Martin Koci: Thinking Faith after Christianity: A Theological Reading of Jan Patočka’s Phenomenological Philosophy

Thinking Faith after Christianity: A Theological Reading of Jan Patočka's Phenomenological Philosophy Book Cover Thinking Faith after Christianity: A Theological Reading of Jan Patočka's Phenomenological Philosophy
SUNY series in Theology and Continental Thought
Martin Koci
SUNY Press
2020
Paperback $32.95
301

Reviewed by: Erin Plunkett (University of Hertfordshire)

Jan Patočka is not an obvious place to go looking for Christian theology. While his writings have a clear emphasis on Europe and its Greek-Christian heritage, his explicit remarks on Christianity appear most often as a matter of intellectual history, part of the attempt to understand the intellectual and spiritual framework of modernity. The philosopher is of course best known for inspiring a generation of Czech intellectuals and dissidents in his role as spokesperson for the human rights appeal Charter 77, a role which ultimately cost him his life. Drawn to this dissident legacy and to Patočka’s vision of a post-European Europe, there has been a renewed interest in Patočka among contemporary political philosophers.[i] His work as a scholar of Husserl continues to be read and appreciated in Husserlian circles. But there have been few attempts to read him as a religious or Christian thinker.

One might expect otherwise, given Patočka’s closeness to Heidegger on a number of issues, and given Heidegger’s importance to the so-called ‘theological turn’ in phenomenology in the latter part of the twentieth century. Judith Wolfe, author of Heidegger and Theology characterises this turn as ‘an attempt to responding to the call of the divine without turning God into an idol by metaphysical speculations’ (Wolfe 2014, 193-194). Beyond what Patočka has to say about Christianity explicitly, many themes in his work—sacrifice, conversion, the nothing, care for the soul—are ripe for a theological reading in the above sense. Jean-Luc Marion and Jacques Derrida’s efforts in this direction are perhaps the best known and most thought-provoking; both read Patočka’s conception of sacrifice in a religious light, as a phenomenology of the gift. Yet a religious approach to Patočka’s work has yet to be taken up in any sustained way in contemporary scholarship.

In English-language scholarship, the special issue of The New Yearbook for  Phenomenology and Phenomenological Philosophy 14 (2015), on ‘Religion, War, and the Crisis of Modernity’ in Patočka’s work, edited by Ludger Hagedorn and James Dodd, is the most substantial offering on Patočka’s religious  import and his thinking about Christianity. Hagedorn, Martin Ritter, Eddo Evink, Nicolas De Warren, and  Riccardo Paparusso have given important readings in this vein though none in a book-length study. Martin Koci’s book is therefore a welcome and important contribution to an underdeveloped field. It reflects an extensive knowledge of continental theology and offers an admirably clear view of the terrain at the present moment, as well as suggesting how Patočka may help  to shape this terrain.

Patočka as Post-Christian Christian Thinker

Koci sees Patočka as anticipating the theological turn in phenomenology that began with Marion’s Dieu sans l’etre (1982). Although, in Koci’s view, Patočka’s social and political environment did not permit him to fully explore the religious resonances in his own thought, he can credibly be read as a post-secular thinker avant la lettre. Koci’s aim to establish Patočka as a serious thinker of Christianity contrasts with the standard line taken by Czech scholarship that Patočka is ‘a pure-blooded phenomenologist with no interest in theology’ (216). Those who are sceptical of a theological approach have plenty of support from Patočka’s texts, where he insists on a definite boundary between philosophical activity and religion. However, this need not prevent a reading of Patočka as a phenomenological thinker of theological import. Furthermore, there are reasons to think such an approach is not against the grain of Patočka’s own thinking. Patočka was raised by a Catholic mother and was a believer as a young man, though he grew dissatisfied with a religious framework as he began to study philosophy. He engaged seriously with numerous theological thinkers, in particular his fellow Bohemian John Amos Comenius (1592-1670), and he maintained a long friendship with the (Barthian) Protestant theologian Josef Bohumil Souček, with whom he discussed matters of faith and the meaning of Christianity. In his later years, Patočka gave lectures on theological topics to his students. Patočka’s engagement with Christianity increases in his writings from the prolific period of the 1960s and 70s, which present his mature thought.

Following Ludger Hagedorn, Koci’s study is an exercise in what he calls ‘after’ thinking, in this case, as the title suggests, thinking what Christianity might continue to mean after the death of God, and in the face of the various (related) crises of modernity. Yet, he explains, the project is not to develop a Christianity that ‘works’ in a postmodern context. It is rather to develop a Christian theology that challenges and questions the status quo and offers the possibility for transformation. ‘Christianity after Christianity does not therefore refer to the current state of religion in a post-Christian age. The “after” is not a relation to the past but an opening to the future’ (171-172). Christianity, as Koci understands it, always involves this dimension of ‘after’, since it a way of thinking that is oriented toward the not yet, harbouring the seeds of its own undoing and remaking. Within this framework, it becomes clearer how Patočka can be of value. Patočka’s own conception of history or historical life (a life in truth) involves an awareness of ‘problematicity’, a radical openness to possibility that calls for a repeated dismantling of what one takes to be solid truths.

A single sentence from Patočka’s late work Heretical Essays provides the refrain throughout Koci’s study:

By virtue of this foundation in the abysmal deepening of the soul, Christianity remains thus far the greatest, unsurpassed but also un-thought-through human outreach (vzmach, upsurge, élan) that enabled humans to struggle against decadence. (Patočka 1999, 108).

Koci attempts to make sense of this suggestive and somewhat obscure remark by exploring a number of interrelated issues in Patočka’s thought: from the crisis of modernity, issuing in nihilism or ‘decadence’ (Ch 2) to his critique of metaphysics (Ch 3), to ‘negative Platonism’ (Ch 4), to the three movements of existence (Ch 5) to ‘care for the soul’ and sacrifice (Ch 6-7). The emphasis of Koci’s analysis of the above remark falls heavily on the notion of the ‘unthought’ dimension of Christianity to which Patočka alludes, and he interprets this along the lines that Hagedorn develops in his article ‘“Christianity Unthought”—A Reconsideration of Myth, Faith, and Historicity’ (2015). Quoting Hagedorn,

Christianity unthought would then indicate the maintenance of some core of Christianity even after its suspension, and through its suspension […] in the sense of metaphorically reclaiming some resurrection after the Cross. […] It is the signal for an investigation into what is left of the Christian spirit without being confessional or credulous (Hagedorn 2015, 43).

The Anselmian understanding of theology of fides quaerens intellectum—faith seeking understanding—in Koci’s hands becomes both 1) an affirmation that faith is ‘a way of thinking’ and 2) an explanation for why Christian theology must involve the continual questioning of itself, must relate to its own unthought. Christianity is, in this sense, a thinking of the unthought. Yet this could easily be misconstrued. Thinking the unthought does not mean ‘neutralizing’ (59) the unthought by bringing it in into the totalising framework of closed reason (the framework of modernity). Put in Heideggerian terms, the unthought signifies an openness and responsiveness to being, beyond the metaphysics of beings. Koci reads Patočka’s account of Christianity in the context of his account of the crisis of modernity and modern rationality, which has become closed in on itself (Patočka contrasts the ‘closed’ and the ‘open’ soul). In Koci’s words, ‘religion breaks with the modern enclosure precisely because it allows the others, the otherwise, and, last but not least, the Other to enter the discussion’ (60).

Regarding Christianity’s ‘abysmal deepening of the soul’ Patočka places special emphasis on the soul’s ‘incommensurability with all eternal being’ (Patočka 1999, 108) because of the soul’s placement in history and its call to responsibility by virtue of being in the world (See the fifth heretical essay for this discussion). Quoting Koci, the soul becomes:

the locus of our engagement with problematicity; it is where we experience the upheaval of being-in-the-world. The soul is the organ of reflection upon the concrete historical situation into which we are thrown; it is the flexibility to think, to question, to challenge given meaning in order to search for a deeper meaning, time and again. The soul is what leads us into thinking (194).

The final word of this exposition is key. Christianity is the ‘greatest, unsurpassed’ struggle against decadence, against any account that would seek to settle things once and for all and close off further thinking. This is important for the overall project here, which is, in part, to use the un-thought of Christianity to challenge both philosophical and theological thinking. The proposal is that we take Christianity seriously as a way of thinking and continual questioning that can help to awaken us from our dogmatic slumber, whether the content of this dogmatism is instrumental rationality, nihilism, secularism, or traditional metaphysics.

It might be wise to pause and return again to Patočka’s claim that Christianity is the ‘greatest, unsurpassed’ movement in the fight for meaning. At first glance, this remark looks like an example of what Koci calls ‘Christian triumphalism’, proclaiming the supremacy of Christianity. Indeed, Christianity does occupy a privileged philosophical position in Patočka’s thought, for reasons that have been explained in part above. But I agree with Koci’s assessment that reading Patočka as a Christian triumphalist, as John D. Caputo does in The Prayers and Tears of Jacques Derrida (1997), mistakes his aim altogether; he is not calling for the triumphal return of Christendom as a political power (Koci surmises that the only way Caputo could make such an error is by not having read any Patočka). On the other hand, Koci’s insistence that ‘for Patočka, Christianity is not “better” than other religions’ (193) is less convincing. He claims that:

Patočka does not understand Christianity in Hegelian terms and is far from situating Christianity on top of the religious tree. Neither does Patočka understand Christianity in Kantian terms as the highest moral call […] I see the “unsurpassed” nature of Christianity [in Patočka’s remark quoted above] as referring to a recontextualization of the soul advanced by Christianity.’ (194).

It is true that Patočka does not understand Christianity in either a Hegelian or a Kantian light; these would be grave misreadings (Caputo appears to be the main target here, since he is guilty of mistaking Patočka for a Hegelian). But it is nevertheless apparent across Patočka’s texts that Christianity is the only religion Patočka takes seriously as properly historical-philosophical; others are relegated to mythical thinking. So by Patočka’s own philosophical standards Christianity is ‘better’ than other religions, better not by virtue of its confessional content but by its contribution to being in the world. In Christianity, the soul is understood in all its problematicity and openness. This is a controversial claim, to be sure, but it is hard to avoid the conclusion that Patočka does in fact situate Christianity ‘on top’.

Koci argues that there are three features of Christianity that Patočka allows us to see which have serious bearing on contemporary philosophical and theological thinking. First, Patočka:

reintroduces the centrality of Christianity as a new “religiosity” of thinking. In thinking, Christianity overcomes both mythos [a mythical thinking is characterised by the maintenance of life and by adherence to the past] and logos [closed rationality]. (172)

This religiosity of thinking goes in the opposite direction of a demythologization of Christianity. In Patočka’s picture, the world is reenchanted, in contrast to the disenchantment of the scientific-rationalist picture. We open ourselves to the world anew. Koci reads this shift as proposing ‘more Christianity rather than less of it […] Of course, this is not a return to anything from the past. Nonetheless, something is coming, and this something is related to Christianity’ (172).

