
Reality and Hermeneutics
Mohr Siebeck
2024
Hardback
XII, 255
Reviewed by: Vanessa Ossino
Marie-Eve Morin’s comparative study of Maurice Merleau-Ponty and Jean-Luc Nancy focuses on two objectives: First, it compares Merleau-Ponty’s and Nancy’s stances on the nature of the relation between “sense” and “being” which includes a lengthy analysis of their methods as well as an elaborate inquiry of their respective ontological framework. Secondly, Morin responds to “the new realist critique of post-Kantian philosophy, according to which all post-Kantian thinkers in the phenomenological tradition would remain unable to think an outside worthy of the name.” (183)
Right from the beginning, it becomes apparent that the study is of relevance to the broader field of phenomenology, and promises nuanced insights into still pressing questions posed by new realists and post-phenomenologists. One of those questions being: To what extent is phenomenology able to speak of an »outside« which is not suspected of being a correlation of consciousness? Another challenge posed to phenomenology by the aforementioned philosophical strains is concerned with the claim that phenomenology narrows »sense« into »being« and vice versa. This is assumed in particular by ‘traditional phenomenologists’ with whom Morin mainly means Edmund Husserl and the early Martin Heidegger. Through her engagement with new realism and phenomenology, Morin frames her study in-between two antithetical stances:
(1) The premise that sense and being are divided along the lines of a »subjective inside« and an »objective outside« (new realism).
(2) The premise that being is a function of meaning, which reduces it to the limits of sense (Husserl and Heidegger of Sein und Zeit).
The risk to which phenomenology allegedly exposes itself is that “by reducing fact to sense, phenomenology abandons pure otherness or brute factuality, in order to arrogate to itself the right to speak” (12). By bringing Derrida’s critique of the phenomenological method into play, Morin places her focus in a still gaping wound of phenomenology, which is located at the border-crossings of phenomenology and ontology. In the words of Derrida:
“We pass from phenomenology to ontology (in the non-Husserlian sense) when we silently question the direction of the upsurge of naked factuality and cease to consider the fact in its phenomenological function. Then the latter can no longer be exhausted and reduced to its sense by the work of phenomenology, even were it pursued ad infinitum.” (Derrida 1989, Edmund Husserl’s ‘Origin of Geometry’: An Introduction, p. 151-2, trans. mod. by Morin)
The logic by which phenomenology gets challenged here is as follows: If, for those phenomenologists that remain in the Kantian tradition, the limits of consciousness are the limits of what can be given, then transcendental subjectivity must be seen as the universe of possible sense and thus as possible being in its givenness.
Through this perspective of questioning, Morin inscribes herself in the discourse on phenomenology’s correlationism. The latter can be described as the view that subjectivity and objectivity cannot be understood or analysed apart from one another because both are always already intertwined or internally related. It is the view that we only ever have access to the correlation between thinking (theory) and being (reality) and never to either in isolation from or independently of the other. (Zahavi 2016: The end of what? Phenomenology vs. speculative realism, in: International Journal of Philosophical Studies, p. 294).
In the words of Morin, the question that she confronts through her engagement with speculative realist states as follows: „How to speak of an outside that is inscribed in the inside as absolute outside without falling into too much modesty or too much presumption?” (3) Taking this question as guidance, Morin turns to Merleau-Ponty’s and Nancy’s respective philosophies, that in her view provide promising approaches responding to the posed questions.
As for Merleau-Ponty, Morin rightly hints at his radicalization of the paradoxical relation between being and sense, which does not allow being to be limited to sense, but much rather points to a Being within which sense is entailed. Nancy’s ontology of sense on the other hand is not situated within the theoretical realm of phenomenology, even though he is still concerned with a philosophy of experience. Both thinkers share an engaged interest in the torsion between inside and outside, which manifests in their “displacement of the metaphysics of presence toward a thinking of the ‘subject’ as non-presence-to-self, as a co-existence with the world and with others prior to the division between subject and object […].” (15) In other words, both philosophers share the effort to think sense and being beyond a rigid subjective consciousness, without losing the focus on experience altogether.
The well-structured introduction offers a plausible guide to the oftentimes in-transparent and enigmatic realms of Merleau-Ponty’s and Nancy’s ideas, promising a profound analysis of the different thought patterns as well as their respective ontologies, which touch on the same object and yet approach it from different angles.
The study is divided into three parts: Body (I), Thing (II) and Being (III), with each part being divided into three chapters. The first chapter always thematizes Merleau-Ponty’s stance on the notion in question, the second chapter respectively concerns Nancy’s stance and the third chapter brings the two philosophers into dialogue. This structure succeeds in guiding the reader carefully through the different thought realms of Merleau-Ponty and Nancy, leading to a two folded incline in Morin’s argumentative fashion, in that each part includes an interim conclusion, with all three interim conclusions building up to a final conclusion.
In what follows I will outline Morin’s inquiry in accordance with the mentioned structure. I will do this in a rather detailed fashion in order to engage thoroughly with Morin’s argumentation.
Part I – Body
The first part addresses Merleau-Ponty’s and Nancy’s respective conceptions of embodied existence and puts them into dialogue through distinguishing them in accordance with the conceptual pair of »unity« versus »dislocation«.
Chapter 1
In this chapter, Morin puts Merleau-Ponty’s well-known contention with René Descartes in relation to an underexposed perspective, which argues that Merleau-Ponty is driven by a “desire to find the premise of his own theory in Descartes” (see Morin 47 footnote 1, citing Isabel Thomas-Foigel 2011: ‘Merleau-Ponty: De la perspective au chiasme, la rigueur épistémique d’une analogie’, Chiasmi International 13, p. 387, Morin’s translation). In stating that Merleau-Ponty finds in Descartes the necessary tools to overcome the cartesian dualism, Morin’s begins her inquiry into Merleau-Ponty’s notion of the lived-body in an unusual but daring fashion.
Early on in the chapter Morin emphasizes that Merleau-Ponty’s main interest in Descartes lies at the heart of the imminent tension between Descartes’ »philosophy of the understanding« and his »philosophy of existence«, between »reflection« and the »unreflected« (31). Morin argues that Merleau-Ponty criticizes Descartes for excluding the lived experience of the unity of body and soul from his notion of nature as extension. Thereby, Descartes states that our lived experience cannot teach us anything more than what our understanding of it offers to us. It is in the periphery of Descartes’ philosophy of understanding and reflection that Merleau-Ponty thus finds his guidance into a field of truth that is concerned with the “obscure sphere of unreflected existence” (30, cited in a note from Merleau-Ponty autumn 1957, Morin’s translation). This »sphere of unreflected existence« is located at the – for Descartes – confused unified experience of two different substances: body and soul. And yet, this unified experience has a certain clarity in itself, one which ‘renders unintelligible’ once it is disentangled through analytical thought, as Merleau-Ponty points out. Therefore, he argues that the lived experience of the »unity of the body and the soul« offers us a certain intelligibility of the opaque realm of an unreflected existence, to which analytical thought can never account for sufficiently. Descartes’ sixth meditation, in which he states that “nature also teaches me […] that I am not merely present in my body […] but that I am very closely joined and […] intermingled with it, so that I and the body form a unit” (Descartes 1996: Meditations on First Philosophy, p. 56), reveals in the eyes of Merleau-Ponty that “there is something before and after the ‘series of reasons’, and this something is called ‘existence’.” (32)
Thus, Morin highlights that Merleau-Ponty’s own method develops through a circular reading of Descartes, in that he takes the sixth meditation with its emphasis on the unreflected unity of body and soul as remaining valid in the face of the second meditation, in which the cogito is elaborated. Followingly, the unreflected unity still holds accountable throughout a certain reflection, one that Merleau-Ponty calls »radical reflection« in contrast to the ‘intellectualist’ philosophies of reflection, including Husserl’s phenomenological-transcendental reduction. Morin emphasizes that a radical reflection, far off from being an ‘ultimate’ reflection, is grounded on factical experience and concerns an existential philosophy that questions the “ever-renewed experience of its own beginning in the unreflected and the description of that experience” (34, citing Merleau-Ponty 2012: Phenomenology of Perception, lxxviii, trans. mod.). The difficulty in such a radical reflection lies in the fact, that it still has to account for a mode of openness of a certain pre-reflective and pre-linguistic towards reflection and language. In order to not fall back into the argument of a constituting consciousness, Merleau-Ponty therefore posits a »tacit cogito« on the grounds of a sensing and self-sensing lived body, a body which opens itself towards itself as well as towards the world through active-passively sensing of an ‘outside’ and ‘inside’ at what seems to be the same time.
At the end of the chapter, Morin emphasizes, with regard to different objections that were raised after the publication of Merleau-Ponty’s Phenomenology of Perception, that the notion of »tacit cogito« still remains entangled with some kind of constituting consciousness, not being able to “develop the specific way of being of the body [as a mediator] itself in a positive way.” (42)
Chapter 2
In the second chapter Morin enriches the idea of a possible operative cogito beyond a constituting consciousness through Nancy’s reading of Descartes in Nancy’s book Ego Sum. Through this engagement, she emphasizes Nancy’s notion of the body not as mass but as differance (26). Similar to Merleau-Ponty, Nancy points to the special »kind of unit« in Descartes’ sixth meditation, with the focus on the unit being “neither-soul-nor-body” (56) but an opening that articulates itself, not in the structure of a substantial presence but in that of a »to-itself« (57). As Morin emphasizes, Nancy here argues that “the to-itself denotes […] the movement of existence as being-towards itself so that […] there is no self at the origin of this movement” (57, my emphasis). Again, similar to Merleau-Ponty, Nancy focusses on the moment in which ‘the subject’ comes to its first articulation, which for him necessarily implies an experience that is given through the body.
Beyond these similarities, the first grave difference between Merleau-Ponty and Nancy lies at the heart of their respective notions of »body«. Where for Merleau-Ponty the lived body can still be posited as a certain subjective operative consciousness (at least in the Phenomenology of Perception), which indeed implies a subject, Nancy aims at egressing subject-philosophy in stating the utterance of the »ego sum« as “a pure performative, […] without underlying substrate or subject (53, citing Nancy 2016: Ego Sum: Corpus, Anima, Fabula, p. 84-5). The performative utterance of the »ego sum« is stated as an action without subject (54) or in the words of Derrida: as a »teleopoetic utterance«. With regard to the relation of body and ego, the teleopoetic utterance, by uttering ‘ego’, produces something proper: “An I that can say ‘I’, and ob-jects the body, that is, throws it in front of itself. […] [B]ut only because it is effectively not its own body […] holds the body at a distance” (57). The limit of the self for Nancy is a limit that does not lead to a solid ground but to an »abyssal intimacy«, which Morin, in accordance with Nancy, names the “inside of the world” (57).
Reminding us of Merleau-Ponty’s »radical reflection« in which a certain pre-reflective sets the stage for an endless endeavor of reflection, so too – but in a different fashion – Nancy hints at Descartes’ sixth meditation in order to show that “what is most inside is not some me that would finally coincide with itself but always something more […] and opens me up to relation” (58). The union of body and soul for Nancy is not a relation between two things, but an ontological spacing or opening-to of the other (60). For him, not only bodies are radically plural and fragmented, but so is the world and with that sense making itself. Sense-making, which constitutes on the model of touch in Nancy’s thought, is always an experience of a limit (64). The world, far from being understood as a cosmos, follows the logic of a singularity that is always plural in its origin (80).
Thus, a major difference between Nancy and Merleau-Ponty can be found in their elaboration of Descartes’ unity of body and soul in the sixth meditation. Where Nancy follows the logic of divergence, Merleau-Ponty respectively focusses on a certain logic of entanglement (as can exemplary be seen in his notion of body-schema).
Chapter 3
In this chapter Morin puts Nancy and Merleau-Ponty in a more direct conversation and refers her inquiry back to the guiding question of how the nuanced differences in their respective ontologies lead to new insights on Merleau-Ponty’s path along the edge of phenomenology. Morin mainly focuses on the difference that “lies in their respective ways of conceiving of sense and making sense” (70). She casts this difference in terms of a »priority of unity« (Merleau-Ponty) over »dislocation« (Nancy), which for her includes a priority of interiority over exteriority or of the moment of reappropriation and integration over the moment of alienation and separation. Even though Morin repeatedly emphasizes that Merleau-Ponty’s philosophical endeavor aims at overcoming such dichotomies, and especially the dichotomy of interiority and exteriority, she oftentimes methodically draws back on such a dualistic thinking, which might leave the impression of a problematic tendency to undermine Merleau-Ponty’s original thought beyond such dualisms.
