Known for his enlightening readings of the Church Fathers, John Behr presents us with ‘A Prologue to Theology’ in 2019. Serving not only as the subtitle of his new book John the Theologian and his Paschal Gospel, Behr’s ‘Prologue to Theology’ also marks the undertaking of a major theological project in the work’s ensuing pages. In light of the large-scale theological project that follows this humble subtitle, I find that this term ‘prologue’ may stand for two key references.
As Behr implicitly suggests, his own written entanglement joins a prestigious legacy of theological ‘prologues’, or prolegomena, by applying phenomenology, however, far from the former stereotype of an ‘ancilla theologiae’. Within the mainline Christian denominations, ‘prolegomena’ have been defined as the fundamental, preliminary questions concerning the rationality of each church’s essential theological propositions. Even a cursory outline of Behr’s ‘prologue’ demonstrates the wide theological range that his study on John accomplishes. In keeping with this trend towards comprehensive breadth, Behr’s approach reaches a climax in the book’s final pages, which feature the ‘glitterati’ of modern Systematic Theology: the Reformed theologian Karl Barth, the Catholic theologian Karl Rahner, as well as their Russian Orthodox counterparts Vladimir Solovyov, Sergius Bulgakov, and Nicolas Berdyeav (330), not to mention the work’s latent leitmotif, which cites the Anglican theologian and former Archbishop of Canterbury Rowan Williams. On a methodological level Behr does theology in such a way that implicitly stakes a claim to the question of how to conduct Christian theology in today’s context – that is to say, in a truly ecumenical spirit. As if setting a new standard for theological form were not reason enough for Behr’s book to merit consideration by theology departments across Christian denominations around the world, this is only one aspect of the book’s relevance and significance for us today.
Furthermore, in this work Behr succeeds in composing a ‘symphony’, as he himself puts it (331), by entangling historical scholarship of early Christianity, modern biblical criticism, as well as an overarching ‘phenomenology of Life’, as theorized by Michel Henry. Behr’s ability to unify three highly different areas of scholarship on each of their individual terms is not only ambitious, but also claims importance for the field of theology itself. With this work Behr also joins the recent movement of reclaiming theology as an inherently diverse and interdisciplinary field. In particular, Behr entrusts the field of phenomenology, represented in this case by Henry, with the task of opening up new ‘loci theologici’ – new perspectives on Christian origins – thus permitting theology to flourish anew in the varied contexts of our 21st century.
Behr’s implementation of the term ‘prologue’ is also key to the very subject of The Gospel of John, thus calling to question the authorship and meaning of the fourth gospel. In this context, the term ‘prologue’ plays a central and decisive role, as Behr explains in depth in Chapter 5: ‘The Prologue as a Paschal Hymn’. Here, Behr suggests that the ‘prologue’ in the Gospel of John (Jn 1:1–18) is to be read as three different summaries of John. Although Behr never explicitly elaborates on this, it is clear that his ‘prologue’ relates ‘to theology’ in much the same way as John’s prologue relates to the Gospel of John (at least as interpreted by Behr and his sources). What both ratios have in common is that each prologue illuminates its corresponding content in three very different, yet necessarily corresponding ways. Interestingly, Behr describes both ‘prologues’ with musical imagery. Concerning the three entangled summaries in John’s prologue Behr suggests the eighteen verses in question is “best designated as a paschal hymn” (270). Correspondingly, he refers to his own book as ‘a symphony that is polyphonous, both diachronically and synchronically […] that enables the diversity of voices to be heard as a symphony […] historical, but also inescapably exegetical and phenomenological’ (331). The key question with which patristic and biblical scholars will confront Behr is why we need Michel Henry at all in order to better understand the gospel of John and its legacy, especially as Henry ‘rejects in principle the historical and exegetical project undertaken by modern scholars’ (306), as Behr himself puts it. Consequently, Behr admits that the third part of his threefold study, entangling historical research and modern biblical exegesis with phenomenology, may appear to be difficult to comprehend and will only reveal its precious fruits in a painstaking investigation. Only then does Henry’s phenomenological analysis of the Arch-intelligibility disclose how Christian revelation does not proceed by analysing texts as ‘it is only because texts speak of a referent which also shows itself to us that texts can even speak of it’, namely ‘Christ showing himself to us in the immediacy of our own pathos of life, which is ultimately his originary pathos, and calling us into life as enfleshed beings’ (307). Only then we may be able to grasp why the fourth gospel was written and should be read today as ‘paschal gospel’, as the revelation of Life itself, as Behr postulates.
With the notion of a ‘prologue’ as both agenda and frame, it becomes even clearer why Behr stresses so eagerly in his preface that “this is not a commentary on John!” (vii). Indeed, although in parts the text comes very close to this, Behr does not provide us with another commentary on the Gospel of John. Instead, he gives us a new way of formulating ‘prolegomena’ to theology, which he in this instance bases on three very different perspectives on John inspired by recent historical, exegetical and phenomenological scholarship. In view of the refreshing and insightful approaches Behr combines, it is not too far-fetched to draw a parallel to Karl Barth and his commentary on the Letter to the Romans, published 100 years earlier in 1918. Although Barth, unlike Behr, explicitly wrote a commentary and not ‘prolegomena’, Barth’s study, by adopting neo-Kantian thought, would become one of the most influential prolegomenon to 20th century theology, as well as the starting point for a radically new and revolutionary school of theology based on Barth’s readings of Paul (today, better known as neo-Orthodoxy). It would perhaps be too reductionist to describe Behr’s endeavour with John as fully corresponding to Barth’s Pauline explorations, only substituting neo-Kantianism with Henry’s phenomenology of Life. Yet, at the same time, Barth and Behr obviously share a common ambition as theologians of their ages, namely to lay new foundations for contemporary theology based on a key biblical author and his respective theological signature, whether Barth’s Paul in 1918 or Behr’s John in 2019.
As is the custom with carefully elaborated musical compositions, it is worth listening to the work as a whole from beginning to end. Behr’s textual symphony also rewards such an approach; much like a musical piece his work surprises the reader with the regular return of familiar themes and contents. The attentive reader will quickly notice that formerly loosely related passages become increasingly interwoven and, with slight modifications, present themselves as increasingly merged into one another.
Let’s start our journey through the book with Behr’s critique of contemporary theological practices: Behr commences his large-scale project with the paronomasia ‘methodology and mythology’, immediately finding Hans-Georg Gadamer and his concept of ‘Wirkungsgeschichte’ to be instrumental in historical theology as Gadamer postulates that understanding is always the melding of the historical horizons and our own contemporary horizons, rejecting the notion that each exists by itself. That being said, the task of projecting a historical horizon, Behr urges, needs to contend with Quentin Skinner’s concept of ‘the mythology of doctrine’. Skinner describes the historiographical practice (or malpractice) of converting scattered or incidental remarks of historical text into the retrospectively constructed historical author’s coherent ‘doctrine’ on an issue that today is commonly attributed to that person. In the context of Behr’s study, this applies foremost to the term ‘incarnation’, which has become a mainstay of Christian theology and is often associated with the prologue of the Gospel of John.
