Philippe P. Haensler, Kristina Mendicino, Rochelle Tobias (Eds.): Phenomenology to the Letter: Husserl and Literature

Phenomenology to the Letter: Husserl and Literature Book Cover Phenomenology to the Letter: Husserl and Literature
Volume 7 in the series Textologie
Philippe P. Haensler, Kristina Mendicino, Rochelle Tobias (Eds.)
De Gruyter
Hardback 109,95 €

Reviewed by: Fermín Paz (CIN / FFyL - UBA)

Phenomenology to the Letter. Husserl and Literature (2021), is a collection of thirteen essays that make explicit multifaceted theoretical implications between literature and Husserlian phenomenology. Volume number 7 of the collection Textologie by De Gruyter is edited by Philippe P. Haensler, Kristina Mendicino, and Rochelle Tobias.

Each of the papers making up this work present an original insight. Together they advance a common goal: a deep exploration of the immensely rich work of the father of phenomenology, tracing back what, in the words of the editors, are logical and poetological (1) implications between literature and his writing. Through the different articles that constitute it, this volume presents a broad and varied series of issues. In each essay, phenomenology and literature are presented as fields that are not a priori differentiated, but branch from diverse modes and axes of analysis.

The position the book confronts is characterized in the introduction by the editors: from the formula “to the things themselves” as key to Edmund Husserl’s proposal, phenomenology would have been accused of being “negligent” about language and other forms of mediation. Phenomenology to the Letter draws a historical line to characterize this reaction against phenomenology that has its more characteristic points in the deep oblivion of the language (abgründige Sprachvergessenheit) as proposed by Gadamer (1986, pág. 361), up to the Foucault’s accusation about the logophobie of phenomenology (1971). Moreover, this differentiation can also be read in the linguistic turn of analytic philosophy, or in the post-structuralist philosophy of Derrida. This work aggregates this accusation and highlights its incorrectness by linking Husserl with classic rhetoric, modern literature, aesthetic theory, and cultural criticism. However, the goal of the book implies a task that is not easy to solve. The response to these 20th Century accusations is not provided from a theoretical reconstruction of an exegesis of Husserlian corpus, but with a reading proposal from the collaborators of this volume that updates and explores the own limits of the phenomenologist’s task.

The logical and poetological implications of Husserlian writing are analyzed from a conjunction of literature and phenomenology. This conjunction not only revisits the inscription itself of the very same Husserlian letter as theoretical and textual corpus but also analyzes a phenomenological inscription in a wide range of literary works. Thus, this volume analyzes an implicit link between modern writers as Proust, Flaubert, Kafka, Rilke, Benjamin, Beckett, Olson, and Blanchot with certain modes of inquiry in the operations of the conscience, specifically phenomenological ones. The link between phenomenology and literature is not unilaterally constructed “outwards” from the Husserlian phenomenology towards the literary work, instead this volume draws a relation of reciprocal involvement that vindicates a literary task within the construction of phenomenology. The editors even discuss phenomenography[1], as they argue that for Husserl, “literature constitutes the medium in which the phenomenological analyses of transcendental subjectivity attain objective existence” (4). In this sense, literary language itself constitutes an immanent question to phenomenology as “both the method and existence of phenomenology depend upon a literary medium that cannot but be foreign to it” (5).

In its structure, the book is divided into four parts, each part addresses specific topics with a group of essays. In the first part, Husserlian phenomenology’s own language is thematized. Then, the second part discusses the relationship between experience and language, and the enrichment or challenges that the latter imposes upon the former. The third part focuses on the relationship between experience and literary works, fusing phenomenology and literature. Lastly, the problem of fiction is further explored as central to the methodological determination of phenomenology.

The first part of the book, Rhetoric and Thought: The Language of Phenomenology, addresses the issue of phenomenology’s own language in four essays that focus specifically on Husserl’s writing. The first part offers a series of explanations between Husserlian language and the developments of his phenomenology.

The first article is entitled Husserl’s Image Worlds and the Language of Phenomenology, by Michael McGillen. The author resumes the concepts used by Husserl to present his phenomenological method to establish that the technical language of phenomenology is built from a metaphorical language. McGillen suggests that the linguistic and pictorial aspects of images are briefly connected. To focus on this relation, the author resumes the theory of image consciousness by Husserl and proposes its applicability to literary metaphors. Thus, he links the experience of a metaphor with the experience of image-consciousness. In this point, it may be argued that the application of Husserl’s theory of image consciousness to metaphors or textual images requires further clarifications in light of the loss of frame (Bild) as a shared character between the object and the subject of the image. Nevertheless, this problematic parallel between metaphor and image, letter and experience, anticipates the theoretical position that guides the book proposal. 

In Au Coeur de la Raison: la phénomenologie, Claude Romano claims that material a priori can only be conceived from a theory that fundamentally has an anthropological base for essential determination. In the essay Auch für Gott: Finitude, Phenomenology and Anthropology, Tarek R. Dika argues that Romano holds two mutually contradictory theses: firstly, that the negation of material a priori necessities is inconceivable and secondly, that these necessities, due to their anthropologic bases, are only conditional and therefore, their negation must be conceivable. If the Husserlian material a priori is postulated as a necessity for any kind of experience, it is done to disengage the sense of experience from the sense of language. Only then can phenomenology propose a prelinguistic sense. Dika’s argumentation in favor of a priori material à la Husserl is a reassurance for the cornerstone of the phenomenological experience: informed perception with a prelinguistic sense, described with pretension of universality.

The third essay, irgend etwas und irgend etwas: Husserl’s Arithmetik and The Poetics of Epistemology, is written by Susan Morrow, who reads Husserl’s first published monograph, Philosophy of Arithmetic, accused of psychologism as a poetics of epistemology. This work establishes a relationship between the concerns of a young Husserl, focusing on the analysis on the concept of multiplicity, to the ones of maturity, that focus on the historicity of geometry and science as such, revealing a certain consistency. This consistency allows Morrow to articulate her reading proposal from a key term for the book proposal as a whole: the status of a poetics of the epistemology is supported by a reading that traces poetological implications in the arithmetic’s justification of the philosopher that pursued a rigorous science.

The last work, by one of the editors, Philippe P. Haensler, is titled Fort. The Germangled Words of Edmund Husserl and Walter Benjamin. With great erudition, Haensler’s comparative reading between Husserl and Benjamin chases a twofold goal: on the one hand, to reveal Benjamin’s anticipation of certain Husserlian developments, and on the other hand, the essay establishes for Husserl’s phenomenology a deep interest in the question of literary translation. Haensler reads      Husserl’s transhistorical concern for the foundation of sense and Benjamin’s messianic reconceptualization of the relationship between an original and its translation as “two pieces of the same vessel” (85).  However, this essay is not limited to the historical reconstruction of mutual readings between Husserl and Benjamin. With the presence of Jaques Derrida as a key mediator between the two authors, Haensler evidences for phenomenology, translation as a trans-performative act,      and the letter of the father of phenomenology as a subject for discussion in itself.

The second section, Phenomenology and Incommensurability: Beyond Experience is concerned with the issue of an experience possible through language, one that defies (and, in some cases, even exceeds) the limits of the described experience from a strictly phenomenological perspective.

