Philipp von Wussow: Leo Strauss and the Theopolitics of Culture

Leo Strauss and the Theopolitics of Culture Book Cover Leo Strauss and the Theopolitics of Culture
SUNY series in the Thought and Legacy of Leo Strauss
Philipp von Wussow
SUNY Press
2020
Paperback $33.95
402

Reviewed by: Andrew Oberg (Associate Professor, Faculty of Humanities, University of Kochi, Japan)

The “Faith”-ful Social: von Wussow on Leo Strauss’ Legacy

 

I. Orienting: A Premise

Philipp von Wussow has given us an excellent and engaging study of Leo Strauss’ oeuvre in his compact and accessible Leo Strauss and the Theopolitics of Culture (SUNY Press, 2020). In the below, although I will consider the book generally, particular focus shall be given – as von Wussow himself does – to the centrality and importance of Philosophy and Law, Strauss’ publication of 1935, and then to a lesser extent his 1967 talk/essay “Jerusalem and Athens: Some Preliminary Reflections”, which repeated Philosophy and Law’s underlying thematic thrust. With the reader’s permission I will endeavor to do so from my own perspective, one prompted both by Strauss and by von Wussow’s interaction with Strauss, a viewpoint which situates itself around the idea that, as with every human structuring, politics of course always gets involved in religion; but further: religion itself (as revelation, as a social(ly-oriented) phenomenon) is political. What this means for praxis, ritually and conceptually, we shall try to draw out, and thus we join the game of Strauss that von Wussow teaches and illumines. While we may be unlikely to find any hard conclusions therefrom, we might nevertheless arrive at some enlightening reflections of our own.

II. Philosophy and Law: Finding the Religiopolitico

Von Wussow declares this text to be “one of the greatest philosophical works of the twentieth century, along with the Tractatus, Being and Time, and Dialectic of Enlightenment” (p. xvi; referencing Wittgenstein 1921, Heidegger 1927, and Adorno and Horkheimer 1944, respectively). These are extraordinarily illustrious fellows, and the assertion immediately alerts us to the esteem with which von Wussow holds Strauss’ book. We are advised to read Strauss as an author who made “directional” arguments, indicative of and instructional on comprehensive movements. He wrote philosophy as drama, with the concepts being the characters in the play (and I do intend “play” here in both senses of “theatre” and of “amusement”); already we may remark on how such an informed approach stands philosophy against yet within religion: exterior to the sturdiness of a belief as that-which-is-accepted (full stop), but interior to the shifting flow(s) of a being-in-the-world. Strauss indeed is said to be a proponent of the rational in the ‘reason versus revelation’ debate (as “Jerusalem and Athens” would consider too), but the outright impression one gets from von Wussow is that this was never definitively settled for Strauss, that even for him the question was one of (perhaps undecidable) struggle. Each was a type of wisdom, and the tension in the dialogue between we shall need to consider in the next section of our review. Still, for Strauss (and, we might add, for us) it is necessary for philosophy to differentiate itself from the thinking of a numinous lifeworld; whether or not such is truly (totally) achievable in any philosophy which includes a robust metaphysics and does not merely parade logical tools and/or associated analyses as its entirety may also be an open question. (In philosophy – as we who practice it know all too well – sooner or later one often simply has to take a stand; at such times any boundary between that “stand” and an arguably quasi-faith type “belief” is a blurry line at best, a broken one at worst.)

Von Wussow begins by giving a background to the book and its historical setting, doing so in a very accessible manner which is open to all readers regardless of familiarity with Strauss and his works (and kudos to the author are well deserved on this). Moving first through the text’s Introduction we are informed of Strauss’ fundamental position that “compromises and syntheses are untenable”, that “a new movement remains entangled in the premises of what it opposes” (68), and thus in his (i.e. Strauss’) reaching back to Maimonides and medieval reasoning in the manner he does a way of thinking/approach might thereby be found which need neither be one of the Enlightenment nor of the orthodox sort vis-à-vis a rational methodology fit for the present age. The insight here Strauss yields is that:

one can believe in miracles, in God’s creation of the world, and His [sic.] revealing Himself [sic.] to man [sic.]; and there is no decisive counterargument as long as one believes in a thorough and sincere manner… Religious or nonreligious beliefs and attitudes are a matter of choice, an act of the will. Religious and antireligious discourses are a matter of rhetorical persuasion. (71)

Every matter within these discourses (and indeed every other) are already interpreted, we come to understand, and interpretation itself is a matter of the will (this point is given its Nietzschean due); hence ultimately, we might infer, the entire issue – the “clearing” in which we stand and wherefrom our vantage point extends (stealing (and slightly distorting) some Heideggerean imagery here) – becomes non-consciously derivative from the default influence(s) of said prior choice (employing our own terms now; the emphasis being on the aspect’s absence of cognitive awareness while it yet retains a deep psychological reach). Let us then think about what it might entail to “take a stand” in such a manner in light of our own opening (our orienting) central premise that religion is itself political.

Maimonides (or Rambam) and his Islamic predecessors and contemporaries (a member of the Sephardic Jewish community, he was born in Spain in 1138 CE and died in Egypt in 1204 CE, living in and under the rule of the Islamic Golden Age) placed philosophy (“reason”) as justified through revelation, indeed even divinely commanded to be pursued by those capable of it (the born thinkers; this is an elite). Thus for these medieval theo-philosophers there simply was no ‘battle’ to be had between reason and revelation: one stood under the other, and it took its place and purpose from that positioning, as did its practitioners. Although – to my knowledge – this was not explicitly stated in the historical record that has been bequeathed to us, upon examination the profoundly political stance of such is manifest: reason/philosophy is hereby a device designed (by “Heaven”?) to be employed for the service of revelation (religion), as both apart from yet paradoxically housed within. (We might further add that in this facet at least it is not terribly unlike how Christian medieval theologians were arguing, only with very different means and – as compared with the Christians – vastly more unfettered in form). Philosophy here, as under Law (Torah), is one of a suite of tools for the service of religious self-structuring and religiously inflected societal edifice building. This is critically not an interplay, not an interaction, but instead is the twinned existence of religion and the appended political functioning of the metaphysical, the ontological conclusions; in short, the result is an emergent religiopolitico: a singularity. Conceptually, and probably practically, Law does have precedence in that philosophy takes its rationale thence; yet given its divine sanction – and again, even command – philosophy becomes not merely a potentiality of religion but a necessary aspect of it. Revelation instructs (demands) reason to be a part of it; revelation does not ‘birth’ reason so much as bodily adhere it: analysis as a prophetological prosthesis, and that carried always into the social realm. (The call of the prophet may be a voice in the wilderness, but it is one that is heard.)

If the Enlightenment Project was designed to safely rid the world of orthodoxy (but notably, as is visible from such systems as Deism, not eliminate faith per se) – and this orthodoxy is understood as a cipher for Law – then clearly it has failed, as Strauss pointed out, von Wussow discusses, and we can surely agree with. This reflection in itself shines fascinating new light (from an older source) on the current ‘culture wars’ and reaffirms how very relevant Strauss’ book is for our times today, already approaching a century from its publication (which itself is hard to think; 1935 a century ago?). Revelation, religion, the meanings for and in human lives; these are impulses apparently destined to ever be with us (there are echoes here of Pascal’s famous “God-shaped vacuum”). Strauss, in this work, calls on us to return (a supremely Jewish idea: our, everyone’s, teshuvah); not, of course, to an orthodoxy for ourselves, but rather that we re-attune our comportment in facing the challenges that confront us. As von Wussow puts it, quoting from Strauss:

Strauss instructed his imaginary readers to make a change in perspective and consider the possibility that the situation is insoluble only “as long as one clings to the modern premises.” Hence, the entire discourse on orthodoxy and the Enlightenment, and the indefatigable insistence on the insolubility of the conflict between the two, serves as a preparation for the turn to medieval philosophy: “One sees oneself induced…to apply for aid to the medieval Enlightenment, the Enlightenment of Maimonides.” (p. 89; p. 38 in Philosophy and Law)

Having thus placed his audience/partner, Strauss moves to a consideration of his contemporary Julius Guttmann’s efforts on the history of Jewish philosophy, arguing against many of Guttmann’s conclusions based on understandings of the parameters and implications of “culture” (as variously defined, and over whose definition many arguments were themselves then being made, particularly in wider extant scholarly contexts). Here Strauss proposes that religion (and the political) cannot be found within a cultural framing since such “are not spontaneous products of the human mind” but somehow “transcend” culture (p. 97). This is somewhat curious, and unless one is willing (again: a willed, determinedly chosen interpretation) to grant a literalness to revelation (an actual exotericism to it) it is hard to accede that what are ultimately abstractions may exist prior to the brain processing them. Personally I have difficulty agreeing with Strauss on this point since I take whatever numinousness there might be in the cosmos (about which I have no unshakable dogmas) to of necessity work through the existentially given; in this I suppose Strauss might accuse me of being insufficiently Maimonidean (i.e. reason within revelation, philosophy under Law), and he may be right. Perhaps then we have a clear example of the need for the very third path Strauss has been proposing, and I am revealed to be ‘too Enlightenment’ myself.

Strauss continues working with/against Guttmann to present a “resolute return” wherein the political philosopher’s task is to take revelation as relevant; it certainly was heavily influential in medieval thought. For Islamic and Jewish philosophy of the period (which is represented in Strauss by Averroes (Ibn Rushd, 1126-1198 CE), Maimonides, and Gersonides (Levi ben Gershon (or Gershom), 1288-1344 CE)), “philosophy is commanded by the law, free before the law, and bound by the authority of the law… By presupposing the law, the Islamic and Jewish philosophers of the Middle Ages are continuously referred to something beyond human reason.” (p. 112; emphasis in the original) A presumption of this sort would obviously provide the foundation for the transcendence which I seem to be having trouble with; our question is: Why accept it? Why should we – in will, in chosen lifeworld interpretation – follow suit? Strauss thinks this allows us to philosophize better, that revelation can therefore become a topic (an object) for reason, but “not the first or most important one…although – or precisely because – the law is not the most important topic of philosophy, it attains a systematic omnipresence in the whole of philosophy”, and – to my mind the most tenuous – “this inconspicuous systematic omnipresence of the law ultimately safeguards the rationality of philosophy.” (117) Philosophy can certainly become midrash (as it were), but Strauss has still not convinced me of why this stance if preferable over one which, for example, simply rejects revelation as a grounding for religion and shears it away from religion, replacing the latter as a culture (product of the human mind) and tabling the former (epoché) for sheer inability to know what to do with it (the struggle over/for a faith). Nevertheless, in its incessant referral to the Law, Strauss saw in medieval philosophy a radical foundation whereby its version of rationalism attained superiority over modern incarnations. Von Wussow very helpfully summarizes Strauss’ endpoint:

for a rationalism with belief in revelation there is no excess of revelation over the sphere of reason. Nothing in the content of revelation transcends reason [recall that the transcendence alluded to above was over culture]. The content is identical with reason, and reason is capable of knowing this content. There is no conflict between reason and revelation. (118)

That last – “there is no conflict” – is perhaps the ultimate consequence in that it therefore ‘solves’ the conflict inherent in the entire revelation versus reason debate, transforming its entirety to the effect that the “versus” becomes an “encompassing”, or maybe even a “cradling”: revelation as mother to reason, whose babe then looks upon her with eyes of a loving search. This establishes Strauss’ other contention – with which I have no qualms about agreeing – that prophetology must be taken as a part of the political. Only thusly, Strauss argues, can there be an explanation for its purpose and “final end”: why else rely on prophets? There is a kind of Platonic element at work here (I am thinking along lines drawn from Republic), but the added layer of revelation certainly does contribute to the interest of the view being espoused. Further, Strauss puts forth that such a comprehension, as against the psychological take on prophetology, enables political objectives to override any mantic ones. This is quite striking, and so let us briefly pause at this juncture: what is being claimed is that the politics – which we understand as social, as policy for the body politic – actually supersedes the divinatory aspects of the prophetic utterance. Reason as within revelation has already blurred the distinctions that might have been made, but ‘the political’ is not necessarily ‘the rational’. (Indeed, looking around one the thought hits that it is hardly ever so!) However, in the doubly tweaked religiopolitico monad we have proposed this does make sense; yet it does so without the need for a substantive revelation, and thus we are still somewhat at odds with Strauss (unless of course I misunderstand him, which is entirely possible).