In the preface the reader is introduced to the latent leitmotif by Rowan Williams, who thenceforth serves as a marker for a tenacious tradition of misinterpretation, albeit Williams, as Behr points out, does not adhere to this, but rather criticises it. Williams characterizes certain manners of speaking within theology that use the term ‘incarnation’ as if it simply denotes ‘an episode of the biography of the Word’, which is to imply that first the divine Logos operated simply as God within the Trinity before eventually becoming human in Jesus Christ, and finally returning to its original position as divine Logos within the Trinity (19). Behr counters this idea of a ‘story’ of the divine Logos in two ways: First, to elaborate on the philosophical difficulties of an intersection between time and eternity, Behr draws on Herbert McCabe’s claim that there is no such thing as the pre-existent Christ by debunking such manners of theological speaking as a nineteenth century invention to cure modern iterations of adoptionism. Citing McCabe, Behr’s conclusion is that
‘the story of Jesus is nothing other than the triune life of God projected onto our history […] not just reflection but sacrament – they contain the reality they signify […] that the Trinity looks like (is a story of) rejection, torture and murder, but also of reconciliation is because it is being projected on, lived out on, our rubbish tip; it is because of the sin of the world’ (21).
Second, and here, Behr is in his element, he demonstrates compellingly through a series of close readings of patristic texts (primarily of Origin, Athanasius, and Gregory of Nyssa) that this obvious ‘mythology of doctrine’ is not tenable on the basis of the surviving sources of early Christianity.
In light of Gadamer’s melding of horizons, Behr proceeds by further exploring the historical horizons around the Gospel of John, always cautious to identify possible traps of own and other’s ‘mythologies of doctrine’. In clarifying the untenability of the ‘mythology of doctrine’ concerning the term ‘incarnation’, Behr starts to gradually resolve the primordial misunderstanding. Rooted in antiquity itself, an (almost lost) original meaning of incarnation has its essence in its relation to the Passion of Christ. The key is to understand both incarnation and Passion as one revelation. It is then that Behr finally approaches the topic of how to speak today of them properly. Behr finds the questions addressed in the Gospel of John.
In its first movement, Behr’s symphony takes the reader into a detective story throughout the first centuries AD, investigating the person we so instinctively call John. To reveal the mystery in advance, Behr notes that the aforementioned John was most probably not the same John of the twelve apostles in the Synoptics, but rather a central, yet mysterious founding figure of an independent early Christian tradition, perhaps even the high priest of the Jerusalem temple himself (96). Instead, Behr suggests that it was from this John that the first Christian paschal tradition originated, making the Gospel of John an originally ‘paschal gospel’ (92). To prove this, Behr once again invites the reader to an array of diachronic close-readings throughout the first centuries (focusing on Eusebius of Caesarea, Clement of Alexandria, and Irenaeus of Lyon) revealing fractures, manipulations, and counter-traditions that are usually concealed in conventional linear church histories. In order to understand more fully the function, position, and significance of such a ‘paschal gospel’ within its distinctive early Christian tradition, namely that of the so-called John the Elder, Behr makes a cross-disciplinary shift to the second of the symphony’s three movements: to the ongoing discussions within contemporary biblical scholarship.
Here, Behr draws primarily on the recent scholarly debates surrounding the ‘apocalyptic Paul’ and its prominent advocate J. Louis Martyn, along with his criticism of modern ‘salvation history’ (128). At this point, Behr’s continuous practice of interweaving ‘the diversity of voices to be heard as a symphony’ becomes relevant. A good example of Behr’s technique is found in his reflections on the practice of an ‘apocalyptic reading of Scripture’, in which he links contemporary ‘apocalyptic exegesis’ with his own close-readings of Irenaeus and works out a plausible theological continuity between the two. The result is that the Passion of Christ constitutes the hermeneutical key for both the New Testament authors in question as well as their readers and interpreters in the first centuries AD. Citing Richard Hays, Behr concludes that ‘the eschatological apokalypsis of the cross serves as a hermeneutical lens, through which Scripture can now be refracted with a profound new symbolic coherence’ (125).
On the basis of this, Behr’s textual symphony closes its first movement in the echo of the various historical voices heard so far, while the second movement turns the gaze of the reader predominantly to the contemporary exegetical debates around selected key passages of the paschal gospel. The second movement entitled ‘It is finished’ is composed of three thematic parts, namely the Johannine theme of the temple as the body of Christ, the Son of Man as a living human being, and finally the aforementioned prologue, which in light of Behr’s restructuring as triune paschal hymn may no longer be simply read as a preface but as the paschal gospel’s musically performed Crescendo (270).
Following, we are passing by the multitude of contents and topics of the part of the book that is closest to a commentary on the fourth gospel: Behr grounds his argumentation on seven key passages in which he illustrates how the paschal gospel gradually unlocks the meaning of the Passion of Christ, best summarized in the syntagma ‘the temple of his body’ (Jn 2:21). As presented by Behr, the seven passages correspond with the six different feasts mentioned by John during Jesus’ lifetime that structure the entire narrative of the gospel, with three of them being the annual feast of Passover. Five of the six feasts are directly linked with ‘actions and words that identify Christ as the Temple and the fulfilment of the feasts celebrated therein’ and ‘at the Passion itself, Christ is, finally, presented as the Temple’ (138).
The subsequent exegetical gallery tour starts with an etymological allusion found in the prologue referring to the concept of tabernacle in Exodus and continues with Christ answering Nathanael with the self-identification as ‘Son of Man’ and its relation to the ladder of Jacob located at a place called Bethel which means ‘house of God’. Behr concludes this segment with the insight that in John ‘Christ himself is not only the Tabernacle or Temple in which God dwells in his glory, but is also the true house of God’ (141). Behr then guides the reader through the manifold nuances and contours of Christ’s being associated with the temple as John has applied them in the wedding at Cana, the cleansing of the temple, Christ’s encounter with the Samaritan women, and the healing at the pool on the Sabbath.
Next follows a comprehensive discussion of John 6 and Jesus’ scandalous command to ‘chew’ his flesh and drink his blood which Behr yet again uses in the interest of his textual symphony to prepare the foundation for the not yet introduced third voice, that is Michel Henry, who will be heard in the third movement. Especially readers whose biblical interest is limited and who are particularly interested in the third, phenomenological part of the book are advised not to skip this second, exegetical part too easily, as it is precisely here that all the foundations are laid for an in-depth understanding of Michel Henry’s reading of John.
The exegetical journey then progresses with further nuancing and contouring John’s rich understanding of the temple of Christ’s body applied to the narratives of the feasts of the Tabernacles, the healing of the blind, Jesus’ identification with the divine father, and the farewell speech, finally climaxing in the Passion narrative and the words of Jesus on the cross.