Yet, the reader gets a better sense of her usage of such conceptual pairs through her comparison of Merleau-Ponty’s »body-schema« and Nancy’s description of the body as »corpus«. Through engaging with the lived body as body-schema and Nancy’s corpus as “constituted by a fragmentation that is never mended” and which “difference spreads to the body’s relation to the world” (71) it becomes obvious that Morin uses such dichotomic pairs in an argumentative-methodological fashion, in order to highlight the nuanced differences of the two thinkers in a straightforward way. This leaves the impression that she somewhat simplifies the argument for readers who might not be too familiar with the respective philosophies. Nevertheless, such a simplification through a contrasting dichotomic argumentative fashion to me seems like a valid methodological approach, especially with regard to the sometimes very opaque subtleness of Merleau-Ponty’s and Nancy’s ontologies.
Without going into too much detail, it is sufficient to emphasize that in this third chapter Morin thoroughly shows how Merleau-Ponty’s »lived body« – which is distinguished by a body-schema that allows for the integration of my synesthetic perception, gestures and relation to the world as well as to others through a kind of pre-reflective synthesis -, differs in its way of sense-making from Nancy’s »corpus« – which is derived from Descartes’ partes extra partes and highlights the plurality of my senses and of my bodily being in general and that cannot be collected into a systematic whole (76). Whereas for Merleau-Ponty sense is related to a unified pre-reflective synthesis (at least) given through the body-schema, sense for Nancy finds its place in the differentiation of multiple singularities.
Interestingly, Morin concludes the chapter with a critical outlook on Nancy, arguing that: “What Nancy emphasizes then is resistance to synthesis or unification, even if one must in the end say that the subject or the world finds in this resistance its ‘stance’, that is, a certain kind of unity” (81).
Part 2 – Thing
As the title promises, the second part is concerned with the status of the object or thing in Merleau-Ponty’s and Nancy’s philosophies. Whereas the first part drew on Descartes as a dialogue partner, the second part starts a conversation with more recent thinkers of object-oriented ontology, new materialism and speculative realism. In order to better understand the ‘accusation’ of correlationism, Morin is concerned with the question of the strategic role of a supposed anthropomorphism in Merleau-Ponty’s description of inhuman things.
Chapter 4
In order to understand Merleau-Ponty’s alleged »strategic anthropomorphism« in his description of things, Morin engages with his phenomenology of perception which emphasizes the paradox that perception is always perspectival but nevertheless neither the perception of the thing for-itself nor of a sign of the thing. What Morin calls the »paradox of the in-itself-for-us« highlights the fact, that perception is not a mere step in the path of objective thought towards the objective relations behind an experience, but that perception itself, in its finite character, exposes the objective thing in its reality as it is given in its appearance. Speculative realists interpret this as a philosophy of immanence, predicating that phenomenology is stuck ‘within’, and thus, does not have the possibility of comparing reality as it would be ‘without’ consciousness (91).
In order to not fall back on the difficulties of a philosophy of immanence respectively a philosophy of transcendence, Morin reminds us that Merleau-Ponty thinks reality at the level of the phenomenon, an order in which we are neither solely a being nor a constituting consciousness, but first and foremost we are mixed up with the world and others in that we are united to being “through the thickness of the world” (Merleau-Ponty 2012: Phenomenology of Perception, p. 311, my emphasis). The notion of »thickness« that we encounter in Merleau-Ponty in different stages of his thought is not always easy to understand, since – similar to his notion of style – he doesn’t really offer an explicit definition of it. Nevertheless, Morin lucidly underlines that “this thickness is not a third thing that would stand between consciousness and being and hide the latter. It is rather the world not as thing but as promise of something more that sustains my explorations” (92).
We learn from this chapter, that in Merleau-Ponty’s thinking ‘the thing’ offers itself to us through a certain manner or style, which we encounter in its phenomenality and not its mere appearance. In its phenomenality, an object is an “intersensorial thing that speaks to all my senses” (93) without being absorbed into the sum of its parts. Ultimately Morin encounters a sort of »strategic anthropomorphism« in Merleau-Ponty’s correlative concept of the lived body and its being-towards-the-world. The important difference between a reductive anthropomorphism and Merleau-Ponty’s stance lies in the fact, that for Merleau-Ponty one encounters the world through a body that is never fully mine, “i.e. that is never constituted by and hence laid out in front of consciousness” (97). The thickness of the world is a modality of the inexhaustibility of my relation to the world as well as my relation to myself as a bodily being.
At the end of the chapter though, Morin rightly points to the fact that even though Merleau-Ponty was able to dialecticise the notion of subject and object into a system in which both are correlates, in the Phenomenology of Perception he is not yet able to account for the being of the dialectical relation itself.
Chapter 5
Here Morin continues to inquire of a »strategic anthropomorphism« in Merleau-Ponty. She mainly addresses two questions in this chapter:
(1) Do objects refer us back to ourselves, since they are filled with our own possibilities projected in space?
(2) If so, are objects mere internal possibilities?
In order to answer these questions, Morin engages with a notion of »cautious anthropomorphism« introduced by Steven Shaviro and Jeffrey Cohen, to broaden the strategic anthropomorphism in Merleau-Ponty in order to show that his anthropomorphism is not about centering a thing around human abilities, feelings or categories, but much rather about how a thing appears to us in entering our existence and is thus always recognized in its own place, in which objects dialogically shape our experience of the world (115). Objects then might refer us back to ourselves but neither in a way that would lead us to acknowledge them directly or in their totality nor in a way that would amount to an alleged neutrality of intellectual contemplation. On the contrary, in accordance with a »cautious anthropomorphism« – that Morin sees reflected in Merleau-Ponty’s »strategic anthropomorphism« – objects are guaranteed an irreducibility to mere intellectual ideas, in that they are given »in the flesh« which arouses certain »desires« and amounts for the incompleteness of any exploration.
With regard to Morin’s own method, I here find it a bit irritating that, even though she underlines Merleau-Ponty’s refusal to commit to a notion of an active constituting consciousness, she sometimes underlines that we, as sentient-beings, take an active positioning, in that “we lend things our flesh in order to make them flesh” (113, my emphasis). Although this might be a rather fussy critique, I would argue that such phrasing can be misleading with regard to Merleau-Ponty’s argument, that the underlying structures of our engagement »in the flesh« are of a certain passivity. In fact, Merleau-Ponty prominently speaks of a passivity without passivism (Merleau-Ponty 2010: Institution and Passivity).
Chapter 6
Morin starts the chapter with a synopsis of Nancy’s “radical desubjectivisation of freedom” (119). For Nancy freedom does not resemble self-determination but it means “to be absolutely without ‘why’” (120). Morin underlines: “Freedom is the unfounded factuality of an existence that surprises itself in existing” (120). She then continues to connect Nancy’s notion of freedom with his understanding of »finitude« that lies in the fact “that any being must be exposed to an exteriority or an otherness in order to be what it is” (120). The finitude of singularities in their infinite exposition to an exteriority expresses an open-ended movement of coming to presence. In putting Nancy in dialogue with his Heideggerian roots, Morin underlines that »the freedom of the world« outreaches Heidegger’s concept of world that stands for a “coherent milieu of significance already laid out in advance” (122). In emphasizing Nancy’s depart from phenomenology through his detachment of sense-making from any form of intentional givenness, Morin uncovers Nancy’s concept of world as “the space of sense: the sharing of singularities exposed to one another: stone, ground, dog, grass, star, and me, and you” (122). The world is thus free in its infinite finitude in that it signifies a “groundlessness of the world, the ever-renewed coming-to-presence of the world […]” (120). To say that a thing exists then, is to affirm its structure of difference and spacing which is opposed to a pure in-itself as well as an essence for consciousness. In this way, sense is not reduced to its givenness and accessibility, be it to intentionality, a sentient lived body or a Dasein. In challenging phenomenology’s access as the a priori of being-in-the-world, Nancy emphasizes »sense« as that “what happens on the edge or threshold, in-between singularities, in the encounter with an […] alterity that resists assimilation […], to which there is access precisely only in the mode of non-access” (125). The exposition of a thing thus, is an exposition of an »it-self« to itself and others.
The question that hovers above this chapter followingly, is whether Nancy’s materialism resembles a kind of unifying relationalism after all, in that one still has a certain kind of access to a thing by means of a contact-separation of surfaces. This impression deepens when Morin stresses in Nancy that “I am able to encounter the stone only insofar as I am also already stone” (125). A sentence which Morin further contextualizes in view of Merleau-Ponty’s later ontology of flesh, an ontology that she argues to be too unifying in view of Nancy. She engages with this question through further elaborating on Nancy’s notion of sense as material, by which he means that sense-relation resembles precisely not a givenness but a “void – or space […] which relates without gathering, or gathers without uniting” (128). Followingly, Nancy’s ontology does advocate a certain relationalism, with the main difference that it is not unifying, in that it hints at a “materialism [which] is linked to the plurality of origins in their impenetrability” (135).
Part III – Being
The final part of the book confronts Merleau-Ponty’s “carnal ontology” more directly with Nancy’s “ontology of the singular plural” in order to elaborate on their respective quests for “a principle of non-dialectical difference that allows for the emergence of sense right at Being itself” (145).
Chapter 7
Morin starts the chapter with an extended dialogue of Merleau-Ponty, Nancy and Heidegger. She emphasizes that both, Merleau-Ponty and Nancy, “seek to undo the metaphysical difference between existentia and essentia in favour of thinking of existence or presence that is not pure positivity but includes a moment of negativity that is not the other of presence but its opening” (146). In terms of Merleau-Ponty, this chapter engages with his reappropriation of the notion of »Wesen« through his reading of Husserl and Heidegger, in order to “emphasize the intertwinement of fact and idea, or existence and essence” (152). In this way, facticity becomes the ground or ‘fabric’ that gives essences their solidity.
In order to further analyze the tools with which Merleau-Ponty and Nancy ponder Being beyond the dichotomy of presence and absence, negativism and positivism, Morin engages with Merleau-Ponty’s ontology as a “third genre d’être between Being and Nothing” (153) and continues with Nancy’s annulment of the ontological difference through his emphasis that “there are only beings, nothing behind, beneath or beyond them” (164).
Morin concludes the chapter with the lucid observation that for both philosophers the »il y a« or »es gibt« does not mean that Being gives the given. Through making a detour of a deconstructive reading of Heidegger she reasons that: “Rather, we must hear the Heideggerian es gibt through Derrida’s deconstruction of the gift in Given Time. […] The gift must not only be thought as without giver and without given (beyond subject and object) but also as without property or propriety” (163).
Chapter 8
The last chapter is dedicated to the question, to what degree Merleau-Ponty’s notion of flesh “introduce[s] difference – differance, spacing – at the heart of sense, which would bring Merleau-Ponty’s later thought in closer proximity to Nancy’s ontology” (169). She engages with this question through a reevaluation of the notion of »écart«, which both thinkers use extensively. »Écart« in its broader sense is understood as divergence and hints at a self that is never truly identical but only given through divergence, which thus becomes a constituent for sense. Following this thought, Morin asks how radical Merleau-Ponty’s account of »divergence« is. She points to his notion of »chiasm« and asks if its underlying assumption of reversibility succeeds in giving “spacing, exteriority and alterity its due” or if it ends up “reinstating a massive unity at a higher level” (178).
Morin finds her answer in a final juxtaposition of Nancy and Merleau-Ponty. Because Merleau-Ponty repeatedly underlines that »écart« is rooted in the notion of flesh, as the “primordiality of écart” (180) and the “formative medium of the object and the subject” (Merleau-Ponty 1968: The Visible and The Invisible, p. 147), promiscuity and encroachment lie at the heart of »écart«.
