The Crisis might be Husserl’s most widely read work, and within the Crisis, §9 on Galileo’s invention of modern science has captivated generations of readers. It raises a host of questions:
What does it mean that mathematized science offers only a method, not the true being of nature? How can science both be founded and contained in the pre-scientific lifeworld? How does Husserl’s transcendental phenomenology offer an alternative to Galileo’s conception of nature?
This critique of Galilean science comes from a mathematician-turned-philosopher, who staunchly defended the possibility of objective knowledge in the Prolegomena and sought to turn philosophy into a rigorous science. Husserl’s last work is as puzzling as fascinating, and it is easy to see why it remains one of the most popular entry points into Husserlian phenomenology and interpreters keep coming back to it.
Emiliano Trizio’s new monograph Philosophy’s Nature is a case in point, culminating in an extensive commentary on §9, where different threads of the book find together. The discussion of Galileo is embedded in, as the book’s subtitle announces, Husserl’s transcendental phenomenology, natural science, and metaphysics. Trizio establishes this context not only by drawing on Husserl’s earliest writings from 1890s, but also the 19th century ignorabimus debate about the limits of scientific knowledge. Husserl is cast as offering an alternative to Mach’s phenomenalism and Helmholtz’ critical realism, which is a refreshing alternative to framing Husserl’s account in terms of the later scientific realism debate. When addressing classical questions about the relationship of lifeworld and natural science, Trizio emphasizes the role of teleology, and offers a carefully argued extrapolation from the Crisis fragment.
After presenting the book, I raise some questions: about mathematization and the sensible plena, Trizio’s distinction between causal and categorial inference in science, implications for empirical psychology, the aprioristic account of phenomenology, and the metaphysical status of correlationism.
2.1 The 19th Century Background
The first chapter sketches a background debate. Rather than beginning from contemporary standard debates about scientific realism, Trizio reaches back to the 19th century, when debates about the limits of physical knowledge were already in full swing. The mechanistic world picture led to the well-known thought experiment of the Laplacian demon. The original question was whether astronomers’ successful predictions could be expanded to the entire world, given enough knowledge and intellectual resources. DuBois-Reymond turned this into an argument about the limits of scientific knowledge: If the intrinsic nature of physical objects, or the origin of conscious experience from physiology were forever hidden from the Laplacian demon, must also remain hidden from human scientists. Thus, there must be an ignorabimus, a domain that “we will never know”.
Mach argues that DuBois-Reymond relies on metaphysical assumptions of the mechanistic world picture. That picture came under more and more pressure from electromagnetism and thermodynamics (before quantum mechanics and relativity theory upended classical physics altogether). Mach’s phenomenalism is an anti-metaphysical programme that requires a reinterpretation of what physical theories are about–rejecting things beyond their presentations in experience.
The critical realists need no such “dissolution” of the object of physics into series of experiences. Trizio focuses on Helmholtz and Planck, who take the thing of perception to be a “sign” that is distinct from, but lawfully related to the real, physical thing. This view is realist about the existence of the external world and our possibility of knowing about it. But it is critical rather than naïve for separating the thing of perception from the thing of physics.
This is the background for discussing how Husserl relates the external world, the world of physics, and world of sensory perception. But we have already seen that an important difference in the critical realist and phenomenalist responses to the ignorabimus is their different tolerance for metaphysics. The next chapter therefore discusses the disputed relation between metaphysics and epistemology in Husserl’s work.
2.2 Epistemology and Metaphysics
The role of metaphysics in phenomenology has long been disputed. Especially Husserl’s late work seems to discuss overtly metaphysical questions, such as whether the world could exist without an actual consciousness. But especially in the Logical Investigations, Husserl declares the metaphysical neutrality of his considerations. The reduction is also described as a way to shed the metaphysical prejudice of the natural attitude.
An easy way out would be to say that Husserl’s commitments change, but Trizio resists the narrative of separate periods and “turns” (this alone is an impressive achievement). He begins with a text about the nature of space from the 1890s where Husserl distinguishes between the Theory of Knowledge—asking « how is knowledge of the objective world is possible? »—and metaphysics—asking what the actual world is ultimately like. Depending on how we understand the possibility of knowledge, we end up with a different metaphysical picture of the world, e.g. a phenomenalist, rather than a critical realist account.
Trizio presents Husserl’s later metaphysics as a consistent expansion from this idea. The metaphysical commitments are a consequence of the adopted theory of knowledge. He grants that there is a shift of emphasis from the question “how knowledge is possible” to the question of the “sense of being” which is clarified in transcendental phenomenology. But while seeking the “sense of being” sounds like a metaphysical task, it can also be understood as: “what must be the sense of being, for knowledge of it to be possible?”, so the primacy of epistemology can be maintained (cf. 59f.).
With this clarified relationship between epistemology and metaphysics, we can now reconsider natural science. The natural sciences operate with the well-known presupposition of the natural attitude. The metaphysical clarification from phenomenology addresses not immediately whether particular theoretical terms like “electron” refer to unobservable objects, but investigates the sense of “natural world” that the empirical sciences presuppose. Via the phenomenological clarification, the natural sciences become a metaphysics of nature. Transcendental phenomenology provides the “a priori framework underlying all possible factual realities” (86), which provides the “ontological closure of the sciences”. This closure amounts to the rejection of any ignorabimus, or hyperphysical reality, that would lie beyond these sciences. Slightly later, Trizio summarizes this metaphysical picture as “the world is a unit of sense constituted in transcendental intersubjectivity and nothing beyond that”. (107) Once the ontological closure of the empirical sciences has been achieved, the room for metaphysics is exhausted.
2.3 Transcendental Phenomenology
What separates the empirical sciences from ultimate metaphysics is “a clarification of the sense of their fundamental assumptions, […] most important among them, the positing of the world.” (99) Chapter three therefore turns to the phänomenologische Fundamentalbetrachtung (consideration fundamental to phenomenology, §§27-62) of the Ideas I. Husserl here argues that consciousness is an absolute region of being, independent of the posit of the world.
The book remains focused on the relation between perception and the thing of physics. According to the distinction between primary and secondary qualities, only the primary qualities carry over from perceptual appearance to the thing of physics, whereas secondary qualities originate in the subject. But Husserl distinguishes between the intuitive space of perception and the ideal space of geometry. A drawn triangle exists in an intuitive space, but it only serves as a sign for an ideal triangle in the space of geometry. What mathematized science discloses are such idealized properties; therefore, they are not a subset of the perceivable properties. Applied to the relation between perceptual and physical thing, this means that even the intuition of spatial properties does not remain without a contribution from the subject (103f.). Neither Husserl nor Trizio put it this bluntly, but it seems like all perceptual qualities turn out to be secondary.
Without overlap between the properties of physics and perception, one might expect a form of critical realism, where the perceptual object is only a sign for the physical thing. But one of the most poignant passages in the Ideas I reads: “The physical thing which [the scientist] observes, with which he experiments, which [he puts] in the melting furnace: that physical thing, and no other, becomes the subject of the predicates ascribed in physics.” (Husserl  1982, §52, 120) Trizio takes this identification of physical and perceptual seriously and argues that it shows a rejection of critical realism; the perceptual thing is rather a “sign for itself” (114). The key is Husserl’s notion of the “empty X” as the bearer of all objective properties, whether they are disclosed in perception or in empirical science. The critical realist distinguishes an object X that bears the perceptual properties, and an object Y, which is determined by scientific theory. Husserl however argues that such a “hidden” cause leads to a regress. If we can know an object Y only inferentially, then a more competent observer could know Y on the basis of perception–but then for this observer, the appearances of Y would indicate an object Z, and so forth. (cf. 112)
This argument relies on the essential perceivability of all physical things which has led to an association between Husserl and anti-realist philosophers of science. A main feature of Trizio’s book is that it here steers a more realist line, according to which also scientific theories about unobservable entities can achieve a true, metaphysical insight into nature. The key is Trizio’s distinction between the causal inference that leads to the posit of observable things—say, a planet—and the inferences that lead to explanations in unobservable terms, like atoms (111). To treat the latter as causal inference to an unobservable world creates the “causal depth” of the critical realist picture, and the mentioned regress. The theoretical inferences of microphysics instead provide a categorial determination of the world of perception. The sense in which nature transcends our subjective experience has already been established at the level of perception, and scientific theories do not force us “to accept a different account of the ‘externality’ of the world” (115).
