Vittorio Hösle: A Short History of German Philosophy

A Short History of German Philosophy Book Cover A Short History of German Philosophy
Vittorio Hösle. Translated by Steven Rendall
Princeton University Press
2016
Hardback $35.00
304

Reviewed by: Chiu Yui Plato Tse (Ludwig-Maximilians-University of Munich)

Introduction

The task to write a short history of German philosophy is daunting. Hösle approaches this task with erudition, precision and admirable polemical style. Readers should note that Hösle’s account is not meant to be a neutral encyclopaedic one which narrates the entire history of philosophical ideas in the German-speaking world. While his selection and evaluation of certain figures might appear questionable, it would be unfair if one judges it with an expectation of encyclopaedic comprehensiveness. Indeed, it is a specific account representing the German Spirit in a specific way. He gives four criteria for his selection of German philosophers: 1. quality of the philosophical work, 2. influence on subsequent developments in the history of philosophy, 3. whether the work paradigmatically expresses the basic ideas of the time and of German culture and 4. whether the philosopher helps us make sense of the developmental logic of the process of development. Along with the use of the German language, these make up the formal necessary requirements of Hösle’s historiography of German philosophy. On this basis of selection, he identifies a set of material features that characterize the German Spirit, and they are: 1. rationalist theology; 2. a commitment to synthetic a priori knowledge (trust that God created the world in a rational way); 3. a penchant for system-building; 4. grounding ethics in reason not in sentiment and 5. a combination of philosophy and philology. This review consists of two main parts. I will first sum up the line of ideological development given by Hösle, and then I will critique Hösle’s account of the withering of German philosophy and its Spirit.

Part I

In Hösle’s account, which consists of 16 chapters arranged by chronological order, German philosophy first started with Meister Eckhart and reached its climax in German idealism. Eckhart is not only the first medieval philosopher who expresses his original philosophical ideas in vernacular German language, his rationalist theology and mystic idea of an unmediated relationship to God are characteristic traits of the German Spirit. Nicholas of Cusa, though he did not write philosophical treatises in German, was influenced by Eckhart’s rational theology and conceived the project of an a priori, theologically-grounded natural philosophy, which sees the universe (and human mind) as an image of the Trinitarian infinite God and critiques the Aristotelian geocentric worldview of finite cosmos. The reasons for Hösle to include him despite the fact that Nicholas did not write his works in German seem to be his use of the distinction between understanding and reason and his epistemological optimism about human mind’s approximation to divine infinity. Paracelsus is a natural philosopher in the Spiritualist tradition that was partly inspired by the Reformation and partly broke with the dogmas of orthodox Lutheranism and biblical authority. His polemic against traditional medicine called for founding medicine in chemistry and mineralogy and he sees the forces of nature as God’s manifestation and particular sciences as subordinated to theology.

But it is Jakob Böhme whom Hösle identifies as “the first epoch-making German philosopher of the modern period.” Böhme considered himself a pious Lutheran and his experience of mystical visions brought him to provide a deeper theosophic foundation for Lutheranism. In his contemplation on the problem of evil and suffering, Böhme recognizes in God three principles: the positive (the “Yes”), the negative (the “No”) and their synthesis. Devil and Hell are the expression of the negative divine principle, and it is through this opposition that God becomes knowable and apparent. The reunion of the Yes and the No was found in Christ.

Leibniz must be included in any historical account of the emergence of German philosophy. Not only did he contribute to raising German to the rank of a language suitable for academic purposes and founding the Royal Prussian Academy of Sciences (now the Berlin-Brandenburg Academy of Sciences and Humanities), his philosophical contributions also earned him a place among the greatest philosophers. Interestingly, Hösle understands modern philosophy as a competition between ontology-first and epistemology-first thinkers (or “ancientizers” and “modernizers” in Hösle’s own terms). The prime example of the former camp is Spinoza, and the leader of the latter is Descartes. Whereas Spinoza starts with an ontological proof of ​natura naturans with extension and thought being its two knowable attributes, Descartes starts from the undeniability of the cogito, with the physical and the mental being two different kinds of substances. Though Hösle did not clearly assign Leibniz to either side, Leibniz seems to be straddling both with a stronger sympathy for the modernizers. Despite Leibniz’s personal admiration for Spinoza and the partial agreement in their philosophical positions, Hösle is quite right in stressing their differences regarding the concept of necessity, the moral status of God and the notion of substance. The appropriation of possible worlds in Leibniz’s metaphysics is bound by the axiological view that the actual world must be the best possible world created by God if God exists, and Leibniz’s pluralistic view of substances is supplemented by the notion of pre-established harmony.

By tying God down to the actual world as the best possible world, Leibniz in effect exacerbated the theodicy problem. Not only did Kant uncover the problem by critically examining previous proofs of God and pointing out their implausibility, he is also a revolutionary in ethics because his practical philosophy detached the foundations of ethics entirely from any hopes of an after-world. The value of moral conduct no longer depends on God’s reward or on subjective feelings, but rather it lies within the act as an end in itself. Ethics so conceived is grounded on a categorical, unconditional imperative that is owed to practical reason’s self-determination and not to any heteronomous factors. This alignment with practical reason generates a stream of anti-eudaimonism in Kant’s ethics, in which human dignity consists in the capacity of sacrificing one’s own happiness for the fulfilment of obligation, and one’s relation to God is grounded internally through the compliance with moral obligation. Kant’s distinction between the phenomenal realm and the noumenal realm along with his epistemological distinction of the capacity of understanding and reason allow him to reserve a regulative role for the idea of God while restricting its objective validity in accordance with his criterion of significance for the phenomenal realm.

The development of a new human science is another important achievement of the German eighteenth century alongside Kant’s critical philosophy. The historical reliability of biblical narratives was challenged and the narrow-minded salvation history of Jews and Christians was discredited by the universalistic spirit of Enlightenment. But the Lutheran pathos of sincerity prevented the German intellectuals, many of whom came from a Lutheran parsonage, to adopt a detached attitude of irony. Instead, modern philology provided the means to reconstructing the meaning of the Scriptures in response to not just biblical criticism but also Enlightenment universalism. This led to the idea that understanding the word of God is not simply understanding the Bible (literally), but rather the whole history of the human spirit; and the establishment of human science became a religious duty. In this regard, Herder’s contribution to German philosophy is unmistakable, for he gave it a new focus in philosophy of language, history, aesthetics and anthropology. Schiller’s aesthetic theory attributes a moral function to the traditional aesthetic category of beauty, and aesthetic education was conceived as an apolitical alternative to political revolution for the realization of moral ideas and the unification of all spheres of life. Through the Schlegel brothers and Novalis philosophy and poetry achieved an integral and yet anti-systematic cohesion, which became an essential characteristic of early Romanticism. Schleiermacher’s theology of feeling granted religion an autonomous status within human sciences, making it accessible via rational standards for those who had detached themselves from the dogmatic authority of tradition. Humboldt’s linguistic works and his analysis of the relationship between thought and language constitute an important contribution to the German tradition of the philosophy of language. He also played a significant role in the institutionalization of human science in the modern blueprint of the research university.

German idealism is for Hösle the most ambitious philosophical school of thought in the history of German philosophy and he focuses on the three most prominent figures: Fichte, Schelling and Hegel. The philosophizing of each of the three philosophers manifests not just the essential character of religious seriousness that defines the German Spirit, but also the longing for a comprehensive metaphysical system that defies the current prevalent trend of specialization. Fichte’s ​Wissenschaftslehre ​is a reflexive transcendental philosophy that seeks to uncover (or “deduce”) the implicit presuppositions, or the fundamental principles (and their implications), of the faculties of the mind assumed by Kant’s philosophy. Fichte traces the foundation of the laws of logic (identity and contradiction) in the I’s self-positing and counter-positing act, and all theoretical knowledge is based on the mediation of the divisible I through the divisible not-I. His ethics, like Kant’s, not only recognizes autonomy as the necessary condition for moral acts, but it represents a view more radical than Kant’s in that it does not allow for morally neutral acts. The mutual recognition of the spheres of freedom among individuals is enacted by law; and it is with Fichte that intersubjectivity is deduced for the first time as a necessary condition of autonomous self-consciousness. Practical belief takes priority in his system, as it is the only way to avoid nihilism.

Schelling started out as a Fichtean philosopher but soon broke with Fichteanism by attributing to nature a much higher status than Fichte’s Wissnschaftslehre​ ​allowed. Instead of deducing nature as the field of ethical striving for rational beings, Schelling’s objective idealism sees nature and consciousness as manifestations of the Absolute, and the basic structures of reality are conceived as the results of the development of a polar structure. Built on a metaphysical view that seeks to accommodate the real and the ideal, Schelling took inspirations from the contemporary development of natural science and attributed metaphysical significance to its latest discovery. Schelling’s view on religion is closer to traditional Christianity in that he does not content himself with a negative philosophy that postulates God as a logical abstratum but demands a positive account that affirms the vitality of a personal God.

Hegel started his philosophical career as a loyal follower of Schelling’s absolute idealism, but he established it with much greater brilliance and systematic rigor than Schelling was ever able to do. His mature metaphysical system contains three parts: logic, nature and spirit. In contrast to what Hegel calls “the reflective philosophy of subjectivity,” the a priori categories in Hegel’s system are not to be understood as subjective concepts imposed on an objective reality. Instead, reality is conceptually structured, and the categorial structures of reality are not ​ens rationis from a transcendent realm, but dynamic moments in the teleological self-movement of the Absolute. Thus, the theological significance of Hegel’s Science of Logic is prominent, since the entire system can be taken as an ontological proof of God. Hegel also places intrinsic value on social institutions and intersubjectively shared ways of life.

Schopenhauer is an essential key to understanding the transition from German idealism to Nietzsche. Clearly, his epistemology was influenced by Kant’s subjectivism and the German idealists’ wish to bring the thing-in-itself to light, and he reacted to them with an alternative, pessimistic worldview that parallels Indian Buddhism. His epistemology adopts space, time and causality as our subjective constructions, and takes the will to live for the ultimate ground of reality. Prioritizing intuition over concept and the will over reason and understanding, Schopenhauer sees reality as a series of objectivizations of the will, which is fundamentally driven by unconscious biological drives for procreation and self-preservation. Reason is therefore nothing but a symptom of the will, and human knowing is in continuity with animal knowing. With great philosophical depth and eloquence Schopenhauer expressed Europe’s hangover after the gradual flickering out of Christianity, anticipating Marx, Nietzsche, and Freud.

