Augustine’s Confessions is not a book. It has no title in the titular or thematic sense. It is simply what it is: confessions. What more could it be? A collection of thirteen small books? An evangelical memoir? A developmental prayer diary? A pre-modern work of speculative non-fiction? These are tedious questions. No one cares whether the Confessions is a book or not. Augustine does not seem to care. This reveals that, as with most things taken for granted, we do not know what books are when we address or review them as books. So what is the intellectual genre of Augustine’s Confessions? Jean-Luc Marion has remarked that the Patristic period of theological thought would have understood itself as philosophy, not theology, and thus scholastic theology begins after the end of theology.[i]
It is helpful to keep these opening remarks in mind if one seeks an encounter with John Panteleimon Manoussakis in The Ethics of Time. It is a book that cannot be read, even if one tries to read like a cow through rumination, as Nietzsche demands in his preface to Genealogy of Morals.[ii] The Ethics of Time must be encountered. Reading is certainly an encounter of a certain kind, but the kind of encounter this book demands goes much further than any other recent philosophical book I have read. This may be because our present mode of reading is detached from the type of reading we find in Ezekiel, where the prophet is fed a holy scroll, and I suspect that my suggested encounter beyond reading is in many respects nothing but a truer form of reading. Nonetheless, there is a distinction to be drawn between a literary encounter and the phenomenological encounter that Manoussakis’ book investigates (through desire) and demands (through ethics). (This distinction is carefully attended to by Manoussakis in the theological realities of the beginning, logos, and flesh throughout the book, but especially in chapter 7, “The Time of the Body.”)
To encounter something implies many things. The adversarial sense of an encounter is perhaps the most obvious. Manoussakis seems to suggest these terms of encounter in the book’s epigraph that quotes from Aeschylus’s Agamemnon: “It is a violent grace that gods set forth.”[iii] After all, to “encounter” is to be en contra. This may begin to explain why wresting and sex are hard to distinguish from each other en vivo. No one can deny that the one I lay with until the break of dawn is one I have encountered. When Jacob wrestles the angel of God in Genesis, it is not so different an erotic description from the one we read in the Song of Songs. This means that the encounter is not adversarial so much as it is erotic. Manoussakis seems to endorse this erotic notion of encounter in his analysis of the emptiness of the pouring jug, broken jar, and eucharistic chalice. He writes, “the body’s corporeality does not lie at all in the material of which it consists (the body as object), but in the void that holds (the body as flesh).”[iv] This account of incarnate emptiness, among many other passages, eventually repeats itself enough to demand an erotic encounter with Manoussakis. An encounter, as we will see, that ends in kenosis.
One might object that presenting ideas in a book is not the same thing as demanding them as the terms for a specific kind of encounter, but this takes us back to the reason why I insist that this book must be encountered as opposed to being read, however unsatisfying that opposition may be for philosophical logic-chopping (to use the Jamesian expression). More important for my purposes here, if I take the erotic terms for this encounter seriously, then this review must struggle and fail to break free from Manoussakis in the course of re-viewing his book. Perhaps he will break my hip as I beg him for a blessing. We will have to see, again and again. That is what it means to re-view something.
One might consider The Ethics of Time to be an eclectic book in light of its variety of sources. This would be a mistake. It is true that Manoussakis works from Ancient Greece and the Early Church to contemporary phenomenology and cinema. However, this seems to be more of a personal reflection of Manoussakis—more reasons for my insistence on an erotic encounter—than evidence of technical or systematic pyrotechnics. It may be hard to ignore the sheer volume of philological, theological, psychoanalytic, exegetical, and phenomenological resources put to use in this volume, touching equally upon ancient scriptures as recent films, but this quantified sense of eclecticism misses more than it hits. It mainly misses the book’s constant refrain: Augustine’s Confessions. Unlike Heidegger, who despite his occasional explicit turns to Augustine is in constant dialogue with him throughout the entirety of Being and Time, Manoussakis never pretends to stray from him. In other words, Manoussakis repeatedly draws upon the only other book I can think of that can to the same degree be misunderstood through its voluminous variety. Perhaps he is being vain in tempting this comparison? Or maybe he is too humble to admit it?
Beyond the constant presence of Augustine’s Confessions in the book as a musing refrain, Manoussakis just as constantly invents original interpretations of the classic text. Before I mention any of these insights, and immediately attract the philosopher’s skepticism, I would like to remark on how Manoussakis phrases his inventions. This is not a note on method in the sense of construction or composition; it is more a note on voice and style. If one would permit the expression, I would say this is a brief note on the musicality the book. For me this was the most philosophically challenging aspect of the book but also the most delightful.
“What we call life is a series of intervals from sleep to sleep.”[v] This line comes within a discussion of boredom and just before a deeper look into the radical implications of having “nothing to do.” Even without puzzling together the meaning of the line within its proper textual context, it serves as an example of the barrage of poetic impulses that assault the Academician and exhort the Artist. They often come in swift lines and fine-tuned associations. The urge to call them hasty is the desire to read, the desire to take Manoussakis at his word is the urge to encounter.
All of this is to say that there is an active wit in the book that is sharp and playful enough to verge on being unserious. But these risky moments of “Will and Grace”—anyone who misses this is too dull to understand this book—are contained with a form and structure where metaphors bear the mythopoetic weight of the book’s absent thesis. For instance, Manoussakis titles his Chapter 5, “After Evil,” hinting at the ethics of time where we move beyond evil without ventured beyond it entirely. This chapter features a stunningly clear and original rendition of Augustine’s account of the privation of evil—where evil is not simply metaphysically privitive of the good, but where sin becomes the ethical condition for the possibility of freedom—and reveals a powerful account of the book’s major preoccupations. The account does not so much make this preoccupation clear so much as it makes it serious enough, to the one willing to accept the terms of encounter, to see with eyes of faith.
For Manoussakis, the difference that lies in the interval between evil and goodness is only time. This difference is presented by Manoussakis through the two gardens of Eden and Gethsemane, which allude to his most steady companions, the Confessions and Christian scripture. These two gardens hold within them the capacity to re-present an ethics that is opposed to stasis; in other words, an ethics of time. This rendition of an ethics of time is central to the book’s unmet desire to address itself as a book titled The Ethics of Time.
A key feature of the above analysis is important to understand on its own terms, without too many distractions. Manoussakis makes this point plain, but rather than quote him directly, I would like to try and bend his words in my direction. Rather than resolve the apparent tension in sin or evil by positing a Manichean notion of the good, Manoussakis asserts the goodness of sin and evil revealed in time. This is not as radical as it may seem. I recently asked the question “What is an ethical way to teach ethics?” Socrates answers this question when Meno raises it by rejecting the assumption of the possibility of knowing what is ethical. In De Magistro, Augustine rejects the possibility of teaching entirely. Manoussakis, for his part, follows suit in a clever way. When we admit that we know not what we do, when sin admits to being sinful, when evil can encounter itself as evil, there we find the goodness and the ethics of time. The implications of this idea in moral theology and normative philosophical theories are interesting in their own right, but the phenomenological scope of this book takes us in another more scandalous direction.
The book ends with three scandals. The first two—evil and goodness—have been mentioned to some extent already. The third is grace but becomes more articulate as what Paul calls “the scandal of the cross.”[vi] Here the enigmatic and aphoristic wit of Manoussakis makes its last attempt to call the reader into encounter—the encounter of conversion. One may reject this encounter since it has now modulated from Manoussakis himself to Christ, but this raising of the pitch and register of the erotic appeal seems to be the entire point of the final scandal and, indeed, the book that exists beyond its title. In the cross we find the ultimate body, the broken body that survives the violence of resurrection. After all, Christ’s resurrected body was glorified with all five wounds sustained on the cross still intact and poor saints wear them as scandalous signs of grace. One cannot speak of open wounds as being good and no one can speak of these wounds as being evil. Within Manoussakis’ phenomenology of change presented as the ethics of time, I find a profound and moving meditation on the suffering, sacrifice, and salvation of wounds and woundedness.
Whatever ethics may be, I am fairly certain that it cannot afford to be entirely blind to the moral significance of things, especially the things that go beyond the recognizable the boundaries of moral significance. As we have seen, this would include a genuine ability to understand, as Augustine did and as Manoussakis clearly does, the evil of goodness and the goodness of evil within the interval of time.
Judging something to be morally important is not the same as seeing it as it is. There is a moral field of vision that goes well beyond judgement’s moral capacities. In at least this sense, phenomenology is fundamentally ethical. But this is not always true in practice. Phenomenology as well water is little more than a series of constructive historical notes and debates, on the one hand, and methodological squabbles, on the other. Phenomenology as living water is always opposed to every “ology” and “ism”—including phenomenology and constant opposition. In other words, as its rich history and methods suggest, phenomenology is fundamentally philosophical and this philosophical conception applies equally to phenomenology after the so-called “theological turn.” This turn would be a poor way to try and capture Manoussakis’ project, unless it is to show that every real turn is in some sense a theological one, preceded and anticipated in the Hellenistic tradition. The beginning chapters of The Ethics of Time bear this out in a series of preliminary meditations on movement but they only arrive at their fundamental insight as one allows time—not only the time of duration but above all the time of the interval, the sliding, wailing, and fretless interval—to work across the pages of the book to transform the reading into a dynamic encounter of time in the place of das Ding.