This section begins with the work of Jean-Sébastien Hardy, Beyond Experience: Blanchot’s Challenge to Husserl’s Phenomenology of Time, who finds in the concept of disaster (desastre) by Maurice Blanchot a key for what the author calls a “phenomenology of anticipation”. Hardy maintains that Husserlian expectation has traces of an implicit prophetic paradigm and that the affectivity of protension may well be a product of an institution that is at the same time, original and historic. Meanwhile, the Blanchotian disaster as something that is “outside experience, outside the realm of phenomena” (Blanchot, 1986, pág. 9) does not answer to any expectation and constitutes a challenge for Husserl. Hardy wonders if the immanent consciousness of temporality is really as pure as Husserl desired or whether a radically different temporalization is possible (118). In line with Blanchot, Hardy concludes that our intern and immediate sense of time “is not so much constituted as it is instituted, when it comes to the anticipation of what is about to come” (130).

In the next essay, Absehen – Disregarding Literature (Husserl/Hofmannsthal/Benjamin), Henrik S. Wilberg reads Husserl’s famous letter to Hofmannsthal, retrieving the frequently exposed link between the phenomenological method and the purely aesthetic attitude, as both imply a deviation from the natural attitude. The artist and the phenomenologist share before the world the neutralization of the positionality of the objects of experience. What is new in this article is the incorporation of a young Benjamin into that dialogue. Wilberg affirms that “when the Young Benjamin first enters into the orbit of phenomenology, he does so accompanied by the same figure who – and the same text that – occasioned Husserl’s reflections on the relation between literature and philosophy” (139/140). The historical reconstruction of mutual readings between authors is at the service of the “poetized” as the foundation of the experience of reading. There is therefore a link between the Husserlian modification of neutralization with what Benjamin calls Gedichtete as the indecipherable, the unanalyzable, specific to a reading experience. Benjamin’s reading of Husserl goes beyond direct mentions and is in the notion of “poetized” where affinities with Husserl can be read, a notion used to characterize a new dimension of the poetic. For Wilberg, it is in this state or in the modification of the view of the reader towards the poeticized of the poem where the potentialities of the Husserlian modification of neutralization comes into play, transcending the explicit comments of Husserl himself.

This conceptualization of a      reading experience       shares its goal with the work of another editor, Kristina Mendicino. In Drawing a Blank – Passive voices in Beckett, Husserl and the Stoics, Mendicino links Husserl’s phenomenology with Stoicism on the basis of the theorization of the material aspect of language, finding the most extreme consequences of the position that both schools would share in The Unnamable, by Beckett. That concern that Beckett takes to the extreme is homologated with the Stoic notion of lékton, which characterizes the discursive instance as an ambivalent phenomenon. If the materiality of language offers an experience that surpasses the meaning of language, both for Husserl and for the Stoics, the link with Beckett can be read when he affirms that “the things that language speaks of may always be elsewhere, speeches may seduce with their movement, and words can take wing so as to fly from the strictures or comprehensive grasp” (150). Mendicino recognizes the links between Frege, Bolzano, Meinong and, evidently, Husserl, with the Stoics. However, the Beckettian way acquires a new sense within this volume. Beckett’s reference to the Stoics is made in poetological terms. In the Stoics, Mendicino traces back an importance to the thetic character within phenomenology and inherent to perception: “between sense and expression comes a moment of making sense that resists translation into categorial forms of predication and whose logical character cannot be rendered with a predicative syntax” (167). The author finds an “aphenomenal páthos of language” (171), being the use of the passive voice in Beckett the master expression of a poetology of the experience of language.

The link between literary works and phenomenology is more strongly established in the third part of the book. In Phenomenology of the Image and the text Corpus, literature appears as a corpus with which a wide group of theoretical developments of phenomenology is faced. At the same time, the link between the experience of the image and its description in a literary language is further analyzed.

The first work is Charles Olson: Phenomenologist, Objectivist, Particularist by Stefanie Heine exposes the poetry of Charles Olson as a complement of Husserl’s philosophy of language in Logical Investigations. The essay reconstructs in Olson a theoretical development inseparable from the practice of writing, taking as a starting point the work of unpublished manuscripts, transcribed or attached in this book. Even though Olson echoes Merleau-Ponty, this work shows Olson’s complement to Husserlian phenomenology, borne from his interest as a poet, of considering words as physical entities, and of taking the word as Leib before taking it as Körper in the specific moment of writing. On the one hand, is the sensible experience of words that comes at play in his “poeticness”. On the other hand, the Husserlian notion of “Wort-Leib” is revealing for the execution of Olson’s writing, where language is left behind to grasp the material sense of the physical word, the gap between words, and even shapes, and written lines that are not associated with specific words.

In the second work, Icon as Alter Ego? Husserl’s Fifth Cartesian Meditation and Icons of Mary in Chronicles of the Teutonic Order, Claire Taylor Jones examines two chronicles of the Teutonic Order: Chronica terrae Prussiae (1326) and Kronike von Pruzinlant (1340). These texts offer a narrative of the conversion to Christianism from an experience of acknowledging the suffering and spiritual agency in icons of the Virgin Mary. Taylor Jones finds in these chronicles, taken as literary corpus, issues for the perception of the alter ego that Husserl describes in the Fifth Cartesian Meditation. From artistic cultural objects, imbued in certain “saintly presence” in this case, the distinction between Leib and cultural objects must be revisited. The author finds in these texts a challenge to the Husserlian theory that demands a new description of intersubjectivity, one that does not rest in the apperception of an animated body, but recognizes this apperception of suffering, that does not require movement in order to be perceived.

Complements to Husserlian phenomenology can also be read in the cultural critique, as Thomas Pfau illustrates in the last work of this section: Absolute Gegebenheit: Image as Aesthetic Urphänomen in Husserl and Rilke. The author reads Rilke’s texts about Rodin and Cézanne’s letters, where he finds a phenomenology of image experience that would complement Husserl’s one. If, as Pfau asserts, Husserl focuses on the noematic pole of experience, it is the noetic dimension that Rilke centers his attention on when he reflects on the aesthetic experience. In the Rilkenian comments on Cézanne’s works Pfau reads an anticipation of the idea of transcendental reduction. The point here is that the epistemological contribution to the theory of image occurs, as demonstrated again and again in the volume reviewed here, in poetological terms, intended as a supplement to phenomenological description.

The funding relation between phenomenology and fiction insistently tematized in this volume finds greater depth in the fourth and final section of the book: Fictional Truths: Phenomenology and Narrative.

The section is inaugurated with The Virtuous Philosopher and the Chameleon Poet: Husserl and Hofmannsthal, by Nicolas De Warren. De Warren rereads Husserl’s letter to Hofmannsthal, in which the philosopher reveals the inspiration he received from the poet for his phenomenological method. However, De Warren’s reading examines how Husserl imagined this source of inspiration, and from that conception, offers an aesthetic for Hofmannsthal’s work. De Warren reconstructs the context of the encounter between Husserl and Hofmannsthal, the poet’s assistance to the reading of the phenomenologist, and the epistolary exchanges between these figures. The point that De Warren makes is that Hofmannsthal’s silence demonstrates that his aesthetic would have been a source of inspiration for the phenomenological method merely imagined by Husserl himself. The importance of this reading lies in putting the attention on fiction as a basis for Husserlian inspiration, while the letter could itself be read as literary fiction. De Warren undertakes this task, carrying out a detailed analysis that evidently could be described as literary, from Husserl’s letter to Hofmannsthal and reconstructing in that same letter the appearance of elements belonging to the philosophical method that Husserl would have arrived for his phenomenology.

