Dominique Pradelle (Hrsg.), Pierre-Jean Renaudie (Hrsg.): Intentionnalité, sens, antipsychologisme, Georg Olms Verlagsbuchhandlung, 2022

Intentionnalité, sens, antipsychologisme. Hommage à Robert Brisart Book Cover Intentionnalité, sens, antipsychologisme. Hommage à Robert Brisart
Europaea Memoria, Reihe I: Studien, 134
Dominique Pradelle (Hrsg.), Pierre-Jean Renaudie (Hrsg.)
Georg Olms Verlagsbuchhandlung
Paperback 49,80€

Hanne Jacobs (Ed.): The Husserlian Mind

The Husserlian Mind Book Cover The Husserlian Mind
Routledge Philosophical Minds
Hanne Jacobs (Ed.)
Hardback GBP £190.00

Reviewed by: Mitchell Atkinson III (IFiS PAN)



I am not aware of any recent collection of pieces by Husserl scholars that includes so many of the most important names in the field. Hanne Jacobs has demonstrated an astonishing prowess at organizing not only the material within the text but also in choosing and arranging contributors for this compilation. The book has, in its substance, aspirations to be the definitive introduction to Husserl—and by implication to phenomenological philosophy—in the English language. As philosophers and good critical readers, we must assess these aspirations in light of the works we already have while attempting to bring Husserl to a wider readership within and outside of the academy.

Perhaps it’s appropriate to examine for a moment the question why one makes such a fuss over Husserl in the first place. There has been a line of discussion in phenomenology, and several “post”-phenomenological disciplines, that makes of Husserl a sort of spastic Cartesian, chastised by Frege for psychologism, flailing ineffectually between an outdated dualism, an outdated essentialism, and a metaphysics he dare not name. This sort of dismissal can be found among so-called analytic as well as continental philosophers, although the level and volubility of the attack tends to differ between the schools. Strong phenomenologists have published doubts of central Husserlian notions, including essence and the epoche. Others have attempted to refine or expand Husserl’s work into new domains of human experience. Still others have attempted to use parts of the phenomenological method to deepen work in adjacent disciplines, most notably the social sciences, psychology, and cognitive science. But the question of Husserl’s value remains, nonetheless. We can ask ourselves, as Adorno’s imagined interlocutor says of Hegel, “Why should I be interested in this?”[1] Are there not many other philosophers, many other more contemporary dealers in concepts whose work will bring me closer to the intellectual promised land? The question is related intimately with the question why one does philosophy to begin with. The money’s no good and hardly anyone reads it. If J.K. Rowling or Stephen King wrote a text on transcendental epistemology, would anyone care to read it? Philosophers, as a group, have given weak answers to the question of the utility of philosophy. Socrates, in line 38a of Plato’s apology, famously says the unexamined life is not worth living. Wittgenstein seems to have thought sometimes that philosophy isn’t good for much at all. Philosophers like Schopenhauer see in philosophy the path to a kind of resignation to the dreariness of life. The existentialists give us angst and its attendant pleasures.  And what of Husserl? How would he answer this question? And might we, if we tease out a possible answer for him, not see something penetrating about what it is that Husserl has to offer us today?

One of the problems with trying to catch hold of Husserl’s motivations for doing his philosophy—and by extension what he thought philosophy could do—is that Husserl wrote so much that had implications for so many disciplines. One need only glance at the list of works in Husserliana to get a sense of the dizzying and perhaps dismaying depth of Husserl’s Nachlass. What this means in practice is that one must always interpret Husserl with a certain air of humility. It is always possible that a new page, maniacally scribbled over in his modified shorthand, will be discovered, and one’s prize interpretation will be sent to pot. This difficulty has been noted before, and it haunts all scholars who choose to tangle with prolific thinkers. There is always the threat of another level or dimension in the work which one has not quite reached, an aspect of the work which, having remained obscure to you for years, comes into focus just in time to obliterate the paper you’re currently writing. If our Husserl presents himself as such a bottomless pit of philosophical insight, perhaps the power of philosophy was for him also bottomless. In which case, the answer to the question, what for Husserl, can philosophy do? would be exceedingly simple: everything.

Now, invocations of “everything” are not so common in good philosophy without adequate justification, and we certainly have not yet provided it. Further, if we take a step back and examine our aims in this little review, we will find a much more satisfying route toward the answer that we seek. It is not an undifferentiated omnipotence that Husserl saw in philosophy. What is more differentiated than the work of Edmund Husserl? Rather it is a multifarious form of experiential description, questioning, analysis and elaboration—according to a sharply defined method—that he sees in philosophy. The value of the activity and method we’ll say ever-so-few words about at the end of this text.

In the meantime, it would be nice to get straight about what it is philosophy can do by Husserl’s lights. It so happens the book currently being reviewed is beautifully structured to do just that. Jacobs’ collection is divided into seven parts: (1) Major works, (2) Phenomenological method, (3) Phenomenology of consciousness, (4) Epistemology, (5) Ethics and social and political philosophy, (6) Philosophy of science, (7) Metaphysics. A naive interpretation of the structure of the book would be that Husserl’s thought fits comprehensively within these categories. To the extent that it does, we can say the book captures the Husserlian mind, thereby living up to its title. Where such a set of categories misses Husserl, where he slips away, may mark territory where this collection refuses to follow him.

Major Texts

The book appropriately opens with an overview of Husserl’s major texts. Pierre-Jean Renaudie writes on the Logical Investigations, Nicolas de Warren on Ideas I, Sara Heinämaa on the Cartesian Meditations, Mirja Hartimo on Formal and Transcendental Logic, and Dermot Moran on The Crisis. We can see the logic in this selection of texts. We begin with Husserl’s first mature philosophical book and end with his last one. We have the lynchpin of the transcendental turn in Ideas I. Sara Heinämaa writes persuasively on Husserl’s egology in the Cartesian Meditations, as well as helping us to contextualize the extent to which Husserl can be called a Cartesian. Heinämaa writes, “Husserl presents Descartes’ doubt as a great methodological innovation which provided the possibility of reforming all philosophy. However, he immediately points out Descartes made a series of fundamental mistakes that blocked the entry to the transcendental field that radicalized doubt laid open” (p. 41). Heinämaa shows that Husserl is a Cartesian in a rather qualified sense, in the sense of having received a limited inspiration in the theme of Cartesian skepticism. The themes in Descartes that are most commonly attacked, most notably a rather untenable mind-body dualism, are not at all operant features of Husserl’s mature philosophy. Nicolas de Warren, in his contribution, tells us something illuminating of Husserl’s approach to doing philosophy. The title of his piece, “If I am to call myself a philosopher,” refers to a line from a 1906 writing in which Husserl, characteristically, sets himself a task in order to gain philosophy as such. While de Warren’s contribution is eminently useful as an elucidation of difficult phenomenological concepts like noesis and noema, the natural and naturalistic attitudes, and many others, perhaps the greatest insight it provides is given in this short quotation. Still in 1906, Husserl was writing things like “If I am to be…” He had not, on some level, settled into an image of himself. Or perhaps better, he was still challenging himself to develop in order to match the philosophical aspirations he held so dear.

When setting out a philosopher as prolific as Husserl’s “major works,” there will necessarily be some difficult omissions. Here, one might like to see a chapter on either the Analysis Concerning Passive and Active Synthesis or Experience and Judgment. In that way, with one or both represented, the importance of the theme of genesis, the technique of genetic phenomenology all told, would receive a fuller exposition. No text as comprehensive as this one can possibly avoid the genetic theme altogether, but it would be helpful to see one of the major genetic texts included with the ”major works.”

