Reviewed by: R.A. Goodrich (ARC Centre for History of Emotions – University of Melbourne & ADI Philosophy & History of Ideas – Deakin University)
The publication of Philosophy of Language in the Brentano School is a valuable addition to the range of recent English language anthologies probing the impact of Franz Brentano upon philosophical enquiries. The past two decades has seen several collections: those edited by Denis Fisette and Guillaume Fréchette, Dale Jacquette, Uriel Kriegel, and Robin Rollinger come immediately to mind. The volume under review edited by Arnaud Dewalque, Charlotte Gauvry, and Sébastien Richard is also one of the latest volumes of the forty published since 2008 within the History of Analytic Philosophy series under the general editorship of Michael Beaney. Beaney’s series introduction (v-viii) not only upholds the need for analytical philosophers to delve into the formative debates and topics since the 1870s that anticipate contemporary analytical and phenomenological concerns and conceptions, but also to recognise the heterogenous contexts out of which analytical philosophy developed, even when such contexts appear to have been marginalised if not altogether neglected.
What immediately confronts contributors and readers alike is, as Beaney concedes, whether Brentano developed a substantial philosophy of language. Irrespective of how we might respond, there is sufficient evidence that, whilst probing the nature of mental phenomena, Brentano’s published and unpublished work demonstrates enquiries into the role and function of language and meaning. This, in turn, raises the issue of whether other intellectuals influenced by him during his quarter-century of teaching or thereafter pursued his linguistic concerns (apart from Anton Marty (see, e.g., 130-135)). Accordingly, we shall begin with the carefully crafted introductory chapter by the volume’s editors which subtly orients readers in the face of the above-mentioned doubts when providing a rationale for their anthology. Thereafter, rather than summarising all fourteen remaining chapters, we shall explicitly concentrate upon chapters from two phenomenological phases debated within Philosophy of Language in the Brentano School. The first focuses upon how Brentano himself engages the question of context which nowadays is still seen as central to analytic philosophy. The second focuses upon how Roman Ingarden, a student of two of Brentano’s influential students, fundamentally transforms phenomenological conceptions of language. Each pivotal chapter chosen will include a paired but contrasting contribution within this engrossing anthology.
Indeed, readers will become increasingly aware of the consistently interweaving nature of this anthology. Those encountering less familiar intellectuals for the first time will have little difficulty acquiring more background in later chapters. For example, the logician Bernard Bolzano first mentioned in Guillaume Fréchette’s second chapter (e.g. 42ff.) re-appears in Hélène Leblanc’s sixth chapter (e.g. 127ff.), Bruno Leclercq’s tenth chapter (e.g. 209ff.) and Maria van der Schaar’s twelfth chapter (e.g. 248ff.). Or again, the linguist Karl Bühler first mentioned in the introductory chapter (e.g. 3 & 25) re-emerges in Fréchette (e.g. 50-51) before dedicated explorations of him in Basil Vassilicos’ fourteenth chapter (279ff.) and Kevin Mulligan’s fifteenth chapter (299ff.). However, for those easing into this anthology’s breadth of reference may find at its deepest level a wrestling with Immanuel Kant’s challenge: “although all our cognition commences with experience, yet it does not on that account all arise from experience” (1787: Introduction B1).
Chapter One immediately announces “the basic assumption” said to be “arguably shared” by Brentano and his followers: a philosophical analysis of meaning is “inseparable” from considering “what goes on in the mind and what there is in the world” (1). The foregoing is reiterated more forcefully as a “shared conviction that a philosophical analysis of language—and, more pointedly, of what it is for signs and sounds to be endowed with meaning—cannot possibly be disconnected from a philosophical analysis of mind and reality” (4). This is next followed by a succinct explanation of the complexities facing the transmission of Brentano’s thinking amongst “the breadth of [his] intellectual progeny” (2), especially in the case of “language, sign and meaning” (4). Two generally familiar questions arise here. Irrespective of where his “outstanding students”—for example, Anton Marty, Alexius Meinong, Kazimierz Twardowski, and Edmund Husserl—subsequently located themselves within the Austro-Hungarian empire or beyond, did they share a relatively “unified” conception of what philosophy and thereby philosophy of language comprises, or should they be regarded as “a heterogeneous group of scholars working on similar topics in a similar way” (2)? To what extent is the foregoing further complicated in that “most of them founded … their own school” (2) such as Marty in Prague, Meinong in Graz, Twardowski in Lwów, and Husserl in Göttingen and then Freiburg?
Some readers might be tempted by an alternative approach here when considering Brentano’s widely disseminated appeal to the study of “mental phenomena as a science” outlined in Psychologie vom empirischen Standpunkte (1874: 2-14). The conjunction of science and philosophy, however construed, invites a marked contrast in perspectives. As Robert Merton contends, “scientists ordinarily publish their ideas and findings not to help historians reconstruct their methods but to instruct their contemporaries and, hopefully, posterity about their contributions to science” (1968: 5). Hence, it would be futile to search conventional scientific texts alone as a means of reconstructing the actual history of scientific enquiry, let alone its indebtedness to precedents grounded in the practice of generations past. In fact, it should not surprise us that, when Brentano observes that
psychologists in earlier times have already pointed out that there is a special affinity and analogy that exists among all mental phenomena … which physical phenomena do not share,
he firstly elaborates this as:
Every mental phenomenon is characterized by what the Scholastics of the Middle Ages call the intentional (or mental) inexistence of an object, and what we might call … reference to a content, direction toward an object … (1874: 68)
which is subsequently amended to read:
… all mental phenomena really appear to be unextended. Further … the intentional in-existence, the reference to something as an object, is a distinguishing characteristic of all mental phenomena. (1874: 74-75)
If simply alluding to the “Scholastics”—or metonymously to Thomas Aquinas—characterizes a “scientific” enquiry, this can, from an historical point of view, be characterized in Merton’s terms as one of the following: firstly, as re-discoveries involving “substantive identity or functional equivalence”; secondly, as anticipations where “earlier formulations overlap the later ones” but without “the same set of implications”; or, thirdly, as foreshadowings which, in extreme cases, proclaim “the faintest shadow of resemblance between earlier and later ideas as virtual identity” (1968: 13 & 21). Moreover, the bulk of scientific enquiry can function successfully without any knowledge of foundational precedents. Is this exemplified by the sheer succession of mediaeval logico-linguistic debates upon which conceptions of modes of being, understanding, and signifying and out of which the notion of intentionality was to emerge? Is this why only two of Boethius Dacus and Petrus Aliacensis, Duns Scotus and Gulielmus Occamus, to mention but four crucial figures, are passingly mentioned once by Brentano (1874: 178)? As Merton claims, the physical and biological sciences can function through a “process of obliteration by incorporation” unlike the humanities and social sciences where “previously unretrieved information is still there to be usefully employed as new points of departure” (1968: 35). However, despite Brentano’s apparent conjunction of science and philosophy, Dewalque, Gauvry, and Richard can always retort that they are principally dealing with the contributions of philosophers, not scientists per se.