This latter conclusion remains foreign to Nancy. Morin argues: “Speaking of what happens between singularities, Nancy also uses the image of the intertwining or the knot, but insists on the absolute separation of the different strands being knotted” (180). Followingly, Nancy in opposition to Merleau-Ponty, highlights an »ontological void« at the limit that exposes bodies to themselves and each other (180), so that the in-between of singularities remain an “absolute separation” (180). For Merleau-Ponty on the other hand, the in-between already belongs to one flesh, which does not resemble a simple unity, but nevertheless does not include an ontological void.
Conclusion
To get to the point: Morin succeeds in her proclaimed aim, in that she effectively casts the differences in emphasis of the two respective philosophers, so that each is an important corrective to a tendency in the other’s work (182). In approaching her study from the angle of speculative realism and its criticism of phenomenology’s correlationism, she fruitfully offers an alternative reading of post-Kantian thinkers in the phenomenological tradition, that, in light of the criticism, “would reduce all being to sense-making to a subjective process” (183).
Through her engagement with Nancy and Merleau-Ponty, Morin offers a coherent and pertinent proposition, which underlines that at least two positions in the broader post-Kantian phenomenological realm neither collapse being into sense nor reinstate a strong division between them. She concludes: “[B]oth Merleau-Ponty and Nancy displace and reassess the role of the limit in sense-making as the place of separation and exposure” (183) and thus of a place at the limit of subjective processes.
Morin’s study offers a highly relevant perspective in a time that “demands a decentering of the human and an attentiveness to the human outside” (184). In light of this, her book can also be read, not least (!), as a fruitful addition to the very lively discourse of a phenomenological geography, which engages with challenges that the climate-crisis impose on us as human beings.
Reviewed by: Kenneth Novis (University of Edinburgh, MScR Philosophy)
Manuel DeLanda is best known by some due to the experimental films which he made before beginning his philosophical career; to others, he is known as one of the leading interpreters of Gilles Deleuze’s philosophy; to others still, it is because of his association with the so-called speculative realist turn in continental philosophy that his name is recognisable. His latest book is likely to disappoint those familiar with his earlier contributions to continental philosophy. Indeed, Deleuze’s name appears a single time here (200-1n101) and DeLanda’s engagement with speculative realism continues only in the background of this book. Materialist Phenomenology sits more comfortably in the tradition of analytic philosophy of mind, alongside the works of Dennett and the Churchlands, with whom he substantially engages here. More notable is the absence of the many authors with whom DeLanda might be expected to have engaged due to his background in continental philosophy, including Jean-Paul Sartre, Trần Đức Thảo, Michel Henry, Jacques Derrida, and Maurice Merleau-Ponty.
The purpose of this book is to produce a non-reductive materialism, in opposition to the contemporary prominence of epiphenomenalist, panpsychist and eliminativist philosophies of mind. The leading motivation behind DeLanda’s own philosophy of mind is that, to paraphrase Deleuze, ‘modern neuroscience hasn’t found its metaphysics, the metaphysics it needs.’[i] Furthermore, DeLanda hopes to provide such a metaphysics by developing a novel theory of perception, drawing upon his close engagement with contemporary neuroscience, systems theory, and the science of artificial intelligence. One might be surprised to hear such grand intentions attributed to so brief a book. However, Materialist Phenomenology is extremely dense, requiring careful and deliberate navigation. For that reason, the largest part of this review is dedicated to laying out DeLanda’s arguments from each chapter, following which I will conclude by providing some brief, critical comments on the book.
The Contributions of the World
The first chapter of DeLanda’s book introduces the synthetic approach on which he will rely for the remainder of this work, as well as several key concepts for his theory of perception. However, the ponderous manner in which he navigates his subject matter here makes the overall trajectory of his argument sometimes difficult to discern. One might struggle, for instance, to see the relevance of his critique of Lewis and Kripke’s modal metaphysics on pages 23-4. Indeed, the explicit terms of DeLanda’s argument are not introduced until the conclusion of the chapter, where he clarifies that he is offering a “proof by construction” (38). I will briefly consider the relevance of such a proof and its meaning before proceeding. To begin, let us note that, to offer an account of perception, one option which lies open to philosophers (frequently adopted by phenomenologists) is to begin with the fact that we have a direct awareness of what perception is, as perceiving beings. But, after one has deduced the structures of perception from examining one’s own experience, it may remain a mystery how those structures emerged in the first place. Materialist Phenomenology pursues just such an explanation.
DeLanda’s argument proceeds via proof by construction. Such a proof, in this case, means simulating the origins of perception, and using this simulation to draw real lessons about the historical origins of consciousness. DeLanda calls his simulation the “Multi-Homuncular Model” [henceforth, MHM] (10). The name of this model follows from the method of construction on which DeLanda relies. This book pursues the possibility of modelling the origins of perception using “artificial neural nets” (10). Neural nets are artificial intelligences which, unlike other intelligences that are programmed by a human designer to possess certain capacities, can simply be fed information from which they develop associations autonomously. It may be objected that reliance on software developed by already-conscious beings cannot accurately simulate the origins of consciousness unless the existence of a designer, like the human software designer, is assumed.[ii] However, DeLanda does not consider this objection, and instead relies on a theory of natural signs, according to which the basic components of perception always-already exist in the external world (7-8).
To initiate the construction of MHM, DeLanda begins by providing what he terms a “job description” for perception. This job description names the features which any rudimentary cognitive agent must possess to have access to perception in our sense. For this purpose, DeLanda thinks that perception must possess a causal and intentional connection to the external world (9), create meanings usable by other cognitive agents (11), and emerge from evolution alongside other, similarly perceiving cognitive agents (13). This cannot be all, however. Not only does human perception possess the aforementioned features, it also emerged in a very specific, terrestrial environment which provided the basic form that we use to discern features of the external world. Our world is populated by solid surfaces which appear in consistent shapes (16). Additionally, things in our usual environment have tendencies to behave in one way rather than another, such as the tendency of gasses to maximally expand within a given container (22). Such facts about our material environment evolutionarily present us with a basic datum of what to detect and what to ignore. With this as his description of perception, DeLanda attempts to show that we can move from mere hypotheses about the origins of such perception to demonstrate these origins by simulating each feature using neural nets.
If we accept DeLanda’s use of neural nets as analogues for the origins of human perception, a radically different view of perception presents itself to us. Such a view of perception is at great odds with the classical image of the Cartesian Theatre. On this old image, perception operates by a kind of master-operator or homunculus which observes the visual field as would a viewer in a theatre. Contrary to this, MHM is a non-hierarchical conception which posits a multitude of homunculi, represented by different neural nets, operating autonomously to build up perception as we know it through their spontaneous cooperation. In this case, when sense stimuli are received, they are imagined to activate an array of corresponding data-processing units which “all broadcast their signs to whatever other agents are capable of making use of their content” (29). DeLanda concludes this chapter arguing for MHM’s use in contemporary debates around reductionism, for which mental phenomena “are nothing but physical phenomena” (29). Unlike other models of perception, MHM is emergentist, allowing both the origin of perception in the material world, and the causal efficacy of the mind upon the body, represented in the way in which a program, when implanted in an artificial body, can issue commands to that body making it move.
The Contributions of the Body
The second chapter provides a response to a possible criticism of MHM. MHM in chapter 1 conceives of perception as if it was done by disembodied minds whose sole occupation is the processing of input-data. However, to accurately mirror perception as it occurs in us, “the brain must command and control, not only represent” (39). An intuitive view of embodied artificial intelligence would have it that “when we raise our arm the brain must specify the exact angle that each different joint (shoulder, elbow, and wrist) must end up having, as well as the precise degree of contraction that the attached muscles must have once the target position is reached” (39). Embodiment understood in this way would be unrecognisable to human cognitive agents, and if MHM entailed endorsement of such a view of embodiment, the analogy between neural nets and human perceivers would fail. DeLanda’s argument is that this view of embodied perception does not accurately describe the operations of neural nets outfitted with artificial bodies: the way neural nets occupy bodies is in fact extremely similar to our own.
To show the similarity of embodied artificial intelligence to human embodied perception, DeLanda makes significant use of insights from systems theory. This use of systems theory has been a staple of his philosophical work throughout his career, but it is given a central place in Intensive Science and Virtual Philosophy. There, he uses the “theory of dynamical systems where the dimensions of a manifold are used to represent properties of a particular physical process or system, while the manifold itself becomes the space of possible states which the physical system can have.”[iii] Imagining the transformations a system can undergo as a space of possible states (a state space), some of those states (attractors) are more statistically likely ones for the system to move into. For instance, due to the elasticity of tendons in human hands, the natural state which they occupy when no other influence is causing them to be otherwise is with the fingers curled slightly towards the palm. However, when a new system is created, such as one including a hand and a box which it is involved in pushing, the hand might be attracted into a flat and stretched-out configuration.
Attractors within a state space also provide the parameters in which the system it represents operates. Continuing with our example, the same elasticity that gives resting fingers their natural state also entails their inoperability when bent too far backwards and broken. Instead of issuing abstract commands, detailing precise dimensions for movement as would the operator of a Taylorist factory, neural nets implanted in an artificial body learn to navigate their environment through the mediation of the parameters and capacities of the body that they occupy. For this reason, the neural net does not need to specify the exact parameters of its intended movement, as the intuitive view of embodied artificial intelligence above claimed. Rather, “much of the computational work would still be offloaded to the dynamics of the robot’s legs interacting with the ground” (40). DeLanda also extends this view of embodiment to a theory of embeddedness, in which “the dynamical system is simply an extension of the body” (43). Dynamic systems theory conceives of systems as open and reconfigurable as they enter into contact with other systems. Because of this, the environment in which a system functions in a very real sense enters into the functioning of that system as well by adding new attractors.
The above accounts only for how the body influences the commands issued by the mind; it is desirable as well to understand how the body is influenced by the structure of its environment. For this purpose, DeLanda introduces the concept of affordance, which describes features of the environment which are activated by the introduction of the right kind of system, such as “medium-sized elongated objects that afford wielding to a human hand” (45). Introducing the concept of affordance suggests the existence of an already well-structured environment in which only certain details become salient based on the kind of agent interacting with them. Summarising his use of affordance, DeLanda suggests that “[r]ather than thinking of the cook’s brain as containing a single unified model of the entire kitchen, and a detailed plan of the overall task we can think of multiple partial models each specific to a task, or even to a single stage in the task” (48). This addition further highlights the potential value of MHM: it removes the need to develop a single, complete cognitive agent to simulate perception, since the same job can be done by a team of only partially functional agents.
The remainder of this chapter returns to the inner sense of embodiment, before dealing at length with several objections to DeLanda’s account of embodiment and embeddedness, primarily those associated with what he calls the “enactive approach” and the “radical embodiment approach” (63). I will pass over the objections for the sake of this review. To explain the inner sense of embodiment, DeLanda focusses specifically on two kinds of internal perception: proprioception and interoception. While proprioception is responsible for the fact that I do not need to look at my hand to know it is raised above my head, interoception “keep[s] the brain informed about the current state of the body’s visceral environment in order to maintain its metabolic balance” (48). By accounting for both proprioception and interoception, DeLanda hopes to show how we also develop our “sense of ownership of our bodies [and] a sense of agency” (50). For this purpose, DeLanda once again relies on a constructivist approach. Internal representations of our body as situated in a three-dimensional environment, and as a complex system requiring biological regulation are “slowly developed as sensory experiences accumulate” (51). The body map built up through these sensory experiences is primarily a way of organising the “steady stream of signs from joints, muscles, tendons and viscera” (57), and this organisational map of internal perception gives “us a sense of ownership of our phenomenal experience” (57).
The Contributions of the Brain
The picture of perception which DeLanda has offered until this point intentionally avoids the question of how external signs become internal ones. The distinction between internal and external signs was explored in chapter 1 in the context of DeLanda’s attempt to offer a job description for internal signs. This job description required that internal signs be causally and intentionally connected to the external world, and that the intentional meaning of these signs be transmissible between cognitive agents who have undergone a similar process of evolution. The discussion of interoception at the end of chapter 2 adds a further condition to the success of DeLanda’s model, since here it is added that “interoceptive information, in turn, is transformed into lived hunger, thirst, and sexual arousal, or into a primordial feeling of anger, joy, sadness, or fear” (68). Now, MHM must not only be able to account for the communicable content of internal signs, but also their emotional content for the cognitive agent that produces them. In other words, the purpose of chapter 3 is to develop MHM to account for the change from signs that merely satisfy the job description in chapter 1, into signs that also have an emotional, lived significance.