Phenomenological Method

The second part of this book is, to my mind, the most important for young philosophers. The method of phenomenology must always be front and center because phenomenology is something philosophers do; it is not a list of conclusions other philosophers have already reached. Those who focus on and reiterate the method as Husserl’s major discovery enact a tradition of phenomenology that allows it to be a living, dynamic branch of philosophical practice as opposed to a stodgy cul-de-sac of philosophical history. In this collection, we have Dominique Pradelle discussing transcendental idealism, Andrea Staiti on the transcendental and the eidetic in Ideas I, Rochus Sowa on eidetic description, Jacob Rump on reduction and reflection, Jagna Brudzińska on the genetic turn, and Steven Crowell on Husserl’s transcendental phenomenology. Pradelle’s text is absolutely essential for unlocking the association between Kant and Husserl, and the ways in which Husserl suffers under the Kantian influence. An under-appreciation of the nuances in both thinkers might tempt us to characterize the phenomenological reduction as merely a restatement of Kant’s Copernican revolution. Such a reading would see the Kantian transcendental and the Husserlian transcendental as one and the same; their differences, as philosophers, would be relegated to style and method. Pradelle writes that for Husserl, “Kant discovers the region of pure consciousness or subjectivity, which is not intra-worldly but supra-worldly, which is not objective but constitutes all objectivity, and which is not inserted in the spatio-temporality or causality of the world but is fundamentally different from any worldly entity” (77). But for Husserl, as a central feature of his philosophy, the Kantian thing in itself is inimical to consciousness, a strange exteriority to conscious life that can’t, in the end, have anything whatsoever to do with a philosophy grounded in the transcendental as a method as well as a theme.

Rochus Sowa and Andrea Staiti together help us to clarify the eidetic method as we see it in Husserl. Sowa takes us from Husserl’s insistence that descriptions are facts, due to the factual nature of experience, to an analysis of Husserl’s descriptive eidetic laws which Husserl needs to motivate a view of phenomenology as general enough to undergird other forms of human enquiry. Key to this generality of application is the distinction between empirical concepts and pure descriptive concepts, the latter of which apply to possible or ”thinkable” objects and states of affairs irrespective of their empirical instantiation. Sowa also helps us to see that in eidetic work, the examples brought before the mind, whether objects in the world as experienced or possibilities in phantasy, are not the theme of the analysis; the examples are there to help guide us to an essential relation or an eidetic law. It is against such precise considerations that we can read Andrea Staiti’s contribution on the relation between eidetics and the transcendental. Staiti points to a tendency in the literature to treat the suspension of the being of the world as an instant path to essential description, as if all one had to do was dunk one’s head in the transcendental waters to see the colorful essential fish. This idea is sharply incongruous with Husserl’s work ethic, with his almost superhuman drive to add, distinguish, complexify. At the same time, those who acknowledge the need for eidetic work can draw too sharp a distinction between the transcendental and the eidetic, the implication being that we can pick one or the other to motivate our phenomenology. Staiti concludes that the eidetic and transcendental are “inextricably linked’ (96). Although this may sound obvious, it has implications. Perhaps most importantly, it places rigorous limitations on the degree to which phenomenologists are doing phenomenology when they engage in interdisciplinary work. On Staiti’s view, phenomenologists may have much to say about case-specific, empirically oriented studies in the human sciences but their properly phenomenological contributions will be bound by the transcendental and characterized by the eidetic.

Jagna Brudzinska gives us a penetrating overview of Husserl’s turn to a genetic phenomenology, a development in his thinking that is increasingly seen as crucial for understanding his later works. Brudzinska points out that even today many phenomenologists view the eidetic method as purely static. If phenomenology is meant to be anything like a theory of subjectivity, however, a static methodology is bound to be inadequate. The experience of the subject is dynamic, flowing, changing in our awareness of time’s passage. Brudzinska gives us a quick historical overview, making the claim that the importance of the genetic theme was there for Husserl as far back as the Logical Investigations. From there, Brudzinska develops the expansion of the field of inquiry that the genetic method achieves. She says, “In this context, it becomes possible to take into account not only present and immediately intuitive experiences. In addition to consciousness of the past we also gain the possibility to consider alien and future consciousnesses.” (132). Phenomenology needs this breadth of enquiry if it is to become the philosophy of subjectivity, for experiencing subjects are constituted and constituting in time.

Steven Crowell’s contribution is in many ways a commentary on the other pieces in the methodology section. His aim is to further clarify Husserl’s phenomenology by examining his notion of the transcendental and distinguishing it from Kant’s.

Phenomenology of Consciousness

Although the papers on method are some of the most important in this collection for young philosophers, part three, on consciousness, will no doubt be of interest to many seasoned Husserl researchers. Christopher Erhard introduces us to Husserlian intentionality by exploring three questions, why intentionality matters philosophically, what intentionality is, and finally what the lasting impact of intentionality is. He develops, through a reading motivated by a tight logical style, a view of Husserl’s idealism that shows its fundamental differences from both Kant and Berkeley. Maxime Doyan works through the normative turn in intentionality, citing a normative theme in Husserl’s studies of intentionality that is seldom observed. Doyan identifies the most important norms for this discussion as identity and recognition, identifying them with noema and noesis respectively. This allows a discussion of illusion and hallucination to unfold alongside a Husserlian rejection of the conjunctivist/disjunctivist distinction. Doyan here sides with Zahavi and Staiti, claiming that from the Husserlian view the question whether perceptions, illusions and hallucinations are the same kind of experience hardly makes sense at all.

Lanei Rodemeyer’s work on inner time consciousness is required reading for anyone attempting to understand Husserl and his place in the literature today. In her contribution here, she provides an overview of Husserl’s phenomenology of internal time consciousness, displaying as ever her unique pedagogical powers. She reiterates Husserl’s claim that the phenomenology of time is the most difficult of philosophical topics. Indeed, getting the phenomenology of time in a digestible package is difficult for various reasons. Husserl changed his mind concerning the structure of inner time consciousness in at least one major way and his ideas on time are scattered throughout his works. Rodemeyer treats us to a general introduction to the problem in Husserl, discusses the place of content in inner time consciousness and describes levels of constitution in Husserl. There are few practitioners in contemporary phenomenology as helpful in introducing the reader to Husserl’s work on temporalization.

Chad Kidd, in his contribution, seeks to rescue the theme of judgment from philosophical obscurity. His approach outlines Husserl’s theory of judgment while avoiding a reiteration of the commonplace debates concerning psychologism. Roberto Walton provides us with an excellently researched elaboration of Husserl’s work on language as a ground of the common world. Among the piece’s many useful contents, it stresses the distinction between Wittgenstein’s insistence on language as a “proto-phenomenon” and Husserl’s understanding of prelinguistic modes of consciousness that “condition the general structure of predicative statements” (255). Walton’s work sets the stage beautifully for Phillip Walshes’s text on other minds. Walsh is keenly aware that one of the most common charges against phenomenology is that of solipsism, or even more—Cartesian methodological solipsism. Walsh notes that the problem of intersubjectivity, of the constitution of the other in consciousness, is a fundamental phenomenological problem to which Husserl returned again and again. Zahavi’s chapter on three types of ego is the last in the section on consciousness. Because of Zahavi’s extraordinary precision as a scholar and reader of Husserl, his papers on changes to phenomenology, false starts and complete reversals, are incredibly valuable. Here, he unveils the steps Husserl took from an almost absolute disinterest in the ego concept to placing it so prominently in later works like the Cartesian Meditations. The chapter has extraordinary pedagogical value, not least because Zahavi synthesizes Husserl’s complex egology into the three phases given in the title while at the same time going painstakingly over the important details in the body of the text.


Clinton Tolley’s is the first paper on epistemology in Husserl. Here, he helps us understand Husserl’s project as a clarifying of cognition. This task is placed in a Kantian shadow that Husserl labored in throughout his career. Many of his pages were filled with responses to neo-Kantians like Natorp, Cohen, and Rickert. The chapter helps bring into focus the extent to which Kant’s preoccupation with (human) reason is taken up by Husserl. Walter Hopp begins his work with a nod to the challenge posed by the philosophical zombie. He develops an argument whereby we come to see the notion of unconscious intentionality as absurd on its face. Philipp Berghofer’s seeks to establish the sources of knowledge available in phenomenological work. He provides a typology of knowlege that includes types of object, experience, givenness and evidence. Using these categories, we can better understand the range of knowledges available to philosophical discussion. In John Drummond’s contribution, Husserl’s concept of objectivity is explored. Here, we begin by rejecting any reliance on either subjectivism or objectivism. If these categories, as naive theoretical types, are cast aside, the question of what it is to be an object for consciousness remains. Drummond motivates his discussion with what he calls putative and intersubjective objectivity. Hanne Jacobs, the editor of the volume, makes her contribution by discussing Husserl on epistemic agency. Jacobs uses a reading of Husserl to challenge deflationary accounts of epistemic agency, accounts that would minimize the role of our active participation in the formation of beliefs. Husserl’s emphasis on the centrality of attention in our holding of any proposition to be true as epistemic agents. Jacobs takes the reading of Husserl to the realm of personal responsibility, arguing that, for Husserl, one can be responsible not only for positively held beliefs but also for what one does not believe, doesn’t know, or doesn’t want to know.