The second thematic part of the exegetical perspective considers the Johannine theme of the living human being. In accordance with the practice of resuming earlier elements in the course of a symphony, Behr begins this segment with a ‘relecture’ of the Apocalypse of John and the Church Fathers (focusing primarily on Ignatius of Antioch, Irenaeus of Lyon, and Melito of Sardis) and works out their ‘distinctive approach to what it is to be living human being, that is, a martyr and the glory of God’ (211). As done before Behr gradually entangles his patristic readings with contemporary biblical scholarship and tries to locate possibilities of resonance. As a marginal observation, it may be mentioned that in the fourth chapter (on the living human being), the subtitles are based on the themes and further subdivided into the respective biblical passages, while in the third chapter (on the temple of his body), the subtitles are based on the biblical passages and further subdivided into the respective themes. This can of course be dismissed as random, but it may reflect the differing methodological approaches of chapters three and four.
As already indicated earlier, as the third part of the exegetical enterprise Behr decodes the prologue of John (Jn 1:1–18) again into three unique summaries of the one subsequent paschal gospel. With innovative and elegant recourse to contemporary biblical scholarship and his own reading of patristic source material, Behr points out that each of the three original compositions of John’s prologue is centred around the eschatological apocalypse of divine glorification in Christ’s death on the cross. Entangling the gospel with the Apocalypse of John, Behr identifies the Word in the first of the three summaries (Jn 1:1) with the crucified Jesus who ‘is going towards God’ (260) becoming thus the living human being par excellence and the role model for all living humans. The second summary (Jn 1:2–5) explains according to Behr that ‘the life that Christ offers […] is the life that comes through death, the life lived by the risen Christ and, following him, by the martyrs, living human beings, the glory of God […] completed upon the cross with Christ’s words, ‘it is finished’, brought to perfection’ (264). Finally, the third summary (Jn 1:6–18) ‘structured as chiasm, with the world’s rejection of Christ at the crucifixion as its centre and climax’ (269) completes the triune composition and the entire prologue is thus, as Behr suggests, best considered as ‘paschal hymn’ and gateway to a truly paschal gospel (270). So, what does it mean for John to be a truly paschal gospel according to Behr? It means the eschatological apocalypse of the cross of Christ, which reveals to us what it means to become a living human being, to receive the gift of Life.
The third movement of Behr’s symphony finally calls Michel Henry and his phenomenology of Life onto the stage. For this, Behr proceeds with a close-reading of Henry’s three books concerning Christianity, namely C’est moi la verité: Pour une philosophie du christianisme (Paris, 1996), Incarnation : Une philosophie de la chair (Paris, 2000), and Paroles du Christ (Paris, 2002). An important motif that Behr identifies in Henry is
‘the duplicity of appearing that occurs on the world’s stage’ and means that ‘in Christianity everything is doubled: appearance and truth; body and flesh; the me given to myself in the pathos of life and the I that I project in this world’. Imagined reality can only be avoided in the pathos of life, ‘which is identical with itself in its self-affectivity’ so ‘that we find our true identity, and indeed an identity, though derivatively, with God. In the world, all we have is the duplicitous doubling of this identity, the appearance of a body rather than the flesh’ (310).
Ultimately, in a final meta-movement of all three preceding movements, Behr allows all voices to sound together to resolve the tenacious tradition of misinterpretation of the term ‘incarnation’ and revealing its relation to the Passion, or as Behr himself puts it that ‘this Coming of the Word in its visible body would seem to be nothing other than the Parousia of the Word upon the cross, visible indeed to the world, but only as dead, while invisibly alive in the flesh generated as the very substance of Life’ (312).
Concerning the multitude of modern and ancient languages in use, special reference should be made to the didactic-philological finesse of this book that very skilfully weaves the ancient Greek and French original into the English text, without leaving behind the reader illiterate in the ancient or modern language in question. Although Behr generally cites from the English standard translations, he interprets the original Ancient Greek and French texts and occasionally refers to specific nuances in both languages.
By using the term ‘prologue’ to characterize the nature of his book Behr contextualizes his study within the vast tradition of theological ‘prolegomena’. This Johannine ‘prolegomenon’ to theology was, of course, not written in observance of a so-called methodological atheism (as it became popular in contemporary European historical, exegetical and phenomenological scholarship) and has never tried to hide this fact. On the contrary, as an Orthodox priest, Behr continually reflects on his own point of view, theological tradition and methodological practices – a feature that, in the light of the various phenomenological traditions, especially Gadamer’s melding of horizons, must admit to Behr an even more profound scholarly habitus than a blindly followed methodological atheism would ever allow. With his symphony that enables the diversity of voices to be heard, Behr has made himself vulnerable on many flanks. The fact that he has been aware of these circumstances becomes most evident in his meticulous treatment of sources and extensive references to contemporary scholarship in all three main areas, namely historical theology, biblical studies and Michel Henry. Of course, sixty pages of bibliography, indices of ancient authors, and of (modern) authors may never be the sole criterion of academic quality but in this case, they bear witness to an extraordinary abundance of critically discussed scholarship, original source material and thematic spectra.
In any case, John Behr’s John the Theologian and his Paschal Gospel. A Prologue to Theology is an opus magnum that needs to be studied thoroughly in today’s theology departments and seminaries around the globe and which invites, if not demands, further theological investigation along this initiated path.
Kenosis and Transcendence
Below and Beyond the Appearing of God
Oliver O’Donovan deserves great credit for undertaking the painstaking work of translating Jean-Yves Lacoste’s La phénoménalité de Dieu: not only has relatively little of Lacoste’s work been translated into English compared to that of the other contemporary French authors working within the field of phenomenology of religion (e.g. Jean-Luc Marion, Michel Henry, even Jean-Louis Chrétien); it also appears that the French edition is currently out of print, making this translation the only way most of us can access Lacoste’s nine essays on the way in which God can be brought within the scope of phenomenology. The project Lacoste sets out in these pages can perhaps most easily be understood as an attempt at correlating (paradoxically) God’s divinity with his phenomenality, or indeed his mode of being with his mode of appearing, and is in turn executed by correlating four pairs of related notions: (1) philosophy and theology; (2) transcendence and reduction; (3) experience and eschatology; and, finally, (4) love and knowledge.