In the wake of Schopenhauer, two Hegelian philosophers emerged and determined the history of European consciousness. Feuerbach’s investigation of the essence of Christianity uncovers contradictory ideas in Christian dogmas. He gives an anthropological explanation of religion, according to which God is the hypostatization of human understanding or moral experience. His critique of Christianity seeks to free humans from “religious alienation” which he sees detrimental to morality. Although Feuerbach was a member of Social-Democratic Workers’ Party, he was not a political activist and the influence of his revolt against Christian dogmatics remained within the intellectual circle. On the other hand, with the goal of changing the world, Marx and Engels left the domain of philosophy. Marx’s historical materialism is directed against German idealism and any metaphysical tradition in philosophy that stands on ideas. From a historical materialist point of view, morality, religion, metaphysics, and the rest of ideology are to be explained externally by social economic activities and conditions. Although Marx’s critique of the modern state and his analysis of the effects of alienation are pioneering, he underestimated the influence the “superstructure” can have on material conditions, leaving human capacity for grasping truth incomprehensible. His claim to be scientific was indefensible, not only because his prediction of communist society did not accord with our experience, but also because his emphasis on the primacy of the economic is one-sided and prejudiced.

The prominence of Nietzsche’s philosophy lies in its attempt to provide a philological explanation of the origin of Greek tragedy, in which he identifies and upholds the irrational element in ancient Greek culture represented by Dionysus. As the Antichrist in the history of German philosophy, Nietzsche is no less critical of metaphysics, morality, and Christianity. According to Hösle’s judgment, Nietzsche’s genealogical account of the emergence of religion and morality contributes to the “the German adventure of crushing the Christian order of values and the creation of an alternative value system that dripped with the desire to kill” (158). Against any universalist democratic ethics, Nietzsche demands a higher culture of the noble and the strong. His doctrine of the superman and his theory of the will to power replace all theological or religious grounding of values and express his rejection of transcendence.

Contrary to Nietzsche’s expressive language, Frege’s concept script was a precision instrument that achieved not only absolute clarity in inference, but it also brought about a logical revolution by attempting to ground arithmetic in logic. Although Frege’s new logic is incomplete and he was forced by Russell’s paradox to abandon his logicistic program, the new logic, compared to the traditional logic, was a much better candidate for providing a foundation for the new science and for accommodating its results and methods. This led to the very fruitful contributions to philosophy of mathematics and philosophy of physics made by the Viennese and Berlin Circles of logical positivism. Characteristic of this movement is its deflationary or anti-realist approach to metaphysical as well as moral statements, such that it recognizes no synthetic a priori judgments. The most prominent figure from this tradition is Wittgenstein, who once claimed that the limits of one’s language mean the limits of one’s world. The logical and mathematical structures underlying our languages reflect the structures of the world. The late Wittgenstein moved away from his early position, but the boundary of philosophy remained for him to be that of our language. His reflections on rule-following led him to conclude that meaning consists in the concrete use of language and not in any inner image, hence also his rejection of the possibility of private language and his reluctance to recognize any individualistic transcendental grounds of language.

Parallel to the development of logical positivism and Wittgenstein, the enterprise of grounding human and social sciences in reaction to the emergence and domination of natural sciences was undertaken by the Neo-Kantian philosophers, Dilthey, Husserl, and others. Hermann Cohen, founder of the Marburg School, gives a rationalistic interpretation of Judaism as a kind of universalist ethics that preserves its originality and at the same time rejects Zionism. Wilhelm Windelband and Heinrich Rickert from the Baden School were concerned with the status of the knowledge in human and social sciences in contrast to natural sciences and they made important contributions to the investigation of the role of values. Wilhelm Dilthey tries to ground human sciences in an understanding of psychology and offers a critique of historical reason that objectivizes human mind and philosophical systems on an historical dimension without any idealistic commitment to the validity of any single system. Having lost the religious consciousness characteristic of the Protestantism of traditional German philosophy, Dilthey’s historical relativism loses at the same time the religious and ethical claim to absolute truth. Husserl is the most loyal defender of the traditional concept of reason in the 20th century. Having taken up the influences of Brentano’s and Frege’s realism, Husserl’s phenomenology is a scientific philosophy that seeks to determine the foundation of all the sciences without any theological ambitions. On this basis, his analysis of the phenomena of consciousness takes the relationship between meaning and expression seriously, investigates the dependency relation between contents and the laws that are the a priori conditions of meaningfulness. His phenomenology made not only advances in the investigation of the structure of subjectivity and intentionality, his concept of the life-world also offered a modern alternative to transcendental solipsism and a foundation for regional ontologies of essences. Although Husserl himself was not keen on building a comprehensive system, his phenomenology inspired some of his best students to apply it in new domains, e.g. aesthetics and practical philosophy.

Hösle then ponders in chapter 13 the question whether ideas in German philosophy play any role in the rise of National Socialism or in the hindrance of the opposition to it. He sees in the central figures of the German tradition (i.e. Luther and Kant) the lack of a plausible theory of resistance. The recess of universalist ethics brought about by Nietzsche and logical positivism, coupled with the rise of an anti-democratic right after the First World War in response to the threats of communism and British hegemony, contributes to the weakening of the binding power of an ethical order, paving the way to the emergence of a totalitarian regime. In this light, Hösle offers a critical assessment of Heidegger, whose philosophy redefines and undermines the traditional moral sense of terms such as conscience and guilt. His empty notion of resoluteness, even though it does not necessarily lead to National Socialism, is said to have encouraged the radicalization of irrational convictions.

For the Third Reich period, Arnold Gehlen and Carl Schmitt are picked as the determining figures of German philosophy. Gehlen’s pragmatist anthropology, taking into account a broad range of results from various sciences as well as the influence of Fichte but without any transcendental reflection, centers on action and the stabilizing function of social institutions, which are necessary for the constitution of consciousness. However, Gehlen fails to ascribe any moral significance to questioning unjust institutions. Despite the moral repulsiveness of Schmitt’s refusal of denazification after the Second World War, the influence of his political philosophy has to be acknowledged. His competence of intellectual history is unusual for a jurist, which enables him to see the plausible continuity between legal and theological concepts. But Hösle points out that Schmitt’s reference to the absolute decision as the ultimate ground of law is as problematic as Heidegger’s “resoluteness.”

After the Second World War, Germany could no longer retain the special cultural status it enjoyed since Kant. Not only did several intellectuals leave the country, the occupation and integration the country underwent made it impossible to travel further with the especially German philosophical paths. Gadamer’s attempt at breaking out of the aporias of historicism increased confusion in human sciences. Despite his concept of the anticipation of completeness that re-established some hermeneutic sense of truthfulness and his attempt at constructing an equivalent of first philosophy, he inspired the deconstructivist undermining of human sciences. The first Frankfurt School, for which Max Horkheimer and Theodor Adorno are the best representatives, reacts against the progress-oriented philosophy of history as well as the culture industry, but carries the Marxist ideal of eliminating concrete suffering through a cooperation with empirical sciences. Its lack of a normative foundation following from a rejection of Kantian ethics becomes the main concern of the second Frankfurt School represented by Jürgen Habermas and Karl-Otto Apel. They seek to ground normativity by a theory of intersubjectivity influenced by American pragmatism. Though much originality can be found in the two Frankfurt Schools’ social critical stance and Hans Jonas’ environmental concern, it becomes clear to Hösle that up to this stage the Spirit of German philosophy has lost much of its earlier appeal.

Part II

Hösle’s account of the history of German philosophy shows an admirable intellectual capacity of synthesizing various materials and understanding them in a coherent, unifying manner that pieces together a pessimistic developmental picture. It is a pessimistic picture, because, as the title of the final chapter clearly suggests, it is likely that German philosophy will not exist in the future. Hösle points out sharply and accurately the current conditions of German philosophy that prevent it from having a bright future. The internet culture of our digital era has witnessed an explosion of information and it has become practically impossible to keep track of the works of all intellectuals. This phenomenon significantly dilutes the influence of any intellectual. The trend of specialization in the knowledge industry makes every attempt at system-building untimely and unattractive. And the institutional policy of German universities makes it hard for them to compete with Anglo-American universities, which in comparison offer much better financial support to junior researchers and systematically encourage the academic performance of professors. Given the global trend of technical specialization and the dominance of English as the lingua franca in the academic world, Germany has now become a “second-rate scientific power,” as Hösle put it. It sounds as if German philosophy has already sung its swan song, and what is left for researchers in German philosophy to do is only preservation of this repertoire of valuable ideas, so that these can be carried by the ark of culture “to the salvific shore of a new beginning” when environmental problems force human civilization to start anew.

The diagnosis in the final chapter that German philosophy has come to a dead end is disputable even if one accepts the preceding account of its historical development. One cannot help but suspect that this lament over the withering of German philosophy is rather a consequence of sticking to the letter (viz. the German language), and not the Spirit, of German philosophy. It is not necessary to restrict the domain of German philosophy to only those works written in German. Although most of the canonical works in German philosophy were written in German, making a logically necessary condition out of a genetic factor is a confusion. When the academic lingua franca in Europe was Latin and German philosophy was still in a nascent stage, tracking the intellectuals who first composed philosophical works in German is the philologically reasonable thing to do in recording how German philosophy came into existence. But over the course of development, it has gained worldwide attention and multilingual contributions. One might argue that contributions in foreign languages are not works in German philosophy, but about it. For instance, there are numerous careful and sophisticated exegeses on Kant and Hegel in English and although many of them are excellent scholarly works that are useful to readers of German philosophy, they do not extend the scope of German philosophy nor do they determine its course of further development by adding original insights. And when they do, they count as original works in foreign culture. British idealism and French phenomenology can be seen as prime examples of such cases. However, not every case is as clear. For example, as long as one cares not only about the historical genesis of Kant’s and Hegel’s philosophy but also their validity, ignoring the related works of Peter Strawson, John McDowell, Robert Brandom and others on the ground that they are not German philosophers and their works are not written in German and hence fall outside of the relevant scope, is counterproductive for the prosperity of German idealism. Here we need not draw a rigid line to settle the question whether original, non-German works that take positive reference to German philosophy should be counted as canonical works in German philosophy. Hösle’s historical account informatively and polemically demonstrated what kind of Sonderweg the German spirit has travelled, but this path is not an isolated (abgesondert) one, instead it has many crosses and sometimes even merges with other paths. Perhaps it is not Hösle’s intention to announce the death of German philosophy when he warns of its extinction, and philosophers in this field should heed the warning; but Hösle gives no advice as to how the withering of German philosophy can be avoided (one even has the impression that it is not avoidable at all).

