Pierre Kerszberg: Les Trajets intérieurs de la musique, Classiques Garnier, 2021

Les Trajets intérieurs de la musique Couverture du livre Les Trajets intérieurs de la musique
Philosophies contemporaines, n° 20
Pierre Kerszberg
Classiques Garnier
2021
Paperback $29.95
264

David Evan Richard: Film Phenomenology and Adaptation, Amsterdam University Press, 2021

Film Phenomenology and Adaptation: Sensuous Elaboration Couverture du livre Film Phenomenology and Adaptation: Sensuous Elaboration
Film Culture in Transition
David Evan Richard
Amsterdam University Press
2021
Hardback € 99,00
248

Hanne Jacobs (Ed.): The Husserlian Mind, Routledge, 2021

The Husserlian Mind Couverture du livre The Husserlian Mind
Routledge Philosophical Minds
Hanne Jacobs (Ed.)
Routledge
2021
Hardback £190.00
576

Panayiota Vassilopoulou, Daniel Whistler (Eds.): Thought: A Philosophical History, Routledge, 2021

Thought: A Philosophical History Couverture du livre Thought: A Philosophical History
Edited By Panayiota Vassilopoulou, Daniel Whistler
Routledge
2021
Paperback £133.00
392

Iulian Apostolescu (Ed.): The Subject(s) of Phenomenology: Rereading Husserl

The Subject(s) of Phenomenology: Rereading Husserl Couverture du livre The Subject(s) of Phenomenology: Rereading Husserl
Contributions To Phenomenology, Vol. 108
Iulian Apostolescu (Ed.)
Springer
2020
Hardback 103,99 €
XIV, 380

Reviewed by: Kimberly Baltzer-Jaray (King’s University College-Western, London, ON Canada)

The introduction of The Subject(s) of Phenomenology: Rereading Husserl wastes no time getting down to the nitty gritty. Iulian Apostolescu begins the volume immediately by setting the stage with two of the most common and difficult problems that Husserl scholars must grapple with. First, while the main subject matter of Husserl’s phenomenology can be said to be the subject, this is understood to mean the pure field of transcendental subjectivity. (The precise nature of what this means and entails is very murky, and depending which phase of Husserl you read, the answer can change.) Gather several Husserlians in a room to represent the span of his early works through to the posthumous pieces, and you will get a variety of answers to the question, “What is the subject of phenomenology?” Husserl’s work covers such a wide variety of themes and ties into so many other figures and fields, that you get a rather stunning plurality of topics. Second, attempting to carry out Husserl’s famous demand that we must return to things themselves, proves to be not as simple as it sounds, and the phenomenological method he developed is not always the easiest tool to implement. And let us not forget the debates about the phenomenological reduction. Taking this all in, the reader quickly understands what this volume will be attempting to do: (1) inspire new discussion about what phenomenology is and what its subject is; (2) critically engage with, and at times pose challenges to, the predominant interpretations of Husserl that have great hold in philosophy; and finally, (3) extend phenomenology into the twenty-first century and see how it handles the issues that occupy contemporary scholars. No small feat, indeed.

Apostolescu has gathered a diverse group of authors from across the globe, both young and established phenomenology scholars, and this gives the volume a feeling of great breadth and weight. It is organized into three parts that set up a fantastic flow, taking the reader first through discussions dealing with the fundamentals (The Phenomenological Project: Definitions and Scope), and then onto specific aspects and issues of Husserl’s phenomenology (The Unfolding of Phenomenological Philosophy), and lastly to the outer limits, where it is applied to some new contexts (At the Limits of Phenomenology: Towards a Phenomenology as Philosophy of Limits). Each part is jam-packed with a variety of chapters that provide a unique moment to encounter Husserl but in a connected fashion that feels cohesive and grounded.

The chapter that drew me immediately was ‘Does Husserl’s Phenomenological Idealism Lead to Pluralistic Solipsism? Assessing the Criticism by Theodor Celms.’ Mainly, this is due to the fact that Celms is rather obscure, and his criticism of Husserl’s transcendental phenomenological idealism is so rarely discussed in literature (especially English scholarship). Parker does a masterful job of acquainting the reader with the context through which Celms’ critical writing emerges, beginning with the criticisms of Husserl’s idealism by his early students after Ideas (1913) was published, and then moving into the charges of solipsism that Husserl had to confront in the wake of this work. Along the way, he discusses debates in the interpretations of (and misinterpretations of) Husserl’s idealism, feelings about the phenomenological reduction, and his theory of constitution. The introduction to Celms and his critical comments about Husserl is excellent and clear, and he presents both men in discussion. Overall, this chapter is important for scholars to understand the critical thoughts of those who studied with Husserl and had interactions with him shortly after the publication of Ideas.

The second contribution that struck me was Corijn van Mazijk’s ‘Transcendental Consciousness: Subject, Object, or Neither?’. The reason for this is simply that he seeks to address the question: what is transcendental consciousness? A not so simple thing to do, and yet she takes this challenge head on telling the reader that her aim is to provide a new answer. For me, this was exciting. He offers up in a detailed and clear fashion three different interpretations of transcendental consciousness, complete with their consequences and critiques of where they fall short. Along the way, he brilliantly highlights the tensions created by Husserl’s own words that have led to these interpretations. It is a fantastic read that left me feeling validated with respect to any confusion I had experienced regarding the transcendental consciousness. For myself, an early phenomenology scholar, it was also helpful in acting as a kind of foothold to move through this difficult, somewhat unfamiliar discussion, and it allowed me to arrive at my own position on things with a greater degree of clarity.

Saulius Geniusas’ chapter ‘What is Productive Imagination? The Hidden Resources of Husserl’s Phenomenology of Phantasy’ is another one that caught my eye. I have always found the discussions of the structures of the mind to be incredibly intriguing and exciting, and the imagination is definitely one of my favourite topics. So, when I saw the title of this one, I thought – did Husserl talk about productive imagination? After the abstract, I was hooked. The heart of Geniusas’ piece is phantasy, an intriguing and important concept of Husserl’s, and he demonstrates how it can be a reproductive mode of consciousness. He brings memory into the discussion and shows how both it and phantasy produce patterns of meaning that ultimately can be transferred to and thus play a major role in shaping our subjective experience of others and the world around us. He has a compelling argument here for how phantasy can be understood as productive imagination, and it is one I will revisit later for further reflection. The Kantian side of me cannot deny a good structural analysis!

I should also mention Keith Whitmoyer’s ‘Husserl and His Shadows: Phenomenology After Merleau-Ponty.’ This article was incredibly helpful and fascinating, to me, and to anyone, I imagine, more ensconced in early phenomenology. I have a new appreciation for Levinas as well as Merleau-Ponty because of this chapter.