[i] In his Berkeley Center Lecture, “What Are the Roots of the Distinction Between Philosophy and Theology?”, delivered at Georgetown University on April 7, 2011.
[ii] Friedrich Nietzsche, On the Genealogy of Morailty, trans. Maudemarie Clark and Alan J. Swenson, (Indiannapolis, IN: Hackett Publishing, 1998), 7.
[iii] John Panteleimon Manoussakis, The Ethics of Time, (London and New York: 2017), front matter.
[iv] Ibid., 156.
[v] Ibid., 21.
[vi] Ibid., 161.
Das vorliegende Werk Husserl-Handbuch. Leben – Werk – Wirkung (Metzler Verlag, Stuttgart 2017), herausgegeben von Sebastian Luft und Maren Wehrle, stellt einen vielseitigen, umfassenden Überblick über das Leben und Wirken Edmund Husserls dar. Sein besonderes Verdienst liegt darin, dass er deutlich über einen bloßen Überblick hinausgeht und inhaltlich auch in der Tiefe zu überzeugen vermag. Der Band versammelt eine Vielzahl von Aufsätzen, nicht nur zu Husserls Schaffen als publizierender und lehrender Philosoph – die Sektion „Werk“ umfasst immerhin 24 Beiträge und untergliedert sich in Veröffentlichte Texte und Nachlass – auch seinem Leben, seiner Biographie und den historischen Gegebenheiten seiner Zeit wird, immer in Hinblick auf sein philosophisches Projekt, Beachtung geschenkt. Abschließend widmet sich der Band dem Einfluss, den Husserl ausübte, sowohl auf Personen, deren Denken und Wirken er maßgeblich geprägt hat als auch Strömungen und Denkrichtungen innerhalb und außerhalb der Philosophie. So sind hier neben philosophischen Schulen auch Soziologie, Psychologie und interdisziplinäre Diskurse genannt.
Als „besonderes Anliegen“ und gleichzeitig als Neuartigkeit des Bandes bezeichnen die HerausgeberInnen dem Nachlass: „den in ihm behandelten Themen, seiner Entstehung und der sich durch diesen ausdrückenden Arbeitsweise Husserls, gebührend Raum zu geben. Die Betonung des Nachlasses in der Auswahl der in diesem Handbuch behandelten Themen ist in der Forschung ein Novum“ (S.3).
Die AutorInnen sind der internationalen Husserl-Forschung zuzuordnen; neben Beiträgen aus dem deutschsprachigen Raum von einschlägigen Husserl-Experten wie Sonja Rinofner-Kreidl, Christian Bermes und Thomas Bedorf, ist z.B. Nicolas de Warren zu nennen, der insbesondere den ersten Teil des Buches mit luziden Betrachtungen zentraler Werke Husserls bereichert.
Der biographische Abschnitt „Leben und Kontext“ bündelt familiäre Situation, zentrale Personen, psycho-soziale Umstände (Husserl spricht in den 1930er Jahren über seine Depression) und bettet sein Schaffen und Lehren sowie die Ausführungen zu seinem wissenschaftlichen Projekt gut ein. Teilweise sehr sachlich, teilweise anekdotisch, greifen die Beiträge von unterschiedlichen Autoren sinnvoll ineinander und schaffen so einen roten Faden, der plausibel zur Werk-Sektion überleitet und die Auseinandersetzung motiviert. So werden bereits hier zentrale Interessen und Begriffe in Husserls Phänomenologie angerissen, die im Lauf des Buches erörtert werden. Als Beispiel wird Husserls Analyse von Twardowski genannt, die gewissermaßen der Ausgangspunkt für Husserls Weiterentwicklung des Intentionalitätsbegriffs sei und damit eine bedeutende Rolle spiele: „Die Frage nach der Rolle der Intentionalität in der Relation zwischen Akt und Gegenstand, und allgemeiner zwischen Ich und Welt, wird dann zum Fundamentalproblem der Phänomenologie“ (S.30).
Im Abschnitt III A, in welchem die veröffentlichten Texte verhandelt werden, folgen die Beiträge chronologisch nach Erscheinungsjahr des behandelten und publizierten Werks. So macht denn auch die Philosophie der Arithmetik als erstes Buch, das auch den Weg in den Buchhandel fand, den Auftakt. Bereits in diesem frühen Text, so arbeitet Mirja Hartimo heraus, werden Konzepte angelegt und entwickelt, die Husserls gesamte Philosophie prägen werden. So wird die Methode der kollektiven Verbindung genannt, und zwar „als psychischer Akt, der mehrere Objekte als ein Ganzes begreift, ohne dass diese ihre Individualität verlieren“ (S.49). Hier zeichnet sich Husserls Herangehensweise ab, Logik und Erfahrungswissen zu verknüpfen, die Gesamtheit eines Phänomenbereichs im Blick zu haben, ohne dabei die Individualität und die logischen Gesetzmäßigkeiten zu verlieren. Originellerweise wendet er diese Methode auch auf die Arithmetik an, wenn er seinen Zahlbegriff aus der natürlichen Anschauung entwickelt: „Husserls Argument ist, dass man ohne die Idee einer kollektiven Verbindung nicht erklären könne, warum bestimmte Inhalte verbunden sein sollen, während andere von einer solchen Kollektion ausgeschlossen sind“ (S.52). Die Anschauung dient Husserl immer als Ausgangspunkt für seine Analysen, und in der Anschauung ist nunmal die Mannigfaltigkeit gegeben. Ein Problem sieht Husserl darin, „die Welt der reinen Logik und die Welt des Bewusstseins zu vereinen“ (ebd.), und hierin liegt, das legt Hartimos differenzierte Analyse nahe, der Ausgangspunkt für Husserls phänomenologisches Projekt, die formale Logik mit der Psychologie zu vereinen, um – im Sinne eines Arguments gegen den Psychologismus – „die Korrelation der objektiven Logik mit dem subjektiven Bewusstsein verständlich zu machen“ (S.55).
An dieser Stelle können nicht alle Beiträge im Band in der Tiefe betrachtet werden. Allen gemeinsam ist, dass sie Bezug aufeinander nehmen, zentrale Begriffe hervorheben und deren Weiterentwicklung skizzieren, was dieser Sektion eine große Stringenz verleiht. So wird das Projekt der Philosophie als strenger Wissenschaft thematisiert (Vgl. Nicolas de Warren, „Ideen zu einer reinen Phänomenologie und phänomenologischen Philosophie“), außerdem wird der Begriff der Epoché eingeführt, jene Methode, die durch Abschälung der Sinneseindrücke und die Ausschaltung der naiven Annahme der Gegebenheit der Welt definiert ist und die phänomenologische Untersuchung damit auf die reine immanente Bewusstseinsleistung beschränkt. Diese Methode wird v.a. in den Cartesianischen Meditationen erneut zentral.
Besondere Beachtung verdienen indes Nicolas de Warrens Text zur Phänomenologie des inneren Zeitbewusstseins sowie Dermot Morans Beitrag zu den Cartesianischen Meditationen. Beide Texte überzeugen durch ihre knappe und dennoch sehr lesbare Entfaltung hoch komplexer Thematiken. De Warren unterfüttert seine Betrachtungen durch kurze Exkurse zu Kant und Hegel, die als wichtige Einflüsse genannt werden und arbeitet Husserls eigenes Projekt in Abgrenzung zu Kants Zeitbegriff heraus; Zeit wird bei Husserl nicht als Abfolge von Jetzt-Punkten im Sinne eines naturwissenschaftlichen Zeitbegriffs verstanden, sondern vielmehr, im Rahmen seines Begriffs der Intentionalität, als Dauer, als Ineinandergreifen von Protention, Retention und Urimpression, was der Dimension des Zeiterlebens viel eher Rechnung trägt. Husserl gelingt hier, das verdeutlicht de Warren, eine Konzeption der Zeit als Struktur des Bewusstseins, welche für nachfolgende Autoren und auch für die heutige Forschung in anderen Disziplinen maßgeblich ist.
Die Cartesianischen Meditationen werden als Husserls „Haupt- und Lebenswerk“ (S.90) gewürdigt, in dem viele Hauptbegriffe der anderen Werke zusammengeführt und weiterentwickelt werden, auch werden wichtige Einflussgrößen diskutiert. Bei aller Komplexität und Detailfülle bleibt Morans Text kurz, präzise und dicht, ohne dabei einen übermäßigen Lesewiderstand aufzubauen.
Wie bereits in der Einleitung angekündigt, erfährt im Folgenden der Nachlass Husserls eine besondere Würdigung in Form einer recht umfassenden eigenen Sektion. Diese ist sehr plausibel und systematisch nach Themen gegliedert; auf besondere Schwierigkeiten bei der Sichtung des Materials gehen die HerausgeberInnen ein. Die Schwierigkeiten ergeben sich aus Husserls durchaus origineller Arbeitsweise, täglich Denktagebuch zu führen, dabei immer neue Ideen anzureißen, auszuprobieren, zu verwerfen oder weiterzuentwickeln, was zwar produktiv ist, aber auch ganz eigene Herausforderungen bei der Aufbereitung birgt. Umso mehr sei die sorgfältige Zusammenstellung der Beiträge entlang der wichtigsten Themen und Begriffe in Husserls Werk gewürdigt, die sowohl das gesamte Projekt der Phänomenologie unter verschiedenen Gesichtspunkten (als Erste Philosophie, Im Grenzbereich zur Psychologie, Intersubjektivität u.a.) beleuchtet, als auch große Themenbereiche wie Erkenntnisphilosophie und Logik und zu guter Letzt auch auf Kernthemen aus Husserls Schaffen eingeht, wie Lebenswelt und Räumlichkeit.