Second, Christianity ‘becomes an existential category whose basic expression is faith as openness to the future’, ‘faith that is a radicalized, philosophical notion—the care for the soul’ (172). This rather dramatically removes the specific confessional content of Christianity, a move to which I will return below. Third, Christianity is an ‘existential thinking’ that realises itself in ‘acting and living’, living as a person who cares for the soul (173). The authenticity of such an attitude is found in the willingness to take responsibility for life through self-surrender or sacrifice, ‘in the name of a truth beyond positive contents’ (173). Patočka’s emphasis on the ‘experience’ [or activity] of sacrifice, in Koci’s reading, contrasts with the language of ‘participation’ in the absolute gift in both Derrida and Marion, which he reads as more of a conceptual schema than an existential one (see Ch 6 and 7 for an extended discussion).

Does Koci make a convincing case for the value of reading Patočka theologically? I had not been inclined to interpret Patočka along these lines prior to reading Koci’s book, but I see enormous value for Patočka scholarship in opening up this line of thought. Koci’s reading of Patočka as a post-Christian Christian thinker is creative and thought-provoking for those familiar with Patočka and for anyone interested in how to think about faith meaningfully in a contemporary postmodern context.

I have two criticisms, centred around the style of exposition in the book and the unresolved tension between the philosophical and the specifically Christian.

One feels that there is a good deal of stage setting in this work: offering context for Patočka’s thought by way of an exploration of the death of God, the crises of modernity, twentieth-century phenomenological thought, and contemporary continental theology. This is all relevant and helpful to the project of thinking about what Patočka has to offer, but the sustained engagement in the details of Patočka’s own account, especially sustained reflection on the writings that are meant to be of theological interest, is less developed. Koci is well-versed in both continental philosophy-theology (see his recent edited volume on the French philosopher Emmanuel Falque) and in Patočka’s writings, yet the former threatens to swallow up the latter in this book; it is only toward the end of Chapter 5 that Koci asks the question: ‘what is Patočka’s Christianity?’ (p 165), and only in Chapters 6 and 7, in comparisons with Derrida and Marion, that one sees a sustained attention to the details of this Christianity. What I miss in the breadth of the author’s treatment is the depth that comes from close textual analysis, especially when dealing with texts as condensed as Patočka’s.

There are perhaps unavoidable reasons for the thinness of detail in the present account of Patočka’s post-Christian Christianity. It may be the result of Patočka’s own writing, which does not lend itself well to systematic treatment, especially in the case of his writings that might be deemed of theological value, which are naturally scattered across various works. Furthermore, Patočka’s writings often have a provisional quality, not lacking in depth but with a tendency toward ellipses, presenting many rich ideas but often leaving the reader wanting further explication. Whether the root of this elliptical quality is to be found in Patočka’s philosophical commitments, in his own idiosyncrasies as a writer, or in the extremely straitened historical circumstances in which he was forced to work is a question with no definitive answer. However, this quality of Patočka’s writing is especially pronounced when he speaks about quasi-Christian themes such as sacrifice and mystery (see 233-234 for an example). Koci intelligently reads these silences—pace Kierkegaard and Derrida—as pregnant with significance. One of Koci’s examples of this is Patočka’s failure to explicitly name Christ in his writings, though he makes significant allusions to him, as in the discussion of sacrifice in the end of the 1973 Varna lecture and the reference to the Passion narrative in the ‘Four Lectures on Europe’. Koci also speculates that Patočka might well have developed his post-Christian ideas more explicitly given a different intellectual and political climate. Both assessments seem plausible to me.

That said, other than the excellent description of kenotic sacrifice in Chapter 7, the present book is rather thin on the details of what Patočka’s Christianity might look like. One example is the very truncated discussion of Christian community that ends the book. These considerations were, to me, very ripe for development, and I would have liked to hear more of Koci’s own vision of what forms a Patočkian Christian community could take, what forms of worship, what shared rituals. Koci is inspired by Patočka’s key idea of the ‘solidarity of the shaken’ from the Heretical Essays, and other scholars could certainly build on Koci’s groundwork. Naturally questions of post-Christian ritual and worship go beyond the scope of Patočka’s own writings, but Koci’s reading of Patočka raises these questions and invites imaginative responses. Such exercises in filling out Patočka’s own account may risk heresy to the master, yet without them, one is left with a portrait of Christianity that does not differ very much from a purely philosophical account: each person strives to ‘care for the soul’, living in a full awareness of the problematicity of finitude, dedicating themselves to a truth that is not embodied in anything present or actual.

Beyond Patočka’s writing style, there may be another reason for the sense of thinness I noted earlier, and this is one that Koci addresses directly, namely that Patočka’s understanding of Christianity is not a positive theology. There is no content, per se, no dogma in Patočka’s understanding of the divine or in the way of relating to the world that is taken up in an attitude of faith. While this kind of theological approach has an impressive pedigree, reading Patočka in this tradition raises the question anew of how and to what extent Patočka’s Christianity differs from a wholly philosophical account. Christianity in Patočka can easily be seen as having philosophical value, value for the question of how to orient oneself in the world, but I remain unconvinced that the lessons that Patočka draws from it are fundamentally different from the lessons he draws from Socrates. A distance from true being and a recognition of the limits of knowledge are, to Patočka’s mind, the distinctly Christian intellectual contributions. This is distinct from Platonism, to be sure, but Hannah Arendt, for one, draws the same lessons from Socrates.

Koci to his credit directly tackles the question of whether the features that he identifies as Christian in Patočka’s work may just as well be called Socratic. Patočka’s ‘care for the soul’ and ‘sacrifice’ can—and have—been read either way. On the topic of sacrifice, Koci offers a comparison of the deaths of Socrates and Christ to see which best accords with Patočka’s understanding of a sacrifice for nothing, elaborated in his 1973 lecture ‘The Dangers of Technicization in the Sciences According to E. Husserl and the Essence of Technology as Danger in M. Heidegger’ and in the Heretical Essays. In Patočka, sacrifice for nothing, as opposed to a transactional sacrifice for some specific end, is a central concept; sacrifice in the radical, non-transactional sense discloses the ontological difference, elaborated by Heidegger, between specific beings or things—taken individually or as a set—and being proper, which is no-thing and is not of the order of beings (see the postscript of Heidegger’s ‘What is Metaphysics?’ for the origin of this discussion). In an act of sacrifice, an individual brings this ontological difference, otherwise hidden and supressed, into view. A new understanding of truth is thus affirmed.

Construed in this way, Socrates and Christ both seem equally apt examples of a sacrifice for nothing—both die for a truth that is not obvious or present (and certainly not recognised by those around them) but which they nonetheless affirm by being willing to give their lives. Neither of these deaths could be thought of as transactional. Koci’s reading of these deaths focusses on a different feature, however. Socrates is serene, even happy in the face of death, requesting that his friends remember to sacrifice a cock to Asclepius—for ridding him of the malady of life. Koci points to this attitude and to passages in the Phaedo as evidence that Socrates thought of death as a welcome release from life, that his serenity came from the certainty that he would finally be in direct contact with higher being and would be able to know what he only glimpsed in part. Christ, by contrast, utters the anguished cry ‘eli eli lama sabachthani’. While Christ accepts that he must sacrifice himself, he does not understand it. Rather than embracing death in the certain knowledge that immortality was preferable, he holds onto finitude and it remains problematic for him. Patočka quotes Christ’s final words in his ‘Four Seminars on Europe’ (Patočka, ‘Čtyři semináře k problému Evropy’, 403–404 and 412–413), suggesting his attention to this aspect of the passion narrative. Christ’s kenosis or self-emptying is, for Koci:

a scandalous provocation to shift from a simple life and its preservation to thinking about human being. It seems that herein lies the motivation behind Patočka’s plea for fighting for the Christian legacy, albeit in a deconstructed and demythologized manner, for the post-Christian world (215).

Ultimately Koci admits that one cannot decide on a purely Greek or Christian reading of sacrifice since Patočka himself tends to read Socrates through the lens of Christ and Christ through the lens of Socrates. For Koci, this ambiguity reflects a deeper one in Patočka’s work: Christian theology is a response to (Greek) philosophy, but philosophy must learn lessons from Christianity if it to break free from its own dogma. It is only in the relationship between the two that an authentic orientation to the world emerges.

I am sympathetic to the project of this book, and I am greatly attracted to ‘Patočka’s Christianity’, as Koci presents it. However, I remain unsure of the legitimacy and value of putting this account under the heading of ‘Christianity’, or even ‘post-Christian Christianity’, I freely admit that this may have more to do with my own understanding of Christianity, and it is certainly rooted in my understanding of philosophy. Koci writes in Ch 4, ‘I am convinced that Patočka invites us to think about a certain vision of philosophical faith (147).’ I agree much more readily with this formulation. I am convinced that the texts themselves authorise a ‘post-secular’ reading; it seems to me the natural result of good philosophical thinking, that, like Patočka’s, it remain open to transcendence.

 

References:

Hagedorn, Ludger and Dodd, James, eds. 2015. The New Yearbook for Phenomenology and Phenomenological Philosophy XIV. Religion, War and the Crisis of Modernity: A Special Issue Dedicated to the Philosophy of Jan Patočka. London: Routledge.

Hagedorn, Ludger. 2015. ‘“Christianity Unthought”—A Reconsideration of Myth, Faith, and Historicity’. The New Yearbook for Phenomenology and Phenomenological Philosophy 14: 31–46.

Patočka, Jan. 1999. Heretical Essays in the Philosophy of History. Translated by Erazim Kohák and edited by James Dodd. Chicago: Open Court.

Patočka, Jan. 2002. In Sebranné spisy Jana Patočky, vol. 3. Péče o duši, III: Kacířské eseje o filosofii dějin; Varianty a přípravné práce z let 1973–1977; Dodatky k Péči o duši I a II. Edited by Ivan Chvatík and Pavel Kouba. Prague: Oikoymenh.

Wolfe, Judith. 2014. Heidegger and Theology. London: Bloomsbury.


[i] See e.g. Meacham, Darian and Tava, Francesco, eds. 2016. Thinking after Europe: Jan Patočka and Politics. London: Rowman and Littlefield.

*For those interested in reading more of Patočka, the forthcoming Care for the Soul: Jan Patočka Selected Writings (Bloomsbury, 2022) will offer a number of his texts available in English for the first time.

Rodolphe Gasché: Locating Europe: A Figure, a Concept, an Idea?

Locating Europe: A Figure, a Concept, an Idea? Book Cover Locating Europe: A Figure, a Concept, an Idea?
Rodolphe Gasché
Indiana University Press
2021
Paperback $30.00
256

Reviewed by: Jacob Saliba (Boston College)

Rodolphe Gasché’s latest book Locating Europe: A Figure, a Concept, an Idea? is a collection of interrelated philosophical essays which employ the phenomenological and post-phenomenological traditions in order to answer the question of what it means to live in Europe or, to put it more precisely, what Europe means in itself.  The fundamental premise of the text is that many today have taken for granted the ongoing layering process of meaning within Europe since Greek antiquity. Europe, as Gasché sees it, requires an intellectual recalibration in which it can come to terms with its prior heritage, overcome its past mistakes, and enable its hopes for the future. In today’s climate that is keen on pursuing either reparations for past mistakes or protections for previous agendas, it is altogether fitting to approach these judgments on theoretical grounds thus laying bare the inner motivations for guilt or defensiveness. In so far as Locating Europe: A Figure, a Concept, an Idea? answers the question in its own title it also helps us better understand political and cultural turmoil today. Importantly, what makes this text unique is that it is sophisticated enough to confront present problems in a manner that avoids hyperbole and remains rooted in philosophical insights. In other words, Locating Europe is a much-needed investigation of Europe’s role in not only strengthening appeals for progress and reform but also emboldening calls for self-criticism and reevaluation.