In summation, I highly recommend this book. I must say I have rarely encountered an introduction that sets the stage so well for what is to come. As an editor, Apostolescu has really done an excellent job with this volume. The chapters cover a vast array of Husserl’s topics and ideas, and that means a scholar of any phase of Husserl will find something inspiring or enlightening. This volume is definitely not intended for the inexperienced Husserl reader or a junior scholar, and that is a big part of its appeal. It is a thoroughly rigorous and intellectually stimulating work filled with articles for the researcher who knows Husserl well but leaves space for new ways of becoming acquainted with texts and his ideas. Many of the most difficult topics or perplexing concepts in Husserl are found here, and that makes for a challenging yet enjoyable read. And on that point, it is not an easy read by any means; it is not a volume to approach after several hours of Zoom lecturing and your attention span diminished or your eyes feeling as if on fire. Sometimes I felt very ‘mind-full’ after reading a chapter, and it was hard to move on to read anything more: I had to sit and toss around inside my head what was argued, and then often I would go dig up some Husserl volumes to further reflect and find my bearings and opinions. Some chapters had details about Husserl’s phenomenology I was only vaguely familiar with, and so they inspired me to turn that primary text for a further look [Note: my area of expertise is early Husserl and so anything after the 1920s is a very distant graduate student memory to me. This might change though after this book.] This is the first book in a long while that I couldn’t read quickly. I deeply enjoy books like this – they remind me why I became a scholar and what it means to truly critically read an article and have a dialogue with it. This book demands a high degree of attention, and it is hard to do that when your brain aches. Mind you, it is hard to read Husserl when your brain aches anyway. However, I am confident that dedicated Husserl and/or phenomenology scholars will thoroughly enjoy this volume, and this book will become a treasure in the collection.

Alfredo Ferrarin, Dermot Moran, Elisa Magri, Danilo Manca (Eds.): Hegel and Phenomenology

Hegel and Phenomenology Couverture du livre Hegel and Phenomenology
Contributions To Phenomenology, Vol. 102
Alfredo Ferrarin, Dermot Moran, Elisa Magri, Danilo Manca (Eds.)
Springer
2019
Hardback 103,99 €
XIII, 190

Reviewed by: Daniel Herbert (University of Sheffield)

While Hegel has long been acknowledged as an important influence upon several figures within the phenomenological tradition, the relation of his system to the movement’s founder, Husserl, has been largely overlooked. Husserl’s few, and – for the most part – unenthusiastic references to Hegel, together with the anti-Hegelian attitudes of his teacher, Brentano, have seemed, for most, to suggest that there is nothing to learn from comparing Husserl’s thought with Hegel’s, however much Hegelian and Husserlian themes are to be found combined in the works of subsequent phenomenologists. As such, the recent collection of essays, Hegel and Phenomenology, edited by Alfredo Ferrarin, Dermot Moran, Elisa Magrì and Danilo Manca, represents a most welcome contribution to current debates concerning Hegel’s legacy for Continental philosophy, and the affinities between Hegelian and Husserlian approaches. The collection leans very much towards Husserl, with eight of its eleven chapters centring upon Husserl’s relation to Hegel. Other members of the phenomenological tradition, customarily thought closer to Hegel, are less well-represented here, although there are very interesting chapters on Heidegger, Merleau-Ponty and Ricœur, each of which makes an original contribution to phenomenology scholarship while offering a distinct perspective from which to assess Hegel’s twentieth century legacy.

Although several of the contributors note significant agreements between Husserl and Hegel in earlier works, it is no surprise that the Hegelian motifs in Husserl’s project are most apparent in the posthumous Crisis of the European Sciences and Transcendental Phenomenology. Whether or not Husserl himself became conscious of his affinities with Hegel, his successors in the phenomenological tradition were not slow to appreciate the Hegelian implications contained within a post-Kantian philosophy of subjectivity once it has become sensitive to the importance of intersubjective and inherited historical factors conditioning the subject’s understanding of its experience. The first three chapters of the collection are therefore specifically devoted to interpreting Husserl’s Crisis text in the light of such Hegelian motifs. Chapters four and five compare methodological approaches in Hegel’s phenomenology, whereas chapters six, seven and eight make subjectivity their central theme. The remaining three chapters examine Hegel and Husserl by way of Adorno, Ricœur and Sellars.

The first chapter of the collection, by Dermot Moran, delivers a fascinating account of Hegel’s passage from disrepute to prestige during the early history of the phenomenological movement. As Moran explains, Hegel’s reputation suffered enormously in Germany during the second half of the nineteenth century, when the call for a return to Kant left Hegelian speculative idealism discredited as an extravagantly metaphysical position vulnerable to epistemic critique. Brentano typifies the anti-Hegelian attitudes of this period in German philosophy, identifying Hegel as part of an irrationalist wave terminating a cycle of philosophical progress. The monumentally influential lectures of Koyré, Kojève and Hyppolite notwithstanding, however, Moran shows Heidegger’s rehabilitation of Hegel to pre-date these developments in France, so that it is in Germany that Hegel’s journey to phenomenological respectability originates. Moran stresses the importance of Heidegger’s Freiburg lectures on the Phenomenology of Spirit in restoring Hegel’s esteem amongst a new generation of phenomenologists, and devotes particular attention to Finks’s Hegelian inheritance and its possible influence upon the ultimate shape of Husserl’s Crisis text.

Husserl’s early disregard for Hegel aside, Moran clearly identifies deep affinities between Hegel’s treatment of subjectivity in terms of historically developing intersubjective Spirit and the concerns of the Crisis, examining possible sources of conscious or unconscious Hegelian influences upon this work. Moran’s assessment of the Hegel-Husserl relationship is compelling, original and productive, opening a route to significant re-evaluation of a pairing frequently regarded as fundamentally incompatible. Moran arguably overstates Hegel’s proximity to Husserl, however, on the crucial and much-contested issue of transcendental philosophy – a matter of decisive importance in assessing Hegel’s place in the post-Kantian tradition. Whereas Husserl never abandons his commitment to transcendental methods following his 1907 Kantian epiphany, Hegel’s consciously anti-Kantian methodology greatly complicates efforts to classify him as a transcendental philosopher in any straightforward, unqualified sense.

The complex relationship between Hegel’s system and Husserl’s later work is further examined in the second chapter of the collection, by Tanja Staehler, which addresses their respective treatments of history and teleology. Whereas, according to Staehler, both thinkers identify a purposiveness in European history, and an orientation towards a telos, Hegel takes the goal of history to have been prescribed in advance by the logic of the Absolute Idea, while Husserl allows for changes in historical trajectory owing to the revisability of its telos. In spite of a common teleological approach to historical understanding, Husserl and Hegel differ very significantly, according to Staehler, in their treatments of the future. For Staehler, Hegel’s omnivorous system struggles to accommodate genuine spontaneity into its grand design, which entails that the horizons of historical possibility completely fixed by a process which achieved maturation in the early nineteenth century. Husserl, however, is better able to acknowledge contingencies of time and culture not anticipated in the historical experience of any given community. As such, the future never loses its potential for radical novelty on Husserl’s account, according to Staehler, who takes Husserl to deny the possibility of an ‘absolute’ perspective from which all historically-conditioned limits of understanding are overcome.

Those who are sympathetic to Hegel shall no doubt take issue with Staehler’s familiar objection that there is no contingency or spontaneity worthy of the title in Hegel’s treatment of history. All the same, Staehler identifies a crucial point of disagreement between Hegel and Husserl, insofar as Husserl treats the telos of European history as originating within a specific historical life-world, whereas, for Hegel, teleology involves the realisation in space and time of a conceptual order originating elsewhere. As such, Staehler is well-supported in maintaining that Husserl’s historical teleology is more modest in its claims than Hegel’s.

Danilo Manca’s chapter – the third of the collection – compares Hegel’s and Husserl’s respective treatments of the history of philosophy, with particular focus upon their differing relations to Kant’s approach to the same topic. Beginning with a discussion of Kant’s position, Manca outlines the notion of a ‘philosophizing history of philosophy’ which Kant introduces to distinguish a narrative of specifically philosophical significance within the events leading from Thales to the Enlightenment. Although the first Critique presents the history of philosophy as a cyclical process of metaphysical indulgence and sceptical renunciation, Manca notes evidence from Kant’s posthumous documents suggesting a more progressive interpretation of the same events, whereby reason’s own nature entails its elaboration over time. According to Manca, Hegel and Husserl are Kant’s successors in the project of a philosophizing history of philosophy, each seeking for an underlying rationale and a generally progressive direction to the same historical sequence of events.