Im Anschluss benennt der Band Personen, die durch Husserl maßgeblich beeinflusst wurden, darunter natürlich Martin Heidegger – der wohl prominenteste Zeitgenosse Husserls, wobei wohl das gleichzeitig äußerst inspirierende und problematische Verhältnis der beiden maßgeblich für diese Prominenz war und ist. Dies stellt Thomas Nenon in seinem Beitrag sehr gut dar. Außerdem sind z.B. Sartre, Scheler, Merleau-Ponty, Ricoeur, Derrida und Foucault genannt, aber auch Husserls Einfluss in Japan wird erwähnt, in Form eines Beitrag zu Kitaro Nishida. Kritisch bemerken lässt sich, dass Edith Stein keinerlei Erwähnung findet, die als Husserls Assistentin durchaus großen Anteil an manchen Werkphasen hatte – wie immerhin in der Einleitung erwähnt wird – und eine Theorie der Einfühlung entwickelte, die durch Husserl ebenfalls inspiriert war.
Die letzte Sektion setzt sich mit dem Einfluss Husserls auf verschiedene Denkrichtungen und Disziplinen auseinander. Hier wird einmal mehr deutlich, welch große Rolle seine Theorien für die – nicht nur philosophische – Wissenschaft seit dem letzten Jahrhundert spielen.
Alles in allem liegt mit diesem Handbuch ein äußerst bereicherndes Werk für die Auseinandersetzung mit Husserls Philosophie vor. Durch seinen hohen Detailreichtum, seine enorme Dichte und Tiefe bei gleichzeitig überzeugender Struktur, hoher Lesbarkeit und seiner sehr gelungenen Auswahl an Autoren bietet es Kennern eine gute Handreichung und ein solides Nachschlagewerk, aber auch Einsteigern und an Husserls Philosophie Interessierten, die sich einen Überblick verschaffen mögen, ist es eine wertvolle Quelle. Es eignet sich sowohl zum Nachschlagen einzelner Themen und Begriffe, als auch zur Lektüre insgesamt, was dem klugen Aufbau und dem sinnvollen Ineinander der einzelnen Artikel zu verdanken ist.
Luca Vanzago’s The Voice of No One is a thought provoking study in a newer line of Merleau-Ponty studies that seeks to build connections between the phenomenological tradition and process philosophy. Although the connections have not gone completely unobserved (cf. Hamrick 1974, 1999, and 2004), the majority of commentaries on Merleau-Ponty’s thought have completely ignored the importance of Whitehead’s philosophy to it. This situation is unfortunate for any number of reasons, but perhaps mostly due to how such a lacuna forecloses more radical understandings of the phenomenological project in general. By attempting to reinterpret the major concepts of Merleau-Ponty’s philosophy in terms of the commitments of process metaphysics, Vanzago’s book moves in the direction of closing that gap and offering a different approach within the world of Merleau-Ponty scholarship that emphasizes the importance of Merleau-Ponty’s philosophy of nature.
With that said, Vanzago takes a traditional approach to what would be a rather dramatic re-thinking of Merleau-Ponty’s work. After a helpful introduction announcing the book’s main project of drawing the phenomenological and process views closer together by focusing upon the nature of relations, the book begins with several chapters discussing methodological questions regarding the phenomenological reduction (primarily in comparison to Husserl’s method), the nature and possibility of dialectic (with reference to Hegel and Lyotard), reconsidering how relations work (the first major appearance of Whitehead in the book), and how the problem of intersubjectivity plays out in a relational context. These chapters are undertaken utilizing the classic dialogical methodology of European philosophy, and Vanzago offers exemplary studies of the philosophers with whom he engages. In these chapters, he is laying the foundations for the conceptual reconsiderations he introduces in the next several chapters before concluding the book with what this reader took to be the text’s most important contributions, namely those to the ontology of nature. This organizational strategy makes sense, but I found myself wanting the narrative to progress more rapidly toward the book’s announced themes of nature and time, which appear most substantially toward the end of the manuscript. Although Vanzago provides helpful introductory sections to each chapter describing its goals, the aforementioned studies are constructed in a rather self-contained manner. At times, their hermetic quality made it challenging to keep track of how, say, the chapter on passivity (Chapter VI), which contains Vanzago’s close reading of Merleau-Ponty’s reading of Freud’s and Husserl’s views on the passivity of consciousness, contributes to a process view of nature in which consciousness emerges from a previous intersubjective unity.
For that is the main project of the book, arguing that understanding the practice of phenomenology in terms of process metaphysics transforms the problem of intersubjectivity. The persistent criticism of phenomenology, essentially since its inception, has been that even the insistence on the “consciousness is consciousness of …” structure of intentionality and the coexistence of noesis and noema within the intentional act is insufficient to have phenomenology escape one variety of subjectivism or another. For Vanzago, this situation is an opportunity to rethink the nature of phenomenology starting from its foundations, beginning not from the perspective of consciousness, but rather from the perspective of relations. Largely this shift entails an inversion of the usual problem: “when exceeding the limits of egology, phenomenology must become able to bring into its realm that which escapes it, what Merleau-Ponty calls, with an expression coming from Schelling, the ‘barbaric principle,’ the ‘shadow’ of philosophy. In other words, phenomenology must reinvent itself in order to overcome the traditional limits of rationality” (33). A break with the traditional limits of rationality is necessary because the phenomenological thinker must look to what conditions give rise to the possibility of consciousness—the pre-objective, pre-subjective condition out of which consciousness arises—rather than remain ensconced within how phenomena appear to a conscious perceiver. The phenomenologist achieves this break dialectically, proceeding through a number of negations immanent to relational, bodily being, spontaneously creating sedimented “institutions” through which the body habitually relates to the world (44). Chapter III: Chiasms, which offers an understanding of the chiasm through concepts found in Whitehead’s thought, was a true highlight of the book. Here, Vanzago imports a “coherent relationist approach” (48) in the service of making sense of Merleau-Ponty’s attempt to construct a metaphysics that does not rely upon the philosophical tradition’s usual substance-property ontology. Here is where the heart of the process ontology is developed, in the parallelism between Merleau-Ponty’s descriptions of a “logos of the aesthetic world” in which bodily perceptual relations are primary (54) and Whitehead’s claim that every relation is an act of experience (62). Since phenomenology seeks to return to the things themselves through a return to experience, one can substitute the relational theory of experience for the more traditional phenomenological account based in the idea of intentional consciousness.
From there, Vanzago uses the idea of chiasmic relations to reinterpret Merleau-Ponty’s own ideas of bodily intentionality in two interesting and innovative ways. The first is to utilize the process view of time as a way of accounting for the emergence of particular objects from within undifferentiated Being or Nature, which seem to be roughly synonymous for Vanzago (e.g., 195). Being is understood as “the texture that is woven between in the concrete existence of men [sic] and beings” (107), the relational stuff, so to speak, out of which specific beings emerge in their particularity. These chapters, V-VIII, roughly argue that Being, when taken as a process, can account for all of the traditional features usually attributed to mind or spirit in a dualistic, substance-based metaphysics—time, “negativity,” intentionality—without resorting to the materialist “realism” that is still so philosophically popular in Anglo-American metaphysics and is currently experiencing a resurgence in so-called “new materialisms” and “object-oriented” ontologies. Doing so, however, calls for the second project: to utilize Merleau-Ponty’s key commitments to reconstruct a conception of nature that does not define humanity and nature in an oppositional or dualistic manner. Appealing to concepts such as flesh, expression, Whiteheadean events, and metaphor, Vanzago reconstructs a conception of nature that in many ways goes beyond the one Merleau-Ponty develops explicitly in his incomplete later works. Chapter IX: Processes and Events is a highlight in this regard and serves as a complement to the aforementioned Chiasms chapter for those interested in an in-depth analysis of Merleau-Ponty’s relationship to Whitehead.
This latter goal, of course, has been the goal of any number of environmental and philosophies in the critical tradition for decades, a fact Vanzago acknowledges (187). Unfortunately, there is no attempt to engage with those thinkers or traditions and a major shortcoming of Vanzago’s book is the nearly complete absence of consideration of either philosophers outside the canon of major 20th Century (male) European thinkers or the wide array of commentaries that already address these concerns. On the first point, particularly noteworthy is the omission of the work of Val Plumwood, whose Feminism and the Mastery of Nature (1993) argued for a non-dualistic conception of nature in a way that accounts for both continuity between humanity and the rest of nature and the distinctiveness of the various forms of life and inanimate beings that comprise nature. Even within the canon of 20th century European thought, however, there are omissions. It is difficult to see how one could write a book on this specific subject without at least acknowledging Luce Irigaray’s (1993) criticism of Merleau-Ponty on precisely the point on which Vanzago focuses: the notion that Being is unitary and difference is something that needs to be accounted for rather than being a foundational element of being. Although getting bogged down in the literature can have a stultifying effect when one is attempting to articulate a new theoretical perspective, it is also true that entering into dialogue with those who are working with similar if not identical questions might help to refine one’s own work. English language scholars have been discussing these issues for some time, with commentaries such as Aarø (2010), Bannon (2011; 2014), Hamrick and Van Der Veken (2011), and Toadvine (2009)—just to name a selection from within the last decade—arguing for similar perspective to Vanzago’s. Rather than, in some cases, treading on familiar ground, I would have like Vanzago to further develop his innovative thesis further with reference to extant interpretations.