To reconstruct Brentano’s approach to language, Chapter One seizes upon the manuscript Logik containing Brentano’s notes for his 1869/1870 and 1870/1871 courses at Würzburg and 1875 and 1877 courses in Vienna. The manuscript is interpreted as an interlocking set of tenets (6ff.). These tenets, Dewalque, Gauvry, and Richard believe, assume the form of a “research programme” for Brentano’s students and their students (10ff.). Even glimpsing a few tenets in Logik reveals how Brentano’s notion of language operates amidst a dense conceptual intersection, including communication, generality, meaning, thought, and translatability:
 “Language, in its essential meaning, is the sign of thinking” (EL 80, 12.978);
 “Language has at first the purpose of communicating thoughts” (12.988);
 “Because language is the expression of thought, they say, it reflects thought. Certainly the word is dissimilar to thought, and that is why people’s languages can be different from each other, while thinking is the same, and we translate thoughts from one language into the other” (12.998);
 “Language generally has the purpose of expressing … our mental phenomena … (expressing the content of our psychic phenomena; what is presented, judged, desired …)” (13.008);
 “Only when combined with other words do [syncategorematic or non-self-contained expressions] contribute to the expression of a psychic phenomenon, e.g. “No stone is alive,” “He struck me,” etc.” (13.009);
 “What would Jupiter [the Roman god] mean? Since there is no thing Jupiter? So here the name can only mean my idea of Jupiter, otherwise it meant nothing” (13.013);
 “… as Plato [inadmissibly] said, both [“ox” and “dog”] are similar to a general thing, « animal, » an animal in itself, an animal species? – Then we would have to accept something general besides individual things, a world of generalities, a world of ideas” (13.013);
 “… the phenomenon in question is not an idea, but a judgment. That which is judged as such is the meaning” (13.020).
What Dewalque, Gauvry, and Richard conclude from the Logik is twofold. On the one hand, “linguistic analyses should never be made in isolation” (8) and, on the other hand, because we cannot “infer the structure of thought from the structure of language,” “some expressions are misleading in a systematic way” to the point of needing to be paraphrased so that “the addressee will not be tempted to posit fictional entities” (10).
Before Chapter One ends with a brief chapter-by-chapter précis (21-25), readers are given a justification of the anthology’s purview by four suggestive ways in which analyses of language by Brentano and followers “anticipated four historical stages of the analytic tradition” (16ff.). Three of the four stages nominated are explicitly initiated by chapters in Part I. Denis Seron pursues Sprachkritik or the critique of epistemically opaque language in the case of Brentano and Fritz Mauthner (77ff.); Dewalque investigates the appeal to how misleading expressions are diagnosed by ordinary language in the case of Brentano and Gilbert Ryle (95ff.); and Leblanc approaches the intentionality of communicative functions largely by way of Marty (119ff.). The fourth stage nominated, the integration of mind and metaphysics, ontology and psycholinguistics, percolates throughout the anthology. Dewalque, Gauvry, and Richard (19-20) avoid committing themselves to an unduly linear progression of the ideas characterizing each stage. For instance, contrasting roles are apportioned for Brentano and Marty in anticipating the third stage of intentional theories of communication associated with Paul Grice whose seminal 1957, 1969, and 1980 papers make no mention of them. Nor do they presume that such a progression is inevitably a result of immediately proximate influences. Nonetheless, no mention is made here of the earlier role of Hermann Lotze recently debated by, for example, Nikolay Milkov (2018) and Denis Fisette (2021). At the same time, Chapter One concedes some noticeable reversals. Just as earlier analytic philosophers regarded logic to be an autonomous theoretical discipline, Brentano and followers construed it as a practical one; just as later analytic philosophers regarded linguistics to be an autonomous discipline, Brentano construed it as one subservient to psychology.
Proposals about the “historical stages” of analytic philosophy of language are constantly prey to alternatives. For example, in so far as Van Quine and Thomas Kuhn since the ‘sixties interrogated the nature of translatability and interpretation and that of scientific theories and commensurability respectively, do they represent another distinctive analytic phase that happens to investigate cognate topics probed by Brentano and his leading students? Surely this example in common with any other faces at least two questions: “From whose perspective?” and “By what criteria?” The first question alerts us to the following kinds of considerations. When exploring the formation of one or more historical phases of analytic philosophy of language, we may well be in danger of conflating quite different cognitive perspectives. In the words of R.G. Collingwood, we are not engaging in an act of recollection where “the past is a mere spectacle”; rather, the past is “re-enacted in present thought” (1936: 293). When we explore formative processes purportedly involved in a designated stage, we are of course assembling evidence or probabilities retrospectively from our particular perspectives. Consequently, the past is not waiting to be discovered as if it were immutable or inert. The second question shifts our focus to the methods by which we construct historical explanations of any phase of analytic philosophy of language. Here, Paul Roth’s investigation of explanatory case-studies contends that “there is no separating the analysis of explanation from attention … to cases … taken to be exemplary instances of problem solving” (1989: 469). By so claiming, Roth provides us with a set of criteria by which any historian of analytic philosophy of language can be evaluated (1989: 473): how the historical account under examination establishes “the importance of the occurrence of the event” or phase; what “is problematic about this event” or phase; why “other rational reconstructions” fall short; and, how the account “solves the problem … set.”
Two of the five chapters comprising Part I focus upon the degree to which Brentano’s construal of meaning as contextually sensitive directly connects to trends in Austro-Germanic philosophy as well as Anglo-American analytic philosophy. Here, we shall particularly focus upon Guillaume Fréchette’s Chapter Two. His contribution exemplifies at least three alternative ways of positioning the philosophy of language when re-assessing the legacy of Brentano: firstly, by examining Brentano’s actual texts and lectures; secondly, by contextualizing Brentano within the larger history of philosophical enquiry; and, thirdly, by contrasting Brentano’s dominant or successive claims with those defended by his students. Instead of probing the third alternative, this section shall conclude by raising the challenge in Charlotte Gauvry’s Chapter Three to a context principle in Brentano.