Manca’s contribution is the first of the collection to discuss in detail the shared Kantian inheritance to the Hegelian and phenomenological movements, and his comparison of Hegel’s and Husserl’s respective accounts of the history of philosophy neatly illustrates their points of departure from a common ancestor. Manca notes that, for Hegel, contingencies in the historically-situated articulations of the Absolute Idea are the result of the spatiotemporal medium in which reason strains to express itself, whereas Husserl understands the same contingency to originate in more mundane cultural differences. Ultimately, Manca concludes, Husserl remains closest to Kant, insofar as he interprets the history of philosophy as orbiting around a set of problems, rather than as the unidirectional process by which reason realises itself over an organic series of stages. Whereas, for Hegel, history articulates a conceptual structure outlined in the Science of Logic, Husserl recognises no such extra-historical standard informing history’s development.

Hegel’s critique of immediacy and its implications for Husserl’s foundationalist project provides the theme for Chapter Four, by Chong-Fuk Lau, in which it is argued that Husserl came ultimately to concede the impossibility of the very presuppositionless standpoint to which his epoché had been intended to facilitate access. As Lau notes, Hegel and Husserl are similarly committed to the possibility of a rigorously scientific and presuppositionless philosophy, differing principally over whether presuppositionlessness is the feature of a starting-point or a system taken as a whole. Lau is sympathetic to Hegel’s anti-foundationalism, which he takes to fatally undermine the pursuit of ultimate beginnings to which Husserl is committed in his transcendental phenomenology. According to Lau, whereas Hegel had shown that there is nothing altogether free of mediation, Husserl’s performance of the epoché is intended to facilitate a radical beginning from which all mediation has been expelled. For Lau, there is simply no room for compromise between Husserl and Hegel over this Cartesian methodological issue, and Husserl’s appearance of having moved closer to Hegel by the time of the Crisis is the result of his having abandoned his earlier foundationalist ideals.

Lau’s expert discussion of Hegel compellingly makes the case for a fundamental incompatibility between Hegel’s method and that of the Husserlian transcendental phenomenologist. Whereas, however, he is on secure ground in maintaining that Heidegger or Gadamer represent greater prospects for a phenomenological appropriation of Hegelian insights than is afforded by Husserl’s transcendental phenomenology, his claim that the Crisis involves a complete reversal of earlier foundationalist aspirations is more questionable. The ideal of “European science” to which Husserl re-affirms his commitment in the Crisis does not significantly differ from that which he presents in the Cartesian Meditations, and Husserl does not suppose his greater attention to the life-world to undermine earlier aspirations.

Chapter Five, the first of the collection specifically to compare Hegel and Heidegger, is by Antoine Cantin-Brault and examines Hegel’s and Heidegger’s respective understandings of the Heraclitean logos. In its profounder sense, as the principle (arche) of nature (phusis), logos may, according to Cantin-Brault be understood either as (i) the dialectical and determinate truth of being, or as (ii) the unveiling of that which is concealed. Although Heraclitus does not, Cantin-Brault maintains, explicitly make any such distinction, Hegel interprets Heraclitean logos from the first perspective, whereas Heidegger’s interpretation emphasises the second. For Cantin-Brault, Heidegger’s approach to Heraclitus is mediated by a Hegelian interpretation which he tries, and ultimately fails, to overcome. As such, Cantin-Brault argues, Heidegger is unsuccessful in his attempt to understand Heraclitean logos apart from Hegelian dialectic. Hence, for Cantin-Brault, as for Hegel, Heraclitus is a dialectical thinker, in whose work a process of rational self-articulation is driven by the dynamic relation between certain fundamental concepts. Indeed, Cantin-Brault maintains, it was Heraclitus that first instituted a logos which provides Hegel’s philosophy with its central governing principle.

Heidegger’s changing approach to Heraclitean logos, and his disagreements with Hegel on this matter, are, according to Cantin-Brault, illustrative of differing understandings of the nature of ontology, and Heidegger engages differently with Heraclitus before and after his famous Kehre. Cantin-Brault’s chapter strikingly highlights the very different issues relevant to comparing Hegel with either Heidegger or Husserl, and marks quite a thematic departure from the previous, more Husserl-focussed contributions. This is apparent not only in the respectively epistemic and ontological priorities which distinguish Husserl and Heidegger, but also in their divergent attitudes towards the pre-Socratics. Although Plato marks a watershed for both Husserl and Heidegger, he is, for Husserl, the first true philosopher, and for Heidegger, the initial step to modernity’s ontological forgetfulness.

In Chapter Six, Andrea Altobrando compellingly makes the case that, from the time of his transcendental turn, Husserl came to share with Hegel a commitment to the pure ego as a necessary abstraction from the concrete self. After the initial Humean-Brentanian scepticism towards the unified self which he displays in the Logical Investigations, Husserl moves, according to Altobrando, in the contrary direction, acknowledging the pure ego as a necessary condition of any possible experience. Like Hegel, however, in the Phenomenology of Spirit and Philosophy of Mind, Husserl is not, Altobrando shows, committed to Cartesian substance dualism, but recognises the pure ego as an abstraction from a more concrete self, upon which it is therefore ontologically dependent. Both Hegel and Husserl, Altobrando maintains, recognise a demand to develop a more concrete understanding of one’s ontological identity which is not, therefore, merely abstract. For Hegel as well as Husserl, the pure ego, according to Altobrando, is entirely barren of content, simple, indeterminate and negative, without being unreal. Such an abstract pure ego is, Altobrando maintains, necessary for both Hegel and Husserl in order to accommodate the possibility of free agency and the intentionality of consciousness.

With this discussion of the pure ego, Altobrando highlights a feature of Husserl’s philosophy which might – in view of his well-known Cartesian inheritance – initially be thought to disqualify any prospect of overlap with Hegel, and shows that such impressions are unfounded. What is more, as Altobrando explicitly remarks, the comparison of Hegel’s and Husserl’s respective views concerning the pure ego represents a large and difficult project with very significant potential for re-assessing the prospects for dialogue between Husserlian and Hegelian traditions. As such, Altobrando’s contribution indicates the beginning of an exciting and promising larger project concerning the place of the pure ego in Husserl’s thought and Hegel’s.

Chapter Seven, by Alfredo Ferrarin, examines the much-neglected topic of Hegel’s and Husserl’s respective views concerning the imagination and, in so doing, identifies fascinating and unexpected points of agreement between the two thinkers, along with more predictable disagreements. According to Ferrarin, Hegel and Husserl share, first, a common Humean target, and, second, an understanding of the mind as stratified into layers of capacity which support and build upon one another. Unlike Hume, who recognises only a difference in degree of liveliness and vivacity between the ideas and impressions which furnish the contents of the mind, Hegel and Husserl recognise logically irreducible functional differences between the imagination and other subjective capacities. Such capacities are vertically ordered, for Hegel and Husserl, each of whom maintains that the capacity for sensible perception is conditional and grounded upon that of imagination.