Ethics, Social, and Political Philosophy

The fifth division of the book collects chapters on ethics, social and political philosophy. One might fault this section for being a kind of grab bag of “social” topics, but in reading the chapters here, one sees how they are inter-related as levels of exploration of the intersubjective theme in Husserl’s phenomenology. Inga Romer imagines Husserl’s history of ethics as a battlefield, pitting reason and feeling against one another. Romer’s text is a deep resource for understanding the works in philosophical history that informed Husserl’s development as an ethical thinker. The chapter also lays bare a tension in Husserl’s sometimes stated aims with respect to formal and material axiology and praxis as a science of ethics and the view of ethics toward which his late phenomenology pulled him. Mariano Crespo situates Husserl’s ethics among his contemporaries, including Lipps, Pfänder and Geiger. In the discussion, Crespo uncovers insights related to live issues in phenomenology, including especially the need for a phenomenology of the will. Sonja Rinofner-Kreidl writes about evaluative experience in prose whose grace is a relief after many turgid lines. Rinofner-Kreidl reminds us that Husserl does not hold that evaluative experiences infringe upon our rationality. The axiology Husserl develops is nonetheless complex, involving top-down formal axiology and formal praxis with bottom-up descriptions of associated experiences. We are even given an analysis of Husserl’s Kaizo articles and a discussion of the complex late ethics, culminating in a teleological view that grants us a universalism, as it were, from within. Sophie Loidolt writes on the fragility of the personal project. Loidolt moves from Husserl’s claim in Ideas II that motivation is the “basic law that governs the life of the person” (393) to a discussion of various topics guiding the debate on personhood and practical agency in Husserlian phenomenology. We end up with the claim that the person for Husserl is not defined as an achieved unity; the person is rather a fragile potential unity, ever missing its ultimate aim. Indeed, Loidolt ends with the rumination that it may only be through the support of others that our fragile projects of personhood can be maintained. Sean Petranovich takes us through Husserl’s work on social groups, exploring Husserl’s mereological work to draw attention to Husserl’s relevance to contemporary discussions regarding mereology and the social. The final chapter in this section of the book is by Esteban Marín-Ávila, discussing Husserl’s conception of philosophy as a rigorous science and its influence on his axiology and ethics. Marín-Ávila tackles the problem of Eurocentrism in Husserl with candor, refusing to dismiss it as an idle charge yet at the same time insisting that a Husserlian ethics, as elaborated in works like the Crisis, have much to say to non-European peoples. Husserl’s unfortunate writings on the impossibility of European peoples “Indianizing” themselves are referenced here, as well as his apparent belief that the achievements of Europe were such as to motivate a kind of rationally motivated mimicry in all other peoples of the world. Marín-Ávila ends with an affirmation of transcendental phenomenology that sees it as an already critical discipline capable of leading us toward a philosophy that matters.

Philosophy of Science

The sixth division of the text takes up Husserl’s work on the philosophy of science. We begin the division with Marco Cavallaro’s text which attempts to outline Husserl’s theory of science and posits a distinction between pure and transcendental phenomenology. Cavallaro sees ”pure” phenomenology as related to the project of a theory of science and transcendental phenomenology as related to ultimate epistemic foundations. Cavallaro is quick to point out this distinction is not made explicitly by Husserl. Jeff Yoshimi is the first in this collection to focus on the deepening field of phenomenological psychology. In this chapter we encounter Husserl’s main contemporary psychological influences (Wundt, Stumpf, Brentano, Dilthey). Yoshimi wants to link phenomenological psychology with transcendental phenomenology, phenomenological with empirical psychology and finally phenomenological psychology with philosophy of mind. One might misconstrue this as an effort to naturalize phenomenology, but it seems Yosimi is after a much more Husserlian move—establishing a transcendental dimension in the philosophies of mind and cognitive science. David Carr’s contribution looks to history as a science and its relation to phenomenology. This piece has pedagogical value as a general introduction to philosophy of history as well as an example of good Husserl scholarship. Carr helps us to see history as a study of the natural attitude in temporal development. Carr’s important Husserlian claim is that in the Crisis phenomenology takes on a decidedly historical character, for it is here that Husserl makes of philosophy as such a human endeavor with a history. The proper description for the historical a priori is something, Carr reminds us, Husserl struggled with until the very end. We are once again in full view of Husserl as a philosopher forever unsatisfied and unwilling to yield to his own limitations. The final contribution on the philosophy of science is Harald Wiltsche’s text on physics. Wiltsche quickly contextualizes the early twentieth century as a time of great upheaval in the sciences, noting above all others the arrival of relativity theory and quantum theory as fundamental disruptions to the way we view the world. He associates these shifts with changes in dominant philosophical discourses. Wiltsche shows that while Husserl himself may have demonstrated limited interest in the cutting edge physics of his day, in the person of a one-time student, Hermann Weyl, Husserlian ideas found their way into the scientific mainstream. Wiltsche also, rightly, points out that the discursive divide between analytic and continental philosophy is still far too robust today, despite our best efforts to pretend its dissolution a thing already achieved.


The final division of the text is devoted to metaphysics. We may find the inclusion of these chapters strange because, as Daniele De Santis points out, Husserl’s relationship to metaphysical philosophy is all-too-often taken for granted. If for no other reasons (and of course there are other reasons) the chapter is useful in that it contributes to the literature refuting the charge that Husserl is a naive metaphysician of presence. De Santis is a systematic thinker whose penetrating Husserl scholarship attempts to make the development of the metaphysical in Husserl something clear and useful for scholars. Claudio Majolino takes on the Herculean task of mapping Husserl’s ontology. The difficulty, as Majolino points out, is that Husserl is so vast and many of his works have ontological elements and implications. Majolino’s work here—using Burnyeat and Aristotle to seek out contours of Husserl’s ontology—is too original for a few lines in a review such as this. The chapter is worth serious study. Timo Miettinen’s contribution begins with a general introduction to the theme of teleology, moving quickly to a detailed exposition of the place of teleology in Husserl’s phenomenology. Miettinen notes the importance of genetic method in exploring the development of experiential structures demonstrating immanent teleological character. This means that early static analyses of teleology were not sufficient given the temporal requirements of goal-directed experience. Miettinen also, here, deepens our understanding of Husserl’s alleged Eurocentrism, responding to an accusation by Derrida that, Miettinen shows, relies on a crucial misreading. One unresolved question in the chapter is whether and how all of Husserl’s teleological descriptions can be subsumed under transcendental phenomenology. The final chapter of the final section of the book is Emiliano Trizio’s paper on teleology and theology. Trizio, more than any other scholar in this compilation, is concerned with Husserl’s investigations of the nature of God and what they can do to deepen our phenomenological understanding. For Trizio, God is a necessary theme of phenomenology. Trizio shows how theology fits within Husserl’s overall phenomenology. And, finally, Trizio develops a non-objectivist reading of Husserl’s most theological passages.

Concluding Remarks

Having commented on these contributions, we are left dizzied by the depth and variety of Husserlian concern. Beginning this review, we confronted two basic questions. The first, Why Husserl?, asks us to assess Husserl as a thinker today. The second, What for Husserl can philosophy do?, is a refinement and extension of the first. What perhaps a collection like The Husserlian Mind gives us is the scope to determine, for ourselves, the answers to these questions. At the very least, we have within these pages the first lengths of many different paths one might take through the mind of Edmund Husserl and accordingly through philosophy as such. In so doing, we can discover for ourselves the value of great minds and the philosophies they make.


Adorno, Theodor W. 1993. Hegel: Three Studies. Translated by Shierry Weber Nicholsen. MIT Press.

Husserl, Edmund. 2001. Analyses Concerning Passive and Active Synthesis: Lectures on Transcendental Logic. Translated by Anthony J. Steinbock. Kluwer Academic Publishers.

———. 1970. The Crisis of European Sciences and Transcendental Phenomenology: An Introduction to Phenomenological Philosophy. Translated by David Carr. Evanston, Ill: Northwestern University Press.