Once more emphasizing continuity through Husserl’s work, Trizio here relies on an account of categorial determination from the Sixh Logical Investigation. Pre-scientific judgements already contain meanings that do not allow for fulfilment in sensory intuition. “Just as the ‘and’, the ‘or’, and the ‘is’ cannot be painted, the physico-mathematical concepts cannot be ‘turned’ or ‘translated’ into sensuous determinations of whatever kind.” (122) Instead, the sense in which a microphysical theory is true has to be understood according to the truth of categorial determinations. These have nothing to do with our perceptual capacities and neither has the goal of scientific theory. “Accordingly, God’s physics would amount to the same true, complete mathematical physics that we human subjects strive to achieve, the one that describes matter as it is in itself, in its real, intrinsic nature, by means of categorial unities of thought”. This account of microphysical being is exegetically convincing, interesting, and sets Trizio’s account apart from other interpreters—I will comment on it below.
The rest of the chapter develops more critical responses to recent secondary literature, especially Harvey, Wiltsche and Hardy. Whereas the first two err on the side of instrumentalism, Hardy’s proposal aims to make transcendental idealism and metaphysical realism compatible, which for Trizio is a non-starter. The common error, so Trizio appears to say, is the imposition of “ready-made ‘philosophical problems’ as hermeneutical frameworks to interpret Husserl’s thought.” (138) Doing so “wreak[s] havoc on the internal articulation of a philosophy meant to generate its own task and method” (ibid.). The reader might want to consider for themselves: Can we approach Husserl with a philosophical topic or question, or must we let Husserl define the goal of philosophy? It is hard to see how an interpretation as comprehensive as Trizio’s could be achieved without granting Husserl to define the goals, and the complaint about ready-made philosophical problems is understandable. But one might equally worry that Trizio’s alternative stays confined by a philosophical edifice and its internal questions. Zahavi (2017, 184f.) for example appears less restrictive, and can point out interesting parallels, such as between Husserl’s correlationism and Putnam’s internal realism.
2.4 Ideas II
The fourth chapter focuses on the Ideas II, and the constitutional role of the lived body (Leib), intersubjectivity, and the relation between the natural, naturalistic, and personalistic attitude. Trizio here also refines the previous discussion of space, distinguishing between the subjective sensuous space, the objective perceptual space, and an idealized objective space. “The objective but not yet idealized space is the link between what is given to us in perception and the idealized language of physics” (161) Whereas the sensuous space is oriented around a perceiver’s body, the objective perceptual space has no such orientation. Intuition of objective perceptual space is only possible through founded acts: movements, rotations, and acts of empathy (ibid.). This is not an idealization, rather the objective perceptual space is constituted as “every-body’s space” (ibid.).
The chapter also discusses Rang and Ingarden, and thereby offers more detail about the interpretation of microphysics. While “it is true that concepts such as ‘atoms’ and ‘ions’ do not refer to ‘Dinglichkeiten an sich’, this is not because atoms and ions do not exist, but because they exist qua endpoints of the constitution of material nature in transcendental consciousness.” (170) Such endpoints are categorial determinations of the sensible world that also a divine physics would be compelled to. This is only one of several places where teleology features centrally.
Trizio now briefly returns to the challenge from DuBois-Reymond. That atoms cannot be the objects of experience does not mean that they comprise an ignorabimus: imperceivable atoms are still knowable as the ideal limit of categorially determining the perceivable world. The account of idealizations is what undermines DuBois-Reymond’s connection between the imperceivable and the unknowable (187f.).
Then, within five pages, Trizio discusses challenges from quantum mechanics and relativity theory. The discussion of quantum mechanics relies on a short appendix to the Crisis, one of very few places where Husserl ever talks about non-classical physics. Trizio argues that Husserl’s sees no conflict between quantum mechanics and the scientific goal of an objective description of nature. What quantum mechanics reveals is rather that some objects can only be studied as ensembles, not individually. This means that some idealizations stay tied to typical environments, and therefore particular scales. In turn, the relevant idealizations for our scientific descriptions can be scale-dependent (191f.), and there is no guarantee that we have a reductive basis for the idealizations of higher-level theories (such as physiology and biophysics). This is an interesting discussion, but stays at a very high level of generality.
The challenge from relativity theory is more obviously problematic. It undermines the idea that the “essence of space” could be studied a priori, independently of empirical theory. Trizio admits here that Husserl’s silence on the issue—despite the work of Weyl and Becker—is disappointing. In conclusion, Trizio thinks that relativity theory shows that intuitive and objective space are farther apart than we thought, but that this affects neither the rejection of critical realism nor the identity of perceptual and physical thing. I discuss below how relativity theory might require to rethink the relation between phenomenology and empirical science.
2.5 Life-World and Natural Science
The fifth chapter is by far the longest, running to almost a hundred pages. We now turn to the Crisis of European Sciences, and the discussion of Galileo in §9. Trizio further emphasizes the role of teleology, as in the account of categorial determination and in some earlier work (Trizio 2016). The crisis of the European sciences is explained as an “uncertainty and disorientation with respect to the essence inhabiting such a cultural formation [as empirical science] as its telos” (204) That the natural sciences have suffered a “loss of meaning” is a consequence of their separation from philosophy: as part of philosophy, empirical investigation had a context in which it was meaningful for life (206).
The chapter is comprehensive because part of its ambition is to discuss parts of the Crisis that remained a sketch: how spirit relates to nature, and the relationship between the objective spirit investigated in the human sciences, and the absolute spirit described in phenomenology (214f.) Trizio distinguishes three scientific endeavours: the natural sciences (naturalistic attitude), the positive sciences of objective spirit (personalistic attitude), and the phenomenological science of absolute spirit (transcendental attitude, 215). Natural and spiritual world have their own principles of unity, causal relations in the former, motivational relations in the latter case. (210) Natural and spiritual world are different aspects of the lifeworld, but since the entire lifeworld has been replaced by mathematized nature, the world of spirit has been forgotten (247, 250). This misinterpretation is spelled out in the central §9, which is honoured with 36 pages of reconstruction and discussion. For anyone interested in Husserl’s account of Galileo, this commentary alone is a good reason to consult this book.
After recovering the world of spirit, Trizio finds a priority of human sciences over natural sciences: “the naturalistic attitude is subordinate to the personalistic attitude because it is the personal Ego that performs the operations necessary to render nature thematic as the sphere of mere natural objectivities” (258). This relation between these theoretical endeavours also leads to an ontological relation between their domains. “If nature is an abstract stratum of the life-world, it cannot be ontologically prior to it. It is an abstract layer of what for us has meaning in terms of our aims, among which its scientific explication also finds a place.” (260f.) It seems easy to vacillate here between nature as a “Zweckgebilde” of natural science, and nature as the domain of empty Xs that bear perceptual and scientific determinations: a domain that is factually indeterminate, but already determinable (this seems to require at least that the “Zweckgebilde” of natural science does not change with scientific theories or political environments).
Trizio then addresses the classic question how a scientifically true world could both be grounded on and encompassed by the lifeworld. The offered solution again relies on teleology: “the mode of being of scientific nature is that of an end of a specific human praxis” (270). The lifeworld itself however is independent of any specific aims (268); it is in this sense prior to any scientifically disclosed worlds, because the motivation to begin a scientific endeavour begins from the lifeworld. However, the lifeworld has no “outside”: whatever turns out to exist has to exist as part of the very same world that we were already determining by the means of perception.
Trizio here disagrees with interpreters who distinguish the transcendental reduction from a preliminary “reduction to the lifeworld” which brackets scientific theory and practice but leaves the natural attitude intact (e.g. Bitbol 2020). What makes the lifeworld pre-scientific in Trizio’s account is not the absence of scientific culture, but the lack of a telos. Whereas the objective determination of nature is the telos that for the scientific world, the lifeworld has no such practical goal. But even though this allows to distinguish different worlds, the world of science still is an objectivation of the lifeworld, not an independently constructed scientific image. When we are bracketing scientific culture, this focuses our attention on a pure layer of the lifeworld, rather than revealing the lifeworld in its entirety (269).