Starting with the issue of philosophy and theology. Much ink has been spilled over whether the developments within French phenomenology at the end of the last century constitute an unwarranted theologisation of phenomenology, or rather its careful execution; indeed, the polemic is well-known and still ongoing. In this regard, however, it is worth noting that we are dealing here with a somewhat sui generis figure: at the time of his initial diagnosis of French phenomenology as having taken a ‘theological turn’, Dominique Janicaud explicitly excluded Lacoste from the group of authors who allowed phenomenology to swerve off the road of philosophy until it ended up in the ditch of theology. Nevertheless, Lacoste is not coy about the fact that his reflections do at least attempt “to surmount the division between philosophy and theology” (xi), or “to remove the boundary that has classically divided faith and reason, since its existence was always highly arbitrary” (82). Indeed, upon closer examination—one that is carried out in a sustained dialogue with Kierkegaard throughout the book—, that frontier appears to be missing altogether. As a result, Lacoste seeks to expose “the fluid character of philosophical work” (16), which it has in virtue of the fact that it can ask questions about anything, including divine realities. The point here is not, as Janicaud might put it, that philosophy is colonised or superseded by theology, for Lacoste too is weary of the ditch we risk ending up in if we leave behind philosophy altogether: “Disciplined conceptualization or description from which the philosophical element was eliminated would be bound to run aground” (16), he warns us. However, when a philosophical text, such as Kierkegaard’s Philosophical Fragments, deals with divine realities, such as salvation and sin, “we are not,” or no longer at least, “dealing with a philosophy that is merely philosophy, but with a philosophy pushed to the limit of its range, making sense of an eclectic mix of descriptions, hypotheses, and games that make it impossible to say precisely what is going on” (17), whether it is philosophy or indeed theology. It is often in extreme situations, where we are pushed to our limits, that we gain an awareness of what exactly the limits are, and thus only as such do we fully come into our own. Such is equally the case for philosophy and theology, Lacoste suggests: “In the Fragments we find ourselves on the frontiers of philosophy, not only of theology. Precise labelling is simply not allowed at this point, and we had better make up our minds that it doesn’t matter very much. The fluidity of philosophy can be a theoretical advantage as well as a drawback. It is on the frontiers of philosophy, perhaps, that we can learn what is finally at issue in philosophy, and may we not say the same for the frontiers of theology, too?” (18).
Despite Lacoste’s great emphasis on the question of the frontier demarcating philosophy from theology, he also declares that it ultimately does not matter. This is not as unintuitive as it may at first appear: precisely because the frontier is missing, the question of demarcation does not matter. We are simply free to proceed with thinking in all its fluidity, unencumbered by this methodological pseudo-question:
Here and there at the same time, or perhaps still here or already there, we can never be precise about our location. Dare we say that that is not a bad thing? (…) The present enquiries, pursued in ignorance of whether they are philosophical or theological, do not define themselves apart from the two methodological requirements of letting-appear and making-appear. (…) Whether philosophy or theology or both, our enquiry would not deserve the name of enquiry at all, if it did not make up its mind to ignore the frontiers and elicit appearances without prescribing them. To make frontiers is to break things up, and we do better not knowing where we are (x-xi).
This honesty is refreshing and certainly more dignified than, for example, Marion’s frantic but inevitably unsuccessful attempts at securing the exclusively philosophical status of his phenomenology. Essentially, the question of whether he is doing philosophy or theology is uninteresting to Lacoste; the point, rather, is that he is doing phenomenology: “From a phenomenological point of view there is no way of telling,” on what side of the frontier between philosophy and theology these studies fall, precisely because that frontier appears to be missing; yet, there is “probably no need to tell,” for, as phenomenologists, “all we want is a concept fit for the appearance” (ix). Whatever appears deserves to be described as such, without this being framed beforehand according to a frontier that itself does not. Hence, Lacoste concludes: “Phenomenology is frontier-free—it is one of its advantages” (xi).
So, the question for Lacoste then concerns the phenomenality of God, that is to say, the mode of his appearance. This brings us to our second pair of concepts in need of correlation: transcendence and reduction. Whenever one asks how God may be made the theme of phenomenology, someone is bound to pipe up and answer that he simply cannot be, precisely because the divine, as transcendent reality, falls under the reduction, and must thus be excluded from the phenomenologist’s field of view. The phenomenologist would be out of bounds, would have veered off the road and ended up in some kind of ditch, if he were to depend on anything that is not contained within the immanence of consciousness as delivered by phenomenological reduction. Lacoste tackles this challenge by starting from the observation that “a comprehensive experience of an object is possible only if an infinite experience is possible” (21), which of course means that a comprehensive experience is impossible since experience is precisely a function of finitude. It is the adumbrational character of sensory perception that Lacoste uses to argue that there is always already transcendence at the heart of every experience, namely the transcendence of what is not experienced in experience precisely in virtue of its character as experience: “Every perceptual experience,” he says, “invites us to recognize that it is fragmentary, and that what is presented here and now is transcended” (25). Indeed, this is not only true in exceptional cases, but forms a general “law of the logic of experience. Stated briefly, perceptual experience has to do with phenomena and non-phenomena at the same time. More economically still, perception has to do with the unperceived” (22-23). So, God’s transcendence need not, at least not a priori, exclude his phenomenality; for transcendence appears to be a characteristic of all appearing, which always transcends itself as appearance insofar as it appears. As such, “the appearing of God,” especially, “can only be understood in the light of his transcendence of appearing” (38). His mode of appearing involves a movement beyond appearing as such. As a result, Lacoste puts forward the concept of the irreducible, of which phenomenology “can offer no correct description (…) without recognizing its radical externality” (58), without knowing “that it cannot exclude the transcendent reality of what it describes” (60). In short, it forms “an experience that could not be described without acknowledging the irreducibility of everything to do with it: that is the sort of experience which the advent of God to consciousness would need to be” (63). God is such an experience, for he cannot be experienced without this experience being co-extensive with a belief in his existence, he cannot appear without this appearing being co-extensive with a love of God. As such, Lacoste tries to correlate divinity with phenomenality, God’s mode of being with his mode of appearing, and precisely this is a phenomenological question (indeed, strictly so). Hence, he concludes that “phenomenology cannot be faithful to its project without recognizing the irreducible” (58).
Precisely because a comprehensive experience is not possible in virtue of the fact that transcendence characterises all experience, because God transcends his appearing precisely insofar as he comes to appearance, because “experience is tied to inexperience” at all times (118); “we should be satisfied with a radically non-eschatological presence,” or, put differently, “presence is not parousia” (36). This, Lacoste suggests, means we need to correlate experience to eschatology: for it implies, first of all, that the eschaton is not a question of experience, since experience cannot be completely realised by definition (“no experience is comprehensive, no presence can be taken for a parousia, enjoyment must not suppose itself in total possession” (131)); and, secondly, that phenomenology cannot be limited to the present now, for we do have meaningful experiences even if they are only partial (“experience may be wholly truthful without being whole and entire” (150)). The first is a crucial insight, according to Lacoste, for it leads us to “a conclusion of the greatest importance, implying an equally important imperative,” namely, that “God is never ‘given’” (150). It is hard not to read this as a profound critique of Marion’s “realized eschatology” (37) of intuitive givenness and it is worth quoting him at length on this: “But can the infinite be given? The suggestion seems preposterous,” for “‘seeing’ the infinite can only refer to vision of an inchoate character. No act of intuition could focus on infinity entire. Whatever we see, we know that our sight is at the same time and inescapably non-sight. Whatever is given us, we perceive only partially. But the interplay between sight and non-sight implies the promise of one day seeing differently and better. Perception may become richer, nearer to completion, but on no terms can a ‘vision’ of the infinite be thought of as actually complete. (…) Whatever the sense in which we ‘see’ the divine essence, it remains infinitely beyond sight” (148-149). Moreover, Lacoste continues, this thus means the following:
God cannot be given this side of death. If we are minded to stay with the language of vision, we can say that God ‘appears’ in the world without our intuition. There is nothing to be ‘seen.’ Giving makes its gift to faith, and faith cannot have the status of conclusive experience. Within the range of intuition visible things such as Christ’s historical body and his Eucharistic body are known as God’s self-giving only as we distinguish sensory intuition from the acquired intuition of faith. Sensory intuition on its own is misleading. Even when we have trained it to the evidences proper to objects of faith (which are not evidences of a theophany) the gift we perceive has the form of a promise, not to be taken as a last word. The appearance of the risen Christ to his disciples is a gift to sight, but not put at their disposal; it keeps its distance in conjunction with the promise of a definitive return. In the Eucharist Christ is seen through the medium of bread and wine, a medium that leaves us inevitably dissatisfied, desiring eschatological satisfaction which has no place in the world. (…) The infinite can be seen only in finite guise. But finite intuition of the infinite is no mere disappointment, and if we hold our experience of the gracious gift together with our experience of promise, we shall see why (149-150).