Strauss has an answer for this, and it too calls upon Plato, in explaining how the medieval philosophers (and therefore too how we ought to become) were contextualized as bound, but thereby unexpectedly free:

The Platonism of these philosophers is given with their situation, with their standing in fact under the law. Since they stand in fact under the law, they admittedly no longer need, like Plato, to seek the law, the state, to inquire into it: the binding and absolutely perfect regimen of human life is given to them by a prophet. Hence they are, as authorized by the law, free to philosophize in Aristotelian freedom (p. 130; pp. 132-133 in Philosophy and Law; emphases in the original)

By having the outlines, their being-in-the-world, defined and determined at the outset through revelation (or “revelation” if we do not will the belief as such), philosophers of this ilk are declared liberated to thereby pursue other issues. Yet I must protest here that for me at least the really crucial question in being is that of being: I want to search a being-in-the-world, even if I recognize how much easier life is in having such gifted. Perhaps I am ungrateful in this desire, but the reader may understand. Whatever we might or might not feel in this regard, I think von Wussow is correct to highlight that Philosophy and Law “forces us to rethink the social and political responsibility of philosophy” (132), and if our small offering in this review (religiopolitico) is at all valid then that duty must apply within any religious system possibly even more so than it does without, for the two – the religious and the political – are not two, they are one.

III. “Jerusalem and Athens”: Thinking further on the Religiopolitico

Von Wussow judges “Jerusalem and Athens” to be a beautiful text but one without a great deal of depth; in the large I agree. It is very readable, highly interesting in parts, contains some wonderful remarks and comments, but does not boast any particularly provocative prods. Perhaps this is due to its inception as an inaugural address in a series of public talks (the Frank Cohen Memorial Lectureship at City University of New York), or for other reasons personal, mundane, or the like. (The entirety can be found in the collection: Leo Strauss, Jewish Philosophy and the Crisis of Modernity: Essays and Lectures in Modern Jewish Thought, ed. and intro. by Kenneth Hart Green (Albany, New York: SUNY Press, 1997); pp. 377-405.) As von Wussow explains, “the guiding question of ‘Jerusalem and Athens’ is how to approach the Bible and Greek philosophy.” (p. 262; emphases in the original) Does one favor one or the other? It seems impossible not to; yet which? Why? On this query of method, Strauss begins by stating that, “By saying that we wish to hear first and then to act to decide, we have already decided in favor of Athens against Jerusalem” (in Jewish Philosophy, p. 380). In other words, through the assertion of an initial openness one has – possibly without meaning to – enacted a closure: revelation is shut off because it, by its nature, requires an initial act of acceptance, not restraint. Choosing not to choose is itself a choice, and it is the philosopher’s (Athens’) choice.

Yet when regarding this topic, this “and/versus”, we are dangerously apt to apply anachronisms, and these manifest clearly in the “tension between its [the West’s] double heritage [i.e. Jerusalem and Athens, revelation and reason], or its two foundational traditions”, as per von Wussow (271). For example, it is a simple enough matter for a contemporary person to reject miracles outright, without the slightest bat of an eye, and thence dispose of large parts of revelation and its sacred books; Strauss, however, wisely teaches that “we cannot ascribe to the Bible the theological concept of miracles, for that concept presupposes that of nature and the concept of nature is foreign to the Bible.” (Jewish Philosophy, p. 381) Hermeneutically we start from our “prior defaults” (as above), and busily go about reading into what was never intended (since not thought: disparate “prior defaults”) in any body of a claimed revelation. How does this affect the debate, the dialogue, the flowing and the tremor betwixt letter and eye?

It is a matter of some importance, particularly for Strauss, of whom von Wussow writes, “By the late 1920s, Strauss had convinced himself that the conflict between belief and unbelief was the everlasting theme of philosophy”, and that “the right and the necessity of philosophical reason could become evident only vis-à-vis revelation” (i.e., it could only be questioned or challenged on religious grounds; 272 and 274, respectively). Reason (philosophy), it seems, is not only justified by revelation (religion) – as with Maimonides – but actively needs it to establish itself; one apparently cannot even have reason without revelation, if we correctly follow this lecture and its place within Straussean thought. Again, though, we have hereby circled back to the issue of transcendence, and whence to our same doubts, our troubles – our discomfort – in what appears a necessitated embrace of the unempirical and the aethereal; what (for or by us) is to be done? Strauss, regarding the “ingredients” of the admixture here (Plato/reason/human nature as unchangeable on the one hand (Athens) over that of prophets/revelation/human nature as changeable (Jerusalem) on the other), states: “Since we are less certain than Cohen [i.e., referencing the context of the Memorial series] was that the modern synthesis is superior to its pre-modern ingredients, and since the two ingredients [i.e., the two triads just mentioned] are in fundamental opposition to each other, we are ultimately confronted by a problem rather than by a solution.” (Jewish Philosophy, p. 399) Or, as von Wussow expresses it, we arrive at a “standstill”: summarizing the figurative argument of “Jerusalem and Athens” as a “Socratic atheism” – i.e., the restraint on human thought and the refusal of divine thought preceding revelation (and that last presumably agreed upon as being undeniable) – he writes: “The enigmatic figure of Socrates assisting the god by trying to disprove the god’s reply [re: Apollo proclaiming through the oracle at Delphi that no one was wiser than Socrates, which Socrates then set out to challenge], only to find out that it is true, is the image in which the whole semantic process eventually came to a standstill.” (282)

In reading through and trying to work out along with Strauss – ‘along with’, but also alongside-cum-beside(s) (paralleling) him – this abiding doubled call of revelation and reason as alternative foundations, we discover the forked path remains forked (a dead end?), and we are yet adrift. That is, unless perhaps we might trade out that conjunctive in the title (and further still: all conjunctives) such that there is neither an “and” nor a “versus” in our “Jerusalem…Athens” binary, but rather a grouping more akin to: “Jerusalem under/with/enclosing Athens”, or “Athens on/of/in Jerusalem”. If we decide here – if we will it – a positivity, then we might understand the complex as a required never-ending work in progress, a dialectic bound to give more strength than it takes. (To borrow a phrase from Torah study: We turn the religiopolitico and turn it again, for all is in it.). We might do this; we might seek a resolution through an either/both and a neither/nor: it is a choice, it is a will, it is a belief. Religion is political, reason is political; what politics do we want? What social do we seek?

IV. Generalities: Contents and Tangibility

Strauss, in later university courses he gave on his chosen “great books” of collective Western heritage, encouraged his students to read so that they might “free the text from the debris of its own afterlife” (285) as von Wussow puts it, and naturally he would have us do that for Strauss too; and so we should, indeed. In this excellent labor on, over, and within the decades of Strauss’ scholarship, von Wussow surveys: Part I: Strauss’ relationship with the Neo-Kantians of his time, the then relevant debates over the categorization and systematic elements of ethics and politics (five chapters); Part II: the main work Philosophy and Law (in great detail, as expressed above; four chapters); Part III: his arguments on “German Nihilism” and the roots of National Socialist thought (two chapters); Part IV: ideas on culture and relativism (especially as related to developments in anthropology; four chapters); and Part V: “Jerusalem and Athens” (one chapter) with a final conclusion on the “natural way” of reading (one chapter). Throughout von Wussow’s book is highly readable, always enjoyable, and often quite gripping. Von Wussow writes with evident passion for his topic and displays an enviable erudition.

Physically speaking (I was sent an e-copy for review, but who can stomach e-copies? I bought the paperback), the work is very attractive, packaged exceedingly well by SUNY Press in a pleasant layout with a becoming format, logically adjusted margins and a font and print size that are easy on one’s eyes (if only Routledge could learn a thing or two from SUNY on these matters). As one might expect, there are numerous notes to the main text; these are grouped together in a single section at the end. While I typically prefer footnotes, in this case von Wussow’s extras beyond the usual referencing material are not overly done, and thus they might be skipped without any harm coming to one’s comprehension of and appreciation for the subject. Here again we can compliment von Wussow and the production team. I would happily recommend this book to any reader interested in twentieth century German and/or German Jewish thought and culture, its interstices with American schools during and after the Second World War, and of course with the nexus that is religion and politics as bound into culture: what we have called the religiopolitico. To such may we find ourselves “faithful”.

Jan Patočka: Carnets philosophiques 1945-1950, Vrin, 2021

Carnets philosophiques 1945-1950 Book Cover Carnets philosophiques 1945-1950
Bibliothèque des Textes Philosophiques
Jan Patočka. Traduction par E. Abrams. Préface de R. Barbaras.
Vrin
2021
Paperback
864

Dennis Schulting: The Bounds of Transcendental Logic, Palgrave Macmillan, 2021

The Bounds of Transcendental Logic Book Cover The Bounds of Transcendental Logic
Dennis Schulting
Palgrave Macmillan
2021
Hardback 106,99 €
IV, 196

Hanneke Grootenboer: The Pensive Image: Art as a Form of Thinking

The Pensive Image: Art as a Form of Thinking Book Cover The Pensive Image: Art as a Form of Thinking
Hanneke Grootenboer
The University of Chicago Press
2021
Cloth $35.00
240

Reviewed by: Kayla Dold (Master’s of Arts student in the Department of Political Science, Carleton University, Ottawa, Ontario)

Why is there being instead of nothing? Hanneke Grootenboer’s The Pensive Image: Art as a Form of Thinking takes this Heideggerian question as it’s starting point. Like Martin Heidegger, Grootenboer’s task is to reflect on what constitutes philosophical thinking about being. In a discipline like philosophy, with its wide array of methodological approaches, traditions, and applications, it is easy to lose sight of simple yet profound questions like Heidegger’s. In this sea of approaches, Grootenboer’s book provides an accessible, clear, and innovating means of thinking about being by revealing a new philosophical subject: artworks.

In a succinct five chapters, Grootenboer describes a means of doing philosophy with pensive images. This is an ambitious task; however, for all its brevity (its body is approximately 170 pages), The Pensive Image remains philosophically vigorous and firmly rooted in the philosophical traditions that precede it, including German idealism, romanticism, phenomenology, post-structuralism, and of course, modern and contemporary art history. It is a blend of modern Western philosophy and art history; while Grootenboer discusses some contemporary artworks (like Richard Estes’ photorealism in chapter five), their focus is on seventeenth century Dutch artworks and modern continental philosophy. Its blend of continental philosophy and modern art produces a hybrid means of philosophizing and expands our conception of what is philosophically relevant to include modern artworks.

Despite their blend of philosophy and art, Grootenboer’s attention to detail and clear prose is consistent throughout, making The Pensive Image a valuable resource for art historians, philosophers, students, and the general public. Its clarity and wide range of commentary makes The Pensive Image interesting and accessible for a general audience, while its theoretical contributions to philosophical methods makes it valuable to the undergraduate and highly trained researcher alike.

Grootenboer’s The Pensive Image describes a novel philosophical subject—the pensive image—and prepare it for application in art history (15). Grootenboer justifies this task by arguing that philosophy (insofar as it is interested in reflection, being, essence, and thinking) needs artworks to articulate complex and layered clusters of concepts that are difficult, or impossible, to articulate with words (5). Visual arguments articulate clusters of concepts that are related yet cannot be systematically explained using cause and effect, logic puzzles, or thought experiments. Therefore, visual arguments add invaluable tools to our philosophical tool belts; however, this methodological implication is not the book’s sole source of value.