The second paper of the section is A Now Not toto caelo a Not Now: the “Origin” of Difference in Husserl, from Number to Literature, by Claudia Brodsky. The paper draws a historical path in Husserlian thinking in which, through a series of “steps”, Brodsky explains that the understanding of the notion of number is achieved in relation to other concepts. For the author, this overlapping of theories, in a formal excursus of Husserl’s conscience, is quite similar to the developments made by Lukács and Proust. In their formal aspects, there would be common issues between Husserl and the literary theory.

The last essay of this volume is written by its third editor, Rochelle Tobías. In Gregor Samsa and the problem of Intersubjectivity, the author exhibits how The Metamorphosis by Kafka presents certain issues to the Husserlian perception of the alter ego. The challenge to the Husserlian theory is not found in the acknowledgment of another body as an alter ego, but in the recognition of another conscience like mine. Tobias’s paper does not focus on this difference of positions, but on the fiction as a privileged mode of representing other minds in the third person. Thus, what is thematized is a method for thinking based on fiction as proposed and shared by Kafka and Husserl.

As I have outlined thus far, Phenomenology to the Letter does not directly answer the concerns presented in its introduction. The aim of the book is achieved through a comprehensive reading that implies a work from the reader that does not demand little effort. On this point, it is important to highlight that each one of the parts neither offers a justification of the articles assembled therein nor a conclusion that determines an explicit conjoint thesis. To be able to answer the accusation put forward in the introduction, it is necessary to undertake a global reading that surpasses the questions posed by each essay. Thus, the enormous project proposed in this volume loses the strength of a joint individual answer. This is not however a limitation, but rather a demonstration of the fruitful possibilities of relating Husserlian phenomenology with literature, via a multiplicity of papers that address various goals and issues. This book clarifies that there is no oblivion of the language but rather that language, literature, writing, and fiction are present from the origin and during the development of the phenomenology of Edmund Husserl.

Phenomenology to the Letter is not a book about literature and phenomenology in general: there is no development of the conception of language by Merleau-Ponty or Heidegger, nor is there an offering of the problems of a phenomenological aesthetic that recovers Dufrenne’s, or an ontology of literature as Ingarden thematized. This volume focuses specifically on the Husserlian work and when links are established with other authors, they do not properly belong to the phenomenological school. The rejection of the phenomenological thematization of literature following its greatest exponent, Roman Ingarden, explains the general proposal of the book. According to the editors, Ingarden starts from phenomenology, when, as read in this volume, it is all about mutual implications between phenomenology and language, to the point of claiming a philological complement for phenomenological investigation.

While the essays contained in this book are written at a sophisticated academic level, including quotations in their original languages and detailed works in a scholar register, the volume offers something beyond a series of exegetical articles about phenomenology. Still with Husserlian phenomenology as a topic, the novelty of this volume is neither a proposal of building a Husserlian literary theory, a treaty about language theory by Husserl, nor is limited to a series of examples of Husserlian theory within the literature. To my understanding, the methodological proposal that guides these essays has an interdisciplinary character; what is pursued are the theoretical constructions in fields that are traditionally separated, without abandoning the specificities of each one.

This volume offers then, an actualization of Husserlian thinking. The philosophical importance of Phenomenology to the Letter nowadays, claim its editors, lies in its proposal facing biological and psychological paradigms that dominate praxis and current thinking. It is not only a proposal of actualization of phenomenology or the determination of an aesthetic movement, but rather a path to rethink affections, experience, and language. A proposal can be read to extend the Husserlian contributions so present today in the cognitive sciences and the neurosciences, whose     approach to “the mind” confront several Husserlian warnings, as the editors state. The challenge to mind studies has its weight from fantasy and fiction as the cornerstone of the phenomenological method, both for the eidetic variation from the Logical Investigations as well as the reduction from Ideas I. In sum, the starting point for this book can be read in Husserl’s affirmation in Ideas I: “‘fiction’ is the vital element of phenomenology, as all its eidetic knowledge” (Hua III/I, 148).

In thirteen essays, Phenomenology to the Letter achieves its goal where the relationship between phenomenology and literature has been at the heart of reflection and it has not been seen as a point of arrival. The specificity of the issues that each essay addresses, together with a great variety of resources and different textual corpora does not introduce a relation between Husserlian phenomenology and literature, it simply puts it into evidence. The project proposed by the book is accomplished not by the refinement of each essay in light of the objectives established separately but rather because of the reading as a whole they offer, made possible by the excellent job of the editors. The reader is offered a collection of essays that implies an astute reading exercise, an essential task whose effort can be well compared to the reading of a literary work.


Blanchot, M. 1986. The Writing of the Disaster. Nebraska: University of Nebraska Press.

Foucault, M. 1971. L’orde du discours: Leçon Inaugurale au Collège de France prononcée le 2 décembre 1970. Paris: Gallimard.

Gadamer, H.-G. 1986. Destruktion und Dekonstruktion. En H.-G. Gadamer, Gesammelte Werke. Vol 2. (361-372). Tübingen: Mohr Siebeck.

Husserl, E. 1976. Ideen zu einer reinen Phänomenologie und phänomenologischen Philosophie I: Allgemeine Einführung in die reine Phänomenologie, 2nd edn. Den Haag: Nijhoff.

[1] Following Detlef Thiel. 2003. “Husserls Phäenomenographie” in Recherches Husserliennes 19: 67 – 108.

David Carr: Historical Experience: Essays on the Phenomenology of History

Historical Experience: Essays on the Phenomenology of History Book Cover Historical Experience: Essays on the Phenomenology of History
Routledge Approaches to History
David Carr
Hardback £96.00

Reviewed by: Quentin Gailhac (Paris 1 Panthéon-Sorbonne)

“History is not something separated from life or remote from the present” (5). It is within the horizon of Dilthey’s affirmation that David Carr resolutely sets out to think about historical experience in a book gathering twelve of his articles, published between 2006 and 2021, under the title Historical Experience: Essays on the Phenomenology of History. The book approaches the question of historical experience from various points of view, and in particular from that of the philosophy and theory of history. The classical problems of this point of view are treated here with the means of a phenomenology open to the exploration of many other traditions of thought. In the introduction (1-7), Carr follows in the footsteps of Dilthey and Ricoeur. He starts from the observation of the irreducible historicity of the human experience in order to identify the various ways in which history embraces us. For Carr, we can only make known and experience a historical event on the condition that we ourselves are involved in history.

The book is divided into three parts, all of which interrogate themes and concepts central to historical experience. The first part deals with three key concepts: historicity, narrative and time, through a fruitful dialogue with Dilthey, Koselleck and Levi-Strauss, among others. The second part confronts the problem of teleology in history, which, as is well known, has occupied Husserl and his commentators. Finally, the third part, entitled “Embodiment and Experience”, focuses on the corporeal, spatial and temporal aspects of historical existence. The relation of embodiment to intersubjectivity, the notion of orientation in history, the concept of Erlebnis in Dilthey, and the relations that exist between experience and history constitute the research directions of this third part.

In the first chapter of Part I, entitled “On historicity” (11-23), Carr attempts to grasp the meaning that the concept of historicity has had in Europe, from Dilthey to François Hartog. The central point of the chapter is to find a way of understanding historicity in the distinction made by the German historian Reinhart Koselleck between two historically attested ways of linking the past and the future. On the one hand, a relationship marked by the idea of a history magistra vitae, typical of pre-modern worldviews. On the other hand, a relationship that rather gives the future as a human reality to be constructed, typical of the Enlightenment. What François Hartog has called “regimes of historicity” (Hartog, 2015) serves here to identify the type of historicity that has gradually been imposed in Europe, thanks to the turning point constituted by French structuralism in the reversal of the relationship between the past and the future. Lévi-Strauss’s famous distinction between cold, non-historical societies and warm, historically marked societies is thus re-characterised, since we are dealing here with two very specific forms of historicity. The decline of the idea of progress in the twentieth century gradually reoriented the question of history within the horizon of heritage and memory (Ricoeur 2006; Nora 1997), to the point of suggesting, with Lévi-Strauss, that Western society, in its fear of progress and becoming, had transformed itself into a cold society. This is a step that Lévi-Strauss himself did not take, but that Carr’s study encourages us to consider, based on a study of the vocabulary of historians, particularly French historians, of the second half of the twentieth century (Pierre Nora’s “places of memory” are thus understood in all their historical depth).