En passant, Trizio again discusses competing anti-realist interpretations, leading to a clearer picture of his own account. Antirealism here is glossed as the claim that science can only arrive at correct prediction of appearances, but not at knowledge about true nature as it is in itself. If Husserl were an antirealist about scientific knowledge, no account of nature would be compatible with transcendental phenomenology. a) Husserl cannot be claim that the objective world does not exist (only that it is not a mathematical manifold) b) nature cannot be in principle unknowable, because that is incompatible with the principle of correlation, c) natural science is also not to be replaced by a new science of nature, d) agnosticism is like skepticism a “deadly enem[y] of philosophy”. (256f.) Since Husserl is not a metaphysical realist, this rejection of anti-realism is not a commitment to scientific realism in the standard contemporary sense. The condensed discussion again reveals importance of the principle of correlation: unknowable aspects of nature are excluded from the start.
In the last paragraphs, entitled “Nature as the correlate of Absolute Spirit”, Trizio edges towards some further metaphysical conclusions. The premise is that nature can only be constituted as an abstract core of the life-world, which is personal in character. (275) Therefore, nature can only appear through intentional acts that are abstract components of the concrete unity of constituting life. It is not possible to think of a constitution of nature that was not embedded in a constituting life, and such constituting life must know a personal attitude. Unfortunately, Trizio does not make explicit whether this means that he concurs with Husserl’s proof of idealism: that a world which never develops constituting forms of life is metaphysically impossible. (Husserl 2003)
It is clear that this is a work of serious scholarship. Trizio draws on an impressive range of sources, from before the Logical Investigations to the Crisis. Well known parts of Husserl’s work are central, such as the consideration fundamental to phenomenology, or §9 of the Crisis. But also the Ideas II and the less known 1917 treatise Phenomenology and Theory of Knowledge (Husserl et al. 1987, 125–205) are central points of reference. Framing Husserl in the ignorabimus debate is well done and sets up an interesting angle for the discussion.
The production quality of the digital edition is good. References and endnotes are listed per chapter, endnotes are conveniently two-way linked to the main text. There are a number of avoidable editorial oversights and Typos, especially in German quotations (e.g. 76, 258) and names (e.g. 122, 148), but the overall typesetting is pleasant. With these descriptive points out of the way, I can now turn to the content.
3.1 The Mathematization of Plena
One of Husserl’s main claims in §9 of the Crisis is that the “sensible plena” (sinnliche Füllen) cannot be directly mathematized, unlike the shapes of objects. Hence, Galileo has to make the hypothesis that all determinations of the plena will be implied by a completed account of the shapes—the plena will be indirectly mathematized. When Trizio reconstructs why the plena do not allow for mathematization, he connects this with the impossibility of finding a compositional basis to construct the plena. “There can be no analogue of the ruler in the case of a color, or of a warmth-property, no smaller standard that, via a certain method of composition, could “build” the original quality out of smaller parts, not even approximately, ‘with a rest’.” (232)
There is, however, no discussion of established practices for precise communication of colours. When colours are communicated as RGB or CMYK codes, they are specified exactly in terms of the combination of red, green and blue light (or the densities of standardized inks). Why does this not count as the construction of a colour-space from basic elements? It seems to me that the difference between shapes and plena is not so much in compositionality, but in the convergence to an ideal limit. Shapes can be put in line to approach a flat surface or a straight line or a sphere. This ideal reference point is never reached. A series of colour patches, however, does not approach an unintuitable “ideal red”: an orange patch can be more or less close to a red patch, but the limit remains intuitable. Colour similarity only compares to an intuitable limit that retains some indeterminacy. This is not the kind of convergence that we have in the case of geometry, where intuitive shapes can approach a precise, unintuitable ideal.
3.2 Causal inference and inference to categorial determinations
Trizio’s realism about scientific knowledge depends crucially on the distinction between two kinds of scientific inference. To reiterate, scientists sometimes make “causal” inferences, such as “there is a planet Neptune” which introduce new, in-principle observable entities. In the case of microphysics, however, their inference is a categorial determination of nature, and does not introduce new entities. I am not sure what the principled grounds are to declare scientific inferences to be one kind or another. It seems clear that we can sometimes infer that there are things we cannot perceive ourselves, for example after losing a sensory modality, or observing reactions of animals. Now, when we explain a disease through a virus, is this a causal inference, or a categorial determination? It is implausible that the limit of causal inference coincides with a contingent limit of human perception, and I would therefore expect that viruses would still be something where we can make causal inferences. But where does it stop? Trizio would presumably have to give an answer in terms of essential imperceivability—but it would be good to know what it is exactly.
3.3 Foundations of Psychology
It remains somewhat unclear whether Trizio advocates a revisionist programme for empirical sciences. He is explicit that he has no such intention for physics, but what about psychology? Is a main cost of forgetting the lifeworld a psychology that dehumanizes its subjects, because it starts from the naturalistic attitude? I take this to be Husserl’s ambition, but of course in view of the psychology of his time. If Trizio here departs from Husserl, this is not made explicit.
3.4 A priori knowledge of space and general relativity
Much of the book appears to work towards marrying two claims:
- Transcendental Phenomenology is the founding, universal science that is before all empirical science.
- Empirical sciences are capable of generating metaphysical knowledge.
What Trizio promises is nothing less than a First Philosophy that can do without instrumentalism about the empirical sciences. As Trizio admits, this comes to limits with the theory of relativity, where Husserl’s silence “is embarrassing” (193). Already in special relativity, temporal and spatial distances lose their independence. The death of two stars might appear simultaneous when observed from the earth, but their temporal order changes with the location of the observer. This is not just another fact that tells us more about which of the a priori possible worlds we inhabit, but it redefines the interaction between phenomenology and empirical theory. Throughout the book, Trizio gives phenomenology an authority over the commitments of empirical sciences: phenomenologists can point out when scientists “naïvely” rely on assumptions of the natural attitude. But in the case of relativity theory, physicists could retort that the phenomenologist is not so independent from theory after all. The assumption that space and time are independent might be one such assumption. It looks like a theory of physics can serve as a valid criticism of a distinction of transcendental phenomenology. But on what grounds could transcendental phenomenology then still be considered to be “before” empirical science?
Trizio points in a similar direction when he concedes that “the only way out is to use the theory of relativity as an indication that the phenomenological account of idealization must be revised” (193). But conceding such limits to first philosophy should also affect the relation to contemporary philosophy of science. Trizio is certainly right when he argues that Husserl’s account cannot simply be “placed” within an existing body of literature about scientific realism, because this debate takes the dominance of logical empiricism as its starting point.
Given Trizio’s emphasis on historical contextualization, one might have expected more optimism about this historical situation. The nascent logical empiricism and Husserlian phenomenology touched in the 1920s, when Carnap studied with Husserl, and Felix Kaufmann was part of both movements. By contrast, Husserl never actually writes about an ignorabimus. The historical arc to philosophy of science seems neither more ambitious nor less promising than the 19th century context which Trizio sets up. It would be too much to attempt both in the same book, and the 19th century context is a welcome addition, but why should an explication of Husserl’s account not be commensurable to debates in the philosophy of science?
One might of course worry that philosophers of science are too busy discussing the content of particular scientific theories, rather than less easily formalizable questions about the structure of thing-consciousness. But what is gained from playing out those philosophers who want to attend to the perceptual phenomena against those who emphasize scientific theory? Trizio’s take here is more negative than most recent literature in the general area (see especially Hardy 2013; Zahavi 2017; and essays in Wiltsche and Berghofer 2020) and from those who work closely with cognitive scientists. All these authors seem more open to two-way interaction between empirical theory and phenomenological clarification, or at least between phenomenology and philosophy of science.
A final point concerns the explication of metaphysical commitments. While the book contains much discussion of what metaphysics means for Husserl, and in what sense phenomenology is not deciding but undermining the metaphysical debates, it is not always clear what Trizio endorses. I already mentioned the question whether a world without a factually constituting consciousness is possible.