In some ways, this book is torn between two audiences. On the one hand there is the world of Merleau-Ponty scholarship where the organization and methodological choices make the most sense, but there is also very little in the way of engagement with other scholars in that field. On the other hand there is the broader world of philosophy, for whom there is much of interest in the book. Here, the ideas would be better presented by organizing around specific questions or problems rather than concepts. Doing so might appeal to the broader audiences alluded to in the book itself: ecological thinkers, philosophers of science and scholars within science studies interested in the ontology of scientific practice, phenomenologists who work on figures other than Merleau-Ponty, etc.
Despite these reservations, however, The Voice of No One is a substantial addition to the literature and deserves a reading from Merleau-Ponty scholars due to its careful analysis of the texts of both Merleau-Ponty and many of his major interlocutors. The text presents a well-argued case for its central thesis and presents strong evidence that the more established interpretations of Merleau-Ponty’s philosophy, particularly the later work, are in need of revision in order to accommodate Merleau-Ponty’s engagement with process thought in general and with Whitehead in specific.
Aarø, Ane Faugstad. 2010. “Merleau-Ponty’s Concept of Nature and the Ontology of Flesh.” Biosemiotics 3: 331-345.
Bannon, Bryan E. 2011. “Flesh and Nature: Understanding Merleau-Ponty’s Relational Ontology.” Research in Phenomenology 41: 327-357.
–. 2014. From Mastery to Mystery: A Phenomenological Foundation for Environmental Ethics. Athens, OH: Ohio University Press.
Hamrick, William S. 1974. “Whitehead and Merleau-Ponty: Some Moral Implications.” Process Studies 4: 235-251.
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Bei dem Band The World We Live In, herausgegeben von Gabriel Liiceanu und Catalin Partenie, handelt es sich um eine posthum erschienene Sammlung von Aufsätzen, Vorlesungsmitschriften und Textrekonstruktionen des rumänischen Phänomenologen Alexandru Dragomir (1916 – 2002), dem Zeit seines Lebens aufgrund widriger Umstände die verdiente Aufmerksamkeit verwehrt blieb und der bis zu seinem Tod nicht einen einzigen Text veröffentlichte.
Vor diesem Hintergrund besticht der vorliegende Band bereits durch seine Methode und seinen Aufbau: einem recht ausführlichen biographischen Teil, der etwa ein Drittel des schmalen Buches ausmacht, folgt die in drei Sektionen gegliederte Sammlung von Aufsätzen, wobei die Aufsätze in sehr unterschiedlicher Form vorliegen. Jedem Text geht eine kurze Erläuterung seiner Herkunft und Bearbeitungsweise voraus, und so finden sich Rekonstruktionen aus Vorlesungsmitschriften, Transkripte von Tonbandaufnahmen und allerlei fragmentarisches Material, das nach bestem Wissen und Gewissen und sehr akribisch und präzise angefertigt wurde.
Die Herausgeber äußern sich zur Methode und zum Status des Werks wie folgt:
„The present volume brings together all that has been preserved of these lectures and that could serve as raw material for subsequent working up. By working up, we mean that neither the existing notes, nor the audio recordings have been reproduced exactly“ (ix)
Vielmehr ist man um eine verständliche Darstellung bemüht, als um die ganz exakte Rekonstruktion des vorliegenden Materials.
Der ausführliche biographische Teil gibt Aufschluss darüber, wie es zu Dragomirs hohem Stellenwert in der phänomenologischen Theoriebildung und seiner regen Unterrichtstätigkeit gänzlich ohne Publikationen kam, und weshalb er trotzdem so wenig wahrgenommen wurde und bis heute wird.
Dragomir wird als brillanter Schüler Heideggers dargestellt, als Denker nach Heideggers Vorbild, der das Denken weit höher bewertet als das Schreiben, dem aber der zweite Weltkrieg und die enge Verbundenheit mit Martin Heidegger zum Verhängnis wird. Der zweite Weltkrieg wird hier als zentrales Ereignis beschrieben, welches Dragomirs Karriere beendete, bevor sie wirklich begonnen hatte.
So äußern sich denn auch die Herausgeber:
„As I write today for the first time about Alexandru Dragomir, I am inclined to explain him as the product of a microclimate of history, a cultural ab-erration, a ‘wandering’, a derivation from the mould in which culture takes shape in normal ages and worlds.“ (S.12)
Besondere Beachtung finden die Notizbücher Dragomirs, die 2002 gefunden wurden, aus denen ein Schwerpunkt seines Denkens hervorgeht: geprägt durch Heidegger beschäftigte sich Dragomir intensiv mit der Frage nach der Zeit; diesem Nachlass widmet sich bereits ein Band mit dem Titel Chronos. Bei aller Nähe zu Heidegger darf aber Dragomirs Kritik an seinem Lehrer nicht verschwiegen werden: Heidegger habe die Frage nach der Zeit nicht beantwortet; so fügt er der Zeit noch weitere Strukturmomente hinzu, die bei Heidegger unterbelichtet bleiben und die die Rede von der Zeit weiter ausdifferenzieren. Nicht nur präzisiert er den Begriff des ‘Jetzt’, er beschreibt auch die Struktur des Zukünftigen präziser als Heidegger es getan hat, indem er den Entwurfscharakter des Daseins als ein Zusammenspiel von tatsächlichen Möglichkeiten, Plänen sowie Träumen und Phantasien beschreibt, wie im Folgenden weiter ausgeführt wird. Die Abhandlung über die Zeit verdient es also sicherlich ebenfalls, neu entdeckt und rezipiert zu werden.
Der Aufsatzteil ist in zwei große Abschnitte gegliedert. Der erste widmet sich analytischen Fragen, immer mit großer Nähe zur griechischen Antike. So findet sich eine Abhandlung über Frage und Antwort, den sokratischen Dialog und die Frage, was eigentlich Wissen bedeutet, welches Wissen möglich ist, etc. In seiner Nähe zu Sokrates – „Ich weiß, dass ich nichts weiß“ – manifestiert sich erneut Dragomirs Auffassung, dass das reine Denken dem Schreiben überlegen sei. Dieser Standpunkt zieht sich durch alle Beiträge.
Der zweite Text, die Transkription eines Vortrags vom September 1987, beschäftigt sich mit Fragen der Selbsttäuschung und greift die wesentlichen Schwerpunkte Dragomirs’ Schaffen auf: es geht um Zeit; um die Selbsttäuschung aufgrund von Träumen, Erinnerungen, Vorstellungen von Zukünftigem, um Selbstbilder und darum, wie diese korrumpiert werden können. Die Grundlage seiner Überlegungen bildet Heideggers Begriff vom Seinkönnen, die Idee, dass wir uns selbst auf Basis von Projektionen, Wünschen, Vorstellungen, aber auch von bereits Erlebtem selbst entwerfen. Dragomirs entscheidende Pointe besteht in der Idee eines Spielraums, „a space that is not yet occupied by anything, a niche of the possible in which we can install ourselves and freely settle into one direction or another of our lives“ (S.45). In diesem Spielraum liegt die Möglichkeit, sich anders zu entscheiden, anders ‘abzubiegen’, als die Projektionen und Vorstellungen es vorgeben und gleichzeitig das große Potential der Selbsttäuschung. Hier liegt nämlich der Punkt, an dem Selbstbild und tatsächliches Selbst sich voneinander trennen. Indem dieser Text die wesentlichen Punkte aus Dragomirs Konzeption verbindet – das Wissen um das eigene Nicht-Wissen sowie großartige Einsichten ins Wesen der Zeit und in die Lücken in Heideggers Zeitanalyse – kann er als einer der zentralen Texte des Bandes angesehen werden.
Die darauf folgenden Beiträge behandeln Raum und Zeit in ihren unterschiedlichen Facetten. Nach den phänomenologischen Betrachtungen von Raum und Zeit im menschlichen Selbstverhältnis geht es um die Konstitution von Lebenswelt („Utter Metaphysical Banalities“), um geographische und politische Räume („Nations“) sowie um die Transzendenz und Selbstüberschätzung des Menschen, der das Maß für sich selbst verliert. Der Text behandelt den Menschen in seiner Sozialität sowie sein Verhältnis zum Göttlichen und zur Natur und die Möglichkeit, dass diese Bezüge sich als nicht haltbar erweisen und sich die Suche nach dem Sinn als aussichtslos erweist. Auch hier zeigt sich die große Nähe zu Heidegger.
Insgesamt zeigt dieser erste Abschnitt eine Bewegung vom Kleinen ins Große, vom individuellen Menschen in seinem Selbstverhältnis hin zum Weltverhältnis, zur Umgebung und darüber hinaus, immer mit deutlichem Bezug zu Heidegger und zur griechischen Antike, sowie zur Verbindung zwischen Sokrates und der phänomenologischen Theoriebildung des 20. Jahrhunderts. In dieser Verknüpfung und dem sinnvollen Aufbau liegt der besondere Verdienst nicht nur des unterrepräsentierten Denkers Dragomir, sondern auch der sorgfältigen Herausgeberschaft Liiceanus und Catalins.