———. 1973. Experience and Judgment. Translated by James Spencer Churchill and Karl Ameriks. Evanston, Ill: Northwestern University Press.

[1] Adorno (1993: 109).

Jean-Luc Marion: D’Ailleurs, la révélation

D'ailleurs, la révélation Book Cover D'ailleurs, la révélation
Jean-Luc Marion
Paperback 29,00 €

Reviewed by:  André Geske

Before starting reviewing D’ailleurs, la révélation, I would like to introduce some key features that form the frame of this book concerning its author and the context that is issued. Jean-Luc Marion’s D’Ailleurs, la révélation is a masterpiece of philosophical thought and literary beauty. Without any doubt, the author is one of the greatest philosophers of this century. Besides being a recognized expert in the philosophy of Descartes, he has made many contributions to the philosophies of Husserl and Heidegger. Furthermore, we observe his influence in many other scholars inspired by his thought. In Christian theology, we are used to identifying the Church Fathers in two classes: those who consecrated themselves to defend the Christian faith through apologetics and those who deepened Christian theology. These last ones we call Polemists. Marion is a polemical thinker in a Christian sense of the word. He has brought to the debate a Christian reflection showing its pertinence to philosophy today. Moreover, he is one of the most important representatives of the renowned movement of renewing phenomenology in France besides great philosophers and theologians such as Emmanuel Levinas, Jean-Louis Chrétien, Philippe Capelle-Dumont, Michel Henry, Paul Ricœur, and others. It is also worthy to note that Marion displays acuteness both in philosophy and theology, something that starts becoming rare in our days. Many philosophers have not enough theological training. In this way, they misinterpret some Christian theological concepts. Moreover, we have to mention the elegance of using the French language marking his literary style. Both the content and the writing style are well-conceived enhancing the experience of reading. We cannot expect less from a member of the Académie Française (The French Academy of literature). A well-built philosophical theology or a well-built theological philosophy, it is up to the reader to decide. However, Marion walks in the path of most prominent Christian philosophers such as Augustin of Hippo or Thomas Aquinas. We will notice that the main discussion of the book is the possibility of overcoming the opposition between faith and reason through a new way, that is, a phenomenological way. Marion will regroup some themes such as revelation, the distinction between Greek Aletheia and Biblical Apocalupsis, witness, love, the phenomenological reduction of the givenness, saturated phenomenon, anamorphosis, paradox in the book. Some of them already present in other books, however in D’ailleurs, la révélation, he organizes them in a way to show the coherence of his entire philosophical-theological thought. Therefore, D’Ailleurs, la Révélation is an invitation for thinking. We are sure that its reception will trigger some discussions concerning revelation and its status in philosophical thinking. We will go further into the provocative character of the book later in this book review.

Marion has presented innovative and profound ideas in this book, but we should consider its symmetric format, too. A discussion of each part will follow in this review, nevertheless, as an introduction, I think it would be worthy of noting the internal arrangement of the book in six parts with four chapters each, excepting the first and the last parts containing two chapters each. The first part (The sending) deals with the problem of the revelation. It starts with the notion of revelation as a general phenomenon in philosophy and not a religious concept only, the Revelation.

The second part (The constitution of the aporia) concerns a discussion of the theme in medieval philosophical theology. In the third part (The restitution of a theological concept), Marion exposes the differences between two concepts of truth – Apocalupsis and Aletheia. He aims at showing the contrast between the Greek notion and the Judeo-Christian. Especially in this part, Marion introduces the idea of anamorphosis borrowed from art and optics to use it in philosophy to question the role of the subject as a critical observer of reality. In this way, Marion illustrates that reality can appear otherwise before the eyes of the observer. Then he should become a witness guided by the saturation of the phenomenon that arrives before him.

In the fourth part (Christ as a phenomenon), we consider how the revelation phenomenalizes itself. Revelation is not a saturated phenomenon, but it reveals Christ, the saturated phenomenon par excellence. From this point, the content starts becoming more theological. In the fifth part (The icon of the invisible), Marion starts dealing with the divine Trinity and all its conundrums to human reason. Finally, in the sixth part (The opening), Marion proposes a reflection concerning being and time from a revelational perspective.

At the end of the book, we find an index nominum with the names mentioned with whom Marion has dialogued, however, the entry of Hegel is missing. A second index presents all biblical references that Marion uses throughout the book. It helps a lot when we need to verify the interpretation of the text made by the author to support a given argumentation. However, an important biblical text – Psalm 19 – generally present in discussions about revelation, does not appear in the book, unfortunately.

Through this review, we would like to emphasize the main lines drawn by the author to establish his thesis. Therefore, we intend to identify the major contributions of the author, however, due to the length of the book (600 pages) and its density, it will become the subject of many academic articles for critical analysis. For this task, I would like to start presenting this work.

In part 1, « The Sending », Marion proposes to think of the world, not as an opened space but something which shows itself in a continuous flow as a river. This notion highlights that the phenomena that we perceive in our daily life show themselves by themselves. They reveal themselves to us. Thus, revelation is something common to our everyday experience. He gives us two examples, one more ordinary than the other, in a very poetic way, the act of skiing and the act of love or using an expression from the author as an erotic act. Both of them have three dimensions – it reveals itself, it reveals a world where this act takes place, and it reveals myself to myself (il me révèle à moi-même). By referencing the act of skiing, Marion intends to show that an ordinary act can always reveal something from itself. However, in the second example, the act of love, Marion shows that even complex phenomena reveal deep structures of reality as time, space, and relation. The relation here is not a simple relation of cause and effect but a personal relationship between myself and somebody else. We can see a strong influence of Hans Urs Von Balthasar here. In part 3, we find a deployment of this topic because, following the thought of St. Augustine, love is a prerequisite to search for truth. Marion starts leading us to not consider epistemology as something deprived of personal relation. Through an Augustinian path, Marion will demonstrate that truth demands love.

The reader accustomed to Marion will notice from the beginning that his ideas such as the donation (la donation) as a third phenomenological reduction, the saturated phenomenon, the erotic reduction, and the concept of revelation are present in this book. However, all of his contributions seem to find their achievement. The idea of revelation is a kind of fil d’Ariane that guides us through the labyrinth of Marion’s thought. Furthermore, in chapter 2 of part 1, we find the main structure for this idea of revelation that englobes a triad consisting of the witness, the resistance, and the paradox. By these concepts, the phenomenality of the revelation can be perceived and understood. However, an expression that will drive the thought of Marion concerning the revelation is its character elsewhere (d’ailleurs). Even though d’ailleurs gives the idea of something coming from somewhere else or from someone else, it can indicate a change in the logical plan and allow us to add a new element without necessary relation with what we have just said. Therefore, the notion of revelation from elsewhere (d’ailleurs) enables us to have a new way of interpreting reality. He introduces another rationality concerning philosophical thought. In this way, he plays with these two significations of the French expression at the same time.

Part 2 provides a route to a discussion in medieval thought. This second part, called « The constitution of the aporia », retraces the concept of revelation to interrogate if it is possible to consider it as a propositional communication of knowledge of God. Even though this discussion alludes to The Middle Ages, it has implications in our days, for example, the status of theology as a science. In this way, Marion brings into the discussion two exponents – Thomas Aquinas and Francisco Suarez.

Firstly, he starts through a discussion regarding Thomas’s comprehension of the scientificity of theology about revelation. Afterwards, he develops Suarez’s propositionality of the revealed truths. According to Marion, the propositionality of the revealed truths would steer us to the possibility of a scientific theology without faith because it would disconnect the apprehension (apprehensio) of things to be believed and the consent (assentio) given to proposed things. Since consent consists of faith (p.88), the propositionality of the revealed truths would permit theological thinking without it. This discussion gravitates around the notion of sufficient proposition (propositio sufficiens) that carries the revelation, that is, the sufficient proposition is the knowledge of the content of the revelation per se. Thus, the revelation could be detached from the consent of faith and assimilated into a scientific method. In the theology of Thomas, we can see a connexion between the revealed and the science. Suarez’s proposition reverses Thomas’ conception of the scientificity of theology.

