Il volume Ernst Jünger’s Philosophy of Technology. Heidegger and the Poetics of the Anthropocene di Vincent Block non è semplicemente uno studio sulla filosofia di Ernst Jünger e sull’influenza che questa ha avuto sul pensiero di Martin Heidegger. Naturalmente i presupposti teorici e le basi concettuali del lavoro di Block affondano le proprie radici nell’analisi dei testi fondamentali dei due autori in questione, ma nelle pagine del volume è possibile trovare molto di più; esso propone, per parafrasare l’espressione di Michel Foucault, un’ontologia dell’attualità. In maniera programmatica, proprio come incipit dell’introduzione al volume, scrive l’autore: «This book studies how Ernst Jünger – one of the greatest German authors of the twentieth century – envisioned the technological age we currently live in» (1).
In altri termini lo scopo dell’autore è di mostrare come l’armamentario filosofico utilizzato da Jünger nel secolo passato risulti, nonostante i cambiamenti storici, politici e sociali, ancora attuale per descrivere la nostra epoca che, mutatis mutandis, presenta le stesse caratteristiche descritte ne L’operaio. Epoca che ha come suo attore protagonista l’uomo della tecnica, la cui incidenza sulle trasformazioni del pianeta Terra è tale da determinare il passaggio ad una nuova era geologica: l’antropocene. Scrive l’autore: «The […] reason to study Jünger’s concept of the age of technology is, therefore, that he provides concrete strategies and methods to envision the future. Furthermore, Jünger is one of the first authors who conceptualize this future in terms of the anthropocene» (2).
Tuttavia Block non si limita semplicemente a proporre un’analisi dettagliata del pensiero di Jünger, al fine di mostrarne il carattere profetico e attuale. Nelle pagine dell’autore tedesco egli scorge, andando al di là dell’epocale interpretazione proposta da Heidegger, la possibilità di una considerazione non metafisica dell’essere e del linguaggio filosofico; concezione che, secondo Block, è affine al pensiero di Heidegger, dello Heidegger post-svolta, più di quanto quest’ultimo sia disposto ad ammettere.
La prima parte del volume presenta un’attenta disamina dei lavori jüngeriani degli anni Trenta. In particolar modo vengono presi in considerazione due testi capitali della riflessione del giovane Jünger: L’operaio e La mobilitazione totale.
Secondo l’interpretazione di Block la Grande Guerra, esperita in prima persona da Jünger nella battaglia di Lagemark e poi raccontata nelle pagine del testo Nelle tempeste d’acciaio, non è per il filosofo tedesco un semplice evento storico; essa è piuttosto il nome di un mutamento epocale, rappresenta cioè una vera e propria categoria filosofica. Nella Prima Guerra Mondiale avviene, secondo l’interpretazione di Jünger, un vero e proprio ‘scossone nell’ordine del mondo’, così da prospettare il declino tanto dei valori borghesi, che avevano retto l’ordine sociale della modernità, quanto delle categorie filosofiche di matrice platonica, che, nonostante vari mutamenti e correzioni, avevano lo scopo di fornire un senso al divenire. Scrive Block: «Total mobilization thus primarily has the effect of engendering ontological indifference, since every connection to the transcendent essence of thing is destroyed – Jünger also speaks of a “decrease of types” – in favor of dynamization or potential energy» (11).
In altre parole, la Prima Guerra Mondiale funge da grimaldello per scardinare un ordine divenuto ormai vetusto che aveva edificato le proprie certezze intorno all’interpretazione dell’uomo come animal rationale. Distrutta ogni connessione con l’essenza, svincolata l’interpretazione dell’umanità dell’umano dall’attributo della razionalità (almeno così come questa è pensata nell’ambito della modernità), l’uomo nell’epoca della tecnica dispiegata è da considerare in relazione a criteri del tutto inediti: l’efficienza, la funzionalità, la riproducibilità.
Detto in maniera esplicita, dalla descrizione di Jünger emerge un nuovo tipo umano; inizialmente la sua forma viene associata a quella del guerriero, successivamente, e in maniera filosoficamente più pregnante, dagli anni Trenta in avanti questo nuovo tipo umano, svincolato dall’ordine che egli stesso contribuisce a distruggere con la propria azione, avrà la forma dell’operaio.
Partendo da queste considerazioni Block si muove seguendo due vettori ermeneutici fondamentali, che in qualche modo gli studi jüngeriani danno per acquisiti da qualche decennio. Da un lato emerge chiaramente il riferimento di Jünger alla filosofia di Nietzsche, tanto nell’interpretazione del proprio tempo come nichilismo, quanto nella declinazione della mobilitazione totale (forse accostabile all’attivismo di cui parlava Nietzsche) come trasformazione della vita in energia; dall’altro lato il pensiero di Jünger non viene affrontato semplicemente nella sua dimensione narrativa, poetica, descrittiva, bensì indagato nella sua radice squisitamente filosofica ed essenziale. Utilizzando il lessico heideggeriano, potremmo dire che Block mette in evidenza lo spessore ontologico delle analisi di Jünger, non limitando l’analisi all’indagine ontica che, in qualche modo, è largamente diffusa nelle pagine del filosofo di Wilflingen.
Nella seconda parte del testo Block presenta un confronto tra la filosofia di Jünger e quella di Martin Heidegger. Il grande merito del lavoro di Block è quello di non limitarsi ad analizzare i testi in cui avviene un confronto diretto tra i due autori sulla questione del nichilismo – Oltre la linea di Jünger e La questione dell’essere di Heidegger. Da un lato, Block analizza Essere e tempo e i testi di Heidegger degli anni Trenta a partire da una prospettiva inedita, ovvero la questione del lavoro; egli mostra come tra la visone jüngeriana e quella heideggeriana vi siano dei punti di contatto ma anche delle divergenze enormi che in qualche modo rimandano al contesto generale entro cui si svolge l’intera riflessione filosofica dei due autori.