This is not a disappointment for there is always the promise of fulfilment, and with promise comes anticipation. Moving on to the second point to be made in relation to eschatology and experience, Lacoste explains that anticipation does not give the eschaton, nor does it bring it to experience; rather, it “merely announces or adumbrates it, giving us no more than a predonation or pre-experience of it” (128). For, even though “experience of the end is ruled out,” since such an experience transcends itself; it is nevertheless as that transcending that “pre-experiences of the end are not. Everyone will agree that God cannot be known in history as he will be known finally, since the eschaton suspends the logic of sacramental presence. But eschatological desire and expectation may take on ‘pre-eschatological’ forms within the limits of the world, which is simply to say that they point us beyond the limits of being-in-the-world while making no pretence to be more than pre-eschatological. The sacrament does not bring the eschaton about; it does serve as a predonation of it” (132). In this context, “anticipation appears without the pretence of a fulfilment, and puts no end within our grasp. Yet it appears as anticipation, as experience uncompleted and promise that draws us on to further experience. So all talk of anticipation must have in view the horizon of an end. The end may be given, the event take place as we anticipated, or it may not; the eschaton is distant” (133). Since “we cannot attribute an eschatological character to any of our present experiences” (168), Lacoste uses his notion of anticipation to develop a reworked phenomenology of time-consciousness. This framework he subsequently applies, in an impressive dialogue with analytic philosophy, to the problem of personal identity, correctly removing it from the metaphysical questioning of substance and placing it firmly within the context of a phenomenological enquiry concerning time.
How must we then deal with this “eschatological reserve” (150), inhibiting us from having an actual and clear experience of God, leaving us with the pre-experience delivered by anticipation? Here, Lacoste suggests, faith comes in; or, for it is coextensive with it, this is where love plays its role. This brings us to our final pair of concepts in need of correlation: knowledge and love, which in this case refers to the knowledge and love of God. In particular, Lacoste wants to expose what he calls “the logic of love,” or its “paradoxical priority over knowledge” (37), when it comes to divine realities. Phenomenology, Lacoste suggests, has traditionally had a bias in favour for what we might call ‘objects of knowledge’, which he describes as “compelling phenomena” (78). These are phenomena that give themselves, and thus impose themselves intuitively: “the object of sight, the intelligible proposition, the reality that cannot be ignored.” However, God is not given, he does not appear as such, and therefore also does not impose himself. Thus, Lacoste suggests, “if there is one thing the object of belief and the object of love have in common, it is the power to go unnoticed” (78). When it comes to divine realities, which are “intelligible only as open to love,” their “appearance takes the form of solicitation or invitation, not coercion. (…) Love would contradict its essence or intention if it used constraint in making its appearance” (75). The phenomenality of love makes an appeal to our freedom: it does not dictate its meaning through the violent imposition of intuition, but instead demands to be loved, inviting us to take a position for or against. What is at stake is “a reality that offers itself without imposing itself, an experience formed in the element of non-self-evidence,” precisely because it requires “a decision to see it” in order to be perceived at all (79). Lacoste illustrates this elegantly as follows: “Nothing is more common than perceiving or understanding without making up our mind. I perceive the ashtray on my desk without making up my mind, I see the conclusion of a logical argument without making up my mind, except that the logic is valid. But when the absolute intervenes, we have to make up our minds,” precisely because its intervention is not of the order of an ordinary appearance, which it always transcends in intervening. Indeed, Lacoste continues, “God does not appear like the Alps, huge and undeniable. He does not appear as the conclusion of an argument we are compelled to admit (…). God appears in such a way that we can make up our mind about him, for or against” (87).
God, that is to say his divinity, does not appear except in love and indeed as love: “He does not appear to be described, since there is nothing to describe, only a man like other men. He does not appear to be thought about, since the aim of his appearance is simply and solely to win man’s love. To make an appearance in order to win love, and for no other reason, the god must be present kenotically. He wills to be loved, not to dazzle. There is appearance, for there is presence, but this is not presence for thought, or even belief” (72). The phenomenality of God is a kenotic phenomenality, one that empties itself out of appearing as appearing. God’s phenomenality is not a question of appearing, but of the decision that sits below (kenosis) and thus its movement beyond (transcendence) appearing. Precisely in this way does Lacoste correlate God’s mode of being (transcendence) with his mode of appearing (inexperience): “God appears in presenting himself to be loved; God appears among the phenomena not subject to Husserl’s ‘eidetic reduction’” (ix).
Before ending this review, a word needs to be said about O’Donovan’s English language rendering of Lacoste’s book, for some of the choices he has made in translating it seem at least worth questioning. I wonder, in particular, whether the phenomenological force of Lacoste’s argument is not somewhat blunted by this translation. To be fair to him, O’Donovan admits at the outset that “every translation must have its priorities, and I had better admit that tenderness towards the conventions of the phenomenological school has not been high among mine” (vii). As a result, he does not, for example, reprise the distinct adjectives which English translators of Heidegger have rendered as existential and existentiell, the French equivalents of which Lacoste uses, for he considers it “an inaudible distinction I take to be no more than a mark on paper, not language” (vii). As inelegant as these renderings may be, these concepts nevertheless circulate and are in use as such (as Jean-Luc Nancy might say, they make sense). O’Donovan’s refusal to stick to this convention for the sake of not letting phenomenological terminology get into the way of argumentative clarity then seems to fall over itself at times, for example in the following passage: “Since theology is an ontic science, the relation of man to God will be ontic/idiomorphic (existentiel), not ontological/existential” (98). Does the clarity of Lacoste’s summary of Heidegger’s position benefit from the choice for idiomorphic rather than the more commonplace existentiell? I highly doubt it. It could, perhaps, only do so to a reader who is entirely unfamiliar with Heidegger and thus with this conceptual (not merely semantic) distinction. However, that this book would have many such readers seems unlikely. Especially in this case, where the passage at issue comes from an essay on Heidegger, the Heideggerian terminology is not incidental to the argument, and thus abstracting from that terminology does not serve that argument. The same goes for the general phenomenological terminology found throughout the book: as I explained, Lacoste himself suggests that he is not concerned with classifying these essays as either philosophy or theology; the point, for him, is that they are works of phenomenology. As such, neither is the phenomenological vocabulary incidental to argument, for the argument is a distinctly and explicitly phenomenological one. O’Donovan’s choice not to prioritise this vocabulary in his translation therefore seems odd, not to say entirely unjustified. Perhaps the most significant example of what is lost when we pay insufficient attention to phenomenological terminology is the title: the phrase the appearing of God is by no means the most obvious translation of la phénoménalité de Dieu. The English language has a word for phénoménalité, it is phenomenality. This is, indeed, a piece of phenomenological jargon, but like all subject-specific terminology, it carries a very precise meaning: in this case, phenomenality denotes not so much appearing, but rather the mode of appearing; not the fact or the content, but the how of appearing. Or, as Lacoste puts it himself in the preliminary to the nine essays: “Our problem is simply to describe and distinguish their different ways of appearing” (ix, original emphasis). As such, the choice to present this book as a work on the appearing of God out of a noble desire to avoid overly technical language, does not allow the argument to shine with its true brilliance; rather, it obscures it. In any case, this book is not so much about the appearing of God, for God cannot be said to appear but in a highly qualified sense; rather, it is about the way or the mode of his appearing, namely, kenotically, in and as love.