The book’s elevens chapters challenge older attempts at a phenomenology of Europe and reposition more recent ones. Indeed, as the title suggests, there are three basic sections to the text: Europe as a figurative meaning, Europe as a conceptual meaning, and Europe as an idea. Gasché constructs each sphere (i.e., figure, concept, or idea) and shows their implications in relationship to the past, present, and future. The overall argument is that Europe is more than a political or economic entity; it is a highly dynamic expanse in which all forms of life are embraced in thought and deed. According to Gasché, Europe is a mode of living and thinking which opens itself up to new beginnings and harnesses the discoverability of new paths despite threats of decay or degeneration. In the twenty-first century, some critics assert that Europe no longer has a legitimate place in the world due to its imperial projects since the onset of Western colonialism. Others, paradoxically, argue that Europe’s trajectory as a political project is too self-consumed in utopian ideals such as the European Union.  Gasché rejects the false choice between dismissal and idealization by teasing out deep continuities in European culture that have remained since ancient Greece: “rationality, self-accounting, self-criticism, responsibility toward the other, freedom, equality (including for the different sexes), justice, human rights, democracy, and the list goes on” (ix). To question these values would be to question Europe itself.

Following Maria Zambrano’s line of thought, Locating Europe begins by showing that Europe’s origins come from the periphery, namely, Classical Greece and ancient North Africa. This preliminary point is integral. If it is true to say that Europe’s way of thinking and living is conducive to the ‘new’ or the ‘different’, then one must be able to locate these standards within the structures and narratives of Western thought. The point is to say neither that Europe is privileged in nature nor that it is monolithic in scope (xi). Rather, what is imperative is showing that the plane on which this issue is discussed and debated is itself a demonstration of what Europe’s inherent purpose is all about. In other words, the make-up of Europe as debatable, as contestable, as a forum of reflection serves as the self-evidence for its redemptive qualities for the purpose of “constant renewal” (xi). It is, thus, the perennial goal of Europe to maintain an unrelenting reflection of itself without which it could not achieve a conscious understanding of its traditional inspirations, creative aspirations, and lived ambitions.

So, what does it mean for Europe to be a figure, a concept, or an idea? Which rubric offers the best representational status?  Gasché asserts that a figurative Europe revolves around notions of intuited spaces or interactive intelligible schemas such as “the archipelago, the horizon, or indistinguishable from light” (xiv). Or, perhaps Europe is more aptly understood as a concept linked to language development, idiomatic gestation, or universal communicative capacities. Lastly, Europe as an idea—which Gasché primarily focuses on as most feasible—manifests the highest form of representation in the sense that it provides a regulative function for understanding which “does not exhaust itself” and perpetually leaves open opportunity as a metaphysical possibility. As Gasché puts it: “It is, in particular, this identification of Europe as an idea that undergirds all the distinct essays collected in this volume, which also feature studies such as the intrinsic interweaving of the notion of Europe with the question of responsibility to the other, primarily Europe’s responsibility toward its twofold (and aporetic) heritage of Greek and Christian and Judaic thought” (xiv). In effect, by lending legitimacy to this last approach of Europe as an idea, Gasché allows for conceiving Europe in a more dynamic cognizable space.

Europe as a Figure

The first major section of the text involves three chapters: “Archipelago,” “Without a Horizon,” and “In Light of Light.”  Though distinct in their own rights, each chapter coheres with the first proposition of Europe as a figure.  “Archipelago” centers on the notion of plurality and diversity of figures as intrinsic to Europe’s trajectory and growth through history since its inception in the ancient Mediterranean world. For instance, drawing from the philosophy of Massimo Cacciari, the Archipelago stands as the perennial figure by which the dialogue of home and abroad, far and near, different and same all synchronize with one another to formulate an origin story of variance and similarity that can still account for progress. In other words, the ancient traditions which speak of an archipelago of nations, ports, and tribes co-existing with one another despite their differences and distances seems to suggest that it may very well still be possible today, especially in view of the fact that Us versus Them mentalities remain. The essential issue at hand is how Europe can account for basic individuality while at the same time foster interconnectivity. Can the figurative meaning of the Archipelago still be operative to answer urgent cultural questions of divisiveness today? Or, to put it in metaphysical terms: how can the part cohere with the whole, how can the One bond with the Many?  For Gasché this possibility is rooted in a conversion, a movement to self-transcendence (6). Although this movement may come with the dangers of loss of identity, of conquest of the Other, or even inter-subjective friction, the very acceptance of this kind of fractious reality may be the key to unlocking a bright future. By accepting difference as fundamental to the origin of Europe—as seen in the Archipelago—then perhaps the notion of self-transcendence will appear all the more intelligible as a purposive task rather than an accidental fate.

“Without a Horizon” further expands the notion of spatial perception as it relates to Europe’s figurative meaning. Here, Gasché employs the philosophy of Jean-Luc Nancy to explain the components and impediments latent in a ‘universal vision’ (15). If the gaze of the twenty-first century European is cast forward as a conscious aim, then it is also possible to redirect it as a lived reappropriation. ‘The look’ as construed by Nancy is that which can go beyond as well as move within. In short, the look has the deepest proximity with itself. “It is a seeing that before having the power of sight, ‘sees’ seeing nothing. It is seeing affected by itself in advance of all ‘itself’, and, hence, before all seeing that sees something particular” (16). Accordingly, the goal of self-identity is made further dynamic once realized as a perceptive consciousness endowed with the capacity to both look from itself as well as look at itself.  In this way, the viewer can touch the vision and maintain intimacy with the act (17-18). More than this, the viewer stretches the outer limits of the horizon, thus, going beyond what was previously held to be a self-contained universal scope. In this way, the infinite becomes intelligible and the beyond appears possible.  “At the extreme border of the horizon, the world appears in its horizonless infinity, a finite world, and hence an infinite one” (24). If there is a blind spot of the European gaze, then Europe need only to recast its look beyond the status quo horizon into darker untested spaces.

“In Light of Light” marks the final portion of the book’s first section. Though it moves in the direction of Europe as a concept, it nonetheless maintains the character of Europe a figure. Gasché starts by framing the chapter in terms of Husserl’s work “The Crisis of the European Sciences and Transcendental Phenomenology.” If Husserl is correct to assert that Europe is the idea of progress par excellence he inherently upgrades Europe to a conceptual level in which case the entity (i.e., Europe) represents the task of knowledge acquisition itself (i.e., philosophy or science properly construed). On the flip-side, however, perhaps Europe as an idea is nothing more than a spiritual figure with a mythical pregnancy and legendary birth. This philosophical dilemma, according to Gasché, is an intrinsic tension to Europe as figure, concept, and idea. Either Europe is a conceptual standard on universal grounds, or it is particular only to itself and its own figurative germinations. Gasché, therefore, employs Jan Patočka’s seminal work Plato and Europe in order to reorient Husserl’s conception of Europe from theoretical grounds toward more pragmatic attitudes. Patočka marks a departure from Husserl’s ‘things in themselves’ to a form of how things ‘present themselves’, most especially the human being (35). What was previously held to be non-real or non-phenomenological in the Husserlian sense now functions in a deeply human way that, as Patočka suggests, centers on the Greek conception of the soul. “The soul is what properly distinguishes the human being; that precise instance in us to which the totality of being shows itself, hence becoming phenomenon” (36). In so far as the soul is the ‘becoming’ of the human it is also that which summons a response and realization from the non-real to the real. In other words, the importance of the Greek conception of the soul was not so much its theoretical insights but rather the intimacy and transparency by which the human being manifests itself in the world through actualization. Furthermore, this manifestation process is the guiding light that the Greeks sparked first and through which hidden appearances become truly tangible. Just as the care of the soul persists, so, too, does the light continue to beam forth.

Europe as a Concept

The second set of texts deals with Europe as a concept. In “The Form of the Concept,” Gasché employs Hans-Georg Gadamer’s philosophy as a way to frame a conceptually robust representation of Europe by utilizing the phenomenon of ‘world-shaping’. For Gadamer, Europe’s role as an arbiter on the world-stage is more than simply a political or economic intervention; it is one that holds together the fabric of higher questions in which disagreement, synthesis, and transformative change can cohere with one another in a dynamic unity.  Understood conceptually, Europe is the “differentiation that calls for science” as well as the “unifying power of science that allows differentiation to take place from within” (51). In short, a conceptual Europe is one that can account for the Other in a way that also enables a revivifying encounter with Oneself. Additionally, European philosophy and science have allowed for such progression since the birth of Greek theoria so that ‘higher questions’ maintain within themselves an inertia of enlightening proportions. Moreover, Indo-Germanic languages have facilitated a form of knowledge-seeking that relies fundamentally on the Western grammatical form. To the extent that meaning is extracted from its deep, hidden deposits by virtue of transmittable grammar, it also allows for its recognition as a continuous human affair.  Literature, religion, and history testify to this reality in the sense that they all rely on a communicability which allows for the unfolding of the meaning in an intelligible manner—whether it be in the mold of storytelling, theological mystery, or accounts of human events.  Europe as a civilization would not be what it is if it could not muster a unity between the diversity of disciplines. The form of Western disciplines is the center of gravity—the glue of togetherness—by which Europe can determine itself conceptually. “The discovery of the form of the concept is Europe’s most distinguishing trait” (57).

“Axial Time” relies on Karl Jaspers interpretation of the Axial Period, an era or event that goes to the historical root of itself. “The Axial Period is an empirically evident formation of meaning that can be intuited by everyone and can be understood as a measure against which to judge history” (67). Its purpose, or, rather its parameters, involves that of renewal or the process by which renewal can be an empirically possible reality. For Jaspers, the Axial Period is a Greek phenomenon in which for the first time Western man reached beyond itself into the realm of Being and participated in issues larger than natural life; moreover, it was mirrored by break-through ideas in the Middle East and Asia. It is “the emergence of the individual person in the shape of the philosopher, the traveling thinker, the prophet, and so forth” (69). However, Jaspers laments that twentieth century humankind has lost touch with this prior Axial Period. According to Gasché, this has occurred because modern man has forgotten that the conceptual project of Europe is as much tied to others (e.g., the East) in as much as it is linked to Europe (e.g., the West).  What was so incredible about the Greek breakthrough is that it was carried forth and intimated in ways that resembled the Middle East and Asia. In so far as the Greeks vied to go beyond practical and mythical attitudes, so, too, did the great minds of the Eastern world. Though two distinct worlds, each sphere constitutes each other on a more profound level in which cohesions succeeds not because of isolation but by an appreciation of uniqueness.  “In fact, it is a difference that is constitutive of Europe and implies the recognition that every spiritual phenomenon is divided, and comes to life only when the spiritual heeds the difference that divides it from within, thus establishing it in relation to another recognized as capable of truth” (83). The question is to what extent Europe can live up to its end of the bargain.