The Pensive Image does not only describe a new philosophical subject and means of thinking about being. Grootenboer’s meticulous invocation of the Western philosophical tradition, ranging from Descartes to Deleuze, offers us clear and descriptive secondary literature on great philosophical minds. The Pensive Image provides excellent commentary on those whom Grootenboer builds their theory (including Descartes, Diderot, Kant, Locke, Hegel, Herder, Goethe, Heidegger, Barthes, Lessing, Rancière, and Deleuze, amongst others). For example, the description of Heidegger’s conception of uncanniness [unheimlich] from Being and Time in chapter three is as clear and succinct as the description of dewdrops on flower petals in chapter four. Its balance between commentary and description makes The Pensive Image an indispensable handbook to anyone interested in the history of the philosophy of mind, the philosophy of art, and their intersection in the Western continental tradition.

While The Pensive Image provides clear and detailed commentary on other thinkers, it is primarily methodological. Despite its engagement with artwork, it is not hermeneutical. Instead, it follows Edmund Husserl’s original phenomenological directive: to pay close attention to things themselves. Grootenboer’s approach depends on describing artworks as autonomous philosophical subjects. Through a careful consideration of images and their effects on their viewers, Grootenboer describes a relationship between artwork and viewer that does not depend on interpretation, cracking a code, or deciphering a message. Instead, Grootenboer pays close attention to the visuals presented—a open door, a vast black background, the translucent shine of dew on a flower petal—and how these direct our thoughts. Throughout The Pensive Image, Grootenboer acknowledges that these effects may or may not have been the intension of the artist (5, 59, 60, 97, 99, 122, 146). Either way, intentionality (or lack thereof) does not change the artwork’s effect, its capacity to mediate our process of reflection, or to direct our thoughts (10-11). Whether or not Grootenboer’s description and conclusions are possible without an interpretive element is the topic for another book; regardless, Grootenboer describes interactions with artworks readers have likely experienced themselves. It is their description of our shared experience of artworks that makes Grootenboer’s conception of the pensive image and its application so compelling.

What exactly is a pensive image, and what are its effects? Grootenboer’s first section, “Defining the Pensive Image,” describes this philosophical subject and justifies its relevance to modern continental philosophy and art history. Grootenboer sets up their description with an account of the relationship between philosophical thinking and artworks over time. They situate the pensive image in two related traditions: the phenomenology and the relationship between modern artworks and contemplation. Thus, Grootenboer does more than simply revive Heidegger’s question of why there is being. They also situate the pensive image in a tradition of phenomenological approaches to art taken by Heidegger and Maurice Merleau-Ponty (1-5).

Grootenboer then surveys the historical relationship between modern artworks and philosophy. Grootenboer describes their thesis as a secular extension of the medieval tradition of contemplation, which uses images as mnemonic devices to transcend the secular domain (3). Grootenboer also notes how many modern philosophical ideas were explained using visual representation, though the intimate relation between art and philosophy generally declines after the seventeenth century (4). Thus, Grootenboer’s thesis revives and expands upon a previous philosophical tradition and is legitimized by its relation to phenomenological approaches to artworks.

The Pensive Image argues for the relevance of artworks to philosophy on multiple levels. Broadly speaking, it argues that artworks are a form of thinking. Artworks offer viewers entrance into a mode of thinking we would not enter on our own (1). This does not mean the artwork offers a particular narrative or meaning but that it inspires a new train of thought (22). Grootenboer writes that pensive images are “those that confront us in such a way that our wondering about the work of art—its subject of meaning—is transformed into our thinking according to it” (6). Rather than offering a narrative, a pensive image offers us the opportunity to think by guiding our thoughts in ways we might not have gone without its inspiration. This presupposes artworks can be effective: they do something to us. Therefore, pensive images are not meant to be interpreted but experienced.

Specifically, The Pensive Image argues that modern Dutch painting includes pensive images that guide our thoughts and reflections on being. (Though its focus is modern Dutch art, the book includes commentary on film and photography that helps us understand how different forms of art are concerned with different questions.) The first chapter, “Theorizing Stillness,” is devoted to describing the particulars of the pensive image as it applies to Dutch painting. The pensive image has two chief characteristics: firstly, while its meaning is indeterminant, a pensive image redirects our thoughts to contemplate being in new ways. It initiates a line of thinking we can follow indefinitely (9). It is not there to draw conclusions but to serve as an opening that allows a multiplicity of ideas to exist at the same time. Secondly, a pensive image visualizes a snapshot in time. This frozen moment, the anticipation of something more that is not visually articulated, is what directs our thoughts (24). A pensive image is therefore characterized by a movement paradox. Its stillness arrests us and from this arrest comes a flow of thought; pensive images generate “a passive, uneasy, and indeterminant state of openness that allows for the unthought to surface” (26).  A pensive image is open, tense, and suggests the possibility of movement (37). It stops our thoughts to redirect them in a new direction undetermined by specific signs or signifiers, meanings or narratives.

If the pensive image does not signify meaning nor tell stories, what does it contain, or, in other words, what is its essence? Chapter two, “Tracing the Denkbild,” answers this question. Instead of a specific signification, the pensive image is the embodiment of thought. This chapter describes different means of understanding an image as embodied thought over time. Through an analysis of stillness, it argues that the pensiveness of a pensive image can be understood as a moment of anticipation (47). Here, stillness is characterized by the theoretical potential for movement, rather than a lack of movement. Thus, tension, anticipation, and potential define a pensive image; it is open, uneasy, and ambiguous. Its openness and ambiguity make the pensive image a valuable philosophical subject worthy of our engagement.

While the idea that painting can be more than images on a canvas is not new, Grootenboer invites us to see painting as a partner in philosophizing that guides us where ‘it’ wants us to go (11). This metaphor of movement, guidance, and journey is central to Grootenboer’s pensive image and recurs through the book. For example, landscape paintings are “maps” that help viewers shape their interior selves, “entrances” into the pictorial realm (2, 1). They invite us to “dwell” within them, they reach out and touch us, set things in motion, and vibrate with potential (5, 26, 43). We are invited to get lost in the image, to rest in it, or to bord it like a vehicle (77, 78). Like Lucy, Edmond, and Eustice in C.S. Lewis’s The Voyage of the Dawn Treader, who are literally pulled into a painting of an ocean, allowing the pensive image to direct our thoughts is like being carried away by a wave (58). The tension between stillness and motion, journey and rest are fundamental to the pensive image.

Chapter three expands upon these relationships to think through what Grootenboer pithily calls philosophy’s housing problem. In this chapter, Grootenboer’s philosophical subjects include paintings of bourgeois Dutch homes and a dollhouse. These artworks provide a place for our thoughts to dwell, or, in Grootenboer’s words, “a home for the philosophical self,” by offering the opportunity to reflect on the permeable membranes between publicity and retreat, inside and outside (79). This chapter describes how artworks serve as metaphorical spaces where we can house our thoughts and subjectivities, thereby solving philosophy’s housing problem.

Drawing theoretical support from René Descartes’ construction metaphor and Heidegger’s conception of dwelling, Grootenboer demonstrates how Emanuel De Witte’s Interior with Woman at a Virginal (c. 1660–1667) and Petronella Oortman’s dollhouse (1686– 1710) host our thoughts. Descartes compares self-reflection to construction: in order to achieve self-understanding, we must clear away old foundations and build anew (81). Descartes himself formulated this approach while traveling. In his home-away-from-home, Descartes constructs himself a metaphorical home to house his thoughts and reflections (82). To philosophize is therefore conceived of as being on a mental journey while physically at rest. This implies that the philosopher’s home is not an actual resting place but their journey: the act of philosophizing itself.

Grootenboer builds on this tension between journey and rest by invoking Heidegger’s conception of dwelling. Heidegger argues that constructing something implies we already dwell there (85-86). To dwell implies a movement towards materiality. For Heidegger, dwelling is not a static condition but a constant movement towards something that cannot be achieved (to achieve it would no longer be to dwell). It is to be drawn towards something without ever arriving, a constant becoming (87). De Witte’s interior painting, as a pensive image, helps us understand this situation. It allows our thought to dwell within it. Our eyes and subsequent thoughts are drawn through doorways to the vanishing point beyond, a point we will never actually behold.

While we cannot inhabit De Witte’s painting, Oortman’s dollhouse appears inhabitable. Yet, because the dollhouse replicates Oortman’s home on a miniature scale, it is ultimately uninhabitable, what Grootenboer calls “a borrowed home” (105). That being so, the dollhouse contains elements, like a collection of seashells, that provide an opportunity to think through the dialectics of inside and outside and journey and rest. For example, what was once the travelling home of a sea creature is now an empty shell. The dollhouse allows us the opportunity to think through the uncanny nature of uninhabitable spaces that appear inhabitable. What these artworks offer us is not the ability to determine what is inside and outside, on journey or at rest, but to recognize that as philosophical subjects, we are wanderers (109). It is the pensive image, which offers a temporary place to dwell, that saves us from getting lost.

In chapter four, “The Profundity of Still Life,” Grootenboer analyzes pensive images that guide us through the relationship between finitude and infinity. For example, Adriaene Coorte’s Three Medlars and a Butterfly (1696-1705) mediates our understanding of the relationship between the infinitively large and the finitely small by visualizing a small butterfly approaching three fruits against a black background (119). The painting serves as a plot point between two extremes: the expansive background and the small butterfly. We can use this point as a reference when thinking through the implications of each extreme. This pensive image provides perspective; the butterfly and fruit in the foreground impose a sense of proportion, direction, and space onto a painting that would otherwise stretch into infinity. Grootenboer’s analysis suggests that as situated subjects, we are unable to think through the implications of limitlessness or infinity without a mental anchor or reference point. We can only understand infinity through its comparison with the finite, which Three Medlars and a Butterfly provides. By describing Three Medlars and a Butterfly in detail, Grootenboer demonstrates its philosophical relevance. By mediating our conceptualization of infinity, it embodies a form of thinking and self-reflection (133).

Grootenboer moves past self-reflection in the final chapter, “Painting as Space for Thought,” to invoke G. W. F. Hegel’s conception of self-consciousness. Hegel writes that painting’s function is not to reflect the world, but to provide some permanence for contemplation (135). For Grootenboer and Hegel, what inspires contemplation is shine. Painting is unique amongst artistic mediums in its capacity to represent light and to, therefore, shine (136-138). In this chapter, Grootenboer contrasts Hegel’s conception of self-consciousness with self-reflection, arguing that photorealism is a self-conscious genre whose self-consciousness helps us better understand Hegel’s concept. Grootenboer argues this point via an analysis of shine in Richard Estes’s photorealism.

Where does a reflection lie? In the object that reflects, or the subject that is reflected? Richard Estes’s Central Savings (1975) mimics a photograph of a storefront, in which the objects on the street are reflected and layered on top of each other so that we are unsure what is inside or outside the store. Estes’s painting serves as a means to reflect on reflection, visualizing both the reflected subjects and objects in which they are reflected. The painting is therefore both itself and its negation or mirror image, providing us an opportunity to think through the dialectic of self and other. The painting, whose self-consciousness comes from its ability to facilitate a synthesis of reflected and reflection, helps us think past this dialectic and synthesize the two (142-143).

Estes’ painting does not separate inside from outside nor opacity from transparency. Instead, it allows us to see how what is reflected always meets itself in its reflection, preventing an endless cycle of reflection in a synthesis of reflection and reflected (156). Central Savings, like Hegel’s conception of self-consciousness, is bold enough to think through and overcome oppositions (159). Grootenboer’s analysis of Central Savings reveals that the philosophical tradition of reflecting on reflection is not exclusive to written philosophy. It is enacted by pensive images as well.

Grootenboer concludes The Pensive Image with commentary on the relationship between philosophy and wonder. Grootenboer reminds us that according to Plato, Socrates believed wonder was the beginning of philosophy (167). Do artworks offer a similar starting point? For Heidegger, wonder is a basic element of ordinary life (168). According to Grootenboer, the association between wonder, philosophy, and ordinary life is what makes seventeenth century Dutch artworks such fruitful contributors to philosophical investigations of being. Their focus on the ordinary and their reward of slow looking leads us to new discoveries. Ultimately, the pensive image is a valuable philosophical subject because it provides the opportunity to philosophize from, and about, ordinary experience. They stop us in our tracks and suggest a new courses for our philosophical journeys. In contrast to trompe l’oeil, panorama, of other kinds of illusionism that overwhelm us by enchantment and delight to lift us out of our ordinary experience, pensive images slowly overtake us. They do not to lift from the ordinary but to push us deeper into it, guiding us home (169). The Pensive Image thus concludes with all the optimism a new philosophical approach deserves, the hope for new discoveries that bring us home to ourselves.