 Dominique Janicaud, ‘The Theological Turn in French Phenomenology’, trans. by B.G. Prusak in Phenomenology and the ‘Theological Turn’: The French Debate (New York: Fordham University Press, 2000), 1-103.
 The influence of Lacoste’s emphasis on the fluidity of thought when it comes to the missing frontier between philosophy and theology on Emmanuel Falque’s dictum that ‘the more we theologise, the better we philosophise’ seems unmistakable here. On this, see Falque’s Passer le Rubicon—Philosophie et théologie: Essai sur les frontiers (Bruxelles: Lessius, 2013); as well as his ‘Phénoménologie et théologie: Nouvelles frontières’ in Études, 404.2 (2006), 201-210.
 See also Jean-Yves Lacoste, Présence et parousie (Paris: Ad Solem, 2006).
 It is worth noting here that a similar critique of Marion is articulated by Falque and John Caputo. On this, see: Emmanuel Falque, ‘Phénoménologie de l’extraordinaire (J.-L. Marion)’ in Le Combat amoureux (Paris: Hermann, 2014), 137-193; John D. Caputo, ‘The Hyperbolization of Phenomenology: Two Possibilities for Religion in Recent Continental Philosophy’ in Counter-Experiences: Reading Jean-Luc Marion (Notre Dame: University of Notre Dame Press, 2007), 67-93. For a commentary on these critiques, see my ‘Givenness and Existence: On the Possibility of a Phenomenological Philosophy of Religion’ in Palgrave Communications 4, Article number 127 (2018), 1-13.
 It is entirely possible, perhaps even likely, that the choice for appearing rather than phenomenality was motivated by concerns of the publisher, rather than the translator. One can indeed imagine that this version would sell better and be of interest to a wider audience (particularly in Britain, where phenomenology, insofar as it is practiced here at all today, bears little resemblance to contemporary styles, interests and debates in France). However, if this is indeed the case, one would expect the translator to make the reader aware of the crucial importance of this distinction in his foreword. However, O’Donovan does not do this and indeed seems to simply wash his hands of the entire issue by declaring phenomenological precision not to be a priority in this case.
In their introduction to The Cambridge Companion to Hermeneutics, editors Michael N. Forster and Kristin Gjesdal immediately make clear that the volume differs in approach from other, similar guides to hermeneutics. Whereas there are a number of volumes available that offer histories of hermeneutics or treatments of individual hermeneutical theorists, this book focuses on the question of how hermeneutical issues relate to different fields of study, such as theology, literature, history and psychoanalysis. In this way, the authors aim to demonstrate how hermeneutical thinking thrives and develops through concrete interdisciplinary reflection.
The book opens with an article on “Hermeneutics and Theology,” written by Christoph Bultman. In this essay, Bultman offers a historical overview of different approaches to the interpretation of religious texts and focuses in particular on the various approaches that were developed and debated during the German Enlightenment. Although Bultman offers a clear overview of different approaches within biblical hermeneutics, to a certain extent his precise aim and argument remain unclear, with the central questions behind his overview not made explicit.
In an interesting contribution in the second chapter, Dalia Nassar focuses on the way in which the study of nature in the eighteenth century involved hermeneutical methods and insights that transformed the way in which we approach and represent the natural world. In her essay, “Hermeneutics and Nature,” Nassar directs attention to the ideas of Buffon, Diderot and, especially, Herder. Nassar starts her investigation by highlighting the fact that the emergence of a hermeneutics of nature that can be found in their works must be understood in light of the liberalization of science in the mid-eighteenth century. This liberalization meant that science was no longer understood as founded on mathematics, which led to the introduction of new modes of knowledge in scientific research. According to Nassar, one of the important ideas within the development of a hermeneutics of nature in the eighteenth century was Herder’s concept of a “circle” or a “world.” If we want to understand the structure of a bird or a bee, we should focus on their relationship to the environment or world. Instead of being devoted to classifying animals or other forms of life into different categories, Herder thus directs his attention to grasping the particular “world” a certain creature inhabits and to the way this world is reflected in the structure of its inhabitants. Interpreting nature thus implies seeing the parts in their relation to the whole and, in turn, seeing how the whole is manifest in the parts.
In the following chapter, “Hermeneutics and Romanticism,” Fred Rush focuses on the form that hermeneutics took in German Romanticism, and in particular in the works of Schlegel, Schleiermacher and Humboldt. It is in their works that hermeneutics becomes concerned explicitly with methodological questions. Rush sketches the historical and philosophical circumstances in which this turn comes about.
In his chapter on “Hermeneutics and German Idealism,” Paul Redding also focuses on the emergence of a philosophical hermeneutics in the wake of an era of post-Kantian philosophy. In particular, he explores the different stances taken by hermeneutical philosophers such as Hamann and Herder, and idealist philosophers such as Fichte and Hegel, towards the relation between thought and language. Particularly interesting is his reading of the later Hegel, in which he emphasizes that Hegel can be read not as the abstract metaphysician he is often seen to be but as a philosopher engaged with hermeneutical issues.
In the following chapter, “Hermeneutics and History,” John H. Zammito explores the disciplinary self-constitution of history and the role of hermeneutics in that disciplinary constitution. Through this exploration, Zammito aims to show a way out of contemporary debates on the scientific status of disciplinary history. By investigating the views of Herder, Schleiermacher, Boeckh, Humboldt, Droysen and Dilthey, Zammito argues that the hermeneutical historicist’s attempt to give an account of the past is a cognitive undertaking and not a mystical one. The historian thus does not aim to relivethe past but to understand it. As Zammito’s exploration makes clear, such a view acknowledges the importance of the imagination in this practice, but at the same time ensures that this imagination is harnessed to interpretation, not unleashed fantasy.