The second chapter (24-33), while not directly addressing the issue of historicity, does approach it from a slightly derivative point of view, by focusing on the issue of temporal perspective. Carr does so through a study of the advantages and disadvantages of hindsight, which Arthur Danto said was the very essence of historical discourse. The main risk of hindsight is to fall into the trap of presentism, whereby the past is judged solely by the present. The present point of view, while it may have the advantage of distance from the event, also condemns us to an exit from time, since the event appears there once and for all. But the time of the past historical event is never the only one to exist, since it is in fact superimposed on the time of the person who recounts it. Thus, Carr devotes a brief section to “superimposed temporalities” (31-32) in history. Historicity is thus implicated in the historian’s own work, insofar as the writing of history is itself a temporal process that can never quite be taken out of history.

The third chapter, “Stories of our lives. Aging and narrative” (34-45), focuses on the unity to which our life in time can aspire, despite differences and by virtue of consciousness and experience itself. It is about bringing out the temporal aspects of awareness and self-awareness. We live in the present, and it is of this that we are aware. The question is, however, to characterise the awareness we can have of the past and the future. Carr thus proposes to distinguish between “awareness of past and future, on the one hand, and our memories and expectations and plans, on the other” (35-36). Through a phenomenological approach that the author himself calls “undoctrinaire”, the question of the relationship between life and time is extended by a study of the narrative, in its link with life, which leads to questions about biography and autobiography. The author insists on their difference by considering the impossibility for the autobiographer to possess a complete point of view on his or her life. The writing is always situated in a point of time of the life, and that this irreducible situation implies that the point from which one speaks determines the very interpretation of events as well as the (re)construction of the unity of the life itself.

Autobiographical reflection is thus confronted with two pitfalls, that of an insufficiently coherent succession, and that of an overly coherent succession. This is why the search for coherence amounts to rewriting a story. The concept of autobiographical reflection is therefore not unrelated to the idea of a narrative identity, and it is regrettable that Carr makes no study here of Ricoeur’s philosophy (see however, Carr 2014, 223-231). Narrative identity is described at length, notably in Time and Narrative (Ricœur 1984-1988). For Carr, Narrative identity, far from being fixed in stone, is always being rewritten, and this is due to the fact of the ever-changing temporal situation from which identity (i.e. also uniqueness) thinks itself, tells itself in autobiographical reflection. Narrative identity thus implies, in the horizon of the philosophies of authenticity (Heidegger 1996; Sartre 2003), thinking oneself as the author responsible for one’s own life, to the point of giving Charles Taylor’s “ethics of the authenticity” (Taylor 1991) to be understood in narrative terms (44). The third chapter closes with a reflection on the notion of aging, which the author tells us is in fact the main topic of the whole chapter, since it designates, not an accumulation in time, but the very becoming of the point of view we can adopt on our life. In this sense, the notion of aging must be understood in the perspective of narrative identity and autobiographical reflection. It also implies that the awareness of our finitude is itself changing and cannot be fixed once and for all. Aging is therefore a personal and creative way of thinking about the relationship between past and future on the scale of an individual life. The phenomenological point of view adopted here by Carr comes close to a hermeneutical perspective. Aging, together with narrative identity and autobiographical reflection, could constitute the bases, not indicated by the author, of a new phenomenological hermeneutic of our individual life in time.

It is to a theme of wider scope that chapter four, “On being historical” (46-58), is devoted, as it attempts to answer the question “What is it to be historical?” This question emerges from the inadequacy of the philosophies of history, in its two main orientations. The first orientation, of the Hegelian type, wants to find a global meaning to what happens in history, ultimately seeking to give a moral meaning to events as a whole. This metaphysical orientation is rivalled by a second, epistemological one, which is more concerned with the conditions of possibility of historical knowledge. However, both orientations assume in the same way that the past concerns us, without explaining why. The concept of historicity (Geschichtlichkeit) comes into play precisely in order to answer this question left unanswered by the philosophy of history. The discussion shows Dilthey’s perspective, developing the idea that the historical world “is always there” (47). What it is to be a historical being. Our interest in the past is thus explained here on the basis of the difference in principle between the past and the future, a difference that has its origins in Jewish thought. By showing in what sense interest in the past is not unique to all societies, Carr thus questions the fundamental cultural presuppositions of our relationship to the past.

The question of historicity then takes a more properly phenomenological path. Carr considers the unity of the subject in time, not as a given, but as an act of projection, with regard to my own temporal coherence and my relation to others. The question of my being with others is therefore not primarily a relationship between an I and a Thou, but is inscribed, as Husserl and Heidegger already wanted, in the horizon of the concept of historicity. Carr, translator of Husserl’s Krisis into English (Husserl 1970), briefly returns to the role given to intersubjectivity in the theoretical investigation, insofar as the research of others forms the starting point of the present research. The notion of group thus appears fundamental to understanding in what sense scientific enquiry can be linked to intersubjectivity, since this research is first and foremost that of a community, and not that of a set of isolated individuals. Carr thus engages in a brief phenomenology of “we”, understood as the capacity of an individual to identify with a group (53-56), and to maintain a direct and living relationship to history. The very suggestive character of this chapter would have deserved, it seems to us, more extensive developments on Husserl and on the generative horizon that the thesis of the chapter seems to imply. If it is true that “to be historical” is to be integrated into a “We” that possesses its own heritage, then we find precisely Husserl’s reflections on the necessity of a generative orientation of the phenomenological method, as an explicitation of the “at home”, of the familiar and historical world carried by a succession of generations that form the unity of historicity (Husserl 1973).

It is, moreover, an eminently Husserlian question that underpins the whole of the second part, namely the question of teleology in history. The fifth chapter, “Teleology and the experience of history” (61-74), starts from the observation that the idea of teleology has a certain longevity, from Hegel and Marx to Francis Fukuyama or Niall Ferguson, via the last Husserl of the 1930s. It is therefore a question of understanding the reason for the maintenance of teleology despite his numerous factual and theoretical refutations. The idea supported by Carr is to assert that teleology functions as a transcendental illusion, in the Kantian sense of the term. Beginning with a brief history of the idea of teleology since Hegel, he then focuses more specifically on the experience of history, which he clearly distinguishes from the representation of history (to which the idea of teleology belongs). The question of the experience of history is thus first of all that of its possibility and its distinction from other types of experience. Our experience is both temporal and intersubjective, and the experience of the most common objects is always linked to a horizon of the past that we experience in the present. History is thus a dimension of our very experience. Here Carr uses the Husserlian concept of retention to explain how this history and past are involved in all present experience (67-69), even though retention is different in nature from memory. Indeed, retention is not dealing with past itself (Husserl  1991). On the other hand, the end of the chapter proposes an interesting re-characterisation of the idea of teleology. Doubly determined by the past and by the future, by our memories and by our expectations, the present must be thought of within the framework of a temporal structure which is also, by its very orientation, a teleological structure: “we can call this temporal structure a teleological structure in that the whole complex of mutually determining meanings is oriented toward the fulfillment of our expectations and plans” (73). This structure must thus apply not only to individual experience, but also to social experience. Historicity is thus understood from a reorientation of the controversial notion of teleology.