Fréchette rapidly identifies several related but not mutually implicit ways analytic philosophers construed the “context principle.” The principle, sourced to the introduction of Die Grundlagen der Arithmetik by Gottlob Frege (1884: x), is the second of three characteristically deployed by the vast majority of those espousing analytic philosophy, namely, “the meaning of the words must be asked in the sentence’s context, not in their isolation.” Fréchette (39-40) selects half-a-dozen re-formulations of Frege, particularly those associated with Michael Dummett and Van Quine, beginning with Frege’s subsequent elaboration indicative of his wariness of psychological appeals:
People suppose … that the concept originates in the individual mind [Seele] like leaves on a tree … and seek to explain it psychologically by the nature of the human mind [Seele]. (1884: §60, 71).
At first, Dummett appears to be elaborating Frege’s second principle in logico-linguistic terms:
the assignment of a sense to a word … only has significance in relation to the subsequent occurrence of that word in sentences …. for Frege, the sense of a word or expression always consists in the contribution it makes to determining the thought expressed by a sentence in which it occurs …. The sense of a word thus consists … in something which has a relation to the truth-value of sentences containing the word. (1981: 193-194).
This interpretation follows Dummett’s endorsement of another analytic principle nowadays often projected on to Frege and the opening of his 1923 article Gedankengefüge, the holistic principle of (semantic) “compositionality”:
For Frege, we understand the sense of a complex expression by understanding the senses of its constituents. In particular, we grasp the sense of a whole sentence by grasping the senses of the constituent expressions, and … observing how they are put together in the sentence…. When the complex expression is a complete sentence, Frege calls the sense which it expresses a ‘thought’ [or “a proposition”]. (1981: 152-153)
By extolling both principles, Dummett seems to shift ground when later claiming
What distinguishes analytical philosophy … is the belief that a philosophical account of thought can be attained through a philosophical account of language, and, secondly, that a comprehensive account can only be so attained (1993: 4)
before resorting to a psychological gloss when suggesting that “it is possible to grasp the sense of a word only as it occurs in some particular sentence” (1993: 97). Behind his so-called “linguistic turn,” Dummett’s contestable account of the origins of analytic philosophy virtually reflects Ludwig Wittgenstein’s radical contention about “certain forms of proposition in psychology, such as ‘A believes that p is the case’ and ‘A has the thought p’” (1921: 5.541). These together with “‘A says p’ are of the form ‘“p” says p’” (1921: 5.542). In other words, the psycho-linguistic relation between beliefs or thoughts and what they intend is the same as the relation between statements or sentences and what they intend. As a result, the logical structure of an ideal language reveals the structure of mental processes. So far, this group of analytic re-formulations appear to have a rather tenuous connection with Brentano as cited in our previous section.
Turning to Quine’s 1968 lecture “Epistemology Naturalized,” Fréchette (42ff.) dismisses the foundational role given to Frege because Quine assigns “the recognition of contextual definition, or … paraphrasis” to Jeremy Bentham (1968: 72). Without specifying Bentham’s posthumously published Essay on Logic on “exposition by paraphrasis” of propositions about “an entity of any kind, real or fictitious” (circa 1831: ch. 7, §7-8, 246-248), Quine regards that explaining an expression “need only show … how to translate the whole sentences in which [that expression] is to be used” and hence the “primary vehicle of meaning is seen no longer as the word, but as the sentence” (1968: 72). Elsewhere, by propounding the semantic primacy of sentences or propositions and thereby contextual definitions, Bentham is acclaimed by Quine (1975) as embodying the second of five historical “milestones” in the development of empirical philosophy.
By contrast, Quine is dubious about the worth of Brentano whom he regards as reviving “‘intentional’ … in connection with the verbs of propositional attitude” (1960: 219) exemplified by a person’s cognitive and affective relation towards a proposition (“Gianna believes that Gianfranco will buy her a gelato”; “Gianfranco hopes that Gianna can forget his promise”). Intentional idioms, he continues, create logically discordant divisions between, say, “referential” and “non-referential occurrences of terms,” “behaviorism and mentalism,” and “literal theory and dramatic portrayal” (1960: 219). Ultimately, Quine would not “forswear daily use of intentional idioms, or maintain that they are practically dispensable,” yet declares:
One may accept the Brentano thesis either as showing the indispensability of intentional idioms and the importance of an autonomous science of intention, or as showing the baselessness of intentional idioms and the emptiness of a science of intention. My attitude, unlike Brentano’s, is the second. (1960: 221)
Quine’s unease here with Brentano remains unremarked in Chapter Two as it delves into the latter’s Austro-Germanic intellectual background. Fréchette finds that the Prague-based Bernard Bolzano had already pre-empted Bentham’s appeal to paraphrasis in his 1810 monograph Beyträge zu einer begründeteren Darstellung der Mathematik [Contribution to a More Grounded Presentation of Mathematics]. He seizes upon Bolzano (1810: 55-56) stating that “any scientific exposition” must begin its “simple concepts and the word that [one] chooses for their designation” by distinguishing “such explications [Verständigungen] from a real definition” which Bolzano would call “paraphrases” [Umschreibungen (or, less charitably, “circumlocution”)] (cited 42). The notion of Verständigungen is later elaborated with reference to context [Zusammenhange] in Bolzano’s 1837 magnum opus, Wissenschaftslehre, Versuch einer ausführlichen und grössentheils neuen Darstellung der Logik [Theory of Science: An Attempt at a Detailed and Largely New Presentation of Logic]. Given the familiar circumstances of encountering an unknown sign [Zeichen] “with several others whose meanings are known,” then, in such cases, we come to recognise “the meaning of the sign from its use or from its context [aus dem Gebrauche oder Zusammenhange]” (1837: vol. 4, 547) (cited 42 & 52n.6). Furthermore, where expressions threaten to mislead us by their seeming referential function, Bolzano does not hesitate to paraphrase them. For example, he deals with the term “nothing” in the existential assertion “Nothing is more certain than death” by the following paraphrase “The idea of something that would be more certain than death has no object” (1837: vol. 2, 212ff.) (cited 43).