Der zweite Teil des Aufsatzteils basiert auf einer Vorlesungsreihe zu Platons Apologie und beschäftigt sich dementsprechend schwerpunktmäßig mit der Person Sokrates und mit seiner Philosophie und seinen Methoden. Den Aufsätzen ist ein ausführlicher Teil zu den Quellen der Methode ihrer Aufbereitung vorangestellt.
Die Aufsätze selbst behandeln neben den historischen Betrachtungen die großen Fragen der Philosophie; die Nähe Dragomirs zu Heidegger scheint immer wieder durch. Diese wird beispielsweise dort offenkundig, wo er die Philosophie mit der Stadt kontrastiert, wobei die Stadt als Ort der öffentlichen Meinung und damit in direkter Nähe zu Heideggers Man verstanden wird. Außerdem werden die Themen des guten Lebens, des Wissens sowie einige logische Betrachtungen und die sokratische Methode erörtert.
Der letzte Abschnitt dieses zweiten Teils ist der titelgebende Text „The World We Live In“, der auf einer Vortragsreihe gründet, die Dragomir im Zeitraum von September 1986 bis Mai 1988 gab. Inhaltlicher Schwerpunkt dieses Textes ist eine Technik- und Wissenschaftskritik, die stark an Heidegger anschließt. Ausgangspunkt der Überlegungen bildet ein Nietzsche-Zitat, in dem es um die Entfremdung des Menschen von seinen Grundinstinkten geht, welche die Lebenswelt und die Gesellschaft seiner Zeit charakterisiere. Ein Problem der Menschen sei, dass sie sich im Zuge der fortschreitenden Abstraktion zu sehr von sich selbst und ihren Bedürfnissen entfernen und sich die Welt dementsprechend einrichten. Ausgehend von dieser Bestandsaufnahme untersucht Dragomir die Begriffe des Denkens, Wissens und der Wissenschaft nach Aristoteles; auch hier wird wieder ein starker Schwerpunkt auf das Denken im Unterschied zu Wissen und Technologie gelegt. Nur der denkende Mensch könne frei und autonom sein, so betont Dragomir, und begründet damit seine Kritik an der gegenwärtigen hoch technisierten Kultur, die den Menschen von seinem Menschsein und seinen Möglichkeiten entfremde.
Insgesamt gelingt mit The World We Live In ein sehr konziser und informativer Einblick in das Schaffen eines zu Unrecht vernachlässigten Philosophen der jüngeren Geschichte. Neben wertvollen historischen Einsichten vermittelt der Band spannende philosophische Gedankengänge, die gleichzeitig zentrale phänomenologische Begriffe des 20. Jahrhunderts weiterdenken, die Verbindung zu anderen Positionen vermitteln und ein interessantes Licht insbesondere auf Martin Heideggers Schaffen werfen.
Den Herausgebern gelingt ein sehr empfehlenswertes Buch, das sowohl für den interessierten Laien geeignet ist als auch neue Einsichten für Kenner der aktuellen Forschungslage bereithält.
We may tell the story of the phenomenology of time in many ways, each of them evoking (and constructing) a slightly different meaning of temporality. The story’s plot does not merely depend on the style of a storyteller and historical figures he decides to cover. It is also important what we are having in mind when we talk about time. Michael Kelly’s story in Phenomenology and the Problem of Time is about a series of radicalizations of Husserl’s transcendental theory of time, those of Heidegger, Merleau-Ponty, and Derrida. The story is based on the plot of rise and fall. It all begins with Husserl, who radicalizes himself, and is later radicalized by Heidegger who missed his teacher’s own radicalization. Soon afterwards, Heidegger overcomes not only Husserl but also himself. Similarly, Merleau-Ponty and Derrida do. They all overcome phenomenology. While the tension increases with the initial progress, it is released with the ultimate “regress”. Since the question of time is posited, and rightly so, as the most important question of phenomenology, the dissolution of time-constituting consciousness becomes the demise of the whole of the phenomenological enterprise.
Kelly’s initial point is that Husserl’s inheritors were not charitable enough in interpreting his account of time-consciousness so that a defense of Husserl is due. Heidegger’s perspective is that Husserl’s phenomenological reduction binds him to the modern subjective idealist sense of immanence, which reduces being to a construction of consciousness. It is only him, Heidegger, who finally liberates it (a view analogical to Husserl’s critique of Descartes and Kant). Heidegger’s criticism, however, is based on Logical Investigations (1900) and Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy (1913). Kelly argues that the view of intentionality as presented in these works is immature. If we want to truly examine the related notions of intentionality, subjectivity and time, we must look upon Husserl’s mature theory of genuine phenomenological immanence, originally given in his 1907 lectures The Idea of Phenomenology. This overlooked theory of immanence equals a theory of time-consciousness that is far more nuanced than the subjective idealistic reduction of transcendence to immanence, and certainly not simply synonymous of consciousness.
Many critics failed to appreciate the difference between the two notions of immanence in Husserl. But these two notions (and not just one that was misunderstood) exist. In the thought experiment of annihilation of the world, Husserl himself partly presented himself as a subjective idealist who suggests that consciousness may exist independently of the material world. Naturally, a phenomenological reduction only brackets a naïve engagement with the world and does not cut consciousness off the world. Nevertheless, there are certain “imperfections of immanence” in Husserl, to use Kelly’s catchy phrase, which Heidegger correctly points out. When intentionality functions as a bridge between the two realms of subject and object, Husserl still operates within a dualistic framework. Separating intentional acts from intentional contents creates a tension that prevents an exposition of their original unity. Such a notion of intentionality is not subjective idealist per se since a turn to lived experience has been already made, but it keeps attached to the ontological distinction between consciousness and its object.
In the ordinary or psychological conception of immanence, consciousness appears as a box of representations and, hence, yet another object. In Husserl’s early conception, on the other hand, immanence is given as a stream of consciousness and not as an object. It is real immanence. This stream of consciousness or the truly immanent is not intended. What is intended is an object transcendent to this stream. Intended objects (which exist extra-mentally) are perceived but not experienced or “lived through” (in the sense of the German Erlebnis and not Erfahrung). Acts, on the other hand, are experienced but not perceived. Kelly argues that this view is still haunted by the modern dualism since lived experience is divorced from intended objects situated outside of the stream of consciousness. The move away from objectified consciousness towards real immanence does not yet reach genuine phenomenological immanence.
In On the Phenomenology of the Consciousness of Internal Time (1893-1917) and in The Idea of Phenomenology (1907), Husserl abandons the still dualistic model from Logical Investigations and presents his new theory of intentionality. According to Kelly, immanence now becomes genuine and presents pure phenomena – being, appearances and their self-giveness at the same time. In this mode of intentionality we encounter transcendence in immanence. “Unlike psychological immanence, which the epoché puts out of play, and unlike reell immanence, which remained tied purely to the act of knowing without contact with the irreell or transcendence, genuine phenomenological immanence denotes the ‘absolute and clear’ giveness of whatever appears, intentions and intendeds, as it were” (53). Husserl thus discovers a difference between objectifying intentionality of acts and non-objectifying intentionality of absolute consciousness. The latter is understood not as a bridge between subject and object, neither of which is reducible to the other, but as a phenomenon preceding this distinction. The self is given through and across different acts and objects in terms of pre-reflective self-awareness immediately accompanying all of our experiences. In defending the concept of minimal or immediate self-awareness, Kelly to a great extent follows Dan Zahavi’s interpretation from his Self-Awareness and Alterity (1999). Such a tacit and non-objectifying awareness is finally different from Cartesian and Kantian objectifying intentionality of acts.
Kant, surely, was one of the great predecessors of Husserl, as Kelly is the first to admit. The inner intuition of time from the First Critique foreshadows phenomenological non-epistemic mode of intentionality. It is because time as an a priori feature of consciousness precedes the intentionality of acts. Through the consciousness of time, the subject intuits itself, even if it cannot see itself. Upon Heidegger’s reading at least (from his Kant and the Problem of Metaphysics), pure (transcendental) syntheses of apprehension, reproduction and recognition extend consciousness beyond the present. On the other hand, Kant never escaped the atemporal view of the subject and the concept of time as a series of atomistic impressions. The transcendental unity of apperception provides the “I” that thinks and is not an object while remaining atemporally identical. Kelly argues that, ultimately, Kant presented a transcendental version of psychological immanence, in which there is transcendental time-constituting consciousness and psychological time of the flux of appearances.
If we want to move away from the psychological model of the self and the dualistic model of intentionality towards absolute consciousness, we must not only step beyond the transcendent time but also abandon the psychological notion of subjective time as a quantity (studied by the cognitive sciences and experimental psychology). That is, we must look upon a “third” and basic level, which in Kelly’s book goes under many names. It is genuine phenomenological immanence, but also consciousness of internal time, living-present in the non-objective sense, non-objectifying intentionality, non-temporal temporalizing, etc. Such a consciousness is neither atemporal nor temporal in the sense of a sequence of moments (either of objectified clock time “nows” or the moments of a subjective flow). In lived experience, of course, the three levels – transcendental, subjective, and objective, if you like – exist in a unity. At least, such is the case of an ordinary experience in which everything goes smoothly and without major interruptions. “Consciousness reveals itself as a non-temporal temporalizing (or unfolding), that is, a time-constituting consciousness that makes possible the disclosure of temporal objects insofar as it makes possible the disclosure of the self’s temporality by accounting for our original sense of pastness in the retentional dimension of the living-present” (92).