If Hösle were not so insistent on abstracting from his historiography all Anglophone and Francophone influences, he should observe that, in recent years, the porous spirit (now with a small “s”) of German philosophy has crossed other paths, from which it has found new inspirations and directions. Phenomenology and German idealism, two outstanding branches of German philosophy, have seen important transformations after encountering foreign influences. The encounter with speculative realism, neuroscience and cognitive psychology forced phenomenology to defend against naturalistic criticisms or to reconcile them by broadening its own conceptual space. The encounter with American pragmatism, contemporary philosophy of mind and analytic philosophy of language brought idealist philosophers to incorporate ideas from external sources in order to generate a broader and more cogent foundation that would require a conceptual reorientation in epistemology, philosophy of mind, as well as other fields of philosophy. But all these cannot happen without philosophers, who seek not only to study the past history of German philosophy but also to participate in its future course of development, writing and engaging others in English (or other non-German languages), even though it is reasonable to require from them a robust knowledge of the German language. More generally speaking, the institutional structures of philosophy faculties in Germany have become much more diversified, new chairs and institutes that encourage applied ethics and interdisciplinary co-operations on research have been established, to mention only a few; a focus on the interaction of contemporary philosophy of mind and language in Bochum; pioneering works on philosophy of mathematics and science in Munich; analytic German idealism in Leipzig; an interdisciplinary approach to mind and brain in Berlin, etc. Just as it is too early to register these occurrences in any account of the history of German philosophy, it would be premature, too, to say that they evidence its disappearance. German philosophy is no natural object, and as a cultural enterprise undertaken by finite rational beings who do not just think but also feel and will, its essence cannot be the same as that of natural entities.

Véronique M. Fóti and Pavlos Kontos (Eds.): Phenomenology and the Primacy of the Political: Essays in Honor of Jacques Taminiaux

Phenomenology and the Primacy of the Political: Essays in Honor of Jacques Taminiaux Book Cover Phenomenology and the Primacy of the Political: Essays in Honor of Jacques Taminiaux
Contributions To Phenomenology
Véronique M. Fóti, Pavlos Kontos (Eds.)
Springer
2017
Hardback 96,29 €
262

Reviewed by: Douglas Giles (University of Essex)

This volume of fourteen essays honors and explicates the underappreciated Belgian phenomenologist Jacques Taminiaux. The essays cluster around the theme that there is in phenomenology and society a primacy of the political echoing Maurice Merleau-Ponty’s primacy of perception. The book treats the political not as foundational to philosophical inquiry but as inescapable. The claim made by the editors is that “almost any sort of philosophical research, whatever its specific object, will find itself confronted by the mirror of the political,” and, therefore, phenomenology cannot claim the attitude of the uninvolved spectator and “exempt itself from being reflected in the mirror of the political.” (vii) Instead, phenomenology must enact a fundamental attitude of judgment and respect. Not all of the essays in this book, however, directly address the thought of Taminiaux, the primacy of the political, or phenomenology, but all of the essays contribute to phenomenology in general.

Shaun Gallagher’s essay, “The Struggle for Recognition and the Return
of Primary Intersubjectivity,” explores the distinction between primary and secondary intersubjectivity. Gallagher’s approach is to contrast Fichte’s concept of summoning, Honneth’s concept of a Hegelian struggle for recognition, and Ricoeur’s concept of a gift. The question that Gallagher takes on is whether mutual recognition emerges as a natural and automatic event regardless of any practical response an individual makes. His response is basically that it does not. He takes a somewhat negative view of Honneth’s Hegelian theory that dialectical struggles for recognition lead to self-realized individuality and then onward to politico-economic justice and social solidarity. Acknowledging that an individual’s autonomy depends on intersubjective mutual recognition, Gallagher astutely points out that that this situation does not necessitate that we accept that mutual recognition is perfectly reciprocal. Gallagher proposes a model of primary intersubjectivity that does not depend on reciprocal recognition but instead acknowledges that recognition relations are imperfect. At times, we give recognition without expecting reciprocation and receive recognition without being able to return it. In these circumstances, recognition is best seen as a gift or summons. Primary intersubjectivity, therefore, does not require a dialectical struggle to find ourselves where we are.

Fabio Ciaramelli in “Intuition and Unanimity: From the Platonic Bias to the Phenomenology of the Political” extends Taminiaux’s claim of a Platonic bias in philosophy. For Taminiaux, the Platonic bias in speculative philosophy subordinated the body politic’s life and action to the sage’s life of contemplation that brought with it a problematic failure in understanding human affairs. (16) Ciaramelli takes the impetus of Taminiaux’s antispeculative research to connect the Platonic bias in speculative philosophy’s ontological paradigm of an ideal truth with the preference for unanimous solutions to social and political issues. For Ciaramelli, the issue is a matter of totality versus plurality because the Platonic bias to unanimous solutions implies a repression of plurality. (18-19) Ciaramelli takes an unexpected and interesting approach to the issue, basing his essay on a 16th century text by Etienne de La Boétie, Discourse of Voluntary Servitude. La Boétie’s essay criticizes passive submission to a unique center of power. La Boétie goes so far as to blame the people for their servitude, reasoning that by continuing to submit to power, they prefer servitude to liberty. Ciaramelli interprets La Boétie as advocating two conflicting social models: a pluralism that allows uniqueness to flourish and a totalizing model that dominates individualities and produces uniformity. (20-21) La Boétie argues that nature does not give us a model for either servitude or freedom; therefore, the ways to safeguard individual uniqueness and pluralism must be socially instituted. From this concept, Ciaramelli deduces that it is necessary to reject the Platonic bias of a universal solution. He insightfully extends this thought to La Boétie’s conception that to achieve liberty “nothing more is needed than to long for it,” connecting this conception with the preference for unanimous solutions that threaten plurality. (25) Ciaramelli concludes that La Boétie, despite his insights, is also guilty of confirming the domination of unanimous solutions.

In “Phronêsis and the Ideal of Beauty,” Danielle Lories extends Hannah Arendt’s discussion of the difference between Aristotelian phronêsis and the Kantian judgment of taste. Lories’s close analysis of particular passages in Aristotle’s Nicomachean Ethics and Kant’s Third Critique is of interest to scholars of those books, or of Arendt’s Lectures on Kant’s Political Philosophy, but Lories does not connect her topic to Taminiaux, the primacy of the political, or phenomenology.

Rosemary R.P. Lerner’s essay, “The Ethical Dimension of Transcendental Reduction,” attempts to craft a “coherent, unitary view of [Edmund Husserl’s] thought that integrates all of its various dimensions.” (46) Her first step is to free Husserl from Martin Heidegger’s interpretation of Husserl’s project as intellectualist, and Lerner gives a useful overview of the history of Husserl interpretation as background for her argument. Lerner recasts Husserl’s phenomenological reduction “as an eminently practical—namely, ethical—achievement (Leistung), driven by a practical virtue, responsibility.” (45) Lerner argues that ethics were a systematic locus in Husserl’s proposed idea of philosophy. She describes Husserl’s gradual transition from viewing ethics as founded upon formal a priori laws to viewing the ethical motivation of right and valuable actions as love in its diverse forms. (52) Husserl never wavered in his view of the importance of the rational, but, Lerner points out, Husserl also included acts of loving, hating, and desiring. This connects with Lerner’s thesis that Husserl’s motivation is responsibility as a function of practical reason. “The intellect is the servant of the will in the same way that I am the servant of those that configure our practical life, as leaders of humanity,” she quotes Husserl as writing and offers other quotes to back up the idea that this idea guided Husserl’s thought. (55) Lerner connects this thought to the primacy of the political in that even if Husserl does not mean that philosophers should immediately dedicate themselves to political life they should set the bedrock of the essential structures of being human, a bedrock on which authentic moral philosophy can be built. (55) She concludes that Husserl’s transcendental reduction can be understood as a resolution to adopt an authentic, good, and responsible life and, therefore, as an ethical renewal. (61-62)

“Individuation and Heidegger’s Ontological ‘Intuitionism’” by accomplished Heidegger scholar Mark A. Wrathall explores the meaning of individuation. Following Taminiaux, Wrathall defines intuitionism as the privileging of perception over thought and the necessity of approaching the Self by means of intuition rather than symbolism. For Wrathall, this means that what individuates each of us is something to which we have direct access. (71) It is possible and necessary to see the distinct individual that I am and to do so in the most radical way. We transcend everyday intelligibility and arrive at an intuitive apprehension of Self that is required for an authentic selfhood. Wrathall states, however, that the transcendental moment in the intuition of the self can never dispense with shared, everyday modes of self-interpretation. Again agreeing with Taminiaux, Wrathall holds that Heidegger erred in thinking that the Self is separated from and constituted independently from relations with others, a view that closes off the Self from ethical demands. Intuition is the priority of “seeing” over thought, (75) but the kind of sight involved in individuating oneself as an authentic agent is a particular type of seeing: perspicuity. (78) Wrathall says that “the sight of perspicuity plays an intimate role in the process of the realization of myself as a self, because it allows me to recognize myself as co-responsible for the opening up of the world.” (83) We are not cut off from others when we individuate ourselves but we see our Self in a shared public world within which we realize ourselves as individuals. The purpose served by achieving a perspicuous grasp of myself and an authentic disclosure of the world, then, is to allow me to comport myself toward my existence in such a way that I “own” or take responsibility for it. The end goal of owning myself is to forge a stable, autonomous character. A responsible existence ultimately depends on an intuitive grasp of myself.