Marion follows Thomas Aquinas to avoid this disconnection between the revelation and the faith caused by the sufficient proposition. We can observe at this moment how the philosophy of Jean-Luc Marion demands theological training. He understands revelation as englobing even the Church doctrine ordained in tradition, not only the Biblical Scriptures as the Protestant understanding. However, if the sufficient proposition comes only from Holy Scriptures as an original form of revelation, it will give birth to the pretended absolute primacy of the Bible as the criterion of thinking (Sola Scriptura) (p. 106). It would be an unbearable reversal of the metaphysical foundation of theology into the biblical text. Therefore, the Bible would become a collection of propositions. According to Marion, the implication of this reasoning would be a kind of scriptural fundamentalism that is present even in our days. It is an inversion of the epistemological interpretation of the revelation passing by the sufficient proposition towards the sufficiency of the Holy Scriptures. Marion affirms that it will be a Biblical literalism or a Biblism (p.106). This conclusion demands a new step in the arguments to avoid this extreme. Then, Marion provides the source for theological thinking: the Magisterium of the Church.

As Marion points out about the Concile of Trent of 1546, the idea of revelation is absent, although the debate concerned the relation between tradition and Holy Scripture. Indeed, this concept will appear only in 1870 in the First Council of the Vatican. Then, the Magisterium will start discussing this concept recently through the influence of the Protestant theologian Karl Barth who identified revelation not just as a communication of knowledge but manifesting God himself by himself (Dieu lui-même par lui-même). It is this change of perspective that drives Marion to the reflection concerning the revelation. He affirms: « correctly conceive revelation demands the motivation for that and the motivation from God’s perspective. Which divine motivation could justify that God reveals himself in person? Without making this first and last question, no research concerning the concept of revelation has neither significance nor legitimacy. » (p.122,123).

Marion knows the impasse of this conclusion that is all revelation comes from somewhere else, out of this reality (d’ailleurs). And, to conceptualize it is impossible because a human conception of revelation will not embrace this reality from elsewhere (p.123). « Revelation has the concept, formally speaking, of having none. » (p.123).

Thus, revelation is in the same category as God. So both God and revelation have a half concept (quasi-concept) due to the impossibility of having a whole concept, because according to Saint Augustine if we can describe God, it is not God who reveals himself and transcends this reality. Therefore, the Magisterium played a critical role to establish by the encyclical Dei Verbum a balance between the natural and the supernatural knowledge of God. It acknowledged the transcendent character of God and revelation that metaphysics has imposed on Christian theology. So, the Magisterium has the function of making intelligible the propositional content of revelation. Then, Marion explains the origin of the doctrines of the natural and supernatural knowledge of God. He assessed the modern perspectives of revelation through intuition, imagination, will, and concept. However, this aporia has not been closed until today.

Knowing this openness of the discussion concerning revelation (both in philosophy or in Catholic, Protestant, and Orthodox theology), Marion proposes in part 3 to deal with « The restitution of a theological concept ». Following the advice of the Magisterium of a more theological concept of revelation with less metaphysical influence, Marion opens this third part with a discussion about the possibilities and the impasses of a concept of revelation. Thus, he supports a more Barthian idea of revelation as the openness of God personally, not a simple communication of predications about God. It implies a relation between man and God coming from elsewhere (d’ailleurs). Then, the Word of God is a declaration (énoncement) from God to man. Marion draws from more Liberal and Neo-Orthodox traditions of Protestant theology to start constructing the understanding of revelation that he proposes. Indeed, Marion starts preparing the way for advancing his arguments. He argues for a comprehension of revelation that must be without an a priori that could establish the conditions of its possibility (this is Karl Barth’s argument). However, without the determinations of the conditions of reception (this is Rudolf Bultmann’s argument), this revelation becomes empty. Then, the inevitable reestablishment of certain conditions (this is Tillich’s, Rahner’s, and Pannenberg’s argument) (p.177) would enable a less metaphysical influence in the idea of revelation. At this point, we could wait for a resort to the theory of a saturated phenomenon, but Marion goes further and affirms that this is not the case. Indeed, the phenomenon of revelation is a kind of a given that surpasses the capacity of conceptualizing it. However, the phenomenality of revelation does not have any other law than the (erotic) logic of giving (le don), of loving (agapê). Thus, to understand revelation, we need to look for a phenomenon that gives itself through love. An infinite givenness of unconditional love which only Jesus Christ can succeed infinitely. The saturated phenomenon par excellence. Therefore, we cannot enter into the truth without love, as Saint Augustine has affirmed.

Chapter 8 brings some chief thesis of the whole book. Firstly, the figure of love phenomenalized in Jesus Christ who gives himself to death is a manifestation of the revelation in its summit. Secondly, Marion demonstrates the dematerialization of things. Through a scientific method heir of the Cartesian philosophy, modern science creates objects from things. Two competing notions of truth appear according to Marion – Alêtheia as the Heideggerian analysis has shown as something that lets itself be seen or Apocalupsis as the Judeo-Christian thinking has used as the discovery of something that was covered by something. Marion makes many distinctions regarding the usage of both terms. Thirdly, Marion discusses the priority of the logic of love to know an object through the philosophy of Pascal. However, in Descartes, this logic is inverted to the precedence of knowing the object to love it. Marion explains that it is a « rational distinction between two usages of reason following the researched purpose (the certitude of an object or the phenomenality of elsewhere (d’ailleurs)) and following the hierarchy of the modes of thinking (primacy of understanding or the primacy of will, then of love) » (p.198). Fourthly and finally, all these steps prepare the reader for the idea of anamorphosis. At this point, the French philosopher introduces it in a facile way to develop it further in the book. So anamorphosis means the decentralization of the Ego (maybe as Paul Ricœur proposed as the ego brisé?) who becomes a witness of something that cannot reduce the description of an event to a concept. This anamorphosis happens when the subject face this elsewhere reversing his intentionality.

Marion continues through a deep thought about these four theses and their implications along with the chapters of this third part of the book. However, in chapter 10 we find the real motivation to understand the effort of the author. He states « This common logic does not succeed because of “the world”, that is we who boast ourselves on remaining Greeks in our understanding of logic, “seeking its wisdom” (I Corinthians 1:24), just as Aristotle sought it in being (étant) as being (étant); and above all, because we have never seriously asked ourselves why this “always searched science” also always remains “aporetic” to us; and finally, because we have never seriously questioned the evidence of our conception of wisdom, however long devalued in the science of beings, and today in the production of objects, according to a limited logic, but still supposedly obvious. » The motivation of the author is to invite us to a deep reflection about human intelligence itself that tries to filter everything according to its method and logic. Therefore, Marion proposes the notion of apocalupsis, the uncovering, that is not irrational, but it does not follow « the logic » of the Greeks that we use every day. This invitation is relevant to many discussions concerning the definition of science and what kind of science philosophy, theology would be, following the path of Dilthey, Ricœur, and Karl-Otto Apel.

To finish this third part, Marion delineates more precisely the articulation of revelation. Firstly, he proposes to understand it as uncovering. Afterwards, he presents three concepts that form this articulation: the witness, the resistance, and the paradox. If, we realize that what reveals itself surpasses our capacity of knowing. Then it is not just a relation of subject-object that takes place. However, a « witness » of this revelation can tell us what happened even though he cannot explain it precisely. There is a « resistance » before the phenomenon because it faces a paradox that pushes logic to its limits. As Marion has delineated: « The resistance comes from the fact that no one is ever immediately prepared, favourable or acquired for a Revelation, but that everyone is opposed to it, initially at least, because it redefines the entire field of possibility. » (p. 44). It is worthy to note that these three concepts concerning anamorphosis point to the notion that the phenomenon itself guides our apprehension of it by the conditions of its appearance.

The articulation of these three concepts was possible only after pointing out four tenets of the uncovering (apocalupsis), namely the epistemological heterogeneity of the thing and its sight, the ad extra phenomenological transcendence of interloqué, the possibility of refusal, and the indirect verification by transfer of visibility. These four tenets lead us to the fourth part of the book to explain how revelation phenomenalizes.