Within the psychological model of immanence haunted by the modern dualism of inner and outer, one cannot account for self-consciousness other than reflectively. The self represents itself to itself in the same way that it represents external objects. The problem of temporal experience illustrates well the difference between the non-dualistic and the dualistic accounts (the latter often practiced in modern scientific studies of time perception). Upon the dualistic account, non-temporal impressions are temporalized through time-constituting acts. The mind – or the brain, as many empirical scientists would say – thus creates time through its elementary modes of processing information. Husserl’s early theory departs from this conception but remains close. Apprehension of the experiential content as past, present or future takes place thanks to three temporal intentional rays. Each momentary phase of consciousness contains those three rays so that past, present, and future overlap in lived experience. It might thus seem that the consciousness of succession successfully replaces the succession of consciousness. But the perception of a temporal object is not really temporal here. It is atemporal and momentary. What the early theory gives us is merely a succession of consciousness of succession (or a sequence of impressions of a sequence) and not a consciousness of succession (or an impression of a sequence). It is, therefore, still burdened by the clock time account of the sequence of “nows”, even if each of these conscious “nows” has now a triple intentionality directed towards immediate past, present, and future.
In order to be fully temporal and in each of its phases aware of its acts, consciousness must be construed as non-temporal in the ordinary sense. Upon the non-dualistic account, a living present “intends itself” without a need for a reflective – and, hence, spanning at least two different moments in time – mediation. In Husserl’s own language, the move to non-objectifying intentionality is marked by a shift in language from a primary memory, which is like an after-image of the past, to retention, which represents an implicit intentional relation between two phases of consciousness. Retention is not a re-presentation of the past in the present but a presentation of the past of consciousness. There is no ordinary temporal “distance” between the two moments. In other words, the difference between past and present does not yet come into the fore. Retention, primal impression, and protention are all inseparable moments of the living present and not pieces of a process. The whole process is passive, automatic and non-objectifying. In this way, consciousness is extended beyond the now before being temporal in the psychological sense (where the word “before” does not mean earlier in objective time). Such non-thematic time-consciousness grounds the objectifying intentionality of acts and of intended objects, including ordinary time perception. While the foundation is non-temporal in the sense of not being sequential, it is not atemporal in the sense of the Kantian subject. It is temporal because it is not “frozen” and it is atemporal because it is not a series. Consciousness persists outside of conventional (psychologically experienced) time, but since consciousness is time-consciousness it persists as a flow.
Kelly’s depiction of genuine immanence as time-consciousness is compelling. There are, however, important questions concerning the actual varieties of the lived experience of temporalizing left out of his considerations. Many forms of bodily and conscious temporal engagements with the world do not require an explanatory recourse to some deeper, underlying levels of immanence and time-constituting consciousness. There are, however, some that may lead us to worry about the absolutization of absolute time-constituting consciousness. One example are the experiences of time of the self coming to a standstill (as often reported in depression), despite the fact that the acts and contents of psychological time are largely left intact. Would such a frozen self, clearly inhibited at a pre-reflective level, equal a cessation of a primordial temporalization? It seems unlikely given that this temporal experience is still pre-reflectively self-aware and that objectifying intentionality (dependent upon genuine immanence) operates at least to some extent. The detachment of the self from the temporal flow (a self in a standstill) does not preclude the possibility of objectifying time-consciousness. On the other hand, some schizophrenic experiences seem to affect the deepest core of time-consciousness. According to the so-called ipseity theory of self-disorders, it happens when the tacit presence of the self is disrupted. Are we then talking about absolute or about “normal” time-constituting consciousness? The difference is far from being minute for an absolute consciousness should function in spite of any possible psychological disturbances.
If we take genuine phenomenological immanence seriously, Heidegger’s radicalization of the Husserlian phenomenology in Being and Time (1927) appears as still depending on Husserl. Indeed, from the perspective of Heidegger’s later work the notion of Being-in-the-World may seem fairly subjectivist. Kelly contends that the actual radicalization of phenomenology takes place when in Kant and the Problem of Metaphysics (1929) the self is identified with time. Only then Heidegger liberates intentionality from consciousness – a process that Kelly calls the emergence of Spinozism in phenomenology. Already in 1929, Kelly argues, Heidegger sees Dasein as depending on “clearing” (which, by that time, goes under the notion of temporality). This marks the beginning of the fall of phenomenology in Heidegger’s later work.
The fall is due to the fact that time activates itself independently of experience and that the subject depends on time’s affection of itself. Dasein as a finite mode of givenness is thus grounded in an infinite, absolute mode. Throughout the book, Kelly calls this step of radicalization the exchange of an “absolute time-constituting consciousness” for an “absolute-time constituting consciousness” – a move that gives time an autonomous ontological existence. Kelly’s rightful worry is that it implies a potential backslide to metaphysics. Another concern is that it might entail a return to physicalism and a naturalist ontology of time. Whatever the possible route, certainly phenomenology becomes an ontology. The notion of “phenomenological monism” grasps this process quite well.
Kelly’s chapter on Heidegger is partly disappointing because it wholly evades the question of finitude. It is also hardly convincing that early “Heidegger’s account of Dasein’s temporality remains tied to the now despite the emphasis often put on time coming from the future” (113). The argument is that Dasein’s temporal ecstases are a functional equivalent to the tripartite structure of Husserl’s time-constituting consciousness, which is, of course, true, but does not justify the thesis.
If Heidegger predicts and then carries out the end of phenomenology, Merleau-Ponty presents an epilogue to the fall. Merleau-Ponty’s view of the subject as the movement of transcendence evades early Husserl’s (still partly idealist) account of the subject that is out of time (or contemporary with all times) and follows Heidegger’s lead from the latter’s Kant and the Problem of Metaphysics. Later on, Merleau-Ponty fully departs from Husserl and the philosophy of consciousness as such. The notion of operative intentionality in Phenomenology of Perception (1945) is still Husserlian in spirit. In The Visible and the Invisible (1959-61) a new thought appears, namely, that time constitutes consciousness and not the other way around. In Kelly’s narrative, again, it means bringing in an ontological view of time, which he calls mythical immanence.
As far as operative intentionality is concerned, consciousness is not a quasi-eternal subject transparent to itself, but a process. The self relates to itself by transcending itself. Its essence is transcendence. The shift from such an existential reading of consciousness in The Visible and the Invisible is radical. Analogically to Heidegger’s hypothesis that time constitutes itself, Merleau-Ponty observes that Husserl’s subject was not fully temporal. In Merleau-Ponty’s own formulation of latent intentionality, which is more basic than pre-reflective self-awareness, all consciousness is constituted by time. There is no privilege of the present nor of the past, because they are simultaneous. The past, therefore, must not be derived from the present, it must not have been present before it became past. “Perhaps his [Merleau-Ponty’s] thought follows the internal logic of phenomenology? Perhaps it is the realization of ‘the end of phenomenology’ or the working out of its historical destiny?” (171). Kelly’s question is, hopefully, a rhetorical one. The very idea of phenomenology is quite far from any logic of historical development. Even if a story is a property of life, life is more than just a single story, and, certainly, not a story that has its end organically prescribed in the beginning. However, several of Kelly’s claims suggest he would support such a view. Time is “the germ of phenomenology that either consumes it from within or blooms into phenomenological theology. In the case of the former, phenomenology’s quest for certainty is unrealizable. In the case of the latter, we might find an unexpected apodicticity of absence” (177). Fortunately, a hermeneutic turn easily saves phenomenology from the dilemma. We know that certainty is unrealizable precisely because we are temporal and interpreting creatures. Life cannot be fully completed but it does not mean that the self must be lost to time. A theology or a philosophy of history is needed only if we can’t dwell in the precariousness of human existence. The question is, rather, to what extent we must abandon the idea of existential becoming to account for the shift from operative to latent intentionality.
An analogical inevitability allegedly stems from Derrida’s narrative in Speech and Phenomena (1967). According to Derrida, Husserl’s idea of a self-given subject is an example of the metaphysics of presence. Husserl privileges expression over indication by distinguishing the former through its proximity to present (at the very moment) intentional consciousness. In an expression, the signifier and the signified are one, and the voice silently hears itself speaking. Consciousness is transparent. At stake in retaining such a fully transparent meaning of one’s own expression to oneself, without a mediation of a reflective gap, is the presence of self-presence. Derrida criticizes the privilege of the voice that is supposed to provide this indubitable meaning. Every present moment is contaminated by the movement of temporalization that contradicts pure self-presence of consciousness. Implicit in Husserl’s account is that in order to retain the notion of absolute consciousness, we must speak what we are unable to speak. In this sense, mythic immanence is already contained in Husserl’s view of time-consciousness. The movement of temporalization infects consciousness in a way that it is never pure so that Husserl’s project undermines itself.
Kelly demonstrates how Derrida’s disapproval of the privileging of consciousness follows Heidegger’s insights on absolute-time constituting consciousness. Simultaneously, taking advantage of Brough, de Warren, and Zahavi, among others, he takes a position against Derrida claiming that he missed the development of Husserl’s thought, and specifically the latter’s abandonment of the scheme-apprehension model of intentionality. At the same time, Kelly thinks that Derrida is right in asserting that an apodictically given absence stems from Husserl’s account of time-consciousness.