Dall’altro lato, Block focalizza la propria attenzione sul volume 90 della Gesamtausgabe in cui Heidegger si confronta direttamente ed esplicitamente con Jünger e in particolar modo con il testo L’operaio. Il lavoro filosofico di Block si muove in due direzioni parallele, mostrando sia la centralità del lavoro ermeneutico di Heidegger per poter comprendere lo spessore ontologico del pensiero di Jünger sia la possibilità di un superamento dell’interpretazione heideggeriana in virtù di una considerazione diversa della riflessione dello stesso Jünger.
Il limite della prospettiva ermeneutica heideggeriana consisterebbe, secondo Block, nell’incapacità di comprendere fino in fondo la dimensione non metafisica della riflessione di Jünger; spinto dalla necessità di far rientrare ad ogni costo anche il pensiero jüngeriano nei limiti propri della metafisica occidentale, accostandolo in tal modo a Nietzsche, Heidegger avrebbe fornito, dunque, un’interpretazione parziale e per alcuni versi faziosa. Scrive l’autore: «It will become clear that Heidegger’s reception of Jünger is biased. Because he takes Jünger’s writings a priori as philosophical reflections in light of Nietzsche’s metaphysics of the will to power, Heidegger does not see that Jünger is under way to a non-metaphysical method to en vision the turning of Being, and to a non-metaphysical concept of language that is much closer to Heidegger’s than he would admit» (56).
Questa riconsiderazione del pensiero di Jünger in una prospettiva non nichilistica, al di là dell’orizzonte della storia della metafisica tracciata da Heidegger, viene condotta da Block – nella terza ed ultima parte del volume qui in esame – attraverso un’analisi del linguaggio e della poetica del pensiero di Jünger.
Come accennato in precedenza, in questo contesto il pensiero di Jünger presenta delle assonanze con la riflessione dello Heidegger post-svolta. Attraverso un’analisi puntuale del testo Al muro del tempo, Block ricava dall’opera jüngeriana una riconsiderazione fondamentale dell’essenza del linguaggio e del dire poetico, l’unico in grado di parlare realmente nell’epoca della ‘perfezione della tecnica’ in cui anche il linguaggio si riduce all’efficienza e alla funzionalità.
Nella poesia si realizza quel ‘passaggio al bosco’ che caratterizza la forma di resistenza propria nell’era del dominio incontrastato della tecnica; non una negazione dei caratteri propri della tecnica, ma un attraversamento poetante che in tal modo fornisce forme inedite di libertà. Scrive Block: «The freedom of the individual is to resist the threat of the perfection of technology and to find a way beyond the nihilist reduction and the perfection of technology, based on this individual freedom» (115).
In ultima istanza, al di là delle apparenti differenze terminologiche e contestuali, per Block risulta evidente come tanto per Jünger quanto per Heidegger l’unico modo di corrispondere all’Essere e al suo mistero nell’epoca del nichilismo dispiegato sia la poesia: «This Geheimnis of the gestalt makes clear that the new epoch of the worker is not a matter of observation but of poetry» (141).
Il volume di Vincent Block è un ottimo strumento per confrontarsi con una delle questioni fondamentali del Novecento, quella della tecnica, la cui onda lunga caratterizza il nostro tempo in maniera forse ancor più pregnante che in passato. La chiarezza espositiva, i riferimenti puntuali alla bibliografia primaria e secondaria lo rendono un segnavia essenziale, uno dei primi in lingua inglese, da un lato per comprendere la disamina filosofica della questione della tecnica e delle declinazioni che ne hanno dato Jünger e Heidegger, dall’altro per confrontarsi con le problematiche che danno forma al nostro oggi e ‘provocano’ la nostra storicità e il nostro essere nel mondo.
Peter E. Gordon has written a compelling book entitled Adorno and Existence about Theodor Wiesengrund Adorno’s relationship to existentialism. Gordon admits in the very first sentence of his book that Adorno was not an existentialist, however, according to Gordon’s analysis, Adorno was intrigued by existentialism and tantalized by phenomenology through his academic career. Gordon offers a new research perspective on Adorno’s work which has often been bypassed by secondary literature. He suggests that, although Adorno is renowned as one who challenges philosophies of existence, his position as a critic is not as straightforwardly negative as one might think.
The structure of the work begins with early ontological matters, it moves to The Jargon of Authenticity (1964), then towards Negative Dialectics (1966) and finally to salvaging metaphysics. The form and the content of the book intertwine in a spiral which lures the reader in its undertow. In a laudable manner, Gordon offers a comprehensive view of Adorno’s often forgotten and marginalized writings and lectures. All in all, the sources he refers to in support of his endeavour are well chosen for the task in hand.
Despite the complexity and depth of the subject matter, the book reads well thanks to Gordon’s skills as a writer and his philosophical acumen (for instance, his book Continental Divide: Heidegger, Cassirer, Davos, 2010, won the Jacques Barzun Prize from the American Philosophical Society). It would have been prudent and useful to readers if an accessible list of references had been included, and not only a list of aberrations, as this would save the reader from searching through the endnotes for titles which have been referred to. This small criticism aside, Gordon conducts encompassing and convincing research to demonstrate the importance of key existentialist thinkers such as Søren Kierkegaard and Martin Heidegger from the beginning of Adorno’s academic career through to the final days of his life. Gordon builds the story eloquently; he starts and ends with Kierkegaard and the structure is insightful as Adorno wrote his Habilitationsschrift (a second dissertation) on Kierkegaard, and lectured on his work during the last years of his career (a 40 year timespan).
It is not surprising that Gordon presents Heidegger as the main opponent and counterpart to Adorno’s thought as Gordon has analysed Heidegger’s philosophy in his other books and in numerous articles (e.g. Gordon 2003; 2007; 2013). In this text he tries to situate Heidegger’s phenomenological philosophy alongside Adorno’s social criticism; a daring and respectable task. Gordon argues that Adorno’s central idea about the primacy of the object is an attempt to finish what existential philosophers had sought to accomplish before him. According to Gordon, Adorno’s relentless criticism of existentialists is a redemption of existence. When Adorno argues that Kierkegaard and Heidegger failed to overcome a lurking idealism, it is because he envisions his philosophy as “the overcoming of existentialism but also its fulfillment” (145).