Pol Vandevelde’s “Historicizing the Mind: Gadamer’s ‘Hermeneutic Experience’ Compared to Davidson’s ‘Radical Interpretation’” is as the title advertises. Vendevelde contrasts the two differing views of interpretation. Hans-Georg Gadamer characterizes interpretation as an event of hermeneutic experience, whereas Donald Davidson, against what he sees as Gadamer’s relativism, sees interpretation as an ahistorical but empirical process of triangulating subjective, objective, and intersubjective positions. The difference between the two theories of interpretation, Vendevelde argues, lies in their treatments of concrete individuals within their own historical situations. (104) Davidson’s theory, by dehistoricalizing interpretation, depersonalizes the concrete historical individuals who have made their own interpretations. The political ramifications of Davidson’s presumed neutrality is a neutralizing, if not empowering, of dominant cultural narratives that prevents concrete individuals, who perform interpretation, from being observed and considered, and therefore is a marginalizing of individual interpretations from subaltern groups.

Focusing on Merleau-Ponty, Stephen Watson addresses the issue of the incompleteness of the phenomenological reduction. Watson observes that “the search for truth is always an embodied truth, but equally a veiled truth.” (108) In “On the Metamorphoses of Transcendental Reduction: Merleau-Ponty and ‘The Adventures of Constitutive Analysis,’” Watson analyzes Merleau-Ponty’s writings on incompleteness to uncover the nature of what is incomplete in the reduction. Watson’s position is that the incompleteness is owing to the inexhaustible transformations involved in the work of making origins manifest rather than a failure fully to grasp originary evidence. Watson links this realization with what he claims is Merleau-Ponty’s idea that we barely coincide with the originary: “what justification we have comes to an end without attaining ultimate determinacy—but not because its itinerary does.” (122) Therefore, Watson concludes, phenomenology itself becomes an open multivocal practice of symbolic institutions as the world is revealed.

Also writing on Merleau-Ponty is Babette Babich in her essay, “Merleau-Ponty’s Lamellae: Aesthetic Feeling, Anger, and Politics.” Babich attempts to show how throughout Merleau-Ponty’s writings is a sustained engagement with psychology and biology. She draws mainly on Merleau-Ponty’s thoughts on embodiment and bodily engagement with the lifeworld to show how his phenomenology is a multifaceted topography of thought and intercorporeal life. Babich’s overview of Merleau-Ponty’s views on flesh, spacings, and lamellae does not break new ground, nor do her observations on the relevance of Merleau-Ponty warning’s against violence and capitalist imperialism. She does make some good observations on Merleau-Ponty’s connection between lamellae and flare-ups of anger in relation to embodiment and space (137-139) but does not pursue them fully. A further pursuit of the political implications of personal anger would be highly valuable to social and political theory, and Babich provides some thoughts and resources on this important issue.

Of significant value to addressing the current crisis in education is Sharon Rider’s insightful essay, “Coercion by Necessity or Comprehensive Responsibility? Hannah Arendt on Vulnerability, Freedom and Education.” Speaking on an important current topic, Rider questions recent trends in education policy and provides a much needed counterpoint to them. First, she argues that there is a false image in education of children’s autonomy. She accuses educational “progressivism” of advancing the idea that there is “a child’s world” separate from the adult world that educators and the education process must take into account and therefore not guide but merely support children. (165) She then turns to the related assumption in educational progressivism that there that there can be a science of teaching that can be studied and implemented without mastery in the subject matter taught. Any teacher who has been dragged into certain “training sessions” will commiserate. Armed with an understanding of these two false assumptions, Rider argues, we can move to the more fundamental problem of what the crisis in education says about our form of life. Rider applies Hannah Arendt’s thought to the philosophy of education and proposes the idea of an institution of truth-telling and critique (173) in which we understand human beings as part of the world, always beginning again. Rider says that “it is within the public organization of a collectivity where we are not under the sway of necessity that the new emerges.” (173) The answer to the crisis in education is to treat education as a collectivity that recognizes our shared vulnerability and exercises authority to build stable institutions in which children learn to face facts about who we are and what the world is, as well as learning the discipline of sound judgment.

Environmental ethics are at the center of “Edmund Husserl, Hannah Arendt, and a Phenomenology of Nature” by Janet Donohoe. She starts with Husserl’s concepts of the lifeworld and the distinction between homeworld and alienworld. Donohoe contends that lifeworld is so deeply intertwined with homeworld and alienworld as to be inseparable, providing the foundation for the objective world but not being itself an objective world. (177) She then addresses the question of whether nature is something separate from us that we define ourselves against or whether we are immersed in and inextricably part of nature. Donohoe is firmly on the side of the latter, drawing on Arendt and Kelly Oliver to craft an understanding of us as intertwined with nature. Her purpose in this analysis is to argue for a conception of animal ethics based on the idea that our human lifeworld is not separate from the animal environment. In other words, animals are not an alienworld to our homeworld, but our homeworld is grounded in the same environment shared with nonhuman animals. We are therefore responsible to Earth and the other creatures with whom we share the Earth. (187)

In the most directly political essay in the book, Paul Bruno’s “Symbols and Politics,” the author takes on the thorny issue of the display of the Confederate flag in the United States. Taking as his starting point debates over display of the flag at a particular university, (190) Bruno understands the conflict as regarding the definition and meaning of a symbol, not only in a political sense, but in an aesthetic sense. Bruno is employing aesthetics less in an artistic sense and more in the sense of how humans perceive the meanings of objects. With this move, he can adroitly position the symbol of the flag within the setting of a culture and language. To assist in his analysis, he engages in a phenomenological reading of Kant’s Third Critique, assisted by Taminiaux, focusing on the concepts of symbol and imagination. Our thought takes into account others’ ways of presenting something to compare our own judgments with human reason in general. Importantly, this means that “impartiality is achieved by taking into account other people’s way of seeing or feeling, including those ways of seeing and feeling that we may not find palatable.” (202) Education and politics require that we interact with others’ biases so that we may see our own biases in a new light. Bruno therefore concludes that: “Becoming sensitized to evils perpetrated under the Confederate flag or Nazi flag requires a place in public discourse for those flags. Putting those images in a lockbox is a recipe for them becoming rancid, tools of resentment and disillusion that fester in the hands of the disengaged, or dare I say, the excluded.” (203)

In “Poetics and Politics,” Françoise Dastur examines Taminiaux’s interpretation of tragedy from 1967 to 1995. Dastur reconstructs Taminiaux’s argument of the connections between poetics and politics from Aristotle to Heidegger, assessing it mostly positively. Dastur is critical, however, of Taminiaux’s attempt to argue for a distinction between praxeological and speculative readings of Greek tragedy. She is skeptical of the need for a speculative reading, and drawing on the German Idealists and Niezsche, states that perhaps a praxeological reading of tragedy is adequate to uncover the varied speculative aspects of Greek tragedy. Dastur then questions Taminiaux’s core thesis that poetics and politics are two sides of the same coin. Dastur instead holds that both the ontological
dimension and the political dimension of the tragedy have to be taken into account because they concern human beings in their entirety.

Finally, the two editors each contribute an essay. Véronique M. Fóti stresses the impotence of understanding Merleau-Ponty to understand Taminiaux in “Nature, Art, and the Primacy of the Political: Reading Taminiaux with Merleau-Ponty.” Similar to Donohoe, Fóti argues against treating nature as separate from us. Fóti uses Merleau-Ponty’s arguments against the intellectual subjugation of nature and in favor of the intercorporeality, or interanimality, of animal being and humanity. Her exegesis of Merleau-Ponty’s philosophy of nature highlights the need to understand our place in nature as the inter-being of self and other and that our unique spatio-temporal emplacement is a radical contingency, leading us to accept that we cannot intellectually dominate nature. From this concept, we can place our emphasis on lateral rather than hierarchical relationships of power that reject structures of domination. Fóti then turns to Merleau-Ponty’s interrelation between political philosophy and the philosophy of art, a question she relates to an ontology of nature. The political dimension, Fóti says, is not a region set apart but is fundamentally co-extensive with the lifeworld and we must abandon a binary opposition of political and nonpolitical life.

The book concludes with Pavlos Kontos’s “The Myth of Performativity: From Aristotle to Arendt and Taminiaux.” “The Myth of Performativity” in the title Kontos understands
as the conception in philosophy that some actions constitute pure performances in that they do not leave behind them concrete traces in the world. Kontos identifies the pitfall of the myth in Heidegger who, Kontos claims, celebrates pure performativity, distorting the performativity proper to actions. Kontos praises Taminiaux’s theory of political action, which speaks against the legitimacy of the Myth. Kontos sees Taminiaux as a corrective for how philosophers like Heidegger and Arendt, under the influence of the Myth, misunderstand the notion of solidarity, power, and memory. For example, Arendt’s idea that the actor and storyteller occupy two different positions is problematic. The storyteller is portrayed as not engaged in the web of political action so that the elusive character of actions is therefore not a predicament. When we reject the Myth, we put the storyteller and the actor into a new light showing that the practice of historical storytelling is intrinsically political.

John Sallis (Ed.): Plato’s Statesman: Dialectic, Myth, and Politics

Plato's Statesman: Dialectic, Myth, and Politics Book Cover Plato's Statesman: Dialectic, Myth, and Politics
SUNY series in Contemporary Continental Philosophy
John Sallis (Ed.)
SUNY Press
2017
Hardcover $90.00
334

Reviewed by: Nicola Grayson (The University of Manchester)

John Sallis’ edited text Plato’s Statesman; Dialectic, Myth and Politics is a collection of essays on Plato’s Statesman (Politicus). The dialogue is part of a trilogy that includes Theatetus, Sophist and Statesman, which, together seek to define three key figures; the sophist, the statesman, and the philosopher. Theatetus is concerned with understanding the nature of knowledge, the Sophist seeks to identify traits of the sophist (as distinct from the philosopher) and the Statesman seeks to define the statesman. Though the dialogues do not explicitly address the nature of the philosopher, by eliminating the characteristics ascribed to the other figures we may grasp some of the traits and features a philosopher should possess. One must note the proximity of the conversation in the Statesman to the trial and execution of Socrates as the threat of his impending absence permeates the text and is reinforced by his withdrawal from the discussion. In Theatetus the train of events leading to Socrates death has already been set in motion so that when the conversation of the Statesman takes place it has already been decided that he will go to trial. The dialogue alludes to the coming events, and towards the end the Stranger launches into an assault on the democratic regime (see 299c).