“Eastward Trajectories” encompasses nicely what the previous two chapters laid forth. In short, Gasché traces how major thinkers in the twentieth century shifted their philosophical lens to the East in order to improve what was most prized in the West.  The principal example is Karl Löwith’s travels to Japan during Hitler’s rise to power in the 1930s and 1940s.  Fundamentally, Löwith asserts that to grasp Europe conceptually in the modern moment requires that it be approached from the outside looking in. What is perhaps most surprising about his account is that the more he explored Japan the more that he realized the similarities between it and Europe. The spiritual affinities at the level of the natural world, the preoccupation with the cosmos, and mythical attitudes toward the divine each resembled structures which he found to be true also in Greek antiquity. Moreover, Löwith blames the ‘new Europe’ of the contemporary situation for forgetting these essential qualities of Europe’s origin story. In so far as hyper-nationalism parallels the grave travesties of the nineteenth and twentieth centuries, so, too, does a naïve self-love incur loss of identity on a metaphysical level. Simply put, what Europe lacks is an awareness of being wrong—of being conceptually mistaken. In dialectical terms, Europe is impoverished by its inability to accept that which is other and outside of itself—another consciousness without which its own consciousness could not realize itself (102). A renewed philosophical attitude “is predicated on a critical self-distancing of the human being that allows for a contemplation of this order in all its otherness, as other than the passing concerns of humans within the historical world, but that also makes it possible for human beings to be, as Hegel put it, with themselves precisely in being-other” (106).

Europe as an Idea

The third and final section of Locating Europe is that of Europe as an idea; it is the largest and most intellectually striking part of the book. Each chapter is preoccupied with the challenge of Europe as an idea which, for Gasché, is either a doubtful illusion or an empowering authenticity.

In “Feeling Anew for the Idea of Europe,” Gasché sets the stage for what an idea of Europe might possibly look like and if it can hold as the identity of Europe. Following Jacques Derrida’s deconstructive focus on difference, Gasché asserts that Europe as ‘a heading’ (i.e., trajectory) cannot ignore the possibility of there being another ‘heading’ that proliferates all around us in everyday terms (114). If the goal is to achieve an idea of Europe that can account for all modes of living and thinking, then perhaps it is worthwhile to destabilize the previous concept of Europe and bring about new ideas of it. In so far as Europe differs from its own Europe-ness as well as from Eastern cultures, it discovers what kind of identity it could be tomorrow rather than remain with its conceptual stagnation of yesterday. As Gasché writes: “It is about the always possible change of that identity” (116). In short, feeling for a new Europe amounts to what it is as much as what it is not. “Differently put, this feeling that registers an essential debt to the other heading, and the other of the heading, a debt so essential that the possibility of change is intrinsically tied into the positivity of identity, hence, that an element of unpredictability is inevitably part of identity, is the ‘new’ felt identity of what it means to be European” (117). Although Europeans may feel their identity, they feel it in differences and not in sameness. Alas, they have lost sight of what is unique about all perspectives available in the landscape of the everyday.

Gasché also permits the reader to consider Kant’s definition of the idea or, as the title of the next chapter suggests, ““An Idea in the Kantian Sense?.” The premise is that if Europe is a task to be fulfilled, then it follows that one must have ‘an idea’ of what needs to be done. In this way, Kant’s notion of the idea as regulative might shed some light; the idea is not self-contained slice of information but rather the ground for further reflection. Or, as Gasché defines it: “an idea in the Kantian sense is not only a representation to which no congruent sensory or empirical object corresponds but which, nonetheless, is necessary to the function of reason” (135). Kantian ideas supposedly maximize psychological space and push the boundaries by which reason can operate, irrespective of empirical reality.  However, Gasché argues that to accept an idea of Europe in the Kantian sense presupposes that all regulation of reason succeeds in its aims towards systematic unity. In other words, Kant misunderstands that purposive unity cannot account for all thoughts and deeds; what it forgets is the everyday. And, to Derrida’s point, it is the everyday that Europe has forgotten.

“Responsibility, a Strange Concept” appears to be Gasché’s own way of answering the call to the everyday, suggested in the previous chapter. In short, this chapter demonstrates the inner complexity of an appeal to responsibility—meant absolutely as well as inter-personally. In this way, Europe might be better positioned to balance its heritage of moral philosophy, on the one hand, and current demands for decentering arcane laws of morality, on the other. The modern subject is indebted to previous notions, but it does not de facto obey them. “Our relationship to heritage is a critical relationship” (153). To render an ethics proper to the contemporary situation requires that it be put in doubt, that is, experimented and tested for its cultural endurance. If Europe is to have a future, it must be responsible. At the same, however, responsibility is not synonymous with obedience. Rather, it is more germane to the notion of response. By stepping outside of rules and duties and into the domain of intuitive contact, one opens up what a response could and ought to be. The goal is to meet the Other as the Other rather than to create or define them. Therein, lies the truth of responsibility.

Importantly, if the previous conception of responsibility is compelling, then it follows that Derrida’s phenomenological approach deserves more investigating. Or, to put it differently, what actually remains of Derrida’s deconstruction of Europe? Such is the subject-matter of “An Immemorial Remainder: The Legacy of Europe.” According to Gasché, there is something that remains with us from Derrida: “It is a legacy that concerns the formal possibility of legacy itself, or, more precisely, since without such remaining no such thing as a heritage would exist, it concerns the very (‘performative’) imparting of legacy itself” (169). What is crucial to the legacy of Derrida is the way in which he pushes abstraction into contestation with itself in order to render lived experience more conducive to the inter-subjective world. His goal is to open up a khora (i.e., a place of middle-ground) so indefinable yet indispensable that it resists appropriation and therefore remains a place of sacredness. Indeed, this place’s unconditional purpose is that of tolerance which respects singularity and allows for distance.  Moreover, it is: “a place where each discrete singularity would be able to have a place, or rather, to take place” (188). For Gasché, the khora allows for the idea.

Having considered Gasché’s three options of Europe as figure, concept, and idea, it is necessary to point out a significant tension within the text. This tension is not an adverse feature of Gasché’s phenomenology, rather its appearance serves more as a reminder of the deep complexity within his question. Gasché admits that he is partial to the notion of Europe as an idea (xiv). However, he also confesses that if Europe is taken as an idea in the Derridean sense and not in the Kantian sense, then the stance leaves itself vulnerable to vague representation or naïve abstraction, even if the idea of Europe is grounded in responsibility to the Other as Other.  “It reveals itself as incapable of sufficiently and adequately thematizing what responsibility is and must be,” he writes (165). In this case, the Derridean idea of Europe as responsible cannot provide logical cohesion for its future operations; it becomes mere accident. A proper idea of Europe would have to meet the richness of what Europe actually means. It would need to go beyond itself in this regard.

According to Gasché, it is precisely phenomenology itself that not only tolerates this dilemma but also is equipped to respond to it. In other words, to be able to identify the problem (e.g.., the idea of European decay) necessitates a discourse that can support this endeavor for all its intricacies, rather than subsuming the problem into traditional philosophical positions (e.g., Kant’s definition of the idea of reason). “This is the very reason why [phenomenology], more than any other one, has the necessary resources to think responsibility otherwise. Paradoxically, it is the motifs of giving and appearing that are so dominant in phenomenology that permit us to bring our attention to what it is in responsibility that necessarily escapes thematization and phenomenology itself” (166). Moreover, it is due to phenomenology that responsibility has attained such a championed status in the history of Western thought.  “Given all that we have seen, it now seems obvious that if responsibility has been able to become a thematic priority in phenomenological reflection, then it is because the character of its response to a prior demand—one that emanates from the other— corresponds to a structure of phenomenal being insofar as the latter offers itself to an intuitive look and issues the demand to understanding as such that which then manifests itself” (164). The issue is not that Europe is an idea, the issue is what we have turned the idea of Europe into (216). “The end of Europe and the beginning of a post-European world makes it incumbent on Europe, which has understood itself so far from the idea of reason and universality, to revisit the concept of the idea with which it represented itself” (217). This is fundamentally the essential character of phenomenology in the twentieth and twenty-first century—to open up the totality of lived experience and enter into the various essences that comprise it for the betterment of each.

Overall, Locating Europe: A Figure, a Concept, an Idea? is a superb addition to the European phenomenological tradition. The collected essays demonstrate the multiple attitudes one might take in responding to the European question as well as defend the privileged role of phenomenology in reflecting on that question. In so far as the reader encounters divergent positions, they also become familiar with major streams of Western thought in a new and improved lens. Gasché further emboldens continental philosophy to assert its ability to ask profoundly urgent questions in the hopes of arriving at sound conclusions. Indeed, this text is a testament to the effort necessary to unveil the inner brilliance of such an approach.

Hartmut Rosa: The Uncontrollability of the World

The Uncontrollability of the World Book Cover The Uncontrollability of the World
Hartmut Rosa. James Wagner (Translator)
Polity
2020
Paperback €18.10
140

Reviewed by: Andrei-Valentin Bacrău (former graduate researcher at the University of Zurich)

Rosa’s “Uncontrollability of the World” is an accessible read, regardless of philosophical background and training. The minimal use of jargon and social analysis remain engaging through the text, while providing a fresh outlook towards what it means to be an individual in the 21st century, surrounded by constant notions of “progress”, which we do not sufficiently examine towards our well-being. As consumers of goods, we often engage with financially unreliable planning and aspirations. Simultaneously, even the notion and strategy of being a good parent is undergoing significant transitions (64-65). The growing concern of parents has changed from trying to offer children what is best, to at least ensuring that they are not falling behind in terms of financial security and professional success.

The initial German for “uncotrollability” is translated from “unverfügbar”. Rosa clearly acknowledges the peculiarities and minimal use in the German language of such concept. He begins the book with a nomological investigation about “unverfügbar”. Although the translation of “unpredictability” has also been considered, Rosa eventually defers to “uncontrollability”, for thematic reasons:

This is exactly what this book is about: modernity’s incessant desire to make the world engineerable, predictable, available, accessible, disposable (i.e. verfügbar) in all its aspects (viii).

Additionally, Rosa is also examining the extent to which we enjoy unpredictability and uncontrollability as well. If we look at sports or board games, it seems that part of the reason why we continuously practice and engage in these activities, is because we do not know who the winner is eventually going to be (3). The randomness involved in all combinatorial possibilities, strategies and moves by a team or individuals within a game, are unpredictable: and that is what instigates our curiosity and desire for continuous re-construction of such playful events.

Although the book is strictly discussing our modern age, these notions of predictability, engineering and disposability have been within the minds of Western Europeans since the Scientific and Industrial Revolutions, respectively. The constant desire to manipulate nature, events and our social ecosystem has resulted in a change of how our families, work space and countries interact. Rosa does not specifically address the aforementioned events and their relationship to modernity. However, he does mention that our resultant modern ecosystem has been emerging for the past three centuries, due to our human nature’s disposition to expand relentlessly (8). Rosa’s transition into his central arguments is the position of a realist in political science: regardless of boundaries, walls and other political aspirations, the international world remains anarchic, uncontrollable and unpredictable (20).

Prior to explaining the five main theses of the book, there is a secondary, auxillary concept evoked almost as often as uncontrollability itself. The notoin of resonance plays a significant role in showing the instrumental limits of control, as well as how we socially cope with the uncontrollable aspects of our experiences in the world. “Resonance” itself does uptake multiple meanings, and in some points it could be as easily substituted with the use of “uncontrollability”. However, it seems that the primary role of “resonance” is to evidentiate what makes our experiences “uncontrollable”, and which features of these can become, eventually, within our reach and hence “semi-controllable” (44). Resonance is not as elusive as uncontrollability (4), so it rather behaves as some sort of intersubjective dynamic that enhances our experience of the world.