Gordon is clearly aware of Adorno’s repeated criticism of existential philosophers as the book examines even the harshest parts of these writings, however, he claims this is a reversal recognition. For Gordon, as Adorno’s intensive interest in existentialism and phenomenology spans multiple decades, he must see a hidden potential in these philosophical systems despite the failings he makes explicit. This speculative claim gives ground to a deeper consideration and reframing of Adorno’s critical thinking. Gordon builds on the old and accepted truth about Adorno (that if he states something, he will denounce the very same thought just a couple of pages later) to point to some neglected ironies in Adorno’s works and reminds us that it is intellectually insincere to focus on isolated critical slogans. As Adorno writes in the Negative Dialectics; philosophy should not forget its clownish traits: “Philosophy is the most serious thing, but then again it is not all that serious.” (Adorno, 1966, 14)
Counting on the aforementioned trait in Adorno’s writings, Gordon is able to turn the tables around time and time again. For instance, he notes how Adorno criticizes époché (a method of phenomenological bracketing) which is supposed to help to catch the pure oneself; a method of understanding and seeing how the world exists for one. Adorno suggests that this method fails miserably, and is basically transcendental xenophobia. Despite this straightforward crushing, Gordon finds evidence on how Adorno goes beyond a mere superficial panning, and wants to seek truth in what he has just a moment ago considered to be phenomenological untruth. Adorno, according to Gordon, does not want to refute phenomenology through negation but, instead, he is on a quest to show how this “failure bears within itself a hidden philosophical insight.” (64)
As the text proceeds, it is easy to grasp Gordon’s primary objective; to show that Adorno has an intellectual bond with existentialism and phenomenology. Gordon takes the sheer number of references provided as proof of this. However, one cannot accept that Gordon necessarily gets it right when he suggests that Adorno did not specifically reject existential philosophy just because he returned to the same themes again and again over many decades. Adorno was always critical towards authoritarianism, for example, and he never ceased to question the socially shared insanity in the Western world but it would be wrong to suggest that, because Adorno wrote so much about authoritarianism he saw a hidden promise in authoritarian thinking and movements.
The text does contain some careless formulations occasionally, e.g. Gordon considers Adorno a satirical writer who tries to pop the balloons of rigid authority with his dry and poisonous wit and it could be argued that true satirists tend to offer something to replace their ridiculed targets but Adorno does not do this. Instead, he uses bitter humour to belittle shared cultural insanity, philosophical hypocrisy and individuals who are simply wrong (according to his perspective). In his mockery Adorno rarely offers sympathy for the target of his ridicule; instead, he is sarcastic and quite often smug in relation to the way he offends others. Interestingly, Gordon includes an extract of one of Adorno’s letters to Herbert Marcuse where he belittles Heidegger’s student Otto Friedrich Bollnow after the publication of The Jargon of Authenticity (December, 15, 1964): “Ernst Bloch phoned to say that because of the ‘Jargon’ Bollnow is having a nervous breakdown. Let him.” (88). Adorno does give a charitable rationalization for his so-called satirical technique when he tries to embarrass people; he thought that once an authority is ridiculed its fragile nature is revealed (through laughter), then the followers of that authority would be keen to stop worshipping their former hero. This is the very same sociological thought on which Henri Bergson’s Laughter (1911) is based. Bergson argues that laughter is a form of social control and a tool to straighten people up from their silly habits. Sadly for Adorno, this does not justify every kind of banter, and a mere rationalization hardly turns a ruthless mockery into a more constructive form of satire.
At times, Gordon makes questionable rhetorical choices and one can identify a subtle smugness in formulations such as “Those who come to critical theory burdened with customary opinion…” (6), or “Adorno’s critical orientation can appear relentlessly negative, and many readers fail to see that his negativity still flows, however faintly, with a rationalist’s hope for a better world.” (11) If these points are to be taken literally, Gordon is suggesting that merited Adorno scholars are taking a ‘wrong’ approach and one might ask, where does this leave those who are new to Adorno’s work?
Similar accusations are present throughout the text as Gordon suggests that Adorno scholars who interpret his written works on existentialism as sidesteps and meaningless aberrations from the philosophical core do so neglectfully. Despite such criticisms Gordon himself displays intellectual lapses in relation to Heidegger as, though he acknowledges the controversies about Heidegger’s relationship to National Socialism, he claims that this should not cloud our vision of his philosophy. However, for the critical theorist truth is always historical and social circumstances must play a significant role. A shrug of the shoulders is not enough to allow one to bypass Heidegger’s engagement with National Socialism; this is a major issue of debate which has recently resurfaced due to the publication of the so-called Black Notebooks (2014a, 2014b, 2014c).
Whilst Gordon agrees that philosophical texts are part of a social whole (at least in Adorno’s case), he also claims that they cannot be reduced to this whole. It is on these grounds that he seeks to excuse the omission of any treatment of Heidegger’s relation to fascism in this text. Unfortunately, the rationale behind this omission not entirely convincing. Gordon allows himself privileges that he denies to others; he regards dubious writings by Heidegger as mere deviations (though some scholars argue that they are essential), and at the same time he claims that certain works by Adorno should not be neglected as they allow one to trace the development of his critical thinking. It is not entirely consistent for Gordon to claim that Adorno’s marginal texts are important (as one may understand them as intellectual test laboratories), but Heidegger’s marginal texts (which several scholars consider as representative of his philosophical thinking) should be considered mere sidesteps.
Gordon describes how the political and economic situation forced Adorno to emigrate from Germany to England in the 1930s, and how racial laws resulted in the decommission of his professorship. The situation resulted in Adorno having to complete a second doctorate at the University of Oxford in an intellectual environment where his enthusiasm for social theory was not shared. Gordon claims “it is against this sombre background of exile and isolation that we must understand Adorno’s readiness to bury himself in the texts of classical phenomenology.” (59) He makes a valuable point, but it again raises the issue concerning the importance of taking the social-historical situation into account when analysing the work of Heidegger.