Husserl’s correlationism on the other hand is a commitment on which Trizio relies much more openly. The rejection of Husserl’s correlationism by speculative realists is now well known. (Meillassoux  2008) But also metaphysics in the tradition of analytic philosophy raises difficult questions. Husserl’s correlationism commits him to the knowability of all true propositions. But such a knowability is surprisingly difficult to spell out, as the debates around the Church-Fitch paradox and metaphysical anti-realism show. (Fitch 1963; Salerno 2009; Kinkaid 2020) Philosophy’s Nature focuses more on defending the account presented as the correct interpretation of Husserl than it does to raise and address general questions from semantics or metaphysics.
Trizio’s book is nothing short of impressive for the clarity and depth in which it discusses Husserl’s works from the 1890s to the 1936 Crisis and the 19th century context. The rejection of anti-realist readings of Husserl’s philosophy of science is forceful and a very welcome addition to the current debate.
Because of its dismissal of contemporary philosophy of science, however, it can occasionally seem like a book on Husserl for Husserlians. Given the complexity and range of literature discussed, this is not surprising, but there are places where a greater departure from internal questions would have been natural: most clearly, through a more extensive discussion of the lessons from relativistic physics, and by anticipating some questions about the distinction between causal and categorial inference. Husserl’s account is complex and disputed enough to warrant treatment through a book, and Trizio fills an important gap. Those who wish for a connection to contemporary philosophy of science, however, will see room for another.
Bitbol, Michel. 2020. ‘Is the Life-World Reduction Sufficient in Quantum Physics?’ Continental Philosophy Review, October. https://doi.org/10.1007/s11007-020-09515-8.
Fitch, Frederic B. 1963. ‘A Logical Analysis of Some Value Concepts’. The Journal of Symbolic Logic 28 (2): 135–42.
Hardy, Lee. 2013. Nature’s Suit: Husserl’s Phenomenological Philosophy of the Physical Sciences. Athens, Ohio: Ohio University Press.
Husserl, Edmund. (1913) 1982. Ideas Pertaining to a Pure Phenomenology and Phenomenological Philosophy. First Book. General Introduction to a Pure Phenomenology. Translated by Fred Kersten. The Hague: Martinus Nijhoff.
———. 2003. Transzendentaler Idealismus: Texte Aus Dem Nachlass (1908-1921). Edited by R. D. Rollinger and Rochus Sowa. Husserliana 36. Dordrecht ; Boston: Kluwer Academic Publishers.
Husserl, Edmund, Thomas Nenon, Hans Rainer Sepp, and Edmund Husserl. 1987. Aufsätze Und Vorträge: 1911-1921. Husserliana 25. Dordrecht ; Boston: M. Nijhoff.
Kinkaid, James. 2020. ‘Husserl, Ideal Verificationism, and the Knowability Paradox’. presented at the Boston Phenomenology Circle Workshop, Boston, MA, November 21.
Meillassoux, Quentin. (2006) 2008. After Finitude: An Essay on the Necessity of Contingency. Translated by Raymond Brassier. London: Continuum.
Salerno, Joe, ed. 2009. New Essays on the Knowability Paradox. Oxford ; New York: Oxford University Press.
Trizio, Emiliano. 2016. ‘What Is the Crisis of Western Sciences?’ Husserl Studies 32 (3): 191–211. https://doi.org/10.1007/s10743-016-9194-8.
Wiltsche, Harald A, and Philipp Berghofer, eds. 2020. Phenomenological Approaches to Physics. Cham: Springer.
Zahavi, Dan. 2017. Husserl’s Legacy: Phenomenology, Metaphysics, and Transcendental Philosophy. New York, NY: Oxford University Press.
Being “întru” (within) a language: Bending time and space while translating The Romanian Sentiment of Being by Constantin Noica
Aristotle’s Metaphysics Z, perhaps one of the most difficult of his works, begins by his famous claim that being is said in many ways. Aristotle refers to the Categories, where he explains the various ways in which one thing is said to be. He writes about being in a language that, after all, is no longer spoken today. Nevertheless, his ideas influenced generations of philosophers who could not work in ontology without first referring to his work. The greatness of Aristotle as philosopher makes it so that when we speak of being we do it as if we were analyzing a universal idea. But is it possible that being itself always appears in a body, a language, and due to this, is always particular to a culture?
Noica’s The Romanian Sentiment of Being seems to make such a claim: being in a universal sense is only an abstraction. Being, though, is embodied, and thus it manifests particularly in a particular environment.
While this final claim may be appealing to many, a philosopher focused on metaphysical concepts would not readily agree. In 1978, existential philosopher Emil Cioran (1911-1995), friend of Constantin Noica (1909-1987), wrote him a short letter. The epistle ended with some words about Noica’s newly published volume, The Romanian Sentiment of Being: “Your last book is excellent; the only thing is that it could have been called just as well The Paraguayan Sentiment of Being. In your place, I would return to Logic: where, if not there, can one engage in delirium better?” Indeed, what would make the Romanian sentiment of being both unique and also interesting to other peoples?
We should not rush into believing that Noica claims that cultures have no way of communicating among themselves because of their unicity. Their particular way of being is, to use Noica’s word, întru, oriented within. However, the particularity in which they express being gives beauty to the diversity of the world. So, if we refer to one of the questions above, one reason for anyone to understand the particular way of being in Romanian culture is to further enjoy the beauty of this world. Furthermore, as Anna Marmodoro and Erasmus Mayr remind us, “metaphysical questions are not just questions about language […]. But nonetheless, natural language can be an important guide in many cases, since it usually encapsulates ways of thinking about the structure of reality which come naturally to us and which have proved useful and viable over the time the language evolved.” Noica would add this: “But every language is, after all, the wisdom of the world in one of its versions. This wisdom of the world needs the particular wisdom of language in order to explore reality in all the ways and to transfer its knowledge into words.”
Noica finds six ways of being in Romanian, all of them expressed grammatically in a doubling of the verb to be. These expressions are used quite often in typical interactions and feel natural to the native Romanian speaker. In English, the doubling of the verb to be poses challenges of meaning making, since English-speakers rarely employ such constructions that invite rather imprecise temporality. Here they are:
It was not to be (n-a fost să fie)
It was about to be (era să fie)
It may well be to be (va fi fiind)
It would be to be (ar fi să fie)
It is to be (este să fie)
It was to be (a fost sa fie)
The Romanian language, then, has a grammatical peculiarity in all of these cases: the doubling of the verb to be. For Noica, this is a very important philosophical aspect: all of these modulations of being are întru Being itself. Some of them, such as the first four, are moving toward Being, but they do not achieve it. The fifth one is on the border of being, while the last is accomplished being. This doubling of to be allows for both becoming and being in the same expression: the suggestion of becoming within (or întru) being. English, however, does not allow for this doubling in all of the previous expressions. We can, of course, rely on philosophical terminology and say that the six modulations of being from Romanian can be organized in the following categories: impossibility, possibility, contingency, necessity, and existence. Here, though, we lose the slight modulations taking place in Romanian, as for example the difference between va fi fiind (it may well be to be) and ar fi sa fie (it would be to be). None of these modulations expresses the fulfillment of being. The first one, though, is a region of being that is somehow exterior to it, as Noica says, while the second is a modulation that has almost all of the conditions to be, but it cannot fulfill its calling.
What is one to do in such a situation? The problem is as old as translation is. Eugenio Refini, for example, writes about Antonio Colombella, an Augustinian friar, who translated in the vernacular Aristotle’s Nicomachean Ethics sometime at the beginning of the 15th century. In his prologue, he writes about the difficulty of the translation, pointing to the distinction between what he calls words and sense. The translator must find himself in this dichotomy: to be faithful to the words of the author (in our case, to expressing modulations of being by doubling the verb to be) or to be faithful to the sense of the ideas. It is the enduring “debate over verbum de verbo and ad sensum translations.”