Having pinpointed Bolzano’s references to paraphrasis, context, and use, Fréchette (43-44) turns to examples in Brentano. The paraphrastic strategy concerning propositions about fictional entities emerges in correspondence with J.S. Mill where Brentano (1874: 170) notes:
The proposition, ‘A centaur is a poetic fiction,’ does not imply … that a centaur exists, rather it implies the opposite. But if it is true, it does imply that something else exists, namely a poetic fiction which combines part of a horse with part of a human body in a particular way. If there were no poetic fictions and if there were no centaurs imaginatively created by poets, the proposition would be false. In fact the sentence means just that, ‘There is a poetic fiction which conceives the upper parts of the human body joined to the body and legs of a horse,’ or (which comes to the same thing), ‘There exists a centaur imaginatively created by the poets’
—or “There is a poet imagining a centaur.” This is succeeded by the Jupiter case we included as Tenet (6) from Logik (EL 80, 13.013).
The truth of the proposition does not require that there be a Jupiter, but it does require that there be something else. If there were not something which existed merely in one’s thought, the proposition would not be true. (1874: 170)
However, the issue of Brentano’s notion of context is less straightforward. This is partly because of his intensely internal, tripartite psychological conception of any meaningful utterance or proposition. This involves first-person acts of perception, observation, and judgement, enhanced, for example, by memory and verbal communication (1874: e.g. 32 & 29). Gauvry’s hypothesis in Chapter Three is that “the so-called ‘context’” for any expression
to be meaningful is nothing more than the expressive sentence whose function is to express a mental act. That is the reason why the content of this meaningful sentence (which has not necessarily a propositional form and which can instead adopt the form of an ‘exclamation’ or a ‘request’) is nothing else than the mental content of the act expressed by the sentence.” (71)
Even when Brentano talks in passing of “an actual finished statement (a speech)” [ein eigentlicher fertiger Ausspruch (eine Rede)] in Logik (EL 80, 13.001), there appears to be no example of the expression “context of sentence (or proposition)” [Zusammenhang des Sätzes]. Nor, Gauvry adds (70-71), does Brentano—unlike Wittgenstein (1945, §583)—focus upon the interactional and normative circumstances or surroundings in which speech occurs. To the extent that Brentano fixes upon the mental content of psychic acts, can he be regarded as upholding what analytic philosophers since Frege regard as context, be it sentential or social?
All five chapters comprising Part II focus upon the ways Brentano’s theory of meaning as subjective was strenuously debated by his students, especially Husserl, Meinong, and Twardowski, amongst themselves and their students. Each aimed to develop alternatives whereby meaning could be construed in objective terms. Although better known for his works in ontology and aesthetics translated into English since the ‘seventies, Polish phenomenologist Roman Ingarden, influenced by both Husserl and Twardowski, investigated language and meaning on numerous occasions. In what follows, we shall selectively examine Sébastien Richard’s Chapter Seven on Ingarden as “the peak” of efforts amongst Brentano’s lineage after Husserl (1894, 1901 & 1902) and Twardowski (1912) to reconcile “the subjective and objective aspects of meaning” (163). Attention will then be paid to Olivier Malherbe’s Chapter Eight which proposes how a close analysis of Ingarden (1931) leads to two distinct conceptions of meaning.
Initially Richard (esp. 147-158) provides brief summaries of critiques launched by Husserl, Meinong, and Twardowski accompanied by an illuminating set of charts. Thereafter, he emphasizes Ingarden’s discomfort with Twardowski and Husserl for variously suggesting that meaning’s objective and communicable character is somehow tantamount to what is instantiated by various meaningful acts. To the extent that Twardowski appeals to a contrast between the concrete and the abstract not unlike, say, various red garments and redness or various equilateral and isosceles, scalene and skewed triangular shapes and triangularity, the process of abstraction results in a second-order psychological act focused upon the actual first-order mental activity before it. To the extent that “Investigation II” in Husserl (1901) recognises much the same process, meaning by contrast is construed as an “ideal species” (or “ideation”) (158) underlying any manifestation of it. For Husserl, Richard states:
Meaning is neither something real in our thought (it is not a mental content) nor something in the real world (it is not an empirical object), but an ideal ‘species’ instantiated in the individual contents of mental acts. In this sense, meanings are ideal entities. (154)
However, Husserl does not deny a role for mental contents. To quote Richard, “it is still the content of the mental act that is responsible for the directedness toward the object of a name” (154). For Husserl, “ideal species” not only justifies the objectivity of meaning, it also rationalises its communicability by, it also seems, implicitly transforming Brentano’s Tenet (3) previously listed from Logik (EL 80, 12.998). In Richard’s words again:
different language users can understand each other not because the content aroused in the mind of the listener is sufficiently similar to the content indicated in the mind of the speaker, but because their contents are instantiations of the same ideal species … (154)
In Das literarische Kunstwek, Ingarden (1931: §17, 91-95) finds that “ideal species” make meanings unchanging when the same words, each possessing its “intentional directional factor,” can assume different meanings owing to their logico-syntactic role within sentences. This, in turn, connects with determinate and indeterminate relationships or specifications. For example, for Gianfranco to assert, “Consuls in ancient Rome exerted enormous power” leaves open or relatively indeterminate who or what is specified by “consuls,” “ancient,” and “power” unlike Gianna stating, “The compact between consuls Iulius Caesar, Pompeius Magnus, and Licinius Crassus exerted supreme political and military power over ancient Rome from 60/59 B.C.” In his 1937 companion volume revised as Vom Erkennen des literarischen Kunstwerks, Ingarden on “verbal and sentence meanings” (1937/1968: §8, 24ff.) is taken by Richard to concede that, even if words or expressions “have only one meaning,” this is not a fixed state of affairs: a word’s meaning can shift with different contexts by being “tied to other words, pronounced or written by different speakers at different times, in different places and sentences” (159). To avoid communication becoming an interminable, if not random, “guessing game,” “an expression is something ‘intersubjective’”; an expression being “an entity whose meaning is accessible to different persons” (159).