To add this requisite complexity to his model, DeLanda begins by “removing, one at a time, the simplifying assumptions” (77) which allowed him to develop an initial, cogent articulation of MHM. This complexifying process begins by moving from hypothetical models of artificial cognitive agents to a “toy model of the brain” (76). Accordingly, this chapter marks a crucial shift in his argument. Until now, his proof by construction has only attempted to show that the qualities of perception with which we are familiar can be replicated with simulations involving artificial neural nets. This chapter “replace[s] artificial neural networks as our main example of a mindless cognitive agent with something more realistic” (79), that is, actual neuronal systems embedded in an organic brain and body. One simplification that DeLanda here discards imagines that the retina functions in a manner analogous to the optical array of a camera. Now, he stresses that the retina should be understood as “capturing not pictures resembling objects but an array of intensities isomorphic with the optical phenomena in the section” (80). This cunningly bypasses the classical problem of the correspondence between mental contents and the external world by acknowledging that the array of photoreceptors in the retina directly encode the external world in a form isomorphic to itself (although this description of mind-world correspondence is complicated again on page 90).
The greatest part of this chapter is devoted to explaining how the features of neural nets as already described apply in similar terms to specific regions of the brain. Assuming DeLanda’s understanding of contemporary neuroscience to be sound, this is an impressive addition indeed, since it decisively shifts the discussion from artificial neural nets to, not only organic systems in the abstract, but the neuronal structure of the human brain as it realises perception in fact. After a prolonged discussion of how the anterior intraparietal area and the premotor areas of the frontal lobe interact in a dynamic loop that allows affordances to exist within perception, DeLanda returns to considering “the role that the biological value system we discussed in the previous chapter plays in this process” (92). For this purpose, he introduces the contribution to perception of two “relay station[s]”, the first comprised of the basal ganglia, cerebellum, and hippocampus, and the second comprised of the brain stem, hypothalamus, and amygdala, although DeLanda does concede that “from the point of view of the neural basis of the biological value system, the amygdala is probably the most important component” (93-4).
It may be wondered at this stage just how a description of the structure of the brain will yield an understanding of the emotive content of internal signs. Furthermore, it is just this emotive content that DeLanda earlier claimed this chapter is meant to explain. However, after describing the neurobiology of emotions, DeLanda concedes that his argument at this stage must be left “deliberately vague” (96) due to the current state of the science. Despite promising to offer an account of the emotive content of internal signs in perception, DeLanda’s conclusion that neuroscience has yet to provide a satisfying account of this may confirm what critics of physicalism have long suspected: that, however much neuroscientific data we acquire on the biological structure of the brain, it will always be insufficient until we have at least discovered a bridge principle adequate for closing what Nagel called “the gap between subjective and objective”.[iv] Be that as it may, DeLanda’s suggestions, although not obviously providing a satisfactory bridge principle, may give suggestions concerning the form that such a bridge principle could take.
The standard approach to dealing with the hard problem of consciousness begins with the qualitative difference between mind and body, and provides a description of how the latter realises the former. DeLanda’s attempt to provide an account of the emergence of internal signs in their emotive aspect should be seen as a variant on the hard problem of consciousness, to the extent that he is trying to explain how the functions performed by the brain come to acquire a lived significance. However, he does not begin to deal with this problem as most do. His way of beginning is instead similar to Searle’s. Searle writes: “I believe that the key to solving the mind-body problem is to reject the system of Cartesian categories in which it has traditionally been posed. And the first step in that rejection is to see that ‘mental,’ naively construed, does not imply ‘non-physical’ and ‘physical’ does not imply ‘non-mental.’”[v] Likewise, DeLanda states that “given that we need consciousness and intentionality to emerge gradually, we must give up any model that includes only two levels, such as the brain and the mind” (96). Accordingly, DeLanda’s suggestion is that what might serve as a bridge principle “will involve introducing intermediate levels between the two” (98) which do not involve qualitative differences but greater degrees of systematic unity and coordination between a plethora of non-conscious, rudimentary cognitive agents.
The Contributions of the Mind
Operating within the limits imposed on his explanation by the current state of science, the last chapter of DeLanda’s book offers some final additions to MHM to help with overcoming the hard problem of consciousness. In this context, DeLanda’s humility is certainly appreciated. At the end of this chapter, he clarifies that “[i]ntroducing intermediate levels between the brain and a subject who can issue reports does not solve the hard problem but it does break it down into three more tractable problems. And it points to the direction we must follow to find the solution: a methodology that combines analysis and synthesis, starting from the bottom and moving upward” (139). What these three problems are will be seen in the following. DeLanda begins here, surprisingly, by attempting to show that at least three forms of perception (the perception of properties, objects, and situations) do not involve the use of concepts. Why this matters is not at all obvious; and, as another reviewer has noted, it goes against much of the received wisdom on the theory-ladenness of experience.[vi] An explanation of this decision is offered in the book’s introduction. It might be objected that a neurobiological account of perception is sufficient only for explaining perception in organisms less complex than we are. However, “[t]here is no deep discontinuity between animal and human visual experience, as there would be if linguistically expressed concepts shaped perception” (2-3).
If not by means of concepts, how does perception access the sense-data presented to the retina? Most of this chapter is devoted to developing DeLanda’s alternative, that it is instead preferable “to view the perception of properties as performing a measurement function, to view the perception of objects as performing the function of separating the perspectival from the factual, and the perception of situations as having the function of allowing qualitative judgements about the relations between objects” (113). His attempt to prove that none of these kinds of perception involve concepts is unlikely to convince anyone committed to the contrary view. Consider, for instance, how DeLanda deals with the perception of situations. After dubiously asserting that there is no need to depend upon concepts to ask the question “What is that?” (125), he proceeds by appealing to vervet monkeys, who can perform a variety of tasks related to attention and specification “without possessing any sortal concepts” (126). However, DeLanda makes his case here using a doctored understanding of what a concept is. He takes as intuitive the view that a prototype which “does not stand for an essence or abstract universal” (126) is not a concept. But what of the concept of a game? It is well established that such a concept would stand for neither an essence nor an abstract universal, encoding instead a variety of mere family resemblances, and being much closer to what DeLanda calls “a construct capturing statistical regularities in the objects actually used for training” (126).[vii]
The above concerns DeLanda’s attempt to deal with the “easy problems of consciousness, that is, the problems that can be tackled by cognitive psychology and the neurosciences” (129). From this point on, he tries to build a solution to the hard problem of consciousness, on the principle that “the brain monitoring its own activity is the key to the solution to the hard problem” (129). By this, DeLanda means the following. It is strictly incorrect to speak of perception as the perception of qualities in the external world. Instead, wherever there is perception, it is perception by the mind of the various neuronal circuits and the way they behave when subjected to certain kinds of stimulation of the retinal array. Thus, “[f]ar from being an input from the world, perception is more like an intermediate output, and the volition behind an action is not an output to the world but an intermediate input to the motor areas of the brain” (102). Allowing that perception is not perception of the external world, but perception of changes within the brain “eliminates the idea that the visual field is like a veil separating us from reality, as well as the idea that the transparency of this veil must be accounted for” (130).
Let’s see how DeLanda’s multilayer approach deals with the hard problem of consciousness. For this purpose, DeLanda distinguishes between four different senses of the word ‘consciousness’: arousal, alertness, flow, and selective awareness (137-8). In each case, he shows that MHM can simulate the different kinds of conscious phenomena in question. What is most surprising is that qualitative experiences, sometimes called qualia, enter into none of the senses of consciousness DeLanda defines. This begs an important question: in showing that, beginning with a multiplicity of mindless cognitive agents we can simulate arousal, alertness, flow, and selective awareness, has DeLanda shown how such systems realise consciousness? But there is no answer to the hard problem of consciousness which does not explain how it is possible for the operations of mindless things, even teams of mindless data-processing units, to produce conscious states. Along these lines, the three constitutive problems into which DeLanda analyses the hard problem concern the emergence through evolution of what he calls protoselves, core selves, and autobiographical selves. However, only the emergence of protoselves is analogous to the hard problem since the development of protoselves is the stage at which mindless systems “slowly get the ‘sentient’ part to emerge” (139). And the closest DeLanda comes to explaining how protoselves emerge is the following: “The emergence of protoselves in the course of evolution may be due to the fact that the internal milieu displays a greater degree of constancy than the body as a whole” (69).
Critical Comments
With the core arguments of DeLanda’s book aside, I want to conclude by offering three considerations pertaining to the success and nature of his project. In the first case, consider the following. DeLanda’s book begins with the claim that “[t]raditionally, communication between philosophers of the materialist and phenomenological schools has been limited” (1). But this is not remotely true. It would be more correct to claim, as Derrida did, that attempts to synthesise materialism and phenomenology have consistently resulted in “impasse.”[viii] DeLanda’s attempt to bring materialism and phenomenology into dialogue with one another suffers from this same fault. However, his attempt does so differently than have many others. Rather than approaching this reconciliation through the mediation of social interaction and language, DeLanda decisively rejects the relevance of these “meso-scale” (143n4) phenomena for understanding consciousness itself. Instead of approaching the reconciliation of materialism and phenomenology through the highest order of material phenomena, social and economic factors, DeLanda’s approach begins from the lowest: the biological evolution of neuronal networks ultimately possessing rudimentary consciousness.
Secondly, for a work which purports to produce communication between materialism and phenomenology, it is remarkable that there are no discussions whatsoever of the core components of the phenomenological method, such as epoche or noesis. This calls into question the sincerity of the rapprochement being offered. DeLanda’s approach, apart from ignoring the work of actual phenomenologists, sides consistently with phenomenology’s critics. There is an unmistakable affinity between Dennett’s ‘hetero-phenomenology’ and DeLanda’s claim that the “tendency of the conscious mind to make sense of its decisions and actions, results in the fabrication of explanations after the fact” (97). Despite this, the book concludes by adding, “[a]nd this is why it is so important to adopt a materialist approach to phenomenology” (141). But the arguments of the book have nothing to do with adopting a materialist approach to the deduction of the transcendental categories of experience, as one might expect this closing statement to mean. Rather, DeLanda appears to mean ‘phenomenology’ in the sense in which it is more frequently used in analytic philosophy of mind, where it refers to the general quality of experiential states, instead of the rigorous study of experience which begins from within subjectivity itself.
Thirdly, a contrast should be made between the kind of account of perception that DeLanda attempts to provide, and the kind of account that he actually provides. He declares his theory to be a variety of “non-reductive materialism”, which for him means “first, that there are mental properties that are different from physical properties; second, that the existence of mental properties depends on the existence of physical properties; and third, that mental properties can confer causal powers on mental events” (1). However, MHM tries to solve the hard problem of consciousness by positing a continuum between the physical and the mental such that there are between the two “intermediate levels [which] implies a graded conception of both intentionality and consciousness” (134). This solution may be inconsistent with DeLanda’s commitment to a conception in which mental and physical properties really are different. Given some continuum, for instance between hot and cold, it can be granted that the properties lying at either end are really different in some sense. However, this kind of difference is not the kind that a non-reductive materialism requires. Representing differences along a continuum implies their representation as differing in terms of something continuous between the two, reducing the difference to a difference in degree. But the claim that between conscious and nonconscious things there is only a difference in degree is something that even reductive materialists can assent to. A truly nonreductive materialism must successfully maintain the difference in kind between minds and bodies, and since DeLanda’s theory does not offer this, it is perhaps incorrect to call it non-reductive.