The beauty of Noica’s volume is that mediation and translation already happened at various levels. His text is a philosophical endeavor that deals with literary works, bringing into dialogue different approaches to culture. Translation between the philosophical language of necessity, possibility, or contingency to the folk language of children stories or to the elevated literary language of a poem considered the chef-d’oeuvre of Romanian culture make out of his book a feast of words. Indeed, “Translators mediate between cultures (including ideologies, moral systems and socio-political structures), seeking to overcome those incompatibilities which stand in the way of transfer of meaning.” In this volume, mediation is at work in the original language prior to even encountering its English version. The children’s story and Eminescu’s poem “The Evening Star,” both of them protagonists of Noica’s philosophical thought, are not included in the original volume. Known by every Romanian reader, they appear in Noica’s text in the beauty of his interpretation only. The English edition could not have rendered this mediation without bringing forward the texts themselves, and so readers will find original, new translations of both these jewels of Romanian thought.
It is here that we can rediscover the dialogical nature of translation, as some scholars call it: the translator must attempt to live in two cultures at the same time, and transfer one’s way of being from one culture to another. How can this be done, especially since this particular work raises deeper problems, because it is not directly about universal philosophical problems, which would offer a common philosophical language, but it is rather about knowing the Romanian soul itself, the Romanian expression of being in the world. Implicitly, the question becomes, how can one know the soul of a people?
Folktales are the source of inspiration for Noica. Even Eminescu’s poem, “The Evening Star,” has a folktale as its origin, Noica says. The story is about a young princess who falls in love with the Evening Star and calls upon him every night. He descends from heaven and invites her to take a place next to him:
Oh, come my one and only love,
Thy world behind leave, dear!
I am the evening star above,
Be thou my bride sincere.
She refuses, inviting him to give up his immortality instead. At the end, it is a story of unfulfillment of being. The maiden asks the Evening Star to offer her necessity: the individual nature asks from the general to receive a law. The way she asks for it and the way he can offer it do not match, so the story is a failed encounter between contingency and necessity.
What do thou care, oh, face of clay,
If it’s me or some other…
In narrow circle you relive,
Your luck is daily master,
But I, in my world, always live
Immortal and cold aster.
However, Noica says, the story shows that, at least, the two called each other. While the poem shows unfulfillment in this relationship, Noica believes fulfillment is shown in the second example, a centuries old folk story, Ageless Youth and Deathless Life, first documented and published by Petre Ispirescu in the 19th century and identified with the Romanian ethos ever since.
As Noica says, the story is quite straightforward and down to earth in the way it accounts for the essence of the activity of being.
I don’t know another work in prose of the Romanian genius that has so much substance, from the first to the last word, and such rigorous writing or saying. I wouldn’t dare to interpret any other Romanian work in prose, verse by verse, as I plan on doing, […]—the only one which does not have a positive ending, as it has been observed, and still the only one that expresses, not indirectly, as any other fairytale, but directly, the fulness, the measure, and the truth of that which can be called: being.
Here is a quick summary of the story: a child of a royal couple cries from within his mother’s womb, not wanting to be born into this world of becoming. His father makes him many earthly promises, he offers him the entire world itself and the most beautiful wife he could have, but the baby is not convinced. The only promise that makes him be born is ageless youth and deathless life.
When he grows up, he searches for it himself, since the father reveals he cannot offer it after all. After many trials, he reaches the realm of ageless life and dwells there without time. One day, however, he is struck by memory and wants to go back. Regardless of the advice from the princesses of the realm, he goes back to his parents’ castle, finds that centuries have passed and everything is changed, and death, his own death, finally finds him and slaps him dead.
Reading it or trying to translate it, one can feel how verb-driven and action-oriented the narrative is. In two-three sentences the reader is already in Fat-Frumos’ next stage of life. The story is out of balance at times, with certain less important details being given more space than key magical events in the prince’s journey. You almost get a sense that the story was captured from a capricious storyteller, as if told while doing some other activity. The text is only four pages and a half long, single spaced, but it contains the whole life of a soul inside and outside time. An example of “outside time” is when the unborn soul of the prince refuses to be born and to begin his linear temporal lifepath before his father promises him eternity in the offering of ageless youth and deathless life. The story normalizes a relative view of time long before Albert Einstein wrote about the relativity of space/time. The few pages of this folk tale contain the entire life story of Fat Frumos with accelerations and decelerations, with ascensions and descensions both physical (in the magical flight of the horse) and emotional (sadness and happiness). Memory also transcends the physical body, since the nine-month-old fetus remembers what he was promised before becoming an egg in his mother’s womb. As part of the process of translation, the translator has to believe that the English reader will accept this Romanian story of being that bends time and space without much explanation.
And this is where knowledge comes in: reading the English translation of “Ageless Youth and Deathless Life” can stimulate our own reflecting on the detours we take in life, the importance of challenges and encounters that affect us for decades and even impact how we die. This centuries old fairytale has the potential to be not just an old Romanian folk story but a story of the human soul, with universal appeal and resonance.
Perhaps this volume reminds us that we don’t need to be universalists or relativists to be able to know and accept others. One doesn’t have to be Romanian to know a Romanian, just like one doesn’t need to be Russian to understand Dostoevsky. This doesn’t mean that our knowledge of Dostoevsky is the same with the knowledge a Russian or someone else may have of him. But this is perfectly fine. It is our or your personal knowledge of him—not in a relativist sense, but rather in a truly personal fashion. This means that one can know the Romanian “soul” by accepting who one is, a unique person that belongs to a unique people, American, Ukrainian, Indian, or Paraguayan. Once we know where we come from, once we know how we greet every morning of our lives, we can have a genuine relationship with anyone else.
 Emil Cioran. 1995. Scrisori către cei de acasă (Letters for Those Who Remained Home). Bucureşti: Humanitas, p. 310.
 Aristotle. 2019. Metaphysics: An Introduction to Contemporary Debates and Their History. Oxford: Oxford University Press, p. 8.
 C. Noica, The Romanian Sentiment of Being. Punctum Books, 2022, p. 58. The one term/idea that has been at the core of our work proceeds from Noica’s philosophy. The Romanian notion of întru can be rendered in English by using both “within” and “toward.” “Întru” originates from the Latin prefix intro (to the inside, inward—as in, for example, the English word “introduction”: intro—inward + ducere—to lead). Alistair Ian Blyth has translated the title of Devenirea întru fiinţă as Becoming within Being (Marquette University Press, 2009). Noica’s “întru” captures the idea that becoming does not only take place within a nature of something, but also always toward a nature: it is perhaps the path a translation takes, a becoming into something that it already is, but not yet manifested prior to the completion of a project.
 Eugenio Refini. 2020. The Vernacular Aristotle, Cambridge University Press, p. 101.
 C. Noica, op. cit., p. 122.
Karsten Harries’ The Antinomy of Being, which is based on his final Yale graduate seminar, is a deeply ambitious study that brings to the table vast scholarship across a range of philosophical, as well as literary, theological, early modern scientific, and art historical sources. Focusing especially on what he presents as a key problematic in the work of Kant, Nietzsche and Heidegger, Harries demonstrates the way that this notion of the antinomy of Being is at the heart of the condition of possibility of truth, and thus for any response to the spectre of nihilism. When taken as a whole, his arguments make a compelling case not only for the centrality and irreducibility of this issue across a range of philosophical fields, but also for any rigorous meta-philosophical reflection. This welcome development in Harries’ work is a text that challenges contemporary thought across various fields.
The idea of the antinomy of Being is one that Harries has presented and discussed numerous times in his writings over the last decade and a half in particular, generally as part of a more finely focused argument that opens into this larger underlying set of concerns. However, in this 2019 monograph, Harries provides a fully developed account of what he describes as “the unifying thread of [his] philosophical musings” from over half a century of teaching, even if the term itself appeared in his work only comparatively recently (AB, 1).