Whilst Ingarden synthesizes aspects of both Husserl (e.g. 1901: Investigation 1, 206ff.) and Twardowski (e.g. 1912: 124ff.)—for instance, that “we confer meanings to words” and that “meaning is produced by subjective operations” (albeit temporally divisible) (160)—he construes meaning “not as part of a mental act, but as a unitary whole” (160). Alternatively expressed, Richard continues “that meaning exists potentially in expressions and can be actualised by different persons implies that it can be separated from them. In other words, meaning ‘transcends’ every mental act,” and, although we can “be mistaken when we re-actualise the meaning intention of a word,” this can usually be rectified (160). This, in turn, leaves Richard to sketch something of the complexity of Ingarden’s synthesis (drawn from 1931: §18, esp. 97ff.) of both his teachers:
the creation of meanings is not a creation ex nihilo. It is carried out from an ideal material that is structured into an expression by a cognitive agent. When someone produces an expression, on the one hand, she [or he] actualises some ‘pure qualities’ in its material parts and, on the other hand, she [or he] organises these ‘meaning elements’ into a whole. In other words, an expression does not instantiate a whole ideal meaning (Husserl), but contains (material) parts that instantiate pure qualities and that are structured (given a form) by subjective ‘forming operations’
—adding that “ideas” for Ingarden are not “types of mental content,” but “ideal concepts of objects, ideas that subsume the objects to which our words refer” whereas “pure qualities” are kinds of “‘bare universals’ that can be (ideally) concretised in ideas and instantiated in (realised in) real objects and (actualised in) meanings” (161).
A closer reading of the context of literary fiction enables Malherbe to examine amongst other factors Ingarden’s distinctive conception of language as an intentional multi-layered entity and its bearing upon the nature of meaning. The formation of language, especially the spoken (Sprachgebilde), whilst composed of various layers, comprises “unified homogenous elements” in each layer which “always maintains organic relations” with the other layers (172).
Alongside his overarching distinction between the completed work itself and its many individual concretisations by readers or listeners (1931: e.g. §8, 37-38; §62, 332ff.), Ingarden also introduces its many layers, the first three of which Malherbe (172) unhesitatingly regards as “essential”:
[a] the stratum of linguistic sound formations based upon the phonemes or distinctive significant sounds of a spoken language (for instance, forty-five in German, thirty-seven in Polish) and including rhythm and tempo as well as subsequent manifestations of Gestält qualities of tone;
[b] the “central” stratum of units of meaning which include categorematic or “nominal” and syncategorematic or “functional” words that project (entwirft) acts and attributes, events and persons, states and things. In combination with finite verbs that convey tense, aspect, etc., meaning unfolds in the form of sentences which can then combine to form segments and genres of discourses or texts. As Malherbe, who limits himself to individual words (173-176), succinctly states, this layer is “the core of linguistic signification” (172);
[c] the stratum of represented “objectivities,” that is, the objects, events, circumstances, etc. projected by units of meaning and their particular structural qualities—simple or paratactic, complex or hypotactic—which form the work’s style (e.g. “The fire began raging. Gianfranco gripped the person nearest to him tightly. Although frightened, Gianna sat still” and “When the fire began raging, Gianna, whom Gianfranco gripped tightly, sat still although frightened”); and
[d] the stratum of schematized aspects, which is “impossible for the reader to actualize with complete precision the same aspects that the author wanted to designate through the structure of the work,” nonetheless, for all their indeterminacies are “held in readiness” (paragehaltene) for readers or listeners by which they can picture the represented objectivities forming its plot and characters (1931: §42, 265ff.).
So far, as Malherbe argues, meaning is cognitive or intellectual (“rational”) which all works necessarily possess albeit in differing degrees.
Beyond that are metaphysical and aesthetic (“axiological”) qualities which Malherbe at first calls without pursuing “the stratum of writings” nor its “Gestalt quality” which may or may not form “a fifth layer” (172 & 185n.4), but acclaimed as such by, for example, René Wellek (1949: 152). Thereafter, Malherbe derives the second affective (or “irrational”) conception of meaning from metaphysical qualities which range from the grotesque and sorrowful to the sublime and tragic. Such qualities are “usually revealed” in “complex … disparate situations or events” pervading if not shaping all within them (1931: §48, 290-293). Metaphysical (and aesthetic) qualities can potentially define a work as artistic since their apprehension draws upon all layers although subject to the constraints upon concretisations mentioned above (1931: §49-51, 293ff.; cf. 1937/1968: e.g. §12. 62; §13a, 72ff.; §14, 90; etc.). As Malherbe concludes, the second conception of language is “value-driven” whose authors find themselves “in a particular attitude … more receptive to special types of value” and whose language itself is shaped (and words are chosen) in a very different way in order to allow some values to be enshrined in it, either as an end, or a … mean[s] to other ends. (183-184)
Limits upon length obviously prevent us from assessing Richard and Malherbe in light of, say, Anglo-American reviews of and reservations about Das literarische Kunstwerk since Paul Leon (1932) onwards. Some readers, too, might wonder why both authors have not included research since their co-edited 2016 volume on Ingarden’s ontology. Quibbles aside, a close reading of Philosophy of Language in the Brentano School teaches us that we ought not presume, in the words of Robert Hanna (2008: 149), that “the analytic tradition was all about logic and analyticity” and “the phenomenological tradition was all about consciousness and intentionality.” Hanna provocatively continues: “analytic philosophy and phenomenology alienated themselves from their Kantian origins,” yet could jointly renew themselves by “re-thinking and re-building their foundations” by reversing the foregoing trend (2008: 150). Clearly, Dewalque, Gauvry and Richard’s anthology begins this renewal.
Bentham, Jeremy. ca. 1831. Essay on Logic. In The Works of Jeremy Bentham. Edited by John Bowring, vol. 8, 213-293. Edinburgh: William Tait, 1843.
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——-. 1900 & 1901. Logische Untersuchungen / Logical Investigations. Edited by Dermot Moran; translated by J.N. Findlay [second 1913 edition; two volumes]. London & New York: Routledge, 2001.
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——-. 1937/1968. Vom Erkennen des literarischen Kunstwerks / The Cognition of the Literary Work of Art. Translated by R.A. Crowley & K.R. Olson. Evanston: Northwestern University Press, 1973.
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——-. 1945. Philosophische Untersuchungen / Philosophical Investigations, 4th rev. edn. Edited by P.M.S. Hacker & Joachim Schulte; translated by G.E.M. Anscombe, P.M.S. Hacker & Joachim Schulte. Chichester: Wiley-Blackwell, 2009.