The essays in this collection approach the Statesman as a ‘strange mixture’ of mathematics, politics, ontology, dialectic and myth (1). The Introduction is written by John Sallis who maintains that in order to enable the manifest force of this dialogue to come to light, one must enter into it as another voice in the conversation. John Sallis is Frederick J. Adelman Professor of Philosophy at Boston College. He is well known for his work on phenomenology and is the founding editor of the journal Research in Phenomenology. He is the author of more than 20 books which address major philosophical themes such as the legacy of Platonic thought, art, the imagination, chorology and the elemental in nature. His works include Crossings: Nietzsche and the Space of Tragedy (1991), Chorology: On Beginning in Plato’s “Timaeus” (1999), Platonic Legacies (2004), The Verge of Philosophy (2007) and more recently The Return of Nature (2016) and The Figure of Nature (2016).  The essays in this collection address the Statesman as a work in which several disparate themes are addressed but never properly conjoined. Notable themes include: absence and withdrawal, the role of law, myth, comedy, politics, and the method proper to practicing philosophy.

The theme of absence and withdrawal is always present in Plato’s dialogues as the author himself remains withdrawn; speaking through characters and figures such as Socrates. In the Statesman this theme is developed by removing Socrates as a dramatic figure and concentrating on the presence of the Stranger (who remains unnamed). Despite Socrates absence from the conversation, there is a strange doubling of him in respect to Theatetus (who looks like him) and Young Socrates (who shares his name). Socrates is therefore present despite his absence and the Stranger remains somewhat absent despite his recurring presence. Other themes such as the role of law (in its written and spoken forms) and the complex function of paradigm are significant in relation to the explicit task of the dialogue – to define the nature of a good, worthy statesman—and are given gravitas in light of Socrates’ impending trial.

Likewise, the question concerning the method through which philosophy should be conducted gains significance, in light of the impending threat posed by Socrates’ trial—a theme observed by many essays in the collection. The divisive bifurcation used by the Stranger contrasts with Socrates’ dialectical style and other questions are treated concerning: Where to begin? How to proceed? What is the role of analogy and examples? What is the effect of Plato’s use of figures, characters and dialogue? The Stranger’s method fails to yield insight into the nature of the statesman and so he turns to myth; setting out the myth of two ages. Treatment of this myth is also taken up by a number of essays in the collection which seek to extract meaning and demonstrate its philosophical significance. Various themes combine to influence how one understands the role, function and qualities of a worthy statesman, and by comparison the sophist and the philosopher.

In the Introduction Sallis notes that one should be wary of projecting concepts from Aristotle into the Statesman; he claims that the essays in this collection aim to make manifest the key themes outlined earlier (amongst others) by taking contextual and discursive forms of the dialogue into account. All of the essays seek to enter into the Statesman with attentiveness, reticence, and discretion, and all share in the desire for dramatic content and unique features to be addressed. However, each essay embarks upon a different path in respect to how to interpret Plato’s objectives, trace the primary aims of the text, uncover the rationale behind certain inclusions (and omissions), and, of course, understand Plato’s treatment of the philosopher. The essays attribute different degrees of significance to the key themes highlighted and present varied interpretations in relation to Plato’s methodological decisions.

Sallis describes how the collection of essays is intended to ‘enter into the Statesman in a way that opens from the dialogue itself’ (2). Essays such as ‘From Spontaneity to Automaticity…’ by Michael Naas address key sections of the text, whereas others e.g. ‘Where have all the Shepherd’s gone…’ by S. Montgomery Ewen focus on a particular theme. Essays such as ‘Reconsidering the Relations between the Statesman, the Philosopher and the Sophist’ by Noburu Notomi work to contextualise the Statesman by addressing it alongside the other dialogues to trace how the figures being addressed develop and are present throughout the trilogy. Those such as ‘The Art of the Example…’ by James Risser focus on the Statesman itself in order to analyse the theme addressed as it arises from and is present within this dialogue specifically.

Most texts on the Statesman analyze the work holistically or focus on a specific theme in the wider works of Plato. However, this collection sets itself apart by being beneficial through the different insights it provides regarding a variety of themes. This enables the reader to gain multiple perspectives into the disparate themes contained within the Statesman as whole. It demonstrates the complex multidirectional possibilities for interpreting the features of the topics treated and draws attention to curious aspects of Plato’s method. While the themes addressed are sufficiently treated in other works for the reader to grasp their importance, few texts on the Statesman offer insights as varied and dynamic as this one. The book contains an extensive bibliography which details different translations of the Statesman (in Greek and in English) and it purports relevant primary and secondary texts. The bibliography by itself is useful to Plato scholars interested in contextualising the Statesman or in learning more about how the key themes outlined (and others) are addressed in the Statesman itself and in Plato’s wider works.

The structure of the text involves a loose grouping of the essays according to theme, it is therefore difficult to assess a clearly defined structure in relation to how they are organised. As a result, the reader must leap between disparate themes and interpretations as the collection does not progress sequentially and it is not easy to synthesize  events as they unfold within the dialogue or to develop a structured treatment of each theme. As the dialogue within the Statesman also leaps between disparate themes it is not beneficial to set the essays within a rigid structure as such an arrangement could impose reductive and counterproductive limits on a reader’s understanding. So, although the essays are roughly grouped according to the themes they cover, such rough groupings are necessary as they mirror the content and style of the dialogue in the treatment of these themes. There is  a useful index of relevant terms in both Greek and English as well as biographical details of all contributors so the reader may reference the language structure and trace further works.

In his brief essay ‘Beginnings’ Sallis contemplates a question concerning the nature of a suitable beginning which, in regard to the Statesman is related to the dramatic order of the dialogues within the trilogy. The Sophist and the Statesman are dramatic sequels to Theatetus and all three involve the same people in the same location with a shared task of defining the sophist, the statesman and the philosopher. As the third work in the trilogy, the Statesman does not begin at the beginning and Sallis claims that a ‘palintropic turn’ is required; ‘a turn back to the beginning anterior to the beginning’ and this is a turn to myth (13). In the dialogue the rigour of mathematics gives way to myth as, when Theodorus responds to Socrates’ remark that he owes him much (in respect to the conversation he (Theodorus) arranged between Theatetus and the Stranger to delimit the sophist) Theodorus replies ‘But soon you will owe me triple this…’ inferring that, once insight into the statesman and the philosopher are gained the debt will increase threefold (257a). Socrates argues that the three figures are not reducible to equal, mathematical units, and, as one may appear in the guise of another they are not strictly distinct but are related in community. Socrates begins by marking out the limits of mathematics and for Sallis ‘The Statesman begins with a return to a beginning anterior to its own beginning’ (14).

In ‘Spontaneity to Automaticity: Polar (Opposite) Reversal at Statesman 269c-274d’ Michael Naas focuses on the myth of two ages and the role played by a double sense of αύτόματος as meaning both actively spontaneous and passively automatic. Naas argues that everywhere else in Plato’s dialogues this term is used not to suggest a positive, spontaneous movement, ‘but the lack of any kind of intelligent, guided, or oriented movement’ (4). In relation to the myth of two ages this is significant as, though it is tempting to read the movement of the universe in a positive way ‘as the spontaneous motion of a living being endowed with a capacity for self-movement’ in reality it suggests ‘a lack or deficiency at the heart of the universe’ (5). He uses an interesting (and relevant) analogy to refer to the universe in the age of Zeus as one that is adrift, abandoned, unorientated ‘like a written law without the originary lawmaker’ (5).

In ‘Autochthony, Sexual Reproduction, and the Political Life in the Statesman Myth’ Sara Brill highlights the Statesman’s contribution to ontology and the ontological status of human political phenomena. She conducts a careful reading of the myth of two ages comparing the age of Cronos to the age of Zeus in order to present two forms of generation; generation from others and generation from the same (sexual reproduction). Brill argues that the myth marks human sexual reproduction as the advent of political life; a form of self-rule in imitation of the self-rule of the cosmos that requires us to acknowledge that human political life ‘is grounded in the fact that we are born from others like ourselves’ (5). ‘Where Have All the Shepherds Gone? Socratic Withdrawal in Plato’s Statesman’ sees S. Montgomery Ewen take Socratic withdrawal as key to understanding the dialogue. He draws similarities between Socrates’ withdrawal from the conversation and the withdrawal of the god in the myth of two ages to suggest that philosophy itself is presented as a Socratic withdrawal ‘that grants things the space to become what they most properly are’ (5). He claims that, if read alongside the Phaedo, the Statesman ‘is Plato’s attempt to make sense of a world without Socrates, whose death sets us adrift on our own devices, without the care and concern of the most orderly and godlike of philosophers’ (5).

Walter Brogan interrogates questions of the relationship to time that the Statesman raises as a condition of forming human community. He considers the care for this community that should be exercised by the statesman as that which should take up an appropriate relationship to time to invest in and preserve unity amongst the people. His essay considers the time of myth (before Cronos), the time of the statesman (the time of Zeus, or due measure) and the time of law (constituted by the founding sovereign to withstand the passing of time and ensure survival). Sallis notes that ‘Brogan shows how absence and withdrawal define and haunt the Platonic conception of time in the Statesman’ (6).

Nikolas Pappas focuses on the myth in the Statesman and addresses the question of how the age of Cronos is to be connected to the present age. He notes how the verb διανέμω occurs in reference to both ages but has different meanings; it links governance by the true king in that age, with dialectic by the philosopher in this age. Pappas presents philosophy as resulting from ‘the diffusion of kingship from foreign lands’ and understands the myth as reflecting back on the way that learning from ‘ancient foreigners’ allowed the Greeks to establish philosophy as a private and institutional response to kingship elsewhere (6). In ‘Noesis and Logos in the Eleatic Trilogy, with a Focus on the Visitor’s Jokes at Statesman 266a-d’ Mitchell Miller explores the interplay of intuition and discourse as two distinct methods. He begins with the ‘orienting provocations’ provided by Socrates refutation of knowledge as “true judgement and logos” in the Theatetus, and moves on to the Stranger’s ‘obscure schematization’ of the eidetic field of dialectic to arrive at the discussion at Statesman 227a-278e of the use of paradigms (6). He seeks to show that the Stranger’s odd medley of ‘geometrical and Homeric jokes’ aim to spark an intuition of statesmanship whose ‘self-nourishing’ motivates: the rejection of the initial definition (of statesman as shepherd), a turn to the analogy of the weaver, and the rejection of bifurcation in favour of the non-bifurcatory account of an art ‘that functions as the “limbs” of a well-formed city’ (6).