The project behind Materialist Phenomenology is a highly ambitious one; and insofar as ambition and innovation themselves deserve praise, DeLanda’s work is clearly laudable. However, the careful reader of this book will inevitably discover many questionable inferences. I am greatly sympathetic to attempts to defend non-reductionism within materialism. I also agree with DeLanda’s initial premise that such a materialism must be brought about by cultivating communication between materialism and phenomenology. But, as with any worthwhile discussion, this communication must transpire among equals. This would mean taking seriously what phenomenologists have learned throughout the last century of their deliberations on the meaning and nature of consciousness. In Materialist Phenomenology, the materialist has been handed the megaphone, and the voice of the phenomenologist has been drowned out by the amplified orations of their interlocutor. Despite this, DeLanda must be applauded: even if the attempt to unify materialism and phenomenology has failed here (and, if Derrida is to be believed, may always fail), the attempt itself is something which unfortunately few philosophers today aspire to enact.
[i] Paraphrasing Deleuze, G. 2007. “Responses to a Series of Questions,” in Collapse, Volume III. London: MIT Press, p. 41.
[ii] For closer treatment of this objection, see Negarestani, R. 2018. Intelligence and Spirit. Falmouth: Urbanomic.
[iii] DeLanda, M. 2013. Intensive Science and Virtual Philosophy. London: Bloomsbury, p. 5.
[iv] Nagel, T. 1974. “What is it like to be a Bat?” The Philosophical Review (83:4), p. 449.
[v] Searle, J. 1991. “Response: The Mind-Body Problem,” in John Searle and His Critics, ed. Lepore, E. and Van Gulick, R. Oxford: Blackwell, p. 141.
[vi] Richmond, S. 2022. Manuel DeLanda, “Materialist Phenomenology: A Philosophy of Perception”, Philosophy in Review (42:2).
[vii] Cf. Wittgenstein, L. 2009. Philosophical Investigations, trans, Anscombe, G.E.M., Hacker, P.M.S., and Schulte, J. Oxford: Wiley Blackwell, §67.
[viii] Derrida, J. 1983. “The Time of a Thesis: Punctuations,” in Philosophy in France Today, ed. Montefiore, A. Cambridge: Cambridge University Press.
Reviewed by: Sandro Herr (Bergischen Universität Wuppertal)
It is a unique quality shown in philosophical books, when they manage to treat topics which concern philosophy in a fundamental sense without falling prey to banal commonplaces or turmoil by endlessly adding relevant contexts. “A study in relation” (3), as Peter Hanly refers to his recent book Between Heidegger and Novalis, would precisely fulfil the criteria for such a topic. Yet, Hanly demonstrates stupendously well how to avoid said dilemma. His study is guided by a specific thinking of «between-ness» that “introduces a dynamic tension into the category of relation by conceiving it in terms of contradictory energies of separation, dispersion, pulling- apart, and gathering or converging” (3). Said between, as Hanly wants to show, comes from a heraclitean idea of harmonia which Heidegger and Novalis share as the common source for core elements of their thinking (7). The book is divided into two parts, eight chapters and an epilogue. Chapter transitions will be marked by the end of the paragraphs in the review at hand. Each part of Hanly’s study highlights an aspect of the between, the former its “Fertility” in Novalis and the latter “Pain” in Heidegger (16). Both parts explore these aspects in various philosophical areas, be they materialistic, idealistic, linguistic, or ontological, but also performative, rhetorical, or dramaturgical. Furthermore, by reconstructing historical and systematic contexts, Hanly gives insight into developments of both thinkers individually. In doing so, Hanly provides the reader not only with a vividly detailed depiction of each philosopher’s thinking regarding the question of between, but he also indirectly shows how the ambiguous relation of Heidegger and Novalis displays itself said between-ness. To outline the most important arguments of the book, I shall give a summary of both its parts followed by a few critical remarks at the end of the review.
Oftentimes, Novalis is neglected as an autonomous philosophical thinker. Heidegger, for example, illegitimately associates him with Hegel’s dialectical idealism (11) or merely uses him as authoritative reference (8). The first part of Hanly’s book makes it clear, among other things, that this view is not tenable. Quite the contrary, there is a highly original torsion of speculative philosophy and empirical naturalism in Novalis’ thinking.
The first context in which Hanly elaborates the notion of between is Novalis’ account on metaphor. Phrases such as “all is seed” (19) and the frequent use of terms like “dissolution”, “elasticity” or “fluidity” (22) demonstrate an affinity with the natural world that Novalis incorporates in his writings. For Novalis, however, metaphor is not simply an instrument that allows the illumination of abstract concepts. Much rather, it works as an “interweaving of registers such that a movement of exchange takes place, one in which the relations between concrete determination and ideational figuration seem to dissolve.” (24) Already here we find an implicit criticism of a hierarchical order between philosophy and poetry. Nonetheless, Hanly underlines that Novalis does not simply invert their relation. His understanding of metaphor derives itself from a philosophical endeavor, where philosophy becomes “the poem of the understanding” (26). To fully grasp the new fashion of this interpretation, one must trace back Novalis’ thinking to its roots in the early Fichte-Studies and, at the same time, not reduce his style of writing to an abstract ground (26). According to Hanly, the relation of I and not-I is the “crucible” (29) for Novalis. In Fichte there is the positing activity of the I which has already occurred in formalizations such as I = I or also I = not-I. This logic of activity or productivity becomes fragile for Novalis because the formalizations as such do not reveal any prioritization (29) and, counter to that, they explicitly stand for a limitation (33) that renders their relation less unilateral. While Fichte himself senses these problems, only Novalis shows the rigor to contest the recourse to an ultimate principle consequently. Instead, he keeps an “insistence on movement, on the motility of the exchange between I and not-I that governs their equivalence” (34). As Hanly underlines, abstraction from then on will be the transforming work of thought for Novalis, “effecting ‘logarithmic change’ upon both the obduracy of the sensible world and the ideality of the I” (36), where everything is unified or “chaos is transformed into a manifold world” (36) but unified only as free and self-determined beings. Novalis develops his very own “rigor of variation and combination” that he will retain throughout his oeuvre and most fully in his encyclopedic project Das Allgemeine Brouillon (59). Therein, abstraction becomes a specific task of the imagination. Other than just picturing things, imagination keeps various polarities in the state of hovering or, as Hanly puts it, of between (38).
The aforementioned philosophical consequence of Novalis becomes comprehensible if one understands where his thinking is initially situated. Reaching for a better understanding of the faculty of imagination and its hovering especially, Hanly addresses himself to Kant’s concept of «ideal» and Fichte’s «intellectual intuition» (39). Kant tries to understand the ideal as an Urbild without further instantiation that excludes any sort of oscillation which he then allocates to the so-called “schwebende Zeichnungen” (40). Whereas Fichte develops different models, circular and linear, to solve the problems of the oscillatory imagination that he himself recognizes. However, each of the models serves the purpose of banning the characteristic instability of the “hovering” by attributing a clear function to the faculty of imagination. It is only Novalis who unhinges the hovering of the between by revealing the inconsistencies of Fichte’s approach and by asking of the hovering: “What if we were really to take seriously its determinative instability, and orient our account around the effects that such an uncertainty introduces?” (47). Thus, I and not-I are not to be understood as “mutually determining poles, mediated by a “between” space” (50) but as markers, as words of coalescence which are the result of the perpetual movement of a between (52). But as Hanly carves out in several of Novalis’ writings, the overall approach goes further. By questioning why there are dichotomous oppositions everywhere (52), Novalis extends his criticism towards a primordiality of dichotomic relations in general. At last, this leads him to an “absolute sphere” of relation, of connectivity or of not-word (52) that synthesizes dichotomies (53). Based on this, the idea of an oscillatory movement between nodes (55) becomes predominant for Novalis. From “zones of visible and invisible, ideal and real” (56) or abstract and concrete, philosophy and poetry, Hanly lists the numerous nodes which are mutually exchangeable, involved in a constant reciprocal movement (56).
“Fragile and Fundamental” (56), as Hanly poses it, this between becomes the axis around which Novalis’ writing evolves. As an act of non-reductive mapping and intertwining, he ceaselessly advances to new territories. With his Encyclopaedia project, Novalis attempts a writing that abides by a “Combinationslehre” (62) about the scattering and dispersion of word-seeds and which at the same time gathers “into a totality” (61). In this regard, Hanly also finds Novalis’ “close involvement with the Schlegel brothers and with the sympraxis of the Athenaeum project” (68). But as demonstrated, he goes even one step further. In concordance with Blanchot’s criticism, Novalis does not only use the fragment in a way that the content works as “the mere illustration of a dynamics of the formal dance of writing.” (69) Much rather, he “pushes precisely towards a fusion of form and content” (70), where through the gathering of their between-space both mirror each other and dissolve their boundaries (72). As the overarching experience in the background of this phase, Hanly reconstructs the time Novalis spent at the Mining Academy under the influential presence of Abraham Gottlob Werner (74). Engaging with his studies, Novalis gains important insights in mineralogy and the natural sciences. For Werner, there is a “natural order” of description that “involves the coordination of a series of sensible traits with a certain kind of linguistic ordering” (75). While on the one hand Novalis shares the same kind of interest as Werner, he sharply criticizes him on the other. In analogy to his Fichte-Studies (79), Novalis spots a lack of engagement with the question of the between in Werner as he
fails to discern the possible transition — from the external characters to the inner constituents, or from symptomatics to chemistry, and yet this is the main approach for solving this problem. (78)
Just as minerals, stones and solid-state objects in general are exposed to transformative chemical processes, in his “Encyclopaedia” Novalis subjects the solidity of the word to liquefaction, to “fluid rhythms of gathering and dissolution” (80).
With that in mind, Hanly lastly turns to Novalis’ novel Die Lehrlinge von Saïs, which he says is best interpreted through the lens of Schelling’s First Outline of a System of the Philosophy of Nature (82). Other than Kant, who constructs nature as an interaction of active and passive forces, Schelling tries to abolish this dichotomy by grasping nature as “determining itself in and through its activity” (83) and as a force that dissolves everything (86). Drawing inspiration from here, Novalis wants to realize this nature of between at the level of writing (88) and planned, as noted in a letter to Tieck, great transformations of his project (89). He died the following year and so Die Lehrlinge von Saïs was left unrealized in that respect. Nonetheless, Hanly sees the written word as explicitly responsible for the rhythm of natural liquefication here, because
like Schelling’s natural object, but seemingly intimately bound up with writing: each figure, emerging from the play of gathering, seems to “belong to that great cipher- script” [Chiffernschrift ] that we “glimpse” everywhere (92).
The sense of lost plenitude, of dispersion (95), introduces a longing into the world and can only ever be restored “in the form of new ‘mixings’, new bindings— new configurations of connectivity” (96). At the end of the first part, Hanly requires us to ask for the resonance that Novalis’ thinking might have in our own. For Hanly, turning back to the very motif of his study, it is a “poetics of materiality: poetry names the word insofar as it emerges from and as a zone of relation between the human and the natural world. Poetry, thought thus, is relation” (98).
In the second part of his study, Hanly starts off with Heidegger’s reflections on Trakl. The primary intention of this second part is to map out the subject of pain as another facet of between. In this regard, pain is “the tension of a play of belonging such that what is kept apart is joined in that very separation, and what is joined is kept apart in its very joining” (103). However, with pain, the tensioned between-space we found at the core of Novalis’ thinking “is possessed of an entirely different affectivity” (104). Thus, Hanly follows the path of Heidegger’s thoughts on pain and its “semantic complex” (106) starting off from its most explosive appearance in the Bremen Lectures from 1949, then back to texts from the seynsgeschichtliche phase such as Das Ereignis, and to its later occurrence in Unterwegs zur Sprache (106). Pain in Heidegger is the rift “— a rending or tearing, an opening, a gap —” (108) as a central possibility of the human. As a rift it exceeds the limits of how the human being is construed. This results from an “’opening’, in which the differential structure that Heidegger calls ‘the fourfold’ emerges as such” (108), as a grounding structure of the world. However, leaving aside this notion for a moment, Hanly initially focuses on the concealment that suffering brings about pain which actually “is closer to us, more intimate” (109). It has the capacity to expose this danger of concealing, thereby acknowledging its own “hidden proximity” or “nearness” (109). Other than in Sein und Zeit (112), as Hanly mentions, nearness here is not to be understood in spatial terms. The positioning of a coffin, for example, implies a different nearness because “what is effected in this nearing is the determination of a world that gathers itself around an absence” (113). With Hanly’s elaborations on the first two of the Bremen Lectures, the coffin is much rather a “thing” than an “oppositionally objective” (114). It “draws together like a net” (115) the different interrelations of the world to let them eventuate and thus manifests the same dynamic of between around which Hanly’s study revolves (116). The consonances in which Heidegger expresses this dynamic such as «das Dingen des Dinges» are not merely rhetorical according to Hanly (117). Instead, “the rhythm of their sounding” (118) tends towards an «Einklang» (117) or a concordance of thing and world. This concordance could dissolve any sense of difference which is why Heidegger himself in the Appendix begins to suspect a “collapse of ’nearness’” (118).