Let us consider what remains untreated by Adorno and Existence; e.g. Gordon mentions Karl Marx twice and Sigmund Freud only once, yet both are highly influential thinkers in relation to Adorno’s intellectual development. The text concerns Adorno and existentialism so there is no need for a comprehensive study of these two critical thinkers; even so, a comparison of their influence on Adorno with that of existentialists’ would have been a valuable addition. Also, Adorno’s concept of somatic impulse (which is based on psychoanalytical thinking) is completely neglected by this text. Through this concept Adorno presents an individual with the possibility to feel that there is something wrong with the world without giving positive answers to the problem. Somatic impulse comes close to what Erich Fromm (Adorno’s former colleague and rival) calls ‘existential needs’; as they offer a dialectic but normative standpoint for both philosophy and social criticism. It would have been interesting to read about whether Gordon finds any connection between somatic impulse and, e.g. the phenomenological idea of ‘being in the world’.
All in all, Adorno and Existence is an important and insightful book as it highlights previously untreated features of Adorno’s intellectual development and his academic career. Gordon’s work presents an interesting historical and biographical study; his style concerns an original method which requires one to assemble clues that are presented through a complex story (which has not been told or fully understood before). In the style of Adorno, Gordon reminds us; that if one is to criticize something, it means that one has to make a serious and rigorous attempt to analyse the target of the criticism, otherwise the enterprise engages in nothing more than cultural chatter (a point which is well formulated and taken into account throughout Gordon’s work). It is unclear if jury will be unanimous with their verdict on this particular book as both phenomenologists and critical theorists may find the book, eventually, not entirely convincing. That said, Gordon succeeds in giving food for thought and opening up new perspectives to Adorno scholars about Adorno’s intellectual relationship to existentialism and phenomenology.
The gravest problems with the book (discussed above) lie on the meta-level and, if a brief speculation is allowed, Adorno would probably not agree with Gordon’s analysis in relation to Heidegger. Adorno, one of the sharpest critics of fascism in the 20th century, is portrayed as the saviour of Heideggerian phenomenology. Many philosophers argue (especially after the publication of the Black Notebooks) that there is an intrinsic connection between Heidegger’s philosophy and anti-Semitism. If this is the case, then Adorno himself would be rather appalled by Gordon’s conclusion: that Adorno is the one who wants to save Heidegger’s philosophical project. It is difficult to couple Heidegger (a member of the Nazi party from 1933 until the end of Second World War), and Adorno (a persecuted Jew who had to leave his motherland because of the atrocities committed by the Nazis). The historical burden is so heavy that it cannot by bypassed with a mere statement that the author does not agree with Heidegger’s fascistic tendencies but is not going to treat the question of how they are present within his philosophical works. Some scholars (e.g. Rée 2014, Losurdo 2014) argue that Heidegger’s anti-Semitic ideas taint only his person and do not impact deeply on the core of his philosophy. However, critics such as Peter Trawny (editor of the Black Notebooks) argue that Heidegger actually processed his anti-Semitic ideas philosophically. The issue of Heidegger’s anti-Semitism and its presence in Heidegger’s works should be taken seriously when discussing a critical thinker like Adorno (from a Jewish background) as it is significant in relation to understanding Heidegger’s legacy. Unfortunately, Gordon does not make such an attempt.
Adorno, T. W. 1964. The Jargon of Authenticity, trans. K. Tarnowski and F. Will, London: Routledge & Kegan Paul, 1973.
Adorno, T. W. 1966. Negative Dialectics, trans. E. B. Ashton, New York: Seabury Press, 1973.
Bergson, H. 1911. Laughter: An Essay on the Meaning of the Comic, trans., Cloudsley Brereton and Fred Rothwell, Los Angeles: Green Integer, 1999.
Gordon, P. E. 2003. Rosenzweig and Heidegger: Between Judaism and German Philosophy. University of California Press.
Gordon, P. E. 2007. “Hammer without a Master: French Phenomenology and the Origins of Deconstruction (or, How Derrida read Heidegger).” In: Historicizing Postmodernism. New York: Routledge Taylor & Francis Group.
Gordon, P. E. 2010. Continental Divide: Heidegger, Cassirer, Davos. Harvard University Press.
Gordon, P. E. 2013. “The Empire of Signs: Heidegger’s Critique of Idealism in Being and Time.” In: The Cambridge Companion to Heidegger’s Being and Time. New York: Cambridge.
Heidegger, M. 2014a. Überlegungen II–VI (Schwarze Hefte 1931–1938) [Reflections II–VI (Black Notebooks 1931–1938)]. Edited by P. Trawny. Frankfurt am Main: Klostermann.
Heidegger, M. 2014b. Überlegungen VII–XI (Schwarze Hefte 1938/39) [Reflections VII–XI (Black Notebooks 1938/39)]. Edited by P. Trawny. Frankfurt am Main: Klostermann.
Heidegger, M. 2014c. Überlegungen XII–XV (Schwarze Hefte 1939–1941) [Reflections XII–XV (Black Notebooks 1939–1941)]. Edited by P. Trawny. Frankfurt am Main: Klostermann.
Losurdo, D. 2014. “Heidegger’s black notebooks aren’t that surprising.” In: The Guardian. March 19, 2014.
Rée, J. 2014. “In defence of Heidegger”. In: Prospect. March 12, 2014.
Breaking the Ontological Circle
Keiling’s study addresses the following problem: according to Heidegger, philosophy should become totally historical and should totally focus on things at the same time. How is that possible? Keiling provides an answer by developing what he calls “phenomenological realism” through a close reading of central texts from Heidegger’s late period. Phenomenological realism according to Keiling is a “context-sensitive category, asking to orient philosophy towards things” (289) by way of a “basal, pre-ontological, quasi metaphysically neutral reference” (293) to these very things. Phenomenological realism calls for a “thematisation of the real” (348), of res, i.e. things qua things irrespective of any ontological preconception. We will clarify what this entails in the following three sections. The first section gives a rough overview of the book, the second section highlights its central claims, which are discussed in the third section.
The book consists of three parts and an introduction. The fairly substantial introduction lays out the problem and clarifies certain hermeneutical issues regarding Heidegger’s late work. Rather than giving up on the later Heidegger’s texts as ‘mystical’ or otherwise unintelligible, Keiling sees them as legitimate philosophical engagements with the history of being and the thingness of things – two strands of Heidegger’s thought he contends are intimately, though not obviously connected. The introduction also provides a synopsis of the themes developed throughout the book and locates them in a wider systematic context.
