specie di map of misreading, o meglio una mappa della disseminazione che il filosofo della différance ha operato sul testo di Husserl e Heidegger. Se infatti la filosofia derridiana non può darsi che come scrittura della disseminazione, bisogna tener conto che ogni sua lettura e ogni sua scrittura a margine sono in una certa misura un misreading e un miswriting. Françoise Dastur evidenzia senza possibilità di fraintendimento quali sono a suo avviso i punti in cui Derrida si è tenuto fedele al testo e quali quelli dove un certo détournement è avvenuto, restituendoci le idee dei filosofi tedeschi al di qua della loro ricostruzione e decostruzione derridiana. Così facendo, l’autrice ci mostra come certe contrapposizioni teoriche siano state spesso esagerate o forzate e suggerisce che Husserl e Heidegger siano più vicini al pensiero della differenza di quanto si possa pensare. Ciò nonostante, anche i punti di distacco sono presentati con precisione inequivocabile, evitando di ricondurre i tre autori a un unico pensiero della differenza e salvaguardando l’originalità di ognuno.

Questa restituzione del pensiero di Husserl e Heidegger è sicuramente il punto di pregio più apprezzabile dell’opera, che in generale si presenta come uno studio rigoroso e accurato. Ciò che avrebbe potuto essere sottolineato con maggiore chiarezza e vigore è il passo in avanti che Derrida ha compiuto rispetto ai suoi predecessori attraverso la decostruzione e il pensiero dell’evento e che lo ha reso, come ha scritto giustamente Dastur, un pensatore dell’«assenza della presenza». Derrida riconosce con grande onestà intellettuale e con una certa ironia (che ha spesso portato al fraintendimento dei suoi testi) la paradossalità fondamentale di qualunque fenomenlogia genetica dell’origine e di ogni pensiero ermeneutico della riappropriazione e della riconduzione dell’altro al medesimo. Per questo motivo Derrida si distacca dalla concezione heideggeriana dell’Ereignis come coappartenenza di uomo ed essere e rappresenta l’événement come una venuta impossibile dell’Altro che non riusciamo a comprendere. È proprio questo messianismo senza messianismo o messianismo deserto di cui Derrida parla in Marx and Sons e in altri testi della sua produzione più tarda che rappresenta il motivo di allontanamento più pronunciato rispetto ai suoi maestri. Su questo punto cercare una comunicazione e un’apertura verso i suoi predecessori si rivela un compito difficilmente sostenibile, perché è proprio attraverso l’idea di una differenza e di un evento indecostruibili che Derrida vuole inaugurare un pensiero della (quasi-) origine e del (quasi-) trascendentale che rinunci definitivamente a una fondazione nell’egoità o nel Dasein.