Gradually, the concept of resonance also uptakes an existentialist baggage. By evoking Merleau-Ponty (31), we as subjects mainly respond and react to experiences, others and events. Rosa further extends this responsiveness as an outcome of resonance. Resonance is a necessary precondition of experience, for an individual to have the reactionary capacity Merleau-Ponty is describing. Consequently, Rosa frames the notion of resonance as a “mode of relation”, which displays the following four features (32-36):

  1. Being Affected: Primarily explained as some inward, aesthetic experience- a song can have such capacity.
  2. Self-Efficacy: An emotoinal and outward movement or reaction. The exchanges of gaze, or a warm dialogue would satisfy such denotation.
  3. Adaptive Transformation: There are numerous examples illustrated under this particular denotation. In summary, it can have something to do either with the gap between expectations and satisfying one’s desires, or the typical imprint we think of when we are changed or influenced by someone.
  4. Uncontrollability: Rosa uptakes the rather conventional use of uncontrollability in this case. It is the dynamic itself of experiencing a change from knowing someone or a particular event. The uncontrollable aspect of it is not only epistemic, in the sense of often not knowing what the experiential outcome is of the transition, but also the difficulties and novelties of adjusting to the particular change.

There are segments, as exemplified by the fourth denotation, where it can be unclear whether or not Rosa evokes uncontrollability as a denotation of resonance or not. It seems that in most uses, “uncontrollability” is unexplainable without some entailment relationship to “resonance”. Both of these concepts, however interchangeable they might be through Rosa’s book, definitely attempt to guide us through the same social phenomena. The more we try to engage in meaningful discussions about predictions, control and the satisfaction of our desires (however these dispositions themselves might in turn be controlled by the invisible hand of the market), our experiences as consumers and beings in the world are not fully satisfied- simply said, unhappy. To further elucidate the relationship between “uncontrollability”, “resonance” and our human experience, Rosa advances five primary arguments through the book:

§1 The inherent uncontrollability of resonance and the fundamental controllability of things do not constitute a contradiction per se (41).

In this passage we can notice additional clarification between the two main concepts of the book. We have a human disposition to react towards what we are affected by, a sensorial experience which is mediated by resonance. Rosa argues that both other subjects, as well as objects (in themselves) have such embedded property of “somehow” projecting “resonance” towards us. Although it is not quite clear how or why other features of the world beyond us have this “resonance” to them, the conclusive remarks of the unit is that there is some sort of relationship towards an “inherent uncontrollability” both in ourselves, as well as in the external world. This thesis becomes slightly difficult to really grasp, especially since the verbatim of the first assertion is that there is no contradiction between the uncontrollability of resonance and the controllability of things. We may uncontrollably become attracted to a wonderful piece of music, wich we eventually resonate to. Afterwards, we can play the song whenever we desire, which does seem to be in our control. Hopefully this elucidates what Rosa was trying to convey with the first thesis.

§2 Things we can completely control in all four dimensions lose their resonant quality. Resonance thus implies semicontrollability (44).

Once we obtain some sense of controllability over what we resonate with, it becomes “semicontrollable”. This is quite a fascinating approach for balancing between the things that are and are not within our control. Therefore, the external world with subjects, objects and events, do possess this feature of resonating with us. Once we correctly internalize this experience and resonate with it, both the external manifestations, as well as resonance itself, becomes semicontrollable. According to Rosa, there are conditions for response from our own subjective side via the sensorial mediation of resonance, and once we have gained some mastery over these phenomena, resonance transforms its features from uncontrollable to semicontrollable. This outcome would also suggest that there is some feature of the external world and others, which will remain uncontrollable, despite any potential conditions of transforming resonance into something semicontrollable.

§3 Resonance demands a form of uncontrollability that “speaks,” that is more than just contingency (48).

Now Rosa is guiding us through the aspects of resonance which remain uncontrollable, despite any transformative conditions. Rosa himself admits this is the most difficult one to demonstrate. He further elaborates on some feeling that we establish towards a song or natural sight (49). The terms chose to describe such relationship, however unexplainable, include “harmony and beauty”. By deferring to Erich Fromm, during the contact phase with natural beauty, for example, the modes of existence shift from “being” to “having” (51).

§4 An attitude aimed at taking hold of a segment of world, mastering it, and making it controllable is incompatible with an orientation toward resonance. Such an attitude destroys any experience of resonance by paralyzing its intrinsic dynamism (52).

Although §2 was emphasizing that eventually, we can obtain some mastery over resonance which leads to a semicontrollable relationship to the external world, §4 has a normative reading to it. Firstly, Rosa introduces a mechanism through which this intrinsic dynamism happens: subjective dimension, object dimension and process dimension (53). This was surely an interest addition to his work, and it would have been helpful to understand what he had in mind with the dynamics of resonance, controllability and uncontrollability via this particular explanation. Rosa does guide us through some fundamentals. The subject dimension is our willingness (and perhaps, openness) to be touched or changed in unpredictable ways. This argument could have been further explored to understand what Rosa thought about the limits of our self-control and autonomy, in relationship to the extent to which we ourselves can transform the external uncontrollable circumstances into semicontrollable ones. At the same time, §4 suggests that once we do obtain that state of semicontrollability, resonance changes its functional applications and interaction with us, thus overall, the entire dynamic of mind and world experiences something else.

Additionally, resonance here is argued as “vulnerability and a willingness to make ourselves vulnerable” (53). We must exercise our autonomy in such a way that we allow ourselves to be opened to vulnerabilities and unpredictable, uncontrollable changes from the external world. The object process seems quite difficult to understand, though hopefully the readers see it as an invitation to further explore Rosa’s work for themselves:

On the object side, uncontrollability means that what we encounter must resist us in at least one of the four dimensions of calculation and control. There must be at least one “obstinate remainder” that has something to say to us, that is meaningful to us in the sense of a strong evaluation (53).

What makes resonance dynamic, is that we cannot control it either with our beliefs or desires. Wanting to be happy on Christmas, or excited for a first date, are not attitudes within our reach or control (56). Now we turn to the fifth thesis:

§5 Resonance requires a world that can be reached, not one that can be limitlessly controlled. The confusion between reachability and controllability lies at the root of the muting of the world in modernity (58).

For the rest of the book, this fifth thesis becomes the most significant one. Rosa argues that Hermann Dueser initially coined the term “Unverfügbarkeit(uncontrollability), by looking at Kierkegaard’s existential philosophy, while attempting to show an opposition to humanity’s complete technological takeover (58). The book continues to be filled with numerous sociological examples about the implications for resonance theory in our daily activities, work, family lives, and religion. The readers should also be wary that in the religious context, Rosa uses “uncontrollability” and “inaccessibility” interchangeably. Whereas inaccessibility can denote the same kind of “unreachability” or “unavailability” that “uncontrollability” does, “unreachability” could also denote that it is not resonant at all, since it is completly beyond our reach or comprehension. Two other significant examples are about modern medical and political practices. Our methodology to any disease is to control it, subdue it and overcome it as quickly as possible (76). In the political ecosystem, however, voters become quite surprised when policies do not go their way. We expect our institutions to control and correctly predict the outcome of political events, in such a way that there are not any unwanted surprises and everyone achieves their respective agenda (91).

The rest of the book is filled with daily, relatable examples of how these dynamics of resonance and uncontrollability affect aspects of our lives. I would highly suggest this book to anyone that wants to further understand some difficult predicaments about modernity, whether at the individual or collective level. The smoothness and approachable language of the text is quite clear and engaging.

Rein Raud: Being in Flux: A Post-Anthropocentric Ontology of the Self, Polity, 2021

Being in Flux: A Post-Anthropocentric Ontology of the Self Book Cover Being in Flux: A Post-Anthropocentric Ontology of the Self
Rein Raud
Polity
2021
Paperback $26.95
256

Reiner Schürmann: Reading Marx: On Transcendental Materialism, Diaphanes, 2021

Reading Marx: On Transcendental Materialism Book Cover Reading Marx: On Transcendental Materialism
Reiner Schürmann Selected Writings and Lecture Notes
Reiner Schürmann. Edited by Malte Fabian Rauch and Nicolas Schneider
Diaphanes
2021
Paperback $30.00
176

Pierre Kerszberg: Les Trajets intérieurs de la musique, Classiques Garnier, 2021

Les Trajets intérieurs de la musique Book Cover Les Trajets intérieurs de la musique
Philosophies contemporaines, n° 20
Pierre Kerszberg
Classiques Garnier
2021
Paperback $29.95
264

Jan Kłos: Heart Speaks unto Heart, Brill, 2021

Heart Speaks unto Heart: On the Kinship of Spirit and Thought: John Henry Newman and Edith Stein Book Cover Heart Speaks unto Heart: On the Kinship of Spirit and Thought: John Henry Newman and Edith Stein
Value Inquiry Book Series, Volume 368
Jan Kłos
Brill
2021
Hardback €95.00$114.00
xiv, 214

Gregor Schiemann: Lebenswelt und Wissenschaft, De Gruyter, 2021

Lebenswelt und Wissenschaft: Zum Spannungsverhältnis zweier Erfahrungsweisen Book Cover Lebenswelt und Wissenschaft: Zum Spannungsverhältnis zweier Erfahrungsweisen
Gregor Schiemann
De Gruyter
2021
Hardback 49,00 €
196

James G. Hart: Hedwig Conrad-Martius’ Ontological Phenomenology

Hedwig Conrad-Martius’ Ontological Phenomenology Book Cover Hedwig Conrad-Martius’ Ontological Phenomenology
Women in the History of Philosophy and Sciences, Vol. 5
James G. Hart. Rodney K. B. Parker (Ed.)
Springer
2021
Softcover 67,59 €
XII, 272

Reviewed by: Matthew Clemons (Stony Brook University)

As James G. Hart notes in the opening chapter of his Hedwig Conrad-Martius’ Ontological Phenomenology, the German phenomenologist and Naturphilosophin Hedwig Conrad-Martius is a marginally known figure. Prior to the last half decade, what limited consideration she received in the English-speaking world is primarily in the context of her relationship with Edith Stein, particularly in the role that she played in Stein’s conversion to Catholicism in the early 1920s. There are several plausible reasons for Conrad-Martius’ obscurity: the absence of translations of her work; the political and bureaucratic challenges and sometimes outright opposition she encountered as one of the first women to enroll in and complete studies at a German university; the personal and professional hardships—including the death of numerous colleagues and a publication ban due to Jewish ancestry—that resulted from the socio-political upheavals of the early 20th century; the ascendency and predominance of the hermeneutical-existential mode of phenomenology to the exclusion of phenomenological realism movement of which she was a leading figure. Whatever the reasons for her obscurity, the quality of her work is certainly not one of them, even a passing familiarity with which would confirm.

I am the sort of reader of Hart’s monograph on Conrad-Martius that qualifies as having passing familiarity with her work. I know enough about her lifelong project, the Realontologie, or the investigation into the essence and metaphysical foundations of reality, to want to know more. But resources for knowing more are limited. A cursory search of the Kösel-Verlag archives, the publisher now owned by Penguin Random House that originally printed Conrad-Martius’ work, yields no results. To the best of my knowledge, her work is no longer in print and only available only second-hand via private handlers. There are no translations. As far as secondary material, at the time of its publication in 2020, Hedwig Conrad-Martius’ Ontological Phenomenology was the only extended treatment of Conrad-Martius’ thought available in English. According to Hart, the only other monograph, which is in German, is Alexandra Pfeiffer’s Hedwig Conrad-Martius: Eine phänomenologische Sicht auf Natur und Welt. A monograph on Conrad-Martius, then, is a welcome contribution. A monograph on Conrad-Martius by James Hart is even more so. Hart’s work is consistently of the highest level, combining an immense scholarly and philosophical comprehensiveness with clarity and a sharp eye for the germane in the matter-at-hand. His two-volume work Who One Is (Springer 2009) is an absolute gem, a must-read for anyone interested in any number of themes even remotely related to transcendental and existential phenomenology. Needless to say, I anticipated Hedwig Conrad-Martius’ Ontological Phenomenology with excitement, and it mostly met those expectations.