Carr expands his reflection on teleology in the sixth chapter, entitled “Husserl and Foucault on the historical a priori. Teleological and anti-teleological view of history” (75-85). The title of this 2016 article is very close to the title of an article, not mentioned by Carr, by Wouter Goris (Goris 2012), also on the subject of the historical a priori. Despite the proximity of the title, Carr takes a significantly different view and method. Goris proposed a very precise reconstruction of the notion of historical a priori in Husserl and then in Foucault, showing that the variations in the meaning of this notion to Husserl corresponded to the different stages of the internal evolution of his phenomenology. On the contrary, Carr looks “from a broader perspective at the views of history that are reflected in the different uses of this expression” (75). The aim is to understand in what sense this expression was born from the topicality of a Europe in crisis, to which Husserl gives an epistemological meaning, by proposing a reconstruction of the birth of European science. In doing so, Carr gives an account of Husserl’s subjectivation of teleology, as opposed to Foucault’s antisubjectivism, which he considers incoherent and based on an apocalyptic vision of history. Goris note that the difference in the meaning attributed to the historical a priori in Husserl and Foucault stemmed from the fact that both diagnosed the crisis itself differently, and that the Husserlian solution of a reactivation of meaning was, for Foucault, the very consequence of the crisis to be overcome. Carr, who more explicitly takes sides against Foucault, nevertheless seems to want to reconcile the two authors on certain points, despite the strong differences between them and criticisms that he addresses to the French philosopher. Indeed, Foucault’s rejection of the teleology of history is related to the subtlety of the Husserlian thesis on this question, to such an extent that Carr seems to bring the two philosophers closer together in their understanding of what a historical a priori is:

“As for Husserl, while he seems at first glance to subscribe to a teleological view of history, his position, as we’ve seen, is actually much more subtle. He sees that his own historicization of the philosophy of science could open him to the charge of historical relativism, as if he were arguing that each historical epoch or people has its own truth and can never escape its boundaries. On this view, “every people has its ‘logic’ and, accordingly, if this logic is explicated in propositions, ‘its’ a priori” (Husserl 1970, 373). What Husserl describes here is, I think, very close to Foucault’s idea of the “historical a priori.” Husserl’s use of scare-quotes makes clear that such a historically limited a priori is for him a contradiction in terms. For him such historical configurations would be instances of a genuine historical a priori, that is, an essential structure of any and all historical configurations: “historical present in general, historical time generally” (372). That is, any array of historical a prioris in Foucault’s sense (he uses the plural) would presuppose the historical a priori which is not itself historically variable” (84).

By considering the historical a priori as an unexplained presupposition, Foucault would thus only be reiterating Husserl’s essentialism. That is why the critique of teleology is studied through a very critical reading of Foucault, and this allows us to understand the status of Carr’s essay on the question of teleology. In the review of the collective book intitled Historical Teleologies in the Modern World (Trüper, 2015) which constitutes the seventh chapter of his book (86-96), Carr considers that the various authors of the collective work (among them Peter Wagner and Etienne Balibar) have not engaged, unlike him, in an evaluation of the teleological view of history. Far from reducing teleology to a question of the history of ideas or the history of philosophy, which would consider the notion obsolete, our author really seeks to examine it as a living notion, even giving it validity under certain conditions.

The question of teleology has been intimately linked to the philosophy of history since the 19th century. This is why the second part closes with a chapter entitled “On the metaphilosophy of history” (97-111), devoted to a study of the classical philosophy of history, based on a new characterisation of the “metahistory” of the famous American historian Hayden White. In his book Metahistory: The Historical Imagination in 19th Europe (White 1973), White defined historical work as a narrative discourse, focusing on the interpretation of the works of nineteenth-century historians. However, by showing that White’s sources were not only historians, but also philosophers of history such as Hegel, Marx, Nietzsche or Croce, Carr proposes to rename White’s enterprise as “metaphilosophy of history, or the philosophy of the philosophy of history” (98). Rather than a reading of White’s work, this chapter is a study of the philosophy of history, after its critics, and aims to overcome the idea that the philosophy of history is dead. This implies, moreover, a slightly different understanding of the philosophy of history, moving us away from the idea of a purely speculative philosophy to one of a practical enterprise. The philosophy of history is thus brought closer here to the historical discipline, contrary to the traditional opposition. The idea of a philosophy of history “not as a cognitive or theoretical embodiment of the teleological structure, but as a practical embodiment of it” (105), allows Carr to read the philosophy of history in a different way, first by opposing the speculative orientation of Hegel to the practical orientation of the philosophy of history and teleology of Kant and Marx, and finally by re-reading Hegel in the sense of a practical narrative, directed towards the realisation of human freedom. Although White’s theses are not directly discussed for their own sake, they guide the whole chapter, and especially this new and very suggestive reading of Hegel. This reading could be the subject of a whole book, by taking into consideration the work of Hegel on the philosophy of history.

The interest in the philosophy of history will continue in the third part, although the general orientation of its four chapters is quite different. Indeed, this third and final part, “Embodiment and experience” (113-167), returns to what is perhaps the most fundamental aspect of historical experience, namely the question of the body. Historical experience is essentially an experience of the common. It is phenomenology that has studied, since Husserl, the role of the body in the question of intersubjectivity. This evidence is however questioned here by Carr, in the ninth chapter that opens the third part, entitled “Intersubjectivity and embodiment” (112-127), and which constitutes a deepening of the phenomenology of the “We” outlined in chapter 4. This chapter establishes the question of whether the body is always a necessary condition of intersubjectivity. While the experience of the face-to-face encounter with another has become a classic starting point in the problem of intersubjectivity, it does not resolve the question. The face-to-face encounter is indeed an encounter of my body with the body of another, but this direct bodily relationship cannot be applied to the we-experience, which requires a different point of view. Where the face-to-face encounter started from the first-person experience, the we-experience implies expanding this starting point to the idea of a non-metaphysical, but properly phenomenological Gemeingeist, in the way Husserl tried to think it. This superpersonal subject is, in fact, linked to the possibility for the I to identify itself with a group, and which precisely characterised the “we” in the fourth chapter, “On being historical”. Therefore, the we-subject, instead of being thought of as a metaphysical hypostasis, is rather phenomenologically constituted by the individuals who produce it. However, what role exactly should the body play in such a subject? By means of numerous examples taken from recent and contemporary history, Carr attempts to determine phenomenologically the role of the body in the we-subject, starting from different Husserlian points of departure (the organism, the community of will), in order to finally attest to the intentional character of the embodied we-subjectivity. The embodiment thus appears essential to collective subjectivity, although it is not necessary for all forms of intersubjectivity, as can be seen, for example, in the communities that are created in the Internet sphere.