The first part, “Phenomenology and Ontology” is in some sense negative as it consecutively disentangles the notions of phenomenology and ontology as well as metaphysics. Here, as elsewhere in the book, Keiling doesn’t proceed chronologically in his reading of Heidegger’s texts but aims to present a coherent argument drawing from sources after (and including) Being and Time. In §1 Keiling establishes Heidegger’s topological analysis of the “end of philosophy” as a meta-theory or “overview” (108) of philosophy, where the end of philosophy does not mean its dissolution but rather the point at which philosophy can look back on its history and uncover the historicity of ontology. Famously Heidegger holds that throughout the course of philosophical thought, being has been understood in different ways, where each specific way of understanding being, namely each ontology, constitutes an “epoch”; Descartes and Kant are prime examples of the epoch of the object or objectification, in which being is equal to being an object.
§2 accordingly contains a discussion of Heidegger’s notion of “epoch” and how it is related to Husserl’s notion of “epochê”. One result of the discussion is that while it is presupposed that different ontologies all conceptualise the same topic (being) or answer the same question in different ways, this assumption of a unitary common theme is in need of an argument without which “the unity of Being [across ontologies] remains speculative.” (123)
That issue leads Keiling to discuss different ways of posing the so-called “question of being” in §3. While what Heidegger calls the “guiding question” calls for a concrete, totalising answer of the form “being is …, therefore all beings are …”, which then constitutes an epoch in the history of being, the “basic question” opens up a pre-ontological, i.e. phenomenological discourse (137). Whenever we understand the question of being as a guiding question and accordingly supply an answer to it, we remain intra-epochal. Extra-epochal and therefore pre-ontological access to the appearance of things is possible only through the basic question, which does not require any answer in the sense of a concrete ontology but, reversely, makes it possible to translate different answers to the guiding question into a common language.
The relation between the basic question and phenomenological accounts of the subject matter of philosophy is the topic of §4. While earlier phenomenologists have simply predefined the “matter of thinking” (Sache des Denkens) by answering the guiding question, thus subscribing to a specific ontology, Heidegger leaves the matter of thinking open by posing the basic question. The basic question disallows philosophy to settle on any specific definition of being and it also prevents philosophy from any claims about being as a totality of beings. If we understand ontology as the business of defining being (or existence) and metaphysics as the effort to think the totality of being, the basic question uncouples philosophy from both ontology as well as metaphysics.
As Keiling writes in §5, phenomenology knows ontological totality only in the mode of questioning (179). This pre-ontological, pre-metaphysical stance turns out to be the expression or effect of a genuinely phenomenological freedom, namely the ability of bracketing ordinary thought (which Husserl achieves through the epochê) or stepping outside the history of being (an operation Heidegger calls the ‘step back’, Schritt zurück). As Keiling points out in §6, this step back is not “sigetic” (201), i.e. no lapse into mystical silence, but simply the stepping back from any ontological projection of an epochal understanding of being unto entities. The step back is the appropriate reaction to the basic question; it lets the open appear as condition of manifestation and within it the things qua things, yet it nevertheless structures this appearance propositionally (200), making it available to philosophical, though non-ontological, non-metaphysical discourse. This discourse is phenomenology, oriented towards the manifestation of things in an ontologically unprejudiced way; it reflects on and negates the bias induced by any epoch of the history of being to enable descriptions that are not ontologically naïve but allow for the ontological pluralism the history of being has established. In Heidegger’s terminology, the critical impact of phenomenology on ontology allows particulars to appear not as “objects” (Gegenstände) but as “things” (Dinge).
This progression from the end of philosophy through the reflection on the two ways the question of being might be conceived of, to a step back, can be construed in two different ways: first, it can be understood (macrologically) as the historical development of philosophy in general, Heidegger’s own philosophy in particular. Yet it can also serve as the (micrological) description of what needs to be done to de-ontologise any given discursive context: through the step back as radicalized epochê, the end of philosophy and the turn to phenomenological realism can be initiated at any moment within a philosophical conversation.
The second, positive part, “Phenomenological Realism”, constitutes a discussion of core issues of phenomenology, starting from a discussion of the canonical phenomenological understanding of the phenomenon in §7. Any appearance (phenomenon) is always of something, it contains presentational and representational elements, most importantly, according to Heidegger’s discussion in the introduction to Being and Time, it presupposes an identical point of reference to understand the very idea that a phenomenon can at first be covered (or not-yet-discovered, unentdeckt), then discovered (entdeckt) by phenomenology or covered over (verdeckt) again. The history of ontology is the history of the way the manifestation of things is covered over by different ontologies. These deliberations lead to a discussion about the nature of phenomenology itself in §8 where Keiling portrays Heidegger’s critique of thinking as representing (Vorstellen) in his reading of Hegel in “The Age of the World Picture” and post-war lectures. As opposed to Husserl, Hegel (according to Heidegger) loses both sight of the transcendence of the things qua things as well as his phenomenological freedom, due to his immanentism. Freedom for Hegel is just participation in or even just contemplation of the absolute process; this however is no the step back (269), but contains ontological determinations of the absolute, namely as of a will. Hegel therefore fails to achieve a proper phenomenological stance.
§9 then consists of a close reading of the end of Husserl’s Ideas I and “Mein Erlebnisstrom und Ich” from the Bernau Manuscripts. Keiling points out that things are paradigmatic objects even for Husserl; they are themselves Leitfäden for phenomenological investigations (314) and their dissolution into their constitutional levels impossible (316, 319). Husserl is himself a phenomenological realist in Keiling’s sense (309, 332). §10 sees Heidegger dealing with Kant as well as the late Heidegger dealing with the early Heidegger dealing with Kant. While the early interpretations lapse into (fundamental-)ontological reductionism, the later interpretations allow for a “pluriparadigmatic phenomenological ontology” (360). For, if “being is not a real predicate”, the reality of things can be discussed without a predefined ontology, including the temporal ontology of early Heidegger. The meaning of predicates is independent of a prior answer to the question of being. This raises the question of how such meaning is to be described. In §11, Keiling turns to language. It is in the variety of spoken and written language(s) that phenomenology finds a first freedom from ontological discourse (386). The experience of things itself is lingual and therefore open for hermeneutics; thus, Heidegger’s realism is hermeneutical realism (406). In light of this interpretation, Heidegger’s infamous linguistic speculations, rather than being absurd efforts at a form of mystical etymology, simply afford different ways of describing thing-ness (420).