In part 4, Marion proposes a reflection about Christ as the phenomenalization of the revelation. However, we should observe that Marion does not examine Jesus as the phenomenalization of the revelation but Christ. We can perceive that Jesus was a person, but if he was the second person of the Trinity as he has pleaded, it requires some proofs and demonstrations. Thus, Marion starts this fourth part entitled « Christ as a phenomenon » with an enthralling, beautiful, and tricky analysis concerning the phenomenalization of the Greek gods. He shows us the evidence of the gods through their manifestation described by the poets. But it never occurs through a veridical body. Indeed, they assume a visible image to hide their real identity. However, this identity is not attached to the body which they have adopted. When discovered, they transform themselves into their original form to disappear. No one can see the original form of a god and survive. Therefore, there is no authentic relationship between a Greek god and man because a vis-à-vis is impossible. As Marion resumes in one sentence – « the Greek gods are not invisible, rather they are unseenable (invisables), because they have no body, no face. » (p. 280). Then, Marion elucidates why the Greek gods are not true, because they cannot happen in person from elsewhere before us. A contrario, the God of the Bible reveals himself. He can make the invisible visible. Then, Marion proponds a comparison to show the difference when he declares that « The pagan gods manifestly show themselves under their borrowing faces, because they never give themselves in person; Yahweh never manifests his glory as a phenomenon of the world, because he gives his face only in person, as his person, in his word which he speaks, keeps and gives. He gives himself in person (in his face) by giving his word. » (p.287). Therefore, the phenomenalization happens not when a person presents himself before me, because this visibility can be masked or be a lie. A person phenomenalizes his presence not only showing himself to me, but speaking to me, addressing to me. Even if this presence is not from this world (invisible), it really looks at me and it speaks to me, it concerns me. In the person of Jesus, we find this relation as the Christ who came from God.

Evidently, in the time of Jesus, there were doubts about his identity. On one side, the disciples and many others assigned to him the identity as the child of God, the promised Messiah. On the other side, the Pharisees, Sadducees, and others refused this idea. The second group tried many times to prove that Jesus was not Christ. The same emerged when Paul preached the Gospel in many villages of the Roman Empire, and many intellectuals and philosophers refused to believe in a bodily resurrection, something inconceivable by Greek philosophy. However, we can see through these examples a conflict of two kinds of rationalities. A conflict of two logoi. As Marion explains, one logos from the Cross and another from the culture. Although the apparent opposition, there is no true conflict. Because the genuine difference between both logoi is the power of the logos of the Cross that is opposed to the convincing logos of the wisdom of the Greeks. The logos of the cross is empowered not only by an announcement of happiness but through the power of the Holy Spirit.

Then, Marion asks the inevitable question – from where comes this power? This power comes from the shifting of the intentionality by anamorphosis, from the conversion of the heart to this logos, the sight sees the mystery uncovering (apocalupsis) itself. At this moment of the book, we can verify that Marion highlights these two existent ways of rationality that we must acknowledge because both are sources of thinking (p. 313). However, through centuries we have ignored it despite a methodic knowledge through philosophical reasoning emancipated of everything that our reasons cannot fully understand.

Marion shows that we have missed something. We have missed another way of thinking and Marion tries to retrieve it. Saint Augustine has affirmed, we do not access the truth without love and Marion wants to recuperate this love for wisdom. The mystery of Christ is phenomenalized by the incarnation of Jesus who lived a life of love giving himself entirely for his enemies – real proof of love. In the death of Jesus Christ, we can manifestly see the mystery of God who reveals himself to us.

Through chapters 13 and 14, Marion explains how we can shift from one paradigm to another. This shift of perspective works by the principle of the more mystery (mustêrion), the more revelation (apocalupsis) that recalls the phenomenological tenet that is a mark of Marion’s phenomenology « the more reduction, the more donation. » By anamorphosis, we can understand not only the phenomenon before us: the revelation itself makes us understand ourselves through the phenomenon that happens before us. The revelation of the mystery of Christ opens new rationality where the subject is decentralized as describe before to become a witness of the paradox of the limitation of our human capacity of thinking.

If we follow the reasoning of Marion about the logic of revelation in the saturated phenomenon, we have to ask what exactly the figure of Jesus Christ reveals. To answer this question, Marion will engage in a discussion about a chief doctrine in Christian thought – the Trinity. The problem of the Trinity is its dependence on metaphysical thought that was criticized through history, mainly in modern times. According to Descartes, we cannot have any certitude from this kind of theological reasoning. Theology deals with faith, and we only accept it. Therefore, the Trinity is not a case of philosophical reflection. It does not mean that the Trinity does not exist or it is something false, but we cannot prove it by reason because it does not submit itself to human rationality. Marion suggests that the problem we have to understand something like the Trinity is that we try to understand it not according to the rationality it demands, but through the rationality established by philosophy since Descartes.

Marion tries to show how the invisible can phenomenalize itself. However, it should be perceived and thought by another rationality. This rationality of the giving becomes the rationality of the revelation. As follows, part 5, « The icon of the invisible », will deal heavily with the conceptions of the Trinity. As we have mentioned at the beginning of this review, since part 4, the book becomes more theological. Hence, part 5 will plunge into a deep theological investigation concerning a controversial topic throughout the history of theology. Marion will discuss the aporias of the two models of the Trinity that we have in Christian theology. Firstly, the ontological Trinity or immanent Trinity (the Trinity in itself) and secondly, the economic Trinity (the Trinity as it reveals itself in history). Marion will show that both conceptions of the Trinity are intertwined. In effect, there is a mutual dependence of both models. Discussing this subject, Marion revisits concepts such as substance, essence, and person (ousia/substantia/essentia – hupostasis/prosopôn/persona) in dialogue with Barth, Schelling, Rahner, Bultmann, Balthasar. However, Marion does not set the limits of the debate only concerning the Father and the Son as we could expect. He brings into it the third person of the Trinity – the Holy Spirit. He intends to show the phenomenality of the Trinity by givenness through the power of transformation of the subject into a witness of this revelation from elsewhere (d’ailleurs), although (d’ailleurs) following another logic of thinking. The logic of the Holy Ghost.

In part 6, The Opening, Marion guides us through two reflections to retrieve two ideas of paramount importance to our days, namely, Being and Time, recalling Heidegger’s Sein und Zeit. However, to accomplish this task, he invites us to conceive it by the perspective of anamorphosis that shifts the intentionality of the logic of a subject-object relation into the standpoint of the witness who sees the phenomenalization from elsewhere. Even though this discussion seems philosophical, the theological themes and the analysis of biblical texts are abundant. Therefore chapter 19 treats the incarnation, more precisely the kenosis theory to discuss “the real being”, “the being of God” that phenomenalizes in Jesus-Christ who gives himself from elsewhere until death. The comprehension of this phenomenon inverts the logic of “the being” from the Greeks that it is something that we possess, the logic of this phenomenalization through the incarnation and the death of Jesus is one of dispossession as something that gives itself. Marion tries to save the Being from the attack that it has received from Nietzsche and others who identified the failure of Being conceived by metaphysics. As Marion puts it « this being, thus thought to be pure thinkable, no longer thinks of anything of the being, which itself reduces itself to the rank of an idol, to the waste of itself (déchet de lui-même). Thus, “the highest concept”, namely the most universal, the most empty of concepts, the last breath of vanishing reality. » (p. 545). This reality « is exhausted from having wanted to seize it by apprehending it as a booty to be possessed, preserved and reproduced. »(p. 545)

Being has lost its place due to the critical thinking of modernity. Likewise, time is another theme that requests an analysis from an elsewhere (d’ailleurs) perspective. In the last chapter, Marion proposes to think about the time coming from elsewhere on the horizon of death. Death gives the limits to identify the time of now that characterizes human finitude. Moreover, Marion refers to the Last Judgement as the vertical crisis of our horizontal history to trace the diagonal of the « now » to let us live each instant of life as the last one. Jesus Christ is the model of someone who lived in such a perspective and this is the most liberating perspective for someone who wants to live forever.

To conclude this review, I would like to sketch some major points about D’ailleurs, la Révélation. Unfortunately, we were not able to probe every argumentation of the book. We tried to outline the main arguments, but Marion thinks by an association of several ideas. This manner of thinking results in a very complex and imbricated argumentation. Moreover, Marion demonstrates the need to know theology to understand philosophy, because many of the arguments he used in the book and many of his arguments are the results of theological thinking. Consequently, we can understand that the religious concept of revelation gives us the possibility to think about a form of rationality lost since The Enlightenment due to its ideal of objective knowledge ripped off all metaphysics.