Without an explicit transition to the question of embodiment, the tenth chapter, entitled “History as orientation. Rüsen on historical culture and narration” (128-143) is a review of two books of the German historian Jörn Rüsen, respectively Geschichte im Kulturprozess and History: Narration-Interpretation-Orientation (Rüsen 2002, 2005 respectively). The connection is actually ensured by the starting point of Rüsen’s research, in that knowledge of the past, far from being of interest only to historical studies, must be understood in its context, which is that of our historicity and our intersubjective historical experience. The three concepts of Rüsen on which Carr chooses to focus thus find the fundamental themes of the whole book. The concept of “historical culture” is linked to the developments on historicity, as is the concept of “orientation”, which implies inscribing our present in a certain relationship to the past and the future. Finally, the concept of “narrative” is intimately linked to Carr’s developments on historical knowledge and consciousness. Moreover, the typology of modes of narration proposed by Rüsen allows, according to the German historian himself, the deployment of a theory of the “ontogenetic development of historical consciousness” (132), within which the form of critical narration constitutes a historical pivot, between pre-modern and modern historical thought. In this sense, Rüsen’s study gives decisive importance to nineteenth-century historicism in its various forms (especially Ranke and Dilthey). Carr emphasises the links between Rüsen’s three concepts in the historical context of the nineteenth century, since the upheavals of that period were significant. The way in which history is told is thus linked to the way in which we orient ourselves in it, which in turn shapes our historical culture. By recalling the many criticisms that have been levelled against historicism since the beginning of the twentieth century (starting with Husserl himself), Carr attempts to go beyond the postmodern critique of historicism and to find a way to make it more effective. In order to do so, Carr defends the compatibility of narrative and objectivity, against the idea of a pure fictionalization of historical narrative, but also against the idea of an opposition between historical objectivity only interested in the restitution of the past for its own sake and the concept of orientation. According to this concept, knowledge of the past is linked to our future and to our situation in time.

These considerations lead Carr, in chapter 11, entitled “Erlebnis and history” (144-152), to clarify the meaning of the phenomenological emphasis on experience for history. This involved first returning to Dilthey’s relationship to the philosophy of history. Indeed, Dilthey is not a speculative philosopher of history in the sense of Hegel, but a philosopher of history in a much more contemporary sense which, rooted in a critique of historical reason, is understood as an epistemology of our historical knowledge, close to what the analytical philosophy of history does. Working on the key concepts of representation and memory in the contemporary philosophy of history, from Ricœur to White, Carr asks “the problem to which the philosophy of history addresses itself: how does history bridge the gap, overcome the distance, which separates it from its object, the past?” (147), in order to find a way out in the phenomenological approach, based on experience. Critiquing the linguistic turn in the philosophy of history, this approach restores the notion of experience to history, but not without ambiguity. According to Carr, it is Dilthey’s concept of Erlebnis that provides a better understanding of what experience can mean in this context. Responding to the ambiguity of the term Erfahrung, Erlebnis allowed Dilthey to designate not only the unity, coherence and connectedness of the individual life, but also the link that we necessarily have with a social and historical context. Erlebnis is thus inseparable, for Dilthey, from the notion of historicity, to which Carr devotes the last remarks of the chapter, against all forms of relativism.

The book concludes with a chapter significantly entitled “Experience and history” (153-166), in which Carr returns to the temporal, intersubjective and historical dimension of experience, in order to answer the question that has animated the whole book: what is the experience of history? The originality of this last chapter consists, in this respect, in giving an essential function to the notion of discontinuity, according to four orientations. The discontinuity inherent in the question of the We-subject, the discontinuity implied by intergenerational continuity, the discontinuity of historical events, and finally the discontinuity inscribed in temporality itself. These different types of discontinuity, which allow us to enrich the contemporary philosophical debate on history and time, lead Carr to assert three fundamental things, joined together, that any phenomenology of history must be able to take into account, and which constitute an “ontology of our lives” (163). 1) Historical events are experienced as historical events. 2) We are conscious of time by being conscious of events in time. 3) The subject of these historical experiences is a collective subject, a We-subject.

The phenomenological interest and significance of these twelve studies by D. Carr thus lies, in our view, in the re-qualification of the starting point of phenomenology itself when confronted with the problematic question of history. Against the accusations of anhistoricism sometimes levelled at Husserl’s philosophy, Carr restores the importance of phenomenological perspective to the fundamentally historical understanding of our experience. He inscribes this perspective in a decentred and irreducibly collective subjectivity, which constitutes both the ground and the horizon of our relationship to the past.


Goris, Wouter. 2012. “Das historische Apriori bei Husserl und Foucault – Zur philosophischen Relevanz eines Leitbegriffs der historischen Epistemologie.” Quaestio, 12: 291-342.

Hartog, François. 2015. Regimes of Historicity. Presentism and Experiences of Time, tr. S. Brown. New York: Columbia University Press.

Heidegger, Martin. 1996. Being and Time, tr. J. Stambaugh. Albany: SUNY Press.

Husserl, Edmund. 1970. The Crisis of European Sciences and the Transcendendal Phenomenology, tr. D. Carr. Evanston: Northwestern University Press.

Husserl, Edmund. 1973. Zur Phänomenologie der Intersubjektivität. Dritter Teil: 1929-1935. The Hague. Nijhoff.

Husserl, Edmund. 1991. On the Phenomenology of the Consciousness of Internal Time, tr. J. Brough. Boston: Kluwer Academic Publishers.

Nora, Pierre (ed.). 1997. Les lieux de mémoire. Paris: Gallimard.

Ricœur, Paul. 1984–88. Time and Narrative, 3 vols, tr. K McLaughlin and D. Pellauer. Chicago: University of Chicago Press.

Ricœur, Paul. 2006. Memory, History, Forgetting, tr. K. Blamey and D. Pellauer. Chicago: Chicago University Press.

Rüsen, Jörn. 2002. Geschichte im Kulturprozess. Köln, Weimar, Wien: Bohlau Verlag.

Rüsen, Jörn. 2005. History: Narration-Interpretation-Orientation. New York, Oxford: Berghahn Books.

Sartre, Jean-Paul. 2003. Being and Nothingness: A Phenomenological Essay on Ontology, tr. H. Barnes. New York: Washington Square Press.

Taylor, Charles. 1991. The Ethics of Authenticity. Cambridge: Harvard University Press.

Trüper Henning, Chakrabarty Dipesh, Subrahmanyam Sanjay (ed.). 2015. Historical Teleologies in the Modern World. London: Bloomsbury.

White, Hayden. 1973. Metahistory: The Historical Imagination in 19th Europe. Baltimore: Johns Hopkins University Press.

James Jardine: Empathy, Embodiment, and the Person, Springer, 2021

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Paul Gabriel Sandu: Koexistenz im Ineinander, Mohr Siebeck, 2021

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Elisa Magrì, Anna Bortolan (Eds.): Empathy, Intersubjectivity, and the Social World, De Gruyter, 2021

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Paul Giladi (Ed.): Hegel and the Frankfurt School, Routledge, 2020

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Selin Gerlek: Korporalität und Praxis, Wilhelm Fink, 2020

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Thomas Fuchs: Verteidigung des Menschen – Grundfragen einer verkörperten Anthropologie, Suhrkamp, 2020

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Guy van Kerckhoven: »Einander zu ereignen« Rilkes diskrete Phänomenologie der Begegnung, Karl Alber, 2020

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Luís Aguiar de Sousa, Ana Falcato (Eds.): Phenomenological Approaches to Intersubjectivity and Values

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Reviewed by: Dag August Schmedling Dramer (University of Oslo)

In the opening lines of the excellently compiled essay collection by Luís Aguiar de Sousa and Ana Falcato titled Phenomenological Approaches to Intersubjectivity and the Values (originally published August 2019), it becomes clear that the innovative aspect of this work is not the tried and true cognitive discussion of the role the complex phenomenon of intersubjectivity plays in our lives, although most of section I is dedicated to this “classical” discussion. It is rather the volume’s focus on the axiological parts of our existence that is of particular interest. In this review, I will present a short summary of the articles and essays presented in the volume, as well as offer commentary and critique of their central themes. I have selected only a few due to length constraints. I also present some further discussions in order to contextualize for the wider debates in phenomenology.