Gunter Figal addresses the way that topic and method intertwine in the Statesman by interrogating the relation between dialectical training and an objective determination of the nature of the statesman. Figal argues that we cannot determine the nature of political knowledge by imposing one single idea on it; the dialectical exercise therefore fails. Eric Sanday analyses the account of paradigm to show that the Stranger provides us with a method of inquiry that draws on and is guided by wisdom. For Sanday the Stranger’s use of paradigm heralds a gap between 1) the parts of a complex, meaningful whole and 2) the ingathering normativity that challenges and exceeds its articulation. We as philosophers must understand the power of paradigm if we hope to unfold ‘new horizons of intelligibility’, only then can we understand the distinction between the paradigm of the shepherd and the paradigm of the weaver to make sense of our search for the statesman.

James Risser in ‘The Art of the Example’ interprets the section in the Statesman where the need arises to give an account of the use of an example for determining the statesman. Risser claims that this part of the dialogue indicates how the discovery of the statesman ‘cannot be extricated from the experience of learning that approximates a dialectical art’ (7). For Risser, the key lies in the Greek word παράδειγμα which is used in this context to mean both model and example. Risser also submits that the stated need is to introduce a model for how comparative learning occurs and concludes that this model is operative in every example in order to generate the organic unity of the whole that is sought.

Noburu Notomi’s essay addresses the question of the relationship between the statesman, the philosopher and the sophist. Notomi assumes that the trilogy of dialogues pursues a single theme; the nature of the philosopher. This essay addresses the question: What becomes of the philosopher in the Statesman? It draws comparisons with the sophist and the statesman in relation to the distinction between genuine and imitative kinds of knowledge or art. Notomi determines the epistemological position of the philosopher in relation to the other figures, demonstrating that both the sophist and the statesman display the nature of the philosopher in their definitions. In ‘Syngrammatology in Plato’s Statesman’ Robert Metcalf focuses on 293a-299e; the connections between the critique of law and the critique of writing. He shows that what is at issue is not just any kind of writing, but syngrammatic writing which aims to eliminate ambiguity and is a structural feature of the ‘hypergraphic polis’[8]. This raises the question about whether law can be thought on the model of non-syngrammatic forms of writing e.g. soul writing which is hypothesised by Socrates in the Phaedrus.

In ‘Stranger than the Stranger: Axiothea’ Drew Highland imagines a subsequent dialogue between Thaetetus, young Socrates and Axiothea (the purported female member of the academy). The objective is to raise the question for the two youngsters, of the limits as well as the virtues of each understanding of philosophy by comparing the dialectic method of the Stranger with Socrates interrogative method. Highland argues, it is an open question whether Plato intends us to leave behind the Socratic method in favour of the Stranger’s Eleatic formalism. Robert Bartlett’s essay considers the Stranger’s presentation of law as relevant not only to political life, but extending far beyond it. The Stranger proves quite critical of law in general and of divine law in particular; he praises the statesman as one who possesses the knowledge needed to be self-ordering in a way that those who profess to receive their law from the gods are not. This essay presents the anti-theological character of the Stranger’s account of law as an important feature of his political science.

Ryan Drake considers the fate of sophistic persuasion in the Stranger’s elucidation of the best possible regime under law; the legitimacy of this practice has been thrown into question by Socrates throughout the dialogues. Drake notes that, the Stranger remarks that the statesman in a lawful regime will need orators able to engage in ‘mythopoetic persuasion’ rather than teaching as a means of preserving civic order (9). These rhetorical tactics involve a ψυχαγωγία; a ‘leading of souls’ which is distinct from ‘the philosophical ‘directing of souls’ through dialectic’ and these methods are set in opposition. Drake observes that, for the Stranger the rhetoric of sophistry is necessary to the regime of law (but recognises that it is anti-philosophical in nature).

Burt C. Hopkins essay seeks to answer the question of whether Plato’s portrayal of multiple philosophers in the trilogy seeks to show that philosophy itself is something that is multiple (bigger than one man). For Hopkins, Socrates and the Stranger share a vision (of the difference between the whole and all the parts) and this guides their method of “looking into things by dividing them according to forms” (285A). He argues that they possess a common vision of άρχή beyond being and therefore the philosophy of the two labours is one. Gary M. Gurtler explores how Plotinus uses texts from the Statesman for different purposes; some pedagogical in nature. Gurtler argues that Plotinus’ interpretations and reference to examples intended to clarify reveal ‘different assumptions about the unity of Platonic philosophy and the possibility of its retrieval in a thinker like Plotinus’(9).

In summary, the essays within this collection make a valuable contribution to the clarification of the role and practice of the philosopher through comparison with key figures, e.g. the sophist and the statesman. The collection will be of interest to those who wish to further pursue key themes in respect to philosophical methodology such as: the limitation of mathematics, the importance of the good in politics, ontology, dialectic and the power of myth in the works of Plato. It will also be of use to those interested to explore how historical and philosophical events unfolded in the lead up to the trial and execution of Socrates and how this symbolic event is reflected and responded to through the work of Plato.

 

Social Imaginaries: A Journal and a Project

Social Imaginaries Book Cover Social Imaginaries
Suzi Adams, Jeremy Smith (Coordinating Editors)
Zeta Books
2015-2016
Paperback

Reviewed by: Angelos Mouzakitis (University of Crete)

Not long ago, Social Imaginaries (Vol. 1, Issue 1, Spring 2015) appeared, with a volume that is both imaginative and ground-breaking. The journal aspires to open up a discursive space for different branches of the humanities, the social sciences, and philosophy. And at the same time it aspires to contribute to the further development and enrichment of an emergent field of research, presenting itself as a “paradigm in the making” (Vol. 1, Issue 2, p. 7). Drawing primarily on the works of Castoriadis, Arnason, and Charles Taylor, as well as on (post-) phenomenological currents of philosophy, the journal aims, as its very title suggests, to rekindle interest in the elucidation of the enigmatic field of collective and individual imagination, this “field of intersecting labyrinths,” of human creations and doings (Vol. 1, Issue 1, p. 7). It is also devoted to the study of “the intertwined problematics of modernity, multiple modernities, and the human condition,” while it promulgates “an understanding of society as a political institution, which is formed – and forms itself – in historical constellations, on the one hand, and through encounters with other cultures and civilisational worlds, on the other” (Vol. 1, Issue 1, p. 7). The first volume of the journal is organized in such a manner that it does justice to both the interdisciplinary and cross-cultural character of the project, and to the need to delineate the journal’s and the project’s subject-matter and theoretical origins.

Although the editorial note duly announces the purpose and the aims of the journal, the objectives of the whole project and the delimitation of the field of study takes place in a systematic and thorough manner in the introductory article entitled “Social Imaginaries in Debate,” which is co-authored by Suzi Adams, Paul Blokker, Natalie J. Doyle, John W.M. Krummel, and Jeremy C.A. Smith. In their attempt to theorize the field of the “imaginary,” the authors draw explicitly on Castoriadis, Sartre, Merleau-Ponty, Ricoeur, (Vol. 1, Issue 1, p. 18-19) and Charles Taylor, whom they merit with the distinction of having published the most comprehensive study in the field of social imaginaries. See the 2004 work Modern Social Imaginaries (Vol. 1, Issue 1, p. 24).   

With Castoriadis as one of the main influences behind the social imaginaries project, it comes as no surprise that the authors consider the links between the formation of meaning and creative imagination as “a central innovation of the social imaginaries field,” while they wish also to account for wider dimensions of the social, such as “power,” social action, or praxis. (Vol. 1, Issue 1, p. 20). At the same time, central to the social imaginaries field is the concept of the “world” as it emerges from both the writings of Castoriadis and the phenomenological tradition, especially Husserl’s notion of the lifeworld and Heidegger’s understanding of the co-emergence of “world” and Dasein. The brief historical overview of the way in which imagination has been treated in the course of the philosophical tradition is also invaluable, as is the discussion concerning the various forms of modern imaginaries.

Castoriadis’ essay on the “Imaginary as Such,” a seminal text that prefigures Castoriadis’ so-called “ontological turn,” is also a precious addition to the contents of this issue. Apart from translating the text from French and rendering it amenable for publication, Johann Arnason authors a brief, yet enlightening introduction to this text and to Castoriadis’ project in general. Arnason’s presence in the issue is actually even more pronounced, as he has also contributed an article on “The Imaginary Dimensions of Modernity,” an essay on Castoriadis’ understanding of imagination, translated and introduced by Suzi Adams.

The same strategy is followed in two more instances, as the articles by Nakamura Yusiro and Marcel Gauchet are translated and introduced by John W. M. Krummel and Natalie J. Doyle, respectively. Nakamura’s contribution has the merit of bringing into dialogue the philosophical tradition of the West and modern Japanese philosophy, as he advances interesting interpretations of the notions of “common sense” and “place,” drawing on the works of Nishida Kitaro. As someone who is rather unacquainted with modern Japanese philosophy I found this article indispensable both as a guide to the way in which this great civilization has received and appropriated western philosophy and for the unique manner in which it attempts to transcend the subject-object bifurcation with the introduction of the notions of place and common sense.

Gauchet’s article, “Democracy: From One Crisis to Another,” attempts to come to terms with the widespread feeling of crisis that has befallen contemporary democracies and culminates in a plea to shed light to the very notion of human rights as a remedy to the various disorders of modern democratic regimes. The issue also contains Peter Wagner’s essay “Interpreting the Present: A Research Programme,” which inquires into the experiences of time and space in the period following the end of “organized modernity” and which in my view is quite informative also in relation to Wagner’s most recent research on progress. Finally, the issue concludes with a vivid discussion on “Modern Social Imaginaries,” between Charles Taylor, Craig Calhoun, Dilip Gaonkar, Benjamin Lee, and Michael Warner.

The second issue of the journal (Vol. 1, Issue 2, Autumn 2015) is equally rich and compelling in its scope and aims. The phenomenological element is again quite strong.  Two of the articles address issues related to Ricoeur’s hermeneutic phenomenology, another couple of the contributions draw their inspiration from Levinas, while Husserl and Patocka are also in the center of two essays. The volume also comprises an article by Fred Dallmayr with the telling title “Man Against the State” and Johann Arnason’s “Elias and Eisenstadt: The Multiple Meanings of Civilization.”