The book itself is composed of eight chapters and an appendix. The appendix is a selection translated by the book’s editor Rodney K.B. Parker of HCM’s unfinished and eventually abandoned manuscript Metaphysik des Irdischen (or Metaphysics of the Earthly). Hart tells us that she originally intended the work to be a “unifying opus magnum” (4), but that it remained incomplete due to extenuating health and financial circumstances. Parker implies that disagreements with the publisher were also a contributing factor. As for the body of the book, chapter one is a general introduction to Conrad-Martius’ life and thought, presenting relevant biographical material and acquainting us with her project and its primary influences; the final chapter is a conclusion. Chapters two through five contain the bulk of the exposition of Conrad-Martius’ thought and are the most challenging of the book. Chapters six and seven are Hart’s own creative appropriation of one of the basic theses of Conrad-Martius’ work, namely that theological-cosmological categories have an ontological-metaphysical referent, which he applies to the theme of heaven. In what follows, I’ll summarize (by no means exhaustively) Hart’s presentation of Conrad-Martius’ thought and conclude with a few reflections on the work and on its contemporary relevance.

Conrad-Martius as Naturphilosophin

All of the subsequent analysis depends on Hart’s exposition of Conrad-Martius’ thought. HCM is a philosopher of nature in the ancient sense. Her notion of nature as “reality under the aspect of its radical ‘basic motion’ of self-genesis” (80) reflects a more typically Aristotelean designation: nature as “that which by virtue of itself…and out of itself (the founding hyle) brings forth itself (its eidos and morphé)” (80). She employs familiar philosophical notions such as substance, potency, and entelechy, and makes use of well-known medieval distinctions like that between essence and existence. HCM asks typically natural-philosophical questions: what is time; what is space; what is mass? What are the constitutive features of matter or of light? How do we conceive of the phenomenon of organic life on both a macro and micro scale? Her work demonstrates deep familiarity with the natural sciences of her day and with the revolutionary 20th century developments in, e.g. physics. There are, however, at least two features of her general approach that make it unique: 1) her commitment to eidetic-phenomenological analysis; 2) her fundamentally Christian cosmological outlook.

1) In chapter two, Hart details Conrad-Martius’ involvement in the early phenomenological movement and its effect on her methodological and philosophical commitments. HCM was a member of the Munich and Göttingen circles of phenomenology. Members of these circles had in common an admiration for Husserl’s rejection in the Logical Investigations of philosophical psychologism and the overcoming of epistemological standstills and reductivism of all kinds that it represented. Freed from these concerns, they were able to take up Husserl’s exhortation to return to die Sachen selbst and embody his vision of a community of interdependently working researchers conducting investigations into the essential features of the various regional ontologies. For Conrad-Martius, a philosophy of the region of nature meant, as stated above, investigating nature in an effort to discover its essential sources and structures.

Aiding this task was the method of the eidetic-reduction in which the existence of an actual object (but not the world as such) is bracketed so as to investigate the object via ideation, a process of imaginatively altering an object to bring its essential structures into relief (cf. section 2.2.). For Conrad-Martius, this involved a second aspect, namely a horizon analysis in which the limiting presuppositions and prejudices that predetermine what counts as legitimate are brought to light. In relation to the natural sciences, the general interpretive framework tends to be one of quantification and mathematization.

As an aside on method, the early phenomenologists were as a rule not concerned with epistemological questions. They unanimously lamented Husserl’s “transcendental turn” and his forays into the subjective sources of meaning as a regression into the bogs of critical philosophy. One of the merits of Hart’s presentation of HCM’s method is his pointing out the challenges that the products of Husserl’s genetic investigations, particularly the role of temporality and history in the constitution of meaning, present for her conception of essences and the kosmos noétos. For more on this, see sections 2.4-2.6.

Phenomenology’s insistence on attending to the thing in the fullness of its appearance produced, according to Hart (10), the fundamental convictions in Conrad-Martius that the way in which nature appears is reflective of what it is. There can be no irreconcilable conflict between what appears and the way it appears. This means, “on the one hand, that there was no abyss between nature as it appears and the positions of the physical sciences, and, on the other hand, that appearing is, as such, not a veil of some unknown ‘in itself’” (53). Given, for instance, the developments in quantum physics that contest the more intuitive conceptions of matter found in classical, Newtonian physics, this is quite the radical thesis. But the thesis also represents a break from the temptation of dividing nature’s appearing into primary qualities, or the real features of the physical, and secondary qualities, or sensible, merely mental features, as a consequence of which the secondary qualities are dismissed as irrelevant and the primary are conceived of inertly and mathematically. Against this quantification of nature, Conrad-Martius insisted on a qualitative analysis in which all modes of appearing are appearances of something. Conrad-Martius’ nature is a cosmology, an ordered whole of interwoven regions and parts that Hart compares to a tapestry or symphony (157).

2) If the predominant horizon of the natural sciences is quantification and mathematization, HCM’s is Christian. One of the dominant trends in the theology of her day was demythologization in which “the content of the ontological referent [of cosmological notions] is fully replaced by an existential and symbolic interpretation” (205). In contrast to this tendency, Conrad-Martius sought to “remythologize” the cosmos, i.e. to affirm a cosmological meaning and referent for Christian cosmological notions, for example, heaven as a region of world space (see 7.3). Hart quickly adds two qualifications: a) that this doesn’t mean that we should altogether reject the fruits, much less the impulses and motivations, of existential and hermeneutical theology; b) that this in no way implied for Conrad-Martius a fundamentalism that eschews the evidence of, e.g. paleontology, and seeks to return to the pre-Copernican picture of a storied-universe of heaven physically above. As I mention above, chapters six and seven contain Hart’s attempt to appropriate this move with regard to heaven. While the content of these chapters is undeniably interesting, it seems to me disproportionately focused on existential and hermeneutical meanings of the religious cosmological categories. This is an issue only insofar as the Hart’s main objective is to show that Christian cosmological notions can be interpreted cosmologically.

In accordance with these two unique features of Hedwig Conrad-Martius’ approach, Hart seems to discern two promises: 1) a qualitative philosophy of nature that is the product of essence-investigations and integrates the developments of the natural sciences into an overarching cosmological unity which leads to 2) the possibility of giving Christian cosmological notions an ontological-cosmological foundation rooted in a serious philosophy of nature.

The Realontologie at a Glance

A. Substantiality and Time: If chapter two delineates Conrad-Martius’ method, chapters three through five deal with her thought as such. Chapter three begins with an analysis of the various kinds of being that culminates in the decisive distinction between ideal and real being. This distinction is the point of departure for the Realontologie, or ontology of the real, and for the philosophy of nature insofar as nature is, as we saw, “reality under the aspect of its radical ‘basic motion’ of self-genesis.” The section in which the distinction is introduced (3.2) is a bit convoluted. I get the impression that Hart has here the unenviable task of mapping out the critical theme that is at once the juncture of several intersecting trains of thought and the point of departure for the whole show. Probably for this reason, the terms of explanation seem to shift just as you begin to get your teeth into them. It can feel a bit like biting air. At any rate, the gist of the distinction is clear enough. Whereas “the ‘being’ of ideal objects is exhausted totally in their ‘being something’ or being such” (66)—in more traditional metaphysical parlance, in their essence—real being exists. Inherent in the meaning of real being is not just the essential moment (what something is) but also the existential moment (that something is) without which a real being would not be real. By existence, HCM seems to mean the brute thereness, the in-the-flesh character of facticity. This leads her to the notion of substantiality, which for her refers to being that is self-grounding. A being exists, is “really there” because it stands in itself. Substantial being, for Conrad-Martius, is real being.

To be self-grounded is sometimes characterized as standing-in-itself, and other times as stand-under-itself: “Substance as such stands under its own being; it is the self-grounding of itself which is the standing under (sub-stans). It stands under (grounds) itself…Substance is a being’s standing in its own existential potency to its own being” (79). Although it seems like an unintentional equivocation or an exploitation of the etymology of substance, it is actually a purposive and important equivocation. It takes some rearranging to figure out why. As far as I can tell, “itselfness” is for Conrad-Martius both a technical term and an operative concept, the meaning of which changes depending on context. Hart confirms the latter (cf. 78) and implies the former. I note that one of the difficulties with the use of “itselfness” as a technical term, beyond its being an operative concept, is the possibility of its conflation with the reflexive pronoun “itself.” This is probably less of an issue in the original German.

One of the meanings of “itselfness” in the case of real being is “the potency to exist, to be or not to be.” What makes a being “stand-in-itself” is its having “itselfness” (technical sense) within itself (this second use of “itself” has a slightly different meaning), i.e. it has within itself the potency to be or not to be. But “itselfness,” insofar as it means the potency to exist, grounds or is the source of the actually existing being. The formulations standing-it-itself and standing-under-itself foreground different aspects of substantiality. The second is crucial. Insofar as the potency to be “stands under” an entity, the theme of potentiality as the real, but not actual source of actual being is emphasized. It is that from which real, actual being comes to be. Moreover, it implies that the actually finished being, insofar as it is potential, precedes itself. Potential being is not finished being; it is pre-finished being. This leads to the central question for Conrad-Martius of the “place” of these potencies themselves. If the cosmos is an ordered whole with various kinds of regions, we here have an indication of what one of the regions would be. In short, in the analysis of real being, we are led to substantiality. The essence-analysis of substantiality leads us to the notion of pre-actual potential sources that generate and sustain actual being. Investigating these sources is the project of the Realontologie. As Hart puts it, “for the full constitution of real substances, the form-giving active (entelechial) and passive, purely potential powers must be studied” (47)—I’ll say more about the “form-giving active powers” in the next subsection.