We can begin with the introduction, for there it is stated that the approach the collection intends to take, is axiological. According to the editors, it is the case that “what makes this volume special and distinct from other collective works on the phenomenology of intersubjectivity is its insistence on the axiological—that is, the ethical and existential—dimension of phenomenology’s account of intersubjectivity.” (2) However, further explication or discussion dedicated to accounting for what exactly the field of “axiology” denotes is not pursued.

“Within continental philosophy, phenomenology is more widely understood and engaged with than axiology. As such, it would have been prudent to dedicate more time to accounting for what exactly axiology is. Especially since “there has been a renewed interest in phenomenology in recent Anglo-American philosophy” (1).

This seems to imply the equal familiarity between the two on behalf of the readers though; phenomenology on the one hand, and axiology on the other, where it can be claimed that between the two, phenomenology is arguably the more known. This is not necessarily the case, however. That said, it is indeed true, as the editors also claim, that the essays in the collection quickly move from the more classical debates about how to account for the presence of the other, (the realm that is often most interested in the cognition-focused Anglo-American philosophy) and into the realm of ethics and even theology. This fact, is most welcome. This is especially the case given the explicitness with which this fact is confirmed. It is the case, for instance, that the ethical dimension of the phenomenological quest of investigating our social natures as intersubjectively constituted creatures, often looms in the background of the contemporary phenomenological writing, and this is the case for almost all the writing on intersubjectivity both classic and more recent. Yet surprisingly, this very fact does not seem to be explicitly focused on, as the ethical dimension of the phenomenological project, often approached at the end of a given text, trails off or is relegated to “another occasion”. This is where “values” comes in, and as such, this collection can be seen as a form of bridge between the two now less estranged banks of intersubjectivity and the values, crossing the river of phenomenology that gives rise to both.

The book is divided into three parts, each with their own focus. The essays in part I. are dedicated to “The Cognitive and Epistemological Dimension of the Problem of the Other” consisting of 5 essays. Although thorough, this section is perhaps the least original, as it is dedicated to the classical discussion from within the writings of some major phenomenologists, such as Merleau-Ponty and Husserl. Yet, the interesting thing is how the essays in the section, despite what can be claimed is the generally unoriginal approach of their points of departure—exegesis of the classical texts (which Zahavi, in several places, claims is the tendentious trap of much contemporary phenomenology)—all have original streaks in several of their main points. For instance, the text by Jorge Goncalves on Intersubjectivity in Psychiatry brings phenomenology to bear on some background assumptions in psychiatry concerning the status of the self. He shows how longstanding debates in phenomenology can greatly help the psychiatrist get a grip on his or her patient, and the latter’s fundamental needs. He concludes that although some of the prevailing theories in psychology concerning our access to the other’s mind, namely Theory-Theory and Simulation Theory, can provide relevant and helpful explanations for psychiatry, the fundamental problem remains the same: how to truly open oneself up to the other person, when the other person resides on the outside of “normality”. The conclusion is that phenomenology, with its traditional methodological operation manifested in the attempt to “suspend judgment and perceive things themselves as they are” (109) may prove to be more successful in this perennial and forever pertinent endeavor. Goncalves fails however, to note that a recent formulation of this “phenomenological approach” is termed “interaction theory” by Gallagher, as the latter opposes them explicitly to Theory-Theory and Simulation Theory as on equal footing.

A more classical exegetical discussion is found in another paper, the paper presented as chapter 1 by Paul F. Zipfel which is a thoroughgoing and careful analysis of Husserl’s notion of inaccessibility.

From the get-go, it becomes clear that, although well written, the essay is best read by someone already initiated into the core ideas of Husserl’s phenomenology. Introductory remarks are not made, and we jump right into the middle of the action, which is subtended by the paradoxical question of how the other appears to the subject, because of, not in spite of, his or her inaccessibility. The main thesis defended by Zipfel is that inaccessibility is a “function of the originality of the conscious act” and as such, is quite a fundamental part of our encounters with the other. A preparatory section is dedicated to the important, if somewhat exasperated discussion of direct versus indirect experience, before Zipfel moves into “the originality of experience” as he accounts for how that which is most original in the other subject’s experience, is not directly given to the experiencer of the other, but rather in the form of a “consciousness of a consciousness that is not my own.” This is quite subtle, and Zipfel presents some good examples in order to clarify this complex point. He draws on several contemporary commentators, as well as meticulous readings of Husserl’s own reflections as recounted on Cartesian Meditations and Husserliana in order to develop his discussion. The main conclusion in the essay is that the other is accessible exactly in his/her inaccessibility. The other person’s mind is in many ways directly perceived, but not fully or completely. There is always some mystery that eludes us, always something left to explore, yet this is what opens the door to ethics, and what we might call “the mystery of the other.”

The perhaps most original essay in part 1 is chapter 4, by Roberta Guccinelli, in which she discusses the notion of “the ecological self”. Interesting though it is, the author can be said to perhaps assume too much, as she jumps straight into it with the question of whether an “ecological self really exists” which is presumptuous due to its assumption that the reader has dedicated some time pondering this question, and it also perhaps assumes an already parallel standpoint taken on the very notion of the self, on the readers’ part. That said, Guccinelli’s approach to Scheler, attempting to use his phenomenology to (re)construct a self that is not just intersubjectively constituted, but ecologically constituted (what we might call “eco-subjective”) is most welcome. Although there has been literature that have drawn the background conceptual links between phenomenology and ecology out into the explicitly ethical open (like David Abram’s The Spell of the Sensuous), Guccinelli’s focus on the Self, along with Guccinelli’s usage of Scheler’s phenomenology in that regard, is highly interesting and original.

I stand by the contemporary Husserl scholar Dan Zahavi’s general comment mentioned in the bracket above, that there is a widespread tendency among current phenomenologists to dabble in egregious over-exegesis of the original source material. This is done with the best educational intentions, but it often only serves, ironically, to render it tiresome to the pragmatically oriented reader, who in many cases simply wants to see its immediate relevance to the discipline (nursing-studies, psychiatry, biology etc.) i.e. their own field. I have to present a lengthy quote which can help to moderate this view a little, which with its helpful and thorough discussion of the difference between (and similarities of) Husserl and Merleau-Ponty’s views on intersubjectivity, makes us see how the underlying and “classical” discussion is as alive and relevant as ever. Here are the concluding sentences from the final part of chapter 3, by one of the editors, de Sousa himself, as he compares Merleau-Ponty and Husserl.