Reviewed by: Daniel Herbert (University of Sheffield)
Although his admiration for the British philosophical tradition is widely recognised, Brentano’s antipathy to classical German philosophy is no less well-known. That Brentano may be at all committed to the construction of a grand system in the tradition of Kant or Hegel seems to run contrary to the most basic wisdom regarding this pivotal figure in the history of the phenomenological movement, and several of his most well-regarded interpreters have explicitly rejected any suggestion that he might helpfully be understood as a systematic philosopher. This, however, is precisely the claim which Uriah Kriegel defends with such force and clarity in his impressive study, Brentano’s Philosophical System: Mind, Being, Value. According to Kriegel, Brentano ranks amongst the greatest systematic philosophers of the Western tradition, offering a comprehensive account of the true, the good, and the beautiful, ultimately grounded in an understanding of the modes of consciousness which facilitate the mental representation of these ideals.
In spite of his systematic aspirations, however, Brentano’s philosophical style bears closer comparison to the analytic tradition than to the works of Kant and his idealist successors, according to Kriegel. Indeed, Brentano is, for Kriegel, a kind of analytic philosopher avant la lettre, whose concerns and priorities belong not to an outmoded nineteenth-century agenda, but to the domain of contemporary philosophy. There remains, however, a sense in which Brentano has less in common with analytic philosophy than with its nineteenth century predecessors, insofar as his focus is very firmly upon consciousness rather than language as the principal object of philosophical investigation. Brentano does not participate in the linguistic turn which is partly constitutive of the switch from idealist to analytic philosophy, and his focus on consciousness is an enormous part of his legacy to later phenomenologists (with the possible exception of Heidegger and his followers). This is, however, something of a pedantic objection, and Kriegel leaves little doubt that Brentano’s philosophical style is one which should make his work accessible to contemporary analytic philosophers. Across nine well-argued and engaging chapters, Kriegel elucidates Brentano’s compelling and highly original contributions to philosophy of mind, metametaphysics, metaethics, normative ethics and other fields of current philosophical interest, repeatedly showing that Brentano merits a place in contemporary debates within each of these thriving areas. As such, Kriegel’s study should be of interest not only to scholars of Brentano and early phenomenology, but also to researchers in several areas of contemporary analytic philosophy.
Part One, ‘Mind’, opens with a chapter on ‘Consciousness’. For Kriegel, Brentano’s interest in consciousness is an interest in what today’s philosophers of mind call ‘phenomenal consciousness’ – its felt qualitative character. As such, many of Brentano’s remarks concerning consciousness rest ultimately upon appeals to phenomena with which it is assumed that all subjects are immediately acquainted insofar as they are conscious at all. According to what Kriegel calls Brentano’s ‘awareness principle’, one cannot be conscious without being conscious of being conscious. Such awareness of one’s own mental states is the source, Brentano maintains, of immediate and infallible self-knowledge resulting from what he famously labels as ‘inner perception’ and distinguishes from introspection or ‘inner observation’.
In an impressive display of scholarly engagement with the relevant primary and secondary literature, Kriegel advocates a novel and compelling interpretation of Brentano’s position, according to which the same mental state may be viewed either as the ‘consciousness of x’ or as the ‘consciousness of the consciousness of x’. As such, inner perception owes its unique epistemic merits to the identity between (i) a conscious state and (ii) the consciousness of that very state. Kriegel clearly distinguishes his interpretation from those offered by other Brentano scholars, such as Textor. Moreover, Kriegel credits Brentano with a position which he argues is more compelling than many modern theories of consciousness, such that Brentano’s approach is of more than merely historical interest.
Kriegel also notes however, the implausibility of Brentano’s commitment to the co-extensionality of mental states and conscious states. As he aims to show throughout the remaining chapters however, this is a position which may be excised from Brentano’s system with minimal repercussions. All the same, Kriegel maintains, it is important to note that Brentano’s philosophy of mind is, for this reason, more properly a philosophy of consciousness.
In Chapter Two, ‘Intentionality’, Kriegel advances an original interpretation of the concept with which Brentano’s name is most associated. Parting company with widely-held ‘immanentist’ interpretations, such as Crane’s, Kriegel denies that Brentano understands intentionality as a relation between a mental act and a subjective content internal to that act. Indeed, according to Kriegel’s ‘subjectist’ interpretation, intentionality is not, for Brentano, a relation at all, but a modification of the subject. Their misleading surface grammar notwithstanding, sentences appearing to commit one to the existence of a relation between a conscious state and an object thereof are more accurately understood as statements concerning a condition of the subject, according to Kriegel. As he interprets Brentano, non-veridical experiences have no intentional object at all, Kriegel maintains, rather than a merely private intentional object. To think of dragons, then, is not to be related to a fictitious object but to inhabit a state of a certain kind. By the same token, it is not constitutive of one’s thinking about the Eiffel Tower that it is indeed the intentional object of such a mental state. All that matters, in either case, according to Kriegel, is that the subject occupies such a state that, were certain conditions to be satisfied, that state would have an intentional object. Talk of ‘merely intentional objects’ is, as Kriegel understands Brentano, admissible only as a convenient fiction, as shorthand for the unsatisfied veridicality-conditions of some mental state.
While it is distinct from adverbialism, according to Kriegel, the position thus attributed to Brentano may, he acknowledges, appear vulnerable to an objection similar to that which Moran raises against the adverbialist. The last part of the chapter offers an answer to this revised criticism, showing again that Brentano’s views remain plausible. Kriegel proceeds with clarity and precision throughout in recognisably analytical fashion.
Chapter Three concludes Part One with a detailed account of Brentano’s taxonomy of the various kinds of conscious states. As Kriegel notes, Brentano’s interest in the systematic classification of mental states – and its centrality to his philosophical project – is characteristic of the taxonomically-fixated nineteenth century, but seems quite foreign to the priorities of contemporary philosophers of mind in the analytic tradition. Kriegel further remarks that Brentano is in disagreement with late twentieth and early twenty-first century orthodoxies in consequence of his anti-functionalist classification of mental states according to attitudinal properties rather than inferential role. Related to such anti-functionalism is Brentano’s notorious claim that disbelief-that-p is not equivalent to belief that not-p – a position starkly opposed to Frege’s.