The Pensive Image has the potential for broad application. Its description of the pensive image, its commentary on painting, film, and material culture, and its overlapping imagery with literary analysis implies the possibility of using the pensive image to understand the philosophical importance of other cultural products. The pensive image, applied metaphorically to literary imagery, might reveal an intimate relationship between image, text, and mind, in which the text’s imagery compels us to follow its logic. This, combined with its phenomenological approach, provides a framework we can apply to the existential literature of Simone de Beauvoir, Jean Paul Sartre, Albert Camus, and others. For example, Beauvoir’s imagery of barren wastelands in her 1946 novel All Men Are Mortal guides us through a similar meditation on finitude and infinity as Grootenboer describes in chapter four, implying an opportunity for comparison and new perspectives. Grootenboer’s The Pensive Image describes an approach potentially more far reaching than its introduction’s humble proposal, which could potentially be applied to imagery in literature, film, performance art, and even music.

While it is sometimes difficult to discern whether Grootenboer argues in favour of artworks as aids to understanding philosophical ideas articulated elsewhere (as is the case for Heidegger’s dwelling or Hegel’s self-consciousness) or as containing autonomous philosophical arguments themselves (as is the case for Three Medlars and a Butterfly), their oscillation between the two demonstrates that for artworks to be taken seriously as philosophical subjects, we do not have to decide between one and the other. As a philosophical subject, a pensive image can clarify an idea articulated elsewhere without depending on others’ ideas to articulate its own arguments. Its status as independent philosophical subject does not preclude its ability to aid our understanding of others.

Some aesthetic purists might balk at the idea of using artworks this way. They could argue that art is meant to be enjoyed, valued for its own sake, rather than used for philosophical ends. Grootenboer successfully counters such arguments by describing how the pensive images’ effects are part of its being. We do not use a pensive image for our own purposes. Instead, we let it guide our thoughts according to its own logic. Grootenboer thus avoids accusations of the ‘use and abuse’ of artworks for philosophical ends by focusing on the artworks themselves, their effects, and their autonomous properties. Rather than using a pensive image to achieve our own goals, we enter into a relationship with it. We following it where it needs to go without the added baggage of hypotheses, interpretive frameworks, or ulterior motives. Engagement with pensive images allows us to engage in a philosophy of free play, curiously, and wonder, rather than one of hermeneutic or analytical investigation. It is an appreciation of the things themselves without contorting them by imposing artificial frameworks and hypothesis.

In addition to its methodological implications, The Pensive Image challenges the artificial distinctions between art and philosophy, perceiving and thinking, reason and emotion. It models how to challenge disciplinary boundaries, which can get in the way of innovative thinking. Grootenboer conceptualizes the pensive image as a “predisciplinary blueprint” because it directs the thinker on a journey that knows no disciplinary bounds, be they philosophical, historical, literary, or artistic (71). Its most valuable contribution to philosophy is its emphasis on philosophy as a conscious reflection unbound by discipline, subject, or object.

In chapter three, Grootenboer writes that their main concern is not what thought is but how artworks help house it. The Pensive Image might not focus on defining thought but implies a simple yet profound definition of philosophy: a free flow of reflection, contemplation, and investigation mediated by permeable boundaries, boundaries that allow for movement so that dwelling and journeying merge. The Pensive Image provides us with a vision of philosophy and art in a mutually constituting relationship, a roadmap to theoretical places yet unexplored, and thereby a philosophical home.

Barbara Schellhammer (Hrsg.): Zwischen Phänomenologie und Psychoanalyse, Nomos, 2021

Zwischen Phänomenologie und Psychoanalyse: Im interdisziplinären Gespräch mit Bernhard Waldenfels Book Cover Zwischen Phänomenologie und Psychoanalyse: Im interdisziplinären Gespräch mit Bernhard Waldenfels
Barbara Schellhammer (Hrsg.)
Nomos
2021
Paperback 29,00 €
212

Sebastian Lederle: Endlichkeit und Metapher. Studien zu Hans Blumenberg und Eugen Fink, Königshausen u. Neumann, 2021

Endlichkeit und Metapher. Studien zu Hans Blumenberg und Eugen Fink Book Cover Endlichkeit und Metapher. Studien zu Hans Blumenberg und Eugen Fink
Orbis Phaenomenologicus Studien, Bd. 51
Sebastian Lederle
Königshausen u. Neumann
2021
Hardback 48,00 €
280

Hermann Schmitz: Sich selbst verstehen. Ein Lesebuch, Verlag Karl Alber, 2021

Sich selbst verstehen. Ein Lesebuch Book Cover Sich selbst verstehen. Ein Lesebuch
Hermann Schmitz. Edited by Michael Großheim, Steffen Kluck
Verlag Karl Alber
2021
Hardback 29,00 €
312

Jean-Paul Sartre: Occasional Philosophical Writings, Seagull Books, 2021

Occasional Philosophical Writings Book Cover Occasional Philosophical Writings
Jean-Paul Sartre. Translated by Chris Turner
Seagull Books
2021
Paperback $31.95
144

David Evan Richard: Film Phenomenology and Adaptation, Amsterdam University Press, 2021

Film Phenomenology and Adaptation: Sensuous Elaboration Book Cover Film Phenomenology and Adaptation: Sensuous Elaboration
Film Culture in Transition
David Evan Richard
Amsterdam University Press
2021
Hardback € 99,00
248

Witold Płotka, Patrick Eldridge (Eds.): Early Phenomenology in Central and Eastern Europe. Main Figures, Ideas, and Problems

Early Phenomenology in Central and Eastern Europe: Main Figures, Ideas, and Problems Book Cover Early Phenomenology in Central and Eastern Europe: Main Figures, Ideas, and Problems
Contributions to Phenomenology, Vol. 113
Witold Płotka, Patrick Eldridge (Eds.)
Springer
2020
Softcover 72,79 €
IX, 220

Reviewed by: Peter Andras Varga (Institute of Philosophy, Research Centre for the Humanities, Budapest, Hungary)

Why study Central and Eastern European Phenomenology?

I. Introduction: The Geographies of Phenomenology

There have been conspicuous asymmetries in the historiography of local phenomenological traditions which are as unjust as they are pauperizing phenomenology in its entirety. Already the pioneering professional historian of phenomenology, Herbert Spiegelberg (1904-1990), a late-generation Munich phenomenologist who studied at Husserl in Freiburg in WS 1924/25, contributed dedicated studies on key episodes of the nascent Anglophone reception of phenomenology (see esp. Spiegelberg 1981, 105 ff., 144 ff.), and the research field has, in the meantime, matured enough to accommodate, e.g., a comprehensive survey of the institutional focal points and leading figures of North American phenomenology (Ferri 2019). In the recent decades, the historiography of Francophone phenomenology has developed into a genre on its own (see esp. Waldenfels 1983; Gondek and Tengelyi 2011), which is arguably on the verge of being a form of productive phenomenology in historiographical disguise (consider, e.g., the announcement of a purported “theological turn” of its subject matter, see Janicaud et al. 2000). Regardless of its creative ambitions, there also exists an exemplary historiographical study of the origins of Francophone phenomenology, written as early as in 1997 (Dupont 2014).

Other local branches of phenomenology proved less fortunate. Witold Płotka and Patrick Eldridge aim to remedy one of the most conspicuous omissions by charting the large terra incognita that lies east of the Central European phenomenological heartland on the imagined historical map of phenomenology. Geographical explorations have always been welcome parts of scientific endeavor, and maybe it is ample time for phenomenology, which turned from an iconoclastic philosophical revolution into a century-old philosophical tradition, to engage in comprehensive stocktaking, including the survey of its own geographical diversity. However, this raises the crucial question as to whether the historiography of local phenomenological traditions would become capable of enriching phenomenology in a direct and generally relevant way. The editors of the reviewed volume appear to think so, as they not only argue that the “survey of Husserl’s students from Göttingen, or from Freiburg, or Stumpf’s pupils from Berlin” (3) could provide us with East European phenomenologists in dire need of dedicated scholarly analyses, but the editors also emphasize the potential broader contributions of Central and Eastern European (CEE) phenomenology, respectively of its study, to phenomenology in general: The inhabitants of this white patch “confronted phenomenology with new schools in philosophy, e.g., the Prague school in linguistics, the Lvov-Warsaw School in logic, or the strain of irrationalism in Russian thought,” thereby fostering “a permanent dialogue and confrontation with these traditions” (5). The promise of cross-fertilization with local traditions undoubtedly constitutes one of the main rationale for studying the local varieties of intellectual traditions in general, but Płotka and Eldridge put forward another, more specific and simultaneously more phenomenological consideration in favor of including Central and Eastern Europe in the general historical narrative of phenomenology: The “lack of centre,” which is a peculiar feature of this geographical region, “resulted in pluralistic interpretations and reinterpretations of Husserl which were not dominated by any ‘standard’ reading” (6). The purported standard reading of Husserl is, the editors believe, epitomized by the case of Germany, where “the reception of Husserl was to some extent centralized, or dominated by such a reading” (ibid.). The latter claim might sound surprising, given the relatively low profile of phenomenology against other contemporaneous currents of thought in Germany, e.g., pre-war Neo-Kantianism, not to mention Husserl’s delayed academic career (his first full professorial appointment came only in 1916), and the sweeping rise of aphenomenological scientific philosophy in the post-1945 German philosophical climate. In fact, pre-1945 phenomenology, even in its heydays, is probably best regarded as a creative philosophical niche (especially in terms of its institutional footprint), the radiating philosophical and general scientific-cultural influence of which had much exceeded the number of its actual followers. But let us set aside the historiography of German-speaking phenomenology (by the way, writing the specific history of phenomenology in German-speaking countries, in contrast to the usual German-centric universal history of phenomenology, still remains an unfulfilled desideratum; not to mention the inexplicable lack of biographical attention dedicated to phenomenology’s founding fathers); and let us return to the subject matter of phenomenology in Central and Eastern Europe.

I am inclined to concur with the editors that there is also a specifically phenomenological stake of studying CEE phenomenology (besides the usual legitimation of comparative investigations detailed above); albeit it might be less trivial to ascertain what this alleged benefit consists in. The review of the individual chapters in Section II below, thus, simultaneously serves the aim of identifying the purported larger stakes of studying CEE phenomenology. Finally, in Section III, I will try to directly address these general observations.

II. Individual Chapters: From an Eccentric Baron to the Passengers of the Philosopher Streamer and to a Magnum Opus lost in a Ghetto

Hynek Janoušek and Robin D. Rollinger’s study of the Prague roots of phenomenology – which, as the authors point out, reach as deep as Carl Stumpf’s Prague professorship between 1879 and 1884 (!) – is, as always, impressively well-informed and conceptually insightful. They introduce a fresh angle by contrasting Anton Marty (1847-1914), the doyen of the Prague School of orthodox Brentanoism, with baron Christian von Ehrenfels (1859-1932), an eccentric philosopher associated with the heterodox wing of Brentano’s disciples. Marty was not only self-avowedly unoriginal in transmitting Brentano’s doctrine, but he also constitutes a surprise counterexample to the conspicuous lack of progress in publishing Brentano’s Nachlass (see esp. Marty 2011; cf. Binder 2012). Based on these texts, the authors present Brentano’s idiosyncratic tripartite division of psychical phenomena into presentations, judgements, and emotive-volative acts. They skillfully contrast Marty’s reluctance to bestow object-presenting power to the acts of the third class with Ehrenfels’s less-studied theory of values. The object-presenting function of acts beyond presentations also played a prominent role in Husserl’s own development between the two editions of the Logical Investigations (cf. Melle 1990), which, in turn, is mirrored in Husserl’s correspondence with Marty that the authors analyze with an exemplary sensitivity towards its polyphonic historical subtexts.