Whereas, for Ferrarin, Hegel stresses the continuities between imagination and perception, Hegel emphasises their discontinuities, but both acknowledge a mutual dependence between the possible representation of the real and that of the unreal. In accordance with their contrasting methodological approaches, however, Hegel and Husserl differ very significantly, according to Ferrarin, in their assessments of the philosophical role of the imagination. Husserl’s eidetic discoveries are presented as the products of phantasy or imaginative variation, whereas Hegel understands the imagination as an intermediate stage on subjectivity’s self-propelling journey towards the pure Idea, wherein the sensible content of one’s representations is abstracted and their logical form laid bare to the contemplation of speculative intelligence. Since for Hegel it is the business of philosophy to transform representations into thoughts, the products of imagination are, in spite of their necessary contribution in facilitating the possibility of sensible knowledge and experience, part of what needs to be overcome in effecting the self-mediated transition from ordinary consciousness to philosophical science.

In her chapter – the eighth of the collection – Elisa Magrì argues that Hegel and Merleau-Ponty confront a similar paradox concerning expression, and pursue a common strategy in response. According to Magrì, the concept of expression occupies a central role in Hegel’s thought and Merleau-Ponty’s, but is in neither case to be understood in terms of the manifestation of a pre-existing logos. Beginning with Kant’s account of genius in the third Critique, Magrì shows that, for Kant, expression involves the spontaneous production of a representation which is communicable to others without having been generated according to a fixed procedure or rule. Expression takes on a broader systematic role for Hegel and Merleau-Ponty, Magrì maintains, both of whom employ genetic description to make sense of its pervasive significance in every aspect of thought and subjective experience. Magrì examines Hegel’s discussions of the concepts of expression and manifestation in the Science of Logic and identifies how their respective shortcomings contribute to the emergence of the self-conditioning concept which is the articulation of its own significance. Hegel’s account of expression in the Philosophy of Subjective Spirit is then explored in depth and its systematic connections with the argument of the Logic brought into view.

Merleau-Ponty is seen to agree with Hegel in treating expression properly understood as the origination of meaning, rather than the making publicly available of a privately originating significance. According to Magrì, expression depends, for Hegel and Merleau-Ponty, upon a complex dialectical interplay of activity and passivity, the importance of which for their respective post-Kantian approaches is difficult to overstate. Such a dialectic is particularly well-illustrated, Magrì suggests, in Hegel’s and Merleau-Ponty’s respective accounts of the processes by which the body becomes habituated to the expression of meaning – a series of developments involving moments of subjectivity and objectivity, interiority and exteriority.

Chapter Nine, by Giovanni Zanotti, represents something of a change in direction for the collection, with Hegel taking a step into the background and his place being filled by one of his most important twentieth century enthusiasts – Theodor Adorno. Zanotti examines Adorno’s Hegelian critique of Husserl’s commitment to a presuppositionless first philosophy grounded in the immediate deliverances of intuition. According to Zanotti, Adorno shows Husserl’s ambitious foundationalist project to fall victim to Hegel’s critique of pure immediacy, insofar as Husserl falsely assumes the possibility of an immediate foundation to knowledge which is yet able to mediate the transfer of epistemic support to propositions to which it must therefore stand in relations of mediation. Zanotti explicitly maintains that Adorno’s critique is effective specifically against such earlier Husserlian works as the Logical Investigations, leaving open the possibility that Husserl may be less vulnerable to such criticisms in the Crisis and related works of that period.

What is especially interesting about Zanotti’s admirably lucid and finely-crafted chapter is the way it explains Adorno’s discovery of an unintended dialectical tendency in Husserl’s work. According to Zanotti, Adorno shows that Husserl is led, in spite of himself but nonetheless through a kind of logic immanent within his position, to qualify the earlier Platonic realism of the Logical Investigations in recognition of a necessary subjective ground for the logical concepts he intends to elucidate without, however, sliding into the naïve psychologism which, Adorno maintains, Husserl was right to reject. As such, Zanotti’s chapter amplifies a theme recurrent throughout the collection – that in spite of his ignorance of and early antipathy to Hegel’s thought, the trajectory of Husserl’s philosophical development is towards increasingly greater proximity to Hegel. This is not to deny, however – as Adorno well-recognises – that the one-sidedness of Husserl’s earlier works indicates a genuine insight.

The penultimate chapter of the collection, by Gilles Marmasse, explores Ricœur’s ambivalent assessment of Hegel’s system and its legacy. According to Marmasse, Ricœur understands Hegel’s absolutist ambitions as a temptation which must be resisted, but the renunciation of which cannot be experienced without a sense of profound loss. For Ricœur, the events of the twentieth century have made it impossible to subscribe any longer to the self-grounding and totalising conception of philosophy which Hegel offers in reply to the finitude of the Kantian system, without having eliminated the appeal of such an ideal. The contemporary predicament is well-illustrated by the remarkable fascination which Hegel’s system retains, according to Ricœur, notwithstanding that it is no longer possible seriously to regard philosophy as party to anything else than a partial interpretation of the multifaceted cultural environment to which it belongs and by which it is conditioned.

Ricœur exaggerates Hegel’s dogmatic proclivities, according to Marmasse, who confronts Ricœur’s familiarly speculative interpretation of Hegel with a more deflationary approach which emphasises the Hegelian ambition to accommodate contingency and particularity within the system without annihilating their status as irreducible moments of a greater whole. Contrary to Ricœur’s inflationary reading, Hegel’s notion of Spirit does not, Marmasse maintains, commit him to any disembodied extra-human agency. All the same, according to Marmasse, Ricœur’s criticisms of Hegel retain, in spite of their shortcomings, a contemporary value and interest, especially in respect of their highlighting of authoritarian implications in Hegel’s theory of the state. Marmasse’s chapter is especially interesting in the way it exemplifies a phenomenon frequently remarked upon in the history of Hegel’s reception – namely, the peculiar allure of his system even for those seeking to identify its failings, and the apparent impossibility of ‘getting beyond’ Hegel – with whom it therefore seems necessary to remain in continued dialogue.

Daniele De Santis concludes the collection with a chapter defending Husserl against charges of the kind raised by Sellars’s monumentally influential critique of the myth of the Given. As De Santis remarks, Sellars’s Empiricism and the Philosophy of Mind is often taken as the original source of a Hegel renaissance within analytic philosophy by which Cartesian approaches of the kind which Husserl advocates have been largely discredited. De Santis identifies three aspects of Sellars’s Hegelianism; (i) a ‘three-fold critique’ of givenness, comprising epistemological, metaphysical and genetic elements, (ii) a historical counter-account to a received view of Hegel’s relation to Cartesian philosophy, and (iii) a conceptual holism subsequently embraced by Brandom and McDowell. According to De Santis, Sellars intends for his initial attack against sense-datum theories to open a route towards the rejection of a general picture of givenness of which no philosopher has been altogether innocent. Sellars’s self-described Méditations Hégéliennes are intended to recall Husserl’s Méditations Cartésiennes, De Santis maintains, and therefore to implicate Husserl as complicit in the myth which Sellars means to unveil and dispel.

Identifying a problematic conception of evidence as the core of Sellars’s three-fold critique of givenness, De Santis proceeds to argue that performance of the transcendental-phenomenological reduction, or epoché, leads Husserl to reconceive of the intentional object as the product of acts of transcendental synthesis. Appearances are not mere isolated ‘givens’ according to Husserl, but originate within a normative network of combination-guiding principles which has more in common with Sellars’s conceptual holism than analytic Hegelians have yet to recognise. De Santis’s contribution carries the welcome implication that the so-called ‘Hegelian turn’ in recent analytic philosophy need not preclude productive engagement with phenomenology, any more than phenomenologists have been prevented from making significant contributions to Hegel scholarship or to contemporary understandings of Hegel’s current relevance.