All the same, Kriegel maintains, Brentano’s philosophy of mind loses much of its unfamiliar appearance when the scope of its claims are limited to the domain of the conscious, whereupon they become compatible with a broader functionalist outlook. With slight qualifications, Brenatano’s foundational distinction between judgement and interest may be understood to correspond to a familiar distinction between mental states, on the one hand, with a mind-to-world direction of fit and those, on the other, with a world-to-mind direction of fit. Brentano treats the distinction between propositional and non-propositional content as of secondary importance, however, and Kriegel takes it that there is nothing in contemporary classifications of the mental corresponding to Brentano’s treatment of presentation as a category of phenomena no less fundamental than judgement or interest. Much of chapter three is devoted to a reconstruction and defence of Brentano’s commitment to such an account of presentation – a position which Kriegel regards as persuasive and correct, but detachable from the rest of the Brentantian system without need for significant revisions elsewhere. Judgement and interest, however, remain of crucial systematic importance, according to Kriegel.
The second part of Kriegel’s fascinating and well-argued study concerns Brentano’s metaphysics, opening with a chapter on ‘Judgement’. As Kriegel re-iterates, Brentano’s account of judgement differs radically from more familiar theories in several respects. Firstly, no judgement is ever merely predicative, according to Brentano, but every judgement either affirms or denies something’s existence. Secondly, affirmative and negative judgements differ not in content but in attitude, and are therefore able to share the same content. Thirdly, the content of any judgement is always some putative individual object, rather than a proposition or state of affairs. In spite of its remarkable heterodoxy, however, Kriegel judges that Brentano’s account is astonishingly compelling and can be defended against several possible objections while facilitating a nominalistic ontology which is likely to appeal to current trends of metaphysical opinion. Kriegel ably and methodically proceeds to assess the prospects for Brentanian paraphrases for various forms of judgement, aiming in each case to show whether that judgement is reducible to an affirmation or denial of some particular object’s existence. In most cases, Kriegel maintains, adequate paraphrases are indeed available, although he expresses some doubt that such paraphrases accurately match the phenomenology involved in judgements of that kind. According to Kriegel, the best available Brentanian paraphrase of the negative compound judgement “~ (p & q)” would be something along the lines of “there does not exist any sum of a correct belief in p and a correct belief in q”. While respecting the strictures of Brentano’s theory of judgement, Kriegel maintains, such a conceptually elaborate paraphrase – which involves second-order beliefs – is questionable as a description of the conscious experience involved in the judgement, “~ (p & q)”: a potential shortcoming in a theory alleged to rest upon no other foundation than the accurate description of immediately accessible conscious states.
Brentano’s metaontology – his account of what one does when one commits to the existence of something – provides the focus for Chapter Five. After summarising what he takes to be the three most prominent approaches in contemporary metaontology – those which he attributes to Meinong, Frege, and Williamson – Kriegel proceeds to distinguish Brentano’s position from each of these. Unlike any of the more familiar positions, Brentanto’s holds that nothing is predicated of anything – whether a subject or a first-order property – when something is said to exist. Rather, to say that something exists is to say that it is a fitting object of a certain kind of mental attitude – that of belief-in, or affirmative judgement. To say that x is a fitting object of belief-in, moreover, is to say that were a subject capable of deciding the matter on the basis of self-evidence then the attitude they would take to x would be one of belief-in. In view of serious problems attending Brentano’s analysis of belief-fittingness in terms of hypothetical self-evidence, however, Kriegel offers the revisionary proposal that belief-fittingness be understood as no less primitive than self-evidence. Belief-fittingness would be unanalysable in that case, although particular instances of belief-fittingness would be distinguishable by comparison against contrasting cases.
It is, for Kriegel, a liability of Brentano’s position that, by interpreting existence-statements as disguised normative claims, it fails to accommodate the phenomenology of such judgements, which do not seem at all, to those who make them, like statements about the mental attitude appropriate to one or another intentional object. Nonetheless, Kriegel maintains, Brentano’s position impressively circumvents a host of problems which have confronted the three most familiar metaontological approaches, and is entirely unburdened by any implicit commitment to objects which lack the property of existence without failing to qualify as beings of another exotic variety.
Brentano’s unorthodox theory of judgement and metaontology are largely motivated by a strong aversion to abstract entities, and it is to the nominalistic upshot of these Brentanian innovations that Kriegel turns his attention in chapter six. As Kriegel explains, however, Brentano’s ‘reism’ is quite unlike familiar ‘ostrich’ and ‘paraphrase’ forms of nominalism and is not vulnerable to the kinds of objection which have often been raised against such positions. As a form of ‘strict’ nominalism, it is not only abstracta which Brentano’s position rejects, but also universals, such that the Brentanian ontology condones no other entities than concrete particulars. The truth-maker for “Beyoncé is famous”, to take one of Kriegel’s own examples, is not a proposition or state of affairs, but the concrete particular “famous-Beyoncé”. “Famous-Beyoncé” is a curious entity, however, being co-located with a host of other complex concrete particulars, each of which makes true a certain statement about one and the same Beyoncé to which they are related as accidents of a substance.
Kriegel readily acknowledges, however, that a number of counter-intuitive commitments result from Brentano’s ‘coincidence model’. While recognising Beyoncé as a proper part of Famous-Beyoncé, Brentano is unwilling to risk the admission of abstract entities into his ontology by permitting Famous-Beyoncé to consist of any other proper part than Beyoncé. Although he thereby avoids any commitment to an abstract ‘fame’ supplement, the addition of which to Beyoncé results in Famous-Beyoncé, Brentano is also driven to the odd result that Beyoncé is a proper part without need of supplementation by any further part – a conclusion firmly at odds with the principles of classical mereology. In spite of its shortcomings, however, Brentano’s reism is, according to Kriegel, at least as plausible as any of the nominalist positions currently available, and provides a novel response to the truth-maker challenge.
With Part Three, ‘Value’, Kriegel turns his attention to Brentano’s much-overlooked account of the good. Chapter Seven offers an inventory of the main forms of interest – that basic genre of conscious states, all of the species of which present their objects as either good or bad in some way. Much as Brentano’s metaphysics rests upon his analysis of judgement, so does his theory of value bear a similar relation to his account of interest in its various forms – such as emotion, volition, and pleasure/displeasure. Because Brentano did not complete the projected Book V of his Psychology, in which he had intended to focus on interest in general, several of Kriegel’s proposals in this chapter are offered as ‘Brentanian in spirit’ and Kriegel is forthcoming in appealing to various scattered primary texts in supporting an interpretation of Brentano which he admits may seem anachronistic in its terminology and dialectical agenda.