Janoušek and Rollinger’s chapter is, regrettably, the only one dealing with phenomenology’s (pre)history prior to Husserl’s watershed first publication of the Logical Investigation in 1900-1901, respectively one of the very few parts of the book exclusively dedicated to pre-WWI phenomenology. It is not only that, as even the editors seem to admit (cf. 8), the School of Brentano constitutes an integral part of Early Phenomenology (extending, by the way, well into the 1930s); but the different political geography of pre-WWI Central Europe, especially the existence of the Habsburg Monarchy until 1918, created the preconditions of a shared cultural and scientific space, without which the eastward migration of phenomenology – or, maybe, its genesis in the first place (!) – would not have been possible.

One is even compelled to ask whether pre-WWI CEE phenomenology should be regarded as part and parcel of phenomenology per se? In terms of the geographical designator employed, one might wonder whether it would be better suited with regard to pre-war phenomenology to talk about Central European phenomenology (especially given the general prominence of German-speaking culture and philosophy at that time)? Conversely, whether and to which extent could the undeniably distinct philosophical and cultural identity of CEE phenomenology be regarded as a product of the political and life-world divisions introduced in the wake of the wars, most notably, the installment of the Iron Curtain?

The equally excellent chapter by Dariusz Łukasiewicz is dedicated to another branch of the early School of Brentano, namely the semi-heterodox Viennese student Kasimir (Kazimierz) Twardowski (1866-1938), even though the chapter’s temporal focus is shifted towards the first half of the twentieth century. The author intends to map the historical and conceptual interactions between not only Husserl and Twardowski, but also the Lvow-Warsaw School (LWS), “one of the first branches of analytic philosophy in the world” (37). Not unlike the authors of the previous chapter, Dariusz Łukasiewicz is also preoccupied with the ontological status of intentional objects, though he confined himself to theoretical acts. In exchange for this thematic limitation, his chapter involves a compelling metaphilosophical perspective, ranging from Jan Łukasiewicz (1878-1956) – who not only was a “Christian believer,” loyal “to the Roman Catholic Church in public,” but also believed “that logic and mathematics have their foundation in the divine mind” (48), even though he restraining this conviction from directly influencing his scientific research – to the “logical anti-irrationalism” (3) of the LWS, which, as Dariusz Łukasiewicz argued, still significantly differed from the standpoint of the Vienna Circle, insofar as metaphysical propositions were regarded by the former as “scientifically undecided,” rather than “cognitively nonsensical” (39).

However, the declared main aim of Dariusz Łukasiewicz’s chapter is to identify influences (including both unilateral influences originating from Husserl, as well as interactions and parallel developments) between Husserl’s early philosophy and the LWS. He seems to concur (see esp. 48) with an interpretative tradition in the Polish history of phenomenology, namely with the claim of Władysław Tatarkiewicz (1886–1980), according to which Twardowski’s Viennese habilitation thesis (Twardowski 1894) “inspired Husserl to reject psychologism” and “even stimulated the beginning of Husserl’s phenomenology” (43). At the same time, he claims (see 51 ff) that precisely his pronounced metaphilosophical framework prevented Twardowski from developing a detailed theory of states of affairs (Sachverhalten), in contrast with the developments around Husserl in Göttingen (cf. esp. Reinach 1911).

The question of influences undeniably stands in the focal point of the research in CEE phenomenology, since influences – especially ones purportedly originating from Eastward directions (as assumed by Tatarkiewicz’s original thesis) – would, all at once, solve the aforementioned problem of the relevance of studying the history of CEE phenomenology. This kind of solution, however, is too attractive and convenient to be true. For instance, and with all due respect to long-standing local interpretative traditions in the history of philosophy, Tatarkiewicz’s thesis about the origins of the content-object distinction (COD) is, at best, oversimplifying: Even though Husserl indeed penned a text he himself described an immediate “reaction to Twardowski” (Husserl 1994, I:144; cf. Husserl 1990); the development of his theory of intentionality between 1894 and the Logical Investigations in 1900/1901 is complex and far from being linear, not least due to the roots of COD at others members of the School of Brentano (e.g. Alois Höfler’s [1853-1922], cf. Höfler 1890), as well as Robert Zimmermann (1824-1898), the oft-ignored teacher of Husserl and other Brentanoists in Vienna. This clue is briefly mentioned, but left undeveloped by Dariusz Łukasiewicz (see 44), even though a broader survey of published and archival sources could further corroborate the non-Brentanoian roots of Husserl’s theory of intentionality (see also Varga 2014, 2015, 2018a). What renders this subordinated question of historical details especially important for the purposes of CEE phenomenology is, I think, that precisely these non-Brentanoian sources of Husserl’s philosophy represented the specifically CEE philosophy of the late nineteenth century (e.g., Herbartianism and the omission of German Idealism in general, cf. Sauer 1982).

In general, the historiographic model of simple causal »influences« – let them be uni- or bidirectional – will probably have to be refined, as already indicated by clues of a more nuanced understanding scattered in Dariusz Łukasiewicz’s sophisticated chapter (e.g.: “indirect reference to Husserl,” p. 41, n. 11; “partial” influence, p. 41; historical prejudices concerning a certain epoch of the history of philosophy, p. 45, n. 24 etc.). On the one hand, such a refined notion of »influence« designates an even broader fertile field of research for historians of CEE phenomenology. On the other hand, it could also prevent us from reducing the merits of CEE phenomenology to its purported direct influences on some canonical figures of the general history of phenomenology.

Natalia Artemenko’s thoughtful and thoroughgoing chapter not only moves the geographical focus further Eastwards, but her investigation of Gustav Špet (or Shpet; 1879-1937) also involves another promise – and, simultaneously, another methodological challenge – of mapping the potential contribution of CEE phenomenology: namely, the issue of isolated »towering figures« who were philosophically significant on their own (at least in their local cultures and under the constraints of their personal fates), but whose actual ties to the mainstream Phenomenological Movement were not always unambiguous, both in biographical and intellectual terms, as well as regarding their reception histories. While Artemenko acknowledges that Špet’s “early creative work […] lies in the wake of phenomenology” (already allowing for some “deviations;” 60); she argues that Špet’s oeuvre is best regarded as an example of “the synthesis of the humanities that emerged during the first half of the twentieth century” (ibid.). What makes Špet’s case intriguing is that the historical problem of his allegiance to the Phenomenological Movement (Špet studied at Husserl in Göttingen in 1912-1913) is, at the same time, a theoretical problem of the viability and outlook of his “conjunction of phenomenology and hermeneutics” (70). Similar projects aiming at the phenomenology of historical knowledge were also pursued by other phenomenologists in Husserl’s shadow (to name a less prominent example: Landgrebe 2010); but what distinguishes Špet’s one is its proximity to Husserl’s Ideas (Husserl 1913), not only temporally, but also in terms of Špet’s appropriation, though not entirely uncritical, of Husserl’s transcendental phenomenology expounded therein, which infamously became the stumbling block for early phenomenologists around Husserl in Germany (even if, contrary to p. 62, the prize for the first monograph on Husserl’s  Ideas goes, technically, to Eugen Enyvvari’s [1884-1959] fifty-five-pages-long book of descriptive nature: Enyvvári 1913). Špet, Artemenko believes, was “immersed in the tradition of humanistic thought (Dilthey, Schleiermacher)” (69) but “adhered” to Husserl’s “phenomenology” “in his hermeneutical studies” (67); thereby challenging the path famously taken by Martin Heidegger (1889-1976) and Hans-Georg Gadamer (1900-2002). As Artemenko aptly remarks, this raises the question: “does the semantic history [of hermeneutics] coincide with the actual history and chronology?” (66.)  It is all the more regrettable that the unfolding of Špet’s philosophy, as well as of its contemporaneous reception, were tragically precluded by the course of history; even if Artemenko, interestingly, regards Špet’s status as “ ‘outsider,’ […] not shackled by institutional constraints or disciplinary frameworks” (63) as a philosophically beneficial factor for him. In any case, it tells a lot about the Sitz im Leben of twentieth-century CEE phenomenology to compare the admittedly not entirely unhospitable conditions, under which Paul Ricoer (1913-2005) translated Husserl’s Ideas in Western prisoners of war camps (see Reagan 1996, 9 ff.), with Špet’s ill-fated attempt to re-translate Hegel’s Phenomenology of the Spirit in a lager in Siberia.

The descriptive-phenomenologically dense and rewarding chapter by Alexander Kozin continues the thread of Russian contributions to phenomenology, even if its subject matter exemplifies a different, though not uncommon kind of biographical trajectory. Semyon Frank (1877-1950) was born and raised in an affluent Jewish family in Moscow. Around 1912, he became converted to orthodoxy; within one decade, he found himself aboard one of the two infamous Philosophy Streamers, which deported more than 150 members of the Russian intelligentsia – handpicked by Vladimir Lenin (1870-1924) himself – from Petrograd (today’s Saint Petersburg) to Stettin (today’s Szczecin in Poland), where, unbeknownst to many, another series of misfortunes awaited them (see Chamberlain 2008).

While Frank is not customarily labelled as phenomenologist, Kozin argues that “Frank’s philosophical psychology is more phenomenological than it seems” (90); thereby Frank could belong to the series of thinkers embodying the intertwinement of CEE phenomenology and religious thought (more specifically in Frank’s case, “Christian idealism;” 76). In order to demonstrate this classification, Kozin analyses at length Frank’s phenomenological psychology of the soul, which involved not only Brentano and Husserl, but also Wilhelm Dilthey (1833-1911). In an interesting footnote, Kozin claims, on the basis of referring to Husserl’s Crisis of European Sciences and Transcendental Phenomenology (first partial edition: Husserl 1936; unabridged critical edition: Husserl 1962), that “Frank anticipated Husserl’s appreciation of psychology as a discipline adjacent to phenomenology by its purpose and method.” (82, n. 7), since Husserl’s Crisis “points to psychology as one of the two ways into phenomenology” (ibid.). I think this insightful remark could be made even stronger on the basis of Husserl scholarship, insofar as Husserl, according to the received scholarly view, regarded the »way through psychology« as any one of three main types of introducing phenomenology philosophically (see its classical exposition: Kern 1962). In other words, Husserl was convinced throughout the entirely mature phase of his career that a pure (i.e., non-transcendental) psychology, if executed in a careful enough way phenomenologically, would necessarily transfigure into transcendental phenomenology (or, at least, lead us directly to the doorsteps of the latter). From this point of view, the envisaged historical parallel between Frank’s religious psychology of the soul and Husserl’s transcendental phenomenology could acquire a deeply theoretical-philosophical underpinning.

The informative and sensitive chapter by Dalius Jonkus on the Lithuanian and Russian philosopher Vasily (or: Vosylius) Sesemann (1884-1963) also involves one of the main historical counterparts of phenomenology, namely Neo-Kantianism, especially its scientifically-oriented Marburg variant, as epitomized by Paul Natorp (1854-1924), with whom, by the way, Husserl sought to be on friendly terms, even if this friendship remained somewhat unilateral. According to Jonkus’ theses, Sesemann’s philosophy was “more associated with the phenomenological tradition rather than the Neo-Kantian one” (94); and, furthermore, Sesemann’s philosophy “is very close to Husserl’s own late project of genetic phenomenology, which Husserl developed within roughly the same timeframe” (109). While Jonkus’ reconstruction of Sesemann’s analysis of the significance of non-objectifying, pre-scientifical knowledge is convincing, this thesis hints at a serious challenge for the historiography of phenomenology in general, namely the lack of an effective two-way communication of ideas between the historical figures, especially the asynchrony between the inner development of Husserl’s thought and what his disciples, located in Germany or abroad, ascribed him as influence. After all, as seen above, already in the 1900s Husserl started working in the 1900s on the problem of non-objectifying presentation that involve domains of knowledge beyond pure logic (see already Melle 1990), not to mention that Husserl seems to have formulated the basic tenets of his genetic phenomenology already around 1910-1911 (see already Sakakibara 1997). In this regard, one could speak of the »synchronicity of non-synchronicities« within the history of phenomenology. Of course, what it implies for us is only to double-down our efforts at writing the history of phenomenology. It also belongs to the merits of Jonkus’ chapter that he also takes into account possible lateral connections between early phenomenologists (involving not only Max Scheler [1874-1928] but even Dietrich von Hildebrand [1889-1977], see 100).