The omission of chapters devoted specifically to Sartre, de Beauvoir and Gadamer and their respective responses to Hegel is perhaps surprising, although a volume addressing each of the major figures of the phenomenological movement would have significantly increased the length of the collection and shifted its focus away from the movement’s founder. Certainly other phenomenologists are more explicitly indebted to Hegel, and Husserl is one of the least obviously ‘Hegelian’ figures of the tradition, but the collection’s unusual attention to Husserl’s widely unacknowledged affinities with Hegel’s thought is, for this very reason, amongst its many virtues. Few other collections offer such thorough studies of the congruences and points of departure between Hegel’s ambitious project and the tradition of philosophical research originating with Husserl, without failing to respect the complex unity of the phenomenological movement as a venture of Husserlian origin. The essays in the present volume – the result of a conference on “Hegel and the Phenomenological Movement” held in Pisa in 2014 – collectively and compellingly make the case for a fresh approach to the relation between Hegelianism and phenomenology, which does not assume Husserl’s basic philosophical orientation to be antithetical to Hegel’s but sees both traditions as responses to a common Kantian heritage and capable of productive cross-fertilisation in the development of anti-naturalist strategies centring upon the meaning-constitutive priority of historical subjectivity. Such a re-evaluation – it might reasonably be hoped – shall be met with enthusiasm by an audience which has become impatient with dismissive treatments of Husserl as a naïve Cartesian, radical only in his uncompromising foundationalism and unmoved by the era-defining concerns which have, since the mid-twentieth century, made Hegel increasingly difficult to ignore for analytic as well as Continental philosophers. While the history of the phenomenological movement has typically been seen as one of successive heretical departures from an original Husserlian ideal of ‘philosophy as rigorous science’ and the greater acceptance of a hermeneutic and historicist approach antithetical to Husserl’s, the present collection invites readers to question such received wisdom by considering the Hegelian potential implicit in Husserl and re-examining his legacy from a perspective informed by Hegel.

M. E. Littlejohn (Ed.): Imagination Now: A Richard Kearney Reader, Rowman & Littlefield, 2020

Imagination Now: A Richard Kearney Reader Couverture du livre Imagination Now: A Richard Kearney Reader
M. E. Littlejohn (Ed.)
Rowman & Littlefield
2020
Paperback $39.95
364

Iulian Apostolescu (Ed.): The Subject(s) of Phenomenology: Rereading Husserl, Springer, 2020

The Subject(s) of Phenomenology: Rereading Husserl Couverture du livre The Subject(s) of Phenomenology: Rereading Husserl
Contributions to Phenomenology, Series Volume 108
Iulian Apostolescu
Springer
2020
Hardback 103,99 €
XIV, 380

The New Yearbook for Phenomenology and Phenomenological Philosophy, Volume 17, 2019

New Yearbook for Phenomenology and Phenomenological Philosophy, Volume 17, 2019 Couverture du livre New Yearbook for Phenomenology and Phenomenological Philosophy, Volume 17, 2019
New Yearbook for Phenomenology and Phenomenological Philosophy
Timothy Burns, Thomas Szanto, Alessandro Salice, Maxime Doyon, Augustin Dumont (Eds.)
Routledge
2019
Hardback £115.00
336

Reviewed by: Bence Peter Marosan (Budapest Business School, Pázmány Péter Catholic University)

The 2019 issue of The New Yearbook of Phenomenology and Phenomenological Philosophy has two main parts: the first one (consisting of eleven texts) is a Festschrift for the 65th birthday of Dermot Moran, the second one (with seven texts) contains updated version of the papers presented at a workshop held at the University of Montreal on the problem of imagination in Kant and in the phenomenological tradition, (The Imagination: Kantian and Phenomenological Models, 5-6 May, 2017). The volume ends with a “Varia” section,[1] with the study of Emiliano Trizio, (“Husserl’s Early Concept of Metaphysics As the Ultimate Science of Reality”).

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Dermot Moran is a key figure of contemporary philosophy and phenomenology. He has an immense, extensive knowledge in the field of natural sciences (having originally studied applied mathematics, physics, and chemistry), the humanities, and particularly, philosophy. He defended his PhD Thesis in Medieval Philosophy at the University of Yale University in 1986; the title of his thesis was: Nature and Mind in the Philosophy of John Scottus Eriugena: A Study in Medieval Idealism.

He counts as one of the leading researchers and experts in phenomenology, and especially in Husserl. He wrote several excellent books on Husserl and phenomenology (Introduction to Phenomenology, 2000; Edmund Husserl – Founder of Phenomenology, 2005; Husserl’s Crisis of European Sciences and Transcendental Phenomenology – An Introduction, 2012), and has a long list of articles published in a number of highly rated philosophy journals. His publications have always generated intensive scientific discussions. He was the President of the Programme Committee for the 23rd World Congress of Philosophy which took place in Athens (August 4-10 in 2013), as well as the President of the 24th World Congress of Philosophy which took place in Beijing (August 13–20 in 2018). Professor Moran is the founding editor of the International Journal of Philosophical Studies and the co-editor of the books series Contribution to Phenomenology.

One of his main goals has been to mediate in the greatest schism of our present day’s philosophy: the Analytic-Continental Division. He is urging a more intensive dialogue between the two sides. As an original philosopher, his basic philosophical stance is adopting transcendentalism, the critique of naturalism, with an openness to natural scientific research (from the transcendental point of view), and with continuous integration of the newest results of positive sciences into the considerations of transcendental philosophy. In our present days, when analytic naturalistic philosophy has a huge predominance, I think, these above-mentioned motifs are especially important.

I find myself fortunate that I was his PhD-student in 2008, so I know his personal side as well. I can say that he does not only represent the highest scientific and academic standards, and he is not just an exceptional teacher, but he is also an astonishingly kind person, very open to everybody and extremely helpful to all. This present volume pays a tribute to his outstanding career by his friends and colleagues. [2].

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  1. The Festschrift contains eleven texts, with the “Editors’ Introduction”. This part of the volume was edited and introduced by Timothy Burns, Thomas Szanto and Alessandro Salice. In their introduction, they give a detailed and also a very personal overview of Dermot Moran’s career; and they also briefly summarize the essays of the first part of the book. I think that every single essay of the Festschrift is an original contribution to it, with new insights concerning the topic they treat. The essays reflect issues or topics that were of concern to Dermot, such as: transcendentalism, embodiment, intersubjectivity.
  2. In his study “Husserl’s Account of Action: Naturalistic or Anti-Naturalistic? A Journey through the Studien zur Struktur des Bewusstseins”, Andrea Staiti touches upon two motifs which are central for Moran: his commitment to the transcendental and anti-naturalistic attitude and his openness to contemporary natural scientific research and analytic philosophy of mind. He refers to one of Moran’s more recent essays in this context: “Defending the Transcendental Attitude: Husserl’s Concept of the Person and the Challenges of Naturalism” (2014). In this essay, Staiti focuses on Husserl’s view of action, drawing on his – at the moment unpublished, but shortly forthcoming – research manuscript “Studien zur Struktur des Bewusstseins” (1900-1914[-1924]) (Ms. M III 3 I-III). He tries to show that Husserl’s account of action, his fundamentally anti-naturalistic stance, is compatible with contemporary naturalistic description of action (according to which the action is not the result of the will as a supernatural causal source).