Merleau-Ponty’s view has the great merit of making a very strong connection between subjectivity and intersubjectivity—of showing, in other words, that it is only possible for us to form the idea of other subjects because our self is radically different from the Cartesian self, and vice versa. As a result, Merleau-Ponty manages to turn Husserl’s account of intersubjectivity on its head, undermining the foundations of Husserlian phenomenology (even if this remains polemical from a Husserlian point of view). (79)

Now, it might be argued that there is an overabundance in the literature when it comes to the exegetical accounts of what the phenomenological forefathers actually meant to say, and that there should be a stricter separation between “scholarly work” and “contemporary application” in the literature than what is currently fashionable, but that belies the way phenomenology is actually working. The early founding phenomenologists themselves, as de Sousa more than hints at above, argued intensely amongst themselves, and any usage of phenomenology today will have to take a stand on the premises in the debate in order to present their positive views on the applicability of the discipline to other fields. Especially when phenomenology meets contemporary empirical research. And these roots go way back to Husserl’s concern with The Crises of the European Sciences. More immediately engaged was Merleau-Ponty for instance, who was very much up to date with the empirical sciences of his day. Indeed, he was informed by the empirical sciences to such a degree that the neurological and psychological case studies buttressed central aspects of his phenomenology. Those studies are indispensable to his magnum opus, Phenomenology of Perception, and the approach developed therein. When the psychologist J.J. Gibson read Merleau-Ponty, he was directly inspired by the philosopher’s concept of motor-intentionality to develop his interactionist view of perception as directly action-guiding in The Ecological Approach to Visual Perception.

Today, links are drawn between Heidegger’s Being and Time and recent developments in the cognitive sciences. These links were first drawn by Hubert Dreyfus in his (in)famous reading of Heidegger’s existential analytic and phenomenology and used as a direct attack on the program of early research into artificial intelligence in the early 70s. From the get-go, the writings of Simone de Beauvoir and Jean-Paul Sartre (as well as Gabriel Marcel, as we see below) were greatly influencing literature and literary criticism in a sensitive and highly creative time in French writing. This could not have been done without the direct and indirect influence of Husserl, and his early investigations (that Raymond Aron, Sartre and de Beauvoir were exposed to and inspired by) of intentionality. In other words, exegetical or not, phenomenological and existentialist ideas have always, in one way or another, been in mutual engagement with the broader cultural streams, and in turn been affected and changed by them. As such, it can be claimed that “the problem of exegesis” is not a problem at all, but part and parcel of what good phenomenology is all about. So much for part I. of the collection.

In part II. “The Ethical and Existential Approach to the Problem of the Other” the essays become more general, as the consequences of the phenomenological analyses discussed are pursued with a more general look at their ethical and theological import. Part II consists, then, of five essays, ranging from Scheler’s phenomenology of otherness, through discussions on Being-With and Being-Alone in the young Heidegger, Sartre and intersubjectivity, Gabriel Marcel’s thesis of availability on the importance of solicitude for our understanding of fundamental philosophical enquiry.

The perhaps most interesting and informative essay in part II is written by Elodie Malbois, and sets out to account for Gabriel Marcel’s oft neglected contribution to the phenomenological literature. Malbois’ twenty-six page essay can in many ways be described as an homage to Marcel’s thinking, as well as an analysis of his central focus on the notion of “Availability”, which he considered as not just an essential part of how we relate to others, but as an indispensable mode of authentically connecting with them. It actually turns out that for Marcel, intersubjectivity as a phenomenon can only strictly speaking be said to occur when you are available to the other person. Physical proximity, embodied encounters and basic perceptual openness to other people are perhaps necessary preconditions, yet they are hardly sufficient for genuine familiarity with the otherness of the other. The otherness of the other can only appear in the intersubjective mode once the fundamental phenomenon of availability is in play; indeed, intersubjectivity proper for Marcel is not fully understood without reference to availability. But in what, then, does availability consist?

As most phenomena that are closest to us, it is hard to describe. A central role is ascribed to attention; for the available person is according to Marcel hetero-centered, that is, focused on the other. A problem that can arise even within this positive account of the necessity of attention for understanding the phenomenon in question, is that one often runs the risk of simply paying attention to oneself through the other. Malbois uses a Marcelian example of a young man who goes to a party and finding himself quite unable to feel that the others are looking at him, judging him with their gazes. Now, the point here is that while the other man is indeed directed at the other minds, and take their otherness in many ways, seriously, this is not to get to know them better, but rather, involves a return to the self, as he only cares about their minds insofar as they care about him. He is encombré soi, “cluttered up in himself” (187). So being truly available is not just about having your mind directed at another’s mind, and the other person’s object of attention (for that object might just be you) but actively engaging in the other person’s perspective, the other person’s position. This is where Marcel, according to Malbois, allows himself concepts such as agape to slip in, while, according to the latter, arguing further about the necessity of using them (ibid.) But the important roots with Christian theology and mysticism are evident, as being concerned with the otherness of the other for his/her own sake finds its parallel in the language of the believer. Love and charity are central concepts, and they of course imply this fundamental mode of (basic) self-sacrifice through a forgetting of the self for the sake of the other. This is where the original analysis of intersubjectivity turns axiological. Other aspects endemic to classical existential and phenomenological problematics come up, such as authenticity, which for Marcel is tied to availability, a concept that itself turns increasingly complex as Malbois exposition strides forth. Malbois is throughout careful in her discussion, as she never presumes the question of exactly how best to define “availability” to be a settled one. The essay is a well written and critical homage in its entirety, and ends on the thoroughly axiological account of availability as a reciprocal act happening between minds.

The other essays in part II. share the trend of arriving at what we might call “the deeper level” of intersubjective analysis, as the thorough analysis of the phenomenon is pulled in the direction of viewing it as constitutive of our very being-in-the-world, and the fundamental and indispensable parts of this structure. Such as Scheler’s notion of love (chapter 6), which turns theological, or Heidegger’s differentiation between Being-With and Being-Alone (chapter 7) and Sartre’s ambivalent account of intersubjectivity, the chapter (chapter 8) in which André Barata brings in the outspoken atheist Sartre’s more theological reflections on Nothingness, God and, (the classical) question of what love is.

Then, finally, there is part III in which we move into the more esoteric parts of the phenomenological problematics concerning intersubjectivity. Chapter 11 is dedicated to a discussion on the development and connection between Merleau-Ponty’s thinking and Foucault’s by Gianfranco Ferraro, and in it he draws the lines towards what he dubs “a contemporary ontology of immanence” (241). The essay is a difficult read, not just due to the inherently difficult source material discussed, but also due to the lines drawn. Although the original quest set out on from part 1 of the essay, namely that of accounting for the “possible influences and relations between the two authors” and their varied import for the new ontology of the subject emerging after World War 2, I fear that too much is already at stake from the get-go, and that Ferraro fails to bring everything together in a fruitful way. There simply seems to be too many thinkers involved, as Levinas, Heidegger and then Deleuze are brought to bear on the debate. One not well versed in the continental development over the last 100-50 years will have a great difficulty following the many stranded argumentations. That said, for the initiated, the lines drawn are interesting (though at times confused) and merit further investigation.

A refreshing essay is presented by Grace Whistler, constituting chapter 13 in which she discusses the interesting links between form and content in Albert Camus’ L’Etranger. She argues that Camus indeed intended to communicate his very philosophy in the simple style of L’Etranger, which best comes out in the French wordings, which she does her best to convey in an English manner. The essay is nothing short of an analysis of what Whistler takes to be the essential relation between literary style and the content of the philosophy in question. She claims that Camus can be said to attempt a direct showing (show don’t tell) of Merseault’s world through his prose, allowing us to experience it directly as intersubjective. The essay is well written and highly original.

Chapter 14 with its essay entitled “The Poetry and the Pity” is easiest the odd one out in the collection. This is something the editors themselves note in the introduction It is a poetic post-ludium depicting the echoes of the voices crying out from our not-so-distant past; the voices of pain from World War 1. The essay highlights in an effective yet indirect way the running theme throughout the collection; namely the ethical consequences of phenomenology. It is poetically fitting that an essay that does not explicitly engage with phenomenology and intersubjectivity, all the same points us towards the redeeming powers of narrative, which we, now more than ever, are in dire need of.