“Antinomy” is associated with paradox; aporia; the limits of language; cognitive dissonance; and possibly even the limits of logic. More specifically (especially in a Kantian context), it relates to the clash between two apparently contradictory beliefs, each of which is entirely justifiable. Two of the four famous antinomies in Kant’s first Kritik (relating to space and time, freedom, substance and ultimate necessity) are the subject of explicit attention in this book, as is the way that the same fundamental problematic can be seen as being deeply at play in the work of Martin Heidegger and various other post-Kantian thinkers. The ways that these more specific cases arise in Harries’ text will be surveyed below. However, it is important also to note that Harries’ concern is not to simply paint his topic as an issue in the thought of a particular group of philosophers. To the contrary, his larger and more basic project is to show that the antinomy of Being is an irreducible element in all thought, cutting across all disciplines and genres. Consequently, its denial amounts to the distortion of thought, while coming to terms with it is the only pathway to intellectual (perhaps also existential) authenticity. For ultimately, it is a question of how it is possible to respond to the ever-present threat of nihilism (the topic of his 1962 doctoral dissertation). As he puts it early in his Introduction:
[O]ur thinking inevitably leads us into some version of this antinomy whenever it attempts to comprehend reality in toto, without loss, and that a consequence of that attempt is a loss of reality. All such attempts will fall short of their goal. What science can know and what reality is, are in the end incommensurable. Such incommensurability however, is not something to be grudgingly accepted, but embraced as a necessary condition of living a meaningful life. That is why the Antinomy of Being matters and should concern us. (AB, 2)
What is the nub of Harries’ contention? In a sense, the book is something of a manifesto for hermeneutical realism, and in such a way that places equal weight on both hermeneutics and realism as complementary poles of the antinomy of Being as a whole. On one hand, there is an absolute insistence on the finitude of all understanding (“hermeneutics goes all the way down” as the old adage has it), while on the other hand there is an equally strong insistence on the real as that which is finitely understood. In this way, the twin disasters of nihilism – i.e., idealism (nothing can be known; or there is no real as such) and dogmatism (in its many guises, be it scientism, religious fundamentalism, etc) – are both variations on the theme of denial of the ineluctable antinomy of Being. Both idealism and realism contain kernels of truth, but in canonising one side of the antinomy and marginalising the other, both are ideologies that destroy the balance required to underpin the possibilities of knowing in any genuine sense. On one hand, idealism absolutizes the rift between mind and world so that it is portrayed as an unbridgeable chasm that makes knowledge of the real impossible. On the other hand, in its claim to have captured and represented the real, there is something absurd and self-undermining in rationalistic realism, and in presenting a shrunken parody of the real it too vacates the space for nihilistic conclusions.
In seeking to do justice to both sides of the antinomy, Harries is not afraid to defend what he sees as the key insight of the Kantian antinomies that he links respectively (if unfashionably) to the transcendental and the transcendent dimensions of the real:
[T]he being of things has to be understood in two senses: what we experience are first of all phenomena, appearances, and as such their being is essentially a being for the knowing subject. Science investigates these phenomena. But the things we experience are also things in themselves, and as such they possess a transcendent being that eludes our comprehension. The identification of phenomena, of what science can know, with reality is shown to mire us in contradiction. (AB, 1)
I suggest that Harries’ stance invites comparison with other contemporary forms of hermeneutical realism, such as that developed by Günter Figal. Figal’s approach places the focus on the problem of objectivity: of the thing’s standing over against the subject as irretrievably other, even in its being understood and grasped. As Figal puts it, “[h]ermeneutical experience is the experience of the objective [das Gegenständliche]—of what is there in such a way that one may come into accord with it and that yet never fully comes out in any attempt to reach accord.” Similarly, it is this simultaneous knowability and unknowability of things that Harries highlights in his observation of the antinomy that characterises all understanding of the objective, of that which shows itself – only ever finitely and incompletely – as the real.
In the first chapter of the book, Harries sets out his account predominantly with reference not to Kant, but to Heidegger. These pages provide a condensed summary of some of the major aspects of his previously published readings of Heidegger that gather around this theme. For Harries, the confrontation with the antinomy of Being is at the heart of a key tension in Being and Time, a tension that Heidegger repeatedly returns to for the rest of his life. Even if Heidegger never used the term, Harries asserts that it is directly evoked in his notion of “the ontological difference” (the difference between beings and their Being [Sein]), for to attempt to think this difference Heidegger, he claims, “had to confront the Antinomy of Being” (AB, 15). As Heidegger outlines in §§43-44 of Being and Time, but more directly in his summer 1927 lecture course, there is a formidable problem here. On one hand, without Being, there would be no beings, and so Being is transcendental. Further, there is Being only when truth (and thus Dasein) exists, for without Dasein, there would be no revelation of beings. But on the other hand (and here the antinomy becomes evident), it cannot be said that beings, or nature as such, only are when there is Dasein. Nature does not need to be revealed to Dasein (there need be no event of truth) in order to be what it already is. We do not create beings; they “are given to us,” and our “experience of the reality of the real is thus an experience of beings as transcending Being so understood” (AB, 15). Being “transcend[s] … the Dasein-dependent transcendental Being to which Being and Time sought to lead us” (AB, 14). The antinomy of Being thus arises in this distinction Heidegger implicitly notes “between two senses of Being: the first transcendental sense relative to Dasein and in this sense inescapably historical, the second transcendent sense, gesturing towards the ground or origin of Dasein’s historical being and thus also of Being understood transcendentally” (AB, 15-16).
To be sure, with this Heidegger interpretation Harries intervenes in well-established debates within (especially American) Heidegger scholarship. However, unlike the way much of that debate circles around early Heideggerian thought (and sometimes only Division 1 of Being and Time), Harries is concerned with the way that this same issue continued to play out – albeit in different terms – in Heidegger’s later works. For example, he makes the interesting (unfortunately undeveloped) suggestion that Heidegger sometimes looks to differentiate these two senses of Being via the introduction of the Hölderlin-inspired spelling “Seyn” or in placing “Sein” under erasure. “Sein and Seyn are the two sides of my antinomy,” he explains: “Being understood as the transcendent ground of experience (Seyn) transcends Being understood transcendentally (Sein)” (AB, 16). However, the attempt to comprehend … the presencing (das Wesen) of Seyn will inevitably “become entangled in some version of the Antinomy of Being. Thus:
Any attempt to conceptually lay hold of that originating ground threatens to transform it into a being, such as God or the thing in itself and must inevitably fail. Here our thinking bumps against the limits of language. Being refuses to be imprisoned in the house of language. And yet this elusive ground is somehow present to us, calls us, if in silence, opening a window to transcendence in our world. (AB, 16)
For Harries, the notion of the Kehre in Heideggerian thought – understood as Heidegger himself presents it, as “a more thoughtful attempt to attend to the matter to be thought” – is a step made necessary by “the antinomial essence of Being, which denies the thinker a foundation.” Indeed, Harries goes still further in doubling back to Kant: the “Antinomy of Being shows us why we cannot dispense with something like the Kantian understanding of the thing in itself as the ground of phenomena, even as the thing in itself eludes our understanding” (AB, 16-17).
In Chapter 2 (“The Antinomy of Truth”), Harries continues his engagement with Heideggerian thought, specifically concerning the paradox of language. Accordingly, language is both the way that beings are revealed and thus (transcendentally) come to be for us, whilst also limiting us to a finite encounter with the real that in itself transcends the limits of linguistic and thus worldly presentation. In other words, as Heidegger emphasised time and again (though it is also an insight voiced throughout philosophical history, from Plato to Wittgenstein and beyond), language both reveals and conceals the real, both revealling and “necessarily cover[ing] up the unique particularity of things” (AB, 25). Harries illustrates this point by opening the chapter with citations from Hugo von Hofmannsthal’s evocative 1902 “Letter of Lord Chandos,” before then showing how Hofmannsthal’s insights were already voiced by figures as diverse as Aquinas, Kant and Nietzsche. After focusing on “the truth of phenomena” through a Kantian lens (in the course of which he illuminatingly quotes Copernicus on his own distinction between appearance and actuality in planetary observation), Harries then provides an extended analysis and critique of Heidegger’s account of truth. In partially sympathising with Tugendhat’s critique of Heidegger’s early notion of truth as alētheia, Harries goes on to maintain that transcendental subjectivity only makes sense in the context of transcendental objectivity. The real is only ever encountered and uncovered perspectivally, but the (infinite) array of possible perspectives (via the contingencies of worlding) points to a transcendent whole that is nonetheless inaccessible in its completeness to the finite subject:
To understand the subject as a subject that transcends all particular points of view is to presuppose that consciousness is tied to perspectives but transcends these perspectives in the awareness that they are just perspectives. The transcendental subject has its foundation in the self-transcending subject. (AB, 45)
In Harries view, in its focus on the finitude of phenomenological access, Heidegger’s early position fails to do justice to this larger context: Heidegger’s fundamental ontology “suggest[s] that the perspectival is prior to the trans-perspectival without inquiring into the meaning of this priority.” Further, it must be recognized that “the perspectival and the transperspectival cannot be divorced,” for human self-transcendence “stands essentially in between the two” (AB, 45). Nonetheless, even given this critique, Harries continues to insist, with Heidegger, on the ineluctability of finitude:
[T]he transcendental philosopher remains tied to a given language and subject to the perspectives it imposes, even as he attempts to take a step beyond them. The absolute of which he dreams must elude him. The pursuit of objectivity cannot escape its ground in the concrete. (AB, 45)
Chapter 3 (“The Architecture of Reason”) is largely devoted to the relationship between Kant and Nietzsche on this question. Focusing especially on the latter’s essay “On Truth and Lies in an Extra-moral Sense,” Harries is in agreement with Nietzsche in his staunch opposition to linguistic realism: words do not simply express the inner essence of the things they re-present. “What we can grant him is that the thing in itself remains quite incomprehensible,” and so “what we are dealing with are always only appearances.” However, Harries also wants to insist on the key distinction between the thing-in-itself and objective appearance as such. After all, if the phenomenon just is the self-giving of the thing as it is – albeit finitely and perspectivally – then this makes sense of the possibility of similar perceptions; and this in turn is what makes shared concept formation possible. Furthermore, he argues, it is only thus that Nietzsche is able to sustain his own “social contract theory of language” (AB, 55). But on the other hand, Nietzsche’s linguistic idealism produces a savage critique of scientific rationalism which, he suggests, fails to see that its concepts are really metaphors, the product of the imagination. Concepts are “the ashes of lived intuition”, and scientific rationalism is therefore nothing other than a chasing after shadows. In leaving behind lived experience, science leaves us with death: a “columbarium of concepts” (AB, 63).