The impressive chapter by Marek Piwowarczyk is dedicated to Roman Ingarden (1893-1970). There is, Piwowarczyk observes, a tectonic movement taking place in Ingarden scholarship, insofar as “now his ontology and epistemology” comes to the fore (instead of “his work on aesthetics;” 111), which goes hand in hand with a change in scholarly audience: “analytic philosophers” nowadays “seem to be more interested in the Ingardenian legacy than phenomenologists” (114). I wonder whether this shift is not entirely unconnected to a certain general waning of Ingarden’s fame in the phenomenological pantheon (even though he still counts as one of, if not the most known CEE phenomenologist, especially as we become more and more distant from the core scholarly community of present-day phenomenologists). In any case, Piwowarczyk’s study of Ingarden’s early works (up to Ingarden’s habilitation thesis) undoubtedly transcends the old rigid dichotomy between analytical philosophy and phenomenology: it combines a meticulous conceptual and philological analysis (he is aware, e.g., of Ingarden’s “change of mind” between the “first and second parts” of a text; 177) with general references to the scientifical-philosophical mainstream views of that time (cf. 115). In his hands, Ingarden’s “youthful theory of the objects” manifests itself as a theory that is not only distinctly different from its version at the mature Ingarden, but maybe even exemplifies a “sui generis doctrine” (125) that cannot be directly classified under any of the textbook object theories that gained currency in contemporary analytical philosophy (cf. 118 ff.).

The informative chapter by Viorel Cernica on Nae Ionescu (1890-1940), who studied at Husserl around 1913-14 (cf. 129), and Romanian phenomenology in general is important not only because it further augments the picture of local sub-histories of phenomenology, but also because it touches upon a topic that animated the interest in phenomenology in CEE and beyond, namely religion and metaphysics (not to mention their »grafting« onto phenomenology by Martin Heidegger). According to Cernica, Ionescu could legitimately be regarded as phenomenologist, because, even though his oeuvre undoubtedly belongs “to a metaphysical way of philosophizing, he carries it out with phenomenological techniques from Husserl’s toolbox” (137). Intriguing elements of this toolbox include the phenomenological ontology of images and the issue of “virtuality” (133), respectively intentional modifications in general; while the open questions raised by Ionescu’s approach and Cernica’s interpretative thesis range from the long-standing debate on whether phenomenology should be considered as a system of doctrines or, rather, as a mere method to the question of theistic intentionality – in this regard, Cernica rightly invokes Jean-Luc Marion’s phenomenological theology (see 139) – and to the historiographical questions of school formation and philosophical lineages. In the latter regard, Cernica mentions that Ionescu himself instructed some of his own pupils to study phenomenology in Germany in the 1930s (cf. 142), which hints at a certain generational dynamism – in phenomenological parlance: generativity – in the encounters between CEE and global (German) phenomenology. In each of these facts, Cernica’s chapter manifests the richness of the Romanian local sub-history of CEE phenomenology, as well as the exemplary intensity of interest in phenomenology by present-day philosophers in Romania.

The chapter by Uldis Vēgners on the Latvian phenomenologist Theodor Celms (1893-1989) is well-researched and philosophically engaging. While Vēgners definitely maintains an independent scholarly profile with regard to Celms (see, e.g. Vēgners 2012), he also stands on the shoulders of giants: one can but wish that all CEE phenomenologists would be devoted as much scholarly attention as Celms, who is not only subject of a several research articles but there also exists a scholarly edition of his selected writings in German. The other side of the same coin is that Celms, as acknowledged by Vēgners (see esp. 147), stands in the intersection of complex historical and philosophical identities: he could be equally well regarded as member of the Freiburg Phase of Early Phenomenology (after all, he studies at Husserl in Freiburg in the 1920s), not to mention his explicit ties to unambiguously non-phenomenological philosophers (to begin with, Celms obtained his doctoral degree in 1923 under the supervision of Josef Geyser [1869-1948] who, even though Vēgners did not mention this, was a Catholic philosopher explicitly committed to philosophia perennis and his professorship was officially a Catholic chair, see, e.g., Husserl 1994, VIII: 163, n. 6). What I find particularly fascinating is that prior to 1928, Celms had been working on interpreting “Husserl’s phenomenology as transcendental historism” (146). Together with the aforementioned Ludwig Landgrebe and Gustav Špet, there seems to have been a forgotten strain of phenomenological hermeneutics – i.e., Husserlian phenomenology of history and interpretation – with a noteworthy considerable CEE involvement, which is completely overshadowed by Dilthey-Heidegger-Gadamer lineage, not to mention the charges of Husserl’s lack of sensitivity towards history which were circulating already amongst his contemporaries.

Vēgners’ chapter is, however, dedicated to another facet of Celms’ oeuvre, namely his involvement in the ill-fated Idealism-Realism Debate, which erupted already in Göttingen by 1913 at the latest and which, sadly, led to the deterioration of the personal and professional relationships between Husserl and his disciplines and, possibly, to the demise of classical phenomenology as such (and the subsequent rise of Heidegger’s fame). In this debate, Celms is customarily perceived as a comrade-in-arms of the realist Göttingen phenomenologists, but Vēgners also argues that Celsm, on the basis of his philosophical allegiances and occasional writings, “actually might not have been a phenomenologist anymore, but rather a critical realist” (149) by that time. He provides a meticulous analysis of Celms’ standpoint and arguments. It belongs to Vēgners’ virtues that he pays special attention to the reception of Celms, including not only the historical thesis that Celms was behind the anonymous objections to which Husserl replied in his Fifth Cartesian Meditation, but also the discussion of Celms 1928 book by his contemporaries, in which CEE phenomenologists, too, played a fully legitimate role. Interestingly, the issue of phenomenological hermeneutics returns twice: First, Vēgners conjectures that Celms’ “turn was a consequence of his realization that Husserl’s phenomenology does not lead to transcendental historism as he previously believed” (149). The second promising lead is constituted by Vēgners’ discussions (see 155-156) of Celms’ idea of Husserl’s transcendental phenomenology being a “Lebensphilosophie” (155), more precisely an “absolute biographism” (156).

That said, I disagree with the way Vēgners, in the introduction of his chapter (145 f.), equates phenomenological reduction and transcendental idealism (following in the footsteps of the old Munich interpretation by Eberhard Avé-Lallemant and others). I think that the former is a method of avoiding explanatory circularities (see the masterly interpretation: Lohmar 2002) and the latter is a standpoint vis-à-vis the classic metaphysical question regarding the priority of opposite poles (usually the world and the sense-giving ego). This sense of transcendental idealism is, I think, well expounded in the texts of the recent volume of Husserliana on transcendental idealism (Husserl 2003), which might have been a good addition to Vēgners’ bibliography. By the way, it also makes the historical case that Husserl already arrived at idealism in around 1908 (while the discovery of reduction is customarily dated at 1906).

The exemplary chapter by Witold Płotka on Leopold Blaustein (1905-1942/1944) explores a “rather unknown” (164) actor of CEE phenomenology and his contribution to aesthetics, another neighboring discipline of core phenomenological philosophy (which Blaustein, in a fascinating way, also applied to the new media of his age: “radio” and “cinema;” 180). Blaustein’s intellectual biography epitomizes the multifaceted and, more often than not, ruptured nature of CEE phenomenology: born in a Polish-Jewish family in Lemberg in Galicia (then part of the Habsburg Empire; during Blaustein’s adult life: Lvov in Poland; today Lviv in Ukraina), his philosophical allegiances ranged from Twardowski and the LWS to Husserl, at whom he studied in Freiburg in 1925, and to orthodox members of the School of Brentano, e.g., Alexius Meinong (1853-1920). He never assumed a teaching position at a university and died, together with his wife, a fellow disciple of Twardowski, and their child in the Lvov Ghetto (it is also possible that he took his own life). His German “magnum opus” (165), entitled Die ästhethische Perzeption (The Aesthethical Experience), was also lost in historical calamities.

Płotka’s masterful chapter is a match for the complexity Blaustein’s biography and oeuvre: It is not only that Płotka offers a meticulous reconstruction of the circumstances of Blaustein’s encounter with Husserlian phenomenology (up to the question as to exactly which portions of Husserl’s lecture courses were attended by him, cf. 166, esp. n. 4), as well as his philosophical standpoint on the basis of his extant Polish doctoral dissertation of 1928 and other minor writings (including Blaustein’s review of Ingarden). As if that were not enough, Płotka goes on to reconstruct a possible Husserlian counter-critique of Blaustein’s critique of Husserl, based on not only Ingarden’s own critique of Blaustein and what Blaustein could have learnt from his studies at Husserl (cf. 175), but also on the most recent text on Husserl’s eidetical phenomenology (Husserl 2012), not yet available to many of the scholars writing about Blaustein (not to mention Blaustein himself). Blaustein’s misconstruction of eidos as “transcendent timeless object” (174) is, Płotka argued, ultimately rooted in a combination of specific and general misinterpretations: e.g., overseeing the iterative closure operation of eidetical intuition, as well as a general ignorance of the proper nature and vistas of transcendental-constitutive phenomenology. Just one side remark: it might also be interesting to assess the possible consonance between Blaustein’s proposal of anti-eidetical phenomenology as a “descriptive science of types […] of lived experiences” (as quoted on p. 167) and the understanding of eidos as intuited type (Typus), as proposed by the interpretation devised by Dieter Lohmar (see, e.g., Lohmar 2005), in contrast to the interpretation by Rochus Sowa (see already: Sowa 2008), upon which Płotka’s analysis relied.

Płotka goes even further, insofar as he proceeds to locate the own merits of Blaustein’s aesthetical theory, using philosophically tricky edge cases of intentionality (mathematical objects possessing too many sides to be intuited, nested pictures etc.). In sum, Płotka’s chapter aptly demonstrates that historical and philosophical-thematical sensitivities are far from being mutually exclusive alternatives in approaching the history of philosophy.

The chapter on Jan Patočka’s (1907-1977) early confrontation with Husserlian phenomenology by Karel Novotný is yet another masterful contribution in an excellent volume. In fact, it is safe to regard Patočka as the currently most studied CEE phenomenologist and Novotný as not only one of Patočka’s most skilful interpreters but also as one of the major voices of contemporary phenomenology eastwards of Germany. The philosophical and historical analyses and the textual basis of the chapter are correspondingly dense (to begin with, it relies on writings of Patočka first published posthumously only in 2014 and even then, only in Czech). Patočka was “the first in the Czechoslovakia to” (189) introduce Husserl’s ideas but, in contrast to his fellow philosophers with same epitheton ornans throughout CEE (as presented in the reviewed volume), Patočka was also keen to embrace Husserl’s transcendental phenomenology as well. I dare to think that the latter fact is not entirely unrelated to his later ability to put forward an original philosophical oeuvre that deserves a place in the global canon of twentieth century philosophy in general. At the same time, Patočka was also not devoid of an interest towards Lebensphilosophie, another recurring thread of CEE phenomenologists in the reviewed volume. It must also be said, in defence of Patočka’s fellow CEE phenomenologists, that the Czech philosopher was fortunate in two key respects: (1) he had a privileged access to Husserl’s mature research manuscripts (see esp. p. 191, n. 6 and p. 192, n. 7), which enabled him, inter alia, to harmonize Husserl’s mature genetic phenomenology – that not infrequently speaks of »transcendental life« – with the pretensions of Lebensphilosophie; (2) his habilitation thesis late (and well-informed) enough to investigate the published fragment of Husserl’s last book torso, the Crisis (Husserl 1936), which is not only the most accessible amongst Husserl’s mature published writings (in 1937, Husserl himself deemed his previous book nearly incomprehensible, see Husserl 1994, IV:60), but also promising thematically.