Kelly’s position is not clear. It doesn’t seem, as Kelly tries to argue, that Derrida confuses retention with primary memory’s recollection or that he perceives primal impression as a discreet instant of time and thus overlooks Husserl’s insights on genuine immanence. Derrida’s argument would hold well in the case of properly temporalized consciousness. Even if we accept the notion of pre-reflective self-awareness, the movement of temporalization within the living presence makes a full transparency of the self to itself impossible. The self being temporal is constantly undermined by itself and therefore itself only so far as different from itself – simply through unfolding in time and not necessarily through reflecting upon itself. Hence, the movement of temporalization is what, as Derrida postulates, produces the transcendental subject, and not something that is produced by it. This movement is more primordial than consciousness. It is true that by introducing language, Derrida “places the chip of deconstruction under the skin of phenomenology” (196). But must it all end with a phenomenological theology? Upon Kelly’s reading, the inner logic of time-consciousness grounds it in the “ultratranscendental” concept of life. Since the ultratranscendental is ontologically primordial and unnamable, there can be no pure presence. The present is itself by becoming the past. What is presently absent – and not just a retention that is literally “retained” in consciousness and, therefore, still present – is the origin of what is present. The movement of temporalization itself constitutes all presence. Again, even if the ultratranscendental life destroys ahistorical certitude, must it fully destroy phenomenology?
While Kelly proves to be an expert reader of the phenomenological tradition, his own stance vis-à-vis the discussed thinkers is not always unambiguous. If Heidegger, Merleau-Ponty and Derrida have partly misread Husserl’s conception of time, was the nutshell of their radicalizations already contained within his philosophical enterprise? And if so, did they just go too far with their “transcendentalizing” of phenomenology or was it an inevitable interpretative development stemming from the “things themselves”? Was the ultimate overcoming of phenomenology a regress? At times, Kelly does not take sides. At times, he seems to argue against the critics and hold to Husserl’s original position from his unpublished writings, as if it could save phenomenology from its alleged internal decomposition. It must be remembered, however, that academic phenomenology, historically speaking, did not simply decompose or develop into becoming more distant and esoteric. The return of applied phenomenology within the natural sciences during the last decades proves quite otherwise, not to mention many less transcendental paths phenomenology went through in the last century. Remaining within Kelly’s scope, it is perhaps right to say that if later phenomenologists have dwelled upon Husserl’s mature thinking on temporality, consciousness understood as self-presence would have been saved without the need to retreat to mysticism. Whether this retreat leads to some sort of Spinozism, as the author suggests, or something else, the consequences for academic philosophy are grim.
A few words about the shortcomings of the book are due at the end. For an unprepared reader, it is quite technical and difficult to follow. Scarce examples certainly don’t make it engaging. The justification of the claim that the story of phenomenology in the second and third generations is a series of misunderstandings of Husserl’s conception of time-consciousness, if we take this claim literally, is quite weak. Unfortunately, Kelly does not discuss the problems of historicity and finitude, even if the question of time begs for it. The book is also full of repetitions and lacks lightness. Kelly’s insightful work would not have lost its substance by being a half shorter. At the moment, it is an example of a dense academic, if not scholastic writing – an almost proverbial list of footnotes to Husserl. It must be also noted that secondary sources are limited to the English language only. Quite regrettably, the concept of time is restricted to its transcendental phenomenological notion. There is neither discussion nor mention of the varieties of pre-reflectively and reflectively lived temporalities – layers, modes, structures, and modalities of temporal experience, about which phenomenology has had so much to say. As a result, the view of the phenomenology of time presented in this book, despite its indisputable depth, is not comprehensive.
Time, Space, and Technology in the Phenomenology of Dragomir
After studying at the University of Bucharest during the Interbellum, Alexandru Dragomir (1916–2002) opted to become a doctoral student with Martin Heidegger in Freiburg. The Second World War, however, intervened in his studies, initially by forcing him to return to his native Romania for military duty and, after the end of the war, by preventing him to return to a politically suspect philosophy supervisor. The combination of Romania’s communist regime and Dragomir’s lack of interest in publishing resulted in zero philosophical publications in his lifetime, but it did not stop him from becoming one of Romania’s most characteristic and inspirational post-war philosophers. In the period after the war, he joined a small circle of young philosophers who met to develop, or tried to develop, philosophical thoughts independent of the approved Marxist framework. Some of the participants in these meetings later came to hold important academic positions in Romania and it is through their efforts that we now have a chance to read their mentor’s ideas in the present volume.
The World We Live In contains private lectures given by Dragomir spanning a period from 1985 to 1998. Some lectures are graceful examples of ‘live’ philosophical thinking, where phenomenological investigation and philological skill are combined to probe issues concerning time, space, and technology. Other lectures are less polished and should perhaps not have been published. Almost all the lectures engage with classic philosophical texts, primarily by Plato and Aristotle, and, to a lesser degree, Descartes, Kant, Hegel, and Nietzsche. Dragomir’s mentor Heidegger is more often than not present in the background, through the method of analysis. The volume is divided into two parts, with part I containing a number of shorter lectures, usually only a handful of pages long, and part II containing three larger lectures of about twenty pages each. At least three of the lectures have been previously published in the journal Studia Phænomenologica in the combined 3/4 issue from 2004, though any mention of this is conspicuously absent from the present collection. Specifically, these lectures are “Utter Metaphysical Banalities”, “About The Ocean of Forgetting”, “About the world we live in” (the title has been slightly changed). The introduction and epilogue – respectively authored by Gabriel Liiceanu and Andrei Pleşu – were previously published in the same journal issue also, but more about these later. The lectures are generally presented in a chronological order and this works well to give the reader a feel for the progression of Dragomir’s thinking. James Christian Brown has done an admirable work translating the text into accessible English prose, though my no more than elementary knowledge of Romanian prevents me from vouching for the reliability of the translation.
“Utter Metaphysical Banalities” is the most philosophically rich among the nine shorter lectures of the first part. The metaphysical ‘banalities’ in question are the spatial and temporal environment, which are named so because everybody experiences and, usually, does not question them. Dragomir does. He investigates these environments phenomenologically by relating them to the self, particularly by showing what range is being opened up by the spatial and the temporal, and what is delineated by their horizons – a key term in Dragomirean analyses. For example, he argues that familiar spatial environments are oriented towards me, not merely physically but also spiritually in the sense that I know how my environment relates to me – they are familiar precisely because I have mentally appropriated them. This is why a room that looks like chaos to one person may look familiar to another, and why a room that is ordered by someone else may remain foreign and chaotic to me because I have not yet related myself mentally to it. Dragomir introduces the concept of ‘contemporaneity’ in his analysis of the temporal. When someone lives in a contemporaneity, one lives in a certain social and cultural web. Children acquire a contemporaneity when they grow up, appropriating the pop-culture, customs, and icons of their day; on becoming adult they have acquired a contemporaneity that is contemporary or current; when they grow old, their contemporaneity stays with them and loses its synchronicity – slowly the threads that link them to the social and cultural web that is familiar to them are severed until they no longer share the same temporal environment with those around them. Though clearly dealing with Heideggerian themes, the current analysis forms an interesting contrast with that of Dragomir’s mentor. A comparison with, for example, Heidegger’s 1924 lecture on Der Begriff der Zeit is useful to note an interesting difference. While for Heidegger time is to be understood in relation to a Dasein, for which it plays primarily an anticipatory and existential role – it gains importance by its grasping toward the future – Dragomir’s analysis of the experience of time hinges on the building of a social and cultural web, and thus should be understood in relation to the past and present. Taking note of the analysis in “Utter Metaphysical Banalities” gives the reader a useful point of reference when tracing the progression of Dragomir’s thoughts on time in the other, later lectures.
Among the other lectures in the first part, “Nations” stands out as a thought-provoking and surprisingly contemporary discussion of politics. In it, Dragomir examines the notion of ‘nation’ through a phenomenological lens and, through this examination, comes to a diagnosis of the essential strong and weak points of political constructs such as the European Union. The central role is played by the understanding of a nation as composed of people’s investment in three signals: its geography, which points to ‘our country’; its history, which points to ‘our past’; and its language, which points to ‘our mother tongue’. While I am not sure I agree with the conclusion drawn, namely that a nation is irreducible by virtue of its citizens’ investment and that this makes international collaboration inherently unstable, the analysis is, as far as I can tell, highly original. Furthermore, it allows for an understanding of the tensions within the EU from the political macro to micro level. This makes “Nations” relevant for contemporary scholars that work on the EU and UN in political philosophy and theory.
The other lectures in the first part are less-developed. “The Ocean of Forgetting” – on the role of remembering and forgetting – deserves a special mention: not much new is said in here, but the argument that we forget an extraordinary amount of experiences and that this in itself should make us feel skeptical of the value of cultural canons, is sound. The less that is said about “About Man and Woman” the better. The assertion that feminism should not forget ‘essence’ is laughable and shows a thorough misunderstanding of what most feminist approaches to philosophy and politics are about. This thirst for understanding the masculine and feminine as essences makes the argument circular and, together with other statements in the volume about how “women excel” at blaming others (51), reinforce the picture of a bad case of value dissonance between public academic discourse and the relative privacy of the living room in which Dragomir’s lectures were given. Phenomenology need not be this subjective (see Gallagher and Zahavi, 2007) and any reader with a genuine interest in phenomenology and feminism would be better served by picking up Sara Ahmed’s Queer phenomenology (2006). Perhaps it is best to just conclude that the Dragomir of “About Man and Woman” is no longer synchronous with the current contemporaneity and leave it at that.