Maybe the book can be understood as a response to this Cartesian philosophy that concentrates on reason despite theology. Marion shows us that both can walk together. We can find certitude in theology because there is rationality in the revelation. In other words, Marion provides us with the foundation to understand that revelation can be verified, however, through another rationality besides the scientific rationality of science and philosophy as proposed by Descartes, Kant, and Hegel et al.

Roman Ingarden: Ce que nous ne savons pas des valeurs

Ce que nous ne savons pas des valeurs Book Cover Ce que nous ne savons pas des valeurs
Roman Ingarden. Translated by Patricia Limido
Éditions Mimésis
Paperback 14,00€

Reviewed by: Noëlle Miller (University of Vienna)

Dans sa préface intitulée « L’énigme des valeurs » la traductrice Patricia Limido contextualise cet essai dans l’œuvre de Roman Ingarden et résume son raisonnement avant d’en proposer la première traduction française. Bien qu’il développe sa théorie des valeurs à partir et souvent à l’aide d’exemples tirés du domaine esthétique (une de ses premières œuvres majeures est L’œuvre d’art littéraire) elle s’attache à juste titre à montrer que le réel enjeu de recherche d’Ingarden est toujours d’ordre ontologique. En effet Roman Ingarden se propose de démontrer que les conditions de possibilité des valeurs – esthétiques, morales, intellectuelles – existent objectivement. Car des valeurs dépendent la responsabilité morale de l’homme et ses exigences. Avant de qualifier les valeurs plus avant, trois problèmes se posent à une théorie des valeurs qui expliquent le titre Ce que nous ne savons pas des valeurs. D’abord il faut identifier les différents domaines de valeur pour en dégager des rapports de hiérarchie ou de conditionnement, ensuite leur structure ontologique, sont-elles rattachées à des objets porteurs telles des propriétés, auquel cas les valeurs seraient objectivement fondées et sinon troisièmement sont-elles objectives ou subjectives, c’est-à-dire relatives. Limido regrette qu’Ingarden réduise finalement les valeurs à deux domaines : les valeurs vitales et culturelles. Dans cet essai il se limite même aux valeurs esthétiques et morales et cherche à déterminer leur forme, leur matière et leur mode d’être. En particulier les valeurs possèdent « une valence » (Wertigkeit) qui excède la forme et la matière, et qui fait que la valeur a une pertinence et n’est pas une illusion ou une apparence. À côté des limites de l’analyse ontologique, la valeur est exposée au jugement et à la reconnaissance subjective. C’est pourquoi il commence d’abord par essayer de les identifier, à qualifier plus avant leur mode d’être spécifique. Les valeurs ne sont pas des objets, « mais des « quelque chose » individuels, plutôt apparentés à l’ordre des qualités individuelles »[1]. Pourtant elles ne sont pas des propriétés ni des caractéristiques, car elles sont inséparables d’un tout (unselbständig) qui rend possible leur survenance. Elles ne peuvent pas non plus être des propriétés dérivées, car c’est précisément sa nature ou son essence même qui en fait une valeur. Elles ne dépendent pas non plus des récepteurs, puisqu’elles valent en soi et pour soi. La valeur des yeux par exemple sera variable pour un musicien ou pour un automobiliste qui n’en font respectivement pas le même usage, pourtant la valeur des yeux est véritable. Ainsi y a-t-il des valeurs non perçues, mais qui conserve quand même leur réalité. Finalement il les qualifie de superstructure (Überbau), ni propriétés complètement indépendantes des objets, ni réductible à l’objet sensible lui-même. Elles apparaissent « sur la base d’un fondement dont elle dérive et qu’en même temps elle dépasse »[2]. Patricia Limido rapproche ce concept ingardien des philosophes Donald Davidson pour la notion équivoque de survenance. Comme Ingarden le philosophe analytique Eddy Zemach a la volonté de fonder objectivement les valeurs et conclue que « les propriétés esthétiques surviennent ou émergent des propriétés non-esthétiques »[3]. Elles sont donc réelles parce qu’elles dépendent de traits qui caractérisent objectivement des objets mais non réductibles à ceux-là. Le passage de la perception phénoménale au jugement esthétique ou moral s’opère par le désir ou tout autre relation intentionnelle telles les croyances et les émotions. Si les conditions d’observation sont les mêmes pour tous, alors cette relation intentionnelle est également objective pour Zemach. Ces conditions peuvent être l’apprentissage scientifique ou des connaissances spécifiques pour pouvoir juger d’une œuvre. Or Ingarden doute de cette relation invariante et attribue aux valeurs un mode d’être inédit.

Finalement c’est un rapport dialectique que Patricia Limido expose et souligne chez Ingarden : les valeurs sont des phénomènes observables, matériels et sont en même conditionné ontologiquement, des conditions de possibilité que nous constituons aussi, « la part d’activité et de passivité du récepteur »[4].

Ce que nous ne savons pas des valeurs

Dans son premier chapitre « multiplicité et contrariété des valeurs », Ingarden se pose le problème de la diversité des valeurs et choisit de les catégoriser en valeurs vitales et valeurs culturelles. Il soulève aussi dès le départ la difficulté de délimitation : une valeur morale comme le courage ou l’héroïsme peut être considérée une valeur esthétique et vice-versa. Il nous manque un principium divisionis qui nous permettrait de diviser les valeurs fondamentalement esthétiques de celles fondamentalement morales. C’est la détermination qualitative qui distingue généralement les valeurs. Intuitivement nous pouvons ordonner les valeurs apparentées, mais quant à ce qui constitue cette parenté, il est difficile d’en donner une définition conceptuelle. De plus, à l’intérieur même d’une qualité telle la « beauté », il existe différents types fondamentaux, telle la grâce ou la perfection et différentes significations. « Bon » n’a pas une signification morale dans tous les contextes. Les valeurs positives se délimitent aussi de leur corollaire négatif, qui a aussi une qualité spécifique. Ces contradictions font qu’il faut déterminer les conditions d’apparition des valeurs : un homme libre et psychiquement sain sont des conditions nécessaires mais pas suffisantes. Mais même si on arrivait à déterminer « la totalité des conditions nécessaires et éventuellement suffisantes pour la réalisation de telles valeurs »[5] rien ne peut remplacer l’intuition selon Ingarden. « Rien ne peut nous libérer du devoir scientifique qui nous incombe d’exercer la vision intuitive [der intuitive Erschauung] de la spécificité des valeurs, tout comme de l’effort spirituel qui lui est lié »[6]. Repérer la qualité d’une valeur est un moment indispensable, mais ne nous éclaire pas encore sur ce qui la détermine constitutivement. On peut encore chercher à déterminer les valeurs par rapport aux comportements qu’elle suscite, mais là aussi elle ne remplace pas l’appréhension conceptuelle d’une valeur. Car réduire une valeur à son vécu ou à l’attitude adoptée revient à dire qu’en réalité il n’existe que des ressentis subjectifs. C’est la conception des positivistes tel Leon Petrazycki qui n’autorisent aucune métaphysique des valeurs et rejette leur objectivité. Par rapport à une œuvre d’art par exemple il y aura autant d’états de plaisir que de récepteurs est pourtant la valeur unique de ce tableau existe bel et bien, indépendamment des admirateurs ou de ceux qui seront insensibles à sa beauté.

Malgré les difficultés donc Roman Ingarden refuse de capituler à définir les valeurs comme le fait Max Scheler par exemple[7] et tient au contraire à en démontrer leur scientificité. Il retient donc pour ce premier chapitre que ce qui distingue les valeurs sont leur matière, moment qualitatif qui se laissent abstraire, dont il existe deux cas de figures : A est inséparable unilatéralement de B, alors A ne se rencontrera qu’en présence de B. Ou alors A est dépendant de B équivoquement et apparaîtra avec un apparenté de B, Bn. Toute valeur individuelle présentant une qualité Bn appartiendra à l’espèce de valeur A. Les moments abstraits d’une valeur peuvent donc servir de principe de répartition à la formation de ses types individuels. Mais un principe qui distingue les types fondamentaux de valeurs reste encore ouvert.  La matière peut donc servir à différencier des types subordonnés de valeurs.