The novel texts discussed by Novotný manifest “fundamental change” in Patočka’s understanding of Husserl’s genetic-transcendental phenomenology (Patočka as quoted by Novotný, p. 197); and, according to Novotný’s central and significant interpretative thesis, in is this “novel interpretation” upon which the post-war writings “that garnered Patočka the most fame as original philosopher with innovative views […] were grounded” (201). This tectonic change stems from Patočka’s quest for a “pristine” coincidence “between subject and object enclosed within itself” (Patočka as quoted by Novotný, p. 197), on the basis of which special experience (“lacking the very possibility of distance;” 199), Novotný argues, Patočka developed a non-subjective version of the transcendental-phenomenological correlation that became productive when, in the post-war period, Patočka once again resumed his intellectual investment in the philosophy of life. In this regard, it might be interesting to draw a comparison with the contemporaneous ideas of Eugen Fink (1905-1975) who, in an even closer personal proximity to Husserl, also experimented in a similar, though more overtly metaphysical form of closure of the subject-object movement in the form of his ambitious notion of the meontic absolute. Even though the declared scope of Novotný’s chapter prevents him from dwelling upon Patočka’s biography, it is worth mentioning for the sake of foreign readers that Patočka’s life, too, ended prematurely at the merciless hands of history: the septuagenarian philosopher had to become hospitalized and died after being interrogated by the secret police due to his involvement in the Charta 77 anti-communist civil rights movement.

The last chapter of the book, written by Dragan Prole on the Zagorka Mićić (1903-1982), not only casts light on a lesser-known local sub-history of phenomenology, but it is also of paramount importance because Mićić is the only woman amongst the protagonists of the reviewed volume (apart from the passim reference to Eugénie Blaustein née Ginsberg; cf. 165).

It is generally acknowledged that Early Phenomenology, especially the circle of disciples around Husserl in the late Göttingen and early Freiburg years, was at the forefront of academic emancipation of women. Several of the female early phenomenologists – most notably Edith Stein (1891-1942) and Hedwig-Conrad Martius née Martius (1888-1966) – embarked on philosophical careers on their own and the academic hindrances they encountered in doing so, e.g., the refusal of Stein’s repeated habitation attempts, were, I think, outside of the scope of control of the core Phenomenological Movement (at least, when it comes to the scope of Husserl’s direct influence). From this point of view, it might be desirable to address this aspect of CEE phenomenology in more detail, as I am convinced that CEE phenomenology was in no way inferior to its global counterpart in this regard.

Prole thankfully introduces a refreshing angle into presenting the early reception of phenomenology in the inter-war Kingdom of Yugoslavia, insofar as he discusses the broader political and cultural debates in the wide-ranging and often contradictory contexts of which the reception process took place. Not unlike the intellectual preconditions in other countries (the German heartland included), the pioneers of phenomenology in Yugoslavia were, Prole wrote, philosophers who “no longer believed in the mere appropriation of inherited forms” (206). It also belongs to the virtues of Prole’s chapters that he takes into account the explicitly theological strain of the early reception of phenomenology (curiously or not, phenomenology was fiercely opposed by Jesuits on the grounds that it “embodies the Protestant longing for the truth and the real world;” 207).

Mićić’s private studies at Husserl and Fink – in early 1935 (see Husserl 1994, IV:373, n. 219) or in 1934 (cf. 210) – dated at the less-documented period when only a seclusive tiny group of disciples remained around Husserl (in exchange, Mićić had easier access to Husserl’s Crisis that was published in an exile journal precisely in Belgrade). Mićić’s dissertation, originally defended in 1934, was published three years later, thus she was able to utilize Husserl’s book published in the meantime (Husserl 1936), not to mention her “personal communication” with Husserl, as well as the ability “to consult a wealth of Husserl’s unpublished manuscripts” (209). The threads of the chapter’s investigation join in Mićić’s claim that the exposition of transcendental phenomenology must pay a greater attention to history (cf. 211). In doing so, she self-avowedly diverged from Fink’s views – who contributed a separate preface to her book – with regard, e.g., to the possibility of motivating or criticising phenomenology from an external, non-phenomenological standpoint (while she simultaneously participated replied to a fierce external critique of Husserl by one her compatriots). Ironically, the young doctoral student whose dissertation had, until now, buried by being written in a non-Western language (not to mention its place of publication), could have been closer to Husserl’s own specific understanding of the methodology of his mature phenomenological philosophy, than Eugen Fink, Husserl’s privileged assistance and co-philosophizing partner in Freiburg. It is, thus, not only the circumstances of her life that, I think, should make translating her original doctoral dissertation into English or German into one of the top priorities of scholarly efforts dedicated to CEE phenomenology (besides expressing our gratitude to Prole for filling the gaps of our knowledge about Mićić).

III. General Remarks: The Movement without a Centre?

It is hard to overstate the merits of Witold Płotka and Patrick Eldridge in putting together this volume. For international readers, it is also worth highlighting that Witold Płotka not only maintains a strong scholarly profile in researching the history of phenomenology in Poland (see, e.g., Płotka 2017), but – through his enthusiasm, commitment,  and professionalism – he is one of the main driving forces behind the current fortunate revival of cooperation between younger CEE phenomenologists (following in the footsteps of similar earlier revival attempts undertaken by the previous scholarly generations in this region, several meritorious representatives of them are included amongst the contributors of the reviewed volume). For a venture of this kind, it is only natural that the reviewed volume did not attain an exhaustive enumeration of the history of CEE phenomenology, either geographically or temporally or in terms of senior contemporary representatives of phenomenology in this region (as far as I am aware of it, what came closest to such an attempt was the enumeration of the local traditions of phenomenology in the entries of Lester Embree’s [1938-2017] encyclopedia: see, e.g., Mezei 1997). It also goes without saying that the selection and weighting of historical figures in such a volume do not exactly correlate with the full historical canon of CEE phenomenology (not least because the complete exploration of the latter still remains a scholarly desideratum). While many of the omitted historical figures are buried by their primary and secondary literature being available only in local languages; there is, in a welcome change, a growing body of scholarly editions and research literature on CEE phenomenology in Western languages. In their introduction, the editors mention some of these publications which might help augmenting the historical picture provided by them (e.g., Zoltán Szalai’s German monograph [Szalai 2017] on the Hungarian-born Wilhelm Szilasi [Szilasi Vilmos; 1889-1966] who was teaching at the chair of philosophy in Freiburg, once assumed by none else than Edmund Husserl and Martin Heidegger). Let me mention only one further piece of writing in this regard (Vydrová 2020), both for the sake of its methodological sensitivity and as a representative of the local phenomenological and interpretative traditions in the CEE region not covered by the reviewed volume.

One general aspect that the readers might find underexposed in the reviewed volume is, though, the presentation of CEE phenomenology’s deep embeddedness in its multifaceted historical, political, and social contexts (some of these possible contexts were specially emphasized above in the present review essay). Perhaps we can attribute this underexposure to phenomenology’s deep-seated aversion against a historical approach to philosophy: “the mathematician too will not turn to historical science,” Husserl once thundered in his ill-fortunate Philosophy as rigorous science, “[…h]ow, then, is it to be the historian’s task to decide as to the truth of given philosophical systems” (Husserl 1911, 325–326; quoted translation: Husserl 1965, 126)? But this heritage should not necessarily bind the historians of CEE phenomenology, especially since investigations of these rich contexts could serve as a bridge between scholars of phenomenology and other disciples in humanities and social sciences. What I find particularly fascinating in this regard is the fact that the reception of phenomenology fulfilled different, sometimes even diametrically opposed roles in this region, especially in the Eastern Bloc states. For instance, it is instructive to compare the role classical phenomenology played in the thinking of, say, Karol Wojtyła (Pope St John Paul II; 1920-2005; cf., e.g., Gubser 2014, 188 ff.) vis-à-vis some members of the Budapest School around Georg Lukács (1885-1971), see: Vajda 2016. This variety of phenomenology’s multifaceted political involvements and social contexts – in which respect CEE phenomenology might be ahead of its more fortunate Western counterpart – seems like a worthy and promising subject matter of further scholarly investigations.

CEE phenomenology has, since its inception, been haunted by its geographic and linguistic fragmentation, resulting in a strange form of compartmentalized parallel sub-histories of phenomenology in this region, with little vertical integration between its strains, except for the Western (i.e., German and French) tradition of phenomenology being their common origin and contemporary points of reference. Curiously, one of the rare counterexamples to this peculiar twist of reception history took place precisely due to the now-forgotten dialogue between phenomenology and Eastern bloc Marxism that might be worthy of further scholarly attention (see, e.g., Waldenfels et al. 1977 and the subsequent volumes), including the general institutional substructure of philosophical exchange of ideas within the Eastern bloc (e.g., the regular symposia in the island of Korčula in the then relatively permissive Yugoslavia). It also goes without saying that the unfolding of the full promise inherent in CEE phenomenology has been further impeded by the multifaceted calamities of history in this region, as well as its comparative lack of academic and general cultural and societal resources. The latter issue, arguably, still persists today, even if only to a lesser degree; and we can but hope that history will not repeat itself in the former respect.

From a scholarly point of view, there is, however, a further scientific factor that impedes the historiography of CEE phenomenology, namely yet incomplete task of writing the history of CEE philosophy in the first place. Given its similarly fragmented and compartmentalized nature, as well as its incomparably broader scope, this task present itself as an even more demanding and, more often than not, a thankless job. To cite a specific local example: The nineteenth and twentieth century Hungarian philosophers frequently questioned whether Hungarian philosophy existed at all, referring to the specifically anti-philosophical nature of their supposed national character (see Steindler 1988), which, of course, amounts to a form of performative contradiction, ultimately rooted in the tension of philosophical creativity versus reception (cf. Perecz 2003). At the same time, the “chimaera of the concept of national philosophy” is, at least from a historiographic-scholarly point of view, probably better accommodated within the framework of a comparative history of CEE philosophy and its neighboring disciples, e.g., literature (Mester 2012, 271); and exploratory research (e.g., Varga 2020) may still be needed in many areas. Yet, non-phenomenological historical figures could shed light even on the (pre-)history of global phenomenology (see, e.g., Alexander 2018; cf. Varga 2018b). In sum, even though the actual intricacies of CEE history of philosophy might vary from region to region and from language to language, it could be safely assumed that neither of them constitutes an easy historiographical prerequisite for writing the history of the corresponding local chapter of phenomenology that is to be embedded in it (not to mention the problem of their comparative investigations).

Interestingly, an analogous problem arises within the history of German philosophy: Rather than being a creatio ex nihilo, phenomenology originated from the oft-ignored historical context of late nineteenth century post-Hegelian German academic philosophy (Universitätsphilosophie). This period has, for long, been overshadowed by an alternative canon of the history of nineteenth century German philosophy after Hegel, the monumental protagonists of which were proto-existentialist and left-Hegelian thinkers (as presented emphatically by, e.g., Löwith 1941). This scholarly situation is gradually changing (cf., Köhnke 1986; Beiser 2014), even though comparatively less attention is paid to finding the place of phenomenology within this new paradigm of post-Hegelian German philosophy (cf. Varga 2016a; a case study on the role of the hitherto forgotten nineteenth century logician Christoph von Sigwart [1830-1904]: Varga 2016b). In this regard, the compartmentalized pre-histories of CEE phenomenology can serve as instructive example for the historiography of phenomenology in general. There is, however, more to it, insofar as CEE phenomenology could bring more to global phenomenology.