As opposed to the «thing», pain as the rift and rending will be “the insistent reinscription of difference” in the third lecture. For Hanly, this contrast corresponds with a language of pain “that both considers pain and makes it manifest” (120), and for which he seeks out first signs in Das Ereignis but that “first comes clearly to the fore” (122) in the texts of the 1950s. As already indicated in the Beiträge, the between will no longer be the thread that connects structural elements of the world and that in so doing “remains subordinate to the poles it conjoins, […] fixing and reinforcing their complementarity” (125). Instead, it will “be given a kind of priority, to speak in a voice that does not defer to the complexes it separates” (125). The locus of said between will then be Dasein itself, not in a spatial sense but because it is the between more strictly (126), e.g., between men and God as elements of worldliness. Hanly investigates the experience of pain in Dasein along different aspects. He shows that while Heidegger rejects the tendency of Jünger to reify pain as the object of a relation (128), he resonates with the ideas of Nietzsche as he interprets pain as the erratic betweenness or oneness of terror and bliss (130, 135). Affiliate notions of pain are also identified by Hanly in Heidegger’s reading of Hölderlin. This especially concerns the Hyperion, where Hölderlin explores the subject of leave-taking both narratively and metaphorically (140) and what is then, as affective domain, brought into a connection with the thinking of difference or Unterschied by Heidegger (142). Furthermore, in this context, pain must be thought in its relation to Stimmung, that constitutes the possibility of «there» in Da-sein as it “hears the pain of its dislocation, and thus ‘accords’ with that pain” (133). As Stimmung belongs to Dasein, it is equally irreducible to oppositional poles and therefore to be understood as “a pulling-away from the stable orderings of sensible and intelligible and into the unstable domain of a between” (134). Having followed the path of Heidegger’s thinking through all these different stations, Hanly arrives at a question:
[W]hat, fundamentally, is the relation of pain and language […] The question, then, will be whether it is possible to hear in language the same tension of gathering and pulling apart, the same primal movement of a one always differentiated in itself that seemed to mark out the space of pain in Heidegger’s discourse (134).
The cited question is of major importance for the rest of his book but before arriving at this language of pain, Hanly wants to approach the subject of «inception» or «beginning». He does so in the so-called “seynsgeschichtlich project”, (144) which “is never far from the question of difference, of the pain of difference” (144). Apart from describing the «there» of Dasein as an “agonistic between-space” (145), Heidegger also offers another way to think it. In the seynsgeschichtlich treatises, “Dasein is the crisis between first and other beginnings” (145). But as Hanly underlines with regard to the Beiträge, the relation of «first» and «other» beginnings “must be seen to break out of the constraints a chronology would impose on them” (148). They are therefore beyond a metaphysical narrative of progression. The goal is to think another kind of confluence between being, event and inception, where «what is» no longer precedes «what occurs» (149). According to Hanly, the inception describing the there-ness of Dasein is a singularity which “must be given over to an original multiplicity.” This multiplicity consists in the fact that “in the ‘uniqueness of its incipience’, the inception is fractured, sundered” (152). Hanly then approaches this problem of inception from three different perspectives, “the thought of repetition, the thought of confrontation, and the thought of belonging” (153). Repetition signifies the inherent structure of inception. It means that inception is never just «the same», but it becomes itself by self-division, “it reaches ahead and thus encroaches differently each time on that which it itself initiates” (155). From the aspect of confrontation, it is important to note that neither are different inceptions opposed to one another in the sense of a counter-direction, nor does one of them sublate the other. Much rather, as Hanly puts it
Inception, we are told, is “assigned” or “allotted” (zugewiesen) to its other. The sense of this assignment seems to be that of an ineluctable and necessary gathering: Heidegger says indeed that the “other inception” “must be the only other” in relation to the uniqueness of the first beginning. (159)
Thirdly, the aspect of belonging is the other side of this specific form of non-oppositional negation. First and other belong together, because they are different, “but yet cannot be withdrawn from the fracture that binds them” and not resolved in the unicity of a whole (160). All three aspects undermine a logic of timely progression. In their light, and because of the multiple senses of the word «inception», Hanly says that “perhaps words themselves halt, reaching a kind of limit, a breaking-point in which a silence, a Sprachlosigkeit will come to dominance” (161).
For the last chapter of his book, Hanly elaborates more deeply on the relation of language and pain. To this end, Hanly argues for an “irruptive pain of the word” (163) that Heidegger foregrounds with a particular style of writing. A central influence here comes from Herder’s Treatise on the Origin of Language. In Herder’s thinking, it is crucial that human experience is unspecified, “his forces of soul [Seelenkräfte] are distributed over the world” (165). Hanly sketches out how this dispersion is linked to the origin of language, because “the word, for Herder, will be torn out of this dispersive field: a mark, scarring the indifferent surface of sensation” (165). However, this word or mark cannot simply be reduced to the acoustic. Hanly shows how, according to both Heidegger and Herder, there is a dimension of gathering between the multiplicity of the sensually given and the expressed sound. This dimension is the mark understood as hearing and thus hearing “is to be of the non-sonorous as much as of the sonorous” (168). Coming back to the subject of Dasein, the point is that it is itself the mark of hearing. The «there» of Dasein is thus a figure of between that avoids metaphysical opposition. It carries silence in and as breaking, in-between, being “precisely the index of this movement, the crossing that the mark effects” (169). Finally, this ambivalence of the mark, the word as joining and tearing apart becomes manifest in a new sense of system. With Heidegger’s view on Schelling’s Philosophical Investigations into the Essence of Human Freedom in mind, Hanly interprets the Beiträge as the execution of this systematicity. Hanly says that when Heidegger is writing “’a legitimate renunciation of system can only originate from an essential insight into it’ (GA 42: 46/24), what he is requiring of us is an experience that fully acknowledges the necessity of system before it can move beyond it” (172). Pursuant to the etymology of «sunistemi», which translates to “placing together”, system can mean two things: on the one hand, it merely means “accumulation and patchwork” of extrinsic, indiscriminate elements (173). On the other hand, it refers to the order, manner, or content according to which elements are intrinsically composed. What the Beiträge are purposefully exposing after Hanly is that at the very core, any gathering will produce both kinds of joinings, extrinsic and intrinsic (173). Regarding each gesture of thinking, Heidegger says that “they unfold, on the one hand, necessarily in sequence, each adding to the force, the urgency (Eindringlichkeit) of the others, while at the same time, each says always ‘the same of the same’” (174). This movement of thought in language is enabled by the fundamental attunement which is “in a tense relation with that “coming to word””(175), although there is no word for itself. The fundamental attunement hovers between verbal determinations, it is characterized by a principal namelessness, by a failing of the word which makes it “accessible only to a thinking that belongs in a primary way to silence” (175). Therefore, the style of this thinking is one of restraint, as only “Erschweigung, as Heidegger calls it, can play out fully the demands of the systematic” (176) as it circulates around silence, unfolding it each time anew. Only with this writing and its peculiar rigor the task of philosophy can be most fully realized.
In the epilogue, Hanly underlines for one last time the importance of the motif of harmonia in Heraclitus that guides his study time and time again. The join of harmonia appears in multiple different configurations, which explains the plenitude of contexts that Hanly references throughout his book (178). However, there is a danger that lurks precisely in this multiplicity, namely that the harmonia is “just another metaphysical structure, a form that underpins or overlays the multiple modes of its encounter: a schema, in other words” (178). But it implies a specific nothingness, as it is nothing but joining, only apparent in multiple concrete contexts without “coalescing into a uniform conceptual structure” (178). Also, Heidegger and Novalis are historical possibilities of its appearance and perhaps even the between of them, “the resonance of their work is best felt together, conjointly” (179). Through Hanly who, one could say, produces this resonance with his book, “it could be that, if we listen, we will hear it too” (181).
In conclusion, Hanly’s study is convincing in various respects. The abundance of the collected material, the depth of the connections made regarding the subject of between-ness and the original dramaturgy of the book as an indirect comparison being only some of them. From a critical perspective, there are nonetheless two objections that I want to raise in the following. The first concerns a programmatic issue. Although Hanly says that the relation between Novalis and Heidegger is itself manifold, he divides his book in respect of a very univocal claim towards their contrast (16). Novalis thinks the between as fertility, Heidegger thinks the between as pain. First and foremost, Hanly does not really treat fertility in Novalis as a concept of its own right, whereas regarding Heidegger he gives an in-depth reconstruction of an explicit line of thought that makes pain its subject, giving numerous explanations and references. This imbalance is further mirrored in the mere amount of mentions of “fertility” in the first part of the book on Novalis. Here, the reader finds the expression only three times (60, 98) and even the reason for its usage remains opaque. One time, Hanly links it to the motif of seed (60), which is used several times as a specific, non-reductive thought-image of the between (20, 36), and the other time he speaks of it is when it occurs together with notions such as generative force, increase, words that blossom, proliferation, germination, or explosion (96), appearing almost synonymously with them. Furthermore, the claimed divergence between fertility and pain does not really hold up to scrutiny. When I and not-I, for example, become the poles of a movement of exchange that is a “chaotic motility” (50) then it remains questionable why this chaotic character is particularly fertile and not equally well limiting or determining. The same applies when Hanly names the between a “zone of fragility” (56) that is characterized by “porosity” and “volatility” (56), or when he highlights the «word» as between-space that is “amid the fluid rhythms of gathering and dissolution” (80). All these aspects stand against the highlighting of the aspect of fertility because they speak just as much for the opposite side of pain. This is also true if we do not presuppose our own understanding of pain but that to which Hanly’s study itself relates to, namely Heidegger’s. Not only because Heidegger speaks of a “pain of inceptual separation” which is precisely between gathering and separation or fracture (136) but also vice versa, as the pain in Dasein always already implies bliss as well as it marks a point of transition in its «there» which hovers “between ‘recollective energies’ and the possibilities of an ‘other inception’” (174). Considering these things, the reader finds no clue why they are not exemplary aspects of fertility alike. For all these reasons, the claimed contrast between fertility and pain appears as if it would only serve dramaturgic purposes of the book and as a means of dividing it into parts, parts that by their content however deconstruct this very dramaturgy.