Frederick C. Beiser also connects a contemporary debate to the period in which disciplinary history emerged. He starts his chapter on “Hermeneutics and Positivism” with the statement that the distinction between “analytic” and “continental” philosophy has a harmful effect on many areas of philosophy and that one of worst affected areas is the philosophy of history. Beiser notes that, starting in the 1950s, there was a sharp rise in interest in the philosophy of history among analytic philosophers in the Anglophone world, but that these analytic discourses almost completely ignored the German historicist and hermeneutical tradition. The main cost of this, Beiser argues, has been the sterility and futility of much recent philosophical debate, and in particular the long dispute about historical explanation. The dispute has been between positivists, who defend the thesis that covering laws are the sole form of explanation, and their idealist opponents, who hold that there is another form of explanation in history. One of the reasons this debate has now ended in a stand-off can be found in the neglect of alternative perspectives, and in particular that of the historicist and hermeneutical tradition. Beiser argues that if these perspectives had been taken into account by analytic philosophers, they would have recognized that there are goals and methods of enquiry other than determining the covering laws. Had they done so, their focus of attention may have shifted in the more fruitful direction of investigating the methods of criticism and interpretation that are actually used by historians. Beiser therefore concludes that the philosophy of history in the Anglophone world would be greatly stimulated and enriched if it took into account these issues and the legacy of the historicist and hermeneutical tradition.
In the subsequent chapter, “Hermeneutics: Nietzschean Approaches,” Paul Katsafanas explores several key points of contact between Nietzsche and the hermeneutical tradition. As Katsafanas notes, Nietzsche is deeply concerned with the way in which human beings interpret phenomena, but also draws attention to the ways in which seemingly given experiences have already been interpreted. By highlighting these two aspects, Katsafanas argues that it is not wrong to characterize Nietzsche as offering a “hermeneutics of suspicion,” as Paul Ricoeur suggested, but that this statement can easily be misinterpreted. As Katsafanas notes, the hermeneutics of suspicion is often understood as a stance which discounts the agent’s conscious understanding of a phenomenon and instead uncovers the real and conflicting cause of that phenomenon. Nietzsche is clearly doing more than this. According to Nietzsche, the fact that a conscious interpretation is distorting, superficial or falsifying does not mean that it can be ignored. On the contrary, these interpretations are of immense importance, because they often influence the nature of the interpreted object.
The following chapter, “Hermeneutics and Psychoanalysis,” also deals with one of the thinkers who Paul Ricoeur identified as developing a hermeneutics of suspicion, namely Sigmund Freud. In this chapter, Sebastian Gardner argues that there is an uneasy relationship between hermeneutics and Freud’s own form of interpretation. As Gardner shows, Freud may be regarded as returning to an early point in the history of hermeneutics, in which the unity of the hermeneutical project with the philosophy of nature was asserted. In line with this thought, which was abandoned by later hermeneutical thinkers, Freud can be seen as defending the idea that in order to make sense of human beings we must offer an interpretation of nature as a whole.
In “Hermeneutics and Phenomenology,” Benjamin Crowe explicates some of the fundamental insights and arguments behind the phenomenological hermeneutics developed by Heidegger and brought to maturity by Gadamer. Crowe shows how Heidegger opened up a radically new dimension of hermeneutical inquiry, because his conception of hermeneutics as a phenomenological enterprise intended to be a primordial science of human experience in its totality, and in this way took hermeneutics far beyond its traditional purview. By building on Heidegger’s approach, Gadamer developed this thought further, thinking through the distinctive role and value of humanistic inquiry in an age that prized exactitude and results above all else.
In “Hermeneutics and Critical Theory,” Georgia Warnke focuses on the critique of Hans-Georg Gadamer’s philosophical hermeneutics by Jürgen Habermas and Axel Honneth, two thinkers from the Frankfurt School of Critical Theory. Warnke starts her investigation by returning to Horkheimer’s description of critical theory and shows how these ideas form the basis of Habermas and Honneth’s philosophical framework. Taking Horkheimer’s framework as his starting point, Habermas seems to see many virtues in Gadamer’s philosophical ideas. Gadamer’s theory, for instance, begins with the social and historical situation, and in this way provides an alternative to the self-understanding of those forms of social science that assume they can extract themselves from the context. Habermas and Honneth nevertheless see Gadamer’s attitude to reflection as a problem, because his emphasis on the prejudiced character of understanding seems to give precedence to the authority of tradition and immediate experience instead of emphasizing the importance of reason and reflection. As Warnke shows, Gadamer’s response to this critique consists of showing that the dichotomies between reason and authority and between reflection and experience are not as stark as Habermas and Honneth suppose. We can, for instance, only question the authority of aspects of our tradition on the basis of other aspects, such as inherited ideals and principles that we do not question, just as we can only reflect on our experiences if we do not begin by distancing ourselves from them. Full transparency is therefore not possible.
In “Hermeneutics: Francophone Approaches,” Michael N. Forster focuses on the French contributions to hermeneutics during the eighteenth and twentieth centuries. In the first part of the chapter, Foster argues that the roots of German hermeneutics were largely French. German hermeneutics, for example, arose partly as a response to certain assumptions of the Enlightenment, one of which was the Enlightenment’s universalism concerning beliefs, concepts, values and sensations, etc. According to Forster, this anti-universalism of German hermeneutics was largely a French achievement and was exported from France to Germany. In particular, Montaigne and the early Montesquieu and Voltaire had developed an anti-universalist position, which emphasized, for example, profound differences in mindset between different cultures and periods.
In the second part of the chapter, Forster focuses on some key figures within twentieth-century French philosophy who contributed to the development of hermeneutics, despite not describing themselves as hermeneutical thinkers. One of them is Jean-Paul Sartre, who gave a central role to interpretation in his early existentialism developed in Being and Nothingness, where he included what Forster calls a hermeneutical theory of radical freedom: although we do not create the world itself, we do create the meanings or interpretations through which we become acquainted with it.
Paul Ricoeur is the only French thinker Forster discusses who not only contributed to hermeneutics but also regarded himself as a hermeneutical thinker. Forster, however, does not seem to regard Ricoeur’s philosophy as very attractive. According to Forster, Ricoeur’s most important contribution to hermeneutics lies in his development of the concept of a “hermeneutics of suspicion,” in this way drawing attention to the fact that three major philosophical developments in the nineteenth century, namely Marx’s theory of ideology, Nietzsche’s method of genealogy and Freud’s theory of the unconscious, can be classified as forms of hermeneutics. It is, however, somewhat strange that Forster does not give much attention to the way in which Paul Ricoeur, as the only philosopher he discusses who also regarded himself as working in the hermeneutical tradition, described his own philosophical project as a hermeneutical one. In particular, Ricoeur’s idea that understanding and explanationshould not be regarded as opposites but rather as being dialectically connected, perhaps deserved more attention.