He attempts to prove this thesis through a microanalysis of Husserl’s depiction of the structure of action, as it is elaborated in “Studien zur Struktur des Bewusstseins”. Husserl interprets the will as a peculiar sort of conscious acts, which stand under the law of motivation. In Husserl’s view, subjectivity is essentially embodied, bodily consciousness, which is part of nature, and this conscious body is the source of will (and voluntary decisions). According to Husserl, free will is just the free functioning of this lived, autonomous and conscious body. As Staiti emphasizes, Husserl creates an elegant balance between anti-naturalistic and naturalistic interpretations of the will, and this could be a fruitful approach within the contemporary debates concerning the relationship of will and action.

  1. Mette Lebech engages in reconstructive work in her paper „Essence, eidos, and dialogue in Stein’s ‘Husserl and Aquinas. A Comparison’”. She discusses the original version of Edith Stein’s Festschrift essay for Husserl’s 70th birthday essay entitled: “What Is Philosophy? A Conversation Between Edmund Husserl and Thomas Aquinas”, originally written, as the title suggests, as a dialogue. Heidegger, who edited the Festschrift, requested Edith Stein to rewrite her work in prosaic form – which she did. She gave the revised version the new title: “An Attempt to Contrast Husserl’s Phenomenology and the Philosophy of St Thomas Aquinas”. The revised version was a comparison of the thinking of the authors, which changed the original content, in so far as the dialogue form itself contributed to the content.

In the original paper a dialogue is recorded between Husserl, as founder of phenomenology, and Aquinas, committed to an ethos of rational faith. The dialogue is possible because of the willingness of the two thinkers to enter into it, and together explore the differences between their respective positions. An important motif is the discussion of the nature of philosophy as well as the idea of essence: together the two thinkers try to attain rational insights concerning basic philosophical topics. The main point of the article is that it is the idea of intelligibility present in their respective understanding of essence that allows the two interlocutors to engage in a dialogue, and that the dialogue form brings this out. According to Stein (in Lebech’s interpretation) essence is a presupposition for the intersubjective, dialogic praxis of communities.

  1. Steven Crowell’s article, “Twenty-first-Century Phenomenology? Pursuing Philosophy With and After Husserl”, partly treats Moran’s narrative in his seminal work: “Introduction to Phenomenology” (2000). In this book, Moran portrays the history of phenomenology of the 20th century as a deviation from Husserl’s transcendental and idealistic formulation of phenomenology. Crowell, on the one hand, offers a critical overview of this interpretation of the phenomenological movement, and poses the question (based on the results of his essay) of what should phenomenology be in the 21st century?

According to Moran, the main authors of phenomenology – after Husserl – rejected both his transcendental attitude and his idealistic tendencies. The “inflection point” of phenomenology in this story was Heidegger’s philosophy of Being, and his vehement criticism of Husserl. Merleau-Ponty’s phenomenology, some really naturalistic features were gained, and finally in Derrida, the phenomenological method “collapsed” into deconstruction.

But in Crowell’s opinion, we could interpret the history of phenomenology in another way: phenomenologies – after Husserl – could be interpreted as transformations of transcendentalism. One could clearly identify the transcendental motif in Heidegger’s account of being-there (Dasein, the subject), as well as in (e.g.) Merleau-Ponty’s philosophy of chiasm and the phenomenology of nature.

Relying on this interpretation of phenomenological tradition, Crowell offers us a possible way of phenomenology for the 21st century, which keeps the transcendental attitude onwards in the future, but abandons classical metaphysical demands. It should be a phenomenology – as Husserl (and also Moran) claimed – of radical self-responsibility, a radical claim concerning evidence and ethical responsibility.

  1. In his essay entitled: “Merleau-Ponty and Developing and Coping Reflectively”, Timothy Mooney takes issue with Hubert Dreyfus’ interpretation of Merleau-Ponty on “skilled coping,” arguing that reflective work is to be found in many of our daily embodied experiences. He emphasises a self-differentiating and bodily field of experience from which the conscious and objectifying subject emerges and to which it makes its own contributions.

In the background of every movement, there is an anonymously functioning body, though the embodied agent is at once an encultured and thoughtful one. In this account, we do not find an indifferent animal body surmounted by human reason. Following on Joseph Berendzen’s work, Mooney stresses that Merleau-Ponty rejects a “layer-cake” model of human subjectivity (according to which there could be hermetically separated layers of body and mind). As Berendzen states: “There are certainly elements that we share with animals, […] but there is no shared layer” (76). Both body and bodily-founded consciousness are specifically human, and every so-called layer mutually determines and shapes the other.

Mooney illustrates the functioning of this embodied and culturally formed awareness in everyday life with a series of examples. The central concept in his essay is that of “little reflections”. These refer to the way in which we consciously adjust our bodily movements (and not just our speech) to changing events in the lived environment. We frequently make explicit corrections to our movements and in so doing contribute to replanning them. Without these little reflections, we would be literally unable to survive.

  1. Similarly to the previous study, Matthew Ratcliffe’s paper “Grief and Phantom Limbs: A Phenomenological Comparison”, first and foremost also relies on Merleau-Ponty. Ratcliffe emphasizes certain deep parallelism, and what is even more: identity between phantom limb experience and experience of losing a beloved person, that is to say: grief. Phantom limb experiences manifest for us the essentially embodied nature of consciousness, and that we are entangled with the world – in the same way that in the experience of grief, it became clear for us that we and the other person belong together in a much stronger than metaphoric way, in a nearly literal sense. The other (beloved) person is almost an extension of my body. The other person grants me access to the world in nearly the same way as my sensory organs and limbs do. In his essay, Ratcliffe focuses on our active, back-and-forth determinative relationship to the world, and on the manner in which our relations to other persons shape the access to our own body and to the world that surrounds us.
  2. In the center of Lilian Alweiss’s contribution (“Back to Space”) discusses the relation between place and space. It is generally agreed that Husserl’s phenomenology prioritises place over space. Lilian Alweiss questions this interpretation of Husserl by drawing on Edward Casey’s work. Casey claims for both early Kant and Husserl embodiment, the place we find ourselves in, is central to our understanding of space. Although Alweiss acknowledges that embodiment plays a central role in cognition and our relation to others, she believes that neither Kant nor Husserl ever argue that our understanding of space is a posteri or derived from our understanding of space. She thereby takes to task Casey’s anti-modern or romantic reading that tries to question our scientific conception of space.
  3. Anthony J. Steinbock’s article: „Hating as Contrary to Loving” is an essential and enlightening study concerning the phenomenology of emotions and feelings. The principal thesis of Steinbock’s essay is that hate and love are not parallel and coeval feelings, neither do they have a dialectical relationship. Love is more fundamental and original than hate, and the latter is founded on the former; so they have a foundational relation.

Steinbock makes a difference between feeling-states and feeling-acts. States are objective and static, and they could be conceived as objects. Acts are always dynamic, and could never be conceived as objects, in the way states could be. States are founded by acts. Hate is founded by love, both as act and state. It gains its entire reality and energy from love.

A key conception of Steinbock’s paper is at first a mysteriously sounding phrase: the hate hates the beloved (121). What does it mean? It means that hate is founded upon the positivity of love and beloved. It is a counter-movement, a negative striving against love and the beloved; it is a closing down with regard to the beloved (or a turning away from it), or even a destructive action against the beloved. But in its entire negativity, it is made comprehensible only through love, against which it is directed. It is the denial of the beloved.