For Conrad-Martius, that an entity is grounded in its possibility to be does not mean that it has absolute power over its potential to be. Such a capacity belongs only to absolute being. Insofar as potential being is a form of non-being, she can say that to be real is to be suspended over an abyss of nothingness that requires an ontological motion of “incessant flight from nothingness” (70). Its existence is something which is incessantly “slipping away” (78) and simultaneously won anew. This is an important observation because, for Conrad-Martius, this motion inherent in the mode of existence of real being is that which constitutes time. Time is not some pre-existing container into which being steps. Time follows on existence and not the other way around. As Hart puts it, “time is a mode of the existence of something” (137). Again, “time is a dimension corresponding to the being or existence of something” (150). In contrast to this real-motion of time is what she refers to as the transcendental imaginative time—think Husserl’s time-consciousness in which the present is held onto in retention and on the basis of this holding arises protention, an expectation of what is to come. In this context, it makes sense to speak of past and future and of a motion between the two through the present. For HCM, this flowing time along with the categories of past and future are not real, but only features of transcendental imaginative time. The real motion of time is not one from the past into the future or vice versa. Just as a being is incessantly losing and winning its existence, the real motion of time is a discontinuous “relentless coming forth of the world into being as it is a constant vanishing from actuality” (76). An analogy with number is helpful:

The number, e.g., 5, means more than that it stands in line at the fifth place after preceding rows of unities. The eidos of the number lies in its being a complex unity which contains the total series of numbers leading up to its place of order. Only secondarily does it indicate its place of order in the series of numbers. The number is the expression of a quantitative monad-like ‘sum value.’ One value cancels out the preceding by including it and going beyond it [Aufhebung]. Conrad-Martius’ point here is that the nows are analogous to numbers. And as numbers are monadic sum-values, so are the moments of actuality monadic being-values. And as with each individual number the preceding (and coming) numbers are conceptually and terminologically negated, because this number presents a sum-value which is valid only for it, so with each definite moment of actuality [Aktualitätsjetzt] are all other moments ontologically negated. (77)

Theologically, that real being is situated on the “knife-edge of nothingness” (190) is indicative of nature’s being non-integral, i.e., being fallen. If incessantly negated time follows on the mode of real existence, HCM speculates on what a different mode of “eternal” or “blessed” existence might mean for time (see section 5.1 and 5.3). As for the question of the source of this motion, Hart returns to it in chapter five.

B. Matter (hyle) and Space: I noted above that “itselfness” seems to be an operative concept. Beyond referring to the potency to exist that underlies real being, it also seems to refer to the potency for an entity to be what it is, to be its essence, which it also stands in. The “‘basic motion’ of self-genesis” by which Conrad-Martius delimits the region of nature would then signify that substantial being both stands in its possibility to exist and has its potency within itself to be what it is. This sheds light on obscure locutions like nature’s definition as “that which is by reason of its own power to be—to be itself. That is, to be what it is in its own essence” (80), which Hart follows up by quoting HCM as saying “existential substantiality is essential substantiality” (again, the major difficulty with these locutions seems to be that the terms shift, e.g. if we say that something constitutes itself out of itself, we could mean several different things (out of its hyle, out of its potency to be, etc.), and all of them might highlight different aspects of constitution. This is probably a difficulty inherent in ontology).

This consideration prepares us for Hart’s remark that there are two different modes of standing-in-itself that are constitutive of the cosmos, the hyletic and the pneumatic. As constitutive of actual, finished entities, Hart cautions us against thinking of these modes themselves as actual, finished entities. Again, the notion of regions is not far. Conrad-Martius refers to the region of these potentialities that are the source of actual entities as the trans-physical potential realm (see section 3.5). In some sense, the distinction between the hyletic and the pneumatic seems to cut along the lines of living and non-living, although pneumatic in the strict sense refers to “the eidos of I-ness” (section 3.7)). Two qualifications are necessary: 1) we are talking about the sources of living and non-living beings, and so not of a living or non-living being. The basis for, e.g. the essence-analysis of matter is not empirical matter (e.g. the chemical elements). 2) It would be wrong to think of matter along the lines of dead, brute stuff. As Hart insists, finished material being like all nature is self-generative. The difference between living and non-living is more that essences of living beings are uniquely delivered over to them to become (88). The analysis of organic nature occupies much of the beginning of chapter four, which unfortunately I can’t consider further here. That discussion treats HCM’s position in debates within biology between wholism and preformism, her understanding of evolution and genetics, and the important concept of entelechy and related notions of causality, power, and energy. If interested, see sections 4.1-4.4.

Whereas not all finished entities share in pneumatic substance, all of nature participates in hyletic being (83). According to Conrad-Martius, there are two paradoxical but intertwined moments of material being. One is an ecstatic self-othering such that nothing remains behind; the other is an absolute sinking inwards. The first is a potency that “inexhaustibly releasing or scattering, the other is inexhaustibly sinking or centering” (102). The two are intimately bound together in a reciprocal relationship such that Hart can dub hyle a “selfless being-burdened-with-itself.” The primary reason for highlighting this distinction here is the important role that it plays in the context of several other discussions. It is crucial for her interpretation of quantum physics and the notion of aether (section 4.5), is generative of her conception of space, and representative of the various metaphysical regions of the cosmos. The treatment of space begins with a modified version of the Kantian antinomies. For her, the problem of infinite space—that I can neither conceive of space as ending nor of it as endless—is a product of the transcendental given-along-with of the milieu in perception. But it does indicate a paradox in the act of making space, namely that of how the untraversable because immeasurable, what HCM calls the apeiron, becomes traversable and measurable, or turns into metric space. I think what she is getting at is the problem of how, without a pre-existing definite dimension, a being comes to have definite dimensions. The solution is similar to the one we saw in the case of time. Just as time follows upon the mode of existence of a being, space follows upon the kind of being that something is (e.g. 182). More specifically, “space is the dimension created by hyletic being in its substantial self-transcendence” (84). Hart points out that the German verb räumen, the nominative of which [Raum] is German word for “space,” can mean to clear out or to make room, which is the fundamental meaning of space as the dimension that follows outwardly upon the ecstatic self-othering and inwardly on the sinking inwards of hyletic substance (85). For more, see section 3.8.

C. The Fundamental Structures: The Aeonic World-Periphery and World-Center. I have outlined HCM’s position that time follows on the mode of existence of a thing and space on the kind of being something is. I have pointed to the notion of “itselfness” as the potential for a being to be (existence) and to be what it is (essence), and have indicated that in each case, the question of sources, structures, and regions is not far. All of these topics together led to what is maybe the central topic of HCM’s philosophy of nature, namely the pre-finished sources, both actual and potential, that are responsible for nature’s coming to be and the regions that they inhabit. In chapter four (4.4), Hart treats the notions of causality and the relationship between actuality and potentiality. Central to the notion of causality is that the cause must be proportionate and appropriate to its effect. Otherwise, the effect can never come about. One of the ways in which a cause is proportionate to its effect is that in order to be capable of setting the power into motion, it must itself be in motion. This rehashes the ancient doctrine of actuality and potentiality. The question then arises: whence these trans-physical, trans-empirical pre-finished actualities that set the corresponding potentialities into motion such that we have, e.g., the motion of time, the paradoxical duality of matter, the generation of particular entities? Whence the potencies themselves? As Hart puts it, “a question that is at the heart of the cosmology and ontology of Conrad-Martius: What is the ontological place or point from out of which substantial being or the whole of nature unfolds itself into the essential forms of the cosmos? This is not meant to be a genetic question within or previous to finished nature. It is a question about essential structures” (80).

There is no way to do this question justice here. It’ll have to suffice to indicate in broad strokes the architecture of these regions. It’s worth saying again that the notion of “region” is metaphorical. The structures of finished nature are not themselves finished nature, and so are not 3D. Generally, all motions require an actualizing feature and a hyletic ground on, in, and through which to act. The motion of nature’s self-genesis with all of the other motions that this implies is no difference. For this, HCM conceives of two foundational regions (which correspond to matter’s ecstatic and instatic moments) of the world-center and the world-periphery. The world-periphery is the place of the essence-entelechies that actualize the world, as well as the ever actual source of the real motion of time (there is an interesting parallel here to Aristotle’s prime mover). The world-center, on the other hand, is the hyletic dimension on which the actualizing powers act. With the notions of regions, we come back to the theological promise I pointed to in the previous section, namely, that of finding ontological referents for Christian cosmological notions. Related to these regions are, for example, referents for the notion of the New Heaven and New Earth. This is a crude sketch of the cornerstone of HCM’s thinking, but it’ll have to do here. See chapter five for more.

Concluding Remarks

The remarks of the last section are by no means exhaustive, but give an overview of the major themes of Conrad-Martius’ thought as Hart presents it, which the interested reader should be able to use for orientation in the book. While I get the impression that Hart faithfully portrays Conrad-Martius’ thought, and while I don’t envy the task of summarizing the life’s work of a metaphysician, there are a few facets of the book that are underwhelming. As I indicated at points in the previous section, Hart’s exposition can be hard to follow. In a certain way, this is unavoidable. Part of the difficulty lies in becoming acquainted with HCM as a thinker, any evaluation of whom demands a thorough familiarity with the natural sciences. It’s also necessary to get used to her idiosyncratic terminology. In another way, however, there are sections in which terms are confusing, formulations are exchanged without explanation, and the explanandum sometimes seems to drop out of sight. It is not always clear when Hart is paraphrasing or providing commentary, so it can be difficult to parse out exactly what his contribution is verses what a given thinker is arguing (though I stress that materials are always adequately cited). I suspect that this is the culprit behind errors such as the one in the first full paragraph on pg. 11 in which the example changes halfway through from “cabinet” to “table.” On that note, there are numerous and frequent typographical errors that, because of their frequency, can be distracting. For stretches of the book, errors in punctuation occur on nearly every page and sometimes multiple times per page. One of the most frequent errors, substituting the word “or” when the context calls for “of,” occurs four times in the concluding five sentences of the book. Hart tells us in his preface that the book is the belatedly published version of his 1972 doctoral thesis and that, for practical reasons, he couldn’t update it. Many of these errors I think, are reflective of that.

At any rate, I am grateful to have the dissertation in published form. I mentioned at the beginning of this review that HCM is a marginally known figure, and that at the time of its publication it was the only extended treatment of Conrad-Martius’ thought in English. If the last few years are any indication, the situation is changing. Since the publication of Hart’s book, the Springer Series Women in the History of Philosophy and Sciences, of which Hart’s work is the fifth volume, has published another book-length collection of essays by Ronny Miron on Conrad-Martius’ thought.[1] The Center for the History of Women Philosophers and Scientists at the Universität Paderborn whose director, Ruth Hagengruber is an editor for the Springer Series, is conducting a project called “Women in Early Phenomenology,” one of the goals of which is to foreground and make available Conrad-Martius’ oeuvre.[2] There is also, of course, anecdotal evidence—a panel dedicated to her thought at a prominent conference, a reading group dedicated to her work, etc.—of an increasing interest.

Can her work gain broad traction? Hedwig Conrad-Martius is as unconventional a thinker as she is comprehensive and profound. As far as I know, she is the only western philosopher of the 20th century (besides maybe Whitehead) to attempt in conversation with the natural sciences a comprehensive philosophy of nature in terms of its essential structures. We may have to go back as far as St. Thomas to find someone else who attempts it from an explicitly Christian perspective. The climate in academia may not be amenable such a project. In an era of specialization, of general (warranted or not) suspicion of eidetic claims, following a century of the devaluation of philosophy in scientific practice, with all of the old doubts concerning the possibility of a Christian philosophy, this explicitly theological, comprehensive philosopher of the essence of nature might seem like an odd one out. In some ways, that is precisely what makes her extremely refreshing. And beyond the vicissitudes of the Zeitgeist, there are the perennial questions of the whence and whither of our coming to be, questions that Conrad-Martius is asking. I, for one, am eager to see her answers heeded.


[1]     Ronny Miron: Hedwig Conrad-Martius: The Phenomenological Gateway to Reality (Springer 2021).

[2]https://historyofwomenphilosophers.org/project/women-in-early-phenomenology/

Emmanuel Falque: Nothing to It: Reading Freud as a Philosopher

Nothing to It: Reading Freud as a Philosopher Book Cover Nothing to It: Reading Freud as a Philosopher
Emmanuel Falque. Translators: Robert Vallier (DePaul University), William L. Connelly (The Catholic University of Paris)
Leuven University Press
2020
Paperback €25.00
136

Reviewed by: Matteo Pastorino (Deakin University)

In his book Nothing to It: Reading Freud as a Philosopher, Emmanuel Falque has provided a compact and dense argument in order to show the importance of Freud’s work for the phenomenological debate.