The task of the third part, “A World of Things”, is to re-interpret three core-concepts of phenomenology from the perspective of phenomenological realism. Keiling accepts a realistic version of Husserlian horizonality in §12, according to which horizons belong primarily to the thing themselves, rather than our experience of them. Also, the horizonality of things is independent of any given ontology. Keiling identifies Husserl’s horizons with the late Heidegger’s topology and conceives of them as the place where experience takes place. Yet he sees Heidegger himself in danger of trying to reduce things to the metaphysical process of an unfolding of the “Gegnet” (438) or of truth. Similar concerns pertain to the notion of the world, voiced in §13, since Heidegger as well as Husserl stand to fall back into dogmatism or metaphysics when dealing with the world: either it is conceived of along the lines of subjectivist ontology (Husserl), the temporal ontology of Dasein (early Heidegger) or the ontology of the four-fold (late Heidegger). Against this reductionism, Keiling introduces Heidegger’s notion of “worlding” (das Welten) to describe the dynamic interplay of the horizons of things as opposed to the “world” as a unique, definite and static totality of things. In §14, Keiling then treats Heidegger’s topology in the same vain. While Heidegger himself tends to prioritise the spacing of space ontologically, thus degrading the appearance of the things to an “epiphenomenon” (462), Keiling argues that things remain “necessary descriptive factors [Beschreibungsgrößen]” (477) in all contexts of building, dwelling as well as thinking.
II. Central Issues
Throughout the dense and detailed study, two main themes emerge. The first revolves around phenomenology as meta-theory of ontology (a), the second concerns things as necessary descriptors (b).
a) As we have seen, phenomenological realism disentangles philosophy from ontology where ontology is identified as a way of answering the guiding question. Any such answer constitutes an epoch in the history of Being, but according to Keiling they necessarily fall prey to the “ontological circle” (35): starting from the question of Being, we choose one paradigmatic entity or a region of entities to start the investigation. We then – following the ontological difference – focus on the Being of this entity. Under the assumption that Being is Being no matter what entity we look at, we commit an act of “ontological generalisation” (33) through which we arrive at a dogmatic and overgeneralised account of what it means for all things to be. Since this account will break down in the face of entities that are very different from the one whose Being we have overgeneralised, we are forced to go back to raise the question of Being once again. As Keiling notes repeatedly (33, 81, 110, 129, 132), Heidegger himself falls prey to the logic of the ontological circle, firstly when he tries to establish a temporal ontology through his analysis of Dasein, as he simply overgeneralises the temporality of his chosen paradigmatic entity; secondly when he outlines his ontology of the fourfold.
Phenomenological realism avoids the ontological circle in two ways. It eschews overgeneralisation since it is not interested in providing a philosophical explanation of the totality of entities, and it does not try to give a definite answer to the guiding question. This is why, surprisingly, the absolute is still in play for phenomenological realism, although it does away with traditional ontology (and arguably metaphysics and even epistemology as well): the “un-thinged/un-conditioned (das Unbedingte)” (386) – as Kant puts it – is not something behind or above all entities, as onto-theology has it, but the reality of each thing itself. Taken this way, phenomenological realism remains a theory of the absolute, but not of the totality of entities.
This stance in turn enables phenomenology to investigate different totalising ontological claims from a non-internalist but also non-externalist viewpoint (288); it avoids the “encroachment of history” (379) on the appearance of things by simply focusing on how things appear in a given situation, without presupposing any specific ontological vocabulary. In this sense, phenomenological realism is still beholden to the idea of phenomenology as a descriptive rather than a speculative endeavour. For Keiling this also constitutes the difference between Speculative Realism as presented by Meillassoux and his own position developed in the reading of Heidegger, for while the speculative realist sees speculative realism as (just another, although) radical alternative to classical ontology, realist phenomenology can treat different ontologies as possible “patterns of descriptions” (64) of the appearance of things and integrate or reject them due to their respective descriptive plausibility. Phenomenological realism thus guards philosophy against empty speculation by tying all ontological theories back to the pre-ontological appearance of things. This is the central negative claim of phenomenological realism.
b) Things have thereby turned out to be meta-philosophically necessary descriptors: without reference to things as they appear we cannot judge any ontological effort. The main arguments for phenomenological realism proceed along similar (transcendental) lines, insofar as the reference to things and their appearances constitutes the condition of intelligibility for certain philosophical moves: “thingness is the focus of very different contexts” (397). This idea has at least two meanings: an intra-epochal sense and an extra-epochal sense.
Intra-epochal, the experience of things is the “condition of possibility of objectivity” (cf. 435). In things, space and time instantiate themselves. Also, units of validity (Geltung) can only be described if they are conceived of as based or centred around things of experience (210), which is why Husserl’s descriptions of the levels of the constitution of objects presuppose the appearance of the thing as the focal point of those very levels (319). In his reading of Husserl, Keiling goes as far as to state that only the reference to can stop the regress-problems surrounding the Ego (331). Even temporal (fundamental) ontology has to presuppose things in order to phenomenologically explicate different modes of Dasein (374), since things are always already present as that from which Dasein can understand itself authentically or inauthentically. Things are the starting point of most if not every ontological universalisation (376), as the ontological circle encompasses the move from a given thing, conceived of as an entity, towards its Being along the lines of the ontological difference.
Extra-epochal, epochs of Being can only be identified as different answers to the same question if the non-ontological phenomenology of the appearance of things is presupposed. For only the reference to things qua things allows to justify and differentiate ontological theories (336) as different descriptions of the very same things. They mediate phenomenological presence and representation as well as their shifts (397). The concept of the world can only be elucidated phenomenologically if things are presupposed (447). A real “why”-question is only possible for the phenomenological realist, since only the realist lets things appear before applying any given ontological framework (456); only the basic question allows to ask for a (final) ground of something without distorting the appearance of the thing in question.