The second of my objections concerns a methodological problem. It appears repeatedly as if Hanly would presuppose the central thesis of his study as an implicit hermeneutic method. I will try to illuminate this by pointing out two examples, one concerning Novalis and one Heidegger. Firstly, while searching for the philosophical grounds of Novalis’ thinking, Hanly cites the fragment that goes: “like us, the stars hover alternatingly between illumination and darkening” (27). Without giving a reason in the same context, he says that this fragment must be seen as something different than just a poetic ornamentation of a philosophical ground. Afterwards, he suddenly generalizes the argument and says that regarding the thought of between, its philosophical ground is being forsaken and still must be considered (27). And then, lastly, from the same fragment it is said that it can be used as a passageway back to these philosophical grounds. Shortly after, the hovering of the fragment is itself the between and should moreover negotiate the relation of philosophy and poetry (37). Then, eventually, the hovering will be thematized all from Kant’s theory of drawing to Fichte’s thoughts on intellectual intuition and Novalis’ Fichte Studies. Here it turns out to be not just a passageway but the very core of Novalis’ speculations (55). My critique is not about right or wrong, but about the way in which Hanly creates his line of thought. He both gathers several contexts in which variations of his major thought appear and disjunctive as the steps therein are often mediated vaguely. With regard to Heidegger, one can perceive something similar. Heidegger says that inception retains a multiplicity of senses and only thereby keeps open its incipience, meaning the principal possibility of (new) inceptions. In the face of this, Hanly says that “perhaps words themselves halt” and that a speechlessness will be dominant (161). Although it is only ‘perhaps’ the case, Hanly proceeds to the next chapter of his book and assumes this premise categorically, so that he can now reflect on speechlessness. Then, referencing Heidegger who says “In the first inception: wonder. In the other inception: foreboding” (162), he links inceptions to fundamental attunements. Again, he leaps from ‘wonder’ and ‘foreboding’ to the gathering of terror and bliss (162) who are supposed to be analogous and map closely with each other. The reader does not find any other reason for this than the fact that Heidegger speaks of wonder and foreboding in terms of “recoil, of shock, of horror” (162). But neither is the analogy suitable, because bliss is not mentioned in this context at all, nor does speaking of something in the same words imply that the matter talked about is the same. Especially so, if the subject of gathering which is of central relevance for the relation of terror and bliss does not occur at all on the other side of the analogy. Nevertheless, this enables Hanly to move on to pain as a gathering of terror and bliss and finally to the question of a language of pain at which he aimed beforehand (134). Here, citing Heidegger’s saying that “pain has the word” (163), Hanly again categorically claims it would mean that the word itself is pain. He does not consider different interpretations, e.g., that pain has the word because as an attunement it discloses the understanding of the world in a certain manner. Hanly says that his remark is an iteration of an earlier passage, although he did not justify his interpretation even the first time (143). However, it allows him to equate pain with word and thereby proceed to the irruptive pain of the word that is “to be most clearly felt” (163) in the seynsgeschichtliche treatises. To put it briefly, oftentimes it seems as if Hanly would have his conclusion already in mind, whereupon he collects, not always justified, elements of Heidegger’s text that are suitable to arrive there. In other words, he conjuncts and separates textual material in the modus operandi of the very between-ness he wants to prove in these texts.
Reviewed by: Mark Losoncz (Institute for Philosophy and Social Theory, Belgrade / Novi Sad)
This book presents an enthusiastic dialogue between two contemporary philosophers, Manuel DeLanda and Graham Harman. Neo-materialism and object-oriented ontology face each other as equally inspiring conceptual approaches to the key issues of new realism. One might have thought that DeLanda’s philosophy of dynamic relations and intensities, strongly influenced by Deleuzian concepts, can only be interpreted as a devoted rival of Harman’s philosophy which is very clear, in a partially neo-Aristotelian manner, about the priority of individual-substantial objects. But as the dialogue evolves, we have to realize that things are much more complicated.
So, what binds the interlocutors of this book together? First of all, they needed a common enemy to unite them. Indeed, the enemy has no clear outline – it embraces as different currents and thinkers as social constructivism and Alain Badiou, culturalist pseudo-Marxism and Karen Barad. According to DeLanda and Harman, they can all be brought together under the flag of anti-realism, either because of the denial of a mind-independent cosmos or because of treating human subjectivity as an ontologically outsized (co-)creator of the world. While DeLanda and Harman sometimes present realism as a heretic alternative with respect to mainstream continental trends, they also offer another perspective according to which 20th century continental philosophy can be re-read, at least partially, as a series of realist tendencies. For example, it is claimed that Deleuze is a continental realist, that Husserl’s concept of the object as an invariant form can serve as an inspiration for contemporary realism and that Heidegger’s tool-analysis has also serious realist consequences. Roughly speaking, in continental philosophy, realism is both an excommunicated pseudo-problem and the hidden message of its exciting underground. What is more, Harman does not hesitate to mention the fellow travelers: the speculative realists, Maurizio Ferraris and Markus Gabriel.
Although DeLanda and Harman are careful to emphasize their shared rejection of anti-realism throughout the book, the lines between their respective philosophies are not blurred. Already in the first chapter it is obvious that DeLanda’s neo-materialism cannot easily be reconciled with Harman’s “realism without materialism” which denounces materialism as a reductionist approach, being unable to account for immaterial entities such as fictional characters in novels. From the viewpoint of Harman’s flat ontology, “materialism has often led to premature decisions about what should and should not count as real.” (15) In contrast to this position, DeLanda proposes a material-energetic-informationism that “involves a rejection of entities that transcend the world of patterned matter-energy” (16). This immanentist model gives fiction a less mystifying status by defining it as an emergent property, or, more precisely, as a level of emergence. The first chapter of the book is valuable for several reasons. In particular, it is useful for clarifying the difference between materialism and realism, for being critical of various reductionist approaches (“undermining” / micro-reductionism and “overmining” / macro-reductionism) and for thematizing the dilemma of aprioristic and aposterioristic thinking in philosophy. Furthermore, there is an interesting debate on Aristotelian essences and forms, Harman being sympathetic to these concepts and DeLanda rejecting them on the grounds of his historical-genetic theory of singularities. The critique of Marxism is arguably the worst part of this chapter, especially when DeLanda suggests that Marxists have a “special brand in which a priori schemes of synthesis (the negation of the negation) form the core of their position” (12). It seems almost superfluous to say that this extremely abstract use of the term “Marxism” ignores the rich diversity of classical and contemporary Marxisms, with special regard to those that are highly critical of dialectical categories and the Hegelian legacy of Marx.
The second chapter relies upon Lee Braver’s 2007 book A Thing of This World: A History of Continental Anti-Realism in order to make precise distinctions between realist and anti-realist positions. The key issues are the mind-dependence of the world, truth as correspondence, the possibility of a complete description of the world, the possibility of true and untrue statements, the relationship between knowledge and the knowable, and the claim according to which the human subject has a fixed character. DeLanda and Harman complete Braver’s list with three more problems. The first concerns the question whether the relation of the human subject with the world should be considered a privileged relation for philosophy, the second is whether subjective experience is linguistically structured and the third is about the world as a holistic entity in which everything is inextricably related. One of the most valuable aspects of this chapter is DeLanda’s and Harman’s insistence on defining the concepts of relation and relationism as precisely as possible. While Harman criticizes Whitehead, Latour and Barad for conceptualizing relations without properly taking into consideration the relata that are prior to them, DeLanda emphasizes that we should not accept “intrinsic relations that determine the very identity of what they relate”, but only extrinsic relations (32). The other aspect that deserves special mention is the interlocutors’ agreement with respect to the impossibility of a complete description of the world. According to the conclusions of object-oriented ontology, Harman claims that “things in the world cannot be converted into bundles of accurate descriptions” (44), that is to say, there is always and necessarily a withdrawal of real objects. On the other hand, by relying on insights from the philosophy of chemistry and fuzzy logic, DeLanda focuses upon the problem of emergence, i.e. of new properties that cannot be reduced to the interactions of already existing entities and that can never be exhaustively described.
The third chapter is by far the richest one. DeLanda and Harman carry on with the topic of realism, but this time by focusing more on the main statements of object-oriented ontology and neo-materialism. It is almost impossible to summarize this chapter as it ranges from the concept of possibility, through the critique of reductionisms, to the ontological status of objects. We would like to underline two important aspects: one concerns essences, and the other is about dispositions. With a strong background in Aristotelian-Zubírian ontology, Harman argues that essences are “salvageable” and that otherwise it would not be possible to interpret objects as consistent entities. Whereas DeLanda claims that the concept of essence is illegitimate and unnecessary, the interlocutors seem to make a compromise by concluding that there is haeccity (“thisness”) that makes objects identifiable. In this context, DeLanda rightly insists on the fact that, according to Deleuzian ontology, the virtual is segmented into distinct actual objects as products. There is another extremely exciting debate on dispositions, i.e. on capacities to affect and being affected. Harman refuses to put dispositions into things and comes to the conclusion that dispositions should be treated as new compound entities that result from interactions between objects. DeLanda elaborates his philosophy of tendencies and capacities in details, with a special emphasis on defining the identity of actual objects as a combination of actual properties and virtual dispositions. In short, DeLanda suggests that we should account for the enduring identity of objects “by the mechanisms of emergence behind the historical genesis and day-to-day maintenance of an object’s identity” (88).
The fourth chapter deals with the question of cognition and experience. The interlocutors seem to agree that “epistemology” is a bad term, either because it implies a dualist ontology that privileges the relation between humans and everything else, or because epistemological debates tend to ignore many kinds of “rightness of fit”, e.g. the know-how dimension of experience. Accordingly, this chapter is very critical of various scientist epistemologies (empiricism, mathematic reductionism, etc.). Harman explains his approach to cognition by stressing the point that certain essential aspects of objects are necessarily withheld or withdrawn and that our access to objects is always mediated by processes of translation. In light of this, he presents his view on the difference between real and sensual objects. DeLanda’s concept of cognition resonates with the object-oriented approach only partially: he emphasizes that “we can use the possibility of future novelty, the imperfect record of past traces, the spatial and temporal scale-dependence of the world’s presentations … to spell … out [the withdrawal of objects]” (103). Similarly to Harman, DeLanda’s theory gives importance to the mechanisms of transformation between real objects and our experiental patterns, but with more attention to the biologic origins of embodied cognition and selective attentional processes. The common ground in this chapter is the insight that absolute knowledge is impossible, either because of the fundamental withdrawal of objects, or because of the open-ended character of nature and the untraceable aspects the past.
The last chapter articulates conceptual dilemmas with respect to time, space and philosophy of science. Harman equates “real time” with changes in space and defines sensual time as a relational entity that is derivative of the succession of objects. While he seems to accept the irreversibility of sensual time, on the other hand, he claims: “if we consider time as belonging to the real itself, then I guess I’m not a realist about time” (119). DeLanda is strongly opposed to this non-realist philosophy of sensual time and he emphasizes the irreducibility of real time, i.e. the succession of causes and effects by relying upon insights from the theory of relativity. DeLanda also offers a very useful analysis of the concept of intensity. After a longish debate on Latour, the interlocutors debate on the role of knowledge, semantics, falsification and the definition of truth. Harman summarizes the difference between their respective philosophies as follows: 1. while DeLanda privileges dynamic entities, Harman gives importance to the “inertia” of objects; 2. in contrast to the emphasis on the philosophy of science (especially on the philosophy of chemistry) in DeLanda’s philosophy, Harman’s philosophy seems closer to the arts (and for Harman “the exemplar is aesthetics”); 3. while object-oriented ontology focuses on individual-substantial entities, DeLandian neo-materialism offers a detailed conceptualization of outside factors such as phase-spaces and attractors; 4. while Harman puts emphasis on formal causes, for DeLanda it is more important to clarify the role of final causes. DeLanda completes this list with his critique of the object-oriented concept of fundamental withdrawal and Harman’s denial of real time.
Reviewed by: Jarno Hietalahti (University of Jyväskylä)
Peter E. Gordon has written a compelling book entitled Adorno and Existence about Theodor Wiesengrund Adorno’s relationship to existentialism. Gordon admits in the very first sentence of his book that Adorno was not an existentialist, however, according to Gordon’s analysis, Adorno was intrigued by existentialism and tantalized by phenomenology through his academic career. Gordon offers a new research perspective on Adorno’s work which has often been bypassed by secondary literature. He suggests that, although Adorno is renowned as one who challenges philosophies of existence, his position as a critic is not as straightforwardly negative as one might think.
The structure of the work begins with early ontological matters, it moves to The Jargon of Authenticity (1964), then towards Negative Dialectics (1966) and finally to salvaging metaphysics. The form and the content of the book intertwine in a spiral which lures the reader in its undertow. In a laudable manner, Gordon offers a comprehensive view of Adorno’s often forgotten and marginalized writings and lectures. All in all, the sources he refers to in support of his endeavour are well chosen for the task in hand.
Despite the complexity and depth of the subject matter, the book reads well thanks to Gordon’s skills as a writer and his philosophical acumen (for instance, his book Continental Divide: Heidegger, Cassirer, Davos, 2010, won the Jacques Barzun Prize from the American Philosophical Society). It would have been prudent and useful to readers if an accessible list of references had been included, and not only a list of aberrations, as this would save the reader from searching through the endnotes for titles which have been referred to. This small criticism aside, Gordon conducts encompassing and convincing research to demonstrate the importance of key existentialist thinkers such as Søren Kierkegaard and Martin Heidegger from the beginning of Adorno’s academic career through to the final days of his life. Gordon builds the story eloquently; he starts and ends with Kierkegaard and the structure is insightful as Adorno wrote his Habilitationsschrift (a second dissertation) on Kierkegaard, and lectured on his work during the last years of his career (a 40 year timespan).