This link between science and loss – of the dangers of intellectualism that imperils the natural human experience of the real – is accentuated in the following chapter (“The Devil as Philosopher”) that presents an intriguing diptych of Fichte and Chamisso. Harries’ engagement with the former – who is his major philosophical interlocutor in this chapter – surveys the train of thought that led Fichte to the nihilism of his absolute idealist conclusions. But he also addresses the sense in which Fichte’s path of thought equivocally led out the other side through his conception of “conscience” by which a disinterested intellectualism is replaced by a spirit of conviction. It is thus that Harries sees Fichtean thought as subject again to “the call of reality, which is submerged whenever the world is seen as the desiccated object of a detached, theoretical understanding” (AB, 77). The hinge of the aforementioned diptych is made possible by Fichte’s historical exile from Jena to Berlin, where he met and befriended the romantic poet Adelbert von Chamisso, author of the cautionary tale of Peter Schlemihl. In Harries’ interpretation, Schlemihl – a character who (Faust-like) bargains with a demonic (Mephistopheles-like) philosopher to trade his shadow for unending wealth – is emblemic of the dark side of Enlightenment reason that would have us lose our natural embodied selves, our cultural and social particularities, our “homeland,” in pursuit of the ashes and emptiness of objectivity, soulless freedom and universal reason. Only disembodied ghosts cast no shadows. As Nietzsche would later suggest, disembodied reason is a form of living death. The rationalistic road by which Fichte would propose the inescapable mirror of consciousness that posits the world through its own volition is yet another form of failing to think through both sides of the antinomy of Being.
This leads Harries the full circle back to Heidegger, in a chapter titled “The Shipwreck of Metaphysics”, but also to a very contemporary application of the Heideggerian problematic. He begins by recalling his diagnosis of the antinomy of Being that emerges from Heidegger’s early thought (two irreducibly opposed senses of Being), and he notes Heidegger’s own admission (in his 1946/47 “Letter on Humanism”) that “[t]he thinking that hazards a few steps in Being and Time has even today not advanced beyond that publication.” Harries has us dwell on this impass with Heidegger. Was the whole incomplete project of Being and Time was therefore a dead-end? For Heidegger, it was not simply a “blind alley” (Sackgasse), but something far more telling: a Holzweg. The path of his thought was a very particular kind of losing of one’s way that is typical of “a genuinely philosophical problem” as Wittgenstein would put it (AB, 86). The Holzweg of Heideggerian thought leads us directly into the to the aporia of Being as such.
Harries goes on in this chapter to provide a very contemporary and “concrete” illustration of how this plays out in our own time with regard to the contortions of scientific materialism. He might have chosen any number of interlocutors in this field, but instead (in another hint of Harries’ intellectual generosity) he selects an interlocutor close at hand: a philosophically-minded colleague from Yale’s computer science department, Drew McDermott. With a nod to the medieval doctrine of “double truth” (condemned at Paris in 1277), Harries notes the way that his colleague is completely committed to the basic proposition that the natural sciences hold the key to all that is, can be, and will be understood, even as he admits that science cannot explain key aspects of our first-person experience of the world, including values we hold to be true. In this, he was inspired by Heidegger’s account of Dasein’s Being-in-the-world (that undermined a materialist “present-at-hand” projection of the world) , even though his commitment to the scientific attitude puts him at loggerheads with Heidegger. Harries sees in McDermott’s apparent cognitive dissonance the very aporia with which Kant and Fichte wrestled, and to which Heidegger’s own work was also to point.
The following chapter (“Limits and Legitimacy of Science”) expands upon this problem of the incompatibility of science with meaning, seen through the lens of the nineteenth century German physicist Heinrich Hertz (in his search for simple comprehensive scientific principles to comprehend the world), the early Wittgenstein (who despite similar aspirations famously concluded that “the sense of the world must lie outside the world”), and Kant (who similarly wanted to entirely affirm the scientific attitude even as he affirmed the truth of dimensions that transcend, and are precluded by, the sciences: freedom, immortality, God).
What begins to emerge in Chapter 7 (“Learning from Laputa”) are twin themes that will come to dominate the later parts of the book: the notion of seeking to escape from the confines of earthly existence through rationality and scientific application, and the theme of being-at-home. Harries’ major inspiration here is Swift’s portrayal of the Laputians in Gulliver’s Travels, who in creating their flying island revel in their (albeit ambiguous) transcendence of standard physical constraints and social bonds. These men of Laputa literally “have their heads in the clouds,” as they exist detached from their earthy home. Indeed, Harries notes the allusions here to Aristophanes’ The Clouds, and he sees both productions as parodies of rationalistic hubris (AB, 119). Here we see the link made to Heidegger’s critique of technology, which not only involves the triumph of curiosity (seen also in the Laputians), but also the flight from grounded human dwelling. Like Peter Schlemihl, with technological enframing, we lose our shadows.
Harries’ upward orientation continues in Chapter 8 as he turns to the cosmological revolution of the sixteenth century. A key figure here is Giordano Bruno, whose execution is understood in the context of an absolute commitment to the sovereignty of rational freedom, and more specifically the implications of his championing of the idea of infinite time and space. In such a universe, conceptions of boundedness, constraint, society, embodiedness, home and homecoming – one might say facticity – are lost. As Nietzsche pointed out, there is no longer any horizon, no up or down. But Harries similarly points to the earlier tradition of Germanic mysticism (from Walther von der Vogelweide, to Ruysbroeck, to Eckhart and Suso) that made similar gestures toward the power of self-transcendence and freedom of thought to leave the body behind and even challenge the boundary between the human and the Divine. Here the thinking of space through intellectual freedom leads to antinomy. On one hand, space must be limited, since otherwise location would be impossible; but on the other hand, space cannot be limited since there can be nothing outside of space.
On the basis of this extensive groundwork, in Chapters 9 and 10 Harries turns, respectively, to other Kantian antinomies: concerning freedom and time. With reference also to Fichte, he sets out the terms of Kant’s antinomy of freedom: that on one hand there are two kinds of causality in the world (via laws of nature, and via the law of freedom, since otherwise it would be impossible to account for spontaneous events that are not reducible to natural cause and effect), while on the other hand freedom is clearly precluded by the necessary laws of nature (since otherwise the flow of events would lose their regularity). He follows this line of thought into Kant’s Critique of Judgment, in which freedom is defended “from a practical point of view” in terms of the experience of persons (AB, 159). But again, Harries is keen to show the perennial nature of this problem, returning to the Paris Condemnations to show that these same irresolvable issues are at play both in terms of the understanding of God’s freedom (Divine voluntarism vs rationalism) and human freedom (in the context of knowledge and sin).