In “Hermeneutics: Non-Western Approaches,” the topic of which is rich and broad enough to be the subject of a companion of its own, Kai Marchal explores the question of whether modern hermeneutics is necessarily a Western phenomenon. As Marchal points out, philosophers in Western academia only rarely examine reflections on interpretation from non-Western traditions. Marchal therefore offers a very short overview of some of the most important scholars and texts on interpretation from non-Western cultures, while at the same time pointing toward the problem that arises from the use of the word “non-Western,” insofar it refers to a multitude of cultures and worldviews which do not have much in common. Instead of presenting an overview of the different hermeneutical theories and practices around the globe, Marchal therefore focuses on one particular example: the history of Confucian interpretive traditions in China.
After this first part, Marchal changes the scope of his investigation and focuses on the possibility of a dialogue between Western and non-Western hermeneutics. As Marchal shows, Western hermeneutical thinkers from the eighteenth century, such as Herder and von Humboldt, engaged with non-Western thought and languages, while most representatives of twentieth-century hermeneutics highlighted the Greek roots of European culture and emphasized the idea that we are tied to this heritage. Many non-Western philosophers, however, have engaged with ideas that were formulated by Heidegger and Gadamer. Nevertheless, such non-Western philosophers often unfold their understanding of European philosophical problems in their own terms. Furthermore, they are encouraged to do so by Gadamer’s claim that understanding is necessarily determined by the past. Marchal concludes his short introduction to non-Western approaches to hermeneutics by emphasizing the value of engaging with hermeneutical thinkers from other traditions. This engagement may result in an awareness of the Other’s understanding of ourselves against the backdrop of their traditions, and even in becoming open to the possibility of a radically different outlook on things.
In a chapter on “Hermeneutics and Literature,” Jonathan Culler aims to answer the question of why the tradition of modern hermeneutics has not figured significantly in the study of literature. Culler starts his investigation by noting that in literary studies there is a distinction between hermeneutics and poetics: while hermeneutics asks what a given text means, poetics asks about the rules and conventions that enable the text to have the meanings and effects it does for readers. Poetics and hermeneutics therefore work in different directions: hermeneutics moves from the text toward a meaning, while poetics moves from effects or meanings to the conditions of possibility of such meanings. In his historical overview of literary criticism, Culler highlights two important evolutions that enable us to explain the absence of modern hermeneutics within contemporary literary studies. The first is the revolution in the concept of literature in the late eighteenth and early nineteenth centuries. In this period, the concept of literature as mimesis shifted to a concept of literature as the expression of an author. Although this means literary criticism no longer assesses works in terms of the norms of genres, of verisimilitude and appropriate expression, most discussion of literature nevertheless remains evaluative rather than interpretive. The change in the conception of literature, however, also inspired German thinkers such as Johann Gottfried Herder and Friedrich Schleiermacher to propose a general hermeneutics, as opposed to the special hermeneutics that had focused on biblical or Classical texts. Once the mimetic model of literature is displaced by an expressive model, Culler writes, the question of what a work expresses also arises.
The arguments about what kind of meaning a work might be taken to embody or express seldom draws on this hermeneutical tradition. One of the reasons for this is the second evolution that Cullers highlights, which occurred in the twentieth century when hermeneutics itself changed. Modern hermeneutical thinkers such as Dilthey, Heidegger and Gadamer shifted their focus to the understanding of understanding. In this way, their hermeneutical theories offer little guidance on interpretation or in distinguishing valid interpretations from invalid ones.
In “Hermeneutics and Law” Ralf Poscher starts from Hans-Georg Gadamer’s claim that hermeneutics in general could learn from legal hermeneutics. Poscher, however, disagrees with Gadamer about what exactly can be learned. As Poscher summarizes, Gadamer thought that what could be learned from the law is that an element of application must be integrated into the concept of interpretation. Poscher, however, disagrees with Gadamer’s idea that hermeneutics is a monistic practice consisting of interpretation, and he argues that what can be learned from law is that hermeneutics is a set of distinct practices that are of variable relevance to different hermeneutical situations. Poscher develops this thought by exploring the different hermeneutical activities in which a lawyer must engage when applying the law to a given case, such as legal interpretation, rule-following, legal construction and the exercise of discretion, and he highlights the important distinctions between these different means for the application of the law to a specific case. To prove the point that hermeneutics is not a monistic practice but rather a complex whole of different practices applicable to hermeneutics in general, Poscher draws some minor parallels between the different hermeneutics applied in law and in art. These parallels are often very clear, although the fact that they are often reduced to brief remarks means that Poscher does not really engage with debates on the interpretation of art. Nevertheless, these remarks do indicate that such a profound comparison between legal hermeneutics and the hermeneutics of art could be an interesting subject for further investigation.
In the final chapter, “Hermeneutics and the Human Sciences,” Kristin Gjesdal explores the question of how best to conceive of the relationship between philosophy and other sciences through the lens of hermeneutical theory and practice. Gjesdal reveals that different responses can be given to the question of what hermeneutics is, and she explores the various answers. First, she outlines the Heideggerian-Gadamerian conception of hermeneutics, in which philosophy is identified with hermeneutics and hermeneutics is identified with ontology. According to Gjesdal, this tendency is concerning because it takes no interest in the different challenges emerging from within the different areas of the human sciences, nor does it acknowledge different subfields of philosophy or textual interpretation. When looking for an answer to the question of how the relationship between hermeneutics and the human sciences might be understood, an investigation of hermeneutics in its early, Enlightenment form, seems to be more fruitful, Gjesdal argues. Through such an investigation, Gjesdal shows that hermeneutical thinkers such as Herder, Schleiermacher and Dilthey combined an interest in hermeneutical theory with hermeneutical practice and in this way can be seen as an inspiration to explore our understanding of the relationship between philosophy and the other sciences. Philosophy would then no longer be seen as the king among the sciences, and our thinking about the relationship between philosophy and the human sciences would start with a more modest attitude and a willingness not simply to teach but also to learn from neighboring disciplines.
It is clear that for a large share of the contributions to this companion, the history of hermeneutics itself and the way in which this history has been constructed by later hermeneutical thinkers is under investigation, leading to new insights into contemporary debates. In this way, this companion as a whole can be seen as engaging with the question of what hermeneutics is, with the various approaches leading to the formulation of different answers to this question. Furthermore, the different readings of the history of hermeneutics also means that a number of contributions go beyond the traditional understanding of hermeneutics, drawing attention to thinkers who are not commonly associated with the field. In this way, the approach to hermeneutics does not remain limited to an investigation of the works and ideas of those thinkers who are generally understood as belonging to the hermeneutical tradition, which also makes the relevance of hermeneutical thinking to diverse contemporary disciplines and debates more apparent. Although the diverse contributions to this companion engage with the fundamental question of what hermeneutics is in different ways, this book as a whole will probably not serve as a good introduction for someone who is not already familiar with philosophical hermeneutics and its history to some extent. Some of the contributions are successful in offering the reader a clear introduction to the subject and discipline they discuss, but this is not always the case, with some authors presupposing a lot of prior knowledge on the subject. Nevertheless, for those already familiar with the subjects discussed, several contributions to this companion will offer the reader fruitful insights and perhaps provoke thought that invites further research.