  1. Thomas Nenon’s study “Do Arguments about Subjective Origins Diminish the Reality of the Real?” again joins a central topic of the whole volume and Moran’s basic philosophical attitude: the defence of transcendental stance. Nenon treats the criticism of two main authors of “speculative realism”, Tom Sparrow and Quentin Meillassoux against transcendental philosophy in general, and Husserl in particular. According to the criticism of speculative realists, transcendental philosophy and especially phenomenology fall prey to “correlationism”, which means “the irreducibility of subject and object, thinking and being” and „never considering either term apart from the other”. According to speculative realism, transcendentalism makes reality dependent on subjectivity. Nenon attempts to show that this criticism is false.

In Nenon’s interpretation, transcendental philosophy does not make reality dependent (objectivity) from consciousness, nor is it unable to consider and treat them apart. Transcendentalism is rather the first-person view treatment of experienced objectivity, and the ways in which objectivity appear in experience. It is Meillassoux’s realism which is somehow naïve and naturalistic, because it is simply oriented toward the worldview and achievement of modern natural sciences. Nenon says that Meillassoux’s concept of objectivity is too narrow – as opposed to phenomenology which has a much richer and sophisticated notion of objectivity, with many different regions, (the world of nature, the realm of culture, the sphere of ideal meanings etc.).

  1. Richard Kearney’s essay: “God Making: An Essay in Theopoetic Imagination” is a really beautiful writing about philosophy (phenomenology) of religion. It is a survey about the transformation of divine into human and human into divine, a mutual fusion of these two spheres of Being. A main topic of the paper is creation: how God makes the human being a partner, a playmate in the act, the process of creation; moreover: how humans become lovers of God in the act of creation. Creation is an erotic act; it is the fusion of creator and creature, divine and human, their mutual transition into each other. Creation is the manifestation of an erotic desire of God. Creation is moreover a poetic deed; the divine creation is “theopoiesis”.

An important point of Kearney’s paper is the motif of return, which he emphasizes with the Greek prefix “ana”. Kearney speaks about “anatheism” which is “returning to God after God: a critical hermeneutic retrieval of sacred things” (152). Anatheism is not just the Hegelian “Aufhebung” (uplifting); it is not simply a moving through the opposition of theism and atheism towards something higher. It is an ultimate re-opening to the radically new, it is the final union with the divine dimension.

In the final part of his study, Kearney applies and demonstrates his insights on the artwork of the contemporary artist, Sheila Gallagher.

  1. Nicolas de Warren, in his essay “Husserl’s Awakening to Speech: Phenomenology as ‘Minor Philosophy’”, highlights the peculiar philosophical importance of Husserl’s working method of thinking in writing, using his special stenography. His study is also a novel approach to Husserl’s relationship to language and his philosophy in general. Husserl’s way of meditating in writing shaped his thoughts, and his streams of thoughts also formed the way he wrote. Nicolas de Warren also wants to revise the still currently prevailing view concerning Husserl’s conception of language, according to which language was merely external to thought. De Warren tries to show that this is not the case. Language, not in a thematic way, but rather in a methodological manner, gained a central role in Husserl’s works. In Husserl’s unpublished manuscripts (in the process of writing them) phenomenology became really linguistic and phenomenological. In Husserl’s writings, phenomena really seeked expression, and all the concepts were in formation, everything was fluid and flexible. In de Warren’s interpretation: “Husserlian phenomenology is an unprecedented historical awakening of philosophy to its own speech” (164). De Warren characterizes it as a “Minor Philosophy”, as a radically new form of philosophising, which “struggles to create novel philosophical concepts within established – inherited and institutionalized – dominant languages of philosophy” (161).

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  1. The second part of the volume (“The Imagination. Kant’s Phenomenological Legacy”) consists of six studies, plus the “Editors’ introduction” by Maxime Doyon and Augustin Dumont, which offers a brief survey of the philosophical importance of the imagination.
  2. Maxime Doyon’s study (entitled “Kant and Husserl on the (Alleged) Function of Imagination in Perception”) is a systematic comparison of Kant’s and Husserl’s conception of imagination and its purported role in experience and cognition. The text begins by arguing that there are at least three ways in which the imagination could be interpreted as playing an essential role in perception in Kant’s philosophy: firstly, it is said to be necessary to account for the amodal character of perception, (“amodal” in this context refers to the holistic feature of perception; that is to say: that we see objects as wholes, even if we see directly only a few details of them); secondly, the imagination would be essential to account for the constitution of the identity of object through time; and thirdly, the imagination would help us to classify objects, that is to say, to conceive them as particular examples of certain types or classes.

Doyon then tries to show that Husserl inherited this set of problems (amodal perception, constitution of perceptual identity through time and classificatory functioning of perception), without, however, subscribing to Kant’s explanation, which grants to the imagination a transcendental role. In Husserl, there is no place for the imagination in perception, except in two (relatively) rare situations: in image consciousness (when we perceive images [photos, paintings, sculptures, etc.]) and perceptive phantasies (experiencing of works of art; such as theatrical plays, operas, etc.). Otherwise, there is – pace Kant – just no place for the imagination at all in perception.

  1. Andreea Smaranda Aldea, in her long and thorough work entitled „Imagination and Its Critical Dimension: Lived Possibilities and An Other Kind of Otherwise” offers us a detailed and critical analysis of Husserl’s conception of imagination, highlighting its merits, but sketching a basically alternative model.

In Husserl, imagination and perception belong to essentially different sorts of acts. Imagination has a special – and very important! – epistemological role, but fundamentally it is the “inversed mirror” of perception. It is everything which perception is not, (with the exception that both are intuitive acts). Imagination is not-doxic, free, neutralized and quasi-positional act. According to Aldea this account, though at certain points grasps some fundamental features of imagination, at certain points it is rather insufficient, what is even more: misleading. In Aldea’s opinion, imagination cannot be interpreted in such a negative way as Husserl has.

Aldea, in an alternative model, which – notwithstanding – relies on Husserl, describes perception and imagination, which are radically different, but at certain essential points are nevertheless intertwined and in strong cooperation with each other. “Imagining possibilization” (a key conception in Aldea’s framework) has – as opposed to Husserl’s view on imagination –a motivated and teleological structure, and is embedded into the concrete medium of the life-world of the proper subject in question. “Imagining possibilization” plays a fundamental role in the constitution of meanings, and thus in cognition and experience in general. Aldea wishes to present such a model of imagination, which is bound by contingent cultural and historical conditions on the one hand, but – on the other hand – nevertheless has a fundamental transcendental necessity too.

  1. Samantha Matherne’s central thesis, in her essay, “The Hidden Art of Understanding: Heidegger and Merleau-Ponty’s Appropriation of Kant’s Theory of Imagination”, is that there is a fundamental continuity between Kant’s theory of imagination and Heidegger’s as well as Merleau-Ponty’s philosophy (despite the no less important differences). In her study, she attempts to demonstrate some essential elements of this continuity.

In the beginning of her writing, she emphasizes that there are four basic claims in Kant’s conception of imagination: firstly, the “perceptual presence”-claim (according to which imagination plays a constitutive role in the perception of a concrete material thing); secondly, the “transcendental”-claim (which says that imagination makes experience possible in a transcendental and apriori way); thirdly, the “pre-cognitive”-claim (which states that imagination operates prior to cognition, and founds the latter), and fourthly, the “know-how”-claim (in accordance with which imagination has a deeply practical function). Matherne tries to show that all these motifs could be found in Heidegger’s and Merleau-Ponty’s notion of imagination.