As I said above, I disagree with the editors’ assessment that CEE phenomenology were a “pluralistic movement which we cannot reduce to a few research centres” (5). I disagree because I think it applies not only to CEE phenomenology, but, a fortiori, to global phenomenology as well. Setting aside the historical question concerning the weight of the Phenomenological Movement in pre-war and inter-war periods of German philosophy; it is a well-known phenomenon of contemporary academic philosophy that phenomenology (especially its classical core), is to a large extent, sustained by an intense interest in it by scholars on the peripheries, rather than at the academic centers in Western world – i.e., the nominal centers of phenomenology – which are, with some honorable exceptions, dominated by Analytical Philosophy or other branches of contemporary nonphenomenological philosophy. Central and Eastern Europe, esp. the former Eastern bloc, is, of course, not the only such periphery (in this regard, one should definitely mention Far East and South America as well); but it is undoubtedly one of the regions whose historically rooted, rejuvenating enthusiasm for phenomenology contributes to keeping phenomenology at the forefront of contemporary philosophy. It is through the laudable and courageous achievement of Witold Płotka and Patrick Eldridge, as well as their authors that this lesson – and with it, the special legacy of CEE phenomenology, namely the heightened sensitivity towards historical and thematical ruptures – is brought to our attention once again.

References:

Alexander, Bernhard. 2018. “Die Wiener Einträge 1869–1870 aus dem Tagebuch des ungarischen Philosophen Bernhard Alexander.” Edited by Barnabás Szekér, Bettina Szabados, and Peter Andras Varga. Magyar Filozófiai Szemle 62 (4): 209–2016.

Beiser, Frederick C. 2014. After Hegel. German Philosophy 1840-1900. Princeton: Princeton University Press.

Binder, Thomas. 2012. “Franz Brentanos philosophischer Nachlass. Eine historische Annäherung an einen schwierigen Fall.” In Franz Brentano’s Metaphysics and Psychology., edited by Ion Tănăsescu, 452–515. Bucharest: Zeta Books.

Chamberlain, Lesley. 2008. Lenin’s Private War. The Voyage of the Philosophy Streamer and the Exile of the Intelligentsia. New York: Picador.

Dupont, Christian. 2014. Phenomenology in French Philosophy: Early Encounters. Phaenomenologica 208. Dordrecht: Springer.

Enyvvári Jenő. 1913. Husserl tiszta phaenomenológiája és a phaenomenologiai módszer [The pure phenomenology of Husserl and the phenomenological method; in Hungarian]. Budapest: Hornyánszky.

Ferri, Michela Beatrice, ed. 2019. The Reception of Husserlian Phenomenology in North America. Contributions To Phenomenology 100. Cham: Springer.

Gondek, Hans-Dieter, and László Tengelyi. 2011. Neue Phänomenologie in Frankreich. Frankfurt: Suhrkamp.

Gubser, Michael D. 2014. The Far Reaches. Phenomenology, Ethics, and Social Renewal in Central Europe. Cultural Memory in the Present. Stanford: Stanford University Press.

Höfler, Alois. 1890. Philosophische Propädeutik. Logik. Wien; Prag: F. Tempsky. – In Husserl’s library; signature: BQ 193.

Husserl, Edmund. 1911. “Philosophie als strenge Wissenschaft.” Logos. Internationale Zeitschrift für Philosophie der Kultur 1 (3): 289–341.

———. 1913. Ideen zu einer reinen Phänomenologie und phänomenologischen Philosophie. Halle: Max Niemeyer.

———. 1936. “Die Krisis der europäischen Wissenschaften und die transzendentale Phänomenologie. Eine Einleitung in die phänomenologische Philosophie.” Philosophia (philosophorum nostri temporis vox universa) 1 (1): 77–176.

———. 1962. Die Krisis der europäischen Wissenschaften und die transzendentale Phänomenologie. Eine Einleitung in die phänomenologische Philosophie. Edited by Walter Biemel. 2nd ed. Husserliana 6. Den Haag: Martinus Nijhoff.

———. 1965. Phenomenology and the Crisis of Philosophy. Philosophy as a Rigorous Science and Philosophy and the Crisis of European Man. Translated by Quentin Lauer. Harper Torchbooks. New York: Harper & Row.

———. 1990. “Husserls Abhandlung „Intentionale Gegenstände“. Edition der ursprünglichen Druckfassung.” Edited by Karl Schuhmann. Brentano Studien 3: 137–176.

———. 1994. Briefwechsel. Edited by Karl Schuhmann and Elisabeth Schuhmann. 10 vols. Husserliana Dokumente 3. Dordrecht: Kluwer.

———. 2003. Transzendentaler Idealismus. Texte aus dem Nachlass (1908–1921). Edited by Robin D. Rollinger and Rochus Sowa. Husserliana 36. Dordrecht: Kluwer.

———. 2012. Zur Lehre vom Wesen und zur Methode der eidetischen Variation. Texte aus dem Nachlass (1891-1935). Edited by Dirk Fonfara. Husserliana 41. Dordrecht: Springer.

Janicaud, Dominique, Jean-François Courtine, Jean-Louis Chrétien, Michel Henry, Jean-Luc Marion, and Paul Ricoeur. 2000. Phenomenology and the “Theological Turn.” The French Debate. New York: Fordham UP.

Kern, Iso. 1962. “Die drei Wege zu transzendental-phaenomenologischen Reduktion in der Philosophie Edmund Husserls.” Tijdschrift voor Filosofie 24 (2): 303–349.

Köhnke, Klaus Christian. 1986. Entstehung und Aufstieg des Neukantianismus. Die deutsche Universitätsphilosophie zwischen Idealismus und Positivismus. Frankfurt am Main: Suhrkamp.

Landgrebe, Ludwig. 2010. Der Begriff des Erlebens. Ein Beitrag zur Kritik unseres Selbstverständnisses und zum Problem der seelischen Ganzheit. Edited by Karel Novotný. Orbis Phänomenologicus. Quellen (N.F.) 2. Würzburg: Königshausen & Neumann.

Lohmar, Dieter. 2002. “Die Idee der Reduktion. Husserl Reduktionen – und ihr gemeinsamer, methodischer Sinn.” In Die erscheinende Welt. Festschrift für Klaus Held, edited by Peter Trawny and Heinrich Hüni, 751–771. Berlin: Duncker & Humblot.

———. 2005. “Die phänomenologische Methode der Wesensschau und ihre Präzisierung als eidetische Variation.” Phänomenologische Forschungen: 65–91.

Löwith, Karl. 1941. Von Hegel zu Nietzsche. Der revolutionäre Bruch im Denken des 19. Jahrhunderters. Zürich / New York: Europa.

Marty, Anton. 2011. Deskriptive Psychologie. Edited by Mauro Antonelli and Johann Christian Marek. Studien zur österreichischen Philosophie 43. Würzburg: Königshausen & Neumann.

Melle, Ullrich. 1990. “Objektivierende und nicht-objektivierende Akte.” In Husserl-Ausgabe und Husserl-Forschung, edited by Samuel IJsseling, 35–49. Phaenomenologica 115. Springer Netherlands.

Mester, Béla. 2012. “Toward a Central-European Comparative History of Philosophy. After Chimaerae of National Philosophies – the Hungarian Case.” Synthesis Philosophica 54 (2): 269–283.

Mezei, Balázs. 1997. “[Phenomenology in] Hungary.” Edited by Lester Embree, Elizabeth A. Behnke, David Carr, J. Claude Evans, José Huertas-Jourda, Joseph J. Kockelmans, William R. McKenna, et al. Encyclopedia of Phenomenology. Contributions to Phenomenology 18. Dordrecht: Kluwer AP.

Perecz, László. 2003. “Die Geschichte der ungarischen Philosophie als eine Geschichte der Rezeption.” Berliner Osteuropa Info 19: 50–52.

Płotka, Witold. 2017. “Early Phenomenology in Poland (1895–1945): Origins, Development, and Breakdown.” Studies in East European Thought 69 (1): 79–91.

Reagan, Charles E. 1996. Paul Ricoeur. His Life and His Work. Chicago: University of Chicago Press.

Reinach, Adolf. 1911. “Zur Theorie des negativen Urteils.” In Münchener Philosophische Abhandlungen. Theodor Lipps zu seinem sechzigsten Geburtstag gewidmet von früheren Schülern, 196–254. Leipzig: Barth.

Sakakibara, Tetsuya. 1997. “Das Problem des Ich und der Ursprung der genetischen Phänomenologie bei Husserl.” Husserl Studies 14 (1): 21–39.

Sauer, Werner. 1982. Österreichische Philosophie zwischen Aufklärung und Restauration. Beiträge zur Geschichte des Frühkantianismus in der Donaumonarchie. Studien zur österreichischen Philosophie 2. Amsterdam: Rodopi.

Sowa, Rochus. 2008. “Wesen und Wesensgesetzen in der deskriptiven Eidetik Edmund Husserls.” Phänomenologische Forschungen: 5–37.

Spiegelberg, Herbert. 1981. The Context of the Phenomenological Movement. Phaenomenologica 80. Den Haag: Martinus Nijhoff.

Steindler, Larry. 1988. Ungarische Philosophie im Spiegel ihrer Geschichtsschreibung. Freiburg: Alber.

Szalai, Zoltán. 2017. Im Schatten Heideggers. Einführung zu Leben und Werk von Wilhelm Szilasi. Freiburg: Alber.

Twardowski, Kazimierz. 1894. Zur Lehre vom Inhalt und Gegenstand der Vorstellungen. Eine psychologische Untersuchung. Wien: Alfred Hölder. – In Husserl’s library; signature: BQ 482.

Vajda, Mihály. 2016. “Wie ich aus der Minderjährigkeit des Marxismus mit der Hilfe der Phänomenologie herauswuchs?” Horizon. Studies in Phenomenology 5 (1): 54–69.

Varga, Peter Andras. 2014. “Die Einflüsse der Brentanoschen Intentionalitätskonzeptionen auf den frühen Husserl. Zur Widerlegung einer Legende.” Phänomenologische Forschungen (N. F.) 2014: 83–116.

———. 2015. “Was hat Husserl in Wien außerhalb von Brentanos Philosophie gelernt? Über die Einflüsse auf den frühen Husserl jenseits von Brentano und Bolzano.” Husserl Studies 31 (2): 95–121.

———. 2016a. “Frederick C. Beiser, After Hegel: German Philosophy, 1840–1900 […].” Philosophy in Review 36 (3): 94–96.

———. 2016b. “The Impersonalien Controversy in Early Phenomenology. Sigwart and the School of Brentano.” Brentano Studien 14: 229–280.

———. 2018a. “Husserl’s Early Period: Juvenilia and the Logical Investigations.” In The Oxford Handbook of the History of Phenomenology, edited by Dan Zahavi, 107–134. Oxford: Oxford University Press.

———. 2018b. “A Snapshot of Austrian Philosophy on the Eve of Franz Brentano’s Arrival. The Young Bernhard Alexander in Vienna in 1868–1871.” Magyar Filozófiai Szemle 62 (4): 182–207.

———. 2020. “Who Were the First Modern Professional Philosophers in Hungary? The Authors of the Journal Magyar Philosophiai Szemle (1882–1891).” In Lords and Boors – Westernisers and ‘Narodniks’ : Chapters from Polish and Hungarian Intellectual History, edited by Béla Mester and Rafał Smoczyński, 135–170. Budapest: Gondolat.

Vēgners, Uldis. 2012. “Theodore Celms’s Critique of Husserl’s Transcendental Phenomenology.” Quaestiones Disputatae 3 (1): 48–64.

Vydrová, Jaroslava. 2020. “Phenomenology in Central Europe: Philosophy from the Margins.” Human Affairs 30 (3): 428–437.

Waldenfels, Bernhard. 1983. Phänomenologie in Frankreich. Frankfurt: Suhrkamp.

Waldenfels, Bernhard, Jan M. Broekman, and Ante Pažanin, ed. 1977. Phänomenologie und Marxismus. Band 1: Konzepte und Methoden. Frankfurt am Main: Suhrkamp.

 


* Page numbers without further bibliographical specifications refer to the reviewed volume. If possible, I only cite literature that is not mentioned in the reviewed volume.