It is not surprising that Gordon presents Heidegger as the main opponent and counterpart to Adorno’s thought as Gordon has analysed Heidegger’s philosophy in his other books and in numerous articles (e.g. Gordon 2003; 2007; 2013). In this text he tries to situate Heidegger’s phenomenological philosophy alongside Adorno’s social criticism; a daring and respectable task. Gordon argues that Adorno’s central idea about the primacy of the object is an attempt to finish what existential philosophers had sought to accomplish before him. According to Gordon, Adorno’s relentless criticism of existentialists is a redemption of existence. When Adorno argues that Kierkegaard and Heidegger failed to overcome a lurking idealism, it is because he envisions his philosophy as “the overcoming of existentialism but also its fulfillment” (145).
Gordon is clearly aware of Adorno’s repeated criticism of existential philosophers as the book examines even the harshest parts of these writings, however, he claims this is a reversal recognition. For Gordon, as Adorno’s intensive interest in existentialism and phenomenology spans multiple decades, he must see a hidden potential in these philosophical systems despite the failings he makes explicit. This speculative claim gives ground to a deeper consideration and reframing of Adorno’s critical thinking. Gordon builds on the old and accepted truth about Adorno (that if he states something, he will denounce the very same thought just a couple of pages later) to point to some neglected ironies in Adorno’s works and reminds us that it is intellectually insincere to focus on isolated critical slogans. As Adorno writes in the Negative Dialectics; philosophy should not forget its clownish traits: “Philosophy is the most serious thing, but then again it is not all that serious.” (Adorno, 1966, 14)
Counting on the aforementioned trait in Adorno’s writings, Gordon is able to turn the tables around time and time again. For instance, he notes how Adorno criticizes époché (a method of phenomenological bracketing) which is supposed to help to catch the pure oneself; a method of understanding and seeing how the world exists for one. Adorno suggests that this method fails miserably, and is basically transcendental xenophobia. Despite this straightforward crushing, Gordon finds evidence on how Adorno goes beyond a mere superficial panning, and wants to seek truth in what he has just a moment ago considered to be phenomenological untruth. Adorno, according to Gordon, does not want to refute phenomenology through negation but, instead, he is on a quest to show how this “failure bears within itself a hidden philosophical insight.” (64)
As the text proceeds, it is easy to grasp Gordon’s primary objective; to show that Adorno has an intellectual bond with existentialism and phenomenology. Gordon takes the sheer number of references provided as proof of this. However, one cannot accept that Gordon necessarily gets it right when he suggests that Adorno did not specifically reject existential philosophy just because he returned to the same themes again and again over many decades. Adorno was always critical towards authoritarianism, for example, and he never ceased to question the socially shared insanity in the Western world but it would be wrong to suggest that, because Adorno wrote so much about authoritarianism he saw a hidden promise in authoritarian thinking and movements.
The text does contain some careless formulations occasionally, e.g. Gordon considers Adorno a satirical writer who tries to pop the balloons of rigid authority with his dry and poisonous wit and it could be argued that true satirists tend to offer something to replace their ridiculed targets but Adorno does not do this. Instead, he uses bitter humour to belittle shared cultural insanity, philosophical hypocrisy and individuals who are simply wrong (according to his perspective). In his mockery Adorno rarely offers sympathy for the target of his ridicule; instead, he is sarcastic and quite often smug in relation to the way he offends others. Interestingly, Gordon includes an extract of one of Adorno’s letters to Herbert Marcuse where he belittles Heidegger’s student Otto Friedrich Bollnow after the publication of The Jargon of Authenticity (December, 15, 1964): “Ernst Bloch phoned to say that because of the ‘Jargon’ Bollnow is having a nervous breakdown. Let him.” (88). Adorno does give a charitable rationalization for his so-called satirical technique when he tries to embarrass people; he thought that once an authority is ridiculed its fragile nature is revealed (through laughter), then the followers of that authority would be keen to stop worshipping their former hero. This is the very same sociological thought on which Henri Bergson’s Laughter (1911) is based. Bergson argues that laughter is a form of social control and a tool to straighten people up from their silly habits. Sadly for Adorno, this does not justify every kind of banter, and a mere rationalization hardly turns a ruthless mockery into a more constructive form of satire.
At times, Gordon makes questionable rhetorical choices and one can identify a subtle smugness in formulations such as “Those who come to critical theory burdened with customary opinion…” (6), or “Adorno’s critical orientation can appear relentlessly negative, and many readers fail to see that his negativity still flows, however faintly, with a rationalist’s hope for a better world.” (11) If these points are to be taken literally, Gordon is suggesting that merited Adorno scholars are taking a ‘wrong’ approach and one might ask, where does this leave those who are new to Adorno’s work?
Similar accusations are present throughout the text as Gordon suggests that Adorno scholars who interpret his written works on existentialism as sidesteps and meaningless aberrations from the philosophical core do so neglectfully. Despite such criticisms Gordon himself displays intellectual lapses in relation to Heidegger as, though he acknowledges the controversies about Heidegger’s relationship to National Socialism, he claims that this should not cloud our vision of his philosophy. However, for the critical theorist truth is always historical and social circumstances must play a significant role. A shrug of the shoulders is not enough to allow one to bypass Heidegger’s engagement with National Socialism; this is a major issue of debate which has recently resurfaced due to the publication of the so-called Black Notebooks (2014a, 2014b, 2014c).
Whilst Gordon agrees that philosophical texts are part of a social whole (at least in Adorno’s case), he also claims that they cannot be reduced to this whole. It is on these grounds that he seeks to excuse the omission of any treatment of Heidegger’s relation to fascism in this text. Unfortunately, the rationale behind this omission not entirely convincing. Gordon allows himself privileges that he denies to others; he regards dubious writings by Heidegger as mere deviations (though some scholars argue that they are essential), and at the same time he claims that certain works by Adorno should not be neglected as they allow one to trace the development of his critical thinking. It is not entirely consistent for Gordon to claim that Adorno’s marginal texts are important (as one may understand them as intellectual test laboratories), but Heidegger’s marginal texts (which several scholars consider as representative of his philosophical thinking) should be considered mere sidesteps.
Gordon describes how the political and economic situation forced Adorno to emigrate from Germany to England in the 1930s, and how racial laws resulted in the decommission of his professorship. The situation resulted in Adorno having to complete a second doctorate at the University of Oxford in an intellectual environment where his enthusiasm for social theory was not shared. Gordon claims “it is against this sombre background of exile and isolation that we must understand Adorno’s readiness to bury himself in the texts of classical phenomenology.” (59) He makes a valuable point, but it again raises the issue concerning the importance of taking the social-historical situation into account when analysing the work of Heidegger.
Let us consider what remains untreated by Adorno and Existence; e.g. Gordon mentions Karl Marx twice and Sigmund Freud only once, yet both are highly influential thinkers in relation to Adorno’s intellectual development. The text concerns Adorno and existentialism so there is no need for a comprehensive study of these two critical thinkers; even so, a comparison of their influence on Adorno with that of existentialists’ would have been a valuable addition. Also, Adorno’s concept of somatic impulse (which is based on psychoanalytical thinking) is completely neglected by this text. Through this concept Adorno presents an individual with the possibility to feel that there is something wrong with the world without giving positive answers to the problem. Somatic impulse comes close to what Erich Fromm (Adorno’s former colleague and rival) calls ‘existential needs’; as they offer a dialectic but normative standpoint for both philosophy and social criticism. It would have been interesting to read about whether Gordon finds any connection between somatic impulse and, e.g. the phenomenological idea of ‘being in the world’.
All in all, Adorno and Existence is an important and insightful book as it highlights previously untreated features of Adorno’s intellectual development and his academic career. Gordon’s work presents an interesting historical and biographical study; his style concerns an original method which requires one to assemble clues that are presented through a complex story (which has not been told or fully understood before). In the style of Adorno, Gordon reminds us; that if one is to criticize something, it means that one has to make a serious and rigorous attempt to analyse the target of the criticism, otherwise the enterprise engages in nothing more than cultural chatter (a point which is well formulated and taken into account throughout Gordon’s work). It is unclear if jury will be unanimous with their verdict on this particular book as both phenomenologists and critical theorists may find the book, eventually, not entirely convincing. That said, Gordon succeeds in giving food for thought and opening up new perspectives to Adorno scholars about Adorno’s intellectual relationship to existentialism and phenomenology.
The gravest problems with the book (discussed above) lie on the meta-level and, if a brief speculation is allowed, Adorno would probably not agree with Gordon’s analysis in relation to Heidegger. Adorno, one of the sharpest critics of fascism in the 20th century, is portrayed as the saviour of Heideggerian phenomenology. Many philosophers argue (especially after the publication of the Black Notebooks) that there is an intrinsic connection between Heidegger’s philosophy and anti-Semitism. If this is the case, then Adorno himself would be rather appalled by Gordon’s conclusion: that Adorno is the one who wants to save Heidegger’s philosophical project. It is difficult to couple Heidegger (a member of the Nazi party from 1933 until the end of Second World War), and Adorno (a persecuted Jew who had to leave his motherland because of the atrocities committed by the Nazis). The historical burden is so heavy that it cannot by bypassed with a mere statement that the author does not agree with Heidegger’s fascistic tendencies but is not going to treat the question of how they are present within his philosophical works. Some scholars (e.g. Rée 2014, Losurdo 2014) argue that Heidegger’s anti-Semitic ideas taint only his person and do not impact deeply on the core of his philosophy. However, critics such as Peter Trawny (editor of the Black Notebooks) argue that Heidegger actually processed his anti-Semitic ideas philosophically. The issue of Heidegger’s anti-Semitism and its presence in Heidegger’s works should be taken seriously when discussing a critical thinker like Adorno (from a Jewish background) as it is significant in relation to understanding Heidegger’s legacy. Unfortunately, Gordon does not make such an attempt.
Referred works
Adorno, T. W. 1964. The Jargon of Authenticity, trans. K. Tarnowski and F. Will, London: Routledge & Kegan Paul, 1973.
Adorno, T. W. 1966. Negative Dialectics, trans. E. B. Ashton, New York: Seabury Press, 1973.
Bergson, H. 1911. Laughter: An Essay on the Meaning of the Comic, trans., Cloudsley Brereton and Fred Rothwell, Los Angeles: Green Integer, 1999.
Gordon, P. E. 2003. Rosenzweig and Heidegger: Between Judaism and German Philosophy. University of California Press.
Gordon, P. E. 2007. “Hammer without a Master: French Phenomenology and the Origins of Deconstruction (or, How Derrida read Heidegger).” In: Historicizing Postmodernism. New York: Routledge Taylor & Francis Group.
Gordon, P. E. 2010. Continental Divide: Heidegger, Cassirer, Davos. Harvard University Press.
Gordon, P. E. 2013. “The Empire of Signs: Heidegger’s Critique of Idealism in Being and Time.” In: The Cambridge Companion to Heidegger’s Being and Time. New York: Cambridge.
Heidegger, M. 2014a. Überlegungen II–VI (Schwarze Hefte 1931–1938) [Reflections II–VI (Black Notebooks 1931–1938)]. Edited by P. Trawny. Frankfurt am Main: Klostermann.
Heidegger, M. 2014b. Überlegungen VII–XI (Schwarze Hefte 1938/39) [Reflections VII–XI (Black Notebooks 1938/39)]. Edited by P. Trawny. Frankfurt am Main: Klostermann.
Heidegger, M. 2014c. Überlegungen XII–XV (Schwarze Hefte 1939–1941) [Reflections XII–XV (Black Notebooks 1939–1941)]. Edited by P. Trawny. Frankfurt am Main: Klostermann.
Losurdo, D. 2014. “Heidegger’s black notebooks aren’t that surprising.” In: The Guardian. March 19, 2014.
Rée, J. 2014. “In defence of Heidegger”. In: Prospect. March 12, 2014.