George H. Taylor’s essay “The Phenomenological Contributions of Ricoeur’s Philosophy of Imagination” is an excellent attempt to open up Ricoeur’s philosophy toward the problem of collective and individual aspects of productive imagination and their transformative potential. Taylor’s interpretation relies on the one hand on Ricoeur’s best known works like The Rule of Metaphor and Time and Narrative, but on the other hand it owes much of its subtlety to a combined reading of Ricoeur’s series of lectures at the University of Chicago during the 1970s, especially the well-known Lectures on Ideology and Utopia and the less famous Lectures on Imagination (Vol. 1, Issue 2, p.14). Central to Taylor’s argument is Ricoeur’s concept of iconic augmentation, which the author masterfully links both with praxis and with the need to explore the space between language and lived experience, sense, and vision.

Timo Helenius’s “Between Receptivity and Productivity: Paul Ricoeur on Cultural Imagination” draws on Ricoeur’s essay Ideology and Utopia as Cultural Imagination in order to establish that cultural imagination provides the “basis for a sociocultural poetics of human action and, therefore, a condition for the birth of a situated subject in the positive fullness of belonging” (Vol. 1, Issue 2, p. 32). Importantly, through the employment of the notions of ideology and utopia Helenius offers yet another challenging interpretation of the role of productive imagination in Ricoeur’s works and argues that “l’ imagination culturelle” is the very core of productive imagination that informs human action (Vol. 1, Issue 2, p. 49-50).

Adam Konopka’s “Embodiment and Umwelt: A Phenomenological Approach” is a fine study of Husserl’s attempt to understand the Natur-Geist distinction and his theory of world-constitution. This article aspires to refute Merleau-Ponty’s thesis that Husserl was ultimately unable to move beyond the nature-spirit dichotomy. The notions of the Umwelt and of “embodied experience” are central to his argument, which also involves the consideration of Husserl’s “engagement” with the relevant debate between Dilthey and the Baden School. As the author shows, this “culminated in Husserl’s later articulation of the life-world in the Crisis writings of the 1930s” (Vol. 1, Issue 2, p. 58).  The great merit of Konopka’s essay is that it underlines Husserl’s acknowledgment of the existence of pre-reflective, embodied elements that actively contribute to sense-making processes (Vol. 1, Issue 2, p. 68). In other words he traces in Husserl’s works a theory concerning the formation of individual and collective habitus before this notion became available in the vocabulary of the social sciences.

“The Problem of Morality in a Mathematized Universe: Time and Eternity in Dostoevsky’s The Brothers Karamazov and the Concept of ‘Love’ in Patocka’s Last Essay” is a quite interesting attempt to conceptualize the possibility of ethics in the post-Kantian era, when the universe and the social world and human have lost their divine grounding. The author, Lubica Ucnik, reads Dostoevsky’s masterpiece as a response to the Kantian conception of morality and as a critique of the utilitarian conception of ethics, while she argues that Patocka’s reflections on “Masaryk’s Theological Philosophy” pave the ground for a conception of love and openness towards the Other that is not grounded on the existence of a supreme being but on the sort of responsibility that emanates from the acknowledgment of human finitude.

In a way, there is an affinity between Ucnik’s essay and Kwok-ying Lau’s contribution entitled “War, Peace and Love,” as they both turn to a vulnerable element in the constitution of the human being in order to ground ethics and politics. In Lau’s essay this vulnerability is best exemplified by what – expounding on Levinas’s Totality and Infinity – he calls the “pathetique cry for love and peace” (Vol. 1, Issue 2, p. 122). Since the adjective “pathetique” is used as the author explains in line with “its Greek origin ‘pathetikos’, which means emotional with a strong power of affectivity” (Vol. 1, Issue 2, p. 125, n. 1), it becomes clear that the heroic “logic” of violence that according to Levinas governs human history is here denounced – in Levinasian fashion – in favour of the only kind of love that the author finds worthy of its name: a love that is vulnerable to the presence of the Other, that has the Other as its very origin.

Bernhard Wandenfels’ essay “The Equating of the Unequal” (translated by W.M. Krummel) draws in a wide spectrum of philosophers, thinkers and novelists in order to attack what the author perceives as being the two “extremes,” i.e. on the one hand “any sort of normalism fixed on functioning orders” and on the other hand “any sort of anomalism dreaming of mere events and permanent ruptures” (Vol. 1, Issue 2, p. 92).

Fred Dallmayr’s contribution “Man Against the State: Community and Dissent” conceptualizes the intricate relationship between individual freedom and communal solidarity as it argues against egocentric conceptions of liberty, promulgating instead “ethically grounded conceptions of individual freedom, civil disobedience and dissent” (Vol. 1, Issue 2, p. 127). Dallmayr’s essay starts and closes with quotes from Nietzsche.  In the opening paragraph, a quote from Nietzsche’s Thus Spoke Zarathustra presents the state as a cold monster (Vol. 1, Issue 2, p. 127), exemplifying from the outset the author’s concern that totalitarianism is always present in new – perhaps subtler or even almost unperceivable – guises. The final quote from Nietzsche’s “The Wanderer and His Shadow” shows the essay’s true spirit: “rather perish than hate and fear” (Vol. 1, Issue 2, p. 143), a call for a sort of resistance that refuses to succumb to ressentiment.  Dallmayr’s examples of resistance to totalitarian – or blind – authority are as telling as the key thinkers that inform his own position, for instance Thoreau, Mahatma Gandhi, and Albert Camus. Indeed, Socrates’ condemnation by the Athenians, Antigone’s tragic figure, the resistance of Germans against Hitler, are all examples of resistance inspired by belief in the common good, not by a narrow conception of securing one’s well-being.

Johann Arnason’s “Elias and Eisenstadt: The Multiple Meanings of Civilization” is a fine conclusion to this issue. With unfailing scholarship and great insight, Arnason brings the works of Elias and Eisenstadt into a fruitful dialogue by revealing their common Durkheimian-Maussian origins, while showing that Weber’s influence in their works is less significant than it is commonly assumed.

Johann Arnason features also in the third published issue of the journal (Vol. 2, Issue 1, Spring 2016), in a long and very informative interview with Suzi Adams that concludes the volume. Readers are sure to find interesting points for reflection both regarding Arnason’s own intellectual trajectory and their own projects.

This last volume opens with John W. M. Krummel’s “Introduction to Miki Kiyoshi and his Logic of the Imagination.” As the title suggests, this essay serves as an introduction to Miki’s philosophy and it gives a brief account of his life and major ideas, as well as serving as an indispensable introduction to Miki’s article that follows. It is obvious even to someone as unfamiliar with Japanese philosophy as myself that Krummel is perfectly at ease with the Kyoto School. I sincerely believe that readers should read his introductory essay before delving into Miki’s text, which is translated by Krummel himself. Miki’s Kiyoshi’s text, “Myth,” is in effect the first chapter of his book The Logic of Imagination. In Krummel’s essay readers can get a glimpse of the main points advanced in the other chapters, such as “institution,” “technics,” and “experience.”

Miki Kiyoshi’s chapter on “myth” is in effect a daring attempt to re-conceptualize “imagination” and it draws both on Japanese and Western sources, while Kant plays a pivotal role in the construction of the argument. It could be said of this first chapter that it is on the way to the construction of a logic of imagination, and in this respect it precedes Castoriadis’s explicit acknowledgement of the need for the advancement of a logic of magmas in The Imaginary Institution of Society. Like Castoriadis, Miki explicitly links imagination with creation and social action (Vol. 2, Issue 1, p. 28) and questions the relationship between subjective and collective manifestations of imagination with the aid of anthropological accounts available at his time and with Durkheim’s notion of collective representations. Importantly, Miki argues that the creation of “historical forms” is the outcome of “the unity of things in terms of logos and pathos.”  With this definition Miki brings to the fore the psychical, emotional, tactile, and kinetic aspects of the psyche as preconditions of socio-historical praxis.  Among the many interesting points raised in this article, readers won’t fail to notice Miki’s discussion of the connections between myth, utopia, and science (Vol. 2, Issue 1, p. 44) and his insistence that “imagination is at the root of the human will” (Vol. 2, Issue 1, p. 43).

Guanjun Wu draws on Lacanian psychoanalysis and its appropriation by Zizek in his attempt to reveal the hidden “psychical mechanism” that underlies modern discourses in the field of Sinology. In his “The Lacanian Imaginary and Modern Chinese Intellectuality,” the author identifies a striving for social harmony at a very early stage in the formation of Chinese civilization and argues that the fundamental fantasy of Confucianism “attempts to suture the ontological gap between the real [in the Lacanian sense] and reality.” It goes without saying that the promise of this realization “is always deferred” (Vol. 2, Issue 1, p. 79). Contemporary Chinese intellectuals are also seen as “projecting fantasmatic visions” (Vol. 2, Issue 1, p. 82) and their academic debates are said to represent “a clash of fantasies” (Vol. 2, Issue 1, p. 92), as Wu draws a vivid and quite interesting picture of Chinese academia.

Craig Brown’s “Critiques of Identity and the Permutations of the Capitalist Imaginary” is an investigation into the antinomies of the capitalist imaginary through the comparison of Adorno’s and Casoriadis’ critiques of instrumental rationality, or “identity thinking.” Brown finds in Weber a common source of influence for both Adorno and Castoriadis and argues that in spite of their differences and their limitations, Adorno’s and Castoriadis’ critiques of “the logic of identity remain relevant and that the capitalist imaginary can be recognised in domains that were sometimes thought to be separate from it and oriented by other values” (Vol. 2, Issue 1, p. 115).

Finally, Werner Binder’s “Shifting Imaginaries in the War on Terror: The Rise and Fall of the Ticking Bomb Torturer,” takes Niklas Luhmann’s “Ticking Bomb” dilemma as its point of departure, as it explores the impact of the terrorist attacks on the World Trade Center and that of the Abu Ghraib scandal in the shaping of the American social imaginary.

I am well aware of the fact that it was impossible to do justice here to the richness and complexity of every single contribution that features in the three first issues of Social Imaginaries. However, I sincerely hope that I did manage to point to some of their merits and to convey to the reader the feelings of pleasure and intellectual gratification that the texts generated in me. Social Imaginaries is certainly not just another journal; it rather is a space open to new and challenging ideas about the social world(s), and I do hope that it will get the warm reception it clearly deserves by academics and the wider reading public alike.