The study primarily sets out to provide a comprehensive and systematic reinterpretation of the later writings of Heidegger. It achieves this admirably by developing the framework of phenomenological realism as a perspective that allows to read the texts of the later Heidegger as systematic efforts of understanding the appearance of things and its ontological-historical distortions. I will not engage in a comparison with competing readings, although these are discussed throughout the book. However, Keiling himself also locates phenomenological realism in regard to the “discussion about metaphysical and ontological realisms” (16) and therefore raises a claim to offer a systematic contribution to philosophy. As he argues in the introduction, any interpretation of philosophy at some point becomes a philosophical position that is itself susceptible to be checked against what it aims to describe. (5) So instead of engaging with the intricacies of Heidegger exegesis, I would like to conclude this review by pointing out one particularly pressing issue.
This issue is the identity of things. Supposedly things are “invariants of experience, the reference to which requires no identity-criteria” (52). But while it is true that in everyday life we do not need to know a sufficient and necessary set of attributes to reference a thing, Keiling himself points out that phenomenology needs to show that the things it deals with on a pre- or non-ontological level are the same as the objects of ontology (200). So, while it might sound intuitive to assume that one identical thing allows for very different appearances, how do we actually know that two phenomena are of the same thing? How do we know we can “carry over” a thing’s identity from one “explanatory and descriptive context to the next” if the “meaning of the thing” changes “radically” and different “truths” apply to it in different contexts (388)? Keiling seems to lean towards a foundationalist solution. With Heidegger, he stipulates a “definitive context of explication [maßgeblichen Explikationszusammenhang]” (388), a pure experience of things below all “epistemic paradigms” (388), i.e. an experience independent of ontological contamination. Since Keiling assumes with Heidegger that experience is in some sense tied to language (and language to things, 477), this pure experience cannot be conceived of as non-lingual, though it need not involve a strong notion of subjectivity. And as it is supposed to ground judgements about the descriptive quality of different ontologies (482), it should even be conceptual. Yet to substantiate these meta-philosophical claims of phenomenological realism, this foundational discourse needs to be fleshed out and put into critical use over and beyond what Keiling already presents in part 3 of his study.
To me this effort would include not only dealing with the issue of the identity of things, securing a foundation and showing how exactly it grounds judgements, but answering a few of the following questions. If phenomenological realism is not thing-fundamentalism, what other categories – apart from “thing”, “horizon”, “world”, “place” – could be in play in such foundational discourse? Is every thing embedded in a “universal horizon” (431) even in the weaker form of a ‘worlding’? Keiling himself notes that Heidegger’s descriptions are always threatened whenever he tries to establish the truth of universal processes without grounding his accounts in concrete phenomena (476), so the supposed universality of the world itself seems suspicious. Also, is the perspective of phenomenological realism available for all ontologies? Phrased differently: are all objects just things in ontological disguise? What about mathematical objects? Should we speak about mathematical things in opposition to mathematical objects? Or fictional things?
These remarks should not be understood as criticisms of Keiling’s book, since they go way beyond his main effort to re-read the later Heidegger. They rather show that to solve the problem of the identity of things and further develop phenomenological realism, we might need to turn to sources other than Heidegger. Keiling himself hints at the author whose work might be the most promising resource for phenomenological realism: Hans Blumenberg.
Hegel, Husserl and the Phenomenology of Historical Worlds by Tanja Staehler is an effort of integration between the phenomenological thinking of two of the most influential philosophers in the contemporary tradition: G.W.F. Hegel and Edmund Husserl. The author’s intention is to reframe a phenomenology of historical and cultural worlds by pursuing the potential of a mutual compenetration of the two German philosophers more than focusing on a static and sterile debate regarding what might make them two different thinkers. The main thesis here shows how Husserl’s phenomenology radicalizes Hegel’s by adding the character of infinite openness to the teleological development of historical Spirit, which afterwards will manifest itself as horizonally constituted. At the same time an Hegelian narrative applies to the entire “parabola” of Husserl’s thought, which the author describes as a progressive development from an abstract to a concrete phenomenology that finally emerges in his later studies and that, by an effort of recollection in the most Hegelian meaning, illustrates the phenomenological development with the motivations and explanations for his abstract beginning. Important to mention is how, within the tradition of Husserlian debate, Staehler takes the side of Derrida and Steinbock by defending the presence of a third phase in Husserl’s philosophy, alongside the static and the genetic, which she names historical. The three stages also serve as the methodological sections of the work.
Hegel and Husserl, in their different phenomenological traditions, both make clear that if philosophy wants to be recognized as a rigorous science it must be presuppositionless and thus, that a leap is required by consciousness in order to clarify what remains overshadowed by the immediacy (in Hegel) and naïveté (in Husserl) of our natural attitude toward the world. In this sense phenomenology takes the sceptical critique as its own starting standpoint by moving the focus of analyses from its directedness toward being, backward to the level of its appearance to consciousness. Scepticism then becomes a moment in the philosophical approach more than a simple school of thought (a point we credit to Hegel) and the very beginning of self-reflection. What for Hegel, however, is a thoroughgoing scepticism, simply “directed against the being of sense-certainty which takes its being as true as such,” and which points beyond the level of phenomena (although in a new mediate form), for Husserl the philosophical approach takes the shape of a refraining from positing the being in the world. We might say that while the teleological presupposition leads Hegel toward a pre-established pathway engaging in what the author calls a pedagogical dialectic between the natural attitude and philosophical consciousness, Husserl chooses the path to suspend the natural attitude itself and to assume a philosophy of a perpetual beginning. A difference in the perspective but not really in the ultimate goal, as the final idea is to have a rigorous discipline better able to disclose in a clearer way the interplay of the perception between the individual consciousness and the phenomenal world. Alongside the similarities and differences between Hegel and Husserl, Staehler lets us notice how a first problematic arises when we approach the beginning of philosophy in the form of a necessary sceptical attitude as it represents everything except a presuppositionless standpoint and which thus requires a given motivation and a contextual explanation. This is a question that remains open until the last part of the work where the encompassing Spirit (in Hegel) and the Lifeworld (in Husserl) will appear and will be able to give a context to the motivation by an effort of recollection.