The first two of the three longer lectures that we find in part II deal with Platonic themes and in them Dragomir performs some philological heavy-lifting. In “Socrates: Philosophy Confronts the City”, we find an examination of Socrates’ famous adage of ‘knowing that I do not know” and his subsequent maieutic approach to questioning experts. This is done in the first part by a Hegelian dialectic of distinctions between types of experts, life and death, and good and evil. Later on, we witness how Dragomir intertwines several strands of his earlier work on horizons and applies them to Platonic epistemology: that what we can know is defined by the limitations of our knowing and our relation to those limitations. Phenomenologists and exegetes of Heidegger’s work might find the later part of the discussion, on how Being as understood by the ancients relates to Sein und Zeit, of use.
“Comments on the Philebus” is lauded by one of the editors as “extremely original” (114), though it is unclear to me exactly what part of the lecture deserves such praise. The Philebus is one of Plato’s later dialogues and widely regarded as one of the more difficult (Frede 1992, 425). There have been discussions on whether the dialogue is internally consistent (e.g., like Hackforth 1945), or whether the passages contradict each other (e.g., Gosling 1975). Dragomir’s conclusion that we are left “in a state of questioning” (128) suggests he leans towards the later point of view. Furthermore, commentators often try to either argue the consistency of the discussions in the Philebus with Plato’s earlier work on the Ideas (e.g., Frede 1992), or make the case that the Philebus shows a progression of Platonic doctrine (e.g., Shiner 1974). Dragomir notes the seeming discrepancy in the dialogue (e.g., on 126–127), but does not draw a conclusion either way. It is frequently asked why the titular character of the dialogue is himself so quiet during the exchange. Friedländer (1969, 309–310) proposes that since Philebus is the personification of pleasure, it would be self-defeating to engage in a discussion on the value of pleasure with Socrates, who could be seen as the personification of reason. Dragomir’s suggestion (116, 128) that Philebus’ silence serves to emphasise the difficulty of the topic looks rather inelegant in comparison. Perhaps one would argue that the originality may be found in the lecture being a phenomenological reading of the Philebus. Such a case would require a comparison of the lecture with Gadamer’s 1931 work on Phänomenologische Interpretationen zum Philebos, but there is time nor space to do so here. Instead, I propose that the two lectures just presented are a clear example of what was earlier pointed out as one of Dragomir’s key characteristics: not originality, but understanding and letting the text speak for itself is his aim here. These lectures therefore offer a student of said Platonic dialogues a useful interlocutor and should not be presented as something they are not.
“The World We Live In” is the final lecture in the present volume and it deals with a question concerning technology. In it, Dragomir develops a warning: though the power of our intellect allowed us to develop the scientific method, which in turn allowed us to enslave nature through the use of technology, this overall structure alienates us from our basic state of being. Aristotle and Descartes are singled out as humanity’s main enablers of technology dependence. The argument is reminiscent of the animosity that Martin Heidegger and Karl Jaspers display towards the ongoing technologisation of our existence. But where Heidegger argues the danger of technology lies in its power to reveal the world to us as raw material, available for consumption and manipulation, Dragomir instead claims that technologies hide our initial relation to the world. He argues that, because of technology’s growing prominence, the original role of the intellect as guide to the bodyi is transformed into the intellect as producer: it is the intellect that produces science and technology which leads us to a increasing abstraction of the world around us. Dragomir’s argument depends heavily on the power of the intellect and his assumption that current technologies alienate us from what it means to be human. It might be fruitful to compare his analysis to other phenomenological discussions of our technologically mediated life experiences – such as Ihde (1990) and Verbeek (2005) – which take the role of the body and the assumption of our technological nature seriously.
The texts in the middle of the book are framed by two discussions of Alexandru Dragomir’s personal life. While the introductory chapter at the front paints a detailed picture of the rise and fall of Dragomir’s professional career, the epilogue provides a more intimate portrait of Dragomir the person. The latter contrasts Dragomir with his contemporary Constantin Noica, that other pillar of contemporary Romanian philosophy and also the one who invited Dragomir to the aforementioned circle of philosophical fellows. Where Noica stressed that one should impose one’s own thoughts on philosophical texts, Dragomir was driven by an effort to let the text speak for itself and to retrace the author’s thought process, in other words, to understand what a text says.ii The introductory chapter presents a very useful and accessible introduction to Dragomir’s early career and life in Germany, but in the latter half devolves into something resembling a love-letter from the editor to the author, becoming prone to romantisation and adoration. Both reader and editor would have been better served by shortening this chapter.
I mentioned earlier that there is a curious absence of any reference to the previous publication of at least five texts in the present volume, but this is not the gravest editorial lapse. What is most disturbing is the lack of transparency with regard to the editing of the source material. Granted, it may have been practically impossible to “reconstruct” (39) Dragomir’s thoughts into readable and coherent lectures “based” (e.g., 45) on tape recordings and note scribbles without substantial intervention by the editors. It seems, however, to be a very slippery slope to then also take the liberty to rewrite and rephrase passages “in a more succinct form” (89) or even claim that other passages “are my own [i.e., the editor’s], yet I believe they have been written in the spirit of Dragomir’s interpretation” (89). Readers might rightly expect to be notified exactly which passages are those of the editors and which ones are Dragomir’s, yet there are no foot- or endnotes or other indications of this in the running text. Scholars who want to read Dragomir’s own writings now have no way of knowing which parts of the texts are Dragomir’s and which are the editors’. Perhaps there was no other way of transforming the tapes and notes into readable and coherent form without adding an overly cumbersome notational apparatus. Even then, there is no excuse for not either, on the one hand, adding at least some notes or a more extended discussion of the editorial process than we currently find in the preface, or, on the other, presenting the notes and recordings as-is, in a fashion similar to parts of Nietzsche’s Nachlaß. One cannot help but wonder why those who have displayed such passion to conserve Dragomir’s thoughts have not been more careful in separating those from their own.
Dragomir is regarded by many Romanian philosophers as one of their big heroes; I witnessed this admiration first-hand when I visited the universities of Bucharest and Cluj-Napoca on a study-trip in 2008. In secondary literature, our attention is often drawn to how impressed the otherwise hard-to-please Heidegger was by his Romanian student.iii While inspiring, such adoration stands in the way of how one can best show respect to a fellow philosopher: by fairly yet critically engaging with their thoughts. Dragomir makes a prescient remark when he observes what happened to Wittgenstein’s posthumous writings: “Others came along later, took the papers from the drawer and put them in order, giving them the form of immortal ‘works’” (49). The present book seems to have suffered a similar fate and this makes it difficult to show proper respect to and appreciate the brilliance of the few lecturial gems that are covered in editorial darkness.
Ahmed, S. (2006). Queer phenomenology: Orientations, objects, others. Durham: Duke University Press.
Ciocan, C. (2007). Philosophy without Freedom: Constantin Noica and Alexandru Dragomir. In Ion Copoeru & Hans Rainer Sepp (Eds.), Phenomenology 2005, Vol. III. Selected essays from Euro-Mediterranean area (pp. 63–79). Bucharest: Zeta Books.
Frede, D. (1992). Disintegration and restoration: Pleasure and pain in Plato’s Philebus. In R. Kraut (Ed.), The Cambridge companion to Plato (pp. 425–463). Cambridge: Cambridge University Press.
Friedländer, P. (1969). Plato: The dialogues. Vol. 3. Hans Meyerhoff (Trans.). Princeton: Princeton University Press.
Gadamer, H.-G., (1931). Platos dialektische Ethik: Phänomenologische Interpretationen zum Philebos. Leipzig.
Gallagher, S., & Zahavi, D. (2007). The phenomenological mind: An introduction to philosophy of mind and cognitive science. London: Routledge.
Gosling, J.C.B. (1975). Plato: Philebus. Translated with notes and commentary. Oxford: Clarendon Press.
Hackforth, R. (1945). Plato’s examination of pleasure. London: Cambridge University Press.
Heidegger, M. (1924). Der Begriff der Zeit. 1995 Edition. Tübingen: Max Niemeyer Verlag.
Ihde, D. (1990). Technology and the lifeworld: From garden to earth. Indianapolis: Indiana University Press.
Shiner, R.A. (1974). Knowledge and reality in Plato’s Philebus. Assen: Van Gorcum.
Verbeek, P.-P. (2005). What things do: Philosophical reflections on technology, agency, and design. R.P. Crease (Trans.). University Park: Pennsylvania State University Press.
i For Dragomir, the intellect is that what primarily constitutes the self. He states: “For me, I am a body subordinate to my intellect. My body is an ὄργανον, an instrument guided by my intellect” (133–134). Not every phenomenologist would agree that the body is an instrument guided by the intellect and this is admitted by Dragomir a few sentences later.
ii For a more detailed side-by-side of Dragomir and Noica, see Ciocan (2007).
iii The irony of constantly being presented in relation to his famous German supervisor, even though he was not able to finish his dissertation, was not lost on Dragomir who in the present volume remarks: “Some rely all their lives on the fact of having once been pupils of Heidegger” (52).