In the opening section, Falque chooses to present the affinities between Freud’s psychological theory and the ideas of Paul Ricoeur and Merleau-Ponty. As starting point, the author suggests that psychoanalysis as discipline, and in particular, Freudian psychoanalytic theory, can be studied independently of the practice underlying it. (24)

Thus, from the beginning, Falque abandons any issue concerning the practical aspects of psychoanalysis, following the lead of Ricouer. Previous philosophical approaches to Freudian psychoanalysis, like Gilles Deleuze and Félix Guattari’s Anti-Oedipus (1972) or Jacques Derrida’s Resistances to Psychoanalysis (1996), were characterized, in the author’s view, by a polemic tone. (26) One may add that this line of criticism in France continues in the new millennium, for example in Michel Onfray’s The Twilight of an Idol: The Freudian Confabulation (2010).

However, Falque wants to focus on a more sympathetic, if minoritarian, current in French phenomenology. As example, he points at the work of Merleau- Ponty in the period from his Phenomenology of Perception (1945) to his death. Indeed, Merleau-Ponty has openly declared that the phenomenological method was developed with the contribution of psychoanalysis. Falque then concludes by saying:

In short, we need not to reconcile psychoanalysis and philosophy because in reality they have already been married for a long time. But we still have to nourish the link, and any fidelity demands not only self-denial, but instead a willingness to approach the other. (27-28)

After providing the historical precedent for his attempt, Falque considers which moments or stages of “fecundity” in psychoanalysis have produced a transformation in phenomenology.

The author describes them as ‘backlashes’ of psychoanalysis, producing a radical change of course in phenomenology. (28) The first moment is described in Ricouer’s Freud and Philosophy (1965), in which the earliest psychoanalytic theory is presented as one the greatest or even the principal authority of the unfurling of hermeneutics. (29)

In Ricoeur’s view, the conflict between psychoanalysis and phenomenology does not emerge from their original works, namely Freud’s Interpretations of Dreams (1899) and Husserl’s Logical Investigations (1900), which actually show a certain affinity, but rather in the

necessity, at least in Ricoeur’s eyes, to radicalize the theory of “signification” (Husserl) with a theory of “interpretation” (Freud). (29)

The second moment comes when Merleau-Ponty recognizes the shared interest in both psychoanalysis and phenomenology in applying reason to the irrational, which should be considered as a form of progress for reason (30). Yet, phenomenology, according to Falque, has not been able to move beyond the statement that “all consciousness is consciousness of something”.

The “below” of sense drills into spheres that do not reach the pair “sense” and “non-sense”. Deeper and more gaping, this stratum of the existent says nothing and has nothing to tell me, is not seen nor is demonstrable, is not understood, and does not let itself be read. (31)

So, it appears that psychoanalysis understood the multi-layered nature of the Id, Merleau-Ponty’s ‘raw nature’, and then phenomenology, influenced by Freud’s insight, developed its own theory.

The It is the pivotal point in Falque’s discussion, and he himself chooses this point to clarify his title, Nothing to It:

It only shows that “to see oneself”, following the Id, one first has to renounce seeing (…) because one is borne from below by the neuter of the “Self” of our existentiality. (32)

At this point, Falque develops his idea of a superiority of Freud’s idea of latency,

this hidden cache that stands in a place where there is nothing to “It” .(32)

compared to Husserl, Heidegger and Lévinas’ concepts of intuition, manifestation and invisible’s excess.

At this point, the author starts to expand his idea about the need to combine psychoanalytic insights and philosophical explorations. What makes the comparison harder to understand is the fact that Falque repeatedly compares a few notions of Freud’s theory, only his, and only his “second topography”, (37) with a variety of philosophers, usually French and broadly definable as phenomenologists, but sometimes including Nietzsche and even Kant as well. (35)

Chapter 1 opens with a few considerations about personal and historical events  shaping Freud’s worldview in the last decades of his life. Personal and social tragedies have both contributed to change Freud’s optimism about an enduring Enlightenment. (40-42)

Thus,

The First World War is thus for Freud, the founder of psychoanalysis, not only a “crisis”, (…). It is properly speaking a “revolution”, the imposition of a change of paradigm and not merely the correction of an old system. (46)

At this point, Falque attempts to read “metaphysically” the impact of the Great War on psychoanalysis, claiming that

It introduces the ego and destroys not only the ego’s capacity to present or be represented, but the very idea that there is something to “present” or something “representable”. (46)

The impact of the historical event on the discipline of psychoanalysis, according to Falque, is analogous to that of the Second World War on Lévinas’s phenomenology, particularly about the question of “evil”. On the other hand, Freud’s contemporary philosophers, like Husserl, Bergson, and Russell, were unable to grasp this metaphysical level,

the “it” of the event of the war and the “id/it” of the submission or even of the annihilation of the ego. (47)

The discussion on Freud’s superior understanding of the Great War as the proof of humanity’s barbarism continues in Chapter 2, and Falque makes the claim that this barbarism is characteristic of the First but not of the Second World War:

One knows why people die, or rather why there is death in the Second World War, because it is thoroughly “rationalized” even if it is never “reasonable”. (…) Inversely, one does not die merely for nothing in the First World War, but one does not know why one dies, who dies, or where the people who die go or might want to go. (50)

Falque’s claims are debatable, not only for historical reasons, but also because Freud’s death before the Second World War prevented anyone from knowing if he would have shared Falque’s distinction between a “barbaric” First World War and an “ideological” Second World War, as the author seems to imply.  (51)

In any case, Falque’s focus in this section is on the impact of barbarism on psychoanalysis, and, specifically, on the discovery of the “death drive”, which, in Falque’s view, had always been the ‘unknown object’ of psychoanalysis since the beginning. (51-52)

What First World War brought to the fore was the presence of a violent “primitive man” lying just beneath the surface of civilization (probably meaning  Western Civilization, although Falque does not clarify).

The realization of the existence of a “death drive”, in the author’s opinion, makes Freud’s understanding of the conflict comparable with that of Franz Rosenzweig, author of The Star of Redemption (1921). (54)

The analogy between the experiences of a man fighting in the trenches, as was the case of Rosenzweig, with those of someone  “in the rear guard” is rather contestable, as Falque himself recognizes. (57) Yet, they reach very similar conclusions regarding the loss of Enlightenment’s illusions, wiped away by the sheer violence of the fighting. (56)

What Freud comes to call the “Id” emerges as the brutality of the “animal component” of the individual, revealed by the war in all its brutal power. (57)

The conclusion of this chapter is:

That there is an “Id” prior to an “Ego” (Freud) or a “Self” prior to the “me” (Nietzsche) is the lesson drawn from the conflict- not primarily military or political but metaphysical- from which Freud and we after him have not finished drawing the lessons for philosophy itself. (58)

The change occurred to psychoanalysis in the aftermath of the war is the starting point for Chapter 3:

not only thinking through the war, but thinking oneself thinking through the war, and showing that the thought of the war becomes the place of and the tool for the destruction of all thought. (60)

The consequences of this change is a new consideration for the “somatic” component, whose corporeality is understood differently by Freud, Jung and Lacan. (60) Falque mentions here other psychoanalytic schools in order to clarify that the concept of “drive” should be understood only as

the force in me that I do not recognize as being me- appears to me as “a known that is unknown”. (61)

As noticed before, Falque usually restricts his discussion of psychoanalysis to Freud’s theory, while covering a number of philosophers. At this point, he briefly considers Lacan’s “symbolic”, only to notice how it ignores the “somatic origin of the drive”. (63) While it is understandable to reduce sometimes the differences between psychoanalysis and phenomenology, some clarification about the choice of excluding in toto any other psychoanalyst may have been useful at this stage.

In the following section, the author underlines once more the importance and utility of a greater consideration of Freud’s ideas in phenomenology, suggesting that the latter could gain some insights, for psychoanalytic theory would lead phenomenology

back to its Urgrund or toward the “obscure ground” of the human, which it cannot avoid (…). (63)

It seems that it has already done so in some measure, since Merleau-Ponty’s “raw nature” and Derrida’s Khora derive from the backlash of psychoanalysis as they recover

the obscure point of what is below or beneath any signification intended by the Freudian “unconscious”(…). (63)

After this passage, as in others, one may expect some explanation of the link between three concepts which are quite complex and debated on their own right. Yet, Falque moves on without further discussion, and he also exits the field of phenomenology for drawing two short comparisons between the Freudian drive and an idea of force that is to be found in Nietzsche and Spinoza. Again, there is no further analysis, and the interesting possibilities are left open.

Chapter 4 suspends the comparison between phenomenology and psychoanalysis, considering instead the latter’s similarities with some “spiritual” work by Christian authors. Falque considers Freud’s concepts of “uncanny” (69-70), “death and repetition” (71), and “anorganic” (72-73), as similar to the spiritual experience of being “outside of time” and “outside of space”, defined as “acedia” by the authors he quotes. (76)

The following chapters mostly discuss Freud’s works in the last decade of his life, in particular the confrontation between the Ego and the Id, which Falque sometimes writes as the it, as in the title, making hard to distinguish in some case which meaning of the word “it” he is employing. He sometimes interrupts what would be an historical overview of Freud’s ouvre for showing some possible link with phenomenology, mostly Derrida, and the spiritual and theological concepts he briefly considered in Chapter 4.

The conclusion of his analysis is that the Id, in order to be understood, requires the combination of three disciplines. This is necessary since the self to be explored is not only of the human, but of God and of the world as well. And thus

One “crosses the Rubicon” from phenomenology into theology, and vice versa, but also from phenomenology to psychoanalysis, and vice versa. It is by learning and by being modified by its “other” that phenomenology will advance and will stop condemning every other science as “ontic”. (90)

The concluding chapter presents an almost religious undertone, discussing the Id as something to be “saved”, and the Ego presented as its saviour (93-94). This considerations are inspired by the notes Freud made in the last months of his life, in which a mystical allure clearly emerges.

The epilogue lists the achievements of Freud:

To bring the Enlightenment to an end, to conceive the inconceivable, to be rooted in the organic, not to fear the uncanny, to go all the way to the anorganic, to be lived by the Id, (…) such is the path lived simultaneously by Freud himself, and through him, the history of the development of psychoanalysis. (100)

Each of these results has been analyzed in the book, although rather shortly. As noticed by Philippe Van Haute in the Foreword, Falque’s book “leaves many questions open”. Sometimes it is also rather obscure, adopting concepts from Freud, Derrida and others without a proper explanation, which would be in some case necessary . The continuous changes of terminology are quite confusing as well, with a few chapters discussing psychoanalysis but employing a phenomenological lexicon and another doing the contrary.

Another potential weakness of the book is the considerable difference between the analysis of Freud’s works, often involving historical and biographical considerations, and, on the other hand, the ideas of philosophers, which are usually thrown in as means of comparison without any elaboration or contextualization.

Yet, this book is undeniably fascinating in its re-evaluation of Freud’s theories, and all the parts concerning the founder of psychoanalysis and his ideas are rich in insights and make a strong case for further philosophical explorations.