Hegel describes the process that leads consciousness from the immediacy of sense-certainty to the understanding of itself as the one very constitutive agent of the perceptual activity in the first three chapters of the Phenomenology of Spirit. The possibility of self-certainty is triggered by a tension between the unity of the object and the multiplicity of its properties which leaves us the feeling of a phenomenal world characterized by an ungraspable double nature. However, as the author underlines, that uncanniness is only given as a consequence of a static point of view and that when a dynamic perspective is taken the contradiction is solved. The concept of force is probably the best image to show how the coexistence of unity and its unfolding multiplicity is easily graspable when framed within a process-oriented approach. Staehler sees here a common pattern with the Husserlian image of the apple tree and the changing of its determinations in the persistence of an identical bearer. Important to notice is how the possibility of the synthesis of the manifold of the modes of givenness into a phanto-matic unity is possible only by the mediation of time which in Husserl is constituted at the level of inner consciousness. From a static and descriptive methodology the analysis here starts to move slightly to a genetic and constitutive approach. However, while a dynamic-oriented philosophy might represent the possibility of a parallelism between the two philosophers, a basic difference between them remains in the attitude toward the nature of the unity beyond the phenomena. If Hegel, carried by his teleological impetus, does not show any refraining from positing the identity of the object, for Husserl its possibility can be given only when all its modes of appearance are taken into account, a possibility that lies in the infinite. As the author says, “the goal of the perceptual process thus cannot be the adequate givenness of the object, but the closer determination of the thing in the process itself.”
The fact that the absolute identity of the object might be attainable only by an ideal and infinite perspective does not mean that Husserl denies the possibility of knowledge. The author is clear on that point when she frames both philosophers in what she calls an idealistic realism. The tension between unity and manifold is a tension between the focus of the natural attitude on the identity of the phenomena and the relativity of kinaesthetic, individual and cultural horizons while the role of phenomenology is the achievement of a more balanced perspective. Objectivity in Husserl is always partial but anyway possible and progressively enriched not only at the level of internal consciousness but even through communication with others. The analysis on identity and differences (in Hegel) and unity and manifold (in Husserl) begins to show the emergence of the main thesis of this work, namely how the character of openness of Husserl’s phenomenology might radicalize Hegel’s historical development. In order to proceed to this new stage of analysis, however, it is necessary to enter into the debate regarding the interpretation of Husserl’s phenomenology which, following Staehler, has been often too quickly enclosed in an idealistic framework as a consequence of misunderstanding the Husserlian concept of solipsism. The genetic approach, especially the one developed in Ideas and Cartesian Meditations, actually poses the possibility of the otherness of the other and it establishes the basis for what the author calls the historical Husserl. Solipsism, from her point of view, is not to be interpreted in the classical way but as a phenomenological reduction, exactly as the concept of the epoché, in order to clarify the how of the possibility of otherness. At the end of the genetic phase it eventually “becomes accessible in its inaccessibility” allowing the possibility of the foundation of the realm of intersubjectivity to be posed.
Hegel describes the development of the social and cultural world in the fourth chapter of his Phenomenology of Spirit where the master and slave dialectic and the struggle for recognition are introduced. The contradiction is eventually resolved in a typical Hegelian movement by a process of sublation by which the two forces find a balance within a new encompassing level, allowing Spirit to emerge. One of the last chapters of the work is dedicated to the Hegelian interpretation of the Antigone where the dialectical process is again described at the level of an ethical development. Far from psychologizing the characters, Hegel is more interested in the invariant pattern that Antigone and Creon carry on. In the struggle between the divine law and the political law an impasse is reached where neither of the two loses or wins. A reconciliation is only possible at an encompassing level, where the two compenetrate each other. This is expressed by the Chorus. Nothing similar appears in Husserl’s phenomenology of intersubjectivity, which never thematizes the Lifeworld as encompassing realm. Staehler states however that Husserl in his later studies, specifically the ones figuring into the Crisis, shows a plexus of phenomenological approaches which stand apart from the transcendental-psychological way opened by the epoché and by which an ontology of a Lifeworld is posited. The concept of the crisis is openly disclosed and serves as a catalyst in a recollection of the entirety of Husserl’s philosophy.
European man in Husserl’s terms lives in a contextual crisis that is rooted in the forgetfulness of the subject and of the Lifeworld, which are overshadowed by objective and scientific thinking. The role of philosophy is to find again a balance by the re-establishment of the subject as a real active agent of history. The role of phenomenology and its motivation, which were left suspended at the beginning of the work, are now finally explained. If the psychological-transcendental way, following the author’s analyses, leads us to the threshold of the ontology, the ontological way by historical reflection shows us the necessity for a better understanding of our inner consciousness. The recovery of the active role of subjectivity and intersubjectivity allows Husserl to move from history as a pure objective science of facts to what he calls ideal-history and toward a more horizonal and culturally-constituted historical development.
Cultural worlds are described by the author as a plexus of products, norms and values and also as “a world of custom, laws and regulations which the individual needs to consider.” They manifest themselves with the double nature of being established (stiftung), re-established and changed by man but at the same time at work as contextual constraints. There is a kind of Hegelian process in this circularity of an endless creation of new institutions and their establishment as new habitualized norms. The modern crisis can be seen as a consequence of the scientific attitude which eventually led to the forgetting of the primordial philosophy of the Greeks. The possibility of “re-inventing” history makes clear how there is an inner teleology at work in the Husserlian ideal-history. Goals conceived as norms and values are continuously posited anew thus offering the possibility of an open historical development in contrast with the Hegelian absolute teleology.
Staehler’s work gives so many causes for reflection that it is really difficult to give a complete account of it. It is worth mentioning that her insight on the phenomenology of historical and cultural worlds is not reduced to the simple encounter between Hegel and Husserl’s phenomenology. Other authors are discussed. The concept of event by Derrida for example and Levinas’s idea of an ungraspable future as something Other in regard to the Sameness of the intentional consciousness introduce a more radicalized character of nonlinearity to the historical development. More, a postscript is entirely dedicated to Heidegger’s primacy of moods and Merleau-Ponty’s concept of reversibility and ambiguity in the dialectical process. Not to mention Eugen Fink’s different approach on the motivation for the beginning of philosophy.