Daniel Brennan: The Political Thought of Václav Havel: Philosophical Influences and Contemporary Applications, Brill, 2016

The Political Thought of Václav Havel: Philosophical Influences and Contemporary Applications Book Cover The Political Thought of Václav Havel: Philosophical Influences and Contemporary Applications
Central European Value Studies
Daniel Brennan
Brill
2016
Paperback €59,00

Patricia M. Locke and Rachel McCann (Eds.): Merleau-Ponty. Space, Place, Architecture

Merleau-Ponty: Space, Place, Architecture Book Cover Merleau-Ponty: Space, Place, Architecture
Series in Continental Thought
Patricia M. Locke and Rachel McCann (Eds.)
Philosophy, Architecture
Ohio University Press
2015
Hardcover $64.00
294

Reviewed by: Paul A. di Georgio (Duquesne University)

With this collection of essays, which is in fact the first of its kind, Patricia M. Locke and Rachel McCain have assembled a provocative group of papers which explore one of the most compelling dimensions of contemporary Merleau-Ponty scholarship. The set of papers contained in this volume all take to task the relation, as well as the application, of key concepts in Merleau-Ponty’s oeuvre to a refocused examination of architecture, spatiality, and, importantly, the political.

For Merleau-Ponty the phenomenological subject is, as Locke puts it, “firmly embedded in the world, even before we represent it to ourselves through geometrical or symbolic means.” (5) It follows that the way in which environment, and architecture in particular, are, as Merleau-Ponty would say, “interwoven” with phenomenal experience holds significant influence over our thinking of being, whether it comes down to our construction of dwelling structures or our interpersonal relations.

So if the idea, here, comes down to the co-constitution of the phenomenal lifeworld, which Locke aptly calls “corporeal companionship,” then it is apparent that we can productively reconsider architectural theory and design from an embodied phenomenological perspective. Furthermore we can reexamine this same perspective not for the way in which it situates space, but rather, for the way in which space situates it. The textual launching point for this insight, in the writing of Merleau-Ponty, is found in “Eye and Mind” in the well-known passage where he indicates that the articulation of “light and space” in fact “speak to us,” and he suggests that it is here that a new conception of being bursts onto the scene. Locke’s introduction aptly opens with an epigraph which reminds us of this.

So what exactly are these new conceptions of being? Locke suggests that there are three main strands of philosophical thinking which operate in this area of inquiry, predicated upon either phenomenological space or, with respect to Merleau-Ponty’s later thought, the philosophy of the “flesh.” The three strands are as follows: i) feminist philosophies and critiques of culture, ii) ecophenomenology or so-called “deep ecology,” and iii) material-object philosophies inspired by Deleuze (6). While the collection of essays in the text are organized into three groups, these groups in fact do not correspond to the philosophical strands which Locke here enumerates. Rather, the editors have grouped the papers together in terms of how they relate to the idea of phenomenological limits. Locke does maintain, however, that each paper in the volume engages the claims of these three strands of thinking. I would argue that this is the case, although some of the papers point back to these divisions more so than others.

In any case, the volume is comprised of three parts: liminal space, temporal space, and shared space. Overall I would argue that the third section is, of the three, the most explicitly occupied with the three strands which Locke identifies in her introduction, and in particular, with the political dimensions thereof. That said, there are certainly papers throughout the volume which are at the very least implicit in their reference to the strands, if not exactly exoteric in their presentation.

The essays in the first part, liminal space, all to some extent concern what Locke calls “border regions or boundaries.” (8) As Locke notes, for Merleau-Ponty these experiences have a definite part to play in the constitution of experience. In the first two papers of this section Glen Mazis and Galen Johnson each offer thoughtful examinations of the way in which depth plays into phenomenological thinking, not to mention phenomenological experience itself. Mazis takes up a study of the depth of darkness and the onset of the night. He concludes that some architects, including Gehry, actually design structures which in their housing of a person embody Merleau-Ponty’s construal of spatial inhabitation by bodies. (40-1) Johnson is mainly concerned with the idea of “unreason” as exemplified in (baroque) painting, and Rembrandt’s Nightwatch in particular, which is, of course, a work of special interest to Merleau-Ponty. I was impressed and intrigued by how, at the end of his paper, Johnson cleverly compared Merleau-Ponty and Deleuze on the movement or “rhythm” at work, while at the same time he called into question the sufficiency of the sort of non-phenomenological rhythm which Deleuze identifies.

It goes without saying that this specific set of essays would be incomplete without a contribution from Edward Casey, who has been involved in this area of phenomenological scholarship for quite some time. Casey’s paper, like Mazis’s, takes up a sustained reflection on a specific work of culture. Here he presents his take on the way in which the very design and phenomenology of the Parthenon is rife with edges and boundaries. His punctilious phenomenological description of the this monumental structure is so in-depth that the edges at play practically disappear before us (just as they arguably do in ordinary experience)―and Casey points out this very fact himself. (85)

The final paper in this first section, that on liminal space, is pretty different, especially compared to the inclusion from Casey, and for this reason the paper really stood out to me. Randall Johnson ambitiously weds a phenomenological analysis of what I’d like to call being-in-water, although not in lip service to English translations of Heidegger, to (what seems to me to be) Lacanian psychoanalytic theorety. Johnson focuses on water as unique in how primitively and directly it is phenomenologically experienced, in contrast, as Locke notes, to the “high-altitude” thinking condemned by Husserl (and echoed by Merleau-Ponty). The sort of boundary at play in liquid immersion is at once drastically different from and markedly similar to the other sorts of experience which are described in the papers of this first section.

The next part of the book is focused on the theme of temporal space, and the way in which, following the thought of Merleau-Ponty, the notion of the flesh is interwoven with a dimension which is oriented in time (not to mention space). This second part of the book almost conceives of time as the sort of “glue” which maintains the myriad boundaries explored in the first part.

Here the first essay, by David Morris, takes a look at how memory transcends what is present on a personal level or basis, and extends outward to—or perhaps extends from—things like “places, buildings, and things.” (109) This essay really resonated with me, and I would imagine with others, right at the beginning when Morris notes how various spatial strategies have been known to masters of memory for a long, long time. In the rest of the paper Morris artfully weaves Merleau-Ponty’s thought with a very reasonable argument for how it is that architecture is “articulating temporality in place.” (121)

Dorothea Olkowski’s paper, which is next in the collection, is particularly useful for how it insightfully situates Merleau-Ponty within a broader phenomenological and philosophico-temporal context. Ultimately her conclusion is that the work of Merleau-Ponty stands superior in a way to that of both Husserl and Bergson (and perhaps Sartre as well) for the manner in which it “brings time to space and articulates how it is that our acts are our abode, our dwelling.” (144)

As was the case with Johnson’s paper at the end of the first part, the next paper in this second part, written by Lisa Guenther, constitutes a shift from the way in which the first two papers are framed. Here Guenther examines the phenomenological position of the person who is profoundly confined, that is, the solitary prisoner, who indubitably is crushed in her or his being by the deliberately diminished version of the lifeworld to which this person is relegated. In spite of my contention that it is the final part of this book which is the most overtly political, here Guenther gives us a lot to think about when it comes to policy, and her paper actually opens with a bevy of statistics reminding us of just how preponderant incarceration is in the present-day USA. Guenther’s conclusions in the paper are most touching and provocative, including her insight that if it is the case that our personal freedom is derived from the “punitive isolation of others” then this is a “sham and shameful kind of freedom.” (164)

Lastly in the second part we find D.R. Koukal’s take on the phenomenological implications of torture, and I have to admit that, like Guenther’s paper, Koukal’s contribution calls for significant political consideration. His paper is focused on the sense in which, following Merleau-Ponty, she or he who is subject to torture is irreparably harmed by the “architect of torture” who institutes a damaged space within which one finds “holes” where previously there was meaning. For Koukal these holes are “distortions of the social fabric” that violate space as we, and others, “terrorists” or not, live it.

The third part of the book concerns space which is shared or communal. There is a lot of interesting material here since one of the fundamental questions comes down to how it is that we phenomenologically experience with others the making or designation of public places. The first paper in this final part is from Rachel McCann, and it offers a very nuanced inspection of Merleau-Ponty’s choice of metaphors in his descriptions of phenomenology. Ultimately McCann’s conclusion is that we as readers should strive to really inhabit the metaphors of which Merleau-Ponty makes use, even if the natural temptation is to engage his thought on the linguistic level alone, since, after all, we know his ideas through his writing. McCann presents an alternative way of reading his writing which is drastically more phenomenological, since what is called for is imaginative thought when it comes to the shared-spatial dimension of the “encounter.”

Next, and in the spirit of some of the more politically-direct work in the second part of the book, there is an essay by Suzanne Cataldi Laba, in which she carries out a phenomenological examination of shelter. Particularly intriguing is her suggestion that some members of our society are subject to fundamental violence to the extent that space, especially in a sheltering sense, is not ensured for all persons, and the absence of such space causes deep phenomenological harm.

Nancy Barta-Smith, in the following paper, presents a phenomenology of being a twin. The upshot of this paper is her suggestion that those of us who are not twins can lean something about Mitsein by considering the ontological and phenomenological position of the twin qua natural double. But the point is to notice how others always already “move us affectively” and Barta-Smith argues that this experience is felt resoundingly by the widow, the reminiscent siblings, and even the lifelong friends.

The final paper of the third part, and of the book, is from Helen Fielding, and it’s on a lot: public art, Irigaray, the body as sexed, and the basic experience of difference. Like the paper by Casey, Fielding’s contribution here is really admirable and worthwhile for how directly it appropriates the phenomenological method in all of its richly descriptive splendor. For Fielding, this is done with art in a Toronto airport, as well as the sculpture Maman by Louise Bourgeois. Fielding’s conclusion is that public spaces and public art operate as confluences out of difference, confluences which arise out of the primordial sameness or proximity which permits us to identify difference in the first place. The implicit suggestion is that it would behoove us to strive to become more cognizant of this fact.

In all, I think that this is an exceptionally impressive collection of provocative essays, all of which apply Merleau-Ponty’s ideas to new fields and frontiers. This book will probably be of most use and interest to those who already familiar with Merleau-Ponty’s work, as well as those who are interested in the political implications which are expressed in or entailed by phenomenological concepts and techniques.