The richly textured chapter on Kant’s antinomy of time (that draws in also Plato’s Timaeus, Aristotle, Rilke and Heidegger), takes a series of perspectives on the theme. On one hand, time must be bounded (and the world must have a beginning), since otherwise there could be no foothold in time within which events could occur. But on the other hand, it makes no ordinary sense to conceive of an event outside of time, so time must be infinite. As Harries points out concerning the latter, Kant is thinking here of the idea of time as a complete and infinite whole, an incomprehensible “noumenal substrate.” Here the notion of the sublime in the third Kritik is helpful. Sublime nature, for example, cannot be phenomenonally comprehended as a whole, but it can be thought, and here reason comes to the fore even as imagination and understanding are outstripped. This power of reason to think the infinite, points to the human capacity to transcend its finitude in a certain sense at least that nonetheless conflicts with the ongoing finitude of understanding. The noumenal is thinkable, but not understandable.
It is perhaps something of a shortcoming of the book that Harries doesn’t do the detailed work of relating the structure of the Kantian antinomies in general to his proposal about the antinomy of Being as such. However, the main outlines can be inferred. The logic would seem to be that the “thesis” and “antithesis” sides of Kant’s antinomies speak to the two senses of Being that Harries delineates: the transcendental and the transcendent (or the phenomenological and the noumenal). If, for Kant, transcendental idealism was the means by which these two were held in tension, Harries would seem to be suggesting that we need a robust sense of the Holzwege that both joins and separates what Heidegger wrote of as Realität and des realen: worldly reality and the inaccessible real.
The final chapters of the book (Chapter 11 on “The Rediscovery of the Earth”, and Chapter 12 on “Astronoetics”) focus on this notion of the tension between human finitude and our attractedness to the heavens, to the infinite. We live with a double truth here: we are at home in our local domestic communities even as we are aware that we dwell on a planet that is spinning through space at extraordinary speed. Some of us long to realise the ubiquitous human desire to transcend our earthly dwelling place (as seen in ancient theories and myths, from Thales, to Vitruvius, to Icarus, to Babel, to modern hot air balloons and space flight), and the recent innovation of literal astronautical transcendence of the earth’s atmosphere has given us a taste of what this might mean. In our own times, there is talk of humanity becoming a space-travelling, multi-planetary species. However, Harries insists that we remain mortals, and (for the foreseeable future) creatures of the earth. The brave new world of space flight remains parasitic on the rich and nurturing resources of our home planet. He goes on to reminds us of the long tradition of Christian suspicion of pagan hubris (Augustine vs Aristotle): yes, we are made in God’s image, but human curiosity is also at the root of the fall.
These many themes are continued into the chapter on Astronoetics. The key question here concerns the human relationship to our origin: our earthly home. Are there limits to human self-manipulation and our manipulation of the earth? In order to think through such questions, aeronautics needs to be complemented by what Hans Blumenberg termed astronoetics: the act of thinking or dreaming our way imaginatively through space while remaining “safely ensconced at home.” (AB, 189). This is eventually a matter of thinking deeply about what is at stake in human ambition. Harries presents Jean-François Lyotard and the artist Frank Stella as representatives of the alternative he terms “postmodern levity.” This approach is uninterested in what they characterise as the modern (philosophical and artistic) nostalgic longing for a “lost centre or plenitude,” instead freely revelling in immanence and innovation. If modern art, in its “unhappy consciousness” is “never quite at home in the world,” the post-modern is characterised by a resolute this-worldliness (AB, 204). If modernity looks to evoke that which is finally unpresentable, artists like Frank Stella strive to create works of art that simply satisfy, are fully present, and eschew any ambition to point beyond themselves to obscured dimensions of truth or reality. Needless to say, such an approach is the antithesis of Harries’ account of the incomprehensible presence of the real in things as ordinary and precious as the experience of other human beings and the beauty of nature (see AB, 209).
It cannot be said that Harries’ Conclusion (titled “The Snake’s Promise”) succeeds in pulling together the various threads of his rich and ambitious book. But then again, for a book that deals with the the irreducible antinomy of Being, this seems apt. There are no neat resolutions to be had here. Perhaps this is already intimated in the re-encapsulation of the meaning of the antinomy of Being with which the chapter begins: that “reality will finally elude the reach of our reason, that all attempts to comprehend it will inevitably replace reality with more or less inadequate human constructions.” (AB, 216) In musising further on Heidegger’s critique of technology, Harries shows himself to be largely on the same page as Heidegger, though he is slightly sceptical about a simplistic nostalgic call to return to a pre-industrial golden age. Science and technology have profoundly changed our context, and there is no lineal return.
However, what the final pages do provide is a concluding and scathing critique of the distortions and banishments of the real by science, by art, in education and in popular culture. Science “seeks to understand reality in order to master it” (AB, 233), but in this never-ending quest, it reduces the real through perspectivalism and objectification, alienating us from it. Second, “aestheticizing art” obscures the real insofar as in simply looking to entertain it asks nothing of us. In both cases, the real lies inaccessible and largely forgotten behind the image. In fact, neither the artist, nor the scientist, are second Gods (as per the snake’s promise in the garden), for the work of both is parasitic on the underlying reality that make them possible. Third, and worse still, is the aestheticization of thinking itself: “the transformation of humanistic scholarship into an often very ingenious intellectual game.” (AB, 233) Fourth, and worst of all, is the attempt to aestheticize reality, especially by technological means, for in this way, reality is counterfeited; the real becomes the surreal.
Where does Harries’ extraordinary book leave us? Perhaps most of all with a plea to respect the real, by making a space for its unexpected appearings, to await its uncontrolled showings, and to resist the temptation (driven by our own anxieties) to partialize or even falsify it. I can do no better than to end with Harries’ own appeal:
[E]very attempt to [manipulate reality] … makes us deaf to its claims, denies us access to its transcendence in which all meaning finally has its ground, a ground that by its very essence will not be mastered. To open windows to that reality we must find the strength to abandon the hope to take charge of reality, the hope to be in this sense like God. Only such strength will allow us to be genuinely open to the claims persons and things place on us, will let us understand that we do not belong to ourselves, that we cannot invent or imagine what will give our lives measure and direction, but have to receive and discover it. (AB, 233-34)
 See Karsten Harries, “The Antinomy of Being and the End of Philosophy,” in Division III of Heidegger’s Being and Time: The Unanswered Question of Being, ed. Lee Braver (Cambridge, MA: MIT Press, 2015), 133-47; Harries, “The Antinomy of Being: Heidegger’s Critique of Humanism,” in The Cambridge Companion to Existentialism, ed. Steven Crowell (Cambridge: Cambridge University Press, 2012), 178-198; and Harries, Wahrheit: Die Architektur der Welt (München: Wilhelm Fink Verlag, 2012). For a thoughtful engagement with the last of these, see Steven Crowell, “Amphibian Dreams: Karsten Harries and the Phenomenology of ‘Human’ Reason,” in Husserl, Kant and Transcendental Phenomenology, ed. Iulian Apostolescu and Claudia Serban (Berlin: de Gruyter, 2020), 479-504.
 For more on this, see my “Thomism and Contemporary Phenomenological Realism: Toward a Renewed Engagement,” American Catholic Philosophical Quarterly 95, no. 3 (2021): 411–432 (esp. 417ff).
 Günter Figal. Objectivity: The Hermeneutical and Philosophy. trans. Theodore George (Albany: State University of New York Press, 2010), 2.
 For a not dissimilar reading of the dynamics at play in this area of early Heideggerian thought, and of how this plays out in his later thought, see my “The Incomprehensible ‘Unworlded World’: Nature and Abyss in Heideggerian Thought,” forthcoming in The Journal of the British Society of Phenomenology.
 See, e.g., Martin Heidegger, Being and Time (Oxford: Blackwell, 1962), 255 [SZ: 212]; Heidegger, History of the Concept of Time (Bloomington: Indiana University Press, 1985), 217 [GA20: 298].