Quant à ce qui distingue les valeurs fondamentales, il semblerait que ce soit leur forme, dont traite le deuxième chapitre « La forme de la valeur ». Au premier abord il semble que la valeur soit la propriété d’un objet, elle est toujours valeur de l’objet auquel elle appartient. Cependant beaucoup d’objet, processus et choses physiques, ne sont pas doués de valeur, mais seulement de propriétés physiques, forme spatiale, densité etc… Il faut donc différencier les valeurs des « propriétés chosales de l’objet »[8], leurs caractéristiques physiques. Il existe alors deux éventualités : soit la valeur est une propriété secondaire, soit elle provient de la relation entre l’objet et la personne qui entre en contact avec lui. C’est parce qu’une chose a une certaine forme qu’elle est belle : la valeur « belle » tient à sa propriété physique de la forme. Dans ce cas la valeur serait une propriété dérivée, secondaire de la première, qui est sa caractéristique physique. Une autre manière de déterminer la valeur d’un objet serait de l’organiser selon l’utilité, les sentiments ou les désirs qu’il suscite pour la personne. Encore faudrait-il pouvoir retenir les propriétés qui entrent en ligne de compte pour constituer la valeur : Ce n’est pas parce qu’une lampe a une lumière utile à l’homme que cette utilité constitue la valeur de la lampe. L’utilité serait à son tour dérivée d’une autre valeur, accomplir un travail à l’aide de la lumière par exemple. Une autre conception constitue à dire que l’objet n’a de valeur que lorsqu’il est reconnu comme tel par l’homme ou la communauté humaine. Or toutes les valeurs ne sont pas relatives à quelque chose, telle que la « maturité » ou la « grâce ». Que la valeur viendrait de la relation reste donc très obscure.

Ainsi toutes les tentatives de donner une forme a la valeur soulèvent des doutes et ne permettent pas de la définir positivement. La valence d’un objet est son essence et semble être un mode d’être complètement nouveau, incomparable à une caractéristique. Ingarden met donc en doute l’identité selon laquelle les valeurs seraient des propriétés des objets, car c’est la valence qui fait qu’on privilégie la réalisation d’une valeur plutôt qu’une autre. Sa forme, appelée objectité [Gegenstandlichkeit], est structurellement différente de l’objet[9]. La valence excède la forme est la matière et constitue le mode d’être spécifique de la valeur. C’est elle qui exprime l’essence de la valeur et qui lui donne sa dignité. Elle n’est pas rajoutée de l’extérieur, sinon elle ne serait pas véritablement, authentiquement une valeur, mais émerge de l’objet auquel elle revient, elle est l’expression de son essence. Il appelle qualité-de-valeur ce qui détermine la hauteur, la négativité ou positivité et le mode d’être de la valeur.

Il va ensuite chercher à déterminer « le mode d’être de la valeur ». Les valeurs d’utilité et esthétique dépendent respectivement de l’outil et de l’œuvre d’art qui les portent. Le mode d’être des valeurs morales est complètement différent : elles n’existent pas réellement à la manière d’un événement ou d’un processus dans le temps, mais elles sont inséparables de leur porteur ou dérivées de leurs propriétés. Elles ne sont donc ni objet idéal, immuable, puisqu’elles peuvent se réaliser dans l’action d’un homme, ni objet réel, ni intentionnel. Les valeurs valent, c’est-à-dire qu’elles ont la forme du « devoir-être », qui peut ou non se réaliser. Quant aux critères des valeurs, lesquelles doivent ou non être, ceux-ci nécessitent un nouveau terrain de recherche. Ceci dépend en partie de la hauteur des valeurs.

Ce qu’Ingarden entend par « la hauteur » des valeurs signifie sa supériorité hiérarchique. Beardsley affirme qu’elle n’a de sens qu’à l’intérieur d’un type fondamental de valeur, à savoir qu’on ne peut comparer une valeur esthétique à une valeur morale, mais seulement des valeurs esthétiques entre elles par exemple. Qu’est-ce qui nous permet d’affirmer qu’une valeur morale est toujours plus haute qu’une valeur esthétique, même très haute ? Là aussi nous ne savons pas en quoi consiste exactement cette valeur, s’agit-il de son mode d’être, de sa qualité-de-valeur ou de son devoir-être. Les théories absolutistes affirment que la valeur d’un objet doit être strictement distinguée de son prix. « La hauteur de la valeur, au contraire, est déterminée de manière univoque et invariable par sa matière et seulement par elle, et elle reste indépendante des variations de prix »[10]. La hauteur relative résulte de la comparaison des objets doués de valeur entre eux, mais présuppose la valeur absolue. Les théories relativistes affirment que la valeur d’un objet dépend des circonstances, de la loi de l’offre et de la demande comme des innovations sur le marché qui font qu’une valeur devient « plus mauvaise ». Il n’existe donc pas encore de « critère » bien défini de la hauteur de la valeur.

Dans le prochain chapitre il s’attaque au problème de « l’autonomie des valeurs ». Lorsqu’Ingarden parle d’autonomie, il entend par là la séparabilité des valeurs entre elles, puisqu’on a vu que les valeurs étaient inséparables des objets auxquels elles appartenaient.  Si une valeur n’apparait sur un objet qu’en présence d’une autre valeur du même ou d’un autre type alors elle est « non-autonome ». Cette distinction entraîne aussi des conséquences sur la théorie de l’art, car pour nombre de théoricien et Platon lui-même l’Idée la plus haute est celle de l’identité du Bien, du Beau et du Vrai. C’est-à-dire qu’il ne suffit pas à une œuvre d’art d’être « belle », encore faut-il qu’elle serve des valeurs morales et la vérité soit en montrant des hommes moraux, soit au contraire en dépeignant des valeurs négatives comme le fait le courant réaliste. Ce formalisme repose justement sur le fait qu’il ne reconnaît pas, contrairement à la théorie de « l’art pour l’art », de valeurs esthétiques intrinsèques à l’art. Cette querelle est dû à l’insuffisance de distinction sur le caractère spécifique des valeurs. Une autre source de confusion entre les types de valeurs, leur dépendance ou indépendance sur un objet, est dû à notre expérience et sensibilité faussée. Ceci est dû aux modifications que les valeurs subissent mutuellement de manière bilatérale ou unilatérale. Dans une œuvre architecturale par exemple la symétrie peut apparaître sur fond d’asymétrie ou dans une œuvre littéraire le lyrique après le tragique. Ces valences peuvent s’harmoniser comme elles peuvent annuler leur effet et partant ne pas être perçues.  C’est pour cela que l’étude de l’autonomie et de l’indépendance des valeurs est d’une grande importance pour l’analyse des objets esthétiques.

Le dernier chapitre « La fondation des valeurs » interroge le problème de l’objectivité des valeurs à proprement parler. Quelle est la relation entre la valeur et son objet et comment celle-ci est-elle fondée dans celui-là ? Il expose alors les deux positions opposées qu’il qualifie chacune de dogmatique. Soit on admet une coordination nécessaire des propriétés qui permettent l’apparition d’une valeur dans un objet, soit on la réfute et décide par-là que les valeurs se montrent de manière tout à fait contingente. Pourtant les valeurs se montrent sur le « visage » des œuvres d’art et on est porté à croire qu’il existe des fondements théoriques à une science de l’art, comme à une science de la morale.

En conclusion, Ingarden, on l’aura vu, définit les valeurs presque entièrement de manière négative, par ce qui nous manque et ce qui nous reste à savoir quant à leur nature, ce faisant déployant en même temps un vocabulaire susceptible d’en rendre compte et toujours mû par la conviction intrinsèque à son intuition, que les valeurs, ou leur possibilité, existent. C’est ce rappel justement qui, pour la traductrice, fait la « valence », pour reprendre ses termes, de cet essai aujourd’hui. Nous saluons la traduction française de cet essai, paru d’abord en polonais puis en allemand, pour avoir trouvé des équivalents adéquats à la terminologie très technique d’Ingarden et du courant phénoménologique en général.

[1] Roman Ingarden. 2021. Ce que nous ne savons pas des valeurs, préface et traduction française par Patricia Limido, p. 26. Sesto S. Giovanni: Editions Mimesis.

[2] Ibid, 32.

[3] Ibid, 35.

[4] Ibid, 43.

[5] Ibid, 58.

[6] Ibid, 60.

[7] Ibid, 66.

[8] Ibid, 74.

[9] Ibid, 81.

[10] Ibid, 116.

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