The Heidegger-part of this study is also a very creative analysis: the author (Matherne) does not investigate Heidegger’s Kant-book, which would be all too trivial in this context (though she – of course – mentions that work). She focuses on Heidegger’s Being and Time (of which she offers a closer reading) in order to show that the above-mentioned four elements could be found in Heidegger’s existential analysis of the Dasein (being-there). She completed the same work in analysing Merleau-Ponty’s Phenomenology of Perception; highlighting that Merleau-Ponty embeds the fore-mentioned Kantian claims into his conception of bodily existence. Imagination, in Merleau-Ponty, is fundamentally the functioning of the embodied subjectivity – but this treatment of imagination, according to Matherne, also has its roots in Kant.

  1. Michela Summa’s essay entitled: “Are Fictional Emotion Genuine and Rational? Phenomenological Reflections on a Controversial Question”, is a very sensitive and even touching investigation concerning the problem of fictional emotions. Though her study is not restricted to that, but the article mostly treats the phenomenon of fictional emotions in the aesthetical context. The question: do we experience real and rationally motivated emotions within aesthetical circumstances (e.g. seeing a theatrical play or reading a novel)? For example: Kendall Walton says: “no”, to this question. Michela Summa, on the contrary, answers this question with a definite and emphatic “yes.”

According to her, though the characters of fictional stories aren’t real, our emotions concerning them could be. Presence and real existence of things aren’t criteria for our emotions to be real; as Summa emphasizes, (real) emotions are often intertwined with the absence of its object (as in the case of e.g. grief). The sadness, she states, we are feeling for Anna Karenina, is both real and rationally motivated; (the situation, the experience is such that it is just rational to feel this way); the tears we shed for her fate are real, though she is not. Our entire personality could live in such fictional emotions – just as in the case of real emotions.

  1. Daniele de Santis – in his study entitled: “‘Das Wunder hier ist die Rationalität’: Remarks on Husserl on Kant’s Einbildungskraft and the Idea of Transcendental Philosophy (With a Note on Kurd Laßwitz)” – offers us an exhaustive study on Husserl’s reading of Kant, at the early stage of his elaboration of transcendental phenomenology, mostly between the years 1907-1909 (manuscripts mostly published in Hua 7).[3] De Santis focuses on details of Husserl’s harsh criticism of Kant during this period; and also on the implicit ways in which Kant nevertheless influenced Husserl’s own transcendental position. Husserl criticized Kant in those, above-mentioned manuscripts, for his alleged anthropologism. That means: in Husserl’s interpretation, Kant states that a world, which is supposed to be understood by human beings, is essentially a human world, which presupposes human consciousness. Husserl, on the contrary, operates with a much broader form of rationality. The world need not be a particularly human world, in order to be understood, the rationality need not be specifically human in order to understand the world. The human being is a particular, empirical entity – but Husserl is interested in necessary and apriori structures of consciousness (and rationality) and of the world. De Santis emphasizes that we could highlight two different and fundamental forms of rationality in Husserl: a transcendental one (apriori structures of constituting consciousness) and ontology (apriori structures of constituted object); which together make up a non-anthropologic, more complete form of rationality.

An interesting and creative moment of this essay is the analysis, devoted to Husserl’s contemporary, Kurd Laußwitz, a Neo-Kantian author, who spoke about different, non-human parallel worlds, and to whom Husserl also refers in the manuscripts of the treated period.

  1. Augustin Dumont’s article entitled: “Imagination and Indeterminacy: The Problematic Object in Kant and Husserl” is a thorough, insightful, comparative analysis of Kant’s and Husserl’s account of imagination, and its role of the epistemology of these two authors; with special regard to their understanding of the “problematic object”.

Kant’s and Husserl’s conception of imagination, despite all the common points, are essentially different. Imagination, for Kant, in a certain way, serves as a condition of possible experience; while for Husserl, it is a possible (particular) form of experience. But there is also an important connection between them: the question of the “problematic object”. For Kant, the problematic object was the “object in general”, before every determination. In Husserl, the “problematic object” was the object of imagination or fantasy which – at certain points – played nevertheless an important role in Husserl’s epistemology, (e.g. in his method of “eidetic variations”).

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  1. The closing unit of this volume, Emiliano Trizio’s writing, entitled: “Husserl’s Early Concept of Metaphysics As the Ultimate Science of Reality”, is an enlightening, very profound, astonishingly in-depth survey of the formation of Husserl’s early notion of metaphysics. Trizio’s main aim in his essay is to dispel such misunderstanding, according to which Husserl’s phenomenologically was – at least – metaphysically neutral, or even anti-metaphysical. In contrast to this, Trizio attempts to show that Husserl’s chief philosophical efforts were deeply metaphysically motivated, and that his ultimate goal was to establish a phenomenologically grounded metaphysics. In this regard, what is of the utmost importance is Husserl’s considerations on the relationship between theory of knowledge and metaphysics.

Trizio follows Husserl’s intricate trains of thought concerning the relationship of these two disciplines – from 1896 (Lecture on Logic)[4] up to some of the earliest documents of his transcendental turn (Such as the Introduction to logic and the theory of knowledge. Lectures 1906/07).[5] The theory of knowledge, according to Husserl, was about the essence of justified knowledge, and the proper means to attain grounded knowledge. Metaphysics, on the other hand, was about being; in the end, for Husserl, it was the ultimate science of factual reality.

Husserl hesitated for a while on how to define the boundaries between theory of knowledge and metaphysics. His final stance on this question began to crystallize in his above-mentioned 1906/07 lectures; according to which they are distinct and separate fields. Theory of knowledge (as “first philosophy”) yields the ultimate foundation of every knowledge; metaphysics (as “second philosophy”) is the supreme form of the philosophical disclosure of reality.

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In my opinion, the 2019 volume of The New Yearbook of Phenomenology and Phenomenological Philosophy meets the highest standards. Both sections are excellent, with studies of very high standard, and the closing essay is also a very good one, treating a topic (Husserl’s early metaphysics), which deserves much more attention than it received until now. The first part is a compilation of studies of very high quality, in the honour of one of the most important contemporary philosophers; the second part is a collection of essays, which illuminate, in a very precise way, the peculiar philosophical importance of the phenomenon of imagination.


[1]  A section for papers, which do not fit into the thematic parts of the volume.

[2] This paper was supported by the János Bolyai Research Scholarship of the Hungarian Academy of Sciences, (No. BO/00421/18/2). I would like to express my gratitude to everybody, who helped with her/his comments and corrections the completion of the final version of this article – first of all, to the authors of this volume. I am also very grateful to Zsuzsanna Keglevich, for proofreading the article.

[3] Husserliana 7. Erste Philosophie (1923/4). Erster Teil: Kritische Ideengeschichte (The Hague, Netherlands: Martinus Nijhoff 1956).

[4] Husserliana Materialien 1. Logik. Vorlesung 1896 (Dordrecht, Netherlands: Kluwer Academic Publishers 2001).

[5] Husserliana 24. Einleitung in die Logik und Erkenntnistheorie. Vorlesungen 1906/07 (The Hague, Netherlands: Martinus Nijhoff 1985).

Matthew Eshleman, Constance Mui (Eds.): The Sartrean Mind, Routledge, 2019

The Sartrean Mind Couverture du livre The Sartrean Mind
Routledge Philosophical Minds
Matthew Eshleman, Constance Mui (Eds.)
Routledge
2019
Hardback £190.00
664