All the same, Kriegel persuasively shows that Brentano’s works provide the resources for a distinction between will and emotion which respects their common evaluative-attitudinal status. Kriegel develops Brentano’s somewhat sketchy distinction between interests in compatible and incompatible goods by distinguishing between presenting-as-prima-facie-good and presenting-as-ultima-facie-good. Before deciding between incompatible alternatives, both might be emotionally presented as similarly good or bad, but one cannot rationally have incompatible alternatives as an object of volition. Volition differs from emotion, therefore, by presenting its object as ultima facie good, to the exclusion of objects with which it is incompatible. Although he does not suppose that Brentano would draw the distinction in such a fashion, Kriegel also maintains that pleasure and displeasure may be distinguished from emotions in a Brentanian spirit by treating algedonic states as presenting-as-immediately-present some good or ill, whereas emotions do not distinguish, in the presentation of an object, between present and absent goods.
Proceeding in chapter eight to an account of Brentano’s metaethics, Kriegel argues that Brentano may qualify as the original fitting attitude theorist. To call something ‘good’, according to Brentano, is to say that it is fitting to adopt a pro-attitude towards that thing. As such, the good is to interest, for Brentano, as the true is to judgement. The analogue for self-evidence, with respect to interest, is what Kriegel terms ‘self-imposition’ – a feature of those positive or negative value-assessments which irresistibly command our agreement, and which is directly available to inner perception. Those interests are fitting, Brentano maintains, which are either self-imposing or which would be given in inner perception to any subject with a self-imposing attitude towards the intentional object in question.
While highlighting the originality of Brentano’s metaethics – which he claims to anticipate Moore’s celebrated open question argument in certain important respects – Kriegel views self-imposition as a liability for Brentano, inasmuch as it is tasked with both normative and psychological-descriptive functions. For Kriegel, Brentano’s metaethics is an unstable combination of naturalist and non-naturalist features. Nonetheless, Kriegel shows Brentano to argue compellingly against a number of rival accounts and to circumvent certain difficulties which confront such competitors. What is more, Kriegel helpfully locates Brentano’s metaethics within a wider systematic context, returning throughout to parallels between his fitting attitude accounts of judgement and interest. Brentano’s aesthetics, or theory of beauty, is also seen to occupy a location within the same system and to involve a ‘fitting delight’ account, according to which that is beautiful the contemplation of which is itself the fitting object of a pro-attitude. The beautiful is therefore a species of the good, as Kriegel understands Brentano, and is distinct from moral value insofar as it involves the adoption of a pro-attitude towards the contemplation of a presentation.
With the ninth and final chapter, Kriegel turns his focus to Brentano’s normative ethics. Brentano is shown to advocate a pluralistic consequentialism which recognises four intrinsic goods: consciousness, pleasure, knowledge, and fitting attitudes. Whatever is instrumentally valuable in promoting the realisation of these intrinsic goods is therefore of derivative value, according to Brentano, and the right course of action to pursue in any given situation is that from which the greatest good shall result. Although he admits pleasure as an unconditional good – irrespective of its source – Brentano avoids certain counter-intuitive implications of cruder consequentialist positions by acknowledging fitting attitudes as further intrinsic goods. As such, Brentano can admit painful feelings of guilt at one’s own wrongdoing as being of intrinsic value. Whereas, however, Kantians can deny that there is any value in a pleasure derived from wrongdoing, this option is not open to Brentano, for whom the issue of weighing the various goods against one another therefore becomes especially pressing.
Kriegel takes Brentano to face a challenge here, however, and expresses concern that Brentano’s ethics may be unhelpful as a guide to moral action. Having highlighted, in the previous chapter, certain difficulties confronting the notion of self-imposition, Kriegel notes that it is to this same concept that Brentano appeals in attempting to distinguish between which of any two goods is preferable to the other. The fitting preference in any such case is that which the subject would take were their attitude self-imposing, but Kriegel argues that for most such comparisons this moral equivalent of self-evidence will presuppose a measure of knowledge unavailable to any recognisably human agent. As Kriegel observes, it is of little use to advise someone to act as they would were they endowed with perfect impartiality and all of the facts relevant to the case in question.
There is much to recommend Kriegel’s ambitious and scholarly text, which certainly achieves its stated task of demonstrating Brentano’s relevance for contemporary debates across several fields of analytic philosophy. Kriegel impressively avoids the dual perils which confront the historian of philosophy, by locating Brentano’s original contributions within their historical context without, however, denying their relevance to today’s debates. Kriegel perhaps sails uncomfortably close, for some tastes, to an anachronistic reading of Brentano’s arguments and commitments, by phrasing these in terms of a conceptual vocabulary which owes much to late Twentieth and early Twenty-First Century analytic philosophy. Kriegel is forthcoming, however, in admitting his departures from the letter of the relevant Brentanian texts in order to facilitate comparisons between Brentano’s positions and those of more contemporary analytic philosophers. Kriegel also admits to contributing ‘Brentanian’ theses of his own where necessary, in order to fill certain gaps in Brentano’s system or to accommodate objections which Brentano did not anticipate. As such, Kriegel’s account is explicitly revisionary in certain places, such as his recommendations concerning the nature of ‘fittingness’ and his proposals concerning a Brentanian aesthetics. At no point, however, does Kriegel depart significantly from Brentano’s stated position without having already clearly motivated the appeal of a broadly Brentanian contribution to some on-going philosophical debate.
If Kriegel’s Brentano is too much the analytic philosopher for some historians of the phenomenological movement then no doubt he is too much of a system-builder for others. As Kriegel recognises, Brentano’s works are not typically regarded as contributions to a systematic philosophical enterprise, and much of Kriegel’s effort is devoted to correcting this oversight. Here too, Kriegel admits to making ‘Brentanian’ contributions of his own in order to clarify possible links between different parts of Brentano’s system and to provide possible details for areas which Brentano himself left only in outline sketches. That Brentano’s various contributions to ontology, metametaphysics, metaethics, normative ethics and other fields merit interpretation as parts of an overarching system is left in no doubt, however, and this would be sufficient achievement for Kriegel’s impressive monograph, were it not also to highlight the originality and insight which Brentano brought to each of these fields. Most importantly, however, Kriegel admirably shows Brentano’s work to deserve the attention of researchers in several areas of philosophical research, and to reward careful study not only by historians of philosophy and scholars of phenomenology, but also